G. Schirmer, Octavo No.

10864
To Sara

Sure on this s hining n ight

For Four- Part Chorus of Mixed Voices
with Piano Accompaniment

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tp rom “ “Permit Me Voyage”) Used by permission of Yale University Pr SS, Publisher*:

Ine. printed 2 7
9
© MCMXL L, MCU. XT, by G. Schirmer,
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48074
Internationa 2 Copyright Se
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 27

2 a a2 side

i n E 3 a 2ui & é me
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nl
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2 late north.
year lies down the

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48074
 All all

eek
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all is
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north, All

down the north, All is healed, all

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health... Sum -
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dim, poco @ poco

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48074
 NOTES FROM THE ARRANGER
Sweet Rivers is a new1y_created “traditional Shogng" that pair's anwaxoldhmn text with an on'f/gl'niABJIJIJelodyh The banjo-like
§ 1“? «1. K 9}

accompaniment adds considerable motion and ex-citement throughout the piece. The first verse is shared by the Women‘
who introduce the theme. The men take the melody in the second verse as the women add echoing phrases A modul.’
launches the third verse brightly, and quickly successive vocal entrances build the energy which crests in' the first clim
the piece. An interlude follows, as the voices soar on the text ‘j"oy to be thine own.” The text of the first verse is heard again
as the piece circles back to its home key for the jubilant final verse. A coda brings quick, unexpected modulations that use
to the rapturous conclusion: “sweet rivers of redeeming love lie just before mine eyes.”

TEXT
Sweet rivers of redeeming love lie just before mine eyes;

Had I the pinions ofa dove, I’d to those riversfly.

I’d rise superior to my pain, with joy outstrip the wind:

I’d cross o’er Jordan’s stormy waves and leave the world behind.

Afew more days, or years at most, my troubles will be o’er:

I hope to join the heav’nly host on Canaan’s happy shore.

My rapt’rous soul shall drink andfeast in love ’5 unbounded sea,

The glorious hope ofendless rest is ravishing to me.

0.’ come, my Savior, come away, and bear me through the sky,

Nor let thy chariot wheels delay, but quickly draw thou nigh.

Then I shalljoin the angel throng and circle ‘round thy throne;

I’ll sing through all the ages long, andjoy to be thine own.

DURATION
Ca. 4 minutes 15 seconds

ABOUT THE COMPOSER

Shawn Kirchner is a versatile musician based in Los Angeles whose choral works are Sufi.”-
throughout the world. A member of the Los Angeles Master Chorale since 2001, Kirchner hfl‘i
enjoyed an ongoing creative relationship with music director Grant Gershon, resulting in
numerous commissions and premieres, and culminating in his tenure as LAMC‘s Composer in
Residence from 2012-2015. As a singer with the Master Chorale, Kirchner has performed with
the LA Philharmonic in many collaborations with the world‘s leading conductors and compose”
As a pianist, Kirchner has performed many times at Disney Hall with LAMC and throughoulll16
country in concerts of his music with many choral organizations. He has also assisted a! [he
piano and sung for dozens of feature film soundtrack sessions.
. Best known worldwide for his setting of the Kenyan song Wana Baraka and other settincUs of
traditional American songs. which have been praised by the LA Times as “arranged with mastery,” Kirc'hner has .11"?
produced cycles on the poetry of Pablo Neruda, Sylvia Plath, Gerard Manley Hopkins, and William Blake His ori-Sm‘fl
songwriting ranges in style from jazz and gospel to folk and bluegrass, the latter featured on his CD Meet Me 0" "
Mountain. www.8hawnKirchner.com
 | IMPORTANT NOTICE: The unauthorized copying of the whole or any part of this publication is illegal

SWEET RIVERS
SATB divisi with Piano

John Adam Granada, (1763—1807) Shawn Kirchner

adapted by SLK (v.3)

Lively J = ca. 112

wirh delicacy and precision

Piano

Soprano mp simply

the pin - ions_ of a dove, I‘d_ (0 those riv - erg

.13] for luminous effect throughout, with clean Changes as hannonies shifi.

© Copyn'ghl 20] 8 by Boosey & Hawkcs. inc.

All Rights Rcservcd. 979—005 1 48493-5 Engraved & Pn‘med 111' USA.
-'-'._
'A—l_————_

Cresc.

out—strip the o’er Jor - dan’s

‘|\

979—0—05 [48493—5
 18
>—
I, ., _-
{

.-""- _—

'—‘_———_—__V'———_—_—
Igln—‘v-l— —_—____
_.
> >\_/
E/
storm - y_ waves and_ leave the world be — hind.

