S C 2 9 0 3. F C I N,I N A,I N B,I N Q, U K.

q x p _ L a y o ut 1 3/ 9/ 2 0 7: 5 0 A M P a g e I N F C

F R E E IN S ID E! 1 2 B O N U S V ID E O S
I N C L U D I N G 3 H I T O M I S C E N E S & K A R I N A H A R T ’S T I T- F * C K

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V OL. 2 9
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A L L M O D E L S A R E A T L E A S T 18 Y E A R S O L D
S A L E T O M IN O R S F O R B ID D E N
IN T E R N A T IO N A L E D IT IO N
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V o l u m e 2 98 - N u m b e r 31

C O N T E N T S
D E P A R T M E N T S

5 S C O R EC A R D
A fo ru m fo r re a d e rs ’ le tte rs , c o m m e n ts a n d id e a s .

1 3 B O O B B EAT
B o o b s in th e n e w s b y E llio t J a m e s . T h is is s u e : A n in te r-
v ie w w ith T ig e rr B e n s o n a n d w in K a tie ’s s ig n e d D V D .

F E A T U R E S

S C O R E A W A R D S R U N N E R S -U P
18 M o d e l o f th e Y e a r
44 M o d e l o f th e D e c a d e 2 0 1 0 -2 0 1 9
54 N e w c o m e r o f th e Y e a r
76 B ig -B o o b H a ll o f F a m e

N O T IC E : T H IS IS A D U L T M A T E R IA L . A ll o f th e p e rfo rm e rs/
m o d e ls , a n d a ll o f th e c h a ra c te rs th a t th e y p o rtra y, w e re o v e r
1 8 y e a rs o f a g e a t th e tim e o f th e p h o to g ra p h y. T h e c o n te n t is
in a p p ro p ria te fo r m in o rs , a n d a p p ro p ria te c a re s h o u ld b e ta k e n to
e n s u re th a t it is n o t v ie w e d b y a n y o n e u n d e r 1 8 y e a rs o f a g e .

R e ta il p ric e : U S A : $ 1 0 .9 9 ; C a n a d a : $ 1 1 .9 9 ; U K : £ 6 .9 9 . B o n u s K O R IN A K O V A P A G E 2 0 H IT O M I P A G E 4 6
E d itio n : U S A : $ 1 4 .9 9 ; C a n a d a : $ 1 6 .9 9 . T h is is : V o l. 2 9 , N o . 3
(o n -s a le A p ril 2 8 , 2 0 2 0 ). © 2 0 2 0 b y T h e S C O R E G ro u p a n d
Q u a d In t’l., In c o rp o ra te d , a ll rig h ts re s e rv e d . R e p u b lis h in g in
w h o le o r in p a rt, in c lu d in g , b u t n o t lim ite d to , a n y e le c tro n ic
m e d ia , is e x p re s s ly fo rb id d e n e x c e p t w ith w ritte n p e rm is s io n o f
T h e S C O R E G ro u p . N a u g h ty N e ig h b o rs ® , L e g S e x ® ,
4 0 S o m e th in g ® , V o lu p tu o u s ® a n d S C O R E ® a re re g is te re d tra d e -
m a rk s o f T™ h e S C O R E G ro u p a n d Q u a d In t’l., In c o rp o ra te d .
1 8 e ig h te e n is a tra d e m a rk o f T h e S C O R E G ro u p a n d Q u a d
In t’l., In c o rp o ra te d , re g is tra tio n p e n d in g a s o f p u b lic a tio n . T h e
S C O R E G ro u p , a n d Q u a d In t’l., In c o rp o ra te d , c e rtify to a ll c o m -
m e rc ia l p u rc h a s e rs th a t th e a fo re s a id m a te ria ls a re in fu ll c o m -
p lia n c e w ith th e re q u ire m e n ts o f 1 8 U .S .C . § 2 2 5 7 a n d a s s o c i-
a te d re g u la tio n s . E d ito ria l O ffic e : P .O . B o x 5 5 8 1 5 0 , M ia m i, F L
3 3 2 5 5 -8 1 5 0 . P u b lis h e r d is c la im s a ll re s p o n s ib ility to re tu rn
u n s o lic ite d m a te ria l, a n d a ll rig h ts in m a te ria ls p u b lis h e d v e s t in
T h e S C O R E G ro u p a n d S C O R E . L E T T E R S a re a s s u m e d to b e fo r
p u b lic a tio n , u n le s s o th e rw is e e n d o rs e d , a n d m a y b e e d ite d . T h is
p e rio d ic a l is s o ld s u b je c t to th e fo llo w in g c o n d itio n s : it s h a ll n o t
b e le n t, re s o ld , h ire d o u t o r o th e rw is e d is p o s e d o f in a m u tila te d
c o n d itio n o r in a n u n a u th o riz e d c o v e r b y w a y o f T ra d e , e x c e p t a t
th e fu ll re ta il p ric e , o r a ffix e d to o r a s a p a rt o f a n y p u b lic a tio n
o r a d v e rtis in g , lite ra ry o r p ic to ria l m a tte r w h a ts o e v e r, w ith o u t th e
e x p re s s w ritte n c o n s e n t o f th e p u b lis h e r. A n y s im ila rity b e tw e e n
a n in d iv id u a l p e rs o n o r p e o p le d e p ic te d in th e fic tio n
o r a rtw o rk in th is m a g a z in e a n d a n y re a l p e rs o n o r p e o p le is p u re -
ly c o in c id e n ta l a n d is n o t in te n d e d a s a re p re s e n ta tio n o f
a n y p a rtic u la r in d iv id u a l o r c la s s o f p e o p le . P R IN T E D IN C A N A D A

S C O R E (IS S N # 1 0 7 3 -2 4 3 8 ) is p u b lis h e d s e v e n tim e s a y e a r.

S u b s c rip tio n s (1 2 is s u e s ) a re $ 6 9 .9 5 in th e U S A a n d $ 1 0 9 .9 5
in C a n a d a , b y T h e S C O R E G ro u p , P .O . B o x 5 5 8 1 5 0 , M ia m i,
F L 3 3 2 5 5 -8 1 5 0 . P e rio d ic a ls P o s ta g e P a id a t M ia m i, F L a n d
A d d itio n a l M a ilin g O ffic e s . P O S T M A S T E R : P le a s e s e n d a d d re s s
c h a n g e s to S C O R E , P .O . B o x 5 5 8 1 5 0 , M ia m i, F L 3 3 2 5 5 -8 1 5 0 .

The records required by 18 USC 2257 and associated

regulations w ith respect to this product (and all
graphical m aterials associated therew ith) are kept
at the office of the Publisher at the follow ing loca-
tion: Custodian of Records, The SCORE Group, a
division of Quad Int'l., Incorporated, 5001 S.W . 74
Court, Suite 200, M iam i, FL 33155.
2 SC O R E
K A T Y A N N PA G E 5 6 K A RI N A H A R T PA G E 7 8
S C 2 9 0 3. 0 2, 0 3, U K 0 2, 0 3 C o nt e nt s. q x p _ L a y o ut 1 1/ 2 4/ 2 0 1: 5 5 P M P a g e 3 U S
C A S E Y D E LU X E PA G E 2 8
A M B E R A LE N A PA G E 3 6
A N A S T A S IA L’A M O U R P A G E 6 8
T IG E R R B E N S O N P A G E 8 8
Y o u r c o m p le te g u id e to th is
is s u e ’s B O N U S V ID E O S
T h is is s u e c o m e s w ith 1 2 fu ll-le n g th
b o n u s v id e o s : s e v e n th a t m a tc h th e p ic -
to ria ls in th is is s u e , a b o n u s s o lo v id e o
o f T ig e rr B e n s o n (F Y I, th a t p ic to ria l is
ru n n in g in th e c e n s o re d , n o -h a rd c o re
U K v e rs io n o f S C O R E ), a n e x tra b o n u s
v id e o o f K a rin a H a rt’s o n e a n d o n ly tit-
fu c k / tu g jo b s c e n e a n d th re e v id e o s o f
M o d e l o f th e D e c a d e H ito m i. T h a t’s
o v e r fo u r h o u rs o f a c tio n !
A s a lw a y s , th e s e v id e o s a re to ta lly
fre e w ith a b s o lu te ly n o s trin g s
a tta c h e d . T h e y c a n b e p la y e d o n y o u r
P C , la p to p , M a c , iP h o n e , iP a d , s m a rt-
p h o n e o r ta b le t. Y o u c a n s tre a m th e m
o r d o w n lo a d th e m a n d s a v e th e m fo r-
e v e r. N o e m a il, c re d it c a rd o r p e rs o n a l
in fo rm a tio n w ill b e re q u e s te d . Y o u ’ll
a ls o g e t a fre e d ig ita l v e rs io n o f th e
e n tire is s u e s o y o u c a n ta k e S C O R E
a n y w h e re y o u g o .
H e re a re th e h ig h lig h ts o f th is is s u e ’s
b o n u s sce n e s.
N e w c o m e r o f th e Y e a r K o rin a K o v a
ta lk s d irty , b o u n c e s h e r b ig tits , u s e s a n
ic e c u b e o n h e r n ip p le s a n d th e n
tw e rk s h e r a s s in s lo w -m o tio n .
C a s e y D e lu x e h a d a g ro w th s p u rt,
a n d s h e ’s p ro u d to s h o w o ff h e r h u g e
n a tu ra ls . T h e g irl h a s tits lik e ta ffy –
th e y ’re v e ry p lia b le – a n d s h e lo v e s to
s w in g a n d h a n g h e r ro c k e ts in s lo -m o .
A m b e r A le n a s u p e r-s iz e d h e r
a lre a d y h u g e tits , a n d s h e ’s s u c k in g
a n d fu c k in g a h u g e c o c k . W h e re d o e s
th e g u y s h o o t h is lo a d ? E x a c tly w h e re
y o u w o u ld : o n h e r c h e s t!
N e w c o m e r o f th e Y e a r K a ty A n n
e n jo y s s h o w in g o ff h e r b ig , b e a u tifu l
H E R E ’S Y O U R B O N U S C O D E
1 . G o to S C O R E M a g .c o m /S C 2 9 0 3
2 . E n te r y o u r a c c e s s c o d e . 3 . E n jo y th e s c e n e s !
C o d e m a y b e u se d 1 0 tim e s a n d e x p ire s O c to b e r 2 8 , 2 0 2 0 .
tits , a n d y o u ’ll lo v e s e e in g th e m . K a ty
a ls o lo v e s h u g e to y s , a n d in th is s c e n e ,
s h e g a g s h e rs e lf o n a th ic k , fa k e c o c k
th e n fu c k s h e r p u s s y u n til s h e c u m s .
In h e r firs t v id e o fo r S C O R E , s lim
‘n ’ s ta c k e d n e w b ie A n a s ta s ia L ’A m o u r
p u ts o n a h o t b ra a n d lin g e rie s h o w
ju s t fo r y o u . S h e ta lk s d irty a n d fin g e rs
h e r tig h t p u s s y .
T ig e rr B e n s o n is b u s tin g o u t o f h e r
ta n k to p fo r tw o s tu d s w h o ta k e tu rn s
o n h e r m o u th , tits , p u s s y a n d u ltra -
tig h t a s s h o le . T h e n s h e g e ts D P ’d .
T ig e rr s h o w s u s h o w s h e g e ts c le a n
in th e b a th ro o m . T h e n s h e g e ts d irty
b y fu c k in g h e r u ltra -p in k p u s s y w ith a
v e ry b ig to y .
N e w H a ll o f F a m e r K a rin a H a rt,
w e a rin g s h e e r, s e x y lin g e rie , s trip s a n d
fu c k s h e rs e lf w ith a b ig to y . N o b o d y is
b e tte r w ith a d ild o th a n K a rin a .
T h e n , fo r th e firs t tim e , y o u g e t
K a rin a ’s o n e -a n d -o n ly tit-fu c k /tu g jo b
s c e n e fre e w ith th is is s u e . It’s th e s a m e
s c e n e th a t’s in th e m o v ie B u sty R id in g
A ca d em y . W h a t a b o n u s !
F in a lly , w e h a v e th re e fu ll-le n g th
v id e o s to c e le b ra te H ito m i b e in g
c ro w n e d M o d e l o f th e D e c a d e . In th e
firs t, film e d in P u e rto V a lla rta , M e x ic o ,
H ito m i g e ts a b o o b m a s s a g e fro m
N a ta lie F io re a n d M ic k y B e lls . In th e
s e c o n d , H ito m i a n d S h a R iz e l g e t w e t
a n d g o tit-to -tit in th e D o m in ic a n
R e p u b lic . A n d in th e th ird , H ito m i
ja c k s a n d tit-fu c k s tw o fa k e c o c k s in a
g lo ry h o le b o o th th e n g e ts h e r h u g e
n a tu ra ls a b s o lu te ly c o a te d w ith c u m .
S h e ’s 1 0 0 % g la z e d !
S C 2 9 0 3. 0 4, 0 4 N e w S u b A d. q x p _ L a y o ut 1 2/ 1 9/ 2 0 9: 2 4 A M P a g e 4 U S

1 2 IS S U E S O F
S C O R E P LU S
12 B O N U S X X X D V D s
fo r O N L Y $ 9 9. 9 5

S U B S C R IB E A N D Y O U ’L L A L S O …
• S A V E A W H O P P IN G 5 5 % O F F T H E N E W S S T A N D P R IC E .
• R E C E IV E Y O U R M A G A Z IN E B E F O R E IT ’S A V A IL A B L E
A T N E W S STA N D S .
• N E V E R W O R R Y A B O U T S E E IN G T H E “ S O R R Y ,
S O L D O U T !” S IG N .
• G E T 1 5 % O F F A L L T S G M O V IE S & M A G A Z IN E S .
• G E T F R E E S H IP P IN G O N M O V IE O R D E R S . *
• P L U S , G E T M A T C H IN G V ID E O S O F T H E P IC T O R IA L S
IN E A C H IS S U E , F R E E !

O r g e t 1 2 is s u e s o f th e m a g a z in e o n ly fo r $ 6 9 .9 5

o S ig n m e u p fo r 12 is s u e s o f S C O R E a n d th e b o n u s D V D s fo r o n ly $ 9 9 .9 5 U .S . & C A N A D A :
o S ig n m e u p fo r 1 2 is s u e s o f S C O R E fo r o n ly $ 6 9 .9 5 1 -8 0 0 -4 2 1 -0 7 6 0
P ric e is fo r U .S . s u b s c rib e rs o n ly. A ll o th e r c o u n trie s, s e n d $ 1 3 9 .9 5 U S D fo r 1 2 is s u e s a n d th e b o n u s D V D ; $ 1 0 9 .9 5 U S D fo r th e m a g a z in e s o n ly. P le a s e
a llo w 4 -to -8 w e e k s fo r d e live ry o f yo u r firs t is s u e . A ll m a g a z in e s w ill a rrive in a d is c re e t e n ve lo p e to p ro te c t yo u r p riva c y. B y s ig n in g b e lo w , yo u c e rtify th a t
yo u a re a t le a s t 1 8 ye a rs o ld .W e a c c e p t c h e ck s a n d m o n e y o rd e rs in U S D o lla rs ; o r c a s h , b ills o r b a n k n o te s in U S D o lla rs, £ s te rlin g , € E u ro s, a n d C a n a d ia n
D o lla rs. C re d it c a rd o rd e rs m u s t p ro v id e th e e x a c t b illin g a d d re s s if d iffe re n t fro m m a ilin g a d d re s s. S u b s c rib e r d is c o u n ts c a n n o t b e a p p lie d to fu tu re m a g a z in e
W O R L D W ID E :
s u b s c rip tio n s a n d s o m e a d d itio n a l re s tric tio n s m a y a p p ly. *F re e s h ip p in g o ffe r a v a ila b le to U .S . s u b s c rib e rs o n ly o n m o v ie p u rc h a s e s . D is c o u n ts a n d
fre e s h ip p in g o ffe rs c a n n o t b e c o m b in e d w ith o th e r d is c o u n t o ffe rs a n d m a y b e re vo ke d a t a n y tim e a t th e s o le d is c re tio n o f T h e S C O R E G ro u p .
+ 0 1 -3 0 5 -6 6 2 -5 9 5 9
R P L E A S E IN D IC A T E: ❑ N EW ❑ R EN EW A L
A ll s p e c ia l o ffe rs a re n o n -tra n s fe ra b le a n d a re a p p lic a b le a s lo n g a s y o u r s u b s c rip tio n re m a in s c u rre n t. F A X:
R P A Y M E N T M E T H O D:
❑ V IS A ❑ D IS C O V E R /N O V U S
❑ C H EC K
❑ A M EX
❑ CASH ❑ M .O . ❑ M C /A C C E S S / E U R O C A R D
❑ M A ES TR O ❑ JC B ❑ D IN E R S C L U B ❑ U N IO N P A Y
1 -3 0 5 -6 6 2 -5 9 5 2
CARD # E X P.
E M A IL :
P R O V ID E S E C U R IT Y C O D E : (L A S T 3 D IG IT S A B O V E S IG N A T U R E ) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ . ________________ _______

A M E X C A R D H O L D E R S (E N T E R T H E 4 D IG IT S A B O V E C A R D # ) ____ _________________
s u b s c r ip t io n s @ s c o re g ro u p .c o m
NAM E AGE
M A ILTO :
C U S T O M E R ID #

A D D R ES S
E M A IL

C IT Y S T A T E /C O U N T R Y
T h e S C O R E G ro u p ,
Z IP/ P O S T A L C O D E S IG N A T U R E
D e p t. S C 2 9 0 3 , P .O . B o x 5 5 8 1 5 0 ,
C R E D IT C A R D O R D E R S W IL L N O T B E P R O C E S S E D W IT H O U T A S IG N A T U R E A N D S E C U R IT Y C O D E SC2903 M ia m i, F L 3 3 2 5 5 -8 1 5 0
S C 2 9 0 3. 0 5- 0 8, 1 2, 8 6, 8 7, U K 0 5- 0 8, 1 2, 8 6, 8 7 S c or e c ar d. q x p _ L a y o ut 1 2/ 1 9/ 2 0 9: 4 4 A M P a g e 5 U S
A P U B L IC F O R U M F O R R E A D E R S ’ L E T T E R S ,
C O M M E N T S A N D S U G G E S T IO N S .
A L E X Y A G O T H IS V O T E F O R
M O D EL O F TH E D EC A D E
D ear S C O R E ,
A le x y a re p re s e n ts m y id e a l w o m a n .
H e r v o lu p tu o u s c u rv e s c a tc h th e e y e
a n d h o ld it w h ile h e r c o y a n d s e d u c -
tiv e d e m e a n o r g ra b h o ld o f y o u r m in d
a n d tra n s p o rt y o u to a w a rm a n d in v it-
A le x y a w a s c e r-
ta in ly o n e o f
th e g re a t g irls
o f th e d e c a d e .
in g p la c e b e tw e e n th o s e in c re d ib le ,
s tu n n in g m a m m a rie s . I’v e c h e ris h e d
e v e ry p h o to s h o o t a n d v id e o th a t th e
S C O R E te a m h a s p re s e n te d o f h e r a n d
w ith a b s o lu te ly z e ro h e s ita tio n c h o o s e
h e r fo r 2 0 1 9 M o d e l o f th e Y e a r.
I a d o re m a n y o th e r S C O R E G irls
fro m th e la s t 1 0 y e a rs . It h a s b e e n a fa n -
ta s tic d e c a d e . H o w e v e r, n o o n e h a s
c a p tu re d m y a tte n tio n a s s tro n g ly a s
A le x y a , w h o im m e d ia te ly m a d e m e
in to a c o lle c to r, s e e k in g a ll o f h e r w o rk .
It is w ith o u t a n y d o u b t th a t I m u s t a ls o
v o te fo r A le x y a to b e M o d e l o f th e
D e c a d e 2 0 1 0 -2 0 1 9 .
I’v e b e e n re a lly im p re s s e d w ith th e
n e w c o m e rs th a t y o u h a v e b ro u g h t fo r-
w a rd fo r m y a n d m a n y o th e r m e n ’s
e n jo y m e n t. H o w e v e r, K im V e le z is th e
h a n d s -d o w n s ta n d o u t fo r N e w c o m e r
o f th e Y e a r. H e r c u rv y , y o u n g b o d y a n d
e n o rm o u s a re o la e a re ta n ta liz in g , a n d
h e r c u te , b ra c e s -fille d s m ile m a k e s a
m a n w e a k a t th e k n e e s .
S C O R EC A R D
W h en ev er N e w c o m e r K im V e le z H E ’S N O T T H E O N L Y R E A D E R
I s e e th e H a ll W H O M E N T IO N E D J O A N A
o f F a m e , it’s a D ear S C O R E ,
re a l c h a lle n g e I’ll s a y K e lly C h ris tia n s e n o r V a lo ry
to p ic k o n e . Ire n e fo r M o d e l o f th e D e c a d e b u t o n ly
So m an y b e c a u s e Jo a n a B lis s w a s n ’t lis te d . S h e ’s
b u s ty b e a u - th e s e x ie s t w o m a n I’v e e v e r s e e n !– Jo n ,
tie s w h o ’v e v ia e m a il
a ll b ro u g h t D ea r Jo n : W e a g ree th a t Jo a n a is b ea u ti-
m e jo y in m y fu l a n d o n e o f th e g rea test n a tu ra ls ev er.
fe w y e a rs o f B u t sh e w a sn ’t listed b eca u se sh e d eb u ted
fo llo w in g a ll th e w a y b a ck in 2 0 0 4 .
S C O R E . T h is
y e a r, I c h o o s e Jo a n a m a k e s h e r
K a rin a H a rt b re a s ts m ilk ie r.
fo r th e B ig -
B o o b H a ll o f F a m e . S h e re a lly a llu re s in
a u n iq u e w a y w ith h e r m ilk y s k in a n d
c o n fid e n t p e rfo rm a n c e s in v id e o s a n d
p h o to sh o o ts.– F .A .,O rla n d o ,F lo rid a
W H Y W A S N ’T S E L E N A A D A M S
U P FO R M O D EL O F TH E D EC A D E?
D ear S C O R E ,
M o d e l o f th e D e c a d e : H ito m i, h a n d s
d o w n . I a ls o lo v e V a lo ry Ire n e a n d in
V o lu p tu o u s, A m o ra L e e a n d V a n e s s a Y .
N e w c o m e r o f th e Y e a r: S e le n a
A d a m s . B y th e w a y , w h y w a s n ’t S e le n a
in c lu d e d o n th e M o d e l o f th e D e c a d e
b a llo t? – B .B ., v ia e m a il
D ea r B .B .: W e felt th a t th e g irls w h o
ca m e a lo n g in 2 0 1 9 h a v en ’t h a d su fficien t
tim e to m a k e a lo n g -term im p a ct a n d b e
co n sid ered M o d el o f th e D eca d e.
S e le n a A d a m s
is a S C O R E S EN D Y O U R LETTER S !
G irl w ith a If y o u h a v e c o m m e n t s , c r it ic is m s
ju ic y b o o ty . o r s u g g e s t io n s , s e n d t h e m t o:
S C O R E C A R D , P .O . B o x 5 5 8 1 5 0 ,
M ia m i, F L 3 3 2 5 5 -8 1 5 0 . O r e m a il
u s a t s c o re @ s c o re g ro u p .c o m
TH E N E X T
IS S U E O F
S C O R E ...
W ill b e c o v e r-d a te d V o l. 2 9 , N o . 4
a n d g o o n- s a le Ju n e 2 3 , 2 0 2 0
w h e re v e r y o u b u y m e n ’s m a g a z in e s .
O r g e t th e d ig ita l e d itio n th re e
w e e k s e a rlie r a t e B o o b S to re .c o m .
G O O D N E W S ! S C O R E is n o w b e in g
p u b lis h e d s e v e n tim e s a y e a r!
SC O R E 5
S C 2 9 0 3. 0 5- 0 8, 1 2, 8 6, 8 7, U K 0 5- 0 8, 1 2, 8 6, 8 7 S c or e c ar d. q x p _ L a y o ut 1 2/ 1 9/ 2 0 9: 4 4 A M P a g e 6 U S

