UGEC AD

ALICE REYES DANCE PHILIPPINES,

THE CULTURAL CENTER OF THE PHILIPPINES,
CCP PROFESSIONAL ARTIST SUPPORT PROGRAM
with the generous support of
BIRCH TREE ADULT BOOST

present

Directed by Roneslon Yadao

Choreography by Ronelson Yadao, Erl Sorilla, John Ababon, AL Abraham, Dan Dayo,
Bonnie Guerrero, Lester Reguindin, and Alice Reyes, National Artist for Dance
Story and Libretto by Ronelson Yadao and Eljay Castro Deldoc
Film Director and Story Consultant: Carlos Suigion-Reyna
Music Composed by National Artists for Music Ryan Cayabyab, Felipe de Leon, Levi
Celerio with Juan Silos Jr. and Serapio Y. Ramos, Andrei Dionisio, Jose Javier Reyes,
Vicente D. Rubi, Ador Torres, Manuel Villar, and Brigido Batungbakal
Musical Arrangements by Ryan Cayabyab, National Artist for Music
Musical Recordings Peformed by San Miguel Philharmonic Orchestra
and San Miguel Master Chorale
Lighting Design and Technical Direction by Barbara Tan-Tiongco
Production Design by Ricardo Eric Cruz
Executive Producer: Aaron Veloso
Premiered in 2022

METROPOLITAN THEATER

DEC 1 | 7:30 PM
DEC 2 | 2:00 PM
DEC 2 | 7:30 PM
 SYNOPSIS
PUSO NG PASKO, the first full-length, all-Filipino Christmas ballet captures the true spirit of Paskong
Pinoy as Lolo Val, now living in New Jersey, recalls to his young granddaughter,Angelita the magical Christ-
mases of his youth in Tres Reyes with his barkada. This production features beloved scenes of Christmas
caroling, Simbang Gabi, eating bibingka and puto bumbong, plazas decorated with big parols, and beau-
tiful Christmas decorations. It also features different fiestas across the Philippine islands in celebration
of regional festivities.
PASKO NA NAMAN
Music composed by National Artists for Music
Felipe de Leon and Levi Celerio
Choreography by Erl Sorilla
NOCHE BUENA
Music composed by National Artists for Music Felipe de
Leon and Levi Celerio
Choreography by Erl Sorilla
MALIGAYANG PASKO AT MANIGONG BAGONG TAON
(BELENISIMO)
Music composed by Vicente D. Rubi and Mariano Vestil
Tagalog Lyrics by National Artist for Music
and Literature, Levi Celerio
Choreography by Ronelson Yadao
This is a tribute to Tarlac’s Belenisimo, the art of
making a tableau representing the nativity scenes, a
province-wide community undertaking of Tarlaqueños
that has earned the province the title “Belen-making
capital of the Philippines.”
KAMPANA NG SIMBAHAN (PAHIYAS FESTIVAL)
Music by Juan Silos Jr.
Lyrics by Serapio Y. Ramos
Choreogrpahy by John Ababon
A nod to Lucban’s Pahiyas festival when the townsfolk
celebrate in thanksgiving for a bountiful harvest.
Colorful leaf-shaped decorations called Kiping along
with vegetables, fruits and flowers are used to
decorate the facades of homes.
HETO NA NAMAN ANG PASKO (RIGODON DE HONOR)
Music by National Artist for Music, Ryan Cayabyab
Lyrics by Jose Javier Reyes
Choreography by Lester Reguindin
The stage is filled with Ninongs and Ninangs as they
dance the Rigodon de Honor. A nod to the traditional
formal dance that evolved from dances brought to the
Pacific islands by Spanish settlers in the sixteenth
century.
MANO PO NINONG, MANO PO NINANG
Music by Ador Torres
Lyrics by Manuel Villar
Choreography by Alice Reyes
4
MALIGAYANG PASKO (SAYAW SA BANGKO)
Music by National Artist for Music, Ryan Cayabyab
Lyrics by Jose Javier Reyes
Choreography by Ronelson Yadao
An homage to Sayaw sa Bangko (“dance on a bench”),
a folk dance from Pangasinan province usually per-
formed during town fiestas.
SA PASKONG DADATING (HIGANTES FESTIVAL)
Music composed by Serapio Y. Ramos
Choreography by Ronelson Yadao
The Higantes Festival is held annually In Angono,
Rizal, where hundreds of giant papier-mâché puppets
are paraded. The Children of Tres Reyes are treated to
a Higantes inspired Santa Clause.
TULOY PA RIN ANG PASKO
Music by Andrei Dionisio
Choreography by Lester Reguindin
ANONG GAGAWIN MO NGAYONG PASKO
Music and Lyrics by National Artist for Music, Ryan
Cayabyab
Choreography by Bonnie Guerrero
KUMUKUTIKUTITAP
Music by National Artist for Music, Ryan Cayabyab
Lyrics by Jose Javier Reyes
Choreography by Dan Dayo
ISANG TAONG LUMIPAS
Music by National Artist for Music, Ryan Cayabyab
Lyrics by Jose Javier Reyes
Choreography by AL Abraham
PAYAPANG DAIGDIG
Music by National Artist for Music, Felipe de Leon
Lyrics by Brigido Batungbakal
Choreography by Alice Reyes
A light show begins. Inspired by The Festival of Lights,
or Pandang Gitab. It is the official festival of the
province of Oriental Mindoro.
NOCHE BUENA (CODA)
Music composed by National Artists for Music
Felipe de Leon and Levi Celerio
 THE CAST
THE BARKADA
PRESENT PAST
Val Val
Audie Gemora Ejay Arisola | Ricmar Bayoneta
Sab Sab
Liza Dela Fuente Monica Gana | Katrene San Miguel
Osang Osang
Imelda Tatad-Pagdanganan Janine Arisola | Michaella Carreon
Teroy Teroy
Gener Caringal Erl Sorilla | Renzen Arboleda
Caloy Caloy
Mario “Butch” Esperanza Tim Cabrera | Richardson Yadao

Angelita
Trisha Gabrielle DP. Lim

Taumbayan
Sarah Alejandro, Dan Dayo, Ma. Celina Dofitas, Lester Reguindin, Karla Santos,
Francia Alejandro, James Galarpe, Cheska Vasallo, Gianna Hervas,
Crizza Urmeneta, Justin Joseph Fraginal, Cristian Valerio,
Isabelle Viktoria Sebastian, Raisa Matteo, Reese Matteo

Maria Therese DL. Caraan, Keisha Cristobal, Lukas Rafael DJ. Palacpac, Raya Martine Sulangi,
Pablo Miguel DJ. Palacpac, Althea Nicole Ruga, Julia Eliza Torrabla

Rigodon de Honor

Ma. Celina Dofitas | Sarah Alejandro John Ababon

Ella Puyat Dan Dayo
Christine Crame Justin Joseph Fraginal
Marylee Mendoza Cristian Valerio
Rubylee Gomez Marvin Arizo
Cristina Keppler Michael Abuel
Emy De Veyra Nicky Uy
Lora Benedicto Michael Robert Alviar

5
 The Cultural Center of the Philippines was created in 1966 with the purpose of promoting and
preserving the best of Filipino arts and culture. Since then, the CCP has sought to embody the
values of katotohanan (truth), kagandahan (beauty) and kabutihan (goodness).The CCP has
been at the forefront of culture and the arts for over 50 years and continues to work with the
government, business, academe, and international community for a thriving local creative
industry that respects tradition, spurs innovation, increases social awareness, and enriches
the Philippine brand and economy.

The best artists from all over the country and around the world have enthralled Filipinos
onsite (at the CCP venues), offsite (at regional venues) and online.

Performing companies representing dance, music and theater reside within the CCP. It has
four resident dance companies, Tanghalang Pilipino is the CCP’s resident theater company
while music is represented by the Philippine Philharmonic Orchestra, the UST Symphony
Orchestra, the Philippine Madrigal Singers and the National Music Competitions for Young
Artists Foundation (NAMCYA).

The CCP also covers the film and broadcast arts, as well as the literary and visual arts,
encouraging the growth of aspiring artists in these fields through numerous workshops,
seminars, anthologies, exhibits, symposia as well as competitions and awards. In line with its
mission to support creative entrepreneurship, the CCP created the Virgin Labfest for untried,
untested, and unstaged plays and is a leading force behind The Cinemalaya Independent
Film Festival. Its Arts Education Program nurtures the next generation of artists and the
audiences who will support their work through training, exposure and audience development
activities.The Cultural Content Program develops engaging content for digital formats and
new technologies.

