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Y11swe2 Lesson MC
Y11swe2 Lesson MC
ENGLISH
PROGRAMME
SUMMARY & WRITERS EFFECT 2
Name: YEAR 11
YEAR 11 SUMMARY / WRITER’S EFFECT SKILL 2
In the previous lesson, you reviewed the basic skills involved in summary
writing. Remember that good reading and writing skills ensure that
information is understood, appropriately selected, and well-communicated.
Good summary skills involve several steps which you can condense
accordingly once you have mastered them.
To put it simply, writer’s effect is the effect the writer is trying to create in
readers.
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If you are still unsure what this means, think about the last movie or TV show
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you watched. What did you think and feel throughout the
a m whole movie or
g r you, but the director
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show? The storyline and acting should have impacted
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will also use images and sound to affect you in either a positive or negative
way. This is the same for video games, g l entertainment parks, and even
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shopping malls. The creator wants toEimpact or influence you.
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C fiction and non-fiction. However, for your
Writer’s effect is evident in both
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IGCSE examination, you twill only be asked to analyse writer’s effect for
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u b your understanding of writer’s effect in the writing
fiction. (You will apply
component as youEdhave to create an impact for your readers.)
In the examination, you are graded for your ability to:
Always remember the examiner will accept any sensible responses that are
relevant to the correct meanings of the words in the context and have some
validity.
1. Read the whole text. You need to understand the context before you
can effectively identify the writer’s effect based on the paragraphs.
Remember that writer’s effect is actually found throughout a text. It is
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just that in your examination, the task gives you specific paragraphs to
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focus on.
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2. Read the task/question. g r
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P for your writer’s effect.
3. Underline keywords. There is usually a focus
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4. Read the selected paragraphs carefully.
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(You may approach Steps 5 and 6 inEeither order, or simultaneously.)
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5. Choose as many wordsCor phrases that you feel are relevant to the
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focus given in the task/question.
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6. Form a generalbeffect or overview. A general effect or overview means
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E impact or influence the writer wants to create in readers
the general
about something. For example, if the writer wants readers to fear a
character (general effect/overview), he would use various words and
phrases such as ‘intimidating’, ‘eyes blazing like fire’, and ‘face
upturned and a loud shriek erupted from its mouth’ (the choice of
words/phrases).
In Task 1, you will attempt Steps 1 to 5. Once you are done, you will be guided
on how to choose the right words/phrases and determine the general
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effect/overview using two paragraphs from a text you read last week for m
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Reading Lesson 2. Then, in Task 2, you will revisit
g r Steps 5 and 6, and
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complete the rest. For Task 3, you will attempt all
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C20 minutes)
Task 1 [22] (Estimated time: I G
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sthen answer the questions that follow.
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Read the following text,
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Ed stay in a lonely farmhouse, three friends set off on a walk
After an overnight
that has a mysterious ending.
An Unexplained Disappearance
1 Next morning, the three friends sat at the long table enjoying Mrs
Grace’s farmhouse breakfast. Arthur Hilyer, the historian, joked about the
loneliness of the location. Anita Myborg, the naturalist, hoped to watch rare
birds of prey. Grant Frensham loved tramping across the moors. Mrs Grace
glanced at their map. ‘I hope you wouldn’t be thinking of going into
Malbrun. That’s a bad village. No one’s gone there since a young man got
locked up overnight. They say that it’s full of dangerous animals. And
around it, there’s what we call the wild forest – a terrible place, with sudden
deep waters and paths that lead you nowhere and trap you. Just keep right
and skirt the village and the forest.’
2 After breakfast, the three walkers set off in high spirits, marvelling
at the view before them. Hilyer likened it to the work of a famous painter.
The track they took wound up the hill like a shiny, yellow ribbon, tapering
from their view until the forest finally swallowed it up. To their left, the
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land fell away suddenly, like a cliff face, with tiny sheep on the valley floor,
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resembling ‘white patches,’ Anita said. Beyond, stood lines of grey hills
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like uniformed guards.
