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Cynthia R. Nielsen Dionysius & Augustine Dr.

Harrington/ Spring 2007

The God Beyond Being in


Dionysius and Jean-Luc
Marion

Introductory Remarks: Dionysius

As Eric Perl observes, “[f]or Dionysius, as for Plotinus, God is

‘beyond being,’ beyond not only all affirmative but also all negative

predication, indeed not only ineffable and unknowable but beyond

ineffability and unknowing.”1 Turning to Dionysius himself, we read,

“[s]ince the unknowing of what is beyond being is something above

and beyond speech, mind, or being itself, one should ascribe to it an

1
Perl, “Signifying Nothing,” p. 138.
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understanding beyond being.”2 In light of God’s transcendence, that

is, that he is not a being but beyond being and hence beyond our

rational processes, our proper response is both praise and a “wise

silence”—the latter being of course a manifestation of the former.

Jean-Luc Marion, a contemporary Roman Catholic scholar, and one

who holds Dionysius in high esteem, likewise speaks of wise silence

befitting of God. Yet, Marion also observes that the greatest difficulty

with silence is understanding what silence says. In other words, there

are many and varied silences. For example, we can offer a silence of

reverence, but we can also engage in a silence of contempt. “Silence,

precisely because it does not explain itself, exposes itself to an infinite

equivocation of meaning.”3 Then concluding his section on silence,

2
Dionysius, DN I.1, p. 49.

3
Marion, God Without Being, p. 54.
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Marion writes, “[t]o free silence from its idolatrous dishonor would

require nothing less than to free the word ‘God’ from the Being of

beings. But can one think outside Being?”4 Given the strong

Dionysian influence on Marion’s thought (particularly his theological

writings), this essay attempts (1) to better understand Dionysius’

teachings, as well as (2) Marion’s use of Dionysius’ doctrines in his

own distinctively postmodern project.

Selected Dionysian Doctrines

In The Celestial Hierarchy, Dionysius describes a hierarchically

ordered cosmos in which each level receives illumination from that

which is above it, and each level then passes what it receives to those

below it. According to Dionysius a hierarchy is a “sacred order, a

4
Ibid., p. 60.
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state of understanding and an activity approximating as closely as

possible to the divine.”5 The goal of a hierarchy “is to enable beings to

be as like as possible to God and to be at one with him.”6 Certain

angelic beings have an “immediate participation” in God, and

consequently, a more direct participation than those perfected through

a mediator.7 Though the illumination is dimmer as one descends the

levels of beings, it never ceases to be good—in other words, it remains

good all the way down. Here we should emphasize that in Dionysius’

emanationist system, light, (illumination) not being is what is

emanated down the hierarchy. For Dionysius God alone can give

5
Dionysius, CH 2.1, p. 153.

6
Ibid., CH 2.2, p. 154.

7
Ibid., CH 8.2, p. 168.
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being because he alone is not a being but is beyond being.8 In his

letter to the monk Gaius, Dionysius writes,

His [God’s] transcendent darkness

remains hidden from all light and

concealed from all knowledge.

Someone beholding God and

understanding what he saw has not

actually seen God himself but rather

something of his which has being and

which is knowable. For he himself

8
“One truth must be affirmed above all else. It is that the transcendent Deity has out

of goodness established the existence of everything and brought it into being. It is

characteristic of the universal Cause, of this goodness beyond all, to summon

everything to communion with him to the extent that this is possible” (CH 4.1, p.

156).
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solidly transcends mind and being. He is

completely unknown and non-existent.

He exists beyond being and he is known

beyond the mind. And this quite

positively complete unknowing is

knowledge of him who is above

everything that is known.9

Dionysius, as is the case with Parmenides and Plotinus, firmly held

that to be is to be intelligible.10 In other words, being and knowledge

9
Dionysius, Letter One, p. 263.

10
This is not to suggest that these three thinkers held everything in common, as

clearly that is not the case. There are significant differences that manifest given

Dionysius’ Christian emphases. For example, Dionysius, in contrast with Plotinus,

taught that every level of the hierarchy directly participates in God (not in his

essence of course). That is, God is directly responsible for the being of each thing.
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go hand in hand. Being implies that which is determinate and

derivative; hence, God is not a being but is the creator of being, who

necessarily transcends being. God is not a “facet of being. Rather,

being is a facet of him. He is not contained in being, but being is

contained in him.”11 Given what we have said so far, we discern a

strict logic at work: if to be is to be intelligible, and God is not a

being, then God is not intelligible. That is, God transcends our

rational abilities—“He is completely unknown.” Moreover, since God

is beyond being and knowing, he is likewise beyond predication. As


In Plotinian thought, the One imparts being to the first hypostasis and the process is

mediated as one descends the hierarchy. Consequently, for Plotinus, the lower things

can be understood clearly because the being is less and thus the comprehensibility

more. However, this is not the case with Dionysius because he advocates a direct

creation—that is a direct impartation of being to all things that are. Hence, even the

lowest things have a level of incomprehensibility.

11
Dionysius, DN V.8, p. 101.
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Dionysius explains in the Divine Names, his purpose is not to reveal

God in his transcendence—that is an impossible task beyond mind and

words altogether—rather, he wants to “sign a hymn of praise for the

being-making procession of the absolute divine Source of being into

the total domain of being.”12 In other words, Dionysius recognizes that

the divine names in no way (quidditatively) define God, yet this is not

to say that Dionysius is confined to complete silence. Rather,

Dionysius emphasizes the significance of the divine names in their

liturgical, and hence, doxological context. Given that God himself,

who is completely enfolded (and beyond our comprehension), unfolds

himself via the hierarchs and a mediated process of illumination, the

divine names do in fact refer to God in a non-exhaustive, yet

meaningful manner. In fact, Dionysius’ opening words of the Divine

12
Ibid., DN V.1, p. 96.
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Names provides a kind of broad outline as to what he hopes to

accomplish in his work, as well as what he understands himself to be

communicating and not communicating. Though somewhat lengthy,

the following passage is worth quoting in full:

I come now to an explication of the

divine names, as far as possible. Here

too let us hold on to the scriptural rule

that when we say anything about God,

we should set down the truth “not in the

plausible words of human wisdom but in

demonstration of the power granted by

the Spirit” to the scripture writers, a

power by which, in a manner surpassing

speech and knowledge, we reach a union


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superior to anything available to us by

way of our own abilities or activities in

the realm of discourse or of intellect.

This is why we must not dare to resort to

words or conceptions concerning that

hidden divinity which transcends being,

apart from what the sacred scriptures

have divinely revealed. Since the

unknowing of what is beyond being is

something above and beyond speech,

mind, or being itself, one should ascribe

to it an understanding beyond being. Let

us therefore look as far upward as the

light of sacred scripture will allow, and,

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in our reverent awe of what is divine, let

us be drawn together toward the divine

splendor. For, if we may trust the

superlative wisdom and truth of

scripture, the things of God are revealed

to each mind in proportion to its

capacities; and the divine goodness is

such that, out of concern for our

salvation, it deals out the immeasurable

and infinite in limited measures.13

As Dionysius explains, he seeks to explicate (to “unfold”) the divine

names in so far as this is possible. Likewise, he contrasts “plausible

words of human wisdom” with those of scripture, which were given in

13
Ibid., DN I.1, p. 49.
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a revelation which surpasses human cognitive abilities. In other

words, the scripture writers were granted a special illumination from

God—not through their own rational processes—but through a union

that surpasses human knowledge. Yet, they in turn hand down what

they have received in a way that those below them in rank can

understand. Thus, the divine names are not the product of (merely

human) theological activity in which human beings attempt to form

propositions about God that define him in quid. Rather, the divine

names are given by God through a process of mediated illumination,

and thus “we may trust the superlative wisdom and truth of scripture.”

Consequently, the divine names are one way in which Dionysius’

“wise silence” speaks.

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In recent years a number of postmodern thinkers have become

interested in negative theology and Neoplatonism. 14 For example,

Jean-Luc Marion has found within negative theology an inexhaustible

resource that harmonizes well with his own theological and

phenomenological project. Jacques Derrida has also engaged negative

theology; however, he seems to have a somewhat ambivalent attitude

toward it and particularly dislikes what he interprets in Dionysius’

thought as the retention of a “transcendental signified.” As Eric Perl

explains,

14
E.g., John D. Capato, The Prayers and Tears of Jacques Derrida (Bloomington:

Indiana Univ. Press, 1997); Emmanuel Lévinas, Totality and Infinity. Trans.

