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A Time for Us

(Andrea Giuffredi version)

Nino Rota

! & ( # #+ # $ #### $ #### $ #### $


% & * # ### #

# #+ # # $ # $+ # $+ # # # # # # # # $ + ' ORCH
! ' ( #
% $ $ # # # # *
6

$+ # # $+ # ## $+ # # $+ # # $+ # !# $+ # # # # "
%!
# # $+
13

)+
# # #
# # # # $ # # # # $ # # # # $
SOLO

% ! ( * $ # ### #
21

! ' # #+ # # # $+ # $+ # $+ # # # # # # # # # # $+ ' #
$ $ # #
ORCH

% *
26

$+ # # $+ # ## $+ # # $+ # # $+ # !# $ + # # $+ #### "
%!
33
SOLO

! ( # #+ # $ # $ ( ' # $+ # $+ # # # # # # # # ")
% * ## # #
41

*
rall.............

1968
Amapola ( Andrea Giuffredi version)

 
            
freely------------------------------------------------------------------------------------



dolcemente

      Tempo 
              

5

rall.................

     
   
                   
9 Tempo

rall rall

     
      
         
Tempo


13

rall


     3    
                
17

rall
Ave Maria (Andrea Giuffredi version)

  
 
Bach-Gounod

          
B flat trumpet

   

     
              
        

   

             
 
 

 
            
  



    
                    
      
    

         
          

 

 
       
        
 
 
Ave Maria (Andrea Giuffredi version)
Franz Schubert


                    
B flat trumpet


 
 

           

      3   3   
 
 rall...

                
                

3 3 3 3

rall... rall.... 

    
       

    

   
 
 
3 3 3

rall  
rall.....


                
  3
3  
Flight of the Bumblebee (Andrea Giuffredi version)
Rimsky-Korsakoff

  
                                     




                                    


                                            


                                                    


   
                        
  
                      

                                         

                      
                            

 
                            

                           
      

                                                  

                 


     
         


                       

 

   
                           

                  

                 

                                                         

                                     
               

 
  
                           
      


                                      



                                    

2

                                            

                                                      
   

                                  
  

                                                       


                                                     

  
                   
           

           
             
         
   

3
This Guy's in Love with You

      

              
       

 
 very relaxed

    
                

5

                


   

           
9

               

         
 
14

   
                  
    
19

                   
        

       
24

                
   
  
30


   
                
     
35

  
                            

41 Tempo

     
ad libitum

                 
47
                
             
51

  
               
   
55

   
             
59


              
63


              
67

2
Bella Ciao (Andrea Giuffredi version)

                     
     

                          
   

        
   
       

                          
 
 

        
   
        

                          
   

                
   
       
                  

            
         
3 3 3

 
3 3

           
    
  

     
               

   
             
Besame Mucho (Andrea Giuffredi version)

   
               
     
 
Swing

            
        
3


               
       
3 3 3
3

  



               
 

3 3

         
3

             

3


                           

3 3 3


         

                 

3 3 3

          
 
     

           
           
3 3


3

          
                 
3
3 3 3
         
2

               
3 3

       
        
  

        
            

         
              

 
                            
           

                         

     
  3
3

        
   
    
 

      
            
3 3 3

     
            
3 3 3

3
Caruso (Andrea Giuffredi version 2021 )
B flat trumpet

                

        
L.Dalla

 
5 3 5 5

 3 


             
3

    
3 
5 5 5

       
    
          

       


        
  

 3 
                   


5 5 5

 3


 
3

                  

5 3 3

  3
                 
3

       

5 3 3

        
    
     

        
     


     

                             

     3
(optional)

3 3
3
                         
   
  
3 3 3 3


3

        
         
     
47

 cantato 3

         
     

      

 
 3

   
           
         
cadenza 3 3

rall 

2
Cavalleria Rusticana
Intermezzo sinfonico
P. MASCAGNI
(Andrea Giuffredi version)

   
    
     

 
       


    
      
  

       
  
        
  

 
             
     

 

          
  
     

  
   
     

La Cumparsita (Andrea Giuffredi version)

   
B flat trumpet

   
       
                 
 =60



 
          
     
  

  
 cantando

                    
  


                            
   


                              
 cantando

     


3

  

                    
  

                        
        

  


  
         
           
         


   


               
         
  

    
          

                 
    
             
                  
più lento

   
tempo I

 dolce 

        
                       
  
 

          
                
         


   
            
              
 


            
             
  rall..........................................