Through its Cultural Exchange Program, the CCP supports the growth and development
of arts councils all over the country through relevant workshops and seminars.Through
exchange programs with these organizations and with other institutions, Filipinos have been
able to glimpse the beauty of different cultures from various countries, witnessing many a
triumphant performance from highly- acclaimed artists all over the world.

The CCP continues to emphasize the Filipino pagmamalasakit (compassion) in its programs
that highlight the virtues of galing, galang and dangal (excellence, respect and integrity),
reaffirming its commitment to the growth and development of the Filipino nation and its arts
and culture.

6
 BOARD OF TRUSTEES
Chairman
Jaime C. Laya, Ph.D.

Vice Chairpersons
Maria Margarita Moran-Floirendo
Atty. Lorna P. Kapunan
Trustees
Moises Benedict S. Carandang Michelle Nikki M. Junia
Junie S. Del Mundo Atty. Lorna P. Kapunan
Marivic H. Del Pilar Stanley B. Seludo
Maria Margarita Moran-Floirendo Isidro A. Consunji
Jonathan M. Velasco

CCP OFFICIALS
Michelle Nikki M. Junia
President Ad Interim

Dennis N. Marasigan
Vice President and Artistic Director

Eva Mari D. G. Salvador Manuel B. Cabalejo

Department Manager Department Manager
Arts Education Department Internal Audit Department

Mauro Ariel S.R. Yonzon Dennis P. Lopez

Department Manager Department Manager
Production and Exhibition Department Finance Services Department

Carmencita J. Bernardo Elaine S. De Padua

Department Manager Department Manager
Cultural Exchange Department Marketing Department

Teresa S. Rances Eugene A. De Los Santos

Department Manager Orchestra Director
Administrative Services Department Philippine Philharmonic Orchestra

Atty. Krischelle B. Matas-Malabanan Libertine S. Dela Cruz

Department Manager Officer-in-Charge
Human Resource Management Department Cultural Content Department

7
 Alice Reyes Dance Philippines (ARDP) is the newest and most exciting addition to the Filipino dance scene.
Founded by National Artist for Dance, Alice Reyes, the company focuses on dance education, mentoring,
and creating new generations of Filipino dancers and choreographers, as well as showcasing an intangible
heritage that every Filipino can be proud of, the astounding breadth of Filipino Works by National Artists
and the top Filipino choreographers from 1969 on to today.

In continuing the legacy of the company’s artistic consultant and National Artist for Dance, Alice Reyes, in
fostering the creation of Filipino choreography with local music to Filipino themes and social mores, the
company strives to inspire current and future choreographers to look at the different beautiful facets of our
culture to create original Filipino works.

The company has been granted opportunities by the Cultural Center of the Philippines to be part of its
educational and production projects. The collaboration with the CCP Arts Education Department has
resulted in over 2,500 classes taught and more than 40 extensive educational materials on the field of
dance covering Classical Ballet, Modern and Contemporary Dance, Jazz, and Hip Hop.

A part of the CCP’s Professional Artist Support Program (PASP), the company, along with regional
participants under their tutelage, continues to create educational content and new choreographic works,
including Erl Sorilla’s GHOSTLIGHT (2020), Ronelson Yadao’s ANG KABALIGTARAN NG GUNAW (2021), TULOY
ANG PASKO (2020) in collaboration with National Artist for Music Ryan Cayabyab, and VISAYAN SUITE OF
DANCES (2022) with a grant from the National Commission for Culture and the Arts.

In 2022, ARDP and the PASP have partnered to present PULSO PILIPINAS I, together with guest artists from
the regions, and three other productions: PULSO PILIPINAS II: ALAY nina ALICE at AGNES, a showcase of
Masterworks by National Artists for Dance Agnes Locsin and Alice Reyes, PREMIERES AND ENCORES, and
PUSO NG PASKO.

This year, we continue to celebrate the best of Filipino talents. With award-winning productions that feature
masterpieces in the Filipino Dance Repertoire, Agnes Locsin’s ENCANTADA (April), Alice Reyes’ RAMA, HARI
(September), CARMEN AND OTHER SPIRITS (October), a mixed bill featuring Alice Reyes’ CARMEN with
brand new works by the top Filipino Choreographers, and the celebration of Paskong Pinoy with PUSO NG
PASKO, the artists of the PASP and ARDP share a new and exciting season of Dance.

Ronelson Yadao Gregory Francis Banzon

Artistic Director Chairman

Rubylee Gomez Liliane Rejante Manahan

School Director President
BOARD OF TRUSTEES
Cristina Santos Keppler Richard Christopher Upton
Cornelio Abuda Bienvenido Alano Jr.
Cesar Ricardo Toledo Michael Manalo

8
 When the COVID-19 pandemic struck in 2020, and lockdown restrictions were imposed, companies –
including arts companies – were forced to shut down. Artists and workers in the arts, especially the
performing arts, were laid off or suspended, losing their means of livelihood.

The Cultural Center of the Philippines came to the aid of a group of dancers, offering them the opportunity
to earn a living by teaching, and by conducting workshops and seminars online through the CCP Arts
Education Department in partnership with the Department of Education. Spearheaded by then CCP board
chair Margie Moran-Floirendo, the Professional Dance Support Program (PDSP) was established.

Working from home and then, when restrictions eased, from open areas of the CCP like the lobby and
ramp, the dancers received training in both Classical Ballet and Modern Dance. Later on, the program
included displaced dancers from Ballet Manila, Philippine Ballet Theatre and Steps Dance Studio as
they worked with different choreographers to create new works which were presented online in the CCP’s
“Dance On!” Series.

In December 2021, as restrictions in Manila further eased and live performances were allowed, the
culminating program, “A Christmas Celebration,” was presented live at the Main Theater with the
premiere of “Tuloy Ang Pasko.”

In 2022, the program expanded to include not just dancers but other workers in the performing arts, and
the program was re-named the Professional Artist Support Program (PASP). It successfully presented
a full season with four acclaimed productions in 2022 at the Cultural Center of the Philippines. It
continues to present Filipino masterpieces with its 2023 Season.

Regional Dance Training Program

Through the CCP Arts Education Department, Regional Participants were given the opportunity to train
online as well under the PASP and ARDPs roster of professional dance artists under the PASP Regional
Dance Training Program. The chosen Regional Participants had access to classes in Classical Ballet,
Modern Dance, Hip Hop, Jazz, and Contemporary Dance taught by the country’s best dance professionals.

Ryan Christopher Abad Nicole Macandog Maychiellyn Lero

Paulline Angeles
Kathleen Joy Apdal
Mark Jerome Bono
Fionabelle Marie Cabe
Jesee Denise Francisco
Eldie Gabo
Jenris Bernard Garcia
Catherine Kaye Kabristante
Marielle Lacamento Quithana
Kimberly Lee
Aletheia Manalo Kayezell Pajarillo
Jabez Job Sta. Ana Aaron Pascua
Alyanna Dexel Torte Natalie Alyza Jane Rabina
Crizza Jayne Urmeneta Dylzaree Recentes
Kryss Andrei Basona Arjay Trinidad
Samantha Bernadas Zhella Marie Vidal
Jan Olivier Eviota Graille Rey Villarosa
Hanz Cydeil Fernandez Shakira Luz Ynzon
Justine Therese Fuertes
John Lloyd Gracia

10
11
 ARDP/PASP: Truly Dance Philippines
The Alice Reyes Dance Philippines and the Professional Artist Support Program have been dancing all over
the Philippines. Starting from its launch in Dapitan, Zamboanga del Norte in July 2022, the company has
performed in nearly ten cities outside Metro Manila.

But even before they formally launched as a company, these dancers were reaching out. Through the
CCP’s Arts Education Department and the Department of Education, they held dance classes, lectures,
and workshops, all online throughout the pandemic months, turning bedrooms, living rooms, and even
hallways into studios. Students and teachers from Benguet to Samar to Cagayan participated in these
online sessions.

