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INA GRABE“The ’Gees”: Herman Melville’s Quarrel with Racism
Although not sufficiently acknowledged, the Portuguese (more
specifically the Azoreans and the haf-breeds from the Cape Verde islands)
Volume 3 402
“The”Gees”: Ferman Melvile's Quire with Ra
existence of which the ave
resulted ina hybrid breed. As Jack D. Forbes has noted when discussing
differences between a “mulato” anda “mestigo”
a tendency existed by the 1590s to distinguish between part-Aftican
part-Indian mixed-bloods by the selective use of mulato and mes
‘Another Italian merchant, Careti, noted at the Cabo Verde Islands the
Portuguese there were intermixing with nere (blacks) and mulate,
Forbes 1993-1
With the advent of postcolonial, cultural, and ethnic studies,
issue of hybridity has received much scholarly attention. In Colonial De,
Hybridity in Theory, Culture and Race, Robert J. C. Young (1996) expl
that the term hybridity
‘was scarcely in use until the nineteenth (century). “Hybrid” is
nineteenth century's word. But it has become our own again. In
nineteenth century it was used to refer to a physiological phenomeno
the twentieth century it has been reactivated to describe a cultural one.
‘(Young 198
‘Young also notes that
‘marks the rise of the belief that there could be such a thing as a ho
hybrid, ‘CYoung 19%Reinaldo Franciso Silva
Melville's story, published during this period, is a fine discussion of
the theme of human hybridity as well as an intriguing literary representation
of the issue at stake. Hybridity, Melville seems to argue, was an undeniable
reality in America even if most of its citizens had adopted an attitude of
alienation about it. The "Gees in the whaling centers in Nantucket and New
Bedford, Massachussetts, as well as the mulattoes in Southern plantations,
ay be Seen as Melville's willingness to discuss this issue openly. Young,
also points out that
the races and their intermixture circalate around an ambivalent axis of
desire and aversion: a structure of attraction, where people and cultures
Contemporary theories of hybridity lean more towards the issue of
cultural hybridity as opposed to the physiological one prevalent in Melville's
story. Homi K. Bhabha, for example, pointed out:
‘Anzaldia, Patell goes on to claim, “describes herself as the product of two
different cultures’
Volume 3 404
“The “Gees”: Herman Melville's Quarrel with Rs
magazines, It has received little critical attention and no one ha
bothered to assess its potential as a work of literature. While
Volume 3‘Reinaldo Francisoo Silva
Melville readers are likely unaware of its existence, the Melville scholar uses
discourse, and ideology, Melville examines the ways in which human
bodies have bocome written and overwritten with racial meaning
(Otter 1998:12)
Having published “The ’Gees” in 1856, itis evident that Melville's
obsession with racial matters went far beyond the dates suggested by Otter.
What kind of critical reactions, then, has “The 'Gees” generated?
Kaplan, for example, accepts the statements made by the narrator
literally, equates them with Melvlle’s own perceptions and attitudes towards
race and slavery, and dismisses the entire sketch as “the ugliest, most
tasteless thing Melville ever wrote” (Kaplan 1957:31), It should be
mentioned that Kaplan is somewhat of a “loner” in this respect. The
advocates of the opposing viewpoint have by far outnumbered those sharing
Kaplan's ideology. Karcher (1975), for instance, reads “The “Gees” as a
satire on pseudoscientific racism and unveils the punning used by Melville to
attack Southern ethnologists’ who supported the very existence of slavery
through their scientific research which they hailed as the absolute truth,
‘Young has pointed out that Types o was the “standard American
ada Not and Guee R On, pclae wok cl Types tnd
a5,
“The ‘Goes Herman Melile's Quarrel with
different ies and prove that white and black really were different,
= mm ‘(Young 1996:123-
One of the reasons why Types of Mankind, at the time, bece
‘very successful work, is that it contained the discourse Ami
slaveholders subscribed to and needed to justify their beliefs and prac
‘As Young has, once again, shown:
‘The suocess of Nott and Gliddon’s volume was doubtless the resu
particular combination of skills that united both these areas: Nott
physician (Professor of Anatomy at the University of Louisiana,
