Professional Documents
Culture Documents
Established 1903
Cape Town
Eisteddfod
Vanessa Brink
Jillian Marais
E-mail: j.marais@mweb.co.za
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ENTRY FORMS, RULES AND CLOSING DATES.
FORMS
1. An entrant's age shall be as on15 March of the current year
entered
2. All entries must be made on the CURRENT PRESCRIBED
FORM DATED 2024 or a clear photocopy thereof.
3. Entries can be delivered to 12 Mafeking Road, Bergvliet and
placed in the Eisteddfod Box provided.
4. Entries may be emailed to the Convenor.
5. Entries must be attached to the Proof of payment.
RULES
1. Candidates may enter as many entries as they wish in any
section.
2. A work previously entered may not be submitted again in
another year.
3. All works must be original and certified by a teacher or parent.
4. No AI generated works will be permitted.
5. Some works could be processed with an AI detector, and if
more than 40% of the content is found to have been AI
generated, this could lead to disqualification.
6. If the work is disqualified, no entry fee will be reimbursed.
7. Literature must be clearly written or typed.
8. NO offensive material or profanities may be used.
9. Items may in entered in English, Afrikaans, German, French,
Xhosa
10. Your writing must have a label attached on the front stating
the class, topic, name of entrant and grade at school. All work
MUST be labelled with name of student, grade, class and
NAME OF SCHOOL and affixed to the front of the work. You
may add a photograph of yourself if chosen to exhibit.
11. See example of label below:
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ADJUDICATORS
GRADING OF WORK
70 to 74% Merit
75 to 79% High Merit
80 to 84% Honours
85 to 89% High Honours
90 to 100% Diploma
ENTRY FEES
POEMS / ESSAYS / PLAYS NOVELLA / NOVEL
10 years and under R170 All Ages R250
11 - 14 years R180 (No Discount)
15 - 18 years R210
19 years & over R250 SHORT STORIES (Same as Poems)
10% Discount applies to more than 2 entries
PAYMENTS
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Candidates may choose their own subject in all the sections.
SERIOUS POEMS HUMOROUS POEMS
(Content must be deep, meaningful (Content must be funny and at least two
and at least two or more verses) or more verses)
Class Class
LPO 1 10 years & under LHP 1 10 years & under
LPO 2 11 - 14 years LHP 2 11 - 14 years
LPO 3 15 - 18 years LHP 3 15 - 18 years
LPO 4 19 years & over LHP 4 19 years & over
PERSONAL ESSAYS OWN CHOICE ESSAY
(at least 3 - 5 paragraphs) (3 - 5 paragraphs)
(Write about yourself, or (Write about any subject)
something in your life)
Class Class
LPS 11 10 years & under LOE 15 10 years & under
LPS 12 11 - 14 years LOE 16 11 - 14 years
LPS 13 15 - 18 years LOE 17 15 - 18 years
LPS 14 19 years & over LOE 18 19 years & over
EDITORIAL REPORT SCIENCE FICTION STORY
(1 - 2 paragraphs) (NEW CLASS - (Content should be set in an
(Write about a news event) imaginary world - maximum 7500 words)
Class Class
LER 15 10 years & under LFS 15 10 years & under
LER 16 11 - 14 years LFS 16 11 - 14 years
LER 17 15 - 18 years LFS 17 15 - 18 years
LER 18 19 years & over LFS 18 19 years & over
SHORT STORY PLAY - OWN CHOICE (One-ACT)
(Content to be entrant's Own Choice) (Content may have more than one
(maximum 7500 words) scene, and one or more characters)
Class Class
LSS 21 10 years & under LPOC 31 10 years & under
LSS 22 11 - 14 years LPOC 32 11 - 14 years
LSS 23 15 - 18 years LPOC 33 15 - 18 years
LSS 24 19 years & over LPOC 34 19 years & over
PLAY - DEBATE (One-ACT) NOVELLA
(Content to have one scene and at (minimum 10 000 words)
least two characters)
Class Class
LPOC 31 10 years & under LNA 41 10 years & under
LPOC 32 11-14 years LNA 42 11 - 14 years
LPOC 33 15-18 years LNA 43 15 - 18 years
LPOC 34 19 years & over LNA 44 19 years & over
NOVEL (minimum of 20 000 words)
Class
LNO 52 11 - 14 years
LNO 53 15 -18 years
LNO 54 19 years & over
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TIPS FROM GOOGLE ON WRITING A SCIENCE FICTION STORY
1. Identify the big idea: Science fiction is all about exploring new ideas
and concepts. Start by identifying the central idea that you want to
explore in your story.
6. Introduce the problem early on: Science fiction often deals with
complex problems and issues. Introduce the main problem or conflict
early on in your novel to keep readers engaged.