Under trying conditions of the pandemic – constant testing, distancing (no partnering), dancing with
masks in un-air conditioned spaces to allow proper ventilation, they danced and choreographed and
rehearsed, coming up with an online dance series – the CCP’s Dance ON! – in 2021. This included a new
Christmas piece, TULOY ANG PASKO, a defiant affirmation that the virus would not be the grinch that would
steal Christmas.

Dance ON! and TULOY ANG PASKO were viewed by thousands all over the country – and even abroad –
through the CCP channel and Facebook page. When COVID restrictions allowed live performances in 2021,
this intrepid group staged the CCP’s first live concert, TULOY ANG PASKO, which also featured excerpts from
Sleeping Beauty.

During their first season, the company staged new and treasured works in the Filipino dance repertoire,
ending with PUSO NG PASKO in December 2022, the first full-length, all-Filipino Christmas ballet.

They then took to the road. In May 2023, as they were in the middle of their second season of performances,
ARDP/PASP embarked on their first national tour. In partnership with local government units, the company
was able to touch major cities outside of Manila and the Visayas starting with Muñoz, Nueva Ecija; then
Himamaylan City, Negros Occidental; Dumaguete, Negros Oriental; Bacolod City, Negros Occidental; and
Ormoc, Leyte.

During the tours, the artists also held master classes and workshops in technique, movement, and
choreography, thereby discovering talents in the grassroots. Some of these talents have been training with
ARDP/PASP professionals through the PASP Regional Dance Training Program.

To cap its 2023 season, ARDP/PASP takes PUSO NG PASKO on tour. This iconic celebration of the Pinoy
Christmas starts with three performances at the Metropolitan Theater in Manila, then it moves on to
Angeles City, Pampanga; Tarlac City, Tarlac; and then to Muñoz City, Nueva Ecija.

Performances will also be held at Malacañang and at the Handog Saya celebration in Makati. It has been
an exciting albeit hectic year for ARDP/PASP, fulfilling its mission of not only presenting the highest quality
works by Filipino artists but also to bring the arts, particularly dance, all over the country. Indeed, for these
talented and dedicated artists, have dance, will travel.

PUSO NG PASKO 2023 LUZON TOUR

December 7, 2023 | Thursday | Angeles City, Pampanga

December 10, 2023 | Sunday | Malacañang Palace, Manila
December 13, 2023 | Wednesday | Tarlac City, Tarlac
December 15, 2023 | Friday | Muñoz, City, Nueva Ecija

12
13
 THE METROPOLITAN THEATER

The Metropolitan Theater was first inaugurated on 10 December 1931 to serve as a National Theater.
This structure was designed by Architect Juan Arellano, and contains the artworks of National Artist
Fernando Amorsolo, Vidal Tampingco, and Professor Francesco Riccardo Monti. Currently, it is the
largest art deco heritage building still existing in the Philippines.

The MET was declared a National Historical Landmark on 21 October 1976, and a National Cultural
Treasure on 23 June 2010. After a series of inaugurations and closures because of war, bankruptcy,
and disrepair, the MET was bought by the National Commission for Culture and the Arts in 2015,
with the support of President Bengino S. Aquino III. After two years, restoration works commenced,
in partnership with the National Historical Commission of the Philippines and the National Museum
of the Philippines. Works on the Theater were completed in 2021, and it was inaugurated for the
fifth occasion on 10 December 2021. It is dedicated once more to giving the Filipino people a chance
to watch performances highlighting original Filipino theatrical performances, dances, music, and
film. Through this, the People’s Theater aims to contribute not only in providing entertainment
and cultural education, but also in strengthening our national identity and in fostering creative
industries.

The MET, together with other performing venues in Manila, serves as home for some programs of the
Cultural Center of the Philippines, while the Tanghalang Pambansa undergoes renovation. Under
the sponsorship of the Professional Artists Support Program of the CCP, the Metropolitan Theater is
where the Alice Reyes Dance Philippines holds workshops, company classes and daily rehearsals
for its 2023 season. At the invitation of then Theater Director Aaron Veloso, ARDP has performed in
the MET since 2020, through the initiative and support of former and current NCCA Chairpersons
Arsenio Lizaso, Rene Escalante, and Ino Manalo. Together with the CCP, the ARDP and the MET have
successfully brought back to the stage treasured works from the Filipino dance repertoire, all of
which were eventually streamed online for audiences in the country, and beyond.

14
 Ronelson Yadao
ARDP Artistic Director
Ronelson Yadao has danced on many stages around the
world. He came back home after dancing with Cloud
Gate Dance Theater of Taiwan with a renewed passion to
share all that he had learned. Some of the roles he has
performed as a professional dance artist include the lead
in Norman Walker’s “Songs of the Wayferer”, ‘Don Rafael’
in Alice Reyes’ “Amada” and ‘Romeo’ in her “Romeo and
Juliet. In this current season of the company, he has tackled
roles such as ‘Estrangero’ in Agnes Locsin’s “Encantada”
and ‘Rama’ in Alice Reyes’ “Rama, Hari”. A talented
choreographer, he has created notable works including
“Sama-Sama,” “Ma,”, “Maupay” and “Balanghai” for the
18th Cinemalaya Film Festival. As the artistic director of
ARDP, he views things with a fresh perspective and desire’s
to make dance accessible to everyone. He has conducted
dance workshops including the 2022 Dapitan Movement
Workshop and the CCP Professional Artist Support Program
Dance Workshops in ARDP’s Visayas Tour last July. Ronelson
is also currently the Associate Artistic Director of the Guang
Ming College (GMC) Artist Residency Program in Tagaytay
and is also a dance residency artist of the University of Makati. His duet entitled “Two” makes a return to
the stage this year in “Carmen and Other Spirits”.

DIRECTORS NOTES ON PUSO NG PASKO

“
When we set out to create a Christmas
production in 2020, it was to tell a story
that reflected what was happening with
COVID at that time. TULOY ANG PASKO
is the story of old friends, separated by
distance and the pandemic, reliving the joys of the
holidays of their youth. We are thankful to have had
the opportunity to create, film, and premiere the
performance in 2020 amidst a pandemic and then
stage it live as one of the first dance productions to
open the Cultural Center of the Philippines in 2021
as it reopened its doors to audiences.
This year, as times have changed and things start to
open up again, we envision the piece to evolve into
a holiday tradition for the Filipino family similar to
The Nutcracker, but with themes and a story that
is reflective of the Filipino and our celebration and
love for family during the holiday season.
In this current iteration of our story, now titled
PUSO NG PASKO, we have Lolo Val passing down
his memories of Filipino Christmas traditions to
his granddaughter, Angelita, who grew up in the
United States. We also added scenes inspired by
the different festivals in the Philippines adding to
the concept that Christmas is the biggest Fiesta
in the country and how Filipinos celebrate in many
creative ways.
I am thankful to be collaborating with our amazing
roster of Filipino choreographers to bring our story
to life. Erl Sorilla, John Ababon, AL Abraham, Dan
Dayo Jr., Bonnie Guerrero Jr., and Lester Reguindin
all have beautifully distinct choreographic styles
but we were able to find and work with our shared
influences and create a strong and cohesive piece
where the choreography compliments each moment
in the story. We credit this to the invaluable
mentorship of our National Artist for Dance, Alice
Reyes. Her insight and mastery of storytelling
through dance continue to guide us as we develop
our story further.
I am also grateful to all of our collaborators
who have helped us in putting this production
together. My co-librettist, Eljay Castro Deldoc,
whom I worked with on the script and story with
inputs from Carlos Siguion-Reyna, to match his
masterful cinematography for the film scenes;
Dennis Maristany for consulting with us on the
costume design; Eric Cruz, for his production
“
designs and Barbie Tan-Tiongco, for her lighting
design, both of which transport us across space
and time; and finally, our National Artist for Music,
Ryan Cayabyab, for his musical arrangements of
timeless Filipino Christmas Songs performed by
the San Miguel Philharmonic Orchestra
and the San Miguel Master Chorale. May
this production bring us a joyous sense
of home, love, and family this holiday
season. MALIGAYANG PASKO!
15
 THE CHOREOGRAPHERS
Ronelson Yadao
Maligayang Pasko at Manigong Bagong Taon, Maligayang Pasko

Ronelson is a dance artist with 16 years of professional experience in

dance theaters in Asia, the US, Canada, and Europe. Among his works
as a choreographer are MA, MAUPAY, TWO, SAMA-SAMA, to the music of
National Artist Ryan Cayabyab, as well as ANG KABALIGTARAN NG GUNAW,
a dance film produced by the CCP with music and film direction by Jerold
Tarrog. In 2020, he became a grantee, choreographer, and Modern Dance
ballet master of the CCP Professional Dance Support Program. Now the
artistic director of ARDP, he desires to make dance accessible to everyone.
While still actively dancing, he choreographs and teaches, conducting workshops all over the country. In
2022, he directed the acclaimed Filipino Christmas Ballet, PUSO NG PASKO. He recently facilitated workshops
for ARDP’s 2023 Visayan Tour which touched various students from the cities of Himamaylan, Dumaguete,
Bacolod, and Ormoc. He is also currently the Associate Artistic Director of the Guang Ming College (GMC)
Artist Residency Program in Tagaytay and is also a dance residency artist of the University of Makati.