Alphonso Lingis (Pittsburgh: Duquesne Univ. Press, 1969); Kevin Hart, The

Trespass of the Sign (Cambridge: Cambridge Univ. Press, 1989); Jean-Luc Marion,

God Without Being (Chicago: Univ. of Chicago Press, 1991).


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Deconstruction is fundamentally a

theory of signification, which attacks the

(supposedly) traditional notion that a

signifier (word, text, or image) refers to

a signified, the meaning which itself is

prior to and independent of the signifier.

Derrida calls this the “transcendental

signified”: the meaning underlying the

expression, the archetype underlying the

image, that which is not sign but “pure

signified.” On the traditional

assumption, any system of meaning, be

it a written text or the cosmos itself, has

such a transcendental signified. In the

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case of a text, it is the author’s intent,

what he means to express; in the case of

the world, understood as a system of

signs, it is God.15

Derrida takes the description above to be characteristic of Western

metaphysics, and thus his own project attempts to show that no such

transcendental signified can be found outside, beyond or prior to the

text or world. In the end, all we have are signs. “We can never

transcend signs to arrive at a pure signified which is not itself a sign.”16

Here is where Derrida’s attraction to negative theology and

Neoplatonism comes in focus. As we have seen, in Dionysian thought,

God is beyond being and thought. That which can be thought exists

15
Perl, “Signifying Nothing,” p. 125.

16
Ibid., p. 126.
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and that which is is not God but “only an image, sign, or expression.”

Hence, for Derrida, the common bond between negative theology and

deconstruction is their mutual agreement that everything in the realm

of existence and hence thought is sign all the way down. No

transcendental signified or ultimate meaning is accessible, but remains

forever deferred. “But whereas for Neoplatonism this implies that the

world is infinitely meaningful, the manifestation of God, for

deconstructionism it implies that the world is meaningless.”17

Though Derrida has no doubt contributed significantly to

contemporary thought and his insights have and should continue to be

appropriated, one wonders whether he has correctly interpreted

Neoplatonism and negative theology particularly as manifest in

Dionysius. For Dionysius, as is the case with Plotinus, God is both

17
Ibid., p. 126.
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beyond being (transcendent) and excessively present (immanent). As

Dionysius explains,

God is […] known in all things and as

distinct from all things. He is known

through knowledge and unknowing. Of

him there is conception, reason,

understanding, touch, perception,

opinion, imagination, name, and many

other things. On the other hand, he

cannot be understood, words cannot

contain him, and no name can lay hold

of him. He is not one of the things that

are and he cannot be known in any of

them. He is all things in all things and


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he is no thing among things. He is

known to all from all things and he is

known to no one from anything.18

Here Dionysius highlights both creation (i.e., everything that exists) as

theophany, where everything that is manifests God, and God’s radical

transcendence in light of the fact that He is beyond the order of being,

the created realm.19 Derrida seems to focus only on the “and” side of

the Dionysian world, i.e., on God as wholly other—other in the sense

of a transcendental signified, a being beyond Being who is still

18
Dionysius, DN VII.3, p. 109.

19
As Perl aptly explains, “[s]ince all being is theophany, the unfolding of God into

the intelligible multiplicity which constitutes beings, every cognition is an

experience of God; and since he is not any being whatsoever, no cognition grasps

him. It is in this sense that all creatures, i.e., beings, are symbols or images of God”

(“Signifying Nothing,” p. 139).


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entangled in a signifier/signified dualism. Hence, the Derridean read

of Dionysius is that of “a kind of ‘mystical iconoclast,’ who calls us to

strip away all created symbols and images and attain a non-symbolic

vision of and union with God as ‘pure signified.’”20 Dionysius,

however, in no way suggests that we must finally do away with all

symbols in order to encounter God. “This divine ray can enlighten us

only by being upliftingly concealed in a variety of sacred veils which

the Providence of the Father adapts to our nature as human beings.”21

Hence, we experience God not by peeling away or overcoming signs,

but by embracing the signs as icons. In other words, God is present

and manifest in the signs and “sacred veils” that both conceal and

reveal Him. Derrida has done a superb job of describing the

20
Ibid., p. 141.

21
Dionysius, CH I.2, p. 146.
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concealing aspects of Dionysius; however, it seems that he has not