S O M A N Y G R E A T G IR L S , H E D ea r F .L .: W e co u ld n ’t a g ree m o re.
C O U L D N ’ T P IC K J U S T O N E S C O R E M en : Y o u ca n see C h ery l in V o l.
D ear S C O R E , 2 6 N o . 2 a n d 5 o f V -m a g (a v a ila b le o n p a g e
S o m a n y fa n ta s tic g ir ls fo r th e 1 1 ) a s w ell a s in th e n ew m o v ie B e s t o f th e
S C O R E A w a rd s . T h e c h o ic e is h a rd . D e c a d e 2 0 1 0 -2 0 1 9 , a v a ila b le o n p a g e 9 9 .
p u b l is h e d b y T h e s C O R e G R O u p
M y p ic k s fo r M o d e l o f th e D e c a d e a re
H ito m i, K o r in a K o v a o r V a lo ry Ire n e , W H IC H D E C A D E W A S B E T T E R ,
b u t re a lly , th e re w h e re s o m a n y a w e - 2 0 0 0 -2 0 0 9 O R 2 0 1 0 -2 0 1 9 ? M iC h A e l F e d e R iC i
s o m e g irls a n d I’m s u re th e d e c a d e to D ear S C O R E , d irec to r o f p rin t o p era tio n s
c o m e w ill b e ju s t a s g re a t. It’s v e ry h a rd fo r m e to fo rg e t a b o u t
K a rin a H a rt g e ttin g in to th e B ig - th a t p h e n o m e n a l firs t d e c a d e o f th e
B o o b H a ll o f F a m e w o u ld b e m u c h - c e n tu ry , w ith m o d e ls lik e A n g e la E D I T O R I A L
d e s e rv e d .– P ie rre , v ia e m a il W h ite , C h ris ty M a rk s , N ic o le P e te rs ,
d AV e R O seN bA u M ed ito r
S h a rd a y a n d A n n a
C H E R Y L B L O S S O M : A V -G IR L S o n g . I th o u g h t, a n d s T e V e s e R O a rt d irec to r
S C O R E M EN N EED TO S EE s till th in k , th e y w e re
D ear S C O R E , tru ly a w e s o m e . e l l iO T JA M e s a sso c ia te ed ito r
I a m w ritin g b e c a u s e I a m a lo n g - F o r th e d e c a d e 2 0 1 0 -
tim e re a d e r o f b o th S C O R E a n d 2 0 1 9 , I w o u ld v o te fo r b R u C e A R T h u R S c o rec a rd ed ito r
V o lu p tu o u s m a g a z in e s a n d b e lie v e th a t a ll-ro u n d c u rv y
S C O R E re a d e rs a re m is s in g o u t o n o n e H ito m i fo r M o d e l o f
P R O D U C T I O N
o f th e g re a te s t g irls e v e r. th e D e c a d e w h ile I
h a v e a v e ry w e a k s p o t fo r C o d i V o re A N d R e s b A s T id A s I.T . m a n a g er
C h e ry l B lo s s o m is th e u ltim a te V -G irl. (c u tie !) a n d K a rla Ja m e s
(fre c k le s !). A p a rt fro m
a ll th o s e u n b e lie v a b ly C U S T O M E R S E R V I C E

d iffic u lt c h o ic e s , I A N D S U B S C R I P T I O N S
w o u ld lik e to th a n k
F o r in q u irie s re g a rd in g e x is tin g S C O R E
y o u fo r p re s e n tin g a ll
th o s e h o t m o d e ls to s u b s c rip tio n s , p le a s e w rite to :
u s .– E .L ., v ia e m a il S C O R E C u s to m e r s e rv ic e
D ea r R ea d ers: W e P .O . B o x 5 5 8 1 5 0 , M ia m i, F L 3 3 2 5 5 -8 1 5 0 U S A
a sk ed rea d ers o f th e S C O R E -
P h o n e : 3 0 5 -6 6 2 -5 9 5 9 F a x : 3 0 5 -6 6 2 -5 9 5 2
L A N D B lo g (b lo g .s c o re la n d .c o m )
w h ich d eca d e th ey th o u g h t w a s b etter, E m a il: c s e rv ic e @ s c o re g ro u p .c o m
2 0 0 0 -2 0 0 9 o r 2 0 1 0 -2 0 1 9 . P ierre w ro te,
“ M y p referen ce w o u ld g o to th e 2 0 1 0 -2 0 1 9
C I R C U L A T I O N
d eca d e, ev en th o u g h I lo v e K a rin a H a rt a n d
M erily n S a k o v a . B u t rea lly , b o th d eca d es bO b C eR M A K
w ere g rea t.” R o o ster9 w ro te, “ It h a s b een a N o rth A m eric a n c irc u la tio n m a n a g er
g rea t d eca d e fo r p retty fa ces a n d g rea t tits.
I h a v e m y fa v o rites, b u t ev ery o n e is a w in - E m a il: B C e r m a k 2 0 0 1 @ v e r iz o n .n e t

n er, in clu d in g u s h o rn y m en . H o w a re y o u N O R T h A M e R iC A N d is T R ib u T iO N
g o n n a to p th is d eca d e? ”
C O M A G M A R K e T iN G G R O u p
T h e a n sw er: W e’re g o n n a try !
P h o n e : 6 0 9 -5 2 4 -1 8 0 0 F a x : 6 0 9 -5 2 4 -1 6 2 9
A L O N G -T IM E R E A D E R W H O
C A M E B A C K T O T H E M A G A Z IN E M ATTh eW bA R C h eTTO
D ear S C O R E , a c c o u n t ex ec u tiv e

F o r m y fe llo w S C O R E re a d e rs w h o
d o n ’t k n o w h e r, h e r n a m e is C h e ry l
B lo s s o m , a n d s h e h a s o n e o f th e m o s t-
b e a u tifu l p a irs o f n a tu ra l tits I h a v e
e v e r s e e n . I b e lie v e y o u h a v e re fe rre d
to th e m a s “ fle s h p illo w s .” T h a t is a n
a p t d e s c rip tio n .
C h e ry l is d e fin ite ly a V -G irl w ith h e r
c u rv y b o d y a n d s o m e w h a t p lu m p fig -
u re , b u t if y o u lo v e tits – a n d I k n o w
e v e ry re a d e r o f th is m a g a z in e d o e s –
y o u o w e it to y o u rs e lf to s e e h e r.– F .L ,
W h ite L a k e , N e w Y o rk
6 SC O R E
I h a v e b e e n a re a d e r o f S C O R E a n d
A N N M A R ie b A R R e R A
V o lu p tu o u s s in c e th e ’9 0 s a n d b u ilt a
in tern a tio n a l sa les
d e c e n t c o lle c tio n o v e r th e y e a rs .
H o w e v e r, w ith o n lin e , e tc ., I s to p p e d u K d is T R ib u T iO N
b u y in g th e m a g a z in e . M y a p o lo g ie s .
s e y M O u R d is T R ib u T iO N l T d
B u t to d a y , I fo u n d a n a d u lt b o o k
s to re , a n d th e y h a v e S C O R E a n d R o b e rt S m ith , a c c o u n t m a n a g e r
V o lu p tu o u s, a n d s o I a m c o lle c tin g a n d 2 E a s t P o u ltry A v e n u e
tre a s u rin g th e m o n c e a g a in . T h a n k s fo r L o n d o n , E n g la n d
b e in g th e b e s t b ig -b o o b e d m o d e l m a g
E C 1A 9P T
a n d g iv in g m e m y in tro to E u ro p e
D ic h a n , K im b e rly K u p p s , B u s ty D u s ty , T e le p h o n e : 0 2 0 -7 4 2 9 -4 0 0 0
P a n d o ra P e a k s , T o p s y C u rv y , M in k a ,
S C 2 9 0 3. 0 5- 0 8, 1 2, 8 6, 8 7, U K 0 5- 0 8, 1 2, 8 6, 8 7 S c or e c ar d. q x p _ L a y o ut 1 2/ 1 9/ 2 0 9: 4 4 A M P a g e 7 U S
D ia n a F ro s t: im p ro m p tu a n a l.
K a y la K le e v a g e a n d D o n ita D u n e s .
S u p e r m o d e ls in m y e y e s .
F a s t fo rw a rd to rig h t n o w . I h a v e a
s ta c k o f S C O R E s , a n d V o l. 2 8 N o . 1 is
a m a z in g . D ia n a F ro s t… d a m n ! K o rin a
K o v a , D a n ie lle D e re k … s h e lo o k s h o tte r
th a n e v e r. A n d P a ig e T u rn e r in V o lu p tu -
o u s is a m a z in g w ith h e r lin g e rie .
T h a n k y o u , S C O R E ! –M ilo , S y d n e y ,
A u s tra lia , v ia e m a il
P a ig e T u rn e r
lo v e s to y s
a n d b o y s.
W H ER EV ER S H E G O ES , A M B ER
H A S H E R O W N A IR B A G S
D ear S C O R E ,
T h re e c h e e rs fo r A m b e r A le n a ’s n e w
2 4 0 0 c c (2 .5 q u a rt) im p la n ts (V o l. 2 9 N o .
1 ). S h e is ju s t a m a z in g . O n a h u m o ro u s
n o te , s h e s h o u ld n ’t w o rry a b o u t ill-fit-
tin g a u to m o b ile s h o u ld e r b e lts . B e -
tw e e n th e c a r ’s a ir b a g s a n d h e r p e r-
s o n a l c h e s t b a llo o n s , A m b e r s h o u ld
c o m e o u t o f a n y w re c k o k a y !– T itb e rt,
v ia e m a il
A m b e r w ill
b e a to p
c o n te n d e r
fo r 2 0 2 0
M odelof
th e Y e a r.
W H Y N E W C O M E R B IL L I B A R D O T
H A S T H E P E R F E C T P A IR O F T IT S
D ear S C O R E ,
B illi B a rd o t (V o l. 2 9 N o . 1 ) is s u re ly
a n o th e r s p e c ta c u la r S C O R E a c q u is i-
tio n . H e r irre s is tib le p a ir o f m o re -th a n -
a b u n d a n t fle s h m e a t is s im p ly p e rfe c t.
S h e h a s n o s h a m e a b o u t s h o w in g
th e m . A n d a p a rt fro m b e in g p e rfe c tly
B illi B a rd o t’s c le a v a g e
is p e rfe c t fo r c o c k .
O U R TO P 10
B E S T - S E L LI N G M O V IE S
1 B E S T O F T H E D E C A D E 2 0 10 -2 0 19
T h e b e s t o f th e b e s t fro m a m e m o ra b le d e c a d e
o f b ig -b o o b e d g irls . T h e re a re 3 6 o f th e m o n
fo u r d is c s o f s o lo a n d h a rd c o re a c tio n .
2 S C O R E B IG B O O B H A L L O F F A M E
T h e firs t m o vie d e vo te d e n tire ly to th e m e m b e rs
o f th e S C O R E B ig -B o o b H a ll o f Fa m e . S o lo a n d
h a rd c o re s c e n e s , a ll o f th e m re m a s te re d .
3 B IG F A T T IT S 4
Y o u ’ll w a n t to g e t th is o n e to s e e n e w c o m e r
D in a S a h a ri, a yo u n g V -G irl w ith b ig , h e a vy tits .
S ix te e n a ll-s ta c k e d , a ll-n a tu ra l b a b e s .
4 E V E R Y M A N ’S F A N T A S Y
W e ’ve re le a s e d th e s e s c e n e s b e fo re b u t n e ve r
in o n e c o lle c tio n . T h e fa n ta s y : tw o b e a u tifu l,
b u s ty S C O R E G irls a n d yo u in X X X a c tio n .
5 G R E A T E S T B IG -B U S T V ID E O V O L . 4
T h irte e n h o u rs , 4 8 g irls . A n in c re d ib le c o lle c tio n
fe a tu rin g S h a R ize l, K a rin a H a rt, M e rilyn S a k o va ,
C h ris ty M a rk s , B e s h in e , T ig e rr B e n s o n & m o re .
6 SC O R E FU C K D O LLS
T h e y’re b lo n d , th e y’re s u p e r-b u s ty a n d th e y’re
g e ttin g fu c k e d e ve ry w h ic h w a y b y h u g e c o c k s .
Fe a tu re s M ILF n e w c o m e r B illi B a rd o t.
7 B A D G IR L H IT O M I
O n e o f th e M o d e l o f th e D e c a d e ’s c la s s ic D V D s is
b a c k o n th e lis t. N in e s c e n e s th a t ra n g e fro m
fu n in th e s u n to c o ve re d in c u m .
8 Y O U N G ‘N ’ S T A C K E D
Y o u ’ll w a n t to g e t th is o n e ju s t to la y yo u r e ye s
o n 1 8 -ye a r-o ld n a tu ra l n e w c o m e r Lu c y La is tn e r.
Tw e lve , to p -h e a vy yo u n g g irls o n tw o d is c s .
9 CO D IVO R E X X X
T h is e x tra o rd in a ry h a rd c o re d e b u t fe a tu re s
C o d i’s firs t th re e X X X s c e n e s , in c lu d in g a g irl-
g irl-b o y w ith n a tu ra lly s ta c k e d Lu n a B u n n y.
10 B IG T IT S , H A IR Y S N A T C H
D is c O n e fe a tu re s s ix g irls in X X X a c tio n . D is c
Tw o h a s s ix s o lo g irls w ith s o m e o f th e b ig g e s t
tits a n d h a irie s t p u s s ie s yo u ’ve e ve r s e e n .
A ll D V D s , B lu -ra y a n d d o w n lo a d -a n d -b u rn m a y
b e p u rc h a s e d a t e B o o b S to re .c o m o r b y c a llin g
1 -8 0 0 -4 2 1 -0 7 6 0 (U .S . & C a n a d a ) o r + 0 1 -3 0 5 -
6 6 2 -5 9 5 9 (In te rn a tio n a l). M a n y o f th e s e m o vie s
a re a ls o a va ila b le o n p a g e 9 9 o f th is is s u e .
H U G E N E W S ! M IN K A R E T U R N S ! T h a t’s rig h t!
A s th is is s u e w a s g o in g to p re s s , th e g re a t
M in k a w a s s h o o tin g b ra n d -n e w h a rd c o re a n d
s o lo s c e n e s a t o u r s tu d io in Lo s A n g e le s .
SC O R E 7
S C 2 9 0 3. 0 5- 0 8, 1 2, 8 6, 8 7, U K 0 5- 0 8, 1 2, 8 6, 8 7 S c or e c ar d. q x p _ L a y o ut 1 2/ 1 9/ 2 0 9: 4 4 A M P a g e 8 U S

ro u n d , th e y a re a ls o a b s o lu te ly firm
e v e n w ith o u t a b ra . S u c h h u g e tits
w ith o u t ro o m fo r a n y th in g th a n a fu lly
e re c t d ic k b e tw e e n th e m a re s im p ly th e
k in d o f tits th a t a p p re c ia to rs o f b ig a n d
e x q u is ite m e lo n s s im p ly c a n n o t re s is t
fo r lo n g w ith o u t je rk in g to th e m o o n .
P le a s e , g iv e u s m u c h m o re o f M is s
B a rd o t!– S .A ., v ia e m a il
C O V E R G IR L K A T Y A N N A N D
T H E G IR L S O F V O L . 2 8 N O . 5
D ear S C O R E ,
K a ty A n n , V o lu m e 2 8 N u m b e r 5 ’s
c o v e r g irl, is ju s t w h a t y o u s a y s h e is :
p e rfe c t. S h e ’s a n o th e r g o rg e o u s w o m a n
to g ra c e th e p a g e s o f th e w o rld ’s b e s t
b ig -tit m a g a z in e . S h e lo o k s fa n ta s tic in
h e r p a trio tic b ik in i b u t s o m u c h b e tte r
to p lu n g e s o m e d ild o s in to th e ir
p u s s ie s b e fo re tw o s tu d s jo in th e m to
lic k th e m o u t, fin g e r th e m in a ll th e ir
h o le s a n d fu c k th e m in th e ir c u n ts a n d
m o u th s b e fo re e a c h g e t th e ir a s s e s
fu c k e d ? A n d to fin is h , n o t o n ly a d o u -
b le d ic k in g fo r K a ty A n n a n d A m b e r
b u t a b ig d o u b le lo a d , o r m o re , o f m a n
g o o w ith a b lo w b a n g fo r e a c h g irl. Y u m !
S ta c y V a n d e n b e rg is th e e p ito m e o f
c u te in h e r s c h o o lg irl o u tfit. W h ils t
W e ’re h a p p y
th a t S ta c y
s h o w s h e r tits .

K a ty A n n
o n B is -
ca y n e B a y
in M ia m i,
F lo rid a .

16232

s o m e re a d e rs m a y m o a n a b o u t h e r
d e c is io n to o n ly d o s o lo s e ts a t th e
m o m e n t, I a m m o re o f th e o p in io n th a t
S ta c y s h o u ld s im p ly e n jo y b e in g S ta c y .
A n d if th a t m e a n s s o m e c o c k te a s in g ,
C o n tin u e d o n p a g e 1 2

T h e U .S . P o st O ffic e o n ly fo rw a rd s p e rio d ic a ls -
ra te m a il fo r 6 0 d a y s, so w e m u st h a v e y o u r
n e w a d d re ss w ith in th re e w e e k s o f y o u r m o v e
to g u a ra n te e th a t y o u ’ll g e t a ll y o u r issu e s.
W e c a n n o t b e h e ld re sp o n sib le fo r n o n -
d e liv e ry o f issu e s d u e to y o u r a d d re ss c h a n g e .
M A IL T O : S C O R E C h a n g e o f A d d re s s ,
P.O . B o x 5 5 8 1 5 0 , M ia m i, F L 3 3 2 5 5 - 8 1 5 0 . P le a s e
in c lu d e y o u r m a ilin g la b e l o r a le g ib le c o p y .
U K S U B S C R IB E R S : P le a s e c o n ta c t u s a t
th e a b o v e a d d re s s .
8 SC O R E
C a s c a b ro k e
o u t o f it. T h o s e a llu rin g a n d o h -s o -b lu e h e r X X X c h e r-
e y e s o f h e rs d ra w y o u in a s m u c h a s ry la s t is s u e .
h e r ju ic y J-c u p s . K a ty ’s tits h a v e s u c h
lo v e ly , la rg e a re o la e , I’d lo v e to s u c k
h e r s w e e t, s tiff n ip p le s a s s h e p la y s
w ith h e r p u s s y . H e r s m ile ra d ia te s
w a rm th . H e r lo n g , b lo n d h a ir g iv e s h e r
th e a e s th e tic o f a n a n g e l. K a ty is p o s i-
tiv e ly rip e a n d ra u n c h y a n d h e r b o d y
is ra v is h in g ly b e a u tifu l.
S h e ’s a ls o g o t a b e a u tifu l b u m , a s
p e a c h y a s it is p e rfe c t fo r p o rk in g w ith
y o u r h a rd p ric k . C a n I b e th e o n ly o n e
w o n d e rin g h o w s e x y s h e ’ll b e a fte r
s h e ’s b e e n fu c k e d b y a p o rn s tu d a n d
jiz z e d o n ?
C o u ld K a ty A n n d o a s c e n e w ith h e r
frie n d , th e a m a z in g A m b e r A le n a , in
w h ic h b o th o f th e m s h e d th e ir b ik in is
S C 2 9 0 3. 0 9, U K 0 9 S c or el a n d a d. q x p _ L a y o ut 1 1/ 2 4/ 2 0 1 2: 1 1 P M P a g e 9 U S