3
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Half way up the hill was a stone hut that figured on their map, and
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beyond was a small circle of trees that would serve as a bird-watching hide.
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Anita said, ‘Go on. I’ll catch up later. This is just the right place for eagles.’
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C binoculars.
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She was holding a pair of powerful
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s Frensham and Hilyer reached the summit and
4
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Ten minutes later,
b they had seen at the beginning of their walk. Soon
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Ed
entered the woodland
the track divided into two, and a signpost pointed to Malbrun. Hilyer
frowned, unsure of himself. Then he said, ‘I think we should investigate.
As a historian, I’d like to set the record straight about this place’.
5 Frensham said, ‘You heard what Mrs Grace said, about those
strangers that go up and down the track, and the lights in the sky at night. I
think she believes in UFOs – but it’s dangerous nonetheless.’
~~~~~~~~~~~~~~~~~~~~~~ e
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7 As Hilyer approached Malbrun village, he sensed something was
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wrong. There were the remains of barbed wire strewn on the ground, and
at one point the path was virtually blocked.hHe P had come so far he was
l s better of him. He waited to
ithe
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disinclined to turn back, and curiosity gotg
E had followed him; then, impatient
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see whether Frensham had relented and
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C the village.
and wanting to get on, he entered
with a door that hung off its hinges and creaked in the wind as if in a ghost
town. He entered cautiously, and immediately two grotesque figures with
wild expressions and wearing army gear lunged at him. They rattled and
roared, as hinges and levers swivelled, swinging backwards and forwards
in a vast jangling of unrestrained metal. Hilyer, frightened, flung himself to
the floor. Then, allowing himself to look on this terrible sight, he saw that
they were nothing but mechanical figures, and it dawned on him that he had
stumbled across some secret military installation.
9 He rushed outside, his face contorted with alarm, and collapsed onto
a low stone wall. All was silence once more, but for a moment he seemed
to see faces peering out of the windowless houses and what looked like an
officer’s peaked cap.
10
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Fear deprived him of his senses, and in blind panic he ran out of the
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village and into the terrible depths of the wild forest, watched by two silent
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men in uniform.
Pr
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1. Read the following writer’s effect g l
task/question. Then, underline the
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key words. (As you underline E the keywords, notice the focus of each
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CS focus, which means you still need to
paragraph. This is a general
G is the writer’s general overview for these
Ithink
determine what you
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b Think about whether it is described in positive or
descriptions/topics.
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Ed [6]
negative way.)
(a) the view as the walkers set off in paragraph 2, beginning ‘After
breakfast…’
Select three words and phrases from each paragraph for these
descriptions, and explain how the writer has created effects by using
language.
2. Now, look at the paragraphs involved and read it carefully one more
time.
Here is the question and how you would underline the keywords:
Select three words and phrases from each of these descriptions, and
explain how the writer has created effects through the use of language.
Notice that the beginnings of the paragraphs have also been underlined, not
just “paragraph 5” and “paragraph 8”. The reason for this is you may count
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the paragraphs wrongly (sometimes the paragraph number is not given to
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you in the examination unlike in this worksheet), or there may be a misprint.
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If you focus on the beginning of the paragraph when analysing the text, you
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will not end up reading the wrong paragraph.
5 Her dormitory was actually rather unpleasant. The bunks with thin,
worn mattresses were crammed together. There was no shade on the light bulb
which flickered spasmodically. Although everyone was meant to take
turns doing basic cleaning and emptying bins, this rarely happened. The
window frame seemed welded shut, its surface encrusted with years of dead
flies. The surface of the sink in the corner looked like a relief map, with river-
like cracks meandering from tap to plug hole and mini-mountain ranges
moulded from toothpaste.
As you read the paragraph, you can already get a sense that the writer is
describing the dormitory in a negative way. So, you can underline these
phrases to support your general overview:
5 Her dormitory was actually rather unpleasant. The bunks with thin,
worn mattresses were crammed together. There was no shade on the light
bulb which flickered spasmodically. Although everyone was meant to take
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turns doing basic cleaning and emptying bins, this rarely happened. The
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window frame seemed welded shut, its surface encrusted with years of dead
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flies. The surface of the sink in the corner looked like a relief map, with river-
like cracks meandering from tap to plug hole Pand mini-mountain ranges
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moulded from toothpaste.
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However, notice you can further expand your general overview. Here are a
few examples of what you t IGcan write along with three words/phrases to
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support each generalboverview:
du
The E
dormitory is The writer wants to The writer wants to
described as being create an effect of create the effect of a
extremely disgust at how terrible very neglected
uninhabitable due to the living conditions dormitory that has
are.
Once you have decided on your general overview and three words/phrases,
you can begin to craft your explanation. Here is how you would explain
“crammed” and “encrusted with years of dead flies” for the first general
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overview:
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General overview: The dormitory is described ras being extremely
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uninhabitable due to lack of care and maintenance.r
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First Quote from text “crammed”
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g to overflowing
word/phrase: Explain
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the packed
meaning S E
How the G
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t I writer It makes it seem as if the people who
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useselanguage live there are objects, since they sleep
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d in these beds with no space or privacy.
E Quote from text “encrusted with years of dead flies”
Second
word/phrase: Explain the thick hardened layers of dead flies
meaning coating the surface
Remember there are many ways to explain how a writer uses language. This
is a guide for you to start with. As you become more skilled in this, you will
automatically know what to write and how to explain how a writer uses
language to create an effect.
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1. Refer back to your selected phrases in Task 1, #3. Fill in the table
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accordingly. Write a general overview and pick three words/phrases
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that you feel best support your general overview.r Remember that you
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want to choose a variety, and you also want
words/phrases that you feel you canlis
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explain properly. [20]
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(a) General overview: E
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t
s text
First b
Quote efrom
word/ Ed
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phrase: Explain the meaning
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How the writer uses
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language o
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Third Quote from text E
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word/
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phrase:
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Explain the meaning
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du
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How the writer uses
language
Conclusion (Optional):
2. Now, complete the task. Write in continuous form. Use one paragraph
for each description. [15]
(a) the view as the walkers set off in paragraph 2, beginning ‘After
breakfast…’
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Select three words and phrases from each paragraph for these
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descriptions, and explain how the writer has created effects by using
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language.
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Finding a Grizzly
1 The sun was rising over the Absaroka Mountains, rising behind
some high, thin clouds so that the light that spilled into the valley was
shadowed and broken. It was a moving watercolour of a morning. Waves
of subtle pastels were flowing gently across golden August pastures. We
drove in silence. The light reached the river, and for a moment the living
expanse of water was a rippling mirror of shimmering pink and gold.
3 ‘He’ll be there all right,’ Tom said. ‘He had something buried, a
bison carcass, I think. He was feeding on it all day yesterday.’
quills and all. We walked down a hill and across a marsh that was full of
meandering streams. If there was a bear, he would be on the other side of
the ridge ahead of us.
8 Tom and I heard, very faintly, the sound of a cracking branch from
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the stand of trees to the west. There was a dark shape, moving slowly, deep
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in the woods. With the binoculars I could see that it was a bison. The bear
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g r hearing is far
stiffened and stared into the trees. It is said that a grizzly’s
more sensitive than a human’s. Some people P ro grizzlies don’t see
believe
il shas we do. We retreated and
g I was certain that he did not see
well, and in fact they may not see as well
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crouched down at a distance of 75 metres.n
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1. Re-read the descriptions of:
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E in paragraph 1, beginning ‘The sun was rising …’;
(a) the sunrise
(b) the bear in paragraph 7, beginning ‘When we got there …’.
Select three words and phrases from each of these descriptions, and
explain how the writer has created effects by using language. [15]
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Conclusion il sh
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In this lesson, you reviewed how to approach a writer’s effect task/question.
S Eand keyworded the task. Once you knew
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You read the text then the question,
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the general focus of eachI description, you read the specific paragraphs,
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considered the general
b e overview while selecting appropriate
d usupport that overview. Finally, you wrote your answer
words/phrases to
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down in continuous form.