properly understood the iconic function of signs.22

As previously mentioned in passing, Dionysius (in contrast with,

e.g., St. Thomas) held that our highest activity is an un-knowing, a

union. Yet, Dionysius also believes that in the life to come “we shall

be ever filled with the sight of God,” and “we shall have a conceptual

gift of light from him.”23 In other words, we will be engaged in three

activities: seeing, knowing, and unknowing (i.e., union). For

Dionysius, the highest activity is an unknowing, a union—that which

22
For a detailed discussion of Derrida’s understanding of Neoplatonic thought in

relation to his own project, see Jacques Derrida, “How to Avoid Speaking: Denials,”

trans. Ken Frieden, as found in Languages of the Unsayable: The Play of Negativity

in Literature and Literary Theory, eds. Sanford Budick and Wolfgang Iser (New

York, 1989), pp. 3-70.

23
Dionysius, DN I.4, p. 52.
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is beyond nous. In other words, for Dionysius our perfection comes

in a non-cognitive union with God. Though Dionysius is denying that

our ultimate perfection is in knowing, he does not deny that we have

no knowledge or true apprehension of God whatsoever. However, such

knowledge is inferior to our ultimate non-cognitive experience of God,

i.e., to our union with God in the life to come. Again, we find a very

strict logic in place, yet a logic that willingly bows to mystical

experience. That an unknowing union is our ultimate perfection must

be the case since our knowledge is limited to that which is and

therefore necessarily excludes God who is beyond being. “If all

knowledge is of that which is and is limited to the realm of the

existent, then whatever transcends being must also transcend

knowledge.”24

24
Ibid., DN I.4, p. 53.
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Marion: A Postmodern Dionysian of

Sorts

Now that we have discussed a number of Dionysius’ teachings and

have established a basic background for interpretative purposes, we

turn to Jean-Luc Marion in order to examine the various ways that he

incorporates Dionysian thought into his own project. As was the case

with Dionysius, Marion, particularly in his theological works, is

concerned with upholding God’s transcendence and avoiding

conceptual idolatry of any sort. For Marion, there are two basic

orientations to world: (1) an iconic consciousness or (2) an idolatrous

consciousness. As Marion explains, “[t]he idol measures the divine to

the scope of the gaze of he who then sculpts it.”25 Hence, an idol is

25
Marion, God Without Being, p. 21.
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produced when we attempt to conceptually circumscribe God, which is

in essence to limit God to the human gaze. In our attempts to measure

God by human understanding, we become trapped in a kind of self-

reflexivity in which the idol becomes a mirror that reflects the human

gaze back to itself. In contrast, the icon allows one’s gaze to move

through the icon (visible) to that which is invisible. That is,

[w]hat characterizes the icon painted on

wood does not come from the hand of

man but from the infinite depth that

crosses it—or better, orients it following

the intention of a gaze. The essential in

the icon […] comes to it from elsewhere.

[…] Contemplating the icon amounts to

seeing the visible in the very manner by


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which the invisible that imparts itself

therein envisages the visible—strictly, to

exchange our gaze for the gaze that

iconistically envisages us.26

As was noted with Dionysius, signs and images are not to be despised,

as they can and should be used as contemplative aids in our worship of

God. In fact, not only does creation itself function iconically to reveal

the invisible things of God through that which is visible (Rom 1:20),

but Christ Himself is said to be the Icon of God (Col 1:15; ὅς ἐστιν

εἰκὼν τοῦ θεοῦ τοῦ ἀοράτου).27 Given the kind of creatures that we are,

it is fitting that we embrace signs and images which simultaneously


26
Ibid., p. 21.

27
For an excellent discussion on this topic see, John Damascene, On the Divine

Images: Three Apologies Against Those Who Attack the Divine Images, trans. David

Anderson (Crestwood: NY: St. Vladimir’s Seminary Press, 1980).


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hide and reveal that which exceeds this, so to speak, “clothing” of the

formless.

