Professional Documents
Culture Documents
RIDDLE (bugtong)
EPIGRAMS (KASABIHAN) / PROVERBS
SALAWIKAIN & SAWIKAIN )
SAYINGS
BULONG
MYTHS
EPICS/TALES
FOLKSONGS
Made up of one or more measured lines with rhymes
and may consist of 4 to 12 syllables
Showcase the Filipino wit, literary talent, and keen
observation of the surroundings
Involves reference to one or two images that symbolize
the characteristics of an unknown object that is to be
guessed
• To entertain. Living in remote areas, before the advent
of electricity, families would sit around the fire and the
elders would quiz the younger generation with riddles.
isulat sa tubig
"write on water" = forget about it
Used in witchcraft or enchantments
Hele hele
Bago kyeme
HALIMBAWA
(FOR
EXAMPLE):
Bulong sa Ilocos
"Huwag magalit, kaibigan,
aming pinuputol lamang
ang sa amiy napagutusan"
Bulong sa Bicol
"Dagang malaki, dagang maliit,
ayto ang ngipin kong sira na't pangit.
sana ay bigyan mo ng kapalit"
USED IN TEASING OR TO
COMMENT ON A
PERSONS’ ACUTATIONS
“Catitibay ca tolos
Sacaling datnang agos
Aco’ I momonting lomot
Sa iyo’ I popolopot”
Nag-almusal mag-isa
Kaning lamig, tinapa;
Nahulog ang kutsara
Ikaw na sana, sinta
• May tainga ang lupa may pakpak ang balita
---------- Mag-ingat sa lahat ng bibitawang salita dahil
maraming mga nakikinig at nagbabalita ng tsismis sa kung
saan saan lang.
• Pagkahaba-haba man ng prusisyon sa simbahan din ng
tuloy
-------Kahit anong unos pa ang danasin ng mga
magkasintahan kapag itutulot ng Diyos , sa kasalan din
mauuwi ang matagal na samahan
• Kung ano ang itinanim, siya ring aanihin
---------- Kung gumawa ka ng kabutihan ay gagawan ka rin
ng kabutihan ng iyong kapwa ganundin kapag masama ang
iyong ginawa sa kapwa.
A QUATRAIN WITH SEVEN
SYLLABLES EACH WITH THE
SAME RHYME AT THE END OF
EACH LINE
No title
7-7-7-7
AABB
Ex. “Tahak ng tingin, tulak
ng sulyap, yakap, lapat
ng titig sa balikat.
hatak pa, kindat, hakat”
Traditional poetry of the Hanunoo Mangyans
of Oriental Mindoro which is normally
inscribed on bamboo using a pre-Colonial
syllabic writing system called the Surat
Mangyan .
seven-syllable metric lines
can be composed of more than four lines
usually chanted
teaches lessons about life
recited by parents to educate their children, by
the youth to express their love, by the old to
impart experiences, or by the community in tribal
ceremonies
ON SOME OCCASIONS LIKE
BURIAL RITES, THE
AMBAHAN IS USED FOR
ENTERTAINMENT
Sugot nga maaw kunman
Tangdayan no ma-amban
Sabungan no manuywan
Impad las yami daywan
Hanggan buhok timbangan
Hanggan sa balod pangdan
Bugkat di way yamungan
Bilang dayi bunlagan
No kang tinaginduman
Kang magpahalimbaw-an
Ga bugtong ti bilugan
(Isn't this the truth with all:
If the wife is good and kind,
the husband reasonable,
you have always friends around,
like long hair drooping so nice.
Till the final burial mount,
you'll be sleeping on one mat.
You don't want to separate
Putting down my thoughts like this:
An example very clear,
being TWO, you're only ONE.)
DERIVED FROM PHILIPPINE FOLK
LITERATURE, WHICH IS THE
TRADITIONAL ORAL LITERATURE OF THE
FILIPINO PEOPLE. THIS REFERS TO A WIDE
RANGE OF MATERIAL DUE TO THE ETHNIC
MIX OF THE PHILIPPINES
THERE ARE MANY DIFFERENT CREATION
MYTHS IN PHILIPPINE MYTHOLOGY,
ORIGINATING FROM VARIOUS ETHNIC
GROUPS.
Story of Bathala
Visayan version
The legend of Maria Makiling
PRESENCE OF
DIFFERENT
DEITIES
Ex. Bathala
Lakambakod
Mythical creatures
Aswang
Dila
Diwata
Dwende
Tikbalang
Mankukulam
Ifugao – Hudhud hiAliguyon
Ilocos – Biagni Lam-ang
Bicol - Ibalon
Mindanao – Darangan
Panay – Hinilawod
Bagobo - Tuwaang
Kalinga – Ulaliim
Manobo – Agyu or Olahing
Subanon - Sandayo
ALIGU
YON
• the exploits of Aliguyon as he battles his arch-enemy,
Pambukhayon
Biagni Lam-Ang
tells of the adventuresvof Lam-Ang who exhibits
extraordinary powers at a very early age.
Ibalon
the story of three Bicol heroes: Baltog, Handiong, Bantiong
Hinilawod
oldest and longest epic poem in Panay
the exploits of three Sulodnon demigod
• brothers, LabawDonggon, Humadapnon and
Dumalapdap of ancient Panay
IBALON FESTIVAL
Hinilawod
a form of folk lyric which expresses the people’s
hopes, aspirations, and lifestyles
repetitive and sonorous, didactic and naive
traditional songs and melodies
inspired by the reaction of the people to their
environment
uyayi – lullaby
komintang – war song
kundiman – melancholiclove song
harana – serenade
tagay – drinking song
mambayu – Kalinga rice-pounding song
subli – dance-ritual song of courtship /marriage
Tagulaylay- songs of the dead