      
         

2
Czardas
Andrea Giuffredi version

 = 50 
Vittorio Monti

 
          
    
   

 
  

   
 cresc.

                              
    
5

      
  
                              

3
3
9

         
              
rall.

     
    
3

 
12 3

     
rall....................................................

                       
    
 
15

                      
       
           
3 3
3

 
18 3

                                
          
TEMPO
21


3

                        
rall....................................................

         
           
Fast


24

   
rall..............................

                      
30



                                
34

  

 
                
          
38

 
                               
     
42

 
             
     
       
             
46

                 
                   
50

   



  
      
         
        
54 LENTO

        
      

   
cresc.


           
74

  


                  
81

  
       
     
86

 
            
 
        
                
90

lento accel poco a poco...........................................................................................................................................

2
 
            

     
                  
94


                
          
 
98

   


          
      
         
        
101


 
cresc.

  
                        
TEMPO


106

 
      
      
              
          
110


                 
                    
114

          

  
       
  
      
118

         
                       
  
122

    
                     
128


 

                                  
132

rall. poco a poco...............................................................

3
       


      
       
      
TEMPO

   
136

Accel

    
                     
142

      
                          
146


accel.........................................................................................

 
                
      
150
glis
s.

.............................................................................................

4
El Caballero

 
                                          
A.Giuffredi

 
                  
                3

                                    
     

               
 
     
15
El Choclo (Andrea Giuffredi version)

         
                     
          
 
   
           
 con eleganza

   
                
   
5

                 
           
            
9

             
            
                     

13
3


 

  
        

                 
       
 
 
17

 
   
             
     
                
21

      

           

     
   
          
 
 

25

           3  3  3
                                    
          
28

   
3

                                   
    
31
3 3 3

          
cantabile con eleganza

                   

      
34
    
 
                         
 
 
38

  
                         
        
45

  
                       
      
        
49

 
                               
          
53


  
         
                
57
3 3 3
3 3

  
                

                      
60


3

    
     
  
                  
          
64

     


 
    

            
con eleganza

    
      
 
68

 
       
     
         
 

flatt

                         
72

              3  3
     
3

      


                 
76 3

   
3

     
      
              
79
3 3 3

2
El Condor Pasa (Andrea Giuffredi version)

 
           

     
     
   
 

   
       

     
       

          
     
6
3 3

                    
    
  
      
   
11


             
      
 
  
    
 
16

 
              
     
20


                        
    
29

                     
          

        

34

  
                      

   

39


    

                         

43

    
           
48
   
                           

57


         
  
       
        

    
62

    
 
 
 
        
 
                             
67

2
Game of Thrones (Andrea Giuffredi version)



   
       
1 2 3

   
      
17
1 2 3


            
26 1 2 3


         
34 1 2 3

   
         
44 1 2 3


          
52 1 2 3

 
     
 
 
62


      
70 1 2 3 4

 

   
    
 
78


      
86 1 2 3 4

 

2

  
       
94 1 2 3


         
106 1 2 3

   
         
115 1 2 3


         
123 1 2 3

   
         
133 1 2 3


          
141 1 2 3

 
     
   
151


      
159 1 2 3 4

 

   
    
 
167


      
175

 
Hora Staccato (Andrea Giuffredi version)

         
             

         
  
 simile

                  
         
14

 
  
 
                              


22

 
         
                                    
    
31

       
     
simile

 
    
  
38

 
      
                 

 
43

   
 
            
                         
  
58

            
                                      
   
64

   
                 

      

     

    
72

                
   
 


     
                      
 
82



                           
 
89



  
 

                         
106

                                                        

 
 
                           

    

116

  
  
                              

        
 
125

cresc.


                        
   
132

simile

  
    
             
           

142


            
 
        

      
   

148

dim. senza rit.

