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Creativity Research Journal

ISSN: 1040-0419 (Print) 1532-6934 (Online) Journal homepage: www.tandfonline.com/journals/hcrj20

Qualities of Work Environments That Promote


Perceived Support for Creativity

Daniel Stokols, Chip Clitheroe & Mary Zmuidzinas

To cite this article: Daniel Stokols, Chip Clitheroe & Mary Zmuidzinas (2002) Qualities of Work
Environments That Promote Perceived Support for Creativity, Creativity Research Journal, 14:2,
137-147, DOI: 10.1207/S15326934CRJ1402_1

To link to this article: https://doi.org/10.1207/S15326934CRJ1402_1

Published online: 08 Jun 2010.

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Creativity Research Journal Copyright 2002 by
2002, Vol. 14, No. 2, 137–147 Lawrence Erlbaum Associates, Inc.

Qualities of Work Environments That Promote Perceived Support for Creativity


Daniel Stokols, Chip Clitheroe, and Mary Zmuidzinas
University of California, Irvine

ABSTRACT: This article examines physical and dynamic process involving individuals’ transactions
social predictors of perceived support for creativity with their social environment (Amabile, 1983; Lass-
in the workplace and their effects on important per- well, 1959; Mead, 1959; Mumford & Gustafson,
sonal and organizational outcomes. Recent concep- 1988; Sternberg & Lubart, 1996). Recent conceptual-
tualizations of creativity suggest that the physical izations of creativity have suggested that the physical
environment plays a key role in facilitating the devel- environment plays an important role in facilitating the
opment of creative processes and products, yet prior development of creative processes and products
studies have given little attention to demonstrating (Amabile, 1988), but little empirical attention has
empirical links between physical and social features been given to the ways the physical environment
of the workplace and employees’ subjective experi- affects individuals’ perceptions and experiences of
ences of creativity. This study examined employees’ creativity. An exception to this trend is a study by
perceptions of support for creativity at work as a Clitheroe (2000), in which architects evaluated the
possible mediator of the relationships between ways the physical and social features of their work
objective measures of distracting stimuli and subjec- environments influenced their capacity to produce
tive appraisals of social climate, on the one hand, creative architectural designs.
and self-reported levels of job satisfaction and per- Through this research we extended earlier studies
sonal stress, on the other. Results indicated that both of creativity by examining the links between physical
recorded levels of environmental distraction and and social qualities of work environments and
self-reports of social climate are significantly linked employees’ perceptions of the extent to which their
to employees’ perceptions of support for creativity at own creativity is supported by the workplace. More-
work. Moreover, employees’ appraisals of support over, we explored the relationships between workers’
for creativity at work mediate the relationships experiences of support for creativity at work and their
between their perceptions of social climate and self- overall job satisfaction and well-being. Specifically,
reported job satisfaction, social climate and stress, workers’ perception of support for creativity at work
and between environmental distraction and job was viewed as a possible mediator of the relationships
satisfaction. between objectively measured levels of distracting
stimuli and subjective appraisals of social climate, and
For this article we examined both physical and social
environmental predictors of perceived support for cre-
ativity in the workplace and their effect on important This article is based on a paper presented at the Symposium on Con-
personal and organizational outcomes. Earlier ceptions of Environments, XXVI International Congress of Psy-
chology, Montreal, Canada, August 16–21, 1996. The authors thank
research has conceptualized creativity as a personal Tommy Garling, Gary Evans, and Mark Runco for their helpful
disposition or trait (e.g., Barron & Harrington, 1981; comments on an earlier version of the paper. Funding for the
Guilford, 1959; Maslow, 1959), as an intellectual or reported study was provided by the Focused Research Program on
artistic product that is judged by observers to be both Work Environments at the University of California, Irvine.
novel and useful (e.g., Albert, 1983; Eysenck, 1994; Correspondence and requests for reprints should be sent to
Daniel Stokols, School of Social Ecology, 206-C SE I Building, Uni-
Ford, 1996; Glynn, 1996; Rogers, 1959), or as a versity of California, Irvine, CA 92697. E-mail: dstokols@uci.edu.