‘As. pro-slavery anthropologists, Nott and Gliddon con:
rmiscegenation as a practice that would culminate in the “inevitable &
‘of those who had been the object of “the mixing of the races” (
1996:144). In other words, they endorsed the pure, unmixed race
‘When writing about this aspect, Otter argugs that American ethne
manipulated science to support the institution of slavery and the rem
Native Americans from their ancestral lands:
‘Aligned with the justifications for African American slavery ant
‘American “removal”, American ethnology transformed scientific 1
‘and political and popular culture, What was “American” ab
“American schoo!” was the obsessive nationalistic insistence on
physical evidence for the “fact” ofthe separate and unequal capab‘Reinaldo Francisco Silva
Jhuman beings. As the result ofthe meticulous, encyclopedic efforts of such
cethnologists as Samuel George Morton, Josiah Nott, and George Gliddon,
by the 1850s the claim that American racial grougis were inherently unequal
‘and thatthe physical characteristics of the body specifically, literally, and
permanently revealed hierarchical differences in racial character’ was
approaching the status of fact. (Oter 1998:13-14)
for example, Bickley. The
emphasis e pus onthe narafor, whom he views as ironical, also supports
Karcher’s point of view. Finall
ground, He at first argues that
he identifies the speaker ofthe sketch as Melv
explanatory:
‘The speaker i sara (or exsenman) refering beet the yas et
‘Dilingham 1978359)
“The "Gees" is Melville's way of capturing the social debates and
the conflicting stances concerning the issue of slavery. This is also the
opinion of Eric Sundquist, who contends in his introduction to To Wake the
Nations: Race in the Making of AmeRican Literature, that
‘Melville, along with Douglass, is probably the foremost analyst of
“The ‘Gees Herman Melville's Quarrel with
of the racism the white captains directed atthe Cape Verdeans on bot
hes exempt from harboring such feelings. The sketch was wien in
‘when slavery was evidently a “hot” topic and anticipates the Civil
just few years. Otter tells us:
Race helped to shape Melville's literary career, “Race” not only ga
‘personal, family, and political content, it also provided him with th
forewarning inserted in the very beginning ofthe sketch? The narrato
itclear that
Volume 3Reinaldo Francis Silva
fall men seamen have strong prejudices, particularly in the matter of race.
They axe bigots here. But when a creature of inferior race lives among
‘them, an inferior ta, there seems no bound to their disdain,
(Melville 1987-347; my emphasis)
‘The phrase “But when a creature of inferior race lives among them,
an inferior tar” a priori may suggest that the narrator himself is a racist too.
This mode of writing is clearly a deliberate parodying of the crew's
prejudiced jargon on the part ofthe narrator. The narrator ends the sketch by
‘way of telling the reader that ihe wishes to know more about racism and the
relationship between white crewmen and the °Gees, the best person to
contact is Captain Hosca Kean, of Nantucket, an expert on such matters:
FFor further and fuller information apply to any sharp-witted American
‘whaling captain, but more especially 10 the before-mentioned old Captain
‘Hosea Kean, of Nantucket, whose address at present is “Pacific Ocean’.
(Melville 1987351)
‘The first question anyone may ask is why has Melville chosen to
Athenaeum (June 2 1855) comment on Israel Potter. The columnist notes
that Melville
Volume 3 410
“The “Gees”: Herman Melville's Quarrel with
becomes wilder and wilder, and more and more turgid in each sv
reader, who does not object to small type and a style the glories ¢
are nebulous. (Leyda 1951:Vol.2
Or the one in the Dublin University Magazine (January 0
about Mardi which
high order in the English language. (Leyda 19:
No wonder his shorter fiction written between
lamentations, all of which were charged with an overwhelming, er
poignancy. He told Hawthorne:
speaking crew membe ”,
reported to have encountered many sailors from ora the
Volume 3Reinaldo Franiso Silva
Islands and fom the Cape Verde sands ding is seafaring years His
In WhitesJacket, Captain Jack Chase is referred to as “an ardent
admirer of Camoens. Parts of the Lusiad, he could recite in the original”
(Melville 1970:14). In this work there are also scattered references to sailors
from the Cape Verde islands and to Antone, a Portuguese sailor.
