Dadasaheb Phalke was inspired to make Indian films after watching a movie about the life of Christ in 1910. While watching the film, he imagined scenes from Hindu epics like the life of Krishna and Ram appearing on screen. This gave him the idea to make Indian films depicting Indian stories and scenes. He traveled to Europe to learn filmmaking and bought equipment from England. Phalke then worked to produce India's first film Raja Harishchandra in 1913, casting male actors in female roles due to norms of feminine modesty at the time. His film helped establish Indian cinema by telling Indian stories through the new medium of film.
Dadasaheb Phalke was inspired to make Indian films after watching a movie about the life of Christ in 1910. While watching the film, he imagined scenes from Hindu epics like the life of Krishna and Ram appearing on screen. This gave him the idea to make Indian films depicting Indian stories and scenes. He traveled to Europe to learn filmmaking and bought equipment from England. Phalke then worked to produce India's first film Raja Harishchandra in 1913, casting male actors in female roles due to norms of feminine modesty at the time. His film helped establish Indian cinema by telling Indian stories through the new medium of film.
Dadasaheb Phalke was inspired to make Indian films after watching a movie about the life of Christ in 1910. While watching the film, he imagined scenes from Hindu epics like the life of Krishna and Ram appearing on screen. This gave him the idea to make Indian films depicting Indian stories and scenes. He traveled to Europe to learn filmmaking and bought equipment from England. Phalke then worked to produce India's first film Raja Harishchandra in 1913, casting male actors in female roles due to norms of feminine modesty at the time. His film helped establish Indian cinema by telling Indian stories through the new medium of film.
Dadasaheb Phalke himself wrote, I Happened to watch
the Life of Christ in the picture place called America India in Mumbai in 1910. I must have seen movies a number of times earlier, must have often gone their for recreation with friends or family. It marks a watershed in my life!
While watching the Life of Christ, I had a strange feeling ins
What it was, is difficult to describe, but it is certain that
while the life of Christ was moving fast before my eyes, I was seeing in those places Bhagwan ShriKrishna in his Gokul, Bhagwan Shri Ram in his Ayodhya
I began to see these things on the screen
itself.
Will this illusion become a reality?
Will the sons of India ever see Indian Scenes on the scre
The next two month. it was axiomatic that no matter how
powerful my enthusiasm, how strong my conviction about success, no financier would take a risk to go ahead unless he was actually shown something concrete.
So I needed a small sum for making a trip to Europe
and buying the necessary equipments
With imported equipment i trained myself in all
branches of film making
Dadasaheb went to Europe and bought from an
English company a toy cinema.
and some reels of Films
I started showing movies at night by forcing candle
light on a lens and projecting the picture on a wall.
Determination to make Swadeshi pictures, Phalke imports
equipments from England and, acting like a one-man unit, produces his first Indian Picture.
Raja HarishChandra
And then, the eternal problem of Feminine Modesty!
The film Camera was the public eye.
No women would act before the Film camera
But I was determined to go ahead and make my first
Film
So i cast male actors in the female role.
His film unfolded a world of gods, Demons and
legendary beings, miraculous and fantastic, but very real to the popular Hindu religious imagination.
And finally the pioneer of Indian Cinema set forward the
reels in motion
The father of Indian Cinema
Dadasaheb Phalke
A tribute to Dadasaheb Phalke
By Deepa Chordia IDC, IIT Bombay Guided By Mr. Kamal Swaroop Prof. Shilpa Ranade