>—

-—-——__———__.—_———————
‘-
'A“---II"=I _—— _

> >\./ '

4
storm - y_ waves and_ leave the world be - hind.

14’

————‘
storm - y waves and_ leave the world be — hind.

.—-—'=——=-—-————-=——-
17’

the world be — hind.

(I
11m warmly
l.

9790-05148493-5
 (ge'nrly accompan’yer/‘-:J
as If to onesefil

-——————//
____————-——§——‘
—'——_"—_——-—I————'—

fito oneself)
[1 (gently accompanying, as

__——-____.___—-=__——- .—=_____
—-="'_———————..--'—“—
-—————'———_"———
few more years_ at most,
[Ax——

_———————___='—————————-—
_—
——'————
more days, years

o'er:

979—0—051—18493-5
 on Ca naan ’ s hap shore,
‘Py

on Ca naan ’ 5 My soul shall-

0n naan’s hap Py shore, My soul shall _

V-—-———_——-—--'—“——“
naan’s hap Py shore. t’rous soul sha11_
36
"'1’

is rav
the hope

glo n'ous _ hope

mf ,/—\
HM»
-'-_"II—
vA-III—
I (-5-
‘“1——
a, 0%

rious __ hope of

3
————-"4—————"“.—=____——-——
A

—_
"u.—
" n I'-
H:

'.I—

V V

less_ I'CSt is__ rav ish — ing t0

glo rious _ hope of end

'A—I-
II“
I.“ ———
v

dim.

1‘“;—
——
I'
____.———.

\ ‘4
niente

me .

979-0-051-48493-5
 mf radiant

-———_———_

0! come a —
mf radiant .
I— —

\_/
O'. come, my Sav — ior,_ come a - way, and
mf radiant

O‘._ come, my Sav — ior,_ come a - way, and_

mf radiant

come, my_ Sav — ior

Baritone

Bass

w——-- ———-—- i———-- f> _- - - ————-- -—_- '-‘——-=—"‘

luminous

molto cresc.
V
‘/
and bear me through the__ sky,
—<

———-—_—— ___—
gu"-_——-“-"_—__—-__———n——v‘-"_
V
me_ through the sky,

me though the__ sky.

and bear me through- the sky

7n radium
f—

Nor_ let

-_ -_ —---_
_-—_—. ___—
—'-_-——
——

Nor- let thy char - i - ot

~“ rnllx’ quick and clean

979-0051484935.
wheels de — lay, but quick — 1y draw thou nigh.

Then I’ll join the

I) xempre cresc. p060 a pace

shall join the

sempre cresc. poco (1 11060
pA

Then_ I, then I‘ll join the an - gel throng and cil-

mp scmpre cresc. pom a poco

Then I‘ll join the throng and-

9790-05 1 48493-5
 ges_ long, and

1
l
throne ,

I
"-.‘—--:v-__
—-
-
sing—

sing__

i.
lr..I-', — - ——:|_._——— .
—

—-
through all_

through all_

through all
the

the

the
a

a
-

—
ges

ges

ges
long,

long

long,
and—

and

and

979—0-05 l48'493—5
joy

joy to be thine
espress.

—r-—_‘_—"—_——...___.—---""""_——“
joy to be thine 0WD ,

to be thine
m

>— P

[0 be thine OVVD . \

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> p lender

979-0-05 | 48493-5
 i
f glorious

Sweet... riv - ers of re —

f glorious

Sweet riv - ers of re -

f glorious

.____-_____———-—-——--———-—-————-'—-——"—‘
—_——
- ers of re —
Sweet_ riv
\ f glorious
l
—= _——“"'""'_--__——-—"'
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.
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-— I ‘kan—
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riv - ers of re -
l .
Sweet_
fhgmous

Sweet—
f glorious

deem - ing love lie just be — fore mine eyes.

deem - ing love lie just be - fore mine eyes.

deem - ing love lie just be - fore mine eyes.

deem - ing lie__ just be - fore mine eyes.

love

deem — in g love just be - fore mine eyes.

lie

deem - ing just be - fore mine eyes.

love lie
optional

97943-05148493-5
14

72

II II Ill!
é
n‘v I‘

a)
ll
"I
a those UV

a)
l—
m
dove I’d mose n'v CI‘S

ions _

I
_—
-
——

of dove I’d— to thOSC rl'V ers

dove I’d those r1'v 61‘s

optional

[O

I
I
|
r1‘se
gn g mn

“86
{—4

rise
"O

979—005148493— S
 Poco allarg.

cross o’er Jor — dan s

out strip cross o’er Jor dan’s

out strip I’d__ cross

!
0 61' Jor — dan’s

out strip the wind: I’d cross ’

061‘— Jor
'li
.E

the I’d o’er Jor dan’s

:1

CI'OSS
0
t:

(I)
H
H-

"C
h.
In!

