Professional Documents
Culture Documents
Final Essay
FILM 3440J
Little Women
Little Women was written by Louisa May Alcott in 1868. There have been 5
Greta Gerwig, a 2019 film, starring Saoirse Ronan, Florence Pugh, Timothee
Chalamet, Emma Watson, and Eliza Scanlen. This story follows the lives of 4
sisters, Jo, Amy, Beth, and Meg, and their lives. Little Women allows you to see
Meg March is the oldest sister out of the four sisters. She is the
responsible sister, the kind sister, but Meg longs for wealth and luxury. Meg is
the only daughter who remembers their family's short-lived wealth. Because
of these memories, Meg craves having nice things and the validation of others
knowing she can have nice things. In the film, Meg March says to her husband
John, “I don't mean to waste your money, but I can't resist when I see Sally buying
all she wants and pitying me because I don't,” following that quote with “I'm tired
of being poor.” In this scene, you can see how Meg’s character feels about the
life she has fallen into, versus the life she wants to have. Because Meg obeys
her family's and society's wishes for her to be married, there is a disconnect
between Meg and her younger sister Jo. Jo never believed that a woman would
be happy marrying, on Meg's wedding day Jo told her she could leave and be an
actress. Meg told Jo “Just because my dreams are different from yours doesn't
make them unimportant.” Meg's character shows the choice of falling into
Jo March is the second oldest sister of the March girls. Jo is fearless, free,
and challenges norms, the opposite of Meg. Jo’s biggest struggle in this film is
not being shown the same respect as a man in any part of her life. At the
beginning of the film, there's a scene of a party that both Jo and Laurie attend.
Both not knowing many people they began to converse about the whereabouts
of Jo’s father and Jo says “He volunteered for the Union Army, and I wanted to go
fight with him, I can't get over my disappointment of being a girl.” This opens the
door for Jo to express her thoughts about the inequality between men and
ambitious. As a viewer, this makes Jo’s character have more depth. This way of
thinking often left Jo isolated from her sisters. Jo can't understand Meg's
choice of marriage, and also has a rivalry with Amy, the only sister Jo can
constantly count on is Beth. Jo’s path shows the rebellious path, the
beloved of the family. She is known for being the family's peacekeeper and
kind to all. Beth's dream is to sing and play piano, because of Laurie's
grandfather, Beth is allowed to play piano at their house whenever she wants.
Beth conforms to societal expectations and stays close to home and her mom.
She helps her mom one day by giving food to a starving family who fell sick
with scarlet fever. Beth then caught the illness of the family and this would end
up being her cause of death later in the film. Beth complied with her
expectations differently from her older sister Meg. To some critics, Beth's
archetype being the quiet sister, causes her character to fall to the sidelines of
some scenes, but it's critical for the family's development as a whole for Beth's
character to be reserved, to be the observer, the glue of the March family. Beth
didn't marry but filled her family's needs and society's expectations by living
Amy is the youngest of the March sisters. In the first part of the film when Amy
was 12, she was considered immature and bratty. She did burn Jo’s manuscript
after Jo told her she couldn't go see a play with her. When Amy is 20, you can
see her immense character development. Aunt March expects Amy to have
good manners and marry rich for the family. In the words of Aunt March, “You
are your family’s last hope.” Amy then accompanies her aunt to Paris to study
art. While In Paris Amy and Laurie reunited and converse about marriage and
Amy's career in painting. Amy’s emotional and vulnerable side is shown to us
as she says “Well, I’m not a poet. I’m just a woman. And as a woman, there’s no
way for me to make my own money. Not enough to earn a living or to support my
family. And if I had my own money, which I don’t, that money would belong to my
husband the moment we got married. And if we had children, they would be his, not
mine. They would be his property. So don’t sit there and tell me that marriage isn’t
an economic proposition because it is. It may not be for you, but it most certainly is
for me.” This shows that Amy is only acknowledging society's standards
because she knows life will be harder for her if she doesn't, unlike Jo. Amy
doesn't fulfill society's needs in the same rebellious way that Jo does, Amy
cares for her looks unlike Jo, and this is part of why Jo can't see eye to eye with
Amy. Amy does not conform to the standards in a traditional sense. Amy is vain
and cares how she looks, she also discusses marriage and later marries Laurie,
but Amy's choice to go to Paris and study art shows her objection to what
Little Women covers much more than just the expectations women faced in the
19th century. Louisa May Alcott made these characters have such depth to
them that they can be analyzed in several ways. Greta Gerwig’s modernized
adaptation of Little Women is the most liked of all of the adaptations. The
frequent use of 90-degree shots, flashbacks, and reverse shots between Jo and
Laurie, the emotion felt from not only the acting but the filming and
cinematography itself. The decision of long shots and wide shots for
which helps the viewer feel the change in the dynamics of the characters. The
present scenes are shot more still and strongly to show the difference between
This film follows the 4 March sisters, their past, their present, and the
expectations society expects. Marry young and start a family, like the eldest
daughter Meg; struggle to maintain your family and your passion, like Jo does;
be compliant and helpful to your parents, ignoring your passion, like Beth
does; or focus on your art and self, like Amy does. The societal standards Meg
and Beth comply with, strip them from their passions and wants in life. While
Jo and Amy reject those traditional ideas, they stray from their close family to
explore themselves and their passions. At the end of the film, all the sisters but
Beth are married and have children of their own. There is no right or wrong
path that any sister takes in this story, Alcott simply suggests that in the