STU FFED
W IT H T H E
B EST
B US TY
B A BES
IN T H E
W O R LD !
S C O R E LA N D
A S U B S C R IP T IO N T O
SC O R ELA N D
IS LIK E G E T T IN G
S C O R E
3 6 5 D A YS A YEA R .
N O W ! W A TC H O U R N EW ES T
V ID E O S O N Y O U R B IG S C R E E N
W IT H O U R R O K U C H A N N E L
S C O R E L A N D T V .C O M IS IN C L U D E D W IT H
Y O U R M E M B E R S H IP T O S C O R E L A N D
• N O N -R E C U R R IN G , M O N T H -T O -M O N T H B IL L IN G
O P T IO N . N E V E R W O R R Y A B O U T R E B IL L IN G D A T E S !
• N E W H IG H -R E S P H O T O S A N D H D V ID E O S
U S IN G T H E L A T E S T C D N T E C H N O L O G Y .
S C 2 9 0 3. 1 0, 1 1, U K 1 0, 1 1 B a c k I s s u e s. q x p _ L a y o ut 1 1/ 2 4/ 2 0 1 1: 3 1 A M P a g e 1 0 U S
S C O R E ® B A C K
D IG IT A L E D IT IO N O N LY
J A N . 2 0 15 – T h e is s u e S C O R E M e n
w a it fo r a ll y e a r lo n g ! P a c k e d w ith
p h o to s o f th e M o d e l, N e w c o m e r,
H a rd c o re P e rfo rm e r o f th e Y e a r a n d
H a ll o f F a m e a w a rd s fin a lis ts .
D IG IT A L E D IT IO N O N LY
J U N E 2 0 17 – T h e 2 5 th a n n iv e rs a ry e d i-
tio n fe a tu re s o v e r 10 0 g irls . B o o b
C ru is e , T h e ’9 0 s , S lim ‘n ’ S ta c k e d ,
T h e B ritis h In v a s io n a n d th e E u ro
In v a s io n . P lu s , 2 0 16 a w a rd w in n e rs .
A W A R D S IS S U E
V O L . 2 7 N O . 2 – E rin S ta r is th e M o d e l
o f th e Y e a r. S ta c y V a n d e n b e rg is N e w -
c o m e r o f th e Y e a r. D e m m y / D a ria G G .
F O U R B IG D E B U T S
V O L . 2 6 N O . 3 – J J -c u p b e a u ty M a ria
B o d y d e b u ts , a s d o th re e m o re g irls .
M illy M a rk s ’ firs t D P a n d th e v id e o .
IS S U E S D E P A R T M
D IG IT A L E D IT IO N O N LY D IG IT A L E D IT IO N O N LY
F E B . 2 0 15 – F in d o u t w h o ’s c o m in g to A P R IL 2 0 15 – R e d h e a d e d M IL F R e d
o u r h o lid a y p a rty in a s p e c ia l p a rty V ix e n d e b u t p h o to s a n d in te rv ie w .
g irls p ic to ria l. H o lly B ro o k s g e ts a s s - T h e B e s t o f B e s h in e … s h e ’s o n e o f a
fu c k e d a n d g a p e d . N e w c o m e r k in d ! E ig h t p a g e s o f fu c k -m e ja c k
M is c h e l L e e h a s a h a iry s n a tc h . p o s e s . H a iry p u s s y g e ts fu c k e d .
D IG IT A L E D IT IO N O N LY D IG IT A L E D IT IO N O N LY
O C T . 2 0 17 – N a tu ra lly s ta c k e d s is te rs D E C . 2 0 17 – D a n ie lle D e re k s u p e r-
E rin a n d H e le n S ta r d e b u t. C h ris ty s iz e d h e r tits ! P h o to s a n d a n in te r-
M a rk s s p e c ia l w ith h e r h o tte s t p h o - v ie w . P a tty M ic h o v a g e ts D P ’d . T e e n
to s . N a tu ra l ra c k s g e t tit-fu c k e d . R a c h e l R a x x x c o c k -s m o th e rin g X X X .
S e n s u a l J a n e X X X . N e w H ito m i. N e w M in k a a n d K a tie T h o rn to n p ic s .
10 F R E E H D V ID E O S 9 F R E E H D V ID E O S
V O L . 2 7 N O . 1– F iv e b ig d e b u ts , in c lu d - V O L . 2 6 N O . 6 – F e a tu re s th e d e b u t o f
in g te e n d re a m L u c y L a is tn e r. P rin c e s s D in a S a h a ri, w h o ’s y o u n g a n d s u p e r-
A n g e l is v e ry p re g g o . C o n te s t is s u e . s ta c k e d . F o u r b ig d e b u ts in a ll.
A W A R D S W IN N E R S S TA C Y VA N D E N B E R G
V O L . 2 6 N O . 2 – Y o u ju s t h a v e to s e e th e V O L . 2 6 N O . 1– C o d i V o re tit-fu c k s a n d
tits o n C h e ry l B lo s s o m ! P lu s , a w a rd s s u c k s c o c k , a n d th e v id e o is in c lu d e d
w in n e rs a n d D ia n a F ro s t X X X . w ith th is is s u e . S ta c y V . d e b u ts .
D IG IT A L E D IT IO N O N LY
M A Y 2 0 15 – M u lti-p ie rc e d 5 0 s o m e -
th in g M ic h a e la fu c k s . N e w E v a N o tty
X X X . E ig h t p a g e s o f K a rin a H a rt’s
h o tte s t p h o to s . R e d h e a d w ife H a r-
lo w N y x d e b u t p h o to s a n d in te rv ie w .
D IG IT A L E D IT IO N O N LY
A P R IL 2 0 18 – O u r firs t C la s s ic s Is s u e
fe a tu rin g 2 4 s ta rs fro m th e 19 8 0 s a n d
’9 0 s . D a n ie lle D e re k is a n a n a l e s c o rt.
M IL F V ic to ria V a le d e b u ts . S h e rid a n
L o v e in h e r w ild e s t X X X s c e n e y e t!
5 N EW N AT U R A LS
V O L . 2 6 N O . 5 – C o v e rg irl S ig a l d e b u ts ,
a s d o e s s u p e r-s ta c k e d te e n L is s a
H o p e . P lu s , 10 fre e b o n u s v id e o s .
S H A R A LO P EZ X X X
J A N . 2 0 19 – N e w c o m e r A n n a b e lle
R o g e rs is b lo n d e , b e a u tifu l a n d b u s ty.
R a c h e l R a x x x a n d S h a ra L o p e z X X X .
E N T
D IG IT A L E D IT IO N O N LY
J U N E 2 0 15 – A n n u a l a w a rd s is s u e
w ith n e w p ic to ria ls o f H ito m i, L ily
M a d is o n , T ig e rr B e n s o n , A n g e l
W ic k y, A m y A n d e rs s e n a n d N o e lle
E a s to n (X X X ) p lu s D a p h n e R o s e n .
D IG IT A L E D IT IO N O N LY
M A Y 2 0 18 – O u r a n n u a l a w a rd s is s u e
fe a tu re s th e w in n e rs a n d ru n n e rs -u p
fo r N e w c o m e r o f th e Y e a r, M o d e l o f
th e Y e a r a n d H a rd c o re P e rfo rm e r o f
th e Y e a r p lu s o u r n e w H a ll o f F a m e r.
2 5 F R E E H D V ID E O S
V O L . 2 6 N O . 4 – T h e m o s t-u n iq u e m e n ’s
m a g e v e r p u b lis h e d . T h e s to ry o f
V -m a g in w o rd s , p h o to s a n d v id e o .
M IL LY M A R K S X X X
H O L . 2 0 18 – C o v e rg irl A le x s is F a y e p h o -
to s a n d in te rv ie w . N o rth C o a s t lin e u p .
A m o ra L e e re tu rn s . M illy M a rk s X X X .
S C 2 9 0 3. 1 0, 1 1, U K 1 0, 1 1 B a c k I s s u e s. q x p _ L a y o ut 1 1/ 2 4/ 2 0 1 1: 3 1 A M P a g e 1 1 U S

D IG IT A L M A G S A T E B O O B S T O R E .C O M

D IG IT A L E D IT IO N O N LY
A U G . 2 0 15 – T h re e d e b u ts : G G -c u p
B ritis h p a rty g irl K a tie T h o rn to n , F F -
c u p J o rd a n P ry c e a n d n a tu ra l A u d e e .
H ito m i o u t a n d a b o u t in M ia m i, a n d
B a rb ie K e lle y a n d M a s e ra ti X X X .
D IG IT A L E D IT IO N O N LY
J A N . 2 0 16 – F o u r n e w c o m e rs : n a tu ra l-
ly s ta c k e d A le x y a a n d S a n d ra M ilk a
a n d s lim ‘n ’ s ta c k e d D o lly F o x a n d
C a th y H e a v e n . H a rlo w N y x ’s firs t
X X X . S a n d ra M ilk a a ls o fu c k s .
B IK IN I B L O W O U T
A U G . 2 0 18 – O u r b ig g e s t b ik in i p ic to ri-
a l e v e r fe a tu re s 11 p a g e s o f S C O R E
G irls b u s tin g o u t o f tin y s w im s u its .
K o rin a K o v a , K a h o S h ib u y a & S a n d ra
S tu rm d e b u t. E le v e n fre e H D v id e o s .
O U R B E S T G IR L S
S E P T . 2 0 18 – A n d n o w fo r s o m e th in g
c o m p le te ly d iffe re n t… w e ta k e g re a t
g irls o f to d a y a n d c o m p a re th e m to
th e ir c o u n te rp a rts fro m th e 19 9 0 s
a n d e a rly ’0 0 s . A fa s c in a tin g is s u e .
S C H O O L G IR L S
O C T ./ N O V . 2 0 18 – O u r h o tte s t b a c k -
to -s c h o o l s p e c ia l e v e r fe a tu re s s tu -
d e n ts a n d te a c h e rs fu c k in g in th e
c la s s ro o m . P lu s , a p re v ie w o f th e
n e w m o v ie O n L o c a tio n N o rth C o a s t.

S H A IN T H E D .R . K A R IN A S P E C IA L 12 B O N U S V ID E O S 9 B O N U S V ID E O S S H E L B Y G IB S O N X X X

D E C . 2 0 18 – S h a R iz e l in th e D o m in ic a n
R e p u b lic . N e w d is c o v e ry T in a L e e .
S u p e r-s ta c k e d le g e n d M in k a re tu rn s
a n d a b s o lu te ly d e s tro y s a b ik in i.
M a s e ra ti a n d S a n d ra S tu rm X X X .
J A N . 2 0 19 – A n n u a l c o n te s t is s u e
w ith p h o to s o f th e fin a lis ts fo r
N e w c o m e r o f th e Y e a r, M o d e l o f th e
Y e a r a n d th e H a ll o f F a m e . P lu s , B G G
a n a l, L a ra J o n e s , A le x y a b ik in i p ic s .
V O L . 2 8 N O . 1– T e n p a g e s o f n e v e r-
b e fo re -p u b lis h e d K a rin a H a rt p h o to s .
N a tu ra lly s ta c k e d D ia n a F ro s t d e b u ts .
A lic e W a y n e g e ts D P ’d . D e m m y
B la z e ’s n a tu ra ls a re h u g e !
V O L . 2 8 N O . 2 – S ta c y V a n d e n b e rg ’s
firs t p h o to s a n d in te rv ie w . It’s th e
d e b u t w e ’v e b e e n w a itin g fo r!
N a tu ra ls H ito m i a n d E rin S ta r re tu rn .
C h lo e L a m o u re & J o rd a n P ry c e X X X .
V O L . 2 8 N O . 3 – R e a d e r’s w ife S h e lb y
G ib s o n g o e s a ll th e w a y o n -c a m e ra
fo r th e firs t tim e , a n d y o u g e t th e fu ll-
le n g th v id e o , to o . T a lia A m a n d a
d e b u ts . 2 0 18 a w a rd s w in n e rs .

S H A N N O N B LU E A N A L
V O L . 2 8 N O . 4 – F iv e n e w c o m e rs :
A m b e r A le n a , S e le n a A d a m s , K im
V e le z , V ic to ria L o b o v a n d L a n a B la n c .
S h a n n o n B lu e g e ts a s s -fu c k e d b y
tw o s tu d s (p lu s v id e o !)
B U S T Y M IL F X X X
V O L . 2 8 N O . 5 – A m a z in g c o v e rg irl
K a ty A n n d e b u ts . K o rin a K o v a a n d
S e le n a A d a m s g o tit-to -tit, a s s -to -
a s s . S ig a l d e b u ts . V ic to ria L o b o v ’s
firs t X X X . N e w S ta c y V a n d e n b e rg .
10 B O N U S V ID E O S
V O L . 2 8 N O . 6 – T h e B o o b L o v e r’s
G u id e to B ig T its ta k e s a lo o k a t th e
v a rio u s s h a p e s a n d s iz e s o f h o o te rs .
P lu s K a ty A n n ’s e n c o re , A m b e r
A le n a ’s firs t h a rd c o re a n d m o re .
12 B O N U S V ID E O S
V O L . 2 9 N O . 1– S u p e r-s ta c k e d M IL F
B illi B a rd o t d e b u ts . V ic to ria L o b o v
g e ts a s s -fu c k e d . A m b e r A le n a ’s tits
a re b ig g e r th a n e v e r. P lu s , th e b e s t
g irls o f 2 0 19 a n d th e e n tire d e c a d e !
10 B O N U S V ID E O S
V O L . 2 9 , N O . 2 – S ig a l A c o n c o m e s to
M ia m i. B illi B a rd o t’s firs t o n -c a m e ra
fu c k . B ritta n y E liz a b e th d e b u ts .
H ito m i is a b u s ty s c h o o lg irl. C a s c a
A k a s h o v a ’s firs t h a rd c o re .

R M A IL T O : T h e S C O R E G ro u p , (D e p t. S C 2 9 0 3 ), P .O . B o x 5 5 8 1 5 0 , M ia m i, F L 3 3 2 5 5 - 8 1 5 0 U S A
R S E N D M E T H E F O L L O W IN G B A C K IS S U E S T O L L -F R E E U .S . & C A N A D A
R S C O R E : ❑ A U G . ’1 8 ❑ S E P T. ’1 8 ❑ O C T. ’1 8 ❑ D E C . ’1 8 ❑ JA N . ’1 9 ❑ 2 8 0 1 ❑ 2 8 0 2 ❑ 2 8 0 3 ❑ 2 8 0 4 ❑ 2 8 0 5 ❑ 2 8 0 6 ❑ 2 9 0 1 ❑ 2 9 0 2 1-8 0 0 -4 2 1-0 7 6 0
R V O L U P T U O U S : ❑ JU LY ’1 8 . ❑ H O L . ’1 8 ❑ JA N . ’1 9 ❑ 2 6 0 1 ❑ 2 6 0 2 ❑ 2 6 0 3 ❑ 2 6 0 4 ❑ 2 6 0 5 ❑ 2 6 0 6 ❑ 2 7 0 1 ❑ 2 7 0 2
R ❑ I A M A S U B S C R IB E R A n D S A v E 1 5 % O n A L L IS S U E S O R D E R E D C u s to m e r ID #

U .S .: $ 1 5 e a c h , s h ip p in g in c lu d e d . A ll o th e r c o u n trie s : C $ 1 4 /£ 9 /€ 9 /A $ 1 4 . P O S TA G E & P A C K IN G : C $ 1 6 /£ 1 3 /€ 15/A $ 2 4 fo r o n e m a g a zin e . C $ 9 /£ 8 /€ 9 /A $ 1 4

2 4 -H O U R FA X
fo r e a ch a d d itio n a l. In te rn a tio n a l o rd e rs a rrive in 1 0 -1 4 d a ys. 1 5 % d isco u n t is a p p lie d to a n y C U R R E N T su b scrib e r. M a ke ch e ck o r m o n e y o rd e r p a ya b le to : T h e 1-3 0 5 -6 6 2 -5 9 5 2
S C O R E G ro u p . W e a cce p t p a ym e n t in ca sh (£ , € , C $ , A $ . B a n k N o te s o r U S $ B a n k N o te s), A m e rica n E xp re ss tra ve le rs ch e cks d e n o m in a te d in U S fu n d s o r
ch e cks fro m a C a n a d ia n b a n k d e n o m in a te d in U S $ (C a n a d a n ly). N o co in s. S o rry, n o in te rn a tio n a l p e rso n a l ch e q u e s. F L re sid e n ts a d d 7 % sa le s ta x. C re d it ca rd
o rd e rs w ill b e b ille d in $ a t cu rre n t e xch a n g e ra te . W e n e e d cre d it ca rd a n d m a ilin g a d d re ss if th e tw o a re d iffe re n t. In te rn a tio n a l o rd e rs a rrive b y P rio rity M a il. C a ll
fo r in fo o n ru sh d e live ry. A ll sa le s a re fin a l. A d a m a g e d m a g w ill o n ly b e e xch a n g e d fo r a n o th e r o f th e sa m e issu e if re p o rte d w ith in 3 0 d a ys o f re ce ip t. T h e W O R L D W ID E
S C O R E G ro u p ca n n o t b e h e ld re sp o n sib le fo r C u sto m s se izu re s. B y o rd e rin g , yo u ce rtify th a t yo u a re a t le a st 1 8 ye a rs o ld .
+ 0 1-3 0 5 -6 6 2 -5 9 5 9
P A Y M E N T M E T H O D : ❑ C h e c k ❑ M o n e y O rd e r ❑ M a s te rC a rd /A c c e s s /E u ro c a rd ❑ V IS A ❑ A m e ric a n E x p re s s ❑ D is c o v e r/N o v u s
❑ M a e s tro ❑ J C B ❑ D in e r’s C lu b ❑ U n io n P a y ❑ C a s h

N am e A ge C re d it C a rd # E x p ire s IN T E R N E T
P le a s e P ro v id e S e c u rity C o d e (L a s t 3 D ig its A b o ve S ig n a tu re ) A M E X C a rd h o ld e rs E n te r T h e 4 D ig its A b o ve C a rd N o . H e re
w w w .e B o o b S to re .c o m
S ig n a tu re A d d re s s C ity
W E A C C EP T PA Y M EN T S
S ta te /C o u n try Z ip /P o s ta l C o d e T e le p h o n e /E m a il
C R E D IT C A R D O R D E R S C A N N O T B E P R O C E S S E D W IT H O U T S IG N A T U R E A N D S E C U R IT Y C O D E S C 2903
IN U .S .$ , C $ , £ A N D €
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SC O R EC A R D
C o n tin u e d fro m p a g e 8

th e n s o b e it. A n y w a y I lo o k a t h e r,
S ta c y is b e a u tifu l.
C a s c a A k a s h o v a ’s o n e fin e M IL F .
T h a t o ra n g e b ik in i w ra p s h e r b re a s ts
b e a u tifu lly , b u t o n c e s h e d rip s o il o v e r
h e r tits a n d le ts it p o u r d o w n h e r s to m -
a c h , h e r h a rd n ip p le s a n d b o o b s g e t b e t-
te r a n d b e tte r. Q u ite p o s s ib ly th e b e s t
o ile d -u p titty p h o to s o f 2 0 1 9 .
V ic to ria L o b o v ’s d e c is io n to d itc h th e
o rig in a l s c e n a rio o f a tit-w a n k a n d c u m
s h o t w ith JM a c w a s a g o o d o n e fro m m y
p e rs p e c tiv e . S h e ta k e s c h a rg e o f JM a c ’s
b o n e r a n d s u c k s h is c o c k a n d b a lls lik e
a s e a s o n e d p o rn p ro . V ic to ria m u s t h a v e
g o tte n o ff o n th e tit-fu c k in g h e g a v e h e r
b e fo re s h e g a v e in to h e r lu s t a n d
A D D TH E S C O R ET V d e m a n d e d a d rillin g . T h e re a re m a n y
P R IV A T E C H A N N EL C o m in g s o o n : V ic to ria
TO Y O U R R O K U A N D L o b o v ’s firs t D P .
E N JO Y A LL O F O U R
M O V IE S . H E R E ’S H O W :
1 . G O T O M Y .R O K U .C O M O N Y O U R
C O M P U TER O R S M A R TP H O N E.
2 . S IG N IN T O Y O U R R O K U A C C O U N T .
3 . U N D E R “ M A N A G E A C C O U N T ,” S E L E C T
“ A D D C H A N N E L W IT H A C O D E .”
4 . EN TER TH E A C C ES S C O D E W E P R O -
V ID E A N D S E L E C T “ A D D C H A N N E L .” s ta n d o u t s h o ts fro m th e s e t, in c lu d in g
5 . E N J O Y O U R B IG -B O O B , A M A T E U R , w h e n s h e ’s b e in g fu c k e d o n th e s o fa in
M A T U R E , A N D T E E N M O V IE S ! re v e rs e c o w g irl, h e r L e p id o p te ra ta tto o
o n d is p la y a s h e r p u s s y is s p la y e d . T h e
s h o t o f JM a c b a n g in g h e r b o o ty fro m b e -
h in d is a s g o o d a s th e o n e b e lo w it a s
h e r a s s o p e n s w h ils t s h e rid e s c o c k . P ile -
d riv in g h e r p u s s y is e v e n b e tte r, th o u g h .
A n d s o is c u m m in g o n th o s e lo v e ly tits .
S ig a l’s v e ry p re tty lin g e rie a c c e n tu -
a te s h e r a s s e ts ju s t rig h t. W h e n s h e
s trip s o u t o f it, th e d e lig h ts o f h e r ta n
lin e s a n d c re a m y s k in a re e n tic in g , m a k -
in g y o u p a y m o re a tte n tio n to h e r
s h a p e ly a rs e a n d n a tu ra l tits . I lo v e th e
p h o to o f th a t e p ic a s s , d is p la y in g h e r
h o le s to p e rfe c tio n . Ju s t m a k e s m e w is h
I w a s b e h in d h e r, to n g u in g h e r c ra c k ,
p u s s y a n d b u tt. If S ig a l is a s o p e n a s
V ic to ria L o b o v , th e n s h e , to o , w ill m a k e
a fin e a d d itio n to m a n y d re a m s .
A lu ra Je n s o n h a s to b e o n e o f th e
b e s t-lo o k in g b u s ty M IL F s S C O R E ’s h a d
re c e n tly . S h e s u c k s c o c k lik e th e p ro v e r-
b ia l c a t th a t’s g o t th e c re a m , o r m o re
a c c u ra te ly , k n o w s s h e ’s a b o u t to g e t th e
c re a m . S h e fits in w ith s o m a n y filth y
V I S I T S C O R E T V .T V A N D A C C E S S O U R C H A N N E L S T O D A Y ! fa n ta s ie s a b o u t a s ta c k e d , m a tu re
C o n tin u e d o n p a g e 8 6