——————
If
II:

I
V

joy out strip the wind: I’d CI‘OSS o’er Jor dan’s

Poco allarg. A tempo

‘ § —.
— —~

'A-l- .——_- _—4—

l’.‘-_ ._-_—- .—
fl“'—'—-'-'—— .—- .——___——_
v V . v
v
>

_——"_

Illl'2III) IIII
l
Poco allarg.

the world be hind I’d—

waves and—
u

r"I
"J
waves and leave the world be

the world be hind, Ill |||I |||

I’d

hind,
waves and

hind, I’d_
waves and
c5

hind.
\VZIVCS and

979-0-051—18493— 5
16 Menu mosso
Freely
84 Sop. l

_-_—Ag
'4-v_n-"=u-——_——-
—_ —
hug-1—

cross o’er Jor - dan’s storm - y W8V€S and——

cross oer Jor — dan’s storm — y___ aneS

t e

:1"
storm — y waves and leave
Jor — dan’s

-’a

dan’s storm - y waves and leave

Jet —

Meno mosso

979-0 ~05 1 48493-5

 17
Rit. A tempo, more or less
niente m}; <
_

" ‘— _—-'—-—_-
-_A '-_ _
- _—_—_——
hind, leave the world be —

melody

_—"——'
\J
\\Sweet_ riv - ers of re -

979—0—05 I 48493-5
 18

H
91 mf < espress'

-'-.'II
'4
I In- I

hmd, leave the world be hind,

mf ’ fl
'4 I— _—
a
I
II.— —_- n
va— II.— —— .

deem ing love, sweet_ r1v CI‘S of mg love, sweet_

mp < mf cresc.
-O
'4
lI
‘uv— I_ .

leave the world be - hmd , leave the world, sweet

mf f sempre CI'ESC. 9
,ll.
. <

4—!— Ila——
I 'nI-l—
;v—-v_——__———_——=' _

deem ing love, sweet_ '

I‘IV — ers of love, sweet-

mffl< f sempre cresc

9
_
- '51-—
'Aul'.-=—_
—-
—-
' —l n

’— _
_ _
v | =—
V

Sweet_ riv ers of love, sweet_

mf cresc.

"u.—’ __—=
——

—
be hmd,
leave the world be -

the world be - hlnd,

mp 4 mf cresc mm
——
.————_— ll
_ ...=.__. I

leave the world be '

I
.
a
".
.v

a
.

979-0—05 l 48493-3
 9

y_.
Allargando A tempo, but broader
m
-e-
--———

_-'.-'_—_————-—_—_
he— just be - fore mine eyes.

be - fore mine _ eyes.

—_
——— , v —7——__ A.

ing love he— just_ be - fore mine eyes.

lie— just_ be — fore mine

—___'
. A
love lie just_ be — fore mine eyes.

Sweet riv — ers of re - deem ing lie— just be — fore mine eyes.

Sweet riv - ers of re - deem

Allargando
r~m m,_ r~

-‘JEJI-
u _
‘u‘.'_'.' - -2-
r:
um_hu(t:x

979—0-05 1 48493—5
 Aloha 'Oe
Lili'uokalani, 1877/78
Arr. Alec Schumacker
q = 72
œ. œ j
bb 4 œ œ œ œ œ œ œ ˙ œ. nœ
&bb 4 ∑ Ó Œ J
?