Creativity Research Journal 137


D. Stokols, C. Clitheroe, and M. Zmuidzinas

self-reported outcome measures pertaining to job sat- of the Climate for Creative Productivity (CCPI) at
isfaction and personal stress. work and found a significant positive relationship
It is important to distinguish the aims of this between the CCPI index (cf. Witt & Boerkem, 1989)
research from those of earlier studies that assessed the and job satisfaction levels.
effects of supportive supervisory and social climates Second, we hypothesized that environmental dis-
on employees’ creative performance at work. In those tractions and poor social climate at work can restrict
studies, creative performance was measured either by employees’ experiences of creativity by interfering
workers’ self-reports of their innovative contributions with their concentration on job-related tasks or by
on the job (Bunce & West, 1995) or through supervi- heightening feelings of unpredictability and uncon-
sory ratings of employee creativity (Oldham & Cum- trollability, thereby fostering the belief that the work-
mings, 1996). Because of our interest in the relation- place does not support their efforts to be creative.
ships between perceived support for creativity at work Employees’ perception that the work environment dis-
and employee well-being, we focused on workers’ courages creativity, in turn, was expected to increase
subjective experience of creativity at work, rather than their vulnerability to job dissatisfaction and stress.
on their self-reports or others’ ratings of their job per- These hypothesized links among the major predictor,
formance. Also, whereas many studies of creativity mediator, and outcome variables in this study are
and innovation have examined personality traits as shown in Figure 1.
predictors of creative job performance (cf. Bunce &
West, 1995; West & Farr, 1990), we chose to focus
instead on other issues that have been given relatively Methods
less attention in prior research—namely, the links
among physical and social environmental features of Participants
the workplace, employees’ subjective experiences of
creativity, and their self-reported levels of job satis- A total of 97 full-time supervisory and staff-level
faction and stress. employees participated in this study. These individuals
Our conceptualization of the links among work participated in a study of workers’ subjective experi-
environments, employees’ perceptions of support for ences of creativity at work, as part of the University of
creativity, and their overall well-being was based on California (UCI) Facilities Survey conducted during
two key assumptions. First, we assumed that the phys- 1986 and 1987. The survey examined the reactions of
ical and social features of work environments influ- campus-based and nonuniversity workers to relocations
ence employees’ job satisfaction and well-being and renovations of their offices. More than 250 individ-
(Levi, 1992; Moos, 1986; Stokols, 1992). Earlier stud- uals participated in the survey. A subset of 97 respon-
ies have documented the distracting, stress-inducing dents, drawn from four campus-based departments and
qualities of unpredictable or uncontrollable physical one nonuniversity company, was identified for inclusion
stimuli and events such as noise or prolonged expo- in the analyses. These individuals completed a creativity
sure to crowded environments (Cohen, Evans, questionnaire that was administered only once, during
Stokols, & Krantz 1986; Glass & Singer, 1972; Sher- the third and final phase of the study. Those individuals
rod, 1974). Others have demonstrated the influence of who participated only during the first or second phase of
social climate and social support on individuals’ phys- the survey, thus, were, not eligible for inclusion in this
ical and emotional well-being across a variety of set- analyses of workers’ creativity experiences.
tings (Berkman & Syme, 1979; Cohen & Syme, 1985; The 97 participants included 21% men and 79%
Holahan & Moos, 1990; Moos, 1979). To our knowl- women. Of these, 34% were nonsupervisory support
edge, no earlier studies have examined the influence staff, 36% were supervisory support staff or entry-level
of physical features of work environments on employ- professional staff, and 30% were supervisory profes-
ees’ well-being and job satisfaction, as mediated by sional staff. Approximately 85% of the participants
their perceptions of support for creativity at work. A were White and 15% non-White. Approximately 74%
recent study by Runco (1995), however, did examine of the participants were drawn from the four adminis-
the relationship between the job satisfaction of artists trative units at UCI, and 26% were employed by a local
employed by a large organization and their appraisals private environmental and transportation planning firm.

138 Creativity Research Journal


Qualities of Work Environments

Figure 1. Effects of social climate and environmental distraction on job satisfaction and stress mediated by perceived support for cre-
ativity at work.

Procedures pation in the facilities survey was voluntary, and confi-


dentiality was maintained throughout the project.
Questionnaires assessing employees’ perceptions
of support for creativity, job satisfaction, personal
stress, and their ratings of physical and social features Measures and Analyses
of the workplace were administered during regular
work hours. Objective recordings of environmental The major hypotheses of the study were assessed
conditions were gathered at each of the participating through a series of regression analyses in which
worksites by the research team. These measures covariates were entered at Step 1 and the predictor
included the physical dimensions of each participant’s variables or mediator variables were entered at Step 2.
work area (e.g., square footage and levels of enclo- Outcome variables included two self-report measures
sure), onsite observations of pedestrian traffic and described as follows.
noise sources adjacent to each employee’s work area,
and diagrams summarizing the visual exposure of
each employee’s immediate work area to other indi- Covariates. The following covariates (included
viduals. Recordings of employees’ blood pressure and in the study’s Demographic Information Question-
heart rate also were gathered by the research team. naire) were entered at Step 1 of all regression analyses
Surveys were administered at three times to work to control for individual differences on these dimen-
groups that experienced extensive office renovations or sions: age, education, and job status. The job status
reloactions, and comparison groups that experienced variable was produced by combining two categorical
neither. Questionnaires included categorical and contin- variables: job level (support or professional) and
uous scaled responses, as well as open-ended items. responsibilities (supervisory or nonsupervisory), to
Detailed descriptions of all questionnaires included in form a three-level ordinal variable: (a) nonsupervisory
the facilities survey are provided in earlier reports focus- support staff (lowest), (b) supervisory support staff
ing on the links between job conditions and health rather and nonsupervisory professional staff (middle), and
than on the creativity-related findings reported here for (c) supervisory professional staff (highest).
the 97 participants who completed the Creativity Ques- An additional covariate, personal importance of
tionnaire at Time 3 (cf. Stokols, Churchman, Scharf, & creativity, was entered in the regression analyses after
Wright, 1990; Stokols & Scharf, 1990). Objective mea- age, education, and job status, to control for differ-
sures of physical and social conditions in the workplace ences among workers in the importance they assigned
were recorded by the research team at the same time as to being creative, and for the effects of those differ-
questionnaires were administered to employees. Partici- ences on the outcome measures. This covariate was

Creativity Research Journal 139


D. Stokols, C. Clitheroe, and M. Zmuidzinas

formed by averaging two 7-point Likert items pertain- or near that person’s work area during the noise-
ing to the importance of being creative at work and at measurement period was recorded by members of the
home (included in the values and experiences associ- research team and used as an index of pedestrian traf-
ated with Creativity Questionnaire). The two mea- fic. Visual exposure levels at each work station also
sures were combined into a single scale to provide a were assessed in terms of the number of coworkers
general index of perceived importance of creativity who, from their own work stations, could potentially
across multiple life domains (i.e., home and work) see an employee seated at his or her desk. Standard-
because we assumed that individuals manifest this dis- ized scores for visual exposure, noise level, and foot
positional tendency across both domains. traffic were combined to form the overall index of
environmental distraction.