12 SC O R E
S C 2 9 0 3. 1 3- 1 6, 6 4- 6 7, U K 1 3, 6 4- 6 7 B o o b b e at. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 0: 1 7 A M P a g e 1 3 U S
B IG B O O B S I N T H E N E W S
A C O L
T IG E R R D O U B LE S H E R PL E A S U R E
T ig e rr B e n so n ’s X X X sc e n e (p a g e 8 8
o f th is issu e p lu s a fre e b o n u s v id e o ; se e
p a g e th re e fo r y o u r c o d e ) fro m th e
D V D B u sty A n a l S lu ts 3 h a s e v e ry th in g
th e b e a u tifu l, b ig -b o o b e d B rit is
fa m o u s fo r: sh e su c k s c o c k , g e ts tit-
fu c k e d a n d ta k e s d ic k in a ll o f h e r
h o rn y h o le s.
S C O R E ’s 2 0 1 6 H a rd c o re P e rfo rm e r o f
th e Y e a r lo v e s to fu c k y o u n g m e n , o ld
m e n , w o m e n , p o rn g u y s a n d re g u la r
g u y s. B a sic a lly , e v e ry o n e . T ig e rr is a su b -
m issiv e w ild c a t w ith a d irty m in d . I
“ F e e lin g a g u y fillin g [m y
p u s s y ] a s w e ll a s a g u y in m y
a s s is s u p e r-h o t fo r m e .”
U M N B Y E L L
W h y s h e lo v e s g et tin g D P’ d
o n ly w ish sh e w o u ld v isit th e U S A
a lre a d y ! I ta lk e d to T ig e rr a b o u t h e r D P
sc e n e a n d m o re , a n d sh e d id n ’t h o ld
b a c k fro m ta lk in g a b o u t a n y th in g .
S C O R E : W a s th is D P th re e so m e w ith
G e o rg e a n d K risto f a n y d iffe re n t th a n
y o u r o th e r th re e so m e s?
T ig e r r B e n s o n : Y e s, it w a s. I lik e d th a t
I w a s w ith a c u te y o u n g g u y a n d a n
o ld e r g u y . T h a t w a s h o t fo r m e . S o m e -
I O T J A M E S
tim e s it’s th e sm a ll th in g s th a t g e t m e
h o t a n d h o rn y .
S C O R E : A n n in a , a b ig -b o o b e d G e rm a n
S C O R E m o d e l, to ld m e in 2 0 0 8 th a t sh e
lo v e s D P b e st o f a ll b e c a u se “ m y p u ssy
is stre tc h e d a ro u n d a c o c k a n d m y a ss is
stre tc h e d a ro u n d a n o th e r c o c k a n d I
fe e l lik e I a m to ta lly fille d u p .” D o y o u
e x p e rie n c e th e sa m e th in g ?
T ig e r r : Y e s, sh e is e x a c tly rig h t. I lo v e
th a t fe e lin g . It’s a stra n g e fe e lin g , b u t
it’s re a lly h o t fo r m e . I’ll te ll y o u a little
“ se x c re t” a b o u t m e . I a c tu a lly sta rte d
lik in g a n a l m o re th a n v a g in a l, b u t fe e l-
in g a n o th e r g u y fillin g m e a s w e ll a s a
g u y in m y a ss is su p e r-h o t fo r m e . I d o
c u m h a rd e r b e c a u se it se e m s d irtie r.
I h a v e a d irty m in d , a n d so m e tim e s it
m a k e s m e c u m m o re th a n w h a t’s h a p -
p e n in g in m y h o le s. M y b ig g e st fa n ta -
sy is to try d o u b le a n a l a n d d o u b le
v a g , b u t it’s p ro b a b ly n o t g o in g to h a p -
p e n . T h e o th e r th in g th a t g e ts m e o ff
a b o u t D P is fe e lin g b o th g u y s c u m in
m e . I lik e th e fe e lin g o f b e in g fille d
w ith c u m . I lik e c re a m p ie s a lo t. I w o u ld
lo v e to se e a c u te w h ite g irl lik e H o lly
B ro o k s lic k in g it o u t o f m e , a n d th e n
w e sn o w b a ll w ith th e c u m .
S C O R E : W h a t d o y o u lik e b e tte r: o n e -
o n -o n e se x , a tw o -g u y th re e so m e o r a
th re e so m e w ith a g irl a n d a g u y ?
T ig e r r : It’s c h a n g e d fo r m e . I se e m to
h a v e g o tte n m o re g re e d y , so I p re fe r
h a v in g g u y s a ll to m y se lf. M a y b e I’ll try
a th re e -g u y fo u rso m e o n e d a y . I w a n t
to se e h o w th a t fe e ls, e a c h o f m y h o le s
fille d a t th e sa m e tim e . I re m e m b e r m y
first D P . I w a s so n e rv o u s a n d it fe lt so
stra n g e b u t so g o o d . B u t it w o u ld h a v e
to b e th re e g u y s th a t a re re a lly h o t fo r
m e . [L a u g h s] I lo v e a tte n tio n .
S C O R E : W h o w o u ld n ’t b e h o t fo r y o u ?
W h e n d id y o u sta rt h a v in g a n a l se x ?
T ig e r r: I th in k m y first a n a l w a s w h e n I
w a s re a lly y o u n g . B u t m y first b o y -
In te rv ie w c o n tin u e d o n p a g e 6 5
SC O R E 1 3
S C 2 9 0 3. 1 3- 1 6, 6 4- 6 7, U K 1 3, 6 4- 6 7 B o o b b e at. q x p _ L a y o ut 1 2/ 1 9/ 2 0 2: 0 7 P M P a g e 1 4
K O R IN A K O V A IS A R E A L D O L L
W a n t to g o to b e d e v e ry n ig h t d o n ’t m e a n g o in g to sle e p . I m e a n
w ith 2 0 1 9 M o d e l o f th e Y e a r K o rin a
K o v a ? A n d w h e n I sa y g o to b e d , I
h a v in g se x w ith h e r. N o w y o u c a n .
F o r a p ric e .
T h e B ritish ta b lo id D a ily S ta r re -
T h is is th e p o rte d a b o u t th e $ 3 ,5 0 0 fe m -b o t
re a l K o rin a b u ilt in th e im a g e o f th e 2 0 1 8
K o va .W e N e w c o m e r o f th e Y e a r a n d n o w 2 0 1 9
th in k s h e ’a M o d e l o f th e Y e a r. S ta c e y T o w n se n d ,
a re a l d o ll.
C E O o f R e a l L o v e S e x D o lls, sa id , “ W e
w e re so e x c ite d to p a rtn e r w ith
K o rin a to m a k e a n in c re d ib ly se x y
lo v e d o ll to h e r e x a c t b o d y sp e c ific a -
tio n s. W o rk in g w ith a te a m o f sc u lp -
to rs, w e w e re a b le to c a p tu re e a c h
c u rv e a n d e v e ry se x y d e ta il. N o th in g
w a s m isse d . W ith su p e r-so ft, v e lv e ty
sk in a n d jig g ly in a ll th e rig h t p la c e s,
th e K o rin a K o v a d o ll h a s a fu lly -a rtic -
u la te d sk e le to n . T ru e K o rin a K o v a
fa n s a re g o in g to lo v e th is g o rg e o u s
lo v e d o ll.”
T h e re p lic a is e n g in e e re d w ith th e
c o m p a n y ’s lig h tw e ig h t c o re p la tin u m
silic o n e . S a id C a n a d ia n b ra -b u ste r
K o rin a , “ It’s a m a z in g a n d u n re a l. I
a m a b o u t to in tro d u c e m y v e ry first
a n a to m ic a lly c o rre c t se x d o ll. F a n s
w ill b e a b le to ta k e m e to b e d e v e ry
n ig h t a n d e n jo y th e p le a su re o f m y
c o m p a n y , a n d I a m v e ry e x c ite d
a b o u t th a t.”
L ik e I sa id , th e K o rin a d o ll d o e sn ’t
c o m e c h e a p , w h ic h m a k e s it a n
e x p e n siv e c u m . B u t if y o u ’v e g o t th e
b u c k s, w h y n o t?
B B LO O BP E R S
O O
W h a te v e r th e p h o to g ra p h e r s a id to K a rin a H a rt (a b o v e ) w a s re a d y fo r h e r
C h lo e L a m o u re (a b o v e a n d V o l. 2 8 N o . p a lm re a d in g . W e p re d ic te d le g e n d a ry
1 ) m a d e h e r b u s t o u t la u g h in g ju s t a s s ta tu s fo r th e H a ll o f F a m e w in n e r, a
h e s n a p p e d th e s h u tte r. fo re c a s t th a t h a s n o w c o m e tru e .
14 SC O R E
W IN K A T IE
T H O R N T O N ’S
S IG N E D D V D
W e sta sh e d th re e e x tra c o p ie s o f
th e S C O R E ’s T o p G u n s D V D sig n e d
b y 2 0 1 6 M o d e l o f th e Y e a r a n d
B ritish b e a u ty K a tie T h o rn to n . T o
h a v e a c h a n c e o f w in n in g th is
p riz e d c o lle c to r’s ite m , sim p ly w rite
o n a sh e e t o f p a p e r y o u r n a m e ,
m a ilin g a d d re ss, p h o n e n u m b e r,
e m a il a d d re ss a n d th e sta te m e n t,
“ I a m 1 8 y e a rs o f a g e o r o ld e r a n d I
w a n t to w in T o p G u n s.” T h e n m a il
it to : T h e S C O R E G ro u p , W in K a tie ’s
S ig n e d D V D , P .O . B o x 5 5 8 1 5 0 ,
M ia m i, F L 3 3 2 5 5 -8 1 5 0 U S A .
N o p u rc h a se is n e c e ssa ry .
M u ltip le e n trie s w ill n o t in c re a se
y o u r c h a n c e s o f w in n in g , so p le a se
ju st m a il o n e e n try . Y o u r e n try
m u st b e p o stm a rk e d b y S e p te m b e r
1 , 2 0 2 0 . If y o u r e n try is c h o se n ,
w e ’ll c o n ta c t y o u to v e rify y o u r
sh ip p in g a d d re ss. S o rry , n o e m a il,
fa x , c o u rie r o r c a rrie r p ig e o n
e n trie s w ill b e a c c e p te d .
Y o u ’v e g o t to b e in it to w in it,
so m a il y o u r e n try n o w .
W o u ld n ’t y o u lo v e to w in th is ?
S C 2 9 0 3. 1 3- 1 6, 6 4- 6 7, U K 1 3, 6 4- 6 7 B o o b b e at. q x p _ L a y o ut 1 1/ 2 8/ 2 0 9: 3 3 A M P a g e 1 5

G IV IN G B A C K
L o rn a M o rg a n ta k e s
in th e v ie w o f th e
B ritis h V irg in Is la n d s .

T h e F re n c h a rtist E d g a r D e g a s w a s fa m o u s fo r p a in tin g
th e b a c k s o f b a th in g w o m e n . F o r u s, it’s w h a t’s u p fro n t
th a t c o u n ts, b u t m a n y S C O R E G irls h a v e b e a u tifu l b a c k s.
In V o l. 2 9 N o .1 , “ B o o b B e a t” n o te d th a t a n a k e d g irl’s
b a c k film e d stra ig h t-o n is a ra re ly se e n p a rt o f th e fe m a le
a n a to m y in b ig -b u st p h o to g ra p h y . W e w e n t b a c k to th e
a rc h iv e a n d b a c k e d o u t w ith m o re b a b e s b rin g in g se x y
b a c k . T h re e g e n e ra tio n s o f S C O R E c o v e rg irls– L e th a
W e a p o n s, L o rn a M o rg a n a n d A m b e r A le n a – tu rn e d th e ir
lo v e ly b a c k s o n th e ir p h o to g ra p h e rs to p ro v e o u r p o in t.

L e th a A m ber
W eapons A le n a

K a y la K le e v a g e A p ril 2 0 A ly s s a L y n n A p ril 3 0 In e s s e M a y 2 3 H o lly B o d y Ju n e 4 In d ia n n a Ja y m e s Ju n e 2 8

S u m m e r S in n A p ril 2 3
C h a rle e C h a s e A p ril 2 6
A n n a L o re n A p ril 2 9
M e lo n e e M o u n d s A p ril 2 9
S h a ro n P in k A p ril 2 9
K a y la K u p c a k e s A p ril 2 9
L a ris s a L in n
Ju n e 7
D a n n i Ly n n e M a y 1
Je s s ic a T u rn e r M a y 1
V a lo ry Ire n e M a y 1
D e s ire e V e g a M a y 3
B e x S h in e r M a y 4
D a ria M a y 4
M ic h e lle B o n d M a y 7
M a n d y P e a rl M a y 7
K ita n a F lo re s M a y 7
T e x a s B a rb ie M a y 7
S ta c e y V a u g h n M a y 9
L is a A n n M a y 9
S u s ie W ild e n M a y 9
S a d ie B lo o m s M a y 1 0
W in d y L e ig h M a y 1 3
K e is h a E v a n s M a y 1 4
T e rry N o v a M a y 1 4
A s h le y S a g e E llis o n M a y 1 5
C o d i V o re M a y 1 8
B e tty B o o b s M a y 2 0
K a th ry n M c G re g o r M a y 2 2
W h itn e y W o n d e rs M a y 2 2
K andiCox M ay 23
Is is H a z e M a y 2 3
V a n e s s a B lu e M a y 2 7
S h io n e C o o p e r Ju n e 1
A u ro ra R o s e Ju n e 1
L e a n n e C ro w Ju n e 2
Jo lie R a in Ju n e 3
N a d ia H ilto n Ju n e 3
S a n a Fe y
Ju n e 1 2
S a v a n n a h S te v e n s Ju n e 4 E d e n M o r Ju n e 2 8
D a iz ie K e llo g g Ju n e 5 V ia P a x to n Ju n e 2 9
R ic k i R a x x x Ju n e 6 L iz z ie M ills Ju n e 3 0
G ia n n a R o s s i Ju n e 6 S k y e B lu e Ju n e 3 0
R e d V ix e n Ju n e 7
A n a s ta s ia D o ll Ju n e 8
D ix ie B u b b le s Ju n e 9 S h e rid a n L o v e
D a p h n e R o s e n Ju n e 9 Ju n e 2 0
Je s s ic a Ju s tic e Ju n e 1 2
S a ra Ja y Ju n e 1 4
M a ry C a re y Ju n e 1 5
A ria n a A n g e l Ju n e 1 5
S h a ro n M a rie Ju n e 1 6
S h a rd a y Ju n e 1 7
S iri Ju n e 2 0
M e lis s a R e e d Ju n e 2 2
G o ld ie R a y Ju n e 2 2
V ix e n L a M o o re Ju n e 2 3
Je s s ic a Ju g g s Ju n e 2 5
In g rid S w e n s o n Ju n e 2 5
C a s s a n d ra C a lo g e ra Ju n e 2 6
B ra n d y D e a n Ju n e 2 6
M e la n ie A d d is o n Ju n e 2 6
B .B .G u n n s Ju n e 2 7

SC O R E 1 5
S C 2 9 0 3. 1 3- 1 6, 6 4- 6 7, U K 1 3, 6 4- 6 7 B o o b b e at. q x p _ L a y o ut 1 2/ 2 0/ 2 0 1: 5 7 P M P a g e 1 6
B O O B S I N MI R R O R
A R E CL O S E R T H A N
TH E Y A PPE A R
I lik e to se e S C O R E G irls a d m irin g
th e ir tits in m irro rs. I b e lie v e m o st o f
th e m c o u ld sta re a t th e ir c h e sts fo r
h o u rs a n d n e v e r g e t b o re d . H e re w e
h a v e M isc h e l L e e , V ic to ria V a le a n d
K a tie T h o rn to n c h e c k in g o u t th e ir
tw in s a n d a d m irin g th e ir re fle c tio n s.
M is c h e l L e e
“ W h a t w o m a n d o e sn ’t w a n t to h a v e
b ig g e r b re a sts? ” M isc h e l to ld m e .
“ S o m e w o m e n g e t v e ry a n g ry o v e r
th e siz e o f m y b re a sts,” V ic to ria sa id .
“ M a y b e th e y w ish th e y h a d th e m ? ”
V ic to ria V a le
“ I lo v e to u c h in g m y b o o b s,” K a tie
sa id . “ M y n ip p le s a re so se n sitiv e . Ju st
th e slig h te st to u c h is lo v e ly . Y o u c o u ld
b lo w o n th e m a n d I’d tin g le .”
K a tie T h o rn to n
16 SC O R E
C A N D ID
C LEA V A G E
G o rg e o u s C o d i V o re is w id e -e y e d a n d
lo o k in g a t n a tu re ’s w o n d e rs in a w e a s
s h e g la n c e s a t th e b ig , s o a p e d -u p tits
o f E u ro -b e a u tie s S h a R iz e l a n d A le x y a
d u rin g th e m a k in g o f O n L o c a tio n
N o rth C o a s t.
O n e o f th e b ig g e s t g ro u p g ro p e
s h o o ts in o u r 2 8 -y e a r h is to ry , N o rth
C o a s t s ta rs s u p e r-n a tu ra l s u p e rs ta rs
D e m m y B la z e , K itty C u te , D a ria , 2 0 1 9
V o lu p tu o u s M o d e l o f th e Y e a r E rin
S ta r a n d h e r s is te r, H e le n .
G e t O n L o c a tio n N o rth C o a s t o n
D V D o r B lu -R a y o n p a g e 9 9 . If y o u ’re
a d ig ita l m a n , d o w n lo a d th e fu ll
m o v ie a t e B o o b S to re .c o m .
U N DER
DI A N A
D ia n a F ro st w a s w id e o p e n to ta k in g so m e sc e n ic sh o ts, so o n e o f o u r
sh o o te rs h it th e flo o r w h ile D ia n a sm ile d w id e . S h e w a sn ’t fro sty a t a ll.
O n e o f th e sta rs o f th e D V D S C O R E X X X N a tu ra ls, D ia n a h a d n e v e r m o d -
e le d b e fo re sh e c a m e to u s. A fte r g e ttin g a h isto ry le sso n a b o u t S C O R E , sh e
w a s e a g e r to jo in th e B ig S h o w . S h e tu rn e d o u t to b e a n a tu ra l o n -c a m e ra ,
a d re a m m o d e l w ith a n e a sy g o in g , se x u a l p e rso n a lity .
“ I d id n ’t k n o w a b o u t S C O R E L A N D a n d I n e v e r sa w a n y o f th e m o d e ls
b e fo re ,” D ia n a sa id . “ I o n ly fo u n d o u t w h e n o n e o f y o u r m o d e l re c ru ite rs
a sk e d m e if I w o u ld b e in te re ste d . H e to ld m e a ll a b o u t S C O R E . I w a s in te re st-
e d in try in g it. I e n jo y e d th e e x p e rie n c e . I lik e d h a v in g m y h a ir a n d m a k e u p
d o n e a n d le a rn in g a b o u t b e in g a se x y m o d e l. I h a v e a lo t o f se x n o rm a lly b u t
w ith e v e ry d a y m e n , n o t p o rn m e n , so th a t w a s g o o d , to o .”
D ia n a is fro m R ig a , L a tv ia . W e d o n ’t fin d m a n y g irls fro m th a t c o u n try . T h o se
o f y o u w h o a re lo n g -tim e fo llo w e rs o f S C O R E a n d V o lu p tu o u s m a y re m e m b e r
a n o th e r b ig -b o o b e d b lo n d e fro m L a tv ia in 2 0 0 2 a n d 2 0 0 3 . H e r n a m e : In e sse .
S C 2 9 0 3. 1 7. M o d el s W a nt e d A d. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 0: 2 4 A M P a g e 1 7

D IN A S A H A R I P R IN C E S S P U M P K IN S S IG A L A C O N

B lo n d e s, b ru n e tte s a n d re d h e a d s. Te e n s, M IL F s a n d a ll a g e s in -b e tw e e n . C u rv y g irls a n d b a b e s w ith th e B a rb ie D o ll lo o k .

G irls w ith n a tu ra l ra c k s a n d g irls w ith b ig , fa k e tits. G la m o u r g irls a n d g irls -n e x t-d o o r. W e e v e n h a v e p u b lic a tio n s a n d w e b -
s ite s fo r p lu m p g irls. To fin d o u t m o re a b o u t m o d e lin g fo r S C O R E , V o lu p tu o u s o r X L G irls , c a ll u s, to ll-fre e in th e U .S . a n d
C a n a d a , a t 1 - 8 7 7 -7 2 6 -7 3 3 5 . E lse w h e re , c a ll + 0 1 -3 0 5 -6 6 2 -5 9 5 9 . K n o w a g irl w ith b ig tits? W e p a y g e n e ro u s fin d e r’s fe e s.
S C 2 9 0 3. 1 8, 1 9 M O T Y R u n n er- u p. q x p _ L a y o ut 1 1/ 2 7/ 2 0 7: 4 7 A M P a g e 1 8

T h is r a c e w a s a s t ig h t a s
b ig t it s in a t in y b r a !

A lth o u g h it’s n o t o u r o ld e s t
a w a rd (N e w c o m e r o f th e Y e a r
c a m e firs t), M o d e l o f th e Y e a r is
th e o n e a ll S C O R E g irls w a n t to
w in b e c a u s e it m e a n s , “ I a m th e
g re a te s t b ig -b o o b e d g irl in th e
w o rld .” In 2 0 1 9 , C o lo m b ia n K a ty
c o n tin u e d to im p re s s . S h e lb y
w e n t a ll-th e -w a y fo r th e firs t
tim e . A le x y a a lm o s t w o n fo r th e
s e c o n d y e a r in a ro w .

3 rd R u n n e r-u p
K a ty Sh a v o n

2 n d R u n n e r-u p
S h e lb y G ib s o n

18 SC O R E
S C 2 9 0 3. 1 8, 1 9 M O T Y R u n n er- u p. q x p _ L a y o ut 1 1/ 2 7/ 2 0 7: 4 8 A M P a g e 1 9

1 s t R u n n e r-u p
A le x y a

A n d th e 2 0 1 9 S C O R E M o d e l o f th e Y e a r is …
SC O R E 1 9
S C 2 9 0 3. 2 0- 2 7 K ori n a. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 0: 2 7 A M P a g e 2 0

2 01 8 ’s t o p n e w c o m e r is
n o w t h e # 1 S C O R E G ir l!

W in n e r
K o r in a K o v a

20 SC O R E
S C 2 9 0 3. 2 0- 2 7 K ori n a. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 0: 2 8 A M P a g e 2 1

S h e is n ’t lik e m o s t S C O R E G irls . S h e ’s s u p e r-c u rv y w ith a h u g e c h e s t th a t ta p e rs d o w n to a

s m a ll w a is t a n d th e n fla re s o u t to a b ig , b e a u tifu l, ro u n d a s s . If s h e w e re n a tu ra lly s ta c k e d ,
s h e ’d b e th e p e rfe c t V -G irl. In s te a d , K o rin a K o v a fro m B ritis h C o lu m b ia , C a n a d a , w h o w o n
2 0 1 8 N e w c o m e r o f th e Y e a r, is n o w o u r 2 0 1 9 M o d e l o f th e Y e a r, a b a c k -to -b a c k v ic to ry th a t
h a s b e e n a c c o m p lis h e d o n ly b y th e c la s s ic g re a ts o f S C O R E . N o w K o rin a is o n e o f th e m .

SC O R E 2 1
S C 2 9 0 3. 2 0- 2 7 K ori n a. q x p _ L a y o ut 1 1/ 2 2/ 2 0 1 1: 4 1 A M P a g e 2 2
S C 2 9 0 3. 2 0- 2 7 K ori n a. q x p _ L a y o ut 1 1/ 2 2/ 2 0 1 1: 4 1 A M P a g e 2 3

“ I lo v e s o m a n y th in g s a b o u t b e in g a m o d e l,” K o rin a s a id . “ I lo v e s e e in g m y g ro w th in fro n t

o f th e c a m e ra . It’s m a k in g m e m o re o f a n o p e n p e rs o n . It’s d e fin ite ly m a k in g m e g ro w a s a
p e rs o n , a n d I g e t to m e e t n e w p e o p le , in c lu d in g S C O R E re a d e rs , a t th e c o n v e n tio n s . T h a t’s
a h u g e re a s o n I lo v e th is . Y o u g e t to s e e a ll o f m e , a n d I’m h a p p y to s h o w w h a t I h a v e .”
S C 2 9 0 3. 2 0- 2 7 K ori n a. q x p _ L a y o ut 1 1/ 2 7/ 2 0 7: 5 3 A M P a g e 2 4

F ro m th e m o m e n t th e b a llo t b o x e s o p e n e d , th e M o d e l o f th e Y e a r c o n te s t w a s e x tre m e ly
tig h t. K o rin a ’s m a in c o m p e titio n c a m e fro m 2 0 1 8 ’s M o d e l o f th e Y e a r, A le x y a . A s is s o o fte n
th e c a s e , th e S C O R E L A N D a n d m a g a z in e v o te rs h a d s lig h tly d iffe re n t p re fe re n c e s . K o rin a
w o n th e m a g a z in e v o tin g , 2 7 .1 % to A le x y a ’s 2 4 .2 % . A le x y a w o n th e o n lin e v o tin g , 2 6 .9 %
to K o rin a ’s 2 4 .8 % . E ith e r g irl w o u ld h a v e b e e n a w o rth y w in n e r. T h is tim e , it’s K o rin a ’s tu rn .