Piano
p P
? b b b 44 œ
b œ œ œ œœ œ œ œ œœ œœ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ œ
Ped. freely throughout

P
b
& b bb ∑ ∑ ∑ Ó Œ œ œ
5
optional solo
S

œ œ ˙ œ. œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ ˙
? bb b œ œ œ
Ha - ‘a

J ˙
5

b Ó Œ Ó
Pno.
? bb b
b œ œ œ œ œ œ œ œ œœ œœ œ œ œœ œ œ œ
œ œ œ œ
œ œ œ œ œ œ
A
b
& b b b œJ œ œJ œ œ œ œ œ œ. œ Œ œ œ œ n œj œ œ œ œ œ œ œ œ Œ œ œ
S
J
he - o ka u - na i nã pa - li, Ke ni - hi a - ‘e - la i ka na - he - le, E ha -

œœ œ œœ œœ œœ ˙˙ œœ œœ ˙˙ œœ
? b b Œ ˙˙ ˙˙
9

bb
p j
j j ‰ œ œj ‰ œ j j
? b b ‰ œ œj ‰˙ œ œ ‰ j ‰ œ ‰˙ œ œ ‰˙ œ œ
Pno.

bb ˙ œ. œ œ œ ˙ œ œ ˙ ˙
J
 2 Aloha 'Oe

bb
& b b œ. œœ œ œ œ œ œœ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ œ
13

p
hai a - na pa - ha i ka li - ko, Pu - a ‘ā - hi - hi le - hua o u - ka. A - lo - ha

b ‰ œ œ œ
T V b bb ∑ ∑ ∑ Ó
A - lo - ha

œ ˙ œ œ œœ ˙˙ œ œ ˙˙ œœ œœ œ œ œ œ œ
? bb b œ ˙ œ œ œ
13

b Œ Ó
&
Pno.
‰ j ‰ j ‰ j ‰ j ‰ j ‰ j ‰ j‰ j
? bb b œ œ ˙ œ œ œ œ œ ˙ œ œ œ . œ œ œ ˙ œ œ ˙ œ œ ˙ œ œ
b ˙ œ.
J J

F
bb b b P
B

& œ œ œ œ œ œ œ œ œ œ œ nœ œ œ ˙ œ ‰ œj
S œ œ œ œ œ
F
‘o - e, a - lo - ha ‘o - e E ke o - na - o - na no - ho i ka li - po, A

b
A & b bb ∑ ∑ ∑ Ó Œ ‰ œj
P
bb b b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ- œ œ œ œ œ œ œ œ- œ
A

œ œ
T V
Fj
‘o - e, a - lo - ha ‘o - e E ke o - na - o - na no - ho i ka li - po, A

? bb b ∑ ∑ ∑ Ó Œ ‰ œ
B b
A

b
& b b b œ˙ œ œ œ œ œ œ œ œ œ œ
17

œ
˙ ˙ œ œ œ œ œ œ œœ . œ œ œœ œœ n œ œœ œœ œ˙ œ˙
˙ œ
Pno. P J
? bb b œ œ œ œ œ œ œ œ
b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ
 Aloha 'Oe 3

bb œ. j j j
&bb œ œ œ œ œ œ œ œ. œ n œ œ œ œ œJ œ œ ˙. ‰ œj
21

fond em - brace a ho - ‘i a - ‘e au, Un - til we meet a - gain. A

b j j
A & b bb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

b b b Fœ œ œ œ œ œ
fond em - brace a ho - ‘i a - ‘e au, Un - til we meet a - gain. A

j j ˙ œ j
T V b œ œ œ œ œ œ œ. œ œ. œ œ œ ‰ œ
fond em - brace a ho - ‘i a - ‘e au, Un - til we meet a - gain. A

? bb b œ
b œ œ. œ œ œ œ œ bœ œ œ œ. œ œ œ œ œ œ œ œ
B
J J
j j
fond em - brace a ho - ‘i a - ‘e au, Un - til we meet a - gain. A

b bbb œ . œ j
œœ œ œœ œ œœ œ œ œ œ œ œœ œ œœ . œ œ œ œœ œœ œœ œœ ˙ œ œ ˙˙œJ œ œJ œ œ œ
œ
21

&
œ œ œ œ œ œ
Pno.
F
? bb œ œ œ œ bœ œ œ œ œ œ œ œ œ œ
bb œ
œ œ œ œ
œ œ
œ œ œ œ œ œ
F
bbbb j j
œ œ. j œ œ œ . œ n œ œ œ œ œJ œ œ w Ó Œ œ œœ
25

S & œ œ œœ
F
fond em - brace a ho - ‘i a - ‘e au, Un - til we meet a - gain. ‘O ka ha -

b
A & b bb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœœ œ œ œ w Ó Œ œ œœ

j j
fond em - brace a ho - 'i a - ‘e au, Un - til we meet a - gain. ‘O ka ha -

b œ
T V b bb œ œ œ œ œ œ œ œ œ œ œ œ . œ œ . œ œ œ w ∑

w
fond em - brace a ho - ‘i a - ‘e au, Un - til we meet a - gain.

