Theatrical movements refer to various styles, techniques, and philosophies that have influenced and shaped the world of theatre throughout history. Here's a brief overview of some major theatrical movements:
1. Classicism: Emphasized adherence to classical principles of drama, such as
unity of time, place, and action. Prominent during ancient Greek and Roman times. 2. Medieval Theatre: Predominantly religious in nature, featuring morality plays, miracle plays, and passion plays performed in churches and town squares. 3. Renaissance Theatre: Marked by a revival of classical themes and forms, with an emphasis on humanism and individualism. Notable playwrights include William Shakespeare. 4. Commedia dell'arte: An Italian theatrical form characterized by improvised performances based on stock characters and scenarios. 5. Neoclassicism: A revival of classical principles during the 17th and 18th centuries, emphasizing reason, order, and decorum. 6. Romanticism: Reacting against neoclassicism, romantic theater focused on emotion, imagination, and the supernatural. Notable playwrights include Johann Wolfgang von Goethe and Victor Hugo. 7. Realism: Emerged in the 19th century, emphasizing accurate depictions of everyday life and social issues. Notable figures include Henrik Ibsen and Anton Chekhov. 8. Naturalism: A more extreme form of realism, seeking to represent life with scientific objectivity and deterministic forces. Prominent playwright: Émile Zola. 9. Expressionism: A movement that emerged in the early 20th century, emphasizing subjective emotions and distorted reality to convey psychological truths. 10. Surrealism: Influenced by the surrealist art movement, surrealistic theater aimed to explore the unconscious mind and challenge conventional dramatic structure. 11. Theatre of the Absurd: Emerging after World War II, this movement focused on the absurdity of the human condition, often featuring illogical situations and existential themes. Playwrights include Samuel Beckett and Eugène Ionesco. 12. Postmodern Theatre: Characterized by a rejection of traditional narrative structures and a blurring of boundaries between high and low culture, reality and fiction.