24 SC O R E
S C 2 9 0 3. 2 0- 2 7 K ori n a. q x p _ L a y o ut 1 1/ 2 2/ 2 0 1 1: 4 2 A M P a g e 2 5

SC O R E 2 5
S C 2 9 0 3. 2 0- 2 7 K ori n a. q x p _ L a y o ut 1 1/ 2 7/ 2 0 7: 5 6 A M P a g e 2 6

K O R IN A K O V A
B IR T H D A Y : O c to b e r 1 5 H E IG H T : 5 ’3 ”
W E IG H T : 1 4 8 lb s . B R A S IZ E : 3 2 G
M E A S U R E M E N T S : 4 2 -2 8 -4 2
B O R N : B ritis h C o lu m b ia , C a n a d a
P R E V IO U S A P P E A R A N C E S : V o l. 2 8 N o s . 5 &
3 , D e c . ’1 8 , A u g . ’1 8
M O V IE S : B e s t o f th e D e c a d e 2 0 1 0 -2 0 1 9 ,
S C O R E S ilh o u e tte 2 a n d K o rin a K o v a (X -
R a te d a n d a v a ila b le o n p a g e 9 9 ). A m a tc h in g
v id e o o f th is p ic to ria l is in c lu d e d w ith th is
is s u e . S e e p a g e th re e fo r y o u r c o d e .

26 SC O R E
S C 2 9 0 3. 2 0- 2 7 K ori n a. q x p _ L a y o ut 1 1/ 2 2/ 2 0 1 1: 4 2 A M P a g e 2 7
S C 2 9 0 3. 2 8- 3 5 C a s e y. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 1: 0 3 A M P a g e 2 8

C A SEY H A D A
G R O W TH S P U R T
FO R TH E A G ES !
In 2 0 1 5 , G e rm a n b a b e
C a s e y D e lu x e m a d e h e r
S C O R E d e b u t. S h e w a s a
n a tu ra l c u tie w ith tits th a t
w e re u n p ro p o rtio n a lly b ig
c o m p a re d to h e r p e tite
b o d y a n d ju s t a b o u t b ig
e n o u g h fo r S C O R E . A y e a r
la te r, C a s e y re tu rn e d . S h e
w a s p re g n a n t a n d h e r tits
w e re h u g e . T h e n s h e g a v e
b irth . S h e th o u g h t h e r ra c k
w o u ld re v e rt to its p re -p re g -
n a n c y s iz e . B u t it d id n ’t.
S C 2 9 0 3. 2 8- 3 5 C a s e y. q x p _ L a y o ut 1 1/ 2 2/ 2 0 1: 3 8 P M P a g e 2 9

SC O R E 2 9
S C 2 9 0 3. 2 8- 3 5 C a s e y. q x p _ L a y o ut 1 1/ 2 2/ 2 0 1: 3 9 P M P a g e 3 0

T h e p ro o f is in th e p ic tu re s. B a c k in 2 0 1 5 , C a s e y w a s
b o rd e rlin e b ig e n o u g h fo r S C O R E . N o w , th e re ’s n o
d o u b t: C a s e y h a s b e c o m e a fu ll-fle d g e d S C O R E G irl.
S C 2 9 0 3. 2 8- 3 5 C a s e y. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 1: 0 2 A M P a g e 3 1

“ I k n o w th a t a w o m a n ’s b o d y
c h a n g e s w h e n s h e ’s p re g n a n t
a n d h e r b re a s ts o fte n b e c o m e
m u c h b ig g e r,” C a s e y s a id . “ I
th o u g h t th a t’s w h a t w a s h a p -
p e n in g w ith m e , b u t it w a s n ’t.
I a m n o w o n ly a b o u t fiv e k ilo s
h e a v ie r th a n I w a s b e fo re I g o t
p re g n a n t, b u t m y b re a s ts a re
a t le a s t th re e c u p s iz e s b ig g e r
th a n b e fo re . I lo v e it. I k n o w
th e m e n in m y life lo v e it, to o .
I a ttra c t a lo t o f a tte n tio n . I
lik e to s h o w w h a t I h a v e , a n d
I h a v e a lo t m o re to s h o w .
S C 2 9 0 3. 2 8- 3 5 C a s e y. q x p _ L a y o ut 1 1/ 2 2/ 2 0 1: 3 9 P M P a g e 3 2
S C 2 9 0 3. 2 8- 3 5 C a s e y. q x p _ L a y o ut 1 1/ 2 2/ 2 0 1: 3 9 P M P a g e 3 3

C a s e y is u n iq u e in th e a n n a ls o f n a tu ra l g ro w th
s p u rts in th a t s h e p u t o n s o little w e ig h t in th e
p ro c e s s . A lo t o f g irls (A u tu m n -J a d e , fo r e x a m -
p le ) fill o u t a n d fin d th a t a lo t o f th e ir w e ig h t
g o e s to th e ir c h e s t. Y o u n g g irls te n d to g e t
b u s tie r u n til th e y ’re a b o u t 2 5 . C a s e y is 3 4 , w e ll
p a s t th e a g e w h e n s h e s h o u ld b e g e ttin g b u s ti-
e r o n h e r o w n . B u t p re g n a n c y h a p p e n e d . T its
h a p p e n e d . T its s ta y e d . It’s a b e a u tifu l th in g .
S C 2 9 0 3. 2 8- 3 5 C a s e y. q x p _ L a y o ut 1 1/ 2 2/ 2 0 1: 4 4 P M P a g e 3 4

34 SC O R E
S C 2 9 0 3. 2 8- 3 5 C a s e y. q x p _ L a y o ut 1 1/ 2 2/ 2 0 1: 4 4 P M P a g e 3 5

C A SEY D ELU X E
B IR T H D A Y : D e c e m b e r 5 H E IG H T : 5 ’5 ”
W E IG H T : 1 3 4 lb s . B R A S IZ E : 3 2 H
M E A S U R E M E N T S : 4 0 -2 8 -3 8
B O R N & L IV E S : D re s d e n , G e rm a n y
P R E V IO U S A P P E A R A N C E S : D e c . ’1 6
(p re g n a n t), H o lid a y ’1 5 , F e b . ’1 5
M O V IE S : T h e B re a s t o f S C O R E L A N D 3
a n d S C O R E G irls (X -R a te d . A v a ila b le o n
p a g e 9 9 ). P re g g o s & M ilk e rs 3 (X -R a te d .
A v a ila b le a t e B o o b S to re .c o m ). A m a tc h in g
v id e o o f th is p ic to ria l is in c lu d e d w ith th is
is s u e . S e e p a g e th re e fo r y o u r c o d e .
S C 2 9 0 3. 3 6- 4 3 U S, 8 8- 9 5 U K A m b er. q x p _ L a y o ut 1 1/ 2 2/ 2 0 3: 1 4 P M P a g e 3 6 U S

A M B E R A L E N A ’S F IR S T S U P E R - S IZ E D F U C K .
W h e n A m b e r d e b u te d in V o l. 2 8 N o . 4 , w e w ro te , “ S o m e g irls w e re
s im p ly m a d e fo r S C O R E . T h e y w e re b o rn fo r p o rn . A m b e r is o n e o f
th o s e g irls .” T h a t w a s b e fo re A m b e r s u p e r-s iz e d h e r tits (th e y ’re
a p p ro x im a te ly M -c u p s ) a n d u n v e ile d h e r n e w ra c k in V o l. 2 9 N o . 1 .
N o w it s e e m s a s if A m b e r a n d D a n ie lle D e re k a re in a c o m p e -T IT -
io n to b e c o m e th e b u s tie s t, m o s t s u p e r-s e x e d b lo n d e s in S C O R E .

36 SC O R E
S C 2 9 0 3. 3 6- 4 3 U S, 8 8- 9 5 U K A m b er. q x p _ L a y o ut 1 1/ 2 2/ 2 0 3: 1 5 P M P a g e 3 7 U S
S C 2 9 0 3. 3 6- 4 3 U S, 8 8- 9 5 U K A m b er. q x p _ L a y o ut 1 1/ 2 2/ 2 0 3: 1 5 P M P a g e 3 8 U S

A m b e r s a y s h e r s e x d riv e is a 9
o u t o f 1 0 . “ I c a n fu c k fo r h o u rs
a n d h o u rs , b u t I s till n e e d s o m e
s le e p . I re a lly lik e w h e n a g u y
u s e s a v a rie ty o f te c h n iq u e s
w ith h is to n g u e . I lo v e o ra l, g iv -
in g a n d re c e iv in g . I lik e w h e n
h e s w irls h is to n g u e o n m y c lit.
I lik e w h e n h e ju s t g o e s a ro u n d
a n d a ro u n d w ith h is to n g u e ,
lic k s h is to n g u e b a c k a n d fo rth
a g a in s t m y c lit. I lik e it w h e n
h e s tic k s h is to n g u e in s id e m y
p u s s y. D o y o u lik e m y p u s s y ? ”
S C 2 9 0 3. 3 6- 4 3 U S, 8 8- 9 5 U K A m b er. q x p _ L a y o ut 1 1/ 2 2/ 2 0 3: 1 5 P M P a g e 3 9 U S
S C 2 9 0 3. 3 6- 4 3 U S, 8 8- 9 5 U K A m b er. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 1: 0 7 A M P a g e 4 0 U S
S C 2 9 0 3. 3 6- 4 3 U S, 8 8- 9 5 U K A m b er. q x p _ L a y o ut 1 1/ 2 2/ 2 0 3: 1 5 P M P a g e 4 1 U S

A M B ER A LEN A
B IR T H D A Y : O c to b e r 1 5 H E IG H T : 5 ’5 ”
W E IG H T : 1 1 8 lb s . M E A S U R E S : 4 2 -2 6 -3 8
B O R N : V irg in ia L IV E S : S e a ttle , W a s h in g to n
P R E V IO U S S C O R E A P P E A R A N C E S : V o l. 2 9
N o . 1 , V o l. 2 8 N o . 5 (X X X ) a n d V o l. 2 8 N o . 4
M O V IE S : S C O R E F u c k D o lls a n d H a rd S C O R E
8 (X X X -R a te d ); S C O R E S ilh o u e tte 2 (X -R a te d ).
A ll a v a ila b le o n p a g e 9 9 . A m a tc h in g v id e o o f
th is p ic to ria l is in c lu d e d w ith th is is s u e . S e e
p a g e th re e fo r y o u r e x c lu s iv e c o d e .
S C 2 9 0 3. 3 6- 4 3 U S, 8 8- 9 5 U K A m b er. q x p _ L a y o ut 1 1/ 2 2/ 2 0 3: 1 6 P M P a g e 4 2 U S

S p o ile r a le rt! A m b e r w o n th ird

ru n n e r-u p fo r 2 0 1 9 N e w c o m e r
o f th e Y e a r. N o w th a t s h e h a s
s u p e r-s iz e d h e r ra c k a n d
jo in e d th e ra n k s o f th e b u s ti-
e s t S C O R E G irls e v e r, w e
w o u ld n ’t b e s u rp ris e d if s h e
w o n 2 0 2 0 M o d e l o f th e Y e a r.
S a id A m b e r, “ I h o p e y o u a ll
lo v e m y firs t s c e n e w ith m y
n e w tits a s m u c h a s w e h a d
fu n m a k in g it. T h a n k y o u a ll
fo r s u p p o rtin g m y jo u rn e y in to
th e a d u lt w o rld .” A jo u rn e y
th a t k e e p s g e ttin g b e tte r.
S C 2 9 0 3. 3 6- 4 3 U S, 8 8- 9 5 U K A m b er. q x p _ L a y o ut 1 1/ 2 2/ 2 0 3: 1 6 P M P a g e 4 3 U S
S C 2 9 0 3. 4 4, 4 5 M O T D R u n n er- u p. q x p _ L a y o ut 1 1/ 2 2/ 2 0 3: 3 2 P M P a g e 4 4

S o m a n y g r e a t g ir ls .
W h o w a s N o. 1 ?

3 rd R u n n e r-u p
S h a R iz e l

O n D ecem ber 3 1 , 2 0 1 9 ,
S C O R E c o m p le te d its th ird
2 n d R u n n e r-u p d e c a d e in e x is te n c e . R e a d e r
V a lo r y Ir e n e W .L . fro m B a ta v ia , Illin o is
s a id , “ I’v e b e e n re a d in g
S C O R E s in c e th e b e g in n in g ,
a n d in m y m in d , th is w a s th e
b e s t d e c a d e e v e r. S u c h a n
in c re d ib le m ix o f g irls . A t
le a s t 1 2 , in m y o p in io n , w ill
o n e d a y b e in th e B ig -B o o b
H a ll o f F a m e . Iro n ic a lly, p ic k -
in g th e to p g irl w a s e a s y, b u t
th a t d o e s n ’t m e a n th e o th e r
g irls a re n ’t d e s e rv in g o f o u r
h o n o r a n d re s p e c t.” It tru ly
w a s a g re a t d e c a d e . A m o n g
th e g irls w h o d id n ’t m a k e th e
to p fo u r: D o lly F o x , K a tie
T h o rn to n , K e lly C h ris tia n s e n ,
K o rin a K o v a , L a ra Jo n e s , L ily
M a d is o n , M io s o tis , S h e rid a n
L o v e , T ig e rr B e n s o n a n d
V e n e ra . T h a t’s q u ite a lis t.

44 SC O R E
S C 2 9 0 3. 4 4, 4 5 M O T D R u n n er- u p. q x p _ L a y o ut 1 1/ 2 2/ 2 0 3: 3 2 P M P a g e 4 5

1 s t R u n n e r-u p
A le x y a

A n d th e S C O R E M o d e l o f th e D e c a d e is…
SC O R E 4 5
S C 2 9 0 3. 4 6- 5 3 M o d el of t h e D e c a d e Hit o mi. q x p _ L a y o ut 1 1/ 2 2/ 2 0 5: 1 2 P M P a g e 4 6

Hi t o m i R u le s !
P a r t 1 : T h e B ig D e b u t

H ito m i w a s a lre a d y a
s u p e rs ta r in h e r n a tiv e
J a p a n b y th e tim e s h e
d e b u te d in th e J a n u a ry
’1 2 is s u e o f S C O R E .
T h is w a s a b ig e v e n t fo r
u s – w e ’d b e try in g to
g e t h e r fo r s o m e tim e –
a n d fo r re a d e rs w h o
h a d n e v e r s e e n h e r. A
J -c u p A s ia n n a tu ra l
w ith a p e tite b o d y ?
Im p o s s ib le … b u t tru e !

46 SC O R E
S C 2 9 0 3. 4 6- 5 3, 5 3 U K M o d el of t h e D e c a d e Hit o mi. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 1: 1 3 A M P a g e 4 7

D e s ti n a ti o n : P u e r t o V all a r ta
H ito m i w a s s u c h a b ig
s ta r th a t V -G irl J e n n a
V a le n tin e w a s s ta r-
s tru c k w h e n s h e m e t
h e r in M e x ic o fo r th e
D V D O n L o c a tio n
P u e rto V a lla rta . S h e
h a d n o re a s o n to b e
n e rv o u s : H ito m i is a
s h y, h u m b le g irl.
A m o n g th e h ig h lig h ts
o f th a t m o v ie w a s
H ito m i g e ttin g a b o o b
m a s s a g e fro m M ic k y
B e lls a n d N a ta lie F io re .

S h e ’s a V- G ir l t o o !
H ito m i’s h u g e h a n g e rs m a d e h e r e x tre m e ly p o p u la r in
V o lu p tu o u s , to o . A lth o u g h s h e w a s n ’t th e c o v e rg irl o f h e r
d e b u t is s u e (H o lid a y ’1 1 ), s h e ’d g e t tw o V m a g c o v e rs .

SC O R E 4 7
S C 2 9 0 3. 4 6- 5 3 M o d el of t h e D e c a d e Hit o mi. q x p _ L a y o ut 1 1/ 2 2/ 2 0 5: 1 3 P M P a g e 4 8

T h e n e x t c h a p te r : S o m a n y a w a rd s !

It c a m e a s n o s u rp ris e w h e n H ito m i w a s
c ro w n e d 2 0 1 2 N e w c o m e r o f th e Y e a r a n d
2 0 1 3 M o d e l o f th e Y e a r. W h a t h a p p e n e d
a fte r th a t w a s u n p re c e d e n te d : H ito m i w o n
2 0 1 4 a n d 2 0 1 5 M o d e l o f th e Y e a r, m a k in g
h e r o u r firs t th re e -tim e M o d e l o f th e Y e a r.
B u t in th e M o d e l o f th e D e c a d e b a llo tin g ,
w e w e re b a c k to n o t b e in g s u rp ris e d w h e n
H ito m i g a rn e re d 3 1 .7 % o f th e v o te s .

48 SC O R E
S C 2 9 0 3. 4 6- 5 3 M o d el of t h e D e c a d e Hit o mi. q x p _ L a y o ut 1 1/ 2 2/ 2 0 5: 1 4 P M P a g e 4 9

H it o mi ’s t ro pi c al v a c a t io n
H ito m i jo in e d M o d e l
o f th e D e c a d e ru n n e rs -
u p S h a R iz e l a n d V a lo -
ry Ire n e (b e lo w ) a n d
J o a n a in th e D o m in i-
c a n R e p u b lic fo r
2 0 1 4 ’s S C O R E O n
L o c a tio n . B y th e n , w e
w e re d o in g e v e ry th in g
to w o rk a ro u n d H i-
to m i’s b u s y s c h e d u le
(w h ic h in c lu d e s s h o o t-
in g c e n s o re d X X X in
Ja p a n ) a n d sh o o t h e r
a s o fte n a s p o s s ib le .
T h is s h o o t (w ill a ll th e
g irls b e H a ll o f F a -
m e rs ? ) w a s le g e n d a ry.

SC O R E 4 9
S C 2 9 0 3. 4 6- 5 3 M o d el of t h e D e c a d e Hit o mi. q x p _ L a y o ut 1 1/ 2 2/ 2 0 5: 1 4 P M P a g e 5 0
S C 2 9 0 3. 4 6- 5 3 M o d el of t h e D e c a d e Hit o mi. q x p _ L a y o ut 1 1/ 2 2/ 2 0 5: 1 4 P M P a g e 5 1
S C 2 9 0 3. 4 6- 5 3 M o d el of t h e D e c a d e Hit o mi. q x p _ L a y o ut 1 1/ 2 2/ 2 0 5: 1 4 P M P a g e 5 2

W e g o t h e r ! H it o mi c o m e s t o M ia m i

G e ttin g H ito m i to M ia m i, F lo rid a , h o m e o f T h e S C O R E

G ro u p , w a s o u r n e x t b ig g o a l, a n d it h a p p e n e d in 2 0 1 5 .
A m o n g th e h ig h lig h ts : H ito m i ja c k in g o ff ru b b e r c o c k s
a n d g e ttin g c o a te d in fa k e c u m ; H ito m i g e ttin g b o d y -
p a in te d ; H ito m i in a fa n ta s y m ilk fa c to ry ; a n d th is e x o t-
ic b e a u ty b e c o m in g p a rt o f th e lo c a l e x o tic s c e n e ry.

52 SC O R E
S C 2 9 0 3. 4 6- 5 3 M o d el of t h e D e c a d e Hit o mi. q x p _ L a y o ut 1 1/ 2 2/ 2 0 5: 1 5 P M P a g e 5 3 U S

F in a lly , H it o m i e a t s p u s s y !

It w a s a b ig d e a l w h e n H ito m i a te L ily M a d is o n ’s p u s s y in th e a llo w e d to s h o w th e ir g e n ita lia in J a p a n e s e p o rn , s o th is w a s

O c to b e r ’1 6 is s u e a n d th e D V D B ig T it A -L is t 4 . G irls a re n o t th e firs t tim e s h e h a d e v e r e a te n p u s s y u n p ix e la te d .

T h e s t o r y c o n t in u e s …
H ito m i w a s s till g o in g s tro n g a s w e e n te re d th e n e w d e c a d e . H e r b re a s ts h a d b e c o m e
h e a v ie r a n d fu lle r, a n d s h e w a s a s p o p u la r a s e v e r. T h e re ’s n o d o u b t th a t 2 0 1 0 -2 0 1 9
w a s th e D e c a d e o f H ito m i. W e w o u ld n ’t b e s u rp ris e d if th e n e x t d e c a d e is h e rs , to o .

SC O R E 5 3
S C 2 9 0 3. 5 4- 5 5, U K 5 5 N e w c o m er R u n n er- u p. q x p _ L a y o ut 1 1/ 2 3/ 2 0 8: 1 6 A M P a g e 5 4 U S

I t w a s a n o t h e r a m a z in g
y e a r fo r g r e a t n e w gi r ls .

3 rd R u n n e r-u p
A m b e r A le n a

2 n d R u n n e r-u p
Sta cy
V a n d e n b e rg

S e e m s lik e e v e ry y e a r, th e v o tin g fo r N e w c o m e r o f th e Y e a r c o m e s d o w n
to th e c la s s ic S C O R E s lim ‘n ’ s ta c k e rs – g irls w h o ta k e u s b a c k to th e d a y s
o f S a R e n n a L e e , T iffa n y T o w e rs a n d B u s ty D u s ty – v s . th e s u p e r-s ta c k e d
n a tu ra ls . T h a t w a s th e c a s e th is tim e a ro u n d , to o . A s u s u a l, S C O R E L A N D
v o te rs fa v o re d th e n a tu ra ls . M a g a z in e v o te rs fa v o re d th e c la s s ic g irls .

54 SC O R E
S C 2 9 0 3. 5 4- 5 5, U K 5 5 N e w c o m er R u n n er- u p. q x p _ L a y o ut 1 1/ 2 3/ 2 0 8: 1 6 A M P a g e 5 5

1 s t R u n n e r-u p
S ig a l

A n d th e 2 0 1 9 S C O R E N e w c o m e r o f th e Y e a r is…
SC O R E 5 5
S C 2 9 0 3. 5 6- 6 3, U K 6 1- 6 3 K at y. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 1: 2 0 A M P a g e 5 6

T h e c la s s ic S C O R E G ir l
is o u r N o . 1 d e b u t a n t e .

W in n e r
K a ty A n n

O n e re a d e r s a id , “ H o w is th is g irl re a l? K a ty A n n is lik e a liv in g fa n ta s y.”

S te fa n s a id , “ S h e is th e m o s t-b e a u tifu l w o m a n I h a v e e v e r s e e n .” A n d a n o th e r
v o te r e x c la im e d , “ K a ty is a m a z in g . S h e re m in d s m e o f th o s e w o n d e rfu l g irls o f
th e 1 9 9 0 s o n ly b e tte r.” W h e n s h e d e b u te d a s th e c o v e rg irl o f V o l. 2 8 N o . 5 ,
w e c a lle d K a ty “ T h e P e rfe c t S C O R E G irl.” N o w s h e ’s o u r N e w c o m e r o f th e Y e a r.

56 SC O R E
S C 2 9 0 3. 5 6- 6 3, U K 6 1- 6 3 K at y. q x p _ L a y o ut 1 1/ 2 7/ 2 0 3: 1 1 P M P a g e 5 7

SC O R E 5 7
S C 2 9 0 3. 5 6- 6 3, U K 6 1- 6 3 K at y. q x p _ L a y o ut 1 1/ 2 3/ 2 0 9: 3 2 A M P a g e 5 8

“ I lo v e th e fa n ta s y a s p e c t
o f m o d e lin g ,” th is T e x a s
h o ttie w ith T e x a s -s iz e d tits
s a id . “ T h e s e a re a d u lt-s iz e
b o o b s. W e a p o n s o f m a ss
d e s tru c tio n . T h e y ’re s o
b ig ! W o rld d o m in a tio n ,
I’m c o m in g fo r y o u !”
S h e ’s g o t it. “ T h e b e s t
c o m p lim e n t I e v e r re -
c e iv e d w a s s e e in g m y s e lf
o n th e S C O R E S ilh o u e tte
2 D V D w ith th e c a p tio n ,
‘K a ty A n n … G irl o f th e
C e n tu ry.’ W h a t a n h o n o r!”
S C 2 9 0 3. 5 6- 6 3, U K 6 1- 6 3 K at y. q x p _ L a y o ut 1 1/ 2 3/ 2 0 9: 3 2 A M P a g e 5 9

SC O R E 5 9
S C 2 9 0 3. 5 6- 6 3, U K 6 1- 6 3 K at y. q x p _ L a y o ut 1 1/ 2 3/ 2 0 9: 3 2 A M P a g e 6 0
S C 2 9 0 3. 5 6- 6 3, U K 6 1- 6 3 K at y. q x p _ L a y o ut 1 1/ 2 3/ 2 0 9: 3 2 A M P a g e 6 1 U S

K a ty A n n re c e iv e d 1 7 .7 %
o f th e v o te s fro m S C O R E
re a d e rs fo llo w e d b y S ig a l a t
1 5 .9 % a n d S ta c y V a n d e n -
b e rg (V o lu p tu o u s N e w c o m e r
o f th e Y e a r) a t 1 3 .4 % .
S ig a l w o n th e S C O R E L A N D
v o tin g , 1 6 .9 % to K a ty
A n n ’s 1 5 .5 % w ith S ta c y
c lo s e b e h in d . A n y o f th e s e
g irls w o u ld h a v e b e e n a
w o rth y w in n e r, b u t K a ty
A n n w in n in g m a k e s it o ffi-
c ia l: T h e c la s s ic S C O R E
G irl is s till th is y e a r’s g irl.

SC O R E 6 1
S C 2 9 0 3. 5 6- 6 3, U K 6 1- 6 3 K at y. q x p _ L a y o ut 1 1/ 2 3/ 2 0 9: 3 3 A M P a g e 6 2 U S

62 SC O R E
S C 2 9 0 3. 5 6- 6 3, U K 6 1- 6 3 K at y. q x p _ L a y o ut 1 1/ 2 3/ 2 0 9: 3 3 A M P a g e 6 3 U S

K A TY A N N
B IR T H D A Y : F e b ru a ry 2 2 H E IG H T : 5 ’7 ”
W E IG H T : 1 2 8 lb s . B R A S IZ E : 3 0 J
M E A S U R E M E N T S : 4 0 -2 6 -3 6
P R E V IO U S S C O R E A P P E A R A N C E S :
V o l. 2 8 N o s . 5 & 6
M O V IE S : B e s t o f th e D e c a d e 2 0 1 0 -
2 0 1 9 a n d S C O R E S ilh o u e tte 2 (X -
R a te d a n d a v a ila b le o n p a g e 9 9 ). A
m a tc h in g v id e o o f th is p ic to ria l is in -
c lu d e d w ith th is is s u e . S e e p a g e th re e .
S C 2 9 0 3. 1 3- 1 6, 6 4- 6 7, U K 1 3, 6 4- 6 7 B o o b b e at. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 0: 1 7 A M P a g e 6 4 U S

16222

16224
64 SC O R E
S C 2 9 0 3. 1 3- 1 6, 6 4- 6 7, U K 1 3, 6 4- 6 7 B o o b b e at. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 0: 1 7 A M P a g e 6 5 U S

B O O B B EA T
C o n tin u e d fro m p a g e 1 3

frie n d s w e re C h in e se so … e r… n o t re a lly
b ig . It w a sn ’t p a in fu l.
S C O R E : In y o u r p riv a te life , d o y o u lik e
se x w ith tw o m e n ?
T ig e r r: I d o , b u t it’s ju st a lm o st im p o ssi-
b le to fin d tw o g u y s th a t w ill w a n t to
g e t th a t c lo se to e a c h o th e r. [L a u g h s] It’s
h a rd e n o u g h to fin d o n e g u y w h o c a n
g iv e m e w h a t I w a n t. [L a u g h s]
S C O R E : H o w sh o u ld a g u y h a n d le y o u r
b o o b s? D o y o u lik e y o u r n ip p le s su c k e d
h a rd o r so ft? R o u g h o r g e n tle ?
T ig e r r: A b it o f b o th . I lik e v a ria tio n .
W h e n it’s p a ssio n a te , I lik e to b e tre a te d
ro u g h . I lik e to fe e l th e fu ll p o w e r o f a n
a lp h a m a le .
S C O R E : D o g u y s sp e n d a lo t o f tim e
su c k in g a n d fu c k in g y o u r tits?
T ig e r r: S o m e d o . S o m e ju st su c k m y
b o o b s m u c h m o re th a n fu c k in g m y
b o o b s. T h e y c a n n o t k e e p th e ir h a n d s o ff
th e m m o st o f th e tim e . T h e y fe e l q u ite
so ft e v e n th o u g h th e y a re la rg e .
S C O R E : A re th e re m o re se x u a l b o u n d -
a rie s y o u w a n t to e x p e rie n c e ?
T ig e r r: T h e re a re n ’t to o m a n y le ft fo r
m e . [L a u g h s] I g u e ss I w o u ld lik e to d o 16230
m o re g irl-g irls. A s y o u m a y k n o w , I’m a
b it k in k y , so m y h o t fa n ta sy w o u ld b e to
b e A m y A n d e rsse n ’s p e t o n a d o g le a sh
w ith h e r sta n d in g o v e r m e in b la c k , L a -
te x b o o ts. S h e ’d m a k e m e lic k h e r p u ssy ,
h e r a ssh o le a n d th o se b ig b o o b s. I th in k
sh e is so h o t.
S C O R E : D o y o u d o a n y k in d o f m e n ta l
o r p h y sic a l w a rm -u p b e fo re a sc e n e o r
d o y o u ju m p rig h t in ?
T ig e r r: I d o n ’t d o a n y w a rm -u p . I a lw a y s
lik e to k e e p th in g s n a tu ra l w h e n I’m
h a v in g se x . I’m a b it sh o rt, so I’m a lw a y s
h a v in g to stre tc h m y le g s.
S C O R E : W h a t d o y o u e n jo y m o st a b o u t
d o in g p o rn ?
T ig e r r : I ju st lik e se x . S e x w ith a n e w
g u y o r g u y s is a lw a y s e x c itin g . M y
C h in e se sig n is a p ig , so I th in k I w a s b o rn
h u n g ry fo r e v e ry th in g . S e x o n -c a m e ra is
w ith o u t strin g s, so th a t’s c o o l. In m y p ri-
v a te life , I a m v e ry m u c h in to th e h o t
w ife fe tish a n d h a v e m y c u c k o ld h u b b y
a n d q u ite a fe w b o y frie n d s w h o e n jo y
se e in g m e h a v in g d irty se x w ith o th e r
m e n . T h is b rin g s o u t th e p e rfo rm e r in
m e w h e n I’m h a v in g se x in fro n t o f a
c a m e ra . I lik e g u y s to b e h o t fo r m e .
S C O R E : W h a t’s y o u r fa v o rite p o sitio n ?
T ig e r r: M e o n to p , b o u n c in g o n a m a n ’s
c o c k . I lik e m y b o o b s b o u n c in g . I lik e 16216

SC O R E 6 5
S C 2 9 0 3. 1 3- 1 6, 6 4- 6 7, U K 1 3, 6 4- 6 7 B o o b b e at. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 0: 1 8 A M P a g e 6 6 U S
su c k in g a n d lic k in g c o c k , b a lls a n d a ss. I
c a n d e e p -th ro a t 1 0 in c h e s. A n d I a lw a y s
sw a llo w c u m .
S C O R E : C a n y o u c o m p a re p o rn se x to
se x in y o u r p riv a te life ?
T ig e r r: W h e n I’m h a v in g se x in fro n t o f
th e c a m e ra w ith tw o g u y s a n d I’m re a lly
g e ttin g h o t a n d th e d ire c to r sh o u ts
“ C u t!” it’s to ta lly fru stra tin g ! A lo t o f
tim e s I h a v e to c a rry o n a fte r th e sh o o t is
fin ish e d so I c a n c u m o r I w o n ’t b e a b le
to sle e p a t n ig h t. In n o rm a l life w ith re g -
u la r g u y s, se x is v e ry d iffe re n t. I’m v e ry
m u c h in to y in a n d y a n g in life . I a lso
e n jo y slo w se x th a t’s q u ite re a l a n d se n -
su a l. Y o u d o n ’t re a lly g e t a sk e d to d o se x
lik e th a t in fro n t o f th e c a m e ra , so
a lth o u g h re g u la r g u y s a re n o t re a lly se x -
u a l a th le te s, th e y still g e t m e h o t in a d if-
fe re n t w a y .
S C O R E : H a s h a v in g b ig g e r b o o b s b e e n
g o o d fo r y o u r se x life ?
T ig e r r: A b so lu te ly . A c tu a lly , I w a s so su r-
p rise d th a t g u y s w e re so m u c h h o tte r fo r
m e a fte r m y se c o n d b o o b jo b .
S C O R E : D o y o u lik e a g u y to h a v e a c e r-
ta in c o c k siz e ?
T ig e r r: I th in k w h a t th e g u y d o e s w ith
h is c o c k is m o re im p o rta n t, b u t I d o I lik e
n in e in c h e s.
S C O R E : D o y o u w a tc h y o u r sc e n e s?
66 SC O R E
T ig e r r: I d o n ’t w a tc h m y sc e n e s a s m u c h
a s y o u w o u ld th in k . I a m n o t su re w h y . I
d o n ’t w a tc h m u c h p o rn a t a ll. I g u e ss I
p re fe r m y h o t m e m o rie s. A t n ig h t I m a s-
tu rb a te , b u t I ju st c lo se m y e y e s a n d
th in k o f th e th in g s I’v e d o n e
S C O R E : D o y o u r fa n s a sk y o u q u e stio n s
a b o u t se x o r y o u r sc e n e s? W h a t k in d o f
q u e stio n s d o th e y a sk ?
T ig e r r: U su a lly th e y a sk th e sa m e q u e s-
tio n s, lik e d o I lik e b ig c o c k s o r d o I a c tu -
a lly c u m ? O c c a sio n a lly th e y a sk m e
w e ird q u e stio n s, lik e d o I th in k I’v e
sh a m e d m y a n c e sto rs b y d o in g p o rn ,
a n d re c e n tly a g u y a sk e d if I w o u ld try
a n d b e c o m e e le c te d to b e th e ir to w n
m a y o r. [L a u g h s] I d o n ’t th in k I h a v e
sh a m e d m y a n c e sto rs. I lik e to th in k th e y
a re h a p p y th a t I a m su c c e ssfu l in w h a t I
d o . B u t I d o n ’t th in k I w o u ld m a k e a
g o o d m a y o r. M y to w n w o u ld ju st e n d u p
fu ll o f n o o d le sh o p s a n d n a il sa lo n s a n d
n o b o d y w o u ld b e a llo w e d to w o rk o n
S u n d a y . [L a u g h s]
S C O R E : H a v e y o u e v e r h a d se x in a ta x i?
D o y o u lik e se x in c a rs?
T ig e r r : Y e s, I’v e h a d se x in ta x is in H o n g
K o n g , L o n d o n , To k y o , V a n co u v e r a n d
B a rc e lo n a , a lth o u g h th e ta x i d riv e r in
L o n d o n sa w w h a t w a s h a p p e n in g a n d
a sk e d u s to g e t o u t o f h is ta x i. H e w a s
re a lly p o lite , th o u g h . I lik e se x in c a rs o r
a n y k in d o f v e h ic le . I re c e n tly d id a p o rn
sh o o t in S p a in w h e re I h a d se x in a v a n
p a rk e d o u tsid e B a rc e lo n a A irp o rt. T h a t
w a s v e ry h o t!
S C O R E : D o y o u fin d th a t y o u r se x u a l
a p p e tite a n d y o u r se x d riv e a re stro n g e r
to d a y th a n , sa y , 1 0 y e a rs a g o ?
T ig e r r: Y e s, v e ry m u c h so . I th in k I a m a
n y m p h o m a n ia c , n o jo k in g . M y g irlfrie n d
to ld m e a ll a b o u t it a n d sa id I sh o u ld g e t
th e ra p y to h e lp . [L a u g h s] S illy ! I th in k it
is n a tu ra l fo r a g irl to g e t h o rn ie r a s sh e
g e ts o ld e r.
S C O R E : If y o u c o u ld b a n g o n e m a le
c e le b rity , w h o w o u ld it b e ? H o w a b o u t a
fe m a le c e le b rity .
T ig e r r: E a sy . D u stin H o ffm a n . T h e
fe m a le w o u ld b e th e C o u n td o w n G irl o n
B ritish T V C h a n n e l 4 , R a c h e l R ile y .
S C O R E : D u stin H o ffm a n ? T h a t’s d iffe r-
e n t. A n y w a y , y o u tra v e l b e tw e e n
L o n d o n a n d Ja p a n q u ite o fte n . H o w d if-
fe re n t a re B ritish a n d Ja p a n e se m e n in
th e ir se x u a l b e h a v io r?
T ig e r r: A c tu a lly , th e B ritish a n d Ja p a -
n e se m e n I m e e t a re v e ry sim ila r w h e n it
c o m e s to se x a n d th e sa m e in o th e r
w a y s, to o : q u ite p o lite a n d w e ll m a n -
n e re d . Ja p a n e se m e n a re m o re tra d i-
tio n a l. I lik e th a t a s I a m n o t a fe m in ist. I
16228
S C 2 9 0 3. 1 3- 1 6, 6 4- 6 7, U K 1 3, 6 4- 6 7 B o o b b e at. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 0: 1 8 A M P a g e 6 7 U S

lik e o ld e r m e n b e c a u se th e y o p e n d o o rs
a n d h a v e m o re o ld -fa sh io n e d w a y s. In
g e n e ra l, I te n d to m e e t m o re k in k ie r
m e n th a n m o st. B o th B ritish a n d Ja p a -
n e se m e n c a n b e v e ry k in k y , I th in k
b e c a u se b o th c o m e fro m re p re sse d
b a c k g ro u n d s. In b e d , I th in k Ja p a n e se
m e n a re ro u g h e r, b u t I q u ite lik e th a t.
T h e b ig d iffe re n c e is th a t m e n in B rita in
a re ta u g h t th a t th e re is e q u a lity , b u t in
Ja p a n , m e n a re a lw a y s th e b o ss. I p re fe r
w h e n a m a n is th e b o ss.
S C O R E : D o th e g u y s y o u m e e t p re fe r
y o u a s th e d o m in a n t o r th e su b m issiv e ?
O r is it m o re a le v e l p la y in g fie ld o f se x
w ith o u t a n y fe tish ?
T ig e r r: S e x is su c h a b ig p la y g ro u n d . I
d o n ’t lik e to h a v e to o m a n y b o u n d a rie s,
so I c a n b e v e ry su b m issiv e a n d v e ry
d o m in a n t, to o , a n d a lso v e ry in -
b e tw e e n , a s lo n g a s th e se x is p a ssio n a te
a n d re a l.
S C O R E : D o y o u e v e r sto re th in g s in y o u r
c le a v a g e w h e n y o u g o o u t? • Fre e p re v ie w s o f o u r m o v ie s !
T ig e r r: If I g o to a c lu b , I w ill sto re sp a re • S e e y o u r m o v ie s rig h t n o w w ith o u r “D o w n lo a d & B u rn ” o p tio n .
m o n e y th e re in c a se I n e e d to b u y so m e - N o w a itin g fo r th e m to c o m e in th e m a il!
th in g . A n d m y h o u se k e y s. • P u rc h a s e in d iv id u a l s c e n e s fo r a fra c tio n o f th e c o s t o f fu ll m o v ie s !
S C O R E : D o y o u e v e r g o to strip c lu b s in • P u rc h a s e b a c k is s u e s . D o w n lo a d th e d ig ita l e d itio n s n o w fo r im m e d ia te v ie w in g !
L o n d o n a s a c u sto m e r? • E n jo y o u r te e n , a m a te u r, m a tu re a n d b ig -b o o b m o v ie s !
T ig e r r: I’v e b e e n a c o u p le o f tim e s. I
lo v e lo o k in g a t b e a u tifu l w o m e n .
S C O R E : H a v e y o u r b re a sts e v e r fa lle n
o u t o f y o u r to p in p u b lic ?
T ig e r r: It’s h a p p e n e d a fe w tim e s w h e n
I h a v e w o rn to p s th a t w e re to o lo w -c u t.
M y tits b o u n c e a lo t, so so m e tim e s th e y
b o u n c e o u t a n d I d o n ’t re a liz e m y n ip p le
is slig h tly p o k in g o u t.
S C O R E : W h a t is so m e th in g y o u h a v e
trie d b u t w ill n e v e r d o a g a in ?
T ig e r r : I h a v e a p o lic y a b o u t try in g
th in g s o n c e , b u t I th in k se x in a sa u n a is
a b a d id e a . I a lm o st d e h y d ra te d m y se lf
b y th e tim e w e w e re fin ish e d .
S C O R E : D o y o u a lso lik e lo o k in g in to a
m irro r d u rin g se x ?
T ig e r r: I lo v e lo o k in g in th e m irro r
w h ile h a v in g se x , e sp e c ia lly if I g e t to se e
th e g u y ’s c o c k g o in g in to m y p u ssy th e n
in to m y a ss a n d b a c k a g a in . It’s so h o t
a n d d irty . P lu s it m a k e s it e x tra fu n w h e n
• H e r f irs t e x c lu s iv e w e b s it e
I g e t to lic k a ll th e c u m o ff th e m irro r • H ig h -re s p h o t o s , a ll
a fte rw a rd s.
d o w n lo a d a b le
S C O R E : W h a t su p e rp o w e r w o u ld y o u
lik e to h a v e fo r o n e d a y ? •W id e s t s e le c t io n o f S ta c y
T ig e r r: I w o u ld lik e to h a v e su p e r-e n - p h o t o s a n y w h e re
d u ra n c e so I c a n h a v e e n d le ss o rg a sm s.
B u t b e st o f a ll, I w o u ld w a n t to b e a •P lu s , jo in a n d g e t 3 6 m o re
su p e r-g ia n t w o m a n so I c a n g e t tin y m e n b ig -t it w e b s it e s in c lu d e d
to c lim b u p m y p u ssy a n d fin d m y
G -sp o t o n c e a n d fo r a ll. [L a u g h s]
w it h y o u r m e m b e rs h ip
T h a t w o u ld b e w o n d e rfu l!
SC O R E 6 7
S C 2 9 0 3. 6 8- 7 5 A n a st a si a. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 1: 4 4 A M P a g e 6 8

S L IM , S T A C K E D A N D W H E R E S H E B E L O N G S .
“ W h e th e r o r n o t I w a n t to e m p h a s iz e m y b re a s ts d e p e n d s o n th e p la c e
a n d o c c a s io n o r e v e n t,” A n a s ta s ia L ’A m o u r s a id . T h e p la c e : S C O R E
m a g a z in e . T h e e v e n t: H e r w o rld w id e m a g a z in e d e b u t. A n a s ta s ia is c e le -
b ra tin g th e e v e n t b y e m p h a s iz in g h e r tits w ith a b ra a n d lin g e rie s h o w .
68 SC O R E
S C 2 9 0 3. 6 8- 7 5 A n a st a si a. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 1: 4 3 A M P a g e 6 9
S C 2 9 0 3. 6 8- 7 5 A n a st a si a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 1 0: 2 2 A M P a g e 7 0

“ I fo u n d o u t a b o u t T h e S C O R E G ro u p th ro u g h a
frie n d w h o h a d re c o m m e n d e d th a t I p u rs u e m y
g o a ls in a d u lt film s a n d m o d e lin g ,” A n a s ta s ia
s a id . “ I re m e m b e r lo o k in g th ro u g h th e m a g a z in e s
a n d th e film s . It’s b e e n a d re a m g o a l o f m in e to
h a v e th e w o n d e rfu l o p p o rtu n ity to b e c o m e a
S C O R E G irl.” W e ’re h a p p y to g iv e it to h e r.
S C 2 9 0 3. 6 8- 7 5 A n a st a si a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 1 0: 2 2 A M P a g e 7 1
S C 2 9 0 3. 6 8- 7 5 A n a st a si a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 1 0: 2 2 A M P a g e 7 2
S C 2 9 0 3. 6 8- 7 5 A n a st a si a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 1 0: 2 3 A M P a g e 7 3

“ T h e b ra s I u s u a lly w e a r a re c u s to m -m a d e b y a s p e c ia l frie n d w h o o w n s
a b o u tiq u e a n d d e s ig n s a n d c re a te s , b y h a n d , m y o n e -o f-a -k in d g o w n s ,
d re s s e s , b ik in is a n d b ra a n d th o n g s e ts ,” A n a s ta s ia s a id . S h e u s e d to b e
a b a lle t a n d ja z z d a n c e r a n d a c h e e rle a d e r. T h e n s h e s ta rte d e n te rin g
b ik in i c o n te n ts . A n d th e n b e c a m e a n e x o tic d a n c e r. T h a t ro a d le d h e r to
S C O R E . Y e s , s h e fu c k s o n -c a m e ra . L ik e y o u , w e c a n ’t w a it to s e e it.
SC O R E 7 3
S C 2 9 0 3. 6 8- 7 5 A n a st a si a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 1 0: 2 3 A M P a g e 7 4

74 SC O R E
S C 2 9 0 3. 6 8- 7 5 A n a st a si a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 1 0: 2 3 A M P a g e 7 5

A N A S T A S IA L ’A M O U R
B IR T H D A Y : S e p t. 2 4 H E IG H T : 5 ’6 ”
W E IG H T : 1 1 0 lb s . B R A S IZ E : 3 4 H H
M E A S U R E M E N T S : 4 4 -2 6 -3 8
B O R N : P h ila d e lp h ia , P e n n s y lv a n ia
L IV E S : N e w J e rs e y
V ID E O : A m a tc h in g v id e o o f th is p ic to -
ria l is in c lu d e d w ith th is is s u e . S e e
p a g e th re e fo r y o u r e x c lu s iv e c o d e .

