34.

E7 Analysis

• This piece begins in D major. What keys arrive in the following measures?
measure 1 D measure 26 _____ measure 31 _____
measure 35 _____ measure 39 _____ measure 43 _____

•In the empty measures after the score, write a chord progression based on these keys,
in which the tonics of these keys are root position chords, with smooth motion in the upper voices.
• Describe the logic behind this key structure and the modulations that lead to each new key.

Franz Liszt, Consolation No. 3

Lento placido cantando

sempre legatissimo

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2
 3
espressivo

dolcissimo

espressivo
 4

dolcissimo

poco rit.

m1 26 31 35 39 41