Erl Sorilla
Pasko Na Naman, Noche Buena

Erl is an accomplished dancer and has choreographed notable pieces

including LANGIT LUPA and THE WEIGHT ON OUR TOES. His works have
received recognition including the Trudl Dubsky Award in the first CCP
Ballet Competition in 2014. In 2020, he danced and choreographed with
the faculty of the CCP Dance Workshop. He became a grantee of the
CCP’s 2021 Professional Dance Support Program where he choreographed
MUSA for its culminating program. Erl currently dances, teaches, and
choreographs with Alice Reyes Dance Philippines. His recent works in the
VISAYAN SUITE OF DANCES have been a staple in the company’s touring repertoire since its launch in
Dapitan City last July 2022.

Lester Reguindin
Tuloy Parin Ang Pasko, Heto Na Naman Ang Pasko

Lester participated in the CCP Resident Dance Company’s Young

Choreographer’s Showcase in 2019 where he choreographed WE MEN,
which was later performed in the production of Alice & Friends and more
recently in the CCP Dance Series’ PULSO PILIPINAS I. In 2020, Lester
choreographed and danced for CCP’s online Christmas Offering, THE
NUTCRACKER and TULOY ANG PASKO. As a creative grantee of the CCP’s
2021 Professional Artist Support Program, his piece NOW was featured in
the CCP’s online dance series, Dance On! It premiered online 2021 and
makes the jump to the stage as a featured piece in ARDP’s CARMEN AND OTHER SPIRITS. One of his recent
works, GOMBURZA, was a culminating choreographic study for the PASP in 2022. It was later commissioned
by UP Arts and Culture Festival under the direction of Josefina Estrella. In 2023, Lester took on his first major
project as a restager with National Artist for Dance, Alice Reyes’ Filipino Rock Opera Ballet, RAMA, HARI.

16
 John Ababon
Kampana ng Simbahan

John has been dancing professionally since 2012 and has ventured into
choreography. Among his works are HAPPY THOUGHTS, which won the
Trudl Dubsky Zipper Award for outstanding choreography in the 2018 CCP
Ballet Competition Junior Category. In 2020, John was part of the faculty
of the CCP Dance Workshop and in 2021, he became a grantee of the
CCP Professional Dance Support Program where he choreographed IN THE
MIDST OF OVERCOMING and INLABABO for the program’s culminating online
show, DANCE ON!. In 2022, John focused on choreographing and premiered
his work, KAMPANA NG SIMBAHAN, in the first full-length, all-Filipino, Christmas Ballet, PUSO NG PASKO.
His PASAYAWA KO ’DAY was part of the VISAYAN SUITE OF DANCES, a strong piece in the repertoire of the company.
John returned to ARDP in 2023 as a dancer and choreographer.

AL Abraham
Isang Taong Lumipas

After graduating with a Diploma in Creative Performing Arts from UP,

AL pursued his professional dance career at the CCP. AL has created
many pieces like KADA PANINGKAMOT, a solo choreographed for the
Young Choreographer Showcase. In 2020, he was one of the dancers and
choreographers for the CCP Christmas offering Tuloy Ang Pasko! With
Alice Reyes Dance Philippines, AL continues to dance and choreograph.
His KADA PANINGKAMOT was restaged and included in the Visayan Suite
of Dances.

Dan Dayo
Kumukutikutitap

Danilo holds a Bachelor of Performing Arts Degree major in Dance from

the De La Salle College of Saint Benilde. A budding choreographer, among
his works are TORPE, BELLE DONNE and MALAMANYIKA, and DANSE
MACABRE. A member of the faculty of CCP Dance Workshop, he performed
and created the dance piece KUMUKUTIKUTITAP in CCP’s 2020 Christmas
offering TULOY ANG PASKO. He was a grantee in the 2022 Professional
Artist Support Program and is currently a choreographer and member of
Alice Reyes Dance Philippines.

Bonnie Guerrero
Anong Gagawin Mo Ngayong Pasko

Bonnie is a professional dancer, choreographer, dance teacher, and Pilates

instructor. His choreographies have been featured in the CCP resident
dance company shows such as HUGOT SA ROSAS and BAGONG SAYAW. His
MAGDALENA was presented in the 2018 Young Choreographers Showcase.

17
 COLLABORATORS
Alice Reyes
National Artist for Dance
Artistic Consultant and Mentor

A beautiful dancer, an innovative choreographer, a nurturing

teacher, and director, Alice Reyes is a name that is revered
in the Philippine dance scene.

Having a background in Classical Ballet and Philippine

Folk Dance, she was one of the youngest members of the
Bayanihan Philippine National Dance Company. She continued her dance training in the
U.S, finishing with an MFA in Dance, from Sarah Lawrence College in New York.

Reyes became the first in the Philippines to introduce Modern Dance and professionalize
dance as a career. Along with Eddie Elejar, Tony Fabella and Gener Caringal, she formed
the CCP Dance Workshop and the CCP Dance Company which would eventually be known
as Ballet Philippines. This professional company has grown and produced many teachers,
choreographers, dancers, and captivating productions.

Reyes’ extensive body of choreographic work is a powerful expression of the Philippines’

unique history, art, and heritage. Her classic works include “Amada”, “Itim Asu”, “Tales
of the Manuvu”,“Rama Hari” and “Bungkos Suite”.

Alice Reyes was declared a National Artist for Dance by President Benigno S. Aquino III
through Proclamation No. 807 and was conferred at the Malacanang Palace on April 14,
2016.

Currently, Alice Reyes is the artistic consultant for the Professional Artist Support Program
and the Chairman Emeritus of Alice Reyes Dance Philippines. She has collaborated
with the CCP and its Arts Education Department in its educational thrusts, audience
development, and regional outreach, as part of their Professional Artist Support Program.
She actively works for continued support for new works by this generation of Filipino
choreographers.

18
 Ryan Cayabyab
National Artist for Music
Musical Arrangements

Composer, arranger, producer, music director, conductor,

performance artist, television show host, music educator,
and arts administrator, Ryan Cayabyab attended the
University of the Philippines educational system from grade
school to college and taught for almost 20 years at the UP
College of Music. He was the only Asian winner in the 2001
Onassis International Cultural Competitions.

As music director, conductor and accompanist, he has performed in the Lincoln Center,
the Carnegie Hall, the Kennedy Center, the Washington Convention Center, the Shrine in
Los Angeles, the Orpheum in Vancouver, and even the Circus Maximus of Caesar’s Palace
in Las Vegas. He has traveled as music director of various concerts in Southeast Asia,
Australia, Germany, France, Spain, the Netherlands, Japan and the United States. He has
worked in the same shows with Sammy Davis, Jr. (Las Vegas, 1980) and Frank Sinatra
(Manila,1994).

As a composer, his eclectic output traverses age, unraveling an abundance of musical

gems: several masses, a violin concerto, two full-length ballets, twelve musicals, an
opera, solo and ensemble instrumental pieces, short symphonic works, numerous film
and television scores, three one-man a cappella albums, solo CDs, and a hefty yield of
popular songs recorded by top Filipino singers spanning over three decades. Among his
many awards are the TOYM (1978), Gawad CCP (2004), Lifetime Achievement from AWIT
Awards (1996) and from Aliw Awards (2008), and recently a Papal Award Pro Ecclesia
et Pontifice in 2013 for his invaluable contribution to sacred music literature in the
Philippines.

Ryan has done advocacy work in music education and the promotion of original Pilipino
music through the Philippine Popular Music Festival and other projects.