Marion’s aim is of course to bring us into a more iconic

consciousness, which in turn allows God to manifest himself according

to his terms (not ours). If we embrace an iconic orientation, then, as

Marion puts it, we must abandon any attempt to measure the divine by

our own human gaze. Here Marion seems very much in harmony with

Dionysius. That is, for both Marion and Dionysius, there is no concept

that adequately captures God. God, who is beyond being, is ipso facto

beyond definition, and Marion is at pains to free God from our limiting

(idolatrous) gaze. As Robyn Horner observes, Marion both continues

within the Dionysian trajectory and also furthers the conversation with

his own distinctive contributions. That is, in addition to drawing our

attention to conceptual idols, Marion likewise speaks of conceptual


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icons as a way of thinking God in a non-idolatrous way. This path

does not move “through the traditional metaphysical route that focuses

on being, but through the mystical route of love.”28 Marion also adds

to the discussion of icons, the idea of our being gazed upon and hence

transformed by the other. Instead of a self-reflexive gaze necessitated

by the idol, the icon breaks the circle of reflexivity and “gives the

invisible to thought, not on the basis of the capacities of the

metaphysical ego, but on its own terms.”29 Contrasting the two gazes,

Marion writes that with the icon

our gaze becomes the optical mirror of

that at which it looks only by finding

itself more radically looked at: we

28
Horner, Jean-Luc Marion: A Theological Introduction, p. 63.

29
Ibid., p. 64.
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become a visible mirror of an invisible

gaze that subverts us in the measure of

its glory. The invisible summons us,

“face to face, person to person” (1 Cor.

13:12), through the painted visibility of

its incarnation and the factual visibility

of our flesh: no longer the visible idol as

the invisible mirror of our gaze, but our

face as the visible mirror of the invisible.

[…] It [the icon] transforms us in its

glory by allowing this glory to shine on

our face as its mirror—but a mirror

consumed by that very glory,

transfigured with invisibility, and by dint

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of being saturated beyond itself from

that glory, becoming, strictly though

imperfectly, the icon of it: visibility of

the invisible as such.30

Though the icon indeed “opens distance,” it never claims nor pretends

to exhaust God or to produce any kind of comprehensive knowledge of

the incomprehensible.

In light of Marion’s emphasis on love over being, we should turn

to his engagement with Dionysius and the divine names. In chapter

three of God Without Being, Marion enters the debate over the so-

called maxime proprie name for God.31 Following what he takes to be

30
Marion, God Without Being, p. 22.

31
Marion of course has St. Thomas in mind who claims (based on Ex 3:14) that the

most proper name of God is esse or ipsum esse.


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a Dionysian emphasis on God as Goodness, Marion links agape with

bonum, and does so on the basis of certain texts of Dionysius seem to

justify such a connection.32 Hence, the debate between ens and bonum

is for Marion a debate between ens and agape (1 John 4:8, ho theos

agapē estin), with the latter connoting personal and Trinitarian

overtones. First of all, Marion wants to underscore that when

Dionysius privileges Goodness as the first divine name, he is not

simply replacing one category for another, which would be to replace

one conceptual idol with another. In fact, Goodness as the first name

32
See God Without Being, p. 74. Here one might ask whether Marion is following

Dionysius himself or the Dionysian tradition as interpreted by the Franciscans. For

an intriguing discussion on this topic, see Michael Harrington’s article, “The

Drunken Epibole of Plotinus and its Reappearance in the Work of Dionysius the

Areopagite,” Dionysius Vol. XXIII (Dec. 2005), pp. 117-138 (see especially, pp.

134-138).
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for God speaks against any categorical statement concerning God. As

Marion explains, Dionysius

does not pretend that goodness

constitutes the proper name of the

Requisite, but that in the apprehension of

goodness the dimension is cleared where

the very possibility of a categorical

statement concerning God ceases to be

valid, and where the reversal of

denomination into praise becomes

inevitable. To praise the Requisite as

such, hence as goodness, amounts to

opening distance. Distance neither asks

nor tolerates that one fill it but that one


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traverse it, in an infinite praise that feeds

on the impossibility or, better, the

impropriety of the category. The first

praise, the name of goodness, therefore

does not offer any “most proper name”

[contra Thomas and ipsum esse as the

maxime proprie name of God]33 and

33
On the basis of Ex 3:14, Thomas argued the Being (ipsum esse) is “the most proper

name of God.” As Marion explains, Thomas’ reasoning is that “this name ‘does not

signify form, but simply being itself [ipsum esse]. Hence since the being of God is

His essence itself [esse Dei sit ipsa ejus essentia], which can be said of no other

[…] , it is clear that among names this one specially nominates God [hoc maxime

proprie nominat Deum]. The whole question consists precisely in determining

whether a name can be suitable ‘maxime proprie’ to God, if God, can have an

essence, and (only) finally if this ‘essence’ can be fixed in the ipsum esse/actus

essendi” (Ibid., p. 76).


