The document discusses the architecture and urban planning practices of the Aryans during the Vedic period in India. The Aryans developed planned villages with different zones for residences, agriculture, and animal husbandry. They followed principles of Vastu Purush Mandala in layout, orienting structures based on solar geometry. Common residential structures included thatched huts, detached homes, and courtyard homes for different castes. Construction utilized locally available materials like wood, mud, and thatch, with decorative designs on walls.
The document discusses the architecture and urban planning practices of the Aryans during the Vedic period in India. The Aryans developed planned villages with different zones for residences, agriculture, and animal husbandry. They followed principles of Vastu Purush Mandala in layout, orienting structures based on solar geometry. Common residential structures included thatched huts, detached homes, and courtyard homes for different castes. Construction utilized locally available materials like wood, mud, and thatch, with decorative designs on walls.
The document discusses the architecture and urban planning practices of the Aryans during the Vedic period in India. The Aryans developed planned villages with different zones for residences, agriculture, and animal husbandry. They followed principles of Vastu Purush Mandala in layout, orienting structures based on solar geometry. Common residential structures included thatched huts, detached homes, and courtyard homes for different castes. Construction utilized locally available materials like wood, mud, and thatch, with decorative designs on walls.
THOUGHT, ARYENS WERE INDIGENOUS INHABITANTS OF INDIA AND THEY LAID DOWN THE FOUDATIONS OF HINDU CULTURE AND CIVILIZATION. THERE WERE THE INDIGENOUS INHABITANTS OF INDIA, ANCIENT “ARYAVARTA ”WHICH WAS THE CRADLE OF ARYAN OR VEDIC CULTURAL, WHICH OWES EVERYTHING TO THE RELENTLESS OF THE RISHIES AND SAGES OF THAT ERA.
THE INDUS VALLEY AND VEDIC CIVILIZATION
FLOURISHED AT THE SAME TIME IN DIFFERENT AREAS AND THAT THERE WAS INVASION FROM OUTSIDE. HOWEVER THE FACT REMAINS THAT THEY WERE PROFILIC WRITERS WHO ENSHIRINED THEIR TRADITION AND RITUALS; KNOWLEDGE AND EXPERIENCES IN WHAT ARE COMMONLY KNOW AS VEDAS AND UPANISHADS. THE EARLIEST AND THE MOST IMPORTANT OF THE ARYANS COMPOSITIONS, THE RIG-VEDA, IS A COLLECTIONS OF SACREDHYMNS IN THE VEDAS , TOGETHERS WITH A RESPECTABLE BODY OF TEXTS OF ANOTHER KIND UPANISHADS, SHURTI AND PURANAS FORMED THE ARYAN CULTURE. RESIDENCE VARIOUS TYPES OF RESIDENTIAL STRUCTURES WITH SPECIFIC DIMENSION , DETAIL AND ORIENTATION WERW CONSTRUCTED TO SUIT SPECIFIC REQUIRMENTS. THE CLUSTERS COMPRISING OF THATCHED HUTS WERE SURROUNDED BY A FENCE. PLANNED VILLAGES AND SETTLETS EVOLVED OUT THE SOCIAL ORDER HAD CARDINAL ORIENTATION & LAYOUTOF THE SOCIAL ORDER HAD CARDINAL ORINTATION. DIFFERENT TYPES OF VILLAGES WERE NAMED AS SARVATOBHADRA, SWASTIKA, NINDYAVARTA AND VARDHAMAN AS PER THE ORIENTAION & LAYOUT OF BUILDINGS WITHIN THE ENCLOSURE. THE AGRICULTUREAL FIELDS LAY OUTSIDE THE ENCLOSURE. LIVING ARYANS OF THE RIGVEDA AGE DEPENDED ON AGRICULTRUE FOR THEIR LIVELIHOOD . FARMS WERE IRRIGATED THRUOