Professional Documents
Culture Documents
OF INDIAN TRADITIONAL
AESTHETIC THEORY
PHILOSOPHY GIVEN BY
BHARATA IN
‘NATYASHASTRA’
Karuna Rasa
Shringara Rasa
Veera Rasa
Hasya Rasa
Bhayankara Rasa
Vibhatsa Rasa
Adbhuta Rasa
Raudra Rasa
Shanti Rasa
THE COMPASSIONATE
KEYWORDS SYNONYMS
Considerate,
Sadness,
Sorrow, Misery,
Pathos
Grief
ATTRIBUTED COLOUR
Light Grey (White, Background 1, 15%)
KARUNA RASA
THE EROTIC
KEYWORDS SYNONYMS
Love, Fondness, Passion, Enchantment,
Yearning, Infatuation, Idolatry,
Tenderness Narcissism, Seduction
ATTRIBUTED COLOUR
Purple (Purple, Accent 4)
SHRINGARA
RASA
THE HEROIC
KEYWORDS SYNONYMS
ATTRIBUTED COLOUR
Light Green, (Olive Green, Accent 3,Lighter 80%)
VEERA RASA
THE COMIC
KEYWORDS SYNONYMS
ATTRIBUTED COLOUR
White (White, Background 1)
HASYA RASA
THE TERRIFYING
KEYWORDS SYNONYMS
Anxiety,
Fear Apprehension,
Intimidation
ATTRIBUTED COLOUR
Black (Black, Text 1)
BHAYANKARA
RASA
THE DISGUSTING
KEYWORDS SYNONYMS
ATTRIBUTED COLOUR
Blue
VIBHATSA RASA
THE AWESOME
KEYWORDS SYNONYMS
ATTRIBUTED COLOUR
Yellow
ADBHUTA RASA
THE WRATHFUL
KEYWORDS SYNONYMS
Anger, Vengeance, Fury, Temper, Ire,
Arrogance Frenzy
ATTRIBUTED COLOUR
Red
RAUDRA RASA
THE PEACEFUL
KEYWORDS SYNONYMS
Serene, Quiet,
Calm Tranquil,
Composed
ATTRIBUTED COLOUR
White (White, Background 1)
SHANTI RASA
ARCHITECTURAL
RELEVANCE OF THE
NAVRASA THEORY
GENERAL ARCHITECTURAL
ELUCIDATION EXAMPLE
•Closed courts
•Introverted planning
•Rendering the aura with a
sense of relaxation
Nalakettu , India
(traditional Kerala home with a
quadrangle in the centre)
GENERAL ARCHITECTURAL
ELUCIDATION EXAMPLE
•Erotic environment
•A house near a water body,
like a pond; a large number
of mango and other fruit-
bearing trees in the vicinity
The Taj Mahal, Agra, India
GENERAL ARCHITECTURAL
ELUCIDATION EXAMPLE
•Architecture that
champions a noble cause
•Could almost border on
arrogance
Duck House,
Flanders, New York,
USA
Classical features in a
playful way.
Corresponds to BHAYANKARA RASA
The Research
Institute for
Experimental
Medicine
Characterised by
Monumental austerity
and abstract formalism
one is left in awe of it
and doesn’t quite know
what to make of these.
Corresponds to RAUDRA RASA
Port House,
Antwerp's Port
Authority
It’s impossible to be
indifferent to a building
that looks like a giant
spaceship, or an artist’s
rendering of a
meteorite, or a kind of
riff on a giant barnacle.
RESULTS AND DISCUSSION
Emotions in architecture have been there since time immemorial,
be it in Western thought or Indian.
Papers have been written by Hernan and Mastandrea in 2009
and Droog and de Vries in 2009 on emotions in architecture in the
Western orientation.
Both have stated that there are four types of Aesthetic Emotions
However, the Indian aesthetic theory states that there are nine
types of emotions in their Navarasa Theory, which is a
refinement and a far more elaborate expression.
RESULTS AND DISCUSSION
Several Indian architects like Raj Rewal and Charles Correa
have made references to the Rasas but none have very
consciously used them in their design development.