Predictor Variables. It was hypothesized that


employees’ subjective appraisals of social climate at Outcome Variables. The checklist of work-
work, as well as objective measures of environmental related experiences included nine 5-point Likert items
distraction in the workplace, would predict levels of that probed employees’ levels of emotional stress dur-
job satisfaction and stress reported by the participants. ing the month preceding their completion of the ques-
A subjective measure of social climate at work was tionnaire (cf. Cohen, Kamarck, & Mermelstein, 1983).
derived from eight 4-point Likert-scale items included These items, 1 (never) and 5 (very often) were aver-
in the study’s checklist of work-related experiences. aged to yield an overall self-report index of personal
Individual items probed positive or negative feelings stress. An additional item, “How satisfied are you with
about assigned tasks, physical health symptoms asso- your current job?” was used as an index of job satis-
ciated with these tasks and the use of certain equip- faction, 1 (not at all satisfied) and 5 (very satisfied).
ment, and supportive or nonsupportive communication
among employees and supervisors. The eight items
pertaining to the quality of employees’ social relations Mediator Variable. It was hypothesized that
with their coworkers and supervisors were averaged to employees’ perception of support for creativity at
yield a summary measure of social climate. work would mediate the relationships between the
An objective index of environmental distraction at predictor and outcome variables. An index of per-
work was derived from onsite recordings of environ- ceived support for creativity at work was formed by
mental conditions including levels of noise and foot averaging three 7-point Likert scales pertaining to
traffic within (and adjacent to) each employee’s work the availability of creative outlets at work, 1 (not at
station; and the visual exposure (or privacy) of the all available) and 7 (very available), how often
work station. Ambient noise levels were computed as respondents felt creative at work, 1 (never) and
the mean of all high-decibel readings recorded in and 7 (very often), and the extent to which their work
adjacent to an employee’s work area over a 5-min environment encouraged or discouraged their cre-
interval.1 The number of people seen walking through ativity, 1 (strongly discouraged) and 7 (strongly
encouraged).
1
Noise recordings were obtained in two ways. First, measurements
were taken with a Simpson 886 hand-held sound-level meter that
records noise amplitude for one moment at a particular location. Data Analyses
These recordings were taken over a 5-min interval at each
employee’s work station. For each measurement period, the high,
low, and average sound levels were calculated. Specific noise
Research questions were assessed using the multi-
sources such as printers without hoods, collating machines, and ple regression procedures of the SPSSX-PC computer
photocopiers also were monitored. Second, a noise level analyzer program. Data analyses followed procedures to test
(Bruel and Kjaer Type 4426) was used to assess noise levels within for mediating relationships described by Baron and
an office over a 4-hr period. This method provided information Kenny (1986). This method calls for a series of three
about average daily noise exposures for employees working in par-
ticular areas of an office. The principal source of noise data for the
regression analyses.
analyses reported in this article were the sound-level measures The first analysis regresses a mediator (perceived
obtained using the hand-held dosimeter. support for creativity at work) on an independent

140 Creativity Research Journal


Qualities of Work Environments

variable (social climate or environmental distraction). The mediation analyses were performed separately
Mediation criteria require that the independent vari- for each pair of independent and dependent variables.
ables significantly affect the mediator. The second In all of these analyses, the covariates—age, educa-
analysis regresses the dependent variables (personal tion, job status, and personal importance of creativ-
stress or job satisfaction) on the independent vari- ity—were entered in the regression equations before
ables (social climate or environmental distraction). the predictor and mediating variables.
Mediation criteria require that independent variables
significantly affect dependent variables. The third
analysis regresses the dependent variables (personal Results
stress or job satisfaction) on both the independent
variables (social climate or environmental distrac- Internal Consistency of Scaled Variables
tion) and the mediator variable (perceived support for
creativity at work). Mediation criteria require that As a check on the internal consistency of the scaled
(a) the mediator variable significantly affects the variables analyzed in this study, Cronbach’s alpha was
dependent variable, and (b) the effect of the inde- computed for all multi-item scales. A summary of the
pendent variable on the dependent variable is reduced major scales and their interitem reliabilities is pro-
in the third analysis, as compared with its effect on vided in Table 1. Cronbach’s alpha reliability coeffi-
the dependent variable in the second analysis (where cients were as follows: perceived support for creativ-
the mediator variable has not been entered into the ity at work = .84; importance of creativity = .71; social
regression equation). climate = .71; and personal stress = .88.

Table 1. Summary of Major Variables and Interitem Reliability Data

Scale Description Scale Items α

Perceived Support for How available to you are creative outlets at work? .84
Creativity at Work
How often do you feel creative at work?
To what extent is your creativity encouraged or discouraged at work?
Importance of Creativity How important is it for you to be creative at work? .71
How important is it for you to be creative at home?
Social Climate Open exchange of ideas with my supervisor .71
Supportive interactions with coworkers
High employee morale
Participate in decisions about projects I work on
Participate in decisions that affect my work environment
Conflict with coworkers on project prioritiesa
Insufficient guidance from supervisora
Difficulties in contacting supervisora
Environmental Distraction Sum of people viewed while seated, number of people who can see while seated, foot traffic, N/A
and noise levels
Personal Stress Unable to control the important things in your lifea .88
Confident about ability to handle personal problems
Things were going your way
Difficulties piling up so high you can’t overcome thema
You could not cope with all the things you had to doa
You were on top of things
Nervous and stresseda
Downhearted and bluea
Satisfied with life
Job Satisfaction How satisfied are you with your current job? N/A
a
Designated items are reverse scored.

Creativity Research Journal 141


D. Stokols, C. Clitheroe, and M. Zmuidzinas

Mediation of Environmental Effects on Job Table 2. Effect of Social Climate on Perceived Support
Satisfaction and Personal Stress × for Creativity at Worka
Employees’ Perception of Support for Variable B on Entry Se B R2 Change p
Creativity at Work
Age –.06 .13 .55
Education –.19 .19 .08
As shown in Tables 2 and 3, both independent Job Status .24 .20 .03
variables (social climate and environmental distrac- Importance .31 .34 .005
tion) meet the first criterion identified by Baron and of Creativity
Kenny (1986) for mediation analyses (i.e., they sig- Social Climate .36 .30 .13 .0003
nificantly affect the mediator variable). After Note: Final equation adjusted R2 = .27, F(5,76) = 7.28, p = .0000.
accounting for the effects of the covariates, the stan- a
This equation constitutes the first analysis in Baron & Kenny’s
dardized regression coefficients indicate that both (1986) test for statistical mediation. The first criterion of media-
variables significantly predict perceived support for tion is met, in that the predictor variable, social climate, signifi-
cantly affects the mediator variable, perceived support for cre-
creativity at work. A more positive social climate
ativity at work.
was associated with greater perceived support for
creativity at work (β = .36, R 2 change = .13,
Table 3. Effect of Environmental Distraction on Perceived
p < .0003). Higher levels of environmental distrac- Support for Creativity at Worka
tion at work were associated with less perceived
support for creativity (β = –.35, R2 change = .11, Variable B on Entry Se B R2 Change p
p < .004). Age –.03 .15 .78
In the analyses incorporating personal stress as Education –.09 .21 .45
the dependent variable, the criteria for statistical Job Status .15 .23 .22
mediation were met only when social climate was Importance .23 .38 .06
of Creativity
entered as the independent variable (but not with Environmental –.35 .02 .11 .004
environmental distraction as the independent vari- Distraction
able). As shown in Table 4, the second mediational
analysis indicated that a more positive social climate Note: Final equation adjusted R2 = .15, F(5,67) = 3.46, p = .0076.
a
This equation constitutes the first analysis in Baron & Kenny’s (1986)
was associated with lower levels of personal stress test for statistical mediation. The first criterion of mediation is met, in
(β = .26, R2 change = .07, p < .02). In the third medi- that the predictor variable, environmental distraction, significantly
ation analysis, perceived support for creativity at affects the mediator variable, perceived support for creativity at work.
work (the mediator) was a statistically significant
predictor of personal stress (β = .39, R2 change = .12, Table 4. Effect of Social Climate on Personal Stress as Mediated
p < .002). Perceived support for creativity was nega- by Perceived Support for Creativity at Work
tively associated with personal stress. (The beta Variable B on Entry Se B R2 Change p
coefficient was positive because higher scores on the
Mediation Analysis 2
personal stress scale indicate lower levels of stress). Age .15 .07 .23
In addition, the effect of the independent variable, Education .01 .10 .94
social climate, on personal stress was less in the third Job Status .01 .11 .93
mediation analysis (β = .13) than in the second Importance
analysis (β = .26). In fact, the effect of social climate of Creativity –.09 .18 .47
Social Climate .26 .18 .07 .02
on personal stress was no longer statistically signifi- Mediation Analysis 3
cant in the third analysis. Perceived Support for
In the analyses incorporating job satisfaction as Creativity at Work .39 .06 .12 .002
the dependent variable, the criteria for statistical Social Climate .13 .19 .01 .29
mediation were met when either social climate or Note: Analysis 2 final equation adjusted R2 = .04, F(5,71) = 1.69,
environmental distraction was entered as the inde- p = .1470. Analysis 3 final equation adjusted R2 = .10, F(6,70) =
pendent variable. As shown in Table 5, the second 2.45, p = .0328.