2
GRANADA (Andrea Giuffredi second version)

    
                  
3

  
3 3

                   
3 3

 
3

    
3


3 5

     
3

         
3

  
3 3

 
3

             
           
3


3


3 3 3 3

              

21

 3


3 3 3

           
     
3

 3 3

          
3

        

        
3

        
    
37

3 3

  
3 3

      
   

  

       
3


3 3

              
3 3 3

      
53

 3 3 3 3 3 3
              
2

       
 3 3

  
    
 


     

 

    
 
7
7
Green Hornet Theme


     
           

      
 
                                   


 
                                   

                                                    

                             

                        
                  

                        
                  

     
                                                      

   
                           
  

                                             

                                
             





                                                 
                              
         

                          

           
  
   

     

      

    
           

       
     

          
    

  
                       
F♯13,b9


         
                               

3 3 3 3 3


    
           

     
66

 
                                   


69

 
                                   

                                                    

                           
  

2
                     
                                   

                     
                                   

     
                                                      

      
                     
  

                                             

85

                                  

88

 
                                         

91

 
 
 
 
          

     
96

3
The Skater's Waltz (Andrea Giuffredi version)

           


 con eleganza


  
      

         


  
      


                           
   

        
             
        

 
                         
   

                        
rall..

                      
Tempo

   
      

   
 
 
             
   
         

    
      

         
appassionato

 
  
     

  
             
Presto 2 3 4 5 6 7 8 9

2
INCA

 
         
Andrea Giuffredi

         
3



          
               
3


3

  
             
   
    

        
3

        

              
  
 3

                

        

      
3 5

     

 
3

             

       

      


    
 

              
 
            
 
 3


            
   

               
     
5

2
Italia
   

              
 
Vivace

     

                   
                

  
7

      

            
         
   
15

                  
    
20

 
           
26

  
             
 
33

 

   
  
       

 
37

   
             

41

   
    

     
 
   


45

                

49
               

53


       
       
57

                      
68

    
                   
72

                      
76

    
                   
80

   
              

84

              
accelerando

 
88

                       

92

    
              

96

        
             

    

100

2
  Lento 
                    

  

 
105 solo

orch......................... 


  
              
   
110 drum fill

                  
    
114

rit.


        
   
 
118 Tempo

rit. Tempo

 

.      
  
     
   
  
 
122 optional orch.

molto rit.

3
la resa dei conti

 
                             
 = 60

  

                     
  
6


                
      

11

               
   
15

              

19
MERCATO SICILIANO
Andrea Giuffredi

 
         

     
3

      
             

3 3 3 3 3


       
 
 
      

    
           
       

   
              

         
           

    
                  
   


                  
      
3 3 3 3 3 3


       
 
 
      

    
           
       

2

            
     

                    

      

            
 


          
  
      
 
  

      
        
    

     
          
    
   
                 

    
                        
  


   
     
 
   

3


           
  

   


         
          

  
3

               
 

   
3

                 

    
              


Moliendo café
Andrea Giuffredi version

                                      
Hugo Blanco

   
      

                                    
          

                                       
        

                                3      
       

                                       
3 3


3

          

    
                              
     

                                     
        


        
                       
3 3

   
   

                                       
           

                                     
         

Generación@
                                    
       
 3 3

           
   3                  
             
3

                 
                   
      

                                      
         

                
   
3

3 3 3

2 Generación@
Moon River ( Andrea Giuffredi version)

  
Henry Mancini

               


 dolce

     
         
14

   tempo 
   
                   
21

 
rall

       
      
28

  
               
35

   
 
rall

     
41 tempo

   
rall

       
    
47
3 3


Faster

    
         
 
58

         
  
63


        
  
    
  
67

rall
                  

72
3

rall


    
               
78

molto rall 3

     
                  
   
84 at libitum 3 3 3

rall

2
La Califfa - Gabriel's Oboe (Andrea Giuffredi version)

      
             
E.Morricone

 
Andante



      
                

    
           

   
con intensità

  
                 
rall

       3     
                


 
dolce

 
5

    
            

             
          

       
   

        
   
rall
Oh mio babbino caro
Giacomo Puccini (1858-1924)

      
              
 

      
                

      
             

       
    
      

    
    
     
  
     
  
rall---------------------------------------------------------------------

      
             


       
    
      

        
           
    

rall-------------------------------------------------------------

1
O Sole Mio Andrea Giuffredi version


E. Di Capua

  

              
  

         
     

           
   

 
            
   

   
                    

      
          

       

    
                   

   
                     
 

   
               
 
  
2

           

      
       
  

       
         

            
     

 
           

      
 
       

     
   
Ocie Ciornie (Andrea Giuffredi version )

    
   
Arr.R.Minale

        

    
      
           


  

32

  
                    

38


 
3

     
3

           
44
3 3 3 3 3

         

           
50 3

      
3

   
3 3

     
3


56

       
            
3

 

62

          
3 3

     
  
68

   
  
        
opt. 


