1" he Plaidy Triplets Among the exorelsos which are most eaty to touch, plossing to | careful to effect aperfect legato between the elose of one triplet [practice and useful tothe beginnerjare the eany triplet forms of | and the beginningeaf the next.(3. Give the loft hand its tuen, also Plaidy. Pesctice them inthe manners fellowing: (U)Always with | carrying out all the different fingerings. They may ulso bo trant= Done hand alone. (2).Curry out exch fingering inturn, being very | posod into ather Key monn} gh2ghi Playing Leap-Frog Inti lyf chordatuy the music rein phrase of four menses; oarait in that wy laze each our moasures compet a i. Uikimatey it should he played quite fast, very clear and sure, Also with staccato quality, touching the keys lightly and quickly with the finger-points Allegretto Mat. d= 100 to 4.288 1 t + 4 Swinging and Singing composition can Just ‘Ths repeated note in th flo sould ltimately b> rather fst \ wall be pl outed In meas with the samo fingor,asingn hand motion. The speed of 128,12. count fourjeach measur bing n best wiatd.- 60-100‘A March of the Soldiers . A favorite march by a great writer,here so divided between two players to make each individual part evsy,while the mas is quite the sume ne the gent master wrote i. The pupil should study both parto,the Primo and also the Secundo,the latter being preticularly Useful aga reuding exercise from the bass clef, R. SCHUMANN Deciso Mt rrimo Study in Minor Mode Preparatory tothis plintlve it song in nor mode knit be walle play the sale of A minora few times,in order to make the gontion asin The melody nedreccompaninent uit “Andante M.M.d=120 1178-10 Sing, Robin, Sing! porter to pling this bright tle song in the Key of Fit wil be usefl fret play the sal; then to say the eft fons earfully, tore are but few of them and the best way to Bet a comp oa of them isto play them as chords m. 12,1815, Then i¢ will be easy to carry the accompaniment without slighting the melody. ud posit- em. ty SPAULDING Ising, feobeinysing a fons ttt + fencer it seems to | being lmorningwhen ite frakeme by your it tte rob tn feng llgzetet o|> Copyright 1908 by Theo. Presser British Copyright soured Waltz for Grand-Pa wve the true melodie quatity,or intensity. This Is not the same thing © saning it more, Every tone af the melody likes wordespecal= ifer,a frlend,s distant relative ofthe melody 1m No.59 the melody is inthe bass, which must therefore greater volume or force, but rather intensity inthe sea Iyadvesurd to ones whereas tbeaccompanimert ix merely apa GURLITT 76aMinuet of the Graces Inge earullyysud the accidentals which indicate a temporary modu into related keys. When the way In which the melly goew 1» tiwronchly Known and the Fingering has been mastered,t is not difficult to produce a good musiea effect with this Minuet ‘ttegro moderato. de fz following different ways:(a)Right hand playing the chards,all the notes together,the chords fllowing at Ene rate af one n snennd.(D) Right hand plaving the broken chords ts'writeen but not delaying for the other handy! Left hand ploy ing its chords Left hand playing the Broken chords, but natde M.Med=60-112 ‘To be practiced int LOESCHHORN Fl Study in Broken Chords Inying between chords (e! Both hands together playing the chords alltogether six notes inone solid chord ineach measures Fival- farent methods of pric = I play as written, The object of these di Lge nto give the hands a better facility tn these formawhichoceipy solarge. place in all music inthe key of C.2 First Piece of the Star Performer { thie waltz the loft hand ie ihe star performer, having the meloty, which must be ‘sccompaniment light and be vory earefal that the hand is taken up promptly from the prenenpation afte player withthe let hand hore is a tendency to Teave the th nie expired, GuRLITT Moderato M.M. 4. A Study in Syncopation Inthis exercise isto count alx.‘Phen | land natin accord with the lft hand. Moderato M.Mid=84 WOHLFAHRT sete g dea ga 1170-01A Study in Heavy Chords ” Not only the shards in thi pier arto be plage rather mss but alae he running notes ofthe left hand arta be made rtherponder indivate tha th tne shal be ntidalizodymade aborweghtgs nn nn Ms bmee Bie ako Allegretto MM 4-104 An Ode to Harmony “The chon in thi plac ae to be caraflly voted so tha alte of th chord are may gl In power, Dut the msl tne hy brght sul.n m0 he carefl tn th inthe Hat hand int latte ly bree orate a ns be sig: Ply the chordswithurm och Adagio a d=60 + } s The Excursion. A very pleasing composition for exhibition purpoteeTo this end it will be necessary to study it very carefully, mastering particular ll thote Aligreosions which it makes momentarily out ofthe key, aa In