Coincidentally, in Omoo, there is also a reference to a certain Antone, but
this one from the Cape Verde islands. In Moby-Dick, too, there is among the
rhe Literature of England, America, and Southern Afi is
‘wort quoting here
(Of Herman Melville's interest in the life and works of Luis de Camdes
there exists ample evidence. First, there continues to sing out from the
pages of his novel WhiteJacket (1850) the cries of the “matchless and
‘unmatchable Jack Chase”, who appears to have been the young sailor
“The Gees" Herman Melvile's Qua with
sade up of paired sonnets ented “Camodns” and “Caméens
Hospital”, (Monteiro 19*
‘The point here is that this brief exposition supports the view
that Melville had nothing in common with the racist tirades preval
“The "Gees”.
‘This argument is further highlighted when the narrator reque
inexperienced captains to inspect the "Gees they are about to
carefully, especially their eyes:
For the rest, draw close to, and put the centre of the pupil of youre)
any, will be floated out ‘(Melville 198,
cis precisely inthis ambiguous and somewhat camouflaged p
Maatew 725 whee He gives veluble ight on how one aban
le (Karcher 1975:438):
‘own eye, and then sal thou see clear o cast ct the ote out
Drother’s eye. (Che Holy Bible:Matthew
jk close inspection of bth pessages immediately reveal the
practically all readers tend to miss the point, Melville is here delib
Volume 3Reinaldo Franciso Silva
{esting the extent to which supposedly white devout Bible readers of his time
effectively put into practice Christ’s teachings.
‘This is not the only passage in which Melville alludes to the Bible in
“The "Gees”. When the narrator reminds the inexperienced captains to check
‘American States’ slave system, (Young 1996:127)
As far as the references to the Bible are concerned, they undoubtedly
4have a point to convey. It seems improbable that Melville had incorporated
them into the texture of the sketch with no deliberate purpose on his mind,
Volume 3 aa
“The ‘Gees Herman Melville's Quarel with Racism
‘an institution which takes advantage of and totally dehumanizes a specific
group of individuals, black slaves, and by analogy, the ‘Gees. That the
sketch is fall of commercial language is no mere coincidence. “Cheaply”,
“business”, “Wages”, and “negotiate” are just a few terms that immediately
come to one’s mind.
Melville deplores an economic system that takes advantage of the
‘Gees" ignorance. They, like the black slaves, are easily exploited; the
“reward” for their work is corporal punishment:
over gets his due, (Melville 1987-348)
From the viewpoint of the captains and owners of the whalers, the
{deal situation would be to hire such workers who can easily handle the job
and receive little or preferably no pay. Melville seems to argue that it is not
the American crew members but simply the "Gees who can fulfill this motive
since their
docile services being thus cheaply to be had, some captains will go the
length of maintaining that "Gee sailors are preferable, indeed every way.
physically and intellectually, superior to American sailors—such captains
‘complaining, and justly, that American sailors, if not decently treated, are
apt to give serious trouble, (Melville 1987:348)
atthe first taking in of sail the "Gee hung fre. Come to look, both trowser-
legs were full of clephantiasis. It was a long sperm-whaling voyage
Useless as so much lumber, at every port prohibited from being damped
Volume 3 as‘Reinaldo Prancisoo Silva
ashore, thatclephantine ’Gee, ever crunching biscuit, for three weary years
‘was trundled round the globe. (Melville 1987-350)
Itis as if in this passage we can listen to Melville openly criticize the
‘women because he believes that pregnancy and child rearing drastically
reduce the level of productivity.
The callousness and indifference shown to the ‘Gees by the white
emotional blackmail when they momentarily acknowledge the ‘Gees’
‘manhood. The narrator tells us that
{here is no cal o which the "Gee will with more alacrity respond than the
°Gees ennobled with the human name. (Melville 1987:350-51)
Melville also makes clear that not all "Gees qualify as job recipients,
mastered the “ricks ofthe trade”, The hotest commodity is a grecn "Gee,
one who is utterly ignorant, easily manipulated, and ultimately exploited.
‘The captains note that
notwithstanding the general docility of the "Gee when green, it may be
otherwise with him when ripe. Discreet captains won't have such a "Gee.
“Away with that ripe ’Gee!” they cry “that smart "Gee, dhat knowing "Gee!
Green 'Gees for me!” (Melville 1987349)
Volume 3 416
“The Goss Herman Melile's Quarrel with Racism
Not ony ae the "Goes depicted as mindless bodies throughout the
‘seem to argue, are one and the same, This idea is conveyed through a
‘metaphor:
His teeth are what are called butter-teth, strong, durable, square, and
‘chile 1987348; my emptasis)
References to parts of the the skull of slaves or haif-breeds resonate
‘withthe research experiments conducted by S. G. Morton:
[J an American anatomist and Egyptologist, whose Crania Aegyptica
appeared in 1844, five years after his influential Crania AmeRicana, in
‘which he had published his measurements ofthe diferent skull sizes ofthe
different races, a method which was regarded as having enabled for the frst
time a precise scientific measurement of racial difference.