? bb b œ
b œ œ. œ œ œ œ œ bœ œ œ œ. œ œ œ ∑
B
J J
j
fond em - brace a ho - ‘i a - ‘e au, Un - til we meet a - gain.

b
& b b b œœ œ œœ œ œ œ œ œ œ œœ œœ .. œj n œ œ œ œœ œ œ œj ˙ œ ˙
25

œ œ œœœœ œœœ œœ œ œœœ ˙ œ˙ œ œ œ˙ œ œ œ www

œ
Pno. p
? bb b œ bœ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ œœœ œ œ œœœ
b œ œœœ œœœ œ œ
œœ œ œ œœ œ œ œœœ
 4 Aloha 'Oe
*hali‘a and aloha are typically elided as indicated
C
bb nœ œ œ œ œ œ œ œ
& b b œJ œ œ œ œœœ œ ˙ Œ œ œœ œ Œ œ œ
*

S
J J
li - ‘a [a] - lo - ha i hi - ki mai, Ke ho - ne a - 'e ne - i ku - ‘u ma - na - wa, ‘O

b
& b b b œJ œ œ œ œœœ œ ˙ Œ œ œœ nœ œ œ œ œ œ œ œ œ Œ œ œ
*
A
J J
bb b ‰Pj j j j
li - ‘a [a] - lo - ha i hi - ki mai, Ke ho - ne a - 'e ne - i ku - ‘u ma - na - wa, ‘O

V b œ œ œ œ œ œ ‰œ œ œœœ œ œ ‰œ œ œ œ œ œ ‰œœœ œ œ œ œ
T
J
P
œ ‰œœœ œ œ œ œ
‘O ka ha - li - ‘a a - lo - ha i hi - ki mai, Ke ho - ne a - ‘e ne - i ku - ‘u ma - na - wa

? bb b ‰ œ œ œ œ œ œ ‰œ œ œœœ œ œ ‰ œJ œ œ œ œ
B b J J J J
œ. œ œœ œ œ˙ œ œ. nœ œ œ œ ˙
‘O ka ha - li - ‘a a - lo - ha i hi - ki mai, Ke ho - ne a - ‘e ne - i ku - ‘u ma - na - wa

b œ œ
& b bb ΠJ ΠJ
30

P
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œ
Pno.
? bb b œ œ œ
b œ œœ œ œ œ œ œœ œ œ œœ œ œœ œ œ
œ œ œ œ œ œ
F
b
& b bb œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œœœœ œ ˙ Œ
34

S
œ œ œ
‘o - e nō ka - ‘u i - po a - lo - ha A lo - ko e ha - na nei. Fare -

b
A & b bb œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œœœœ œ ˙ Ó
‘o - e nō ka - ‘u i - po a - lo - ha A lo - ko e ha - na nei.

b j j j ‰ œ œ œ ‰ œ œ œ ‰ œj œ œ ˙
T V b bb ‰ œ œ œ œ œ œœ ‰œ œ œœ œ J J
‘O 'o - e nō ka - ‘u i - po a - lo - ha A lo - ko, a lo - ko e ha - na nei.

? bb b ‰ œ œ œ œ œ
b
œœ ‰œ œ œœ œ ‰ œJ œ œ ‰ œJ œ œ ‰ œJ œ œ ˙
B
J J J
œ. œ œœœœ œ œœ œ œ œœœ œ
‘O 'o - e nō ka - ‘u i - po a - lo - ha A lo - ko, a lo - ko e ha - na nei.

œ
b œ œ œœ œ œœ œ œ œ
& b bb ΠJ
34

Pno.
? b b œ œœ œ œœ œ œ œ œ œœ œ œ œ œ œ œ
b b œ œœ œœ œ œ œ œ œœ œ œ œ œœ œœ œ œ œ œœ œœ œ œ œ œœ œ œ œœ
œ œ œ œ œ œ
 Aloha 'Oe 5

bb œ œ
D

& b b œ- œ œ œ œ‰ œ œ œ œ œ œ nœ œ ˙ œ ‰ œj
S
œ- J
F
well to thee, fare - well to thee, Thou charm - ing one who dwells in sha - ded bow' - rs, One

b
A & b bb Œ œ œ- œ œ
œ œ- œ œ ‰ œ œ œ œ œ œ bœ œ œ œ ˙
J
Fare - well to thee, fare - well to thee, Thou charm - ing one who dwells in sha -ded bow' -

bb
T Vbb ∑ ∑ ∑ ∑

? bb b ∑ ∑ ∑ ∑
B b
38
bb b b œ œœ œ
œ œœ œ
œ œœ œ
œ
˙œ œ œ œ
œ œœ . œ œj œœ n œœ œœ œœ ˙œ ‰ j
œ
&
Œ
F
œ œ œ œ œ œ œ œ œœ
Pno.

