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Nadia L Brady
ENG 300
28 Jan. 2024
"The Necklace" by Guy de Maupassant is a literary work that can be interpreted within
the historical context of Marxist and Feminist literary theory. Understanding the social bases of
consciousness and ideology, as shared by feminists and Marxists, informs their approaches and
The short story is set in the late 19th century and revolves around the character Mathilde,
a woman who daydreams about a more glamorous life despite her modest means. When her
husband gets invited to a party, Mathilde frets about needing more suitable attire or jewelry. At
her husband’s suggestion, she borrows a diamond necklace from her well-off friend and loses it,
causing her and her husband to go into debt. After ten years of hard work and sacrifices to repay
the debt of replacing the diamond necklace, it is revealed that the diamond was a fake, and they
had been working themselves to death for nothing. The story highlights themes of social class,
materialism, and the consequences of striving for a life beyond one's means. (de Maupassant).
According to Gayle Greene's article "Feminist and Marxist Criticism: An Argument for
Alliances," feminists and Marxists view the creation of womanhood as a social product rather
than a natural. This concept aligns with the central Marxist notion that consciousness is a social
product. By recognizing the social foundations of consciousness and ideology, feminist and
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Marxist theorists can analyze and critique the cultural and societal aspects that shape women's
lives. Their ideologies encompass art and judgments of art, which have implications for literary
criticism. (Greene).
Socialist/Marxist Feminism
ideas during the civil rights and feminist movements of the 1960s. It was during this time that
feminist and antiracist theories, along with analyses of structural inequality, gained prominence.
Socialist feminists, collaborating with other activists and theorists, sought to incorporate women
into Marxist class analysis categories. However, they also recognized that gender, race/ethnicity,
The historical context of Marxist feminist analysis extends beyond class struggle to
Guy de Maupassant
women and provides additional context for understanding the story "The Necklace." De
Maupassant's admiration for women stemmed from personal contact and observation rather than
a fearful or superstitious view commonly associated with the femme fatale archetype. He
questioned the myth of male superiority and viewed marriage as a form of servitude that women
recognized and resisted, while men deluded themselves into believing they were free.
De Maupassant's works often convey sympathy for married women's plights and express
admiration for women's courage and nobility. Wallace mentions that "Boule de Suif" exemplifies
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this praise of women's behavior, particularly in times of war and defeat. Through his writings, de
Maupassant showcases a philogynist attitude, displaying a profound appreciation for the female
gender. (Wallace).
By examining the historical context of both "The Necklace" and the theories of Marxist
and Feminist literary analysis, we gain deeper insights into the social, cultural, and ideological
influences that shape the text. This multidimensional approach highlights the interconnectedness
of gender, class, and societal structures, enriching our understanding of the themes conveyed by
Guy de Maupassant.
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Works Cited
Arinder, Jo Ann. "Feminist Theory." Theoretical Models for Teaching and Research,
Pressbooks, opentext.wsu.edu/theoreticalmodelsforteaching
Bertens, Hans. Literary Theory: The Basics, 3rd Edition. Routledge, 2017-07-14. VitalBook file
De Maupassant, Guy. "The Necklace." Short Stories & Classic Literature for Readers &
Greene, Gayle. “Feminist and Marxist Criticism: An Argument for Alliances.” Women’s Studies,
Lee, Wendy Lynne. “Socialist/Marxist Feminism.” Literary and Critical Theory, 15 Jan. 2020,
https://doi.org/10.1093/obo/9780190221911-0088.
"Literary Theory," by Vince Brewton, The Internet Encyclopedia of Philosophy, ISSN 2161-
Wallace, A. H. Guy de Maupassant, Twayne Publishers, 1973. Twayne's World Authors Series