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If you hadn’t noticed, young adult (YA) books have exploded in recent years. Featuring characters we love
(and those we love to hate), addictive plots, imagination and inventiveness by the bucket-load, it’s
unsurprising that YA books have made it into the mainstream.
In comparison, classics can seem like damp squibs, conjuring images of submissive women doting on
disdainful husbands, countless pastoral scenes, winding plots and outdated cultural attitudes. Look a little
bit closer, though, and it’s clear that many young adult novels draw inspiration from some of the most well-
known classics, from Twilight’s similarities to gothic romance (think Jane Eyre and Wuthering Heights) to
The Hunger Games’ dystopian roots in books such as Brave New World and Nineteen-Eighty-Four.
Many classics, at their core, also remain incredibly relevant to our current day
and age. Jane Eyre, for instance, is full of Charlotte Brontë’s commentary on
family, social class, gender inequality, religion and yes, love – all of which are
as important in 2021 as they were when Jane Eyre was first published in 1847.
But there are teen-friendly classics beyond the Brontës’, The Catcher in the
Rye and Lord of the Flies, and this list aims to highlight some of them. If you
want breakneck plots, to glean knowledge of different cultures, a creeping
sense of dread or just a laugh, have a look at our list for your next read.
Although best known for The Maltese Falcon, this book is classic hard-boiled
Hammett with its pacy plot, snappy dialogue and sprinkling of humour. Nick
Charles and his wife Nora are planning to have a quiet Christmas with their
pet Schnauzer and a case of good Scotch… until a bullet-riddled corpse and
a missing inventor forces Nick back into the sleuthing business.
The first in Gladys Mitchell’s crime series starring the inimitable Mrs Bradley,
a psychoanalyst and unorthodox amateur detective. A great choice for fans of
Agatha Christie and Sherlock Holmes. Speedy Death is a classic country
house mystery that begins with Mrs Bradley as prime suspect.
Okonkwo is a great warrior whose fame has spread throughout the local
region. Wanting to escape his father’s legacy, he is determined not to show
weakness but his pride may also lead to his downfall. Arguably the most
authentic novel ever written about Nigerian life at the turn of the twentieth
century, Achebe’s first novel is considered to be his magnum op us.
Malgudi Days by R.K. Narayan (1943)
Gothic literature
The Turn of the Screw by Henry James (1898)
A classic of the genre, The Turn of the Screw is intensely creepy and must
only be read with the light on. A young governess is sent to a country house
to care for two ethereal yet strangely distant and silent children, Miles and
Flora. A chilling ghost story on the one hand, The Turn of the Screw could
also be viewed as a subtle exploration of Victorian culture.
We Have Always Lived in the Castle by Shirley Jackson (1962)
Most of the Blackwood family are dead, poisoned by arsenic in the sugar bowl.
Eighteen-year-old Mary Katherine “Merricat” Blackwood, her sister Constance
– accused and acquitted of the deaths – and their disabled uncle are the only
ones left alive. The tension and paranoia gradually build to superb effect, and
Merricat is one of the best-written literary characters ever.
The British do funny novels like no-one else and Wodehouse is a true genius
of the tradition. A marvellous cure for a rainy winter’s day is to settle yourself
in a cosy spot with this book – potentially the finest of all Wodehouse’s work.
Written, as ever, with the utmost warmth, affection and splendour, this will lift
your spirits and have you weeping with laughter in no time.
Cold Comfort Farm by Stella Gibbons (1932)
Stella Gibbons’ debut novel turns English bucolic literary tradition on its head
and is still one of the funniest books ever written. Far outlasting the targets
of its satire, this wickedly funny tale of rural life in the 1930s details the
season orphaned London socialite Flora Poste’s spends amongst her rustic
relations, the Starkadders.
In Anthony Burgess’ nightmare vision of the future, where criminals take over
after dark, the story is told by Alex – a 15-year-old boy who enjoys rampaging
through a dystopian world with his gang of droogs, on the hunt for terrible
thrills. In essence, this is an exploration of the morality of free will; whether it
is better to choose to be bad than to be conditioned to be good.
Blindness by Jose Saramago (1995)