? bb b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œœœœœœ
3

œ
3

œœ œœ
3 3

b œœ œ œ œ
3 3 3 3 3 3 3
3 3 3 3
3

b j j j
rit.

& b b b œ- œ ˙ œ œ œ. œ œ. œ œJ œ œ w
42

S
œ-
j
fond em - brace 'ere I de - part, Un - til we meet a - gain.

b j j
A & b bb œ ‰ j œ
œ - œ ˙
œ- œ œ œ. œ œ. œ œ œ j
œ ˙
P
rs, One fond em - brace 'ere I de - part, Un - til we meet a - gain.

b
T V b bb ∑ ∑ ∑ Ó ‰
œœ œ
P
A - lo - ha

? bb b ∑ ∑ ∑ Ó ‰œœ œ
B b
˙ ˙ œ. j j j j
bb b b œœ . œ œ œ œ œ œ œ œœ .. œ œœ . œ œ wœ œ
A - lo - ha

œ œ J J J œ ˙
42

& J J
œ œ œœœ
? bb b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœ œ œœ œ œ œ
Pno.
3 3

b œ œœ 3 œ œ
3 3 3 3 3 3
3 3 3
3 3
 6 Aloha 'Oe

F
bb b b ‰ p œ
E q=60

œ œ œ œ œœœœœ
& œ œ œ œ œ ˙ œ ‰ œ œ œ œ œ œ
S
J
F
bbb ‰ p
A - lo - ha ‘o - e, E ke o - na - o - na no - ho i ka li - po, A

b j j
A & œ œ œ œ œ œ ˙ œ ‰ œ œ œ œ œ œ œ œ œ œ ˙ œ. œ

F
A - lo - ha ‘o - e, E ke o - na - o - na no - ho i ka li - po, A

T
b
V b bb œ œ œ œ œ œ œ œ œ œ œ œJ ‰ œ œ œ œ œ œ œ nœ œ œ œ œœœœœœ

F
‘o - e, a - lo - ha ‘o - e E ke o - na - o - na no - ho i ka li - po, A

œ œ
B
? bb b œ œ œ œ œ œ œ œ
b œ œ œ œ J ‰ œœ œ œ œ œ œ œ œ nœ ˙ œ. œ
J
gggwwww ggg wwww gggwwww ggg ww
‘o - e, a - lo - ha ‘o - e E ke o - na - o - na no - ho i ka li - po, A

b
& b bb ggg gg ggg w
46

ggg gg ggg
ggg gg
ggg p ggg ggg ggg
Pno.
ggg w gg w ggg w ggg ww
? bb b gg ww ggg ww g ww gg w
b

P p rit. U p
optional solo

b j U j j U j
rit.

& b bb œ œ œ. œ 46 œ œ œ œ ˙ 4
œ ‰ œ 4 œ œ œ œ œ œ œ ˙. ‰œ
50

S
J
P p U U U
fond em - brace a ho - i a - ‘e au, Un - til we meet a - gain. Un -

bb b j 6 j4
A & b œ œ œ œ œ. œ 4 œ œ œ œ œ ‰œ 4 œœœœ œ œ œ œ œ Œ
P U p j U U
fond em - brace a ho - i a - ‘e au, Un - til we meet a - gain.

bb b œ œ œ œ œ œ œ 46 œ œ œ œ œ Œ 44 œ . œ œ œ Œ
T V b œ œ œ
P œ œ œ œ b œ œ Uœ p U
? bb b œ œ œ U
fond em - brace a ho - i a - ‘e au, 'til we meet a - gain.

B b 46 Œ 44 œ . œ œ.
J
œ ˙
J Œ

j U
˙
fond em - brace a ho - i a - ‘e au, 'til we meet a - gain.