142 Creativity Research Journal


Qualities of Work Environments

mediation analysis indicated that a more positive traction were associated with lower levels of job sat-
social climate was associated with greater job satis- isfaction (β = –28, R2 change = .07, p < .0246). In
faction (β = .52, R2 change = .27, p < .0000). In the the third mediation analysis, perceived support for
third mediation analysis, perceived support for cre- creativity at work (the mediator) was a statistically
ativity at work (the mediator) was a statistically sig- significant predictor of job satisfaction. Perceived
nificant predictor of job satisfaction. Perceived sup- support for creativity was positively associated with
port for creativity was positively associated with job job satisfaction (β = .44, R2 change = .17, p <
satisfaction (β = 46, R2 change = .19, p < .0001). In .0002). Moreover, the effect of environmental dis-
addition, the effect of the independent variable, traction on job satisfaction decreased in the third
social climate, was less in the third mediation analy- mediation analysis (β = –.15) as compared with its
sis (β = .42) than in the second analysis (β = .52). effect on the dependent variable in the second analy-
The effect of social climate on job satisfaction, how- sis (β = –.28) and was no longer significant in the
ever, remained statistically significant in the third third analysis.
analysis. The previously noted main effects of social cli-
As shown in Table 6, the second mediation analy- mate, environmental distraction, and perceived sup-
sis indicated that higher levels of environmental dis- port for creativity at work on job satisfaction and

Table 5. Effect of Social Climate on Job Satisfaction as Mediated by Perceived Support for Creativity at Work

Variable B on Entry Se B R2 Change p

Mediation Analysis 2
Age .10 .10 .36
Education –.13 .14 .27
Job Status .27 .16 .02
Importance of Creativity –.003 .26 .98
Social Climate .52 .21 .27 .0000
Mediation Analysis 3
Perceived Support for Creativity at Work .46 .08 .19 .0001
Social Climate .42 .22 .15 .0001

Note: Analysis 2 final equation adjusted R2 = .31, F(5,76) = 8.23, p = .0000. Analysis 3 final equation adjusted R2 = .35,
F(6,75) = 8.38, p = .0000.