Young 1996:128)
Jn the many scenes of cranial contemplation, which restage the
scrutinies of phrenology, physiognomy, and craniometry, Melville
gets inside the head of antebellum ethnology. He criticizes the obsession
with defining, ranking, and separating human types and analyzes how
cetlnology composes its objects. (Otter 1998:15)
If the reader had somehow missed the implications of such
‘metaphorical language, the narrator makes this comparison explicit by way
of stressing that
[tJo know *Gees—to be a sound judge of ”Goes—one must study then, just
as to know and be a judge of horses one must study horses. Simple as for
the most part are both horse and ‘Gee, in neither case can knowledge ofthe
Creature come by intuition (Melville 1987-349; my emphasis)
Volume 3 417Reinaldo Francisco Silva
‘that jeer of theirs, that monkey-jacker was originally so called from the
ircumstance that that rude sort of shaggy garment was first known in
Fogo. They often call a monkey.jacket a" Gee-jacker”
(Melville 1987:350; my emphasis)
“The ‘Gees Herman Melville's Quarel with Racim
the intellect of the "Gee has been litle cultivated. No wellsattested
and/or a Portuguese-Creole dialect, and, obviously, not Spanish. The point
‘that Melville is trying to make here is that these allusions may a priori give
‘the impression that they are grounded in reality whem in fact they are totally
misleading, .
In “The 'Gees” the attentive reader gets a fair grasp of a complex
mind at work. The question is whether everyone, especially his mid-
nincteenth-century audience, was able to read what is so provocatively
hhidden in between the lines.
Reinaldo Francisco Silva
University of Aveiro
PortugalReinaldo Francisco Silva
‘Bibliography
‘Anzaldis, Gloria, 1999 (2" ed.) Borderlands/la Frontera: The New Mestza. Sen Francisco:
“aunt Lute Books,
‘Bhabhe, Homi K. 1994, The Location of Culture, London & New York: Routledge.
Bickley, Robert Bruce 1975. The Method of Meule's Short Feton. Dutharn, NC: Duke
Univesity ress.
Davis, Menell William H, Gilman. 1960. The Laters of Herman Mehille. New
Haven: Yale University Press
Dilngam, Wiliam B. 1977. Melville's Short Fletion 1853-86, Athens: University of
oorgia Pres.
Newbery Library.
The Holy Bible ad), New York: American Bible Society.
Kaplan, Sidney. 1957, Herman Melville snd the American Nations Sin; The Meaning of
“Benito Cereno”. Journal of Negro History 42.
‘Karche, Caolyn. 1975. Melville's The "Geex: A Forgotten Satie on Scientific Rasim.
AmeRtcan Quarterly 27
‘Levine, Robert 8. (6d) 1998. The Cambridge Companion to Harman Mehille. New Yor:
Cambridge Univesity Press
Ley, Jay. 1951, The Melle Log A Documentary Life of Herman Melville. 2 vols. New
‘York: Harcourt.
‘Melville, Herman. 1988. Moby-Dick. In: Heyford
Montiro, George. 1996. The Presence of Cambes: Influences onthe Literature of England,
‘America, and Southern Africa Lexagton, Kentucky: The University Pes of
Kentucky
(tier, Samuel. 198 “Race” in Typee and Whitelacket In: Levine (1998)
Patel, Cyrus RK. 1999. Comparative American Studies: Hybriity and Beyond. AmeRcon
‘Literary Hit 6-185
Young, Robert IC. 1996, Colnial Desire: Hyridtyin Theory, Cultre and Race. London &
"New York: Rowtedge,
Vohume 3
Une écriture postcoloniale au temps colonial:
renversement du discours anthropologique dans U
nagre @ Paris (1959) de Bernard Dadié
Si dans son ensemble la lttéranure mondiale comporte bien «
‘cvres traduisant des regards “périphériques” portés sur Europe
TOccident,' Ia littérature africaine francophone, dés I'époque coloniale, n
Volume 3 4