Conferred with the Order of National Artist for Music on October 25, 2018 and as a
laureate of the Ramon Magsaysay Awards in 2019, he continues to teach in his music
school, and in various national workshops run by NGOs and other music organizations in
the pursuit of educating young musicians and creative music artists.

19
 Barbara Tan-Tiongco
Technical Director & Lighting Designer

Barbie Tan-Tiongco is a graduate of B.A. in Broadcast Communication from

the University of the Philippines in the Visayas, Barbara received her MFA
in Technical Design and Production at Yale University School of Drama with
support from the André Pierre Salim Fellowship in 2013. She received the
Asian Cultural Council (ACC) Grants for the ACC New York Fellowship in
2002 and the Fukuoka International Exchange Grant for Stage Designers
and Technicians in Fukuoka, Japan in 2008. In 2009, she was a recipient of
ACC Philippines’ Fellowship Grant for a five-month apprenticeship with Yale
School of Drama Adjunct Professor and renowned lighting designer Jennifer Tipton.

In 2022, she received the University of the Philippines Gawad Tsanselor (Chancellor’s Award) for her
outstanding contributions to the Research, Extensions, and Professional Staff (REPS), specifically the
Extensions Division. She is currently the University Extension Specialist for the University of the Philippines-
Diliman Theater Complex.

Eric Cruz
Production Designer
A Communication Arts graduate, Eric was a production design student
and apprentice of the late Salvador Bernal, National Artist for Theater
Design. When Bernal headed the Production Design Center of the CCP in
1987, he asked Eric to be part of his team. In 1994 when Bernal left the
CCP to focus on the academe, Eric took over the design unit. Since then,
Eric has been designing various productions in theater, music, dance and
events, including the 2022 production of Tuloy Ang Pasko that was created,
performed, shot and streamed online amidst a global pandemic.

Eric worked on the various activities and ministerial meetings of the 2014-2015 Asia Pacific Economic
Cooperation held in the country. At the recently concluded 30th ASEAN Summit in Manila, he designed the
welcome dinner for the heads of state in April, the stage for the 50th Anniversary ASEAN Finance Ministers
and Founding Anniversary in August at the Philippine International Convention Center, the site enhancement
for the 31st ASEAN Summit Welcome Fanfare at the Clark International Airport, the CCP Lobby for the Opening
Ceremonies and the stage for the 31st ASEAN Summit Closing and Handover Ceremonies at the Philippine
International Convention Center.

20
 Eljay Castro Deldoc
Co-librettist

Recipient of the 2021 NCCA Writers Prize, Eljay Castro Deldoc is a Bulacan-
based writer, translator, director, and educator. Some of his most notable plays
were mounted at The Virgin Labfest, including the Palanca-winning “Pilipinas
Kong Mahal With All the Overcoat”. A few of his works were also staged in
California, Canada, Germany, and Saudi Arabia. His most recent projects
include a screenplay for a short dance film entitled “Ang Kabaligtaran ng
Gunaw,” co-written and directed by Jerrold Tarog, and the financial literacy web
series “Dami Mong Alam,” produced by VISA and Tanghalang Pilipino. Eljay is currently taking up his graduate
studies at the De La Salle University. His first book of play scripts was recently published by Isang Balangay
Productions.

Carlitos Siguion-Reyna
Film Director and Story Consultant

Carlitos Siguion-Reyna is a multi-awarded film director. After graduating

from Ateneo de Manila University with a degree in Interdisciplinary Studies,
he took his masters in Film Production in New York University where his
thesis film, “Patas Lang”, was awarded in the narrative category of the
1989 Nissan FOCUS (Student Film) Awards. He has received many awards
in international festivals including the Singapore International Film Festival,
Berlin International Film Festival, Newport Beach International Film Festival
and the San Diego Asian Film Festival.

He has directed numerous TV shows and films including Aawitan Kita, Hari ng Tondo and the 2012 revival of Walang
Sugat. He teaches film at the University of the Philippines Film Institute, the Directors’ Guild of the Philippines,
the Cultural Center of the Philippines, and the Mowelfund Film Institute. He is the assistant arts professor in the
New York University Tisch School of Arts Asia in Singapore. He is president and director of Reynafilms Inc. which
has directed 13 feature films and one movie for television, some of which have won awards in major international
film festivals abroad.

21
 GUEST ARTISTS
Audie Gemora
Lolo Val

Audie a stage, television, and film actor, singer, recording artist, dancer, host,
on-camera & voice talent for TV and radio commercials, director, choreographer,
producer, and educator. But he is primarily associated with theater, having appeared
in over 40 plays ranging from Broadway productions to original Filipino works.

He has won awards for his performance in Sweeny Todd, The Producers, La Cage
Aux Folles, and The Dresser. He is thus rightfully dubbed “King of Philippine Musical
Theater.” In 2013, the CCP featured Audie in a solo biographical concert entitled I
Was Here as part of its “Triple Threat Series”.

He co-founded one of the leading theater companies in the country, Trumpets, which has produced musical hits
including the long-running Joseph the Dreamer. For Stages, the sister company of Trumpets, he produced Footloose,
High School Musical, West Side Story, and Peter Pan.

Most recently, Audie took on the singing role of King Dasaratha in the iconic Rock Opera Ballet, RAMA, HARI.

Trisha Lim
Angelita

Trisha Lim started her dance training at the age of four under the tutelage of Vella
Damian at Colegio San Agustin in Makati. She joined the CCP Dance Workshop in
2017 under the tutelage of Audrey Austria and Karla Javier.

She continued her dance training amidst the pandemic with the School of Alice Reyes
Dance Philippines and made her dancing and acting debut in the role of Angelita,
with ARDP’s Puso ng Pasko in 2022. She returns to the role for the 2023 run.

PUSO NG PASKO 2022

22
 THE ARTISTS

John Ababon
Davao City
John started dancing with Ann Grace Daque in Cagayan de Oro and continued
his training at the Locsin Dance Workshop in Davao City under National
Artist for Dance, Agnes Locsin. He has been dancing professionally since
2012 and has ventured into choreography. Among his works are “Happy
Thoughts”, which won the award for outstanding choreography in the 2018
CCP Ballet Competition Junior Category. In 2020, John was part of the faculty
of the CCP Dance Workshop. In 2021, he became a grantee of the CCP
Professional Dance Support Program (PDSP). He choreographed two pieces
for the program’s culminating online show, “Dance On!”, “In the Midst of
Overcoming” and “Inlababo”. In 2022, John focused on choreographing. His
“Pasayawa Ko ‘Day” was part of the “Visayan Suite of Dances”, a strong piece in the repertoire of the company.
He also choreographed “Kampana ng Simbahan” for the all-Filipino Christmas Ballet, “Puso ng Pasko”, which
premiered in December 2022. John joined ARDP this year and has danced notable roles including ‘Estranghero’
in Agnes Locisin’s “Encantada” and ‘Dasaratha” in Alice Reyes’ “Rama, Hari”.

Sarah Alejandro
Davao City
Sarah began her dance training at five years old at the Locsin Dance Workshop
under National Artist for Dance, Agnes Locsin. She is one of the most reliable
members of the company. Fondly called “Mommy Sawee,” she goes out of her
way to help others be it in dance or in life. Sarah is an expert in multi-tasking.
She is a beautiful dancer, having danced featured roles in her professional
dance career, such as ‘Tadtarin’ in Alice Reyes’ “Amada”, which won her a
Gawad Buhay Award, and one of the solos in the “Grand Pas de Quatre” for
CCP’s “Dance On!” Online Series. She began the company’s season essaying
the titular role in “Encantada.” Sarah has also portrayed other roles this year
such as “Soorphanaka” and “Gintong Usa” in the recent shows of Alice Reyes’
‘Rama, Hari”. An active member of the ARDP, she is part of the administrative
team and also acts as our in-house doctor. She is also currently part of the faculty of the University of Makati
teaching classical ballet. One day, she hopes to have her own ballet school with her husband, Lester Reguindin,
to teach and hone students to be beautiful artists and contributing individuals of society.
23
 Renzen Arboleda
Tondo, Manila City
Renzen is a hard-working dancer well-trained in classical ballet,
contemporary, jazz, and street dance, with an intense desire for
continuous technical and performing improvement. Renzen has
grown as a young professional with the company. He has been
part of projects with CCP including the Professional Dance Support
Program and its live show “A Christmas Celebration” in December
2021. Renzen is now one of the company’s up-and-coming
artists dancing featured roles including AL Abraham’s solo “Kada
Paningkamot”, one of the men in Agnes Locsin’s “Moriones” and
Lakshmana in Alice Reyes’ “Rama, Hari”. In the future, he hopes to become a wealthy and successful
entrepreneur so that he can build his own school and help less fortunate kids have equal opportunities
in his hometown, Tondo, Manila.