74 plunger

  


                    
  
94

  
                
     
 
100

 
                          
    
106
     
                    
  
112

 
       
       
      
 
118
gli gli
ss.
ss.

 
          
   
124
Lento

       
          
Rall.  dolcemente
140

      
         
146

       
          

              

158

   
    
2

             
   
   
164
RIPR.TEMPO A POCO A POCO

        


    
180

            
       




184

         
  
       




190

      
   
    
   

         
   
196

          


      
211

2
        
       
       
216

     

  
3

        
 
220

         
3

       
226
Vivace

 
               
3

    

     

 
232

         
              
 
238

    
        
        

     
 
244

   

      
     
       

250

             
    
256

 
   
3

 
3
262

     
       
         
279

     
       
    
283

    
     
3 3

              
287

          
   
291

3
         
               
295

        
                  

298

  

              
 
301

                        

304

                                  

307

           
              
             
  
311



                  
319


      

326

   
  

         
       

332




           
           

337




   

  

341



4
Once Upon a Time in the West (Andrea Giuffredi version)

    
Ennio Morricone

  
C instruments

           

  come un sogno

   
       
 

            
 
                  
un poco più sentito 

      
      
 

                
        
 

          
       
 
 rall...
Il Padrino (Andrea Giuffredi version)


N. Rota


                         


 very relaxed

                    
     
3


3 3 3 3

          
           
3

    
3

        
          
3

  
3

 

                          
3

   
3

 
17 3

    
                 
3

  
22

          

             
lyric dramatic style


30

                                 
3

   
rall

  
34


          
           

39


          
        
   
molto rall............

 
44

 cadenza 5
     
      
      
  
46

2
Passione (Andrea Giuffredi version)

     

                    

B flat trumpet

    
 con stile Italiano

    
         



     
 
  

      
          
    

   
rall........................

  


   
lirico

  

        

          
dolce

           

6

  
          

  
     
   

 
        
               
 

    
 con sofferenza

      
         

    
             


                

 
   
rall........................

  


  

       
   
dolcemente
          
      
 lirico 

         
      
    

                
   

 

    
  
   
 rall....

2
Fistful of Dollars Andrea Giuffredi version

           
                         
Ennio Morricone
6
 = 60 3

 7

                       
           
    
6
6

 3



                              
  
3 6
10 3


3

                                           

  
14

3 3 3 6
7 3 3
 

                                
      

17

5


              

21

    
                
  
6
22 3

  Rall.
Por una cabeza (Andrea Giuffredi version)

    3    3       
 
              
3 3

 3


                              
3 3

 

4 3

     
                   
            
8
3 3 3 3

                3

    
    
3

 
 3 
12

  3
3 3

     
3 3 3

             
3


16 3


 espressivo 3

   
3

                    
22

                   
3

 
26

 
3 3

              
31 3

    3      
3

        
        
42
3 3 3

 3 
                              
 3 3

 

45
    3  
           
             
49
3 3 3

                
             
  3
52

3 3 3 3
3 3

       

         
3


56 3 3

                                  

espressivo
59

          
           

65

 
            
 
           
 
69

2
RISE (Andrea Giuffredi version)
Herb Alpert

    
                       

  
       
 3 3 3 3 3 3

        
                     
 3 3 3

           
                   
3 3 3 3 3 3

 
                           
 3 3 3

       

    

                 
3 3

             
                 
 

 
3  3

                               
  
3 3 3 3 3  3

        

  
           
3 3
rocky trumpet solo ( Andrea Giuffredi version)

           
        




         
       
6

  
 


          
10

    
     
      
14


               


  
18 


                               
   
24

              
   

29

                


     

33 




                     
      
39 



            
43

                           
 
47

    
               
 
51 

2
Sabor A Mi

                          
     
Bb instrument

con alma 3

 
                        
3


                          
3
 

3  
            

             
    
 
  

    
 
             

'Zat You, Santa Claus? (Andrea Giuffredi version)
Louis Armstrong

   
                 
Swing




            

5

  
                 
9


            

13

             


  
17

 
               
     
22

   
              
26

 
             
             
 
31

   
                

35

          
 
    
39


             
45

                    
49

       
                 
53

  
                 
57


                     
61

            

    
66

 3

        
     
 
70 gliss.
gliss.