SC O R E 7 5
S C 2 9 0 3. 7 6- 7 7 H O F R u n n er- u p. q x p _ L a y o ut 1 2/ 1 9/ 2 0 2: 1 0 P M P a g e 7 6

E v e n t h e g ir ls w h o d id n ’t
w in a r e a ll- t im e g r e a t s .

2 n d R u n n e r-u p
K e lly
C h r is t ia n s e n

3 rd R u n n e r-u p
In e s C u d n a

In e s C u d n a w a s o n e o f th e o u ts ta n d in g n a tu ra ls o f th e firs t d e c a d e o f th is
c e n tu ry. K e lly C h ris tia n s e n w a s a re a d e r’s w ife w h o p o s e d a n d fu c k e d
o n -c a m e ra o n ly fo r u s . C a s e y Ja m e s is a c la s s ic s u p e r-s lim , s u p e r-s ta c k e d
S C O R E G irl. S h e s a ile d o n B o o b C ru is e 2 0 0 0 a n d w a s o n e o f th e s ta rs o f
M e g a -B o o b O ly m p ic s . In d e e d , th e re ’s a lo t o f g re a tn e s s o n th e s e p a g e s .

76 SC O R E
 S C 2 9 0 3. 7 6- 7 7 H O F R u n n er- u p. q x p _ L a y o ut 1 1/ 2 3/ 2 0 1 0: 3 7 A M P a g e 7 7

A n n in a
1 s t R u n n e r-u p
C a se y Ja m e s

ed
f
A n d o u r n e w e s t B ig -B o o b H a ll o f F a m e r is …
SC O R E 7 7
S C 2 9 0 3. 7 8- 8 5, U K 8 3- 8 5 K ari n a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 1 9 P M P a g e 7 8

T h e gi r l w h o h a s i t
a ll g e t s t h e c a ll!

IN D U C T E E
K a r in a
H a rt

In h e r firs t y e a r o f e lig ib ility, K a rin a w a s s q u e e z e d

o u t o f th e H a ll o f F a m e b y c la s s ic S C O R E G irl L is a
L ip p s . L a s t y e a r, K a rin a w a tc h e d a s C h ris ty M a rk s ,
h e r b o s o m b u d d y fro m B u s ty R id in g A c a d e m y , g o t
th e c a ll. B u t th is tim e a ro u n d , th e re w a s n o d e n y in g
th e g re a t K a rin a H a rt. M a g a z in e a n d S C O R E L A N D
v o te rs w e re u n ite d : It’s fin a lly K a rin a ’s tu rn !

78 SC O R E
S C 2 9 0 3. 7 8- 8 5, U K 8 3- 8 5 K ari n a. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 1: 5 8 A M P a g e 7 9

K A RI N A ’ S FI R S T S

A fte r ro c k in g th e b ig -b o o b
w o rld w ith h e r d e b u t o n
th e c o v e r o f th e Ju ly
2 0 0 8 S C O R E , K a rin a
s h o w e d o ff h e r s h a p e ly
c u rv e s in th e A u g u s t
2 0 0 8 V o lu p tu o u s . N o t
lo n g a fte r th a t, K a rin a
h a d h e r firs t D V D , H a rt
O n . N o te h e r b ra s iz e o n
th e c o v e rs : K a rin a w a s o n ly 2 2 y e a rs o ld a t
th e tim e a n d s till h a d a lo t o f g ro w in g to d o .

SC O R E 7 9
S C 2 9 0 3. 7 8- 8 5, U K 8 3- 8 5 K ari n a. q x p _ L a y o ut 1 2/ 1 9/ 2 0 1 1: 5 6 A M P a g e 8 0

K a rin a h a s n e v e r la c k e d
fo r a c c la im fro m th e b ig -
b o o b u n iv e rs e . S h e w o n
2 0 0 8 N e w c o m e r o f th e
Y e a r, 2 0 0 9 M o d e l o f th e
Y e a r a n d fin is h e d s e c o n d
b y a n a rro w m a rg in to
C h ris ty M a rk s fo r 2 0 0 0 -
2 0 0 9 M o d e l o f th e D e -
c a d e . V o lu p tu o u s re a d e rs
v o te d h e r “ G re a te s t V -G irl
E v e r.” S o w e k n e w it w a s
o n ly a m a tte r o f tim e b e -
fo re s h e re c e iv e d th e h ig h -
e s t h o n o r a n d e n te re d th e
B ig -B o o b H a ll o f F a m e .

80 SC O R E
S C 2 9 0 3. 7 8- 8 5, U K 8 3- 8 5 K ari n a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 1 9 P M P a g e 8 1

A LL TH A T A N D A S S ,TO O !
If it is n ’t e n o u g h th a t K a rin a h a s a b e a u tifu l fa c e a n d fu ll, p e rfe c tly s h a p e d ,
n a tu ra ls , s h e a ls o h a s o n e o f th e g re a te s t c a b o o s e s o f a n y b ig -b o o b m o d e l
e v e r… s o g re a t th a t a fte r s h e w o n V -m a g ’s A s s o f th e Y e a r c o n te s t th re e y e a rs
in a ro w , th e a w a rd w a s re tire d a n d p e rm a n e n tly g iv e n to h e r fo r a ll e te rn ity.

SC O R E 8 1
S C 2 9 0 3. 7 8- 8 5, U K 8 3- 8 5 K ari n a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 1 9 P M P a g e 8 2
S C 2 9 0 3. 7 8- 8 5, U K 8 3- 8 5 K ari n a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 2 0 P M P a g e 8 3 U S

F U T U R E H A L L O F FA M E R S M E E T
O n Ju n e 2 , 2 0 0 8 o n th e fro n t s te p s o f a n e s ta te a b o u t a n h o u r’s d riv e
n o rth o f B u d a p e s t, H u n g a ry, K a rin a a n d C h ris ty M a rk s w e n t tit-to -tit
a n d p u s s y -to -p u s s y fo r th e firs t a n d o n ly tim e . T h e e v e n t w a s re c o rd e d
o n p h o to s o n ly. B o th g irls a re n o w S C O R E B ig -B o o b H a ll o f F a m e rs .

A p re s c ie n t re a d e r n a m e d R .Q . o n c e w ro te , “ K a rin a h a s ru in e d
m e fo r a ll o th e r w o m e n . H e r b re a s ts a re p e rfe c t. T h e c u rv e o f
h e r h ip s a n d a s s is a b s o lu te ly d iv in e . S h e is p e rfe c tly p ro p o r-
tio n e d fro m to p to b o tto m . T h is is a g irl w h o s h o u ld h a v e h e r
lik e n e s s im m o rta liz e d in m a rb le . S h e is fa r a n d a w a y th e m o s t
in c re d ib le m o d e l I h a v e e v e r la id e y e s o n a n d d e fin ite ly a fu tu re
m e m b e r o f th e p a n th e o n o f g re a ts .” K a rin a ’s fu tu re is n o w .

SC O R E 8 3
S C 2 9 0 3. 7 8- 8 5, U K 8 3- 8 5 K ari n a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 2 0 P M P a g e 8 4 U S

K A RI N A D O E S C O C K
W h a t a w e e k it w a s !
T h re e d a y s a fte r K a rin a
w e n t tit-to -tit w ith C h ris ty,
s h e tu g g e d a n d tit-fu c k e d
a re a l c o c k o n -c a m e ra fo r
th e firs t a n d o n ly tim e . In
th e d a y s a n d m in u te s
le a d in g u p to th e s c e n e ,
w e d id n ’t k n o w w h e th e r
K a rin a w o u ld 1 .) G o a ll
th e w a y ; 2 .) D o a tit-fu c k
s c e n e ; o r 3 .) N o t d o a n y
s c e n e w ith re a l c o c k . S h e
e n d e d u p tit-fu c k in g a n d
tu g g in g o u r s tu d C a rlo s , a
g u y s h e c le a rly fa n c ie d .
T h e s c e n e h e lp e d m a k e
B u s ty R id in g A c a d e m y
o n e o f o u r b e s t-s e llin g
D V D s e v e r. T o c e le b ra te
K a rin a ’s H a ll o f F a m e
in d u c tio n , w e ’re in c lu d in g
th a t s c e n e a s o n e o f th is
is s u e ’s v id e o b o n u s e s .

84 SC O R E
S C 2 9 0 3. 7 8- 8 5, U K 8 3- 8 5 K ari n a. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 2 0 P M P a g e 8 5 U S

K A R IN A H A R T
B IR T H D A Y : A u g u s t 2 6 H E IG H T : 5 ’5 ”
W E IG H T : 1 3 0 lb s . B R A S IZ E : 3 4 H H
M E A S U R E M E N T S : 4 2 -2 8 -4 0
B O R N & L IV E S : B ra tis la v a , S lo v a k ia
P R E V IO U S A P P E A R A N C E S : V o l. 2 8 N o . 1 a n d
m a n y m o re M O V IE S : T h e B e s t o f T its ‘n ’ T u g s
(X X X -R a te d ); K a rin a H a rt A s Y o u W is h , H o o te r
H o te l, H a rt O n a n d T h e K a rin a C o lle c tio n (X -
R a te d ). A ll a v a ila b le o n p a g e 9 9 . T h re e fre e
K a rin a v id e o s a re in c lu d e d w ith th is is s u e . S e e
p a g e th re e fo r y o u r e x c lu s iv e c o d e .

SC O R E 8 5
S C 2 9 0 3. 0 5- 0 8, 1 2, 8 6, 8 7, U K 0 5- 0 8, 1 2, 8 6, 8 7 S c or e c ar d. q x p _ L a y o ut 1 2/ 1 9/ 2 0 9: 4 5 A M P a g e 8 6 U S

SC O R EC A R D
C o n tin u e d fro m p a g e 1 2

w o m a n w h o ’s re a d y fo r a n y th in g a n d
w illin g to d o it, to o . A lu ra ’s b ig b u tt
s e e m s to m a tc h th e b ig c o c k th a t’s d riv -
in g its e lf d e e p e r a n d d e e p e r in to h e r
c u n t. A lu ra ’s a m o u r c a n b e s e e n in th e
s h e e n c o a tin g th e s tu d ’s c o c k a s s h e

A lu ra Je n s o n
lo v e s c o c k in
h e r b ig a s s .

16294

rid e s h im , b u t o n c e d ig its a re e n te rin g

h e r d e rrie re , s h e ’s in a n o th e r p la c e e n -
tire ly , m u c h a s s h e is a fte r h e r m a s s iv e
m e lo n s a re g iv e n a h e a lth y h e lp in g o f
h o t cu m .
I d o n ’t k n o w if y o u a re a w a re o f th is ,
b u t b u s ty F re n c h filly A n a s ta s ia D o ll
(V o l. 2 9 N o . 2 ) is n o w w o rk in g fo r
S tu d io 6 6 T V o n a re g u la r b a s is in th e
U K . M a y b e s h e c a n b e p e rs u a d e d b a c k
fo r s o m e m o re e ro tic a d v e n tu re s a n d
h o p e fu lly to d o s o m e th in g s s h e ’s n e v e r
d o n e o n c a m e ra .– I.B ., v ia e m a il

TH A N K Y O U , TH A N K Y O U A N D
T H A N K Y O U O N C E A G A IN !
D ear S C O R E ,
I lo v e a ll th e h a rd w o rk , a rt a n d c a re
y o u a ll p u t in to e v e ry b it o f e a c h o f m y
fa v o rite p u b lic a tio n s . L o n g liv e S C O R E ,
V o lu p tu o u s a n d X L G irls m a g a z in e s .
T h e y ’re s im p ly w ith o u t p e e r o r c o m p e -
titio n a n d th e a b s o lu te g o ld s ta n d a rd fo r
th e g e n re . I c a n n e v e r e x p re s s m y
g ra titu d e a n d lo v in g e n th u s ia s m
16270 e n o u g h .– S e th , v ia e m a il
86 SC O R E
S C 2 9 0 3. 0 5- 0 8, 1 2, 8 6, 8 7, U K 0 5- 0 8, 1 2, 8 6, 8 7 S c or e c ar d. q x p _ L a y o ut 1 2/ 1 9/ 2 0 9: 4 5 A M P a g e 8 7 U S

16220

16218
SC O R E 8 7
S C 2 9 0 3. 8 8- 9 5 U S Ti g err. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 4 7 P M P a g e 8 8 U S

T IG E R R B E N S O N
IS O U R R E IG N IN G
Q U EEN O F D P.
T ig e rr h a s h e r tits p o u rin g
o u t o f h e r tig h t to p . W h y ?
B e c a u s e s h e w a n ts c o c k ,
a n d s h o w in g h e r ra c k is th e
b e s t w a y to g e t it. A c tu a lly,
s h e w a n ts tw o c o c k s , a n d a
g irl lik e T ig e rr (a lth o u g h
th e re a re n ’t m a n y lik e h e r)
a lw a y s g e ts w h a t s h e w a n ts .
88 SC O R E
S C 2 9 0 3. 8 8- 9 5 U S Ti g err. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 4 7 P M P a g e 8 9 U S
S C 2 9 0 3. 8 8- 9 5 U S Ti g err. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 4 7 P M P a g e 9 0 U S

F irs t, T ig e rr s u c k s th e ir c o c k s . T h e n s h e s u c k s o n e g u y w h ile th e
o th e r fu c k s h e r p u s s y. A n d th e n th e o th e r g u y d riv e s h is d ic k
d e e p in s id e h e r a s s . “ I h a d m y firs t a n a l w h e n I w a s re a lly
y o u n g ,” T ig e rr s a id . “ I w a s h a v in g a n a l s e x w h e n m o s t g irls s till
h a d n ’t h a d th e ir p u s s ie s fu c k e d .” S h e w a s a h e a d o f h e r tim e .
S C 2 9 0 3. 8 8- 9 5 U S Ti g err. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 4 8 P M P a g e 9 1 U S
S C 2 9 0 3. 8 8- 9 5 U S Ti g err. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 4 8 P M P a g e 9 2 U S

T h e lu c k y d u d e s ta k e
tu rn s o n T ig e rr’s m o u th
a n d a s s a n d th e n (tu rn
th e p a g e ) fu c k h e r p u s s y
a n d a s s a t th e s a m e
tim e . “ E v e ry th in g in m y
m in d in th is s itu a tio n ,
w h e n I’m g e ttin g D P ’d ,
b e c o m e s d irtie r,” T ig e rr
s a id , “ e s p e c ia lly w h e n
th e g u y s c o m p lim e n t m e
w h ile th e y a re e n jo y in g
m e . I lik e th e fe e lin g o f
p le a s in g th e m b o th a s
w e ll a s b e in g p le a s e d in
a ll m y h o le s .” O n e o f
th e re a s o n s T ig e rr lo v e s
p o rn is b e c a u s e in re a l
life , s h e h a s a h a rd tim e
fin d in g tw o g u y s to D P
h e r. “ In p o rn , I c a n h a v e
it a ll,” s h e s a id . “ I
d e s e rv e th a t, d o n ’t I? ”
S C 2 9 0 3. 8 8- 9 5 U S Ti g err. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 4 8 P M P a g e 9 3 U S
S C 2 9 0 3. 8 8- 9 5 U S Ti g err. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 4 8 P M P a g e 9 4 U S

T IG E R R B E N S O N
B IR T H D A Y : S e p t. 2 9 H E IG H T : 5 ’2 ”
W E IG H T : 1 3 8 lb s . B R A : 3 4 H H
M E A S U R E M E N T S : 4 2 -2 8 -3 6
P R E V IO U S A P P E A R A N C E S : J a n . ’1 9 (X X X ),
M a y ’1 8 (X X X ), J u n e ’1 6 (X X X ) a n d m o re .
M O V IE S : B e s t o f th e D e c a d e 2 0 1 0 -2 0 1 9 ,
E v e ry M a n ’s F a n ta s y, T ig e rr B e n s o n , H a rd -
S C O R E 8 , S C O R E L A N D A w a rd s , B u s ty A n a l
S lu ts 4 a n d B u s ty C o c k W o rs h ip p e rs 5 (X X X -
R a te d . A v a ila b le o n p a g e 9 9 ). A m a tc h in g
v id e o o f th is p ic to ria l is in c lu d e d w ith th is
is s u e . S e e p a g e th re e fo r y o u r c o d e .
S C 2 9 0 3. 8 8- 9 5 U S Ti g err. q x p _ L a y o ut 1 1/ 2 3/ 2 0 2: 4 8 P M P a g e 9 5 U S
S C 2 9 0 3. 9 6- 9 9, U K 9 6- 9 9 M o vi e Cl u b. q x p _ 3 c ol u m n t e m pl at e ( n e w). q x d 2/ 1 9/ 2 0 4: 1 1 P M P a g e 9 6 U S

BUY 3 DVDs OR
B LU -R A Y S & G ET
T H E 4 T H FR E E !
O FFE R E X P IR E S A U G U S T 12 , 2 0 2 0 . FR E E D V D O R B LU -R A Y
W ILL B E T H E LE A S T-E X P E N S IV E IN Y O U R O R D E R .

N EW B E S T O F T H E D E C A D E 2 0 1 0 -2 0 1 9

A sp e cta cu la r d e ca d e d e se rve s a sp e cta cu - S ig a l

A con B IG T IT S , H A IR Y S N A T C H
la r m o vie , a n d th is is it! Te n ye a rs o f o u r
D isc O n e fe a tu re s six g irls– in clu d in g
g re a te st h u g e -titte d g irls in so lo a n d X X X th re e n e w co m e rs– in h a rd co re a ctio n .
a ctio n . S lim ‘n ’ sta cke d , n a tu ra lly sta cke d D isc Tw o h a s six so lo g irls w ith so m e o f
a n d b u sty p lu m p e rs. T h e y’re a ll h e re : a ll o f th e b ig g e st tits a n d h a irie st cu n ts e ve r,
th e S C O R E a n d V o lu p tu o u s N e w co m e rs o f in clu d in g th e g re a t V a n e ssa Y . in h e r
th e Y e a r. A ll th e g irls w h o m a d e th e d e ca d e h o tte st sce n e e ve r, su ckin g a n d fu ckin g
u n fo rg e tta b le . T h is in cre d ib le , o n ce -in -a -life - a re a listic to y. A b u sh lo ve r’s d e lig h t.
tim e e d itio n is th e u ltim a te d e se rt-isla n d 2 3 6 M in . X X X -R a te d (D V D o n ly )
flick. E ve ry g irl is o n th e A -list o f b ig -tit
su p e rsta rd o m . A n a m a zin g co lle ctio n fe a -
tu rin g re m a ste re d a n d b ra n d -n e w sce n e s.
5 4 8 M in . X X X -R a te d (D V D o n ly )

H ito m i C odi
K a ty V o re
A nn

S C O R E S IL H O U E T T E 2
1 8 ra re b e a u tie s w h o a re sp e cta cu la r in
e ve ry w a y, fro m th e ir su p e r-cu rvy b o d ie s
to th e ir in -yo u r-fa ce m o d e lin g style s.
F e a tu re s n e w co m e r K a ty A n n p lu s re a d -

B E S T S E L L E R S 4444
e rs’ w ive s S h e lb y G ib so n a n d V icto ria
L o b o v, K o rin a K o va a n d m a n y m o re .
T O P 3 M O V IE S O F T H E M O N T H 2 6 1 M in . X -R a te d (D V D o n ly )

N EW

T H E B O O B L O V E R ’S
G U ID E T O B IG T IT S
T h e m o v ie th a t b rin g s “T h e B o o b
L o v e r’s G u id e to B ig T its ” fro m V o l. 2 8
N o . 6 o f S C O R E to life . 3 2 o f o u r g re a t-
e s t g irls . B re a s ts o f a ll s h a p e s a n d
s iz e s , fro m fle s h p illo w s to m e g a -m e l-
o n s . H o s te d b y to p n e w b ie K a ty A n n .
2 4 0 M in . X -R a te d (D V D o n ly )
E V E R Y M A N ’S F A N T A S Y
It’s e v e ry m a n ’s fa n ta s y to h a v e tw o
h o t, s ta c k e d g irls to h im s e lf, a n d in
th is m o v ie , th a t fa n ta s y c o m e s tru e 1 0
tim e s ! T h is is a o n c e -in -a -life tim e c o l-
le c tio n o f th e g re a te s t g irl-g irl-b o y
s c e n e s e v e r, s h o t b y th e w o rld w id e
le a d e rs in b ig -tit h a rd c o re .
2 3 5 M in . X X X -R a te d (D V D o n ly )
SC O R E FU C K D O LLS
S ix s u p e r-s ta c k e d b lo n d e s w a n t y o u to
h a v e y o u r w a y w ith th e m . S tu ff y o u r
h a rd c o c k d o w n th e ir th ro a ts . P ic k ’e m
u p a n d b o u n c e th e ir p u s s ie s o n y o u r
p o le . C u m a ll o v e r th e ir fa c e s a n d tits .
F e a tu re s n e w c o m e r B illi B a rd o t p lu s
D a n ie lle D e re k b u s tie r th a n e v e r.
1 3 6 M in . X X X -R a te d (D V D o n ly )
B U STY A N A L SLU TS 4
Te n a ss-fu cke d , b ig -titte d b a b e s o n tw o
b ig d iscs. F e a tu re s M illy M a rks in h e r
first a n a l sce n e . P lu s D a n ie lle D e re k,
R o xi R e d , T ig e rr B e n so n , C a t B a n g le s,
S te p h a n ie S ta lls, M a y W e st, N a d ia N ig h t
a n d E va K a rre ra in a n a l a ctio n sh o t b y
b ig -tit lo ve rs fo r b ig -tit lo ve rs.
2 1 8 M in . X X X -R a te d (D V D o n ly )

U .S . & C a n a d a : 1-8 0 0 -4 2 1-0 76 0

S C 2 9 0 3. 9 6- 9 9, U K 9 6- 9 9 M o vi e Cl u b. q x p _ 3 c ol u m n t e m pl at e ( n e w). q x d 2/ 1 9/ 2 0 4: 1 1 P M P a g e 9 7 U S