Ejay Arisola
Iloilo City
Ejay may be quiet but his dancing booms louder than any voice.
A respected and strong dancer, he has performed a wide range of
notable roles including ‘Bonifacio’ in Agnes Locsin’s “La Revolucion
Filipina”, ‘Prince Charming’ in Alice Reyes’ “Cinderella” and ‘Young
Val’ in “Tuloy Ang Pasko!”. For the Professional Dance Support
Program’s “Dance On!” online series in 2021, Ejay essayed the role
of ‘Conrad’ in the “Grand Pas de Trios” from “Le Corsaire.” He has
been part of many projects with CCP such as being a demonstrator
for the “From The Artist’s Perspective” online lecture series. In this
current season of ARDP, he danced as one of the four ‘Moriones’ in Agnes Locsin’s “Encantada” and the
titular role in Alice Reyes’ “Rama, Hari”. Ejay yearns for growth in dance or in life. In his downtime,
he watches a lot of movies, TV series, and anime, getting inspiration from the stories they depict. One
can see how he applies all he has learned to his life’s learning processes, finding joy and fulfillment in
life’s challenges.

Janine Arisola
Iloilo City
They say great things come in small packages. Janine is just that
with her beautiful and effortless dancing. She has essayed featured
roles as a professional dance artist such as ‘Tinkerbell’ in Edna
Vida’s “Peter Pan” and ‘Princess Florine’ in “The Sleeping Beauty.”
With the ARDP, she has performed in different choreographic works
including Ronelson Yadao’s “Ma” and “Chitchiritchit” from Alice
Reyes’ “Bungkos Suite”. She has also danced in choreographic
gems such as the role of ‘Salome’ in Agnes Locsin’s “Salome at
Elias” and ‘Kaikeyi’ in Alice Reyes’ “Rama, Hari”. Many look up to
her for her determination and willpower. As an “ate,” she shares her knowledge, giving guidance to her
co-dancers. Janine is also treasured for being one of the tidy and organized dancers in the company as
you will always see her things placed in a neat and ordered manner.

24
 Ricmar Bayoneta
Iloilo City
Ricmar has a presence that people are drawn to when he’s onstage.
Ricmar started dancing at the age of 16. He was very eager to learn
different styles of dance and eventually ventured into a professional
Dance Career. He has worked with notable choreographers and
directors including National Artists for Dance, Alice Reyes and Agnes
Locsin, Alden Lugnasin, Augustus “Bam” Damian, and Edna Vida.
With ARDP, he originated the role of ‘Young Teroy’ in “Tuloy Ang
Pasko!” and the male lead in Lester Reguindin’s “We Men.” Outside
of dancing, he also worked as one of the assistant videographers in
the CCP Professional Dance Support Program’s Online series, “Dance On!” This season, Ricmar has come
back to full-time dancing after a serious injury. He recently performed as “Hanuman” in Alice Reyes’
“Rama, Hari”.

Krislynne Buri
Manila City
Krislynne is a sport-loving dancer from Manila. She started
taking the art of dance seriously when she got accepted at
Philippine High School for the Arts as a Ballet major. She
participated in various productions with Makiling Ballet such
as “La Bayedere,” “Don Quixote,” “Nutcracker,” and “Giselle,”
where she landed her very first lead role. She then got an
opportunity to work with professional dancers from Ballet
Philippines when she joined Adam Sage’s restaging of “Swan
Lake,”. Aside from ballet, she is also proficient in other dance
genres such as Contemporary, Modern, and Folk dance. Two years after graduating from PHSA,
she is now dancing with ARDP, following her passion to pursue being a professional dancer. With
the company, she has danced in Agnes Locsin’s “Encantada” and as ‘Gintong Usa” in Alice Reyes’
“Rama, Hari”. When not in school or in dance, Krislynne enjoys spending her time by watching
movies, reading books, and playing with her pets.

Tim Cabrera
Marikina City
Tim is known for his bountiful energy and mature interpretation of
the roles he is given. If he weren’t a dancer, he could have been
an athlete. Whether it’s in or out of dance, one can see that Tim
does everything with 100% dedication and commitment. His power
and athleticism are clearly seen in the range of choreographic works
he has performed including the role of ‘Lysander’ in Carlo Pacis’ “A
Midsummer Night’s Dream” and ‘Bonifacio’ in “Rock Supremo”. With
the ARDP, he has depicted different characters showing his masterful
artistry in pieces such as John Ababon’s “Pasayawa Ko ‘Day”, ‘Gomez’
in Lester Reguindin’s “Gomburza” and his recent role of ‘Ravana’ in Alice Reyes’ “Rama, Hari”. Among his
co-dancers, Tim is known for his playfulness making the atmosphere light and joyful.

25
 Michaella Carreon
Quezon City
Eager, and full of motivation, Micha is one of the ARDP young dancers
with much to offer. After graduating from the College of Saint
Benilde, she started her professional dance career, performing in the
company’s varied repertoire including Edna Vida’s “Limang Dipa” and
JM Cabling’s “I Wanna Say Something” She also performed as the
lead in Ronelson Yadao’s piece, “Balanghai,” for the 18th Cinemalaya
Film Festival. This season she has performed choreographic classics
including Agnes Locsin’s “Encantada” and as ‘Kooni’ in Alice Reyes’
“Rama, Hari”. When she isn’t in the studio, Micha enjoys outdoor
activities, such as hiking, and indoor activities like playing the ukulele.

Dan Dayo
Muñoz, Nueva Ecija
One will immediately watch Dan with his high jumps, big movement,
and solid or “bato” body, as his co-dancers would describe. He has
done many featured roles as a seasoned professional dance artist
including Lester Reguindin’s “Gomburza,” the lead couple in Erl
Sorilla’s “Kasadya” from “Visayan Suite of Dances,” ‘Puck’ in Carlo
Pacis’ “A Midsummer Night’s Dream” and one of the creations in
Redha Benteifour’s “Opera.” He has been part of many projects
for CCP such as being a demonstrator for the “From the Artist’s
Perspective” online lecture series and his performance in multiple
choreographic works for the Professional Dance Support Program’s “Dance On!” Online series. With ARDP,
Dan has performed many choreographic gems including Agnes Locsin’s “Moriones”, the male dancer in
the segment of “War” in her “Igorot” as well as ‘Hanuman’ in Alice Reyes’ “Rama, Hari”. Dan is also a
young choreographer, one of his recent works being the lively “Kumukutikutitap” in the original production
of “Tuloy Ang Pasko!”. In the future, he wishes to have his own dance school and train the next generation
of dancers in his hometown, Muñoz, Nueva Ecija
.

Ma. Celina “Macel” Dofitas

Bacolod City, Negros Occidental
It’s easy to spot Macel with her long legs and beautiful feet. She
has taken on different roles and pieces as a professional dance
artist such as Alden Lugnasin’s solo entitled “This is My Life”,
‘Myrtha’ in “Giselle” and one of the leads in Carlo Pacis’ “Weighted
Whispers”. With the ARDP, she has performed as the female lead in
Lester Reguindin’s “We Men” and the solo ‘Dandansoy’ in Alice Reyes’
“Bungkos Suite”. In this 2023 Dance Season, she has essayed the
titular role in Agnes Locsin’s “Encantada” as well as ‘Soorphanaka’
and ‘Kooni’ in Alice Reyes’ “Rama, Hari”. Macel is an ambitious and
driven dancer who finds an opportunity to be better every day. She is also a dance residency artist of the
University of Makati.