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decidedly abolishes every conceptual

idol of “God”34 in favor of the luminous

darkness where God manifests (and not

masks) himself, in short, where he gives

himself to be envisaged by us.35

As Marion indicates, the name of Goodness as “first praise” neither

defines God nor predicates anything in quid of God. Rather,

Goodness, as well as the other divine names, functions iconically,

revealing and concealing God in “luminous darkness.” In other words,

Marion seems to suggest that with Dionysius, a different discourse is

34
Throughout God Without Being, Marion places “God” in quotation marks to

indicate a conceptual idol, whereas God (crossed out) points to the true and living

God.

35
Marion, God Without Being, p. 76.
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in place. That is, God-talk itself is not understood via the scholastic

categories of equivocity or univocity, as scientific predications and

definitions in the scholastic sense are wholly outside of the Dionysius

framework. Instead, the divine names function as iconic speech,

which like prayer “opens the distance”36 so that we may glimpse God’s

self-manifestation—a manifestation which shows itself in “luminous

darkness.” This discourse of praise likewise implies a liturgical

context in which the divine names are most meaning-ful, as it is in this

milieu that they best express their doxological and supplicatory

functions.
36
Marion uses the term “distance” in multiple ways in his writings, which makes it

an extremely difficult concept to understand. For an excellent discussion of the

various meanings of distance, see Horner, Jean-Luc Marion: A Theological

Introduction, pp. 51-60. One way to understand Marion’s distance is to see it as a

kind of transcendent-immanence communicating something similar to Dionysius’

luminous darkness or presence and withdrawl.


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In contrast with Derrida’s conclusions on Dionysius and negative

theology, Marion does not find a wholly hidden God, but a God who

in distance reveals himself in and through signs and symbols. In fact,

for Marion God is not only present but present in excess. That is, just

as one would experience a kind of auditory overload in attempting to

listen to ten symphonies playing simultaneously, in like manner (but of

course infinitely more so), we are bedazzled by God’s presence such

that we mistake superabundance for complete absence.37 From our

explorations in the present essay, one can see that for Marion,

Dionysius’ silence has much to say. The divine names neither exhaust

nor define God, but rather grant in distance an iconic communion with

37
In his phenomenological works, Marion develops the themes of excessive presence

and bedazzlement with his notion of saturated phenomena. See., e.g., Being Given:

Toward a Phenomenology of Givenness. Trans., Jeffrey L. Kosky. Stanford:

Stanford Univ. Press, 2002.


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God in which our gaze is no longer self-reflexive but transpierced and

transformed. For Marion, this being seen by the Other is intimately

connected with the gift of Love—a gift that can only be received, not

comprehended. Yet, when received, (quidditative) predication falls by

the wayside, and a discourse of praise takes its place. “[T]o say God

requires receiving the gift and—since the gift occurs only in distance

—returning it. To return the gift, to play redundantly the unthinkable

donation, this is not said, but done. Love is not spoken, in the end, it is

made. Only then can discourse be reborn, but as an enjoyment, a

jubilation, a praise.”38

38
Marion, God Without Being, p. 107.
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Cynthia R. Nielsen Dionysius & Augustine Dr.
Harrington/ Spring 2007

Works Cited

Dionysius. Pseudo-Dionysius: The Complete Works. Trans. Colm


Luibheid. New York:
Paulist Press, 1987.

Horner, Robyn. Jean-Luc Marion: A Theological Introduction.


Burlington: Ashgate Pub. Co.,
2005.

Marion, Jean-Luc. God Without Being. Chicago: Univ. of Chicago Press,


1991.

Perl, Eric D. “Signifying Nothing: Being as Sign in Neoplatonism and


Derrida,” (pp. 125-151).
As found in Neoplatonism and Contemporary Thought, Part II, ed., R.
Baine Harris. New
York: State University of New York Press, 2001.

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