Table 6. Effects of Environmental Distraction on Job Satisfaction as Mediated by Perceived Support for Creativity
at Work

Variable B on Entry Se B R2 Change p

Mediation Analysis 2
Age .09 .11 .42
Education –.18 .15 .15
Job Status .26 .17 .04
Importance of Creativity –.08 .27 .50
Environmental Distraction –.28 .01 .07 .0246
Mediation Analysis 3
Perceived Support for Creativity at Work .44 .08 .17 .0002
Environmental Distraction –.15 .01 .02 .24

Note: Analysis 2 final equation adjusted R2 = .09, F(5,66) = 2.35, p = .0501. Analysis 3 final equation adjusted R2 = .21,
F(6,65) = 4.09, p = .0015.

Creativity Research Journal 143


D. Stokols, C. Clitheroe, and M. Zmuidzinas

personal stress are summarized in Tables 7a, 7b, and Discussion


7c. The patterns of means shown in these tables illus-
trate that: (a) more favorable social climates are asso- Significant relationships among social climate, lev-
ciated with lower levels of personal stress and greater els of environmental distraction, and employees’ per-
job satisfaction, (b) higher levels of environmental ceived support for creativity at work were found. A
distraction are associated with lower levels of job sat- more positive social climate was associated with
isfaction, and (c) greater perceived support for cre- greater perceived support for creativity at work, and
ativity at work is associated with lower levels of per- high levels of environmental distraction were associ-
sonal stress and higher levels of job satisfaction. ated with less perceived support for creativity at work.
Also, job satisfaction was significantly predicted by
both social climate and levels of environmental distrac-
tion. Finally, perceived support for creativity signifi-
Table 7a. Means for Personal Stress and Job Satisfaction
× More and Less Favorable Social Climate cantly mediated the relationships between social cli-
mate and job satisfaction, social climate and personal
Personal Stress Job Satisfaction stress, and environmental distraction and job satisfac-
Social Climate n M SD M SD
tion. That perceived support for creativity at work was
not a significant mediator of the relationships between
Less Favorable environmental distraction and personal stress may be
Social Climate 46 3.45 .65 3.30 1.17
More Favorable
attributable to the relatively greater influence of non-
Social Climate 44 3.73 .79 4.25 .75 workplace factors on personal stress than on job satis-
faction. That is, perceived support for creativity at work
Note: Larger means indicate lower levels of personal stress and apparently played a less significant role in employees’
higher levels of job satisfaction. Social climate range = 1.38 to 4.00;
median = 3.00. Main effect on personal stress, p < .02 Main effect
appraisals of their “global stress” levels (Cohen et al.,
on job satisfaction, p < .0001. 1983) than in their assessments of job satisfaction.
All of the findings reported here are based on a
series of stepwise regression analyses that were per-
formed according to the criteria for testing relation-
Table 7b. Means for Job Satisfaction × Low and High Levels of ships among predictor, mediator, and outcome vari-
Environmental Distraction ables, as outlined by Baron and Kenny (1986). Still,
Job Satisfaction these findings must be characterized as exploratory
and suggestive rather than conclusive, because of a
Environmental Distraction n M SD number of limitations in the research design and scope
Low Distraction 39 3.96 1.11 of this study.
High Distraction 39 3.74 1.04 First, all analyses were based on cross-sectional
Note: Larger means indicate higher levels of job satisfaction. Envi-
rather than longitudinal data. Thus, we cannot infer
ronmental distraction range = –1.99 to 3.75; median = –.16. Main causal relationships among the predictor, mediator,
effect, p < .025. and dependent variables. For instance, the causal

Table 7c. Means for Personal Stress and Job Satisfaction × Low and High Levels of Perceived Support
for Creativity at Work

Personal Stress Job Satisfaction

Perceived Support for Creativity at Work n M SD M SD

Low Support for Creativity 47 3.47 .73 3.37 1.20


High Support for Creativity 46 3.65 .74 4.16 .80

Note: Larger means indicate lower levels of personal stress and higher levels of job satisfaction. Perceived sup-
port for creativity range = 1 to 7; median = 4.42. Main effect on personal stress, p < .002. Main effect on job satisfac-
tion, p < .0001.