œ j ggg ˙˙
ggg www U œœ 4 œœ œœ œœ œœ œ œ œ œ ˙˙
bbbb gg w 46 Ó Ó Œ ‰J 4 ˙ ggg
50

& ggg gg
ggg
ggg p ggg π
g w ggg ˙
? b b b gg ww
Pno.

b 46 ∑ 4
& 4 ˙˙ œ˙ œ ˙ gg ˙˙
 Aloha 'Oe 7

π
jœ
q=48

b bbb œ œ Ó w ˙ ˙ w w
54

& œ . ˙
*
S

π
til we meet a - gain.

& bbbb ∑ ∑ Œ œ œ
A
œ -̇ ˙ w w
π
Un - til we meet a - gain.

b
T V b bb ∑ ∑ Œ œ œ œ b ˙- ˙ w w
π
Un - til we meet a - gain.

? bb b ∑ ∑ Œ œ œ œ
B b -̇ ˙ w w
√˙
Un - til we meet a - gain.

b w
& b bb ∑ ∑ ∑ ∑ Ó ˙˙ ww
54

π
œ
Pno.

& bbbb ∑ ∑ ∑ ∑ ? ‰ œ œ &˙ w

˙ w
° *

* if using a soloist, have the sopranos gradually come in over the

course of bar 56 on the syllable "gain"
 O quam gloriosum Tomás Luis de Victoria
(1548-1611)

SS
5

  Â.  ‰ ‰.   Â.     ‰
Soprano A : „ „ „ ‰
Í SÂ ‰ ‰
O quam glo-ri - o- sum est re- gnum,
SS Ê Ê
A : „ Â Â Â. Â Â Â ‰. Ê
„ „ ‰ Â ‰ Â Â
. Â Â ÂÂ ‰
Â. Â Â
Alto

O quam glo-ri - o- sum est re-

S „ „ ‰   Â.         ‰ K   ‰ ‰  Â
Tenor A S: „ Í
˛
O quam glo-ri - o- sum est re- gnum in

E SS : I „ „ ‰   ‰.  ‰.  ‰ ‰  ‰ ‰
‰
Bass

O quam glo-ri - o- sum est re- gnum

SS
10 15

‰ J K Â Â Â Â Â. Â Â Â Â Â. Â ‰ KÂ
S A Â Â Â Í Â Â Â ‰
in quo cum Chri- sto, in quo, in
S Ê Ê
A A S ‰ ‰ J K
 ‰.   Â.       Â. Â
Ê
gnum, in quo cum Chri- sto, in quo cum Chri-
S ‰. .
 Â Â
T A S Â ‰ Â Â Â Â ‰ „ K Â ‰
˛
quo cum Chri- sto, in quo cum Chri - sto, in quo
 Â.    Ê
B
E SS KÂ Â Í ‰ ‰ I KÂ ‰ Â Â Â. Â
in quo cum Chri- sto, in quo cum Chri-

SS
20

A ‰. Â Â. Â Â Â Â Â SÂ ‰ ‰ J „
Í
S

quo cum Chri- sto gau -

S Ê
A S Â Â . ÂÂ Â Â
  ‰   ‰    Â  Â Â
A

sto, in quo cum Chri - sto gau- dent, gau-

S Â Â Â Â Â ÂÂ Â Â Â ÂÂ Â Â ÂÂ Â
T A S Â SÂ ‰ Â Â Â Â Â
˛
cum Chri - sto, in quo cum Chri- sto gau- dent, gau-

E SS ‰. ‰
B ‰ Â Â Â Â Â ÂÂÂÂ ‰ Â Â. Â ÂÂ
sto, in quo cum Chri - sto gau- dent, gau-
James Gibb editions 1 O quam gloriosum - Victoria
 SS
25

S A ‰ ‰ ‰ ‰ „ ‰ ‰ ‰ ‰ ‰ ‰
dent, gau- dent o - mnes San- cti, o - mnes

S
A A S Â ÂÂ Â ÂÂ Â Â ÂÂÂ Â ‰ ‰ Â ‰ SÂ Â S‰ ‰ ‰ ‰
dent, gau- dent o - mnes San- cti, o - mnes