mm4,7,8—,each of which must be learned perfectly. LOESCHHORNry The Foy and Geese (A Seale Study) svanerin these koa vhs throughly At th same tin this brlian umning wrk is a plenute iano Holl. Hence teu on tg several later sts Allegretto con moto M.N.d=72-182 Seoei: i 76-31Joyous Pastimes he running work Natt pearly. The quarter notes of she mela flleanthe aecente one propels esse at the next tone, iminuend f f In a Hurry ‘0.30 may be tenn oven runing tes or as ay in sped. hand must be que ttn rapid The mn difficulty is to extend the fingers att begin the new measure without any per se bere, nes connected, andthe mavement le brenk between that aad the Allegretto 31 6278 == ey op deanna” Study for Independent Fingers ‘he tes areoue tones bt the Ke held ono tether The frm at Wap the te Prctice ifr wth enc ha slo + nad nn easy moverctt of the ele Tigers, is topetber. The sae Fingers om bt ands play 76-3826 A Lovely Floweret ‘A suluable study in reading the higher staff potitions in the left Imand. The movement oes on in hall pulses, each hand alternately "Take care that the second tone ofthe group of three which oocura 0 often in the right hand,has the accent, and not the First tane af Gratioso Mt the group.‘The words “dal sega” mean fram the sign” nd denote ‘hit when you reach that pein you go back tothe sign aud play ‘through from there, closing atthe word “Fine” Ring Around a Rosy. A Play Time Avery lensing story in whi he strange oeurrences ar memento part lin 2). To be payed jolly a wth pe Allegretto 78 + _ J Sci v6.312 A Summer Holiday ‘The two chor in the second al fourth measures, and elsehere in this study, must be so manage that their relation to the ehythimic Hea of the eight hat wil be bragght out, The full phrase includes three heats of th second measure; the righthand hax “one dhe left hand puts in “wo"and three” Hence the touch should be rather clea atl vite LOESCHHORN Allegro M.31.4580-406 ae ts) og oe mo 2 part E 0 Steasect © A Pleasant Story and the Pranks Afterwards Inthe fist two ties of this tle poem in tones, the narration is rather quiet; just at the end, however, tings quicken up aud there Ik a very lively time inthe lst line, which must also be rapaated. The first part bit sentimentally; the secund part rollicking. A.HERZOG Allegro moderato 36.3. 688-115 A gre moderato » z i Kao28 A Lively Dance ( For Two) ‘The pine pr in hist wil requte quite it of practice bf t ands wl py hee wale passages smactiy emg ad fast wh for he offic. The wneenthe hut ot he hey bt light and ripping Allegro 3a 16 | Teacher Extension Exercises In the five finger forms ere followingsthe hand extents between the fourth wat and the fifth and in this wn wscends the Keshoned 1 key foreach time through the form exch measure of the muss being the same figure reprated. In coningdoxen n contrat = ie letwenn the monauren, Tie flew is ba make the running work very smooth,even and cereal inaTo be payed in quiet, songlike manne. Be sure that she wgith notes have sft ye fall meiie quay Andantino M30 104 A Jolly Game Quick, spirited tively. Keep the movement upto is indicated speed. Zork out uy position that trbles you and then wot into Re place that nobody would deen that i is difleul to do Vivacisis Nad 258-19 | re-a1Pie-Nie Dance Pinger staccato an Tego contrasted The bass witha very ht had touch, mates ‘SPINDLER Sat P bie sure that the base melody sags, a ae mae er Five-Finger Forms in the G Pesition naidess 00 . A si Feaeregt seseerss ; 7 es The Song of the Silent Pulses ‘The ress inthe frst line mast be serupalouslyabserved. Care must be taken that the pupil realizes the rhythm as going un during the rests, ‘no less than during the tones themseves.In order co assist this Feeling. after the piace has been studid equite the counting tobe lathe lar= sr thythm equating four, on to euch measure, This each line of the musie will consist of two ofthese “collective” measures, 272-100 Allegretto M. 8 rt Count 2 3 4 4 = 2 4 t—_—ooOoOoo err a A Slumber Song ‘A beautiful slumber song, in which the longer tones must wing out softly and fully, wi ths of the xecompaniment carey on the shythm. Be sure and holdout the ted nate in the left hand part, but it in not necessary to accent it. Th different chords peitiens and the Succession of positions in the second line wil require considerable practi independently af the right hand. Vary sweetly, simply and repou Allegretto 4 31 4-060 Are. from SC °UMANN 83 Progress March Inthe pompous march i necessary toe lm ad martial ouch af ne were complete bra band Dake the ted mtn fe 1s gute we the sstenth paren qlhly and lightly fo he ext one. An excallon study brillant an fective playing ATE rom METERSEE Macstoso Mat. d= tt? fe 19-2