Ludwig Mies van der Rohe (1886–1969) was a pioneering architect and one of the most influential figures in the development of modern architecture. Born in Aachen, Germany, Mies began his career working in the office of renowned architect Peter Behrens, where he was exposed to the principles of modern design and industrial architecture. Bauhaus Connection: Mies van der Rohe was closely associated with the Bauhaus, a progressive art and design school in Germany. He served as the director of the Bauhaus School in Dessau from 1930 until it closed in 1933 under pressure from the Nazi regime. The Bauhaus's emphasis on merging art, craft, and technology strongly influenced Mies's architectural philosophy. Less is More: Mies van der Rohe is often associated with the phrase "less is more," which encapsulates his minimalist approach to design. He believed in stripping architecture down to its essential elements, emphasizing simplicity, clarity, and functionality. He believed in the importance of precision and craftsmanship in architecture. Steel and Glass Mies van der Rohe is renowned for his use of steel and glass in his designs, which allowed him to create buildings with minimal structural elements and maximum transparency. His innovative use of these materials helped define the aesthetic of the International Style and influenced generations of architects. Key Works: Farnsworth House (1951)
Barcelona Pavilion Seagram Building
(1929) (1958) Philip Johnson Who was Philip Johnson? Philip Johnson (1906–2005) was an American architect, architectural critic, and curator known for both his promotion of the International Style and, later, for his role in defining postmodernist architecture. He openly credited Mies for his own building, Johnson began a long history of using other architect's ideas as the basis for his own designs. Of Mies's influence, Johnson later wrote: "the idea of a glass house comes from Mies van der Rohe. Modernist Period: Johnson's early architectural work was influenced by the modernist movement, particularly the International Style. He collaborated with architect Ludwig Mies van der Rohe on the design of the iconic Seagram Building in New York City (1958), which is celebrated for its sleek glass facade and minimalist aesthetic. Prominence as a Critic and Curator: Johnson was a prolific architectural critic and curator. He wrote extensively on architecture and design, and his exhibitions at MoMA, including "The International Style" (1932) and "Deconstructivist Architecture" (1988). The Glass House