K O R IN A TH E B EST O F H A RT O N
K O VA T IT S & T U G S S e e o u r n e w B ig -B o o b
2 0 1 8 N e w co m e r o f F e a tu re s K a rin a H a rt, H a ll o f F a m e r b e fo re
th e Y e a r K o rin a K o va C rysta l G u n n s a n d sh e w a s a su p e rsta r
h a s G G -cu p tits, a C in d y C u p p s in th e ir a n d re ve l in h e r fre sh -
tin y w a ist a n d a b ig , o n ly tits ‘n ’ tu g s fa ce d in n o ce n ce .
ro u n d a ss. In h e r first sce n e s p lu s C h risty K a rin a H a rt, a co lle g e
e xclu sive D V D , K o rin a M a rks, V a lo ry Ire n e , co -e d a t th e tim e th is
sh o w s o ff h e r fle xib ili- Ja n e t Ja d e , A n jii m o vie w a s sh o t, b u sts
ty, tw e rks th a t a ss R o ss a n d Ta ylo r o u t o f tig h t to p s, se xy
a n d d o e s h e r h o tte st S te e le in th e ir first b ra s a n d tin y o u tfits.
sce n e e ve r, a sim u la t- b o y-g irls. Tw o g irl-g irl- S h e p la ys w ith a fu ck
e d fu ck w ith a re a listic b o y th re e -w a ys. T h is to y o n -ca m e ra fo r th e
m a le lo ve d o ll. N in e is th e g re a te st tit-fu ck first tim e a n d sh o w s
re d -h o t sce n e s. m o vie e ve r m a d e . o ff th a t b e a u tifu l a ss.
1 1 8 M in . X -R a te d 3 1 0 M in . X X X -R a te d 1 2 3 M in . X -R a te d
(D V D o n ly ) (B lu -ra y o r D V D ) (D V D o n ly )

K A R IN A H A R T T H E K A R IN A B A D G IR L
A S Y O U W IS H C O L L E C T IO N H IT O M I
K a rin a in sce n e s Tw e lve sce n e s p re vi- In n in e sce n e s th a t
re q u e ste d b y h e r m a n y o u sly a va ila b le o n ly to ra n g e fro m fu n in th e
fa n s. P h o to g ra p h e d a t m e m b e rs o f h e r w e b - su n to co ve re d in
a se clu d e d b e a ch sid e site . K a rin a p a cks h e r cu m , H ito m i le ts it a ll
h o u se in th e b e a u tifu l cre a m y fle sh p illo w s h a n g o u t. S h e a lso
C a rib b e a n , K a rin a in to tig h t to p s a n d lin - g ive s n e w m e a n in g to
m o d e ls lin g e rie , b ikin is g e rie . S h e ’s yo u r “skin -tig h t o u tfit” w h e n
a n d b ra s. S h e d a n ce s d re a m d a te , yo u r m a id . a lu cky a rtist p a in ts a
a n d fo n d le s h e r g o r- S h e ’s th e u ltim a te fo rm -fittin g re d d re ss
g e o u s, b ig tits, ta ke s a sw e a te r g irl, a n a u g h ty o n to h e r b o d y. T h is is
sh o w e r, co ve rs h e r sch o o lg irl a n d m o re . T H E m o vie fo r a ll
b o d y w ith o il a n d trie s P lu s, K a rin a & M a n d y lo ve rs o f th e b u stie st
o n fa n ta sy o u tfits. P e a rl p la y te n n is. A sia n n a tu ra l e ve r.
1 6 4 M in . X -R a te d 2 4 5 M in . X -R a te d 1 4 7 M in . R -R a te d
(B lu -ra y o r D V D ) (D V D o n ly ) (B lu -ra y o r D V D )

T H E G R E A T E S T B IG -T IT M O V IE S E V E R M A D E !
H IT O M I BEST O F SC O R ELA N D
T h is se n su o u s A sia n O N L O C A T IO N A W A RD S
g o d d e ss sh o w s o ff T h is o n ce -in -a -life tim e T h e first m o vie d e vo t-
h e r e n o rm o u s b re a sts co lle ctio n b rin g s yo u e d to th e w in n e rs
in a tin y b ikin i, b a re ly- 2 1 sce n e s o f su n - o f th e S C O R E a n d
th e re lin g e rie a n d d re n ch e d fu n in th e V o lu p tu o u s a w a rd s.
tig h t to p s. S h e o ils u p tro p ics fro m o u r g re a t- S ta rs R a ch e l R a xxx,
h e r p lia b le su ckle rs, e st m o vie s. B e a u tifu l, V a n e ssa Y ., A le xya ,
g e ts m e ssy w ith th e m b u sty b a b e s w ith a ll- P a ig e Tu rn e r, T ig g le
a n d se lf-su cks h e r fa t n a tu ra l tits b o u n cin g B ittie s a n d Ju lia n a
n ip p le s, to o . T h e re ’s o n th e b e a ch , g e ttin g S im m s, K a tie T h o rn -
o u td o o r a ctio n , to o , w e t a n d h a vin g fu n in to n , H ito m i a n d D o lly
p lu s sh e ’s a b u sty, th e su n in id yllic tro p i- F o x so lo p lu s T ig e rr
sle a zy stre e t h o o ke r. ca l lo ca tio n s. A tru e B e n so n & S h e rid a n
S h e ’s a ll yo u rs! co lle cto r’s e d itio n . L o ve in X X X a ctio n .
1 2 5 M in . R -R a te d 2 3 7 M in . X -R a te d 2 3 6 M in . X X X -R a te d
(D V D o n ly ) (B lu -ra y o r D V D ) (B lu -ra y o r D V D )

BREA ST O F S C O R E G IR L S H A RD SCO RE 8
SC O R ELA N D 3 3 0 g re a t g irls. T h e y T h e y’re e lite S C O R E
O u r b e st g irls, in clu d - p la y w ith th e ir h u g e G irls w ith X X X tra -o rd i-
in g A le xya , H ito m i a n d ra cks. T h e y p lu g th e ir n a ry se x d rive s.Y o u ’re
D o lly F o x, in re d -h o t p u ssie s w ith to ys a n d a b ig -tit lo ve r w h o w o n ’t
so lo a n d X X X a ctio n . fin g e rs ju st fo r yo u ! se ttle fo r a n yth in g b u t
N a tu ra ls a n d slim ‘n ’ S ta rs H ito m i, C a se y th e b u stie st a n d h o tte st.
sta cke d . A n a ll-sta r D e lu xe , D o lly F o x, Y o u ’ll fin d it rig h t h e re in
ca st o f 3 6 b u sty b a b e s, K a tie T h o rn to n , th e n e w e st e d itio n o f
m o st o f w h o m yo u D a n n ie lla L e vy, B e lla th is b e st-se llin g se rie s.
w o n ’t se e a n yw h e re F re n ch , V a lo ry Ire n e , A n a l a n d a th re e so m e .
e lse , o n fo u r d iscs. T h is L a rissa L in n , M a se - F e a tu re s n e w co m e rs
is in -yo u r-fa ce b ig -tit ra ti, S a m a n th a L ily, A m b e r A le n a a n d
a ctio n b y th e fo lks w h o L ily M a d iso n a n d V icto ria L o b o v in th e ir
kn o w b ig b o o b s b e st. m a n y m o re . first X X X sce n e s.
4 8 3 M in . X X X -R a te d 4 7 7 M in . X -R a te d 3 5 1 M in . X X X -R a te d
(D V D o n ly ) (B lu -ra y o r D V D ) (D V D o n ly )

A ll d is c s a re R e g io n -F re e
S C 2 9 0 3. 9 6- 9 9, U K 9 6- 9 9 M o vi e Cl u b. q x p _ 3 c ol u m n t e m pl at e ( n e w). q x d 1/ 2 5/ 2 0 6: 5 2 A M P a g e 9 8 U S

M O V IE C LU B4444 D o n ’t w a it! C a ll n o w . O u r frie n d ly , o n s ite

o p e ra to rs a re s ta n d in g b y to h e lp y o u .
T IG E R R B U STY C O C K H O O TER
BEN SO N W O R S H IP P E R S H O TEL
S e e th e H H -cu p 5 F -cu p M a n d y P e a rl
A sia n -B ritish b e a u ty 1 8 su p e r-sta cke d g irls ch e cks yo u in w h ile
w ith th e g irlie vo ice in in X X X a ctio n . T ig e rr yo u ch e ck h e r o u t.
th e first m o vie d e vo t- B e n so n , S a n d ra S ta r, M e lissa M a n d liko va
e d e n tire ly to h e r. M in ka , D a n ie lle D e r- sh o w s yo u to yo u r
S h o t fro m a b o o b e k, A lyssa L yn n , A m - ro o m fo r a tits a n d
lo ve r’s p o in t o f vie w b e r L yn n B a ch , C la u - p u ssy sh o w . K a ta rin a
a n d lo a d e d w ith h e r d ia K e a lo h a , H a r- & D o m in n o a re yo u r
h o tte st sce n e s, m o n y R e ig n s, L o lly le zzie m a id s. R o o m
in clu d in g a D P w ith a In k, D a yle n e R io , se rvice is p ro vid e d b y
d o u b le fa cia l a n d a S a n d ra S tu rm , N o e lle H -cu p K a rin a H a rt.
w ild th re e so m e w ith E a sto n , P a tty M ich - A n d g e t a tit m a ssa g e
A n g e l W icky. o va , S h a ro n P in k. fro m K risti K le n o t.
9 3 M in . X X X -R a te d 3 9 0 M in . X X X -R a te d 1 2 0 M in . X -R a te d
(D V D o n ly ) (D V D o n ly ) (D V D o n ly )

SCO RE S C O R E B IG - BO U N CE
X TR A 15 B O O B H A LL BA BY
F e a tu re s in te rn a tio n a l O F FA M E BO U N CE 2
se n sa tio n M ia K h a lifa , F ro m S a R e n n a L e e , T h e se g irls ca n ’t h e lp
su p e r-b u sty A sia n - D a n n i A sh e a n d b u t b o u n ce w h e n th e y
E n g lish b e a u ty T ig e rr L in se y D a w n M cK e n - w a lk o r jo g . T h e ir n a t-
B e n so n a n d n a tu ra lly zie to D a p h n e R o se n , u ra l tits a re so h u g e ,
sta cke d te e n N o e lle C rysta l G u n n s a n d th e y’re o u t o f co n tro l!
E a sto n p lu s H o lly C h risty M a rks. Tw e n ty C o d i V o re , M illy
B ro o ks, B ro o k U ltra , sce n e s, p lu s b o n u s M a rks, E rin S ta r,
M isch e l L e e , L o lly In k, slid e sh o w fo o ta g e A m o ra L e e , H e le n
A n g e l W icky a n d S o lo a n d X X X , re - S ta r a n d A lice W a yn e
A lyssa L yn n . T ig e rr m a ste re d fo r th is sp e - b o u n ce like cra zy a n d
g e ts D P ’d . M ia K h a lifa cia l e d itio n . P lu s p u t o n a n in -yo u r-fa ce
d e e p -th ro a ts co ck. slid e sh o w fo o ta g e . tit sh o w to re m e m b e r.
2 2 1 M in . X X X -R a te d 2 5 6 M in . X -R a te d 1 3 4 M in . X -R a te d
(B lu -ra y o r D V D ) (D V D o n ly ) (B lu -ra y o r D V D )

B U Y 3 M O V IE S A N D G E T T H E 4 T H F R E E
S C O R E ’S SCO RE X X X O N L O C A T IO N
B U STY N A TU R A LS N O R TH C O A ST
L A T IN A S T h e y h a ve b ig , n a tu ra l N a tu ra l b e a u tie s S h a
F e a tu re s K ristin a tits th e y lo ve to w ra p R ize l, A le xya , E rin S ta r,
M ila n , S h a ra L o p e z, a ro u n d b ig , h a rd co cks D e m m y B la ze , C o d i
C a t B a n g le s, L u n a a n d tig h t, p in k p u ssie s V o re , H e le n S ta r, D a ria
B u n n y, A le ssa n d ra fo r fu ckin g . D ia n a F ro st a n d K itty C u te p la y a n d
M ille r, S a va n a G in g e r in h e r first h a rd co re fro lick in a se a sid e p a r-
a n d b ig -a sse d D a yle n e sce n e . P re tty A lice a d ise in th e D o m in ica n
R io in h a rd co re a ctio n W a yn e g e ts a ss- R e p u b lic. W a ll-to -w a ll
p lu s a b o n u s so lo fu cke d . P lu s L u n a g ro u p a ctio n . O u r
sce n e w ith su p e r-cu rvy B u n n y, C h lo e b ig g e st tro p ica l g ro u p
C o lo m b ia n b a b e L a m o u re , K a ta rin a sh o o t sin ce B o o b
S h a n ie G a viria . T h e se D u b ro va a n d su p e r- C ru ise is still a n in te rn a -
g irls a re re d -h o t! sta cke d M a rie L e o n e . tio n a l b e st-se lle r.
1 2 3 M in . X X X -R a te d 1 3 9 M in . X X X -R a te d 1 2 7 M in . X -R a te d
(D V D o n ly ) (D V D o n ly ) (B lu -ra y o r D V D )

D P SCO RE C L A U D IA L A R A JO N E S
G IR L S M A R IE F e a tu re s 2 0 1 7 ’s N e w -
S u p e r-b u sty b a b e s In h e r first e xclu sive co m e r o f th e Y e a r o ilin g
w h o g e t D P ’d o n - m o vie , w o rld -fa m o u s a n d cre a m in g h e r h u g e
ca m e ra a re ra re . su p e r-sta cke d w ife a n d n a tu ra ls, u sin g a su c-
T h a t’s w h y th is is o u r M IL F C la u d ia M a rie tio n d e vice o n h e r n ip -
first a ll-D P m o vie . Jo r- g e ts fu cke d in e ve ry p le s a n d m o re , in clu d -
d a n P ryce , D a n ie lle h o le . T h re e h a rd co re in g a p u ssy b o m b
D e re k, P a tty M ich o va , sce n e s, in clu d in g a n a l e xp lo d in g o u t o f h e r
Ja sm in e Ja e , A lice a n d a th re e -w a y w ith yo u n g p u ssy. G e t yo u r
W a yn e a n d C h lo e tw o stu d s, sw e a te r- h a n d s o n th is o n e . L a ra
L a m o u re a ll g e t th e ir stre tch in g a n d tits-in - m o d e le d ju st fo r fu n ,
p u ssie s a n d a sse s tig h t-to p s sh o w s, a n ju st o n e tim e , a n d
d o u b le -stu ffe d . O u r in te rvie w a n d filth y fu ck th e re ’ll n e ve r b e a n o th -
h o tte st m o vie e ve r. ta lk. S h e ’s a su p e r slu t! e r L a ra Jo n e s D V D .
1 4 4 M in . X X X -R a te d 1 1 0 M in . X X X -R a te d 1 0 9 M in . X -R a te d
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IN T E R N E T O R D E R S e b o o b s to re .c o m U .S . & C A N A D A 1 -8 0 0 -4 2 1 -0 7 6 0 IN T E R N A T IO N A L + 1 -3 0 5 -6 6 2 -5 9 5 9
F A X 3 0 5 -6 6 2 -5 9 5 2 W E S H IP IN 2 4 H O U R S ! P L E A S E R E M E M B E R T O IN C L U D E S & H

M a il to : T h e S C O R E G ro u p , D e p t. S C 2 9 0 3 , P .O . B o x 5 5 8 1 5 0 , M ia m i, F L 3 3 2 5 5 -8 1 5 0 U S A
❏ B E S T O F T H E D E C A D E 2 0 1 0 -2 0 1 9 (D V D ) P IX 1 1 5 3 D . . . . . . . . . . . . . . . . . . . . . . . . .$ 4 9 .9 5 ❏ S C O R E G IR L S (D V D ) V D 3 1 1 D $ 3 9 .9 5 . . . . . . . . . . . . . . . . . .❏ (B L U -R A Y ) V D 3 1 1 B $ 4 4 .9 5
❏ T H E B O O B L O V E R ’S G U ID E T O B IG T IT S (D V D ) V D 5 0 1 D . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5 ❏ H A R D S C O R E 8 (D V D ) P IX 1 0 9 6 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5
❏ E V E R Y M A N ’S F A N T A S Y (D V D ) P IX 1 1 5 0 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5 ❏ T IG E R R B E N S O N (D V D ) P IX 9 1 3 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 1 9 .9 5
❏ S C O R E F U C K D O L L S (D V D ) P IX 1 1 4 9 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5 ❏ B U S T Y C O C K W O R S H IP P E R S 5 (D V D ) P IX 9 5 2 D . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5
❏ B IG T IT S , H A IR Y S N A T C H (D V D ) P IX 1 1 3 5 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5 ❏ H O O T E R H O T E L (D V D ) V D 2 2 1 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5
❏ S C O R E S IL H O U E T T E 2 (D V D ) V D 4 8 2 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5 ❏ S C O R E X T R A 1 5 (D V D ) P IX 6 8 4 D $ 3 9 .9 5 . . . . . . . . . . . . . .❏ (B L U -R A Y ) P IX 6 8 4 B $ 4 4 .9 5
❏ B U S T Y A N A L S L U T S 4 (D V D ) P IX 8 7 2 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5 ❏ S C O R E B IG -B O O B H A L L O F F A M E (D V D ) V D 4 8 6 D . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5
❏ K O R IN A K O V A (D V D ) V D 4 5 7 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5 ❏ B O U N C E B A B Y B O U N C E 2 (D V D ) V D 4 7 2 D $ 3 9 .9 5 . . . . . . .❏ (B L U -R A Y ) V D 4 7 2 B $ 4 4 .9 5
❏ T H E B E S T O F T IT S & T U G S (D V D ) P IX 7 7 2 D $ 3 9 .9 5 . . . . .❏ (B L U -R A Y ) P IX 7 7 2 B $ 4 4 .9 5 ❏ S C O R E ’S B U S T Y L A T IN A S (D V D ) P IX 1 0 1 2 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5
❏ H A R T O N (D V D ) V D 2 1 4 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 1 9 .9 5 ❏ S C O R E X X X N A T U R A L S (D V D ) P IX 1 0 7 9 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5
❏ K A R IN A H A R T A S Y O U W IS H (D V D ) V D 2 2 6 D $ 2 9 .9 5 . . . . . .❏ (B L U -R A Y ) V D 2 2 6 B $ 3 4 .9 5 ❏ O N L O C A T IO N N O R T H C O A S T (D V D ) V D 4 1 0 D $ 3 9 .9 5 . . . .❏ (B L U -R A Y ) V D 4 1 0 B $ 4 4 .9 5
❏ T H E K A R IN A C O L L E C T IO N (D V D ) V D 2 6 2 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5 ❏ D P S C O R E G IR L S (D V D ) P IX 1 0 6 0 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5
❏ B A D G IR L H IT O M I (D V D ) V D 3 0 2 D $ 2 9 .9 5 . . . . . . . . . . . . . . .❏ (B L U -R A Y ) V D 3 0 2 B $ 3 4 .9 5 ❏ C L A U D IA M A R IE (D V D ) P IX 1 0 5 1 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 1 9 .9 5
❏ H IT O M I (D V D ) V D 2 6 1 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5 ❏ L A R A J O N E S (D V D ) V D 4 1 5 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 1 9 .9 5
❏ B E S T O F O N L O C A T IO N (D V D ) V D 4 7 5 D $ 3 9 .9 5 . . . . . . . . .❏ (B L U -R A Y ) V D 4 7 5 B $ 4 4 .9 5 ❏ F U C K IN ’ N A T U R A L S 3 (D V D ) P IX 1 1 1 1 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5
❏ S C O R E L A N D A W A R D S (D V D ) P IX 8 4 2 D $ 3 9 .9 5 . . . . . . . . .❏ (B L U -R A Y ) P IX 8 4 2 B $ 4 4 .9 5 ❏ C O D I V O R E X X X (D V D ) P IX 1 0 5 4 D $ 3 9 .9 5 . . . . . . . . . . . . .❏ (B L U -R A Y ) P IX 1 0 5 4 B $ 4 4 .9 5
❏ T H E B R E A S T O F S C O R E L A N D 3 (D V D ) P IX 8 7 7 D . . . . . . . . . . . . . . . . . . . . . . . . . .$ 4 9 .9 5 ❏ B IG R A C K S , H O T M IL F s 4 (D V D ) P IX 1 0 8 7 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5
o I’M B U Y IN G T H R E E B L U - R A Y S A N D / O R D V D s & G E T T H E F O U R T H O F E Q U A L O R L E S S E R V A L U E F R E E
S h ip p in g & H a n d lin g : U .S . P rio rity: $ 4 p e r M o vie . M in im u m 2 . D e live ry w ith in 2 -3 d a ys. O ve rn ig h t: $ 5 2 fo r u p to 1 0 M o vie s. D e live ry n e xt b u sin e ss d a y. In te rn a tio n a l F irst C la ss: C $ 2 6 /£ 2 2 /€ 2 5 fo r 1 to 5 M o vie s. C $ 4 0 /£ 3 4 /€ 3 9 fo r
6 to 7 M o vie s. D e live ry w ith in 1 0 -1 4 d a ys. In te rn a tio n a l P rio rity: C $ 4 1 fo r 1 to 2 M o vie s. C $ 6 4 fo r 3 to 1 0 M o vie s. D e live ry w ith in 5 -7 b u sin e ss d a ys. F e d E x In te rn a tio n a l: £ 5 1 /€ 5 8 fo r 1 to 1 0 M o vie s. D e live ry in 3 -5 b u sin e ss d a ys.

o S u b scrib e rs g e t a 1 5 % d isco u n t o n m o vie p u rch a se s. O ffe rs ca n n o t b e co m b in e d . C u sto m e r ID # O n ly U .S . su b scrib e rs g e t fre e sh ip p in g o n vid e o o rd e rs. W e a cce p t p a ym e n t in ca sh (£ , € , C $ o r U S $
b a n kn o te s), A m e rica n E xp re ss Tra ve le rs ch e cks d e n o m in a te d in U S fu n d s o r ch e cks fro m a C a n a d ia n b a n k d e n o m in a te d in U S $ (C a n a d a O n ly.) N o C o in s. S o rry, n o In te rn a tio n a l p e rs o n a l c h e c k s . M a ke ch e ck/m o n e y o rd e r
p a ya b le to T h e S C O R E G ro u p . F lo rid a re sid e n ts a d d 7 % sa le s ta x. C re d it ca rd tra n sa ctio n s a re b ille d in $ a t cu rre n t e xch a n g e ra te .Y o u m u st p ro vid e cre d it ca rd a n d m a ilin g a d d re sse s if th e tw o a re d iffe re n t. U .S . o rd e rs sh ip via
P rio rity m a il o r F e d E x. R u sh d e live ry a va ila b le : ca ll fo r d e ta ils. V id e o sa le s a re fin a l. D a m a g e d d iscs w ill o n ly b e re p la ce d w ith a n o th e r o f th e sa m e title if re p o rte d w ith in 3 0 d a ys o f re ce ip t. T h e S C O R E G ro u p ca n n o t b e h e ld
re sp o n sib le fo r C u sto m s se izu re s. B y o rd e rin g , yo u ce rtify th a t yo u a re a t le a st 1 8 ye a rs o ld .

P a y m e n t: o C a sh o C h e ck o M o n e y/P o sta l O rd e r o M a ste rC a rd/A cce ss /E u ro ca rd /C irru s o V IS A /P lu s o A m E x o D isco ve r/N o vu s o M a e stro o JC B o D in e rs C lu b o U n io n P a y

N am e A ge C a rd # E xp .
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P h o n e /E m a il R e q u ire d S ig n a tu re R e q u ire d S C 2903
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