144 Creativity Research Journal


Qualities of Work Environments

direction of the links between environmental distrac- faction would provide a more direct and conclusive
tion or social climate in the workplace and perceived assessment of the hypotheses examined in this
support for creativity at work cannot be ascertained research.
from our data. We do not know whether a more favor- Fourth, all predictor, mediator, and outcome vari-
able social climate promotes a higher level of per- ables examined in this study were measured at the
ceived support for creativity at work, or whether individual level rather than at the group or organiza-
greater perceived support for creativity engenders a tional level. The small number of organizations (five)
more positive social climate. With regard to environ- that participated in this study precluded the possibility
mental distraction, it would seem more plausible that of using the work group, company, or department
high levels of distraction undermine perceived sup- (rather than individual employees) as the unit of
port for creativity at work, rather than vice versa. analysis. On the one hand, the constructs of perceived
Nonetheless, the cross-sectional nature of our research support for creativity at work, job satisfaction, and
design precludes confirmation of the hypothesized work-related experiences of stress are most appropri-
relationships among these variables. ately measured at the individual rather than aggregate
Second, the self-report measures of social climate, level of analysis. On the other hand, a potential
perceived support for creativity at work, personal methodological problem inherent in our analyses of
stress, and job satisfaction were not cross-validated self-report measures is that the questionnaire
by objective or independent subjective indexes of responses of employees from the same work group or
these constructs. In future studies, observational mea- department are often interdependent rather than inde-
sures of supportive relationships among coworkers pendent. To the extent that high levels of interdepend-
and their supervisors, archival records, supervisory ence prevail among coworkers’ in their responses to
ratings of employees’ innovations at work (cf. Old- survey items, it is advisable to aggregate their data by
ham & Cummings, 1996), and physiological mea- work group, department, or company. Moreover,
sures of stress could be used to reduce the likelihood some studies of innovation at work have found that
of spurious findings based on the use of subjective the effects of perceived social climate at work on
independent variables (e.g., perceived social climate employees’ self-ratings of their innovations at work
and support for creativity at work) to predict self- vary considerably, depending on whether social cli-
reported outcome measures (e.g., personal stress and mate is measured at the group or individual level
job satisfaction).2 (Bunce & West, 1995). Future evaluations of the rela-
Third, all of the reported links among predictor, tionships among the predictor, mediator, and outcome
mediator, and outcome variables are based on variables examined in this study should compare indi-
employee self-reports or researchers’ observations of vidual- and group-level measures and analyses of
existing conditions in five workplaces. None of the these constructs.
major variables were intentionally manipulated by Fifth, all of the participants in this study were
the researchers to evaluate their relationships in a full-time supervisory and staff-level office workers
prospective fashion. In future studies, it would be rather than blue collar employees within manufactur-
most informative to design and implement interven- ing settings or mobile worksites (e.g., vehicle opera-
tions at the worksite intended to improve social cli- tors and other nonoffice service workers). The gen-
mate, reduce environmental distraction, and enhance eralizability of the reported links from offices to
environmental support for creativity at work. nonoffice worksites and blue collar employees
Prospective evaluations of the effects of such inter- remains as an important issue for future research on
ventions on employees’ personal stress and job satis- environmental predictors of perceived support for
creativity and innovation in the workplace.
These limitations notwithstanding, this study sug-
gested that physical and social features of work envi-
2
In the UCI Facilities Survey, participants’ heart rate and levels of ronments do influence employees’ perceptions and
systolic and diastolic blood pressure were recorded as objective
indicators of personal stress. However, complete blood pressure and
experiences of creativity, and established a basis for
heart rate data were available for only a few of the 97 participants future longitudinal studies designed to replicate and
who responded to the Creativity Questionnaire. extend the cross-sectional relationships reported here.

Creativity Research Journal 145


D. Stokols, C. Clitheroe, and M. Zmuidzinas

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