26
 Monica Gana
Manila City
Monica is known to be quite soft-spoken but, when dancing on stage,
she sparkles with energy. As a professional dance artist, Monica
has enjoyed roles portraying different characters including ‘Kitri’
in Adam Sage’s restaging of “Don Quixote”, ‘Juliet’ in Alice Reyes’
“Romeo and Juliet” and the second couple in Denisa Reyes’ “Love
Lies Bleeding”. With the ARDP, Monica has performed roles such as
the heartbroken woman in Erl Sorilla’s “Ay, Kalisud” from “Visayan
Suite” and ‘Young Sab’ in “Tuloy Ang Pasko!”. She most recently
performed as ‘Sita’ in Alice Reyes’ “Rama, Hari”. She has been part
of many projects with the CCP such as being a lecturer for the “From the Artist’s Perspective” online
lecture series. Monica currently is a professor in dance program of the College of Saint Benilde. She hopes
to continue helping students grow and learn more about themselves through dance.

Lester Reguindin
Cavite City
When Lester is on stage, one will immediately notice his long lines
and the strong quality of his dancing. He has essayed many featured
roles as a seasoned professional dance artist such as ‘Oberon’ in
Carlo Pacis’ “A Midsummer Night’s Dream”, ‘Manama’ in Alice
Reyes’ “Tales of the Manuvu” and one of the trio in Biag Gaongen’s
“Re-FORM” for the Professional Dance Support Program’s “Dance
On!” Online dance series. With the ARDP, he has danced featured
roles including the lead in Erl Sorilla’s “Tong Tong” from “The
Visayan Suite of Dances”. This 2023 dance season, he has essayed
in different roles including ‘Fraile’ in Agnes Locsin’s “Encantada” and ‘Dasaratha’ in Alice Reyes’ “Rama,
Hari”, where he was also the restager of the Filipino Rock Opera Ballet. As a choreographer, he has
created notable works such as “We Men”, “Gomburza” and “Tuloy na Tuloy Parin” in “Puso ng Pasko”. His
“NOW”, which premiered online for the CCP’s “Dance On!” online series in 2021, makes a stage premier in
“Carmen and Other Spirits”. Lester is also quite the chef cooking delicious dishes like baby back ribs. In
the future, he would like to open a dance school and restaurant with his wife, Sarah Alejandro.

Katrene San Miguel

Quezon City
Katrene is blessed with the ideal ballerina physique, coupled with
strength, flexibility, and masterful technique. She has essayed
classical ballet roles such as ‘The Sugar Plum Fairy’ in “The
Nutcracker” and ‘Aurora’ in “The Sleeping Beauty”. Katrene has
also performed notable contemporary dance pieces such as Gia
Gequinto’s “Sun Down” and John Ababon’s highly-comedic duet,
“Pasayawa Ko ‘Day”. With ARDP, she has performed choreographic
classics including ‘Salome’ in Agnes Locsin’s “Elias at Salome” and
‘Sita’ in Alice Reyes’ “Rama, Hari”. Katrene is active as the ARDP
Social Media Officer. She also teaches classical ballet in various dance schools. Katrene is also known to
be a DIY gal, making her own soap, shampoo, and facial serums which she shares with her co-dancers.
27
 Karla Santos
Cavite City
Karla will make you smile with her jolly and sweet demeanor.
Though she is one of the younger company members, she has
a lot of professional experience behind her with roles such as
‘Lisa’ in “Ang Pilya,” and ‘Dandansoy’ in Alice Reyes’ “Bungkos
Suite”. In CCP’s “Dance On!” Online series, she performed in
Erl Sorilla’s “Musa” and Lester Reguindin’s “NOW.” With ARDP,
she has performed choreographic gems including Agnes Locsin’s
“Encantada” and in the role of “Kaikeyi” in Alice Reyes’ “Rama,
Hari”. Karla likens herself to a butterfly, beautiful in all its stages.
One can see how true this is as she goes into each day with perseverance looking forward to learning
something new every day.

Erl Sorilla
Iloilo City
One’s eyes will immediately be drawn to Erl who dances with
beautiful lyricism. A seasoned professional dance artist, he has
performed featured roles such as the first couple in Denisa Reyes’
“Love Lies Bleeding” and one of the couples in Bam Damian’s “After
Whom”. He has also been part of projects with the CCP such as
the “Dance On!” Series, where he was featured as a dancer in John
Ababon’s moving solo, “Inlababo”. With ARDP, he has performed in
various choreographic works including Agnes Locsin’s “Moriones”,
one of the male dancers in the ‘Hunter’ segment of her “Igorot”, the
lead in JM Cabling’s “I Wanna Say Something” and ‘Lakshmana’
in Alice Reyes’ “Rama, Hari”. Erl is also a talented choreographer taking inspiration from our unique
existence of being Filipino. His notable choreographic works include, “The Weight on Our Toes”, “Langit-
Lupa”, “Motherland” and “Musa”, which was featured in “Dance On!”. Erl’s latest work is his three
pieces in “The Visayan Suite of Dances”. In the future, he hopes to develop Philippine Dance as an
inspiration to the entire dance community.

Richardson Yadao
Malate, Manila
Richard is known to brighten up a room with his personality and
wit. He has danced many notable roles as a professional dance
artist such as ‘Rama’ in Alice Reyes’ “Rama, Hari”, ‘Aguinaldo’
in Agnes Locsin’s “La Revolucion Filipina” and ‘Albrecht’ in
“Giselle”. With the ARDP, he has performed many notable pieces
including the solo “Mamang Kutsero” from Edna Vida’s “Limang
Dipa”, the male in the “Courtship” of Agnes Locsin’s “Igorot”
and in Redha’s “The Hope of Tomorrow” and “Man Sitting on the
Couch”. This 2023 dance season, he has essayed in the roles
of ‘Fraile’ in Agnes Locsin’s “Encantada” and ‘Ravana’ in Alice
Reyes’ “Rama, Hari”. Richard has a deep passion for dance and
has a desire to help communities make their lives better with the
gift of dance. Richard was part of the CCP Sining Galing Arts Therapy Program and Sining sa Eskwela
in Surigao del Norte. He is also a dance residency artist of the University of Makati and a faculty of the
Asian Institue of Maritime Studies. If he wasn’t dancing, he could be a comedian and would surely make
everyone fall off their seats with laughter.

28
 P A R T I C I P AT I N G G R O U P S
School of Alice Reyes Dance Philippines
Founded by Alice Reyes, National Artist for Dance, the School of Alice Reyes Dance Philippines aims to
produce the next generation of dance artists, teachers and choreographers that embody the pinnacle
of Filipino dance.

With the pursuit of artistic excellence, the School of ARDP offers dance technique classes for children
ages 4 through 12, adult dance classes and a pre-professional program. Affiliated with the company
of Alice Reyes Dance Philippines, all students are given opportunities to immerse themselves in a
professional dance setting. Students of ARDP are exposed to the highest standard of a career in dance
through joining company productions and mentorship under a strong network of dance professionals.

As a premier school built by Filipinos, for Filipinos, the School of ARDP is committed to discover,
develop and nurture the future performance artists of the Philippines while transforming lives
through dance.

Isabelle Viktoria Sebastian
Raisa Matteo
Reese Matteo
Maria Therese DL. Caraan
Keisha Cristobal
Lukas Rafael DJ. Palacpac Trisha DP. Lim
Raya Martine Sulangi Ella Puyat
Pablo Miguel DJ. Palacpac Marylee Mendoza
Althea Nicole Ruga Christina Keppler
Julia Eliza Torrabla Emy De Veyra

Philippine High School for the Arts (PHSA)

PHSA is a public, secular, non-profit institution that combines a general secondary education level
program with a special curriculum geared toward recognizing and developing highly talented artists
committed to the preservation, enhancement, and promotion of the Filipino heritage through culture
and the arts.
Justin Joseph Fraginal Cristian Valerio

Apprentices
These trainees were part of the strong ensemble of dancers that auditioned and performed in National
Artists for Dance, Agnes Locsin’s ENCANTADA, Alice Reyes’ RAMA, HARI, and CARMEN AND OTHER
SPIRITS.