2
Schindler's List
trumpet solo Andrea Giuffredi

 
               
Lento

     


 dolcemente

              
   


                 
   
       
        
     

  tempo


              
   


rall

        
       
   
               
          
 

               


            
   
Tempo I

                  

 
Rall..............................

       

                   
     

 rall
                

             

rall...........................................

2
Second Waltz (Andrea Giuffredi version)
Dmitrij Shostakovich

             
 espressivo

        
6

           

12

      
 
17

                  
      
           
  
    
 
22 optional


            
  
   
      
     

33

       
                          
  
49
optional

            
  
     
           
  
     
          
 
63

             
 
          
73

                          
 cantabile


      
88
                       
         
104

                        
         
119


          

               
134

 espressivo

   

                    
       
153

                                           
168



                                     

178 Tempo

con cuore

        

                          
193


    
                             
 
207

2
The Lonely Shepherd (Andrea Giuffredi version)

        
            

            
       

          
        
 

     
      
     

        
           

               

     
      

           
       

          
          

       
    

   
           
 
2

          

        
    

           
 
The Swan

 
Saint-Saens

     
      
Adagio


   
    
    
            

         
              
   

    
       
      

 
 
          
       

 
          
  
        

   

         
   
Lento a tempo

dim. rit. 
Toreador (Andrea Giuffredi version)

          

 
       

    
        
B flat trumpet

          
 fiero con passione

              
         
   

     
3

  

   
      

           


            


   
 
 
 
  
    
 
         
   

    
3

        
3

   

          


                                  
         

                

    
 

  
                      



 

        
                 

 
cresc. 3

                        
3



   
3

sentito
         
          
         
 
3

cresc. 3
3


       
                   

      


2
Wellerman (Andrea Giuffredi version)

     
          
B flat trumpet

    
solo





             

  
             
 
tutti

    
          
solo

 
                
  
solo

 
             

      
              

tutti

          

 
               


        
    


 
               

tutti


              

 
               

tutti

              

 
               

    
          
solo


                
  
solo


             

  
             
 
tutti

    
         

solo


                 
  
solo

2
 
            

 
               

tutti

              

  
             
 

    
         

  
             
 

    
         

3
What A Wonderful World

*
Louis Armstrong

% & ) ( ' , ! ! ! ! ! ! ' ! ! !! " ' ! ! !! "


$ & ! ! + 3 + 3
3

, 3 ,
$ % ' ! ! ! ! !- ! ! ! ! " ( '!!! ! ! #
3 3 3

$ % ) ( ! ! ! !!!! ! ! ' ! !!!" ' ! !!!"


+ 3 + 3
3

,
$ % ' ! !!!!! ! ! ! ! ! " ( '!! ! ! #
!
3 3 3

, , , , ,
$ % ) ( ' ! ! ! ! ! ! ! ! ! ! !!! !- ! ! ! ! ! ! ! '
3 3

! ! - ! ! ! ! ! ! ! !!" ' ! ! ! ! !- !
% ! ! !!!! !!
$ + ! + 3 +
3

3 3

$ % ! ! ' ,
! ! ! !!! ! ! ! ' ! ! ! ! " ' ! !!!"
+ 3 + 3
3

Jose Michea Tolosa


*
$ % ' ! !!! ! ! ! ! ! " ( '!! ! ! #
!
3 3

, , , , ,
, ! ! !!! !- ! ! ! ! ! ! '
$% ) ( ! ! ! ! !
! ! !
3

% ! ' ! ! - ! ! ! ! !- ! " ' ! ! ! ! !- !


$ ! !!! ! ! + ! + + 3 +
3 3

$ % ! ! ! ' , ! ! ! ' ! ! ! ! " ' ! !!!"


! ! !!! + 3 + 3
3

$ % ( !!!!! ! ! ! ! ! " ( '!!! ! ! #


3 3 3

. .
$% ( ! ! ! ! ! ! ! ( ) ( '!!! ! ! #
3

2 Jose Michea Tolosa


YOU RAISE ME UP
Andrea Giuffredi version


      

                           
 = 70 B flat trumpet.

 lontano
 

                
  
                 

tempo

  
6 molto rit.

 dolce

                                    
     

12



              

                   
optional....................................................................................................................................................


17

              

               
     
   
optional.............................................


23 play

 
                         
 
29

mp

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