钢琴 Ombra mai fù

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Silvio Stampiglia Serse (HWV 40) Act 1, Scene 1 G.F. Handel
(1664–1725) (1685-1759)

                       
       
       
 
Recitativo accompagnato

 


             
          

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

   
                  
 
Adagio

         

  
                    
            

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                     
 

                
9

 

     
     
          
   


 

  
         
   
             
     
16

  
  
     
           
                     

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
                       
                      
24


      
                

2

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          
                         
  
31

      
       
       
 
            
          


  
                      
                     
38

 
         
           


 
            
  
                

  
45

  
       
           



  
         
51

 
 
  