Gianna Hervas
Cheska Vasallo
James Galarpe
Faustina Francia Alejandro
Crizza Urmeneta

30
31
 PRODUCTION TEAM
Aaron Veloso
Executive Producer

Aaron Veloso is a scholar of history, specializing on 20th century history of the

Catholic Church in the Philippines. As a heritage manager, he served as Archivist
of the Archdiocese of Tuguegarao and Assistant Executive Secretary of the
CBCP Episcopal Commission on Culture. He also supervised the restoration and
conservation of the Metropolitan Theater and served as its inaugural Director,
where he produced landmark shows such as Lapulapu: Ang Datu ng Mactan; the
Tuloy ang Palabas sa MET series of online and live programs, the concerts Bayang
Pinapangarap: Mga Awitin sa Pagdiriwang ng Ating Kasarinlan; Contra Mundum:
Ang All-Star Concert ng “Ang Larawan”; and the 2023 run of Alice Reyes’ Rama, Hari. He received his Bachelor of
Arts from the University of the Philippines Manila and his introductory theological formation from the Saint Vincent
School of Theology.

Jai Avila
Production/Stage Manager

Jai Avila worked as Resident Stage Manager of Ballet Philippines from 2011
to 2017 and became the Production and Stage Manager for the 50th Season
in 2019. Other work experience includes productions with the Cultural Center
of the Philippines, Portland Festival Ballet in Oregon, USA, Edge N’ Pointe
Dance Centre in Hong Kong, and other corporate events in the metro. He is a
graduate from the Philippine High School for the Arts and finished Bachelor
of Arts in Arts Management at De La Salle-College of Saint Benilde. He prides himself as a student artist
alumnus of Benilde-Office of Culture and Arts. Currently, he is the Coordinator and Production-Stage Manager
of Alice Reyes Dance Philippines under National Artist for Dance Alice Reyes.

Mykee Ababon
Lighting Associate

Mykee Ababon is a graduate of the BA Theater Arts program of the University

of the Philippines-Diliman. She now works as associate lighting designer
and lighting programmer for theatrical performances and live events.

Erlin Arcega
Set Supervisor

Erlin began her career with National Artist for Theater Design, Salvador
Bernal in 1980. She was hired by the CCP’s First Resident Dance Company
from 1987 to 1991 until she was eventually hired by the Cultural Center
as a contractor in 1994 and as organic staff in 1997. Among the shows
she handled are productions of various CCP resident companies, NCCA’s
Independence Day activities, National Artists’ Tributes, CCP Outreach
Division and Special Events of the CCP.

32
 CREATIVE AND PRODUCTION STAFF
Alice Reyes
National Artist for Dance | Artistic Consultant
Ronelson Yadao
Artistic Director
Ave Asuncion-Uy Katrene San Miguel
Administrator Social Media Officer
Ma. Celina Dofitas Richardson Yadao
Artistic Coordinator Social Media Contributor
Rubylee Gomez Monica Gana
School Director & Writer/Researcher
Educational Community Outreach
Kurt Copon
Jai Avila Liaison Officer
Production/Stage Manager
Annabelle Larotin
Lester Ragundin School Administrative Officer
Rehearsal Master
Gianna Hervas
Sarah Alejandro School Social Media Officer
Administrative & Disbursement Officer
Merlyn Cordial
Janine Arisola Costume Mistress
Cashier
Reymil Rapsing
Ivan Castronuevo Sheña Clare Parnoncillon
PR & Marketing Officer Assistant Stage Manager
Sheila Motomal
Marketing Officer

CCP MET
Ariel S.R. Yonzon Charlotte J. Despuez
CCP Production & Exhibition MET Technical Director

Ricardo Eric G. Cruz Ryan Jay F. Sanqui

Renee Angela Manay Errol B. Cruz
Marilou Anselmo MET Technical Operations Assistants
Francisco Galvero, Jr.
CCP Production Design Marlon L. Varga
Carlo de Jesus
Eva Mari Salvador Harold C. Cantos
Ronnie Mirabuena Jonathan Alinsunurin
Vim Calmerin Bebot Gervacio
Salve Dagñalan MET Flymen
CCP Arts Education Department

Jocel A. Pacada
Mark Jones Medina
Angelo Camus
Regie Benoza
Anthony Mapili
Rachel C. Zapata
CCP Venue Operations Team
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 SUBSCRIBERS

Abad, Theresa Gaongen, Biag Papa, Ramon

Abuda, Leo Garcia, Cherish Piad, Rex
Abrogena, Limuel Garcia, Katsy Periquet, Anna
Abuda, Leo Go, Mei-Tzi Ponce De Leon, Jaime
Acop, Rey Gomez, Gio Franco Ramirez, Jomar
Alano, Bing Gomez, Jay Ramos, Richie
Alejandro, Rosalita Gomez, Rubylee Rances, Tess
Almario, Lyn Halili, Jeng Reyes, Alice
Anonas, Nina Homann, Beatrice Reyes, Elizabeth
Arcenas, Loy Jardin, Nes Reyes, Mila
Asis, Daniel Jehremiah Jarque, Edu Rivera, Rey
Asis, Eliana Victoria Jayme, Chino Rodriguez, Ela
Asis, Samuel Jehremiah Jayme, Marco Ruga, Althea Nicole
Anzano, Daryl Audrey Jayme, Miguel Sardillo, Marco
Banzon, Greg Jose, Becca Sevidal, Perry
Basa, Aldine Juan, Chit Sevidal, Valerie
Beniabon,Danica Christine Katigbak Garcia, Gina Sicam, Darrell
Beniabon, Engr. Nelson Keppler, Cristina Sicam, Judell
Bernas, Mica Kilboy, Clarisse Sicangco-Ibarrola, Cecile
Bernas, Misha Lezama, Faye Silayan, Felici
Borbe, Benedick Legarda-Versoza, Tricie Springer, Hans-Juergen
Brion, Rofel Licuanan, Patricia Sulangi, Vivien
Brown, Lyca Benitez Lim-Go, China Sy, Elizabeth
Buensuceso, Marilou Locsin, Leandro Tabisula,Russell
Cabasan, Van Rudolph Locsin, Luis Talampas, Joel
Cabiles, Neil Adrian Manahan, Tats Tan, Dr. Michael Lim
Clarete, Mirella Manalo, Mico Tinio, Mary Ann
Condat, Sarah Maristany, Dennis Toguchi, Clay
Corpus, Gianna Medina, Isa Toguchi, Cynthia
De los Reyes, Aris Mendoza, Marylee Toledo, Ricky
Del Pilar, Marivic Mignon, Cherry Trofeo, Katherine
Dela Calzada, Joanne Ko Mignon, Sam Upton, Chris
Dizon, Nikki Miravite, Faye Upton, Sara
Escoda, Tina Montinola, Gianna Valdes, Pinky
Escueta,Gigay Morelos, MJ Valdez, Cindy Lee
Esperanza, Butch Morisson, Stephen Valdez, Jose Eduardo
Fargas Newell, Tina Mortel, Rico Velez, Cristina
Ferreria, Jomar Noble, Leslie Vijandre, Chito
Fernandez, Yael Ocampo, Bok Yu-Owen, Ruth
Fowles, Dean Olivares, Bambina Zabala, Corazon
Fusilero, Tiboy Ordinario-Joson, Camille Zarate, Ailee
Galorio, Arnel Pagdanganan, Imee Zubia, Twiggy
Gana, Manuel Pamintuan, Linda Bondoc
35
 PRESENTERS

SPONSORS

DONORS

MEDIA PARTNERS

36
 ACKNOWLEDGEMENTS

Ma. Margarita Moran-Floirendo

Eva Mari D.G. Salvador
Ariel S.R. Yonzon
Tess Rances
Elaine de Padua
Ronnie Mirabuena
Elizabeth Sy Doreen Yu
Nestor Jardin Dopy Doplon

Gregory Francis Banzon

Liliane Rejante Manahan
Cristina Santos Keppler
Cornelio Abuda
Cesar Ricardo Toledo
Richard Christopher Upton
Bienvenido Alano Jr.
Michael Manalo

Marylee Mendoza
Sara Upton
Alice Reyes
Faye Miravite
Chit Juan
Leandro Y. Locsin and Luis Y. Locsin
Jaime Ponce de Leon
Venerable Yung Guang

Emy De Veyra Perry Sevidal

Angela Berrie Imee Tatad - Pagdanganan
Audie Gemora Jeng Halili
Joselito “Toots” Tolentino Joanne Ko-Dela Calzada
Dr. Michael Tan Gina Katigbak - Garcia
Dr. Elyxzur C. Ramos CBZ Auditing and Accounting Services
Prof. Virgilio B. Tabbu Abuda Asis & Associates Offices
Jojo Mamangun

38