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Sources on Akbar's period
Sources on Akbar's period
Questions:
2005- Discuss the nature of literary sources for the study of Akbar’s reign
highlighting the relative significance of these sources.
INTRO: The reign of the third Mughal Emperor, Akbar (1556-1605) was
one of political stability, cultural efflorescence and intellectual ferment
as reflected by the Emperor’s great interest in literature and theology.
With reference to the study of the rich literary sources from Akbar’s
reign an analysis of three writers and their sources is imperative-
(i)Sheikh Abul Fazl’s Akbarnama and Ain-i-Akbari, (ii)Mulla Abdul
Qadir Badauni’s Muntakha-ut-Tawarikh and (iii)Khwaja Nizam-ud-
din Ahmad’s Tabaqat-i-Akbari
Harbans Mukhia has argued that ‘a study of their [literary sources’]
mode of thinking is useful for noting and isolating the bias which colours
their narrative’. While K.A. Nizami calls for a “critical examination” of
these sources.
While highlighting the relative significance of these sources and their
assessment of Akbar it is crucial to situate the historian in the
contemporary historiographical context by analyzing the personal
background of authors, the nature of historical inquiry in their
works, the primary sources used by them and their fundamental
conception of history.
PERSONAL BACKGROUNDS:
II. BADAUNI: In sharp contrast to Abul Fazl, Abdul Qadir Badauni did not
have an illustrious family background and entered Akbar’s service
purely on merit.
The above three historians owing to their personal backgrounds and varied
experiences under Akbar’s Service, presented their patron and his policies
in a varied light. Thus it is important to critically analyse their sources to
yeild a balanced understanding of Akbar.
1.Akabrnama &Ain-i-Akbari
MERITS: Rizvi says, Fazl’s work can be appreciated under three rubrics:
Collection and compilation of data, new literary style and plan; and
interpretation of historical facts. K.A. Nizami asserts that Fazl may be
DEMERITS: However, one can’t overlook the serious defects that are
present in Abul Fazl’s work. Mukhia says Fazl’s attitude lax attitude
towards the sources of information used he used was a major limitation
ion. (a)He hardly acknowledged his sources. (b)Also, he used unreliable
here say and dreams of some individuals as his sources.
Contrary to the claims of usage of simple and straightforward language
by Fazl, one finds the language ornate and verbose.
Nizami shows that throughout Fazl’s work, a superstitious
atmosphere prevails. E.g. The account of Akbar’s birth has also been
explained by stating that Akbar’s mother was impregnated by a strange
light and then Akbar was born. Fazl portrayed his patron aa a semi-
divine personality and an embodiment of ‘spiritual leadership’.
Nizami has rightly pointed out the prevalent contradiction in Abul
Fazl’s work.
On the one hand he expects a secular approach from others, and on the
other hand he himself justifies every political measure of Akbar with the
garb of religion.
Yet another limitation of the work was that Fazl had read out his
draft to Akbar several times. Thus, the work took shape as per
Akbar’s wishes and isn’t critical about Akbar. The likes and dislikes of
his patron determined the way Fazl approached history. All the events
and information provided by the author had revolved around the
persona of Akbar. It wouldn’t be wrong to say that it was a eulogy of
sorts and thus Jadunath Sarkar and Beveridge have called Abul Fazl a
‘shameless flatterer’.
Strangely enough, the Mahzarnama, an important document which
made Akbar the ‘baadshah i- Islam’ and gave him the right to decide
which interpretation of the Muslim law would prevail too hasn’t been
III.Tabaqat-i-Akbari:
There is yet another author who provides invaluable information on Akbar
– Ahmad’s Tabaqat i- Akbari. Mukhia suggests that Ahmad may have
been a deeply religious person in his personal life but he didn’t let this
influence his historical work.