T A
SS
 Â  Â   Â.   ‰   Â.    ‰    ‰ Â
˛
dent o - mnes San- cti, o- mnes San-

E SS Â ÂÂ Â ÂÂÂ Â Â ‰ „ ‰ ‰ ‰ ‰ ‰ ‰
B

dent, gau - dent o - mnes San- cti, o - mnes

SS
30

A „ ‰ J I K Â Â. Â Â Â ‰ ‰ ‰ Â Â Â. Â
Í Í
S

San - cti, a - mi- cti sto- lis al- bis, a - mi- cti

S Ê Ê Ê
A A S  Â‰   Â.    ‰      Â.
Â
. Â Â Â ‰ SÂ Â Â ‰
San- cti, a - mi- cti sto- lis al - bis, a - mi- cti sto- lis al- bis, a - mi-

SS Ê Ê
T A
‰    Â.    ‰   Â.           ‰ ‰ KÂ
˛
cti, a - mi- cti sto- lis al - bis, a - mi- cti sto- lis al- bis, a-

„ .
E SS Â Â Â Â Â Â ‰ ‰ J I I K Â ‰
B
Í
San- cti, a - mi- cti sto- lis al - bis, a - mi-

SS
35 40

S A Â Â SÂ Â Â SÂ ‰ ‰ J J ‰ ‰ ‰ ‰ ‰ Â ÂÂÂÂÂ
sto-lis al- bis se- quun - tur A-

S
A S Â Â Â SÂ ‰ ‰
K ‰
  ‰  ‰   ‰ Â
  ‰ SÂ
A
Â
cti sto- lis al - bis se - quun- tur A- gnum, se- quun- tur A-
S Â. Â Â Â ‰
A S Â Â ÂÂÂ ‰ Â ‰ ÂÂ ‰ Â Â ‰
‰ ‰. RÂ
Í
T
˛
mi - cti sto- lis al - bis se- quun - tur A- gnum, se - quun - tur

‰ ‰ Ê
E SS Â Â Â Â ‰ ‰ Â. Â ‰ ‰ J I
B ‰ ‰
ti sto- lis al - bis se - quun - tur A- gnum,
James Gibb editions 2 O quam gloriosum - Victoria
 SS Ê Ê
45

A Â Â Â Â Â Â. ‰ J ‰ ‰ ‰ ‰ Â. Â Â
S  ‰ ‰
gnum, se- quun - tur A-

S Ê Ê
A S ‰ Â
  ‰     Â.   Â.   Â‰ ÂÂ
‰
A
Â
gnum, se- quun- tur, A-
SS Â Â ‰ Ê Â Â. Â
A ‰ Â Â Â Â. Â Â Â SÂ Â Â Â Â Â ‰ ‰
Í
T
˛
A - gnum, se- quun - tur A- gnum

‰ ‰ Ê Â
E SS J ‰ ‰ Â. Â ‰ I J K
B ‰
se - quun - tur A- gnum quo -

SS
50

K Â ‰ ‰ Â ‰ Â Â SÂ Â Â Â Â SÂ
S A ‰ Â SÂ Â Â Â
gnum quo - cum - que i- e-rit, quo - cum-que i - e - rit, quo-cum-que

S
A S I K Â
ÂÂ ‰
K Â
     Â
  ‰  Â
A

gnum quo-cum-que i - e-rit, quo-cum-que i - e - rit, quo -

SS Ê
J K Â ‰ ‰ Â Â.
T A Â SÂ Â Â Â Â Â Â Â Â Â Â Â SÂ Â Â
˛
quo - cum-que i- e - rit, quo - cum - que i- e-

E SS Â Â ÂÂÂÂ Â Â Â Â SÂ Â RÂ Â Â Â Â K Â Â Â ‰ ‰
B Â ‰
cum-que i- e- rit, quo - cum-que i- e-rit, quo-cum-que i - e-

SS ‰. Â Â Â. Ê 55

S A Â Â Â SÂ Â Â Â „ „ „ „
i- e - rit.
S Ê
A S Â SÂ ‰ Â ÂÂ Â Â ‰ K Â Ê
  Â.   Â
. ÂÂ Â Â ‰ „
A

cum-que i- e - rit, quo - cum-que i- e- rit.

S      ‰   „
T A S Â Â Â Â ‰. Â Â Â ÂÂ Â ‰ K Â
˛
rit, quo-cum-que i- e - rit, quo - cum-que i- e- rit.

E SS ‰ J K Â Â Â ‰. Â ÂÂ ÂÂÂ
B Â Â Â Â Â Â Â ‰ „
rit, quo-cum-que i - e - rit, quo-cum-que i- e- rit.
James Gibb editions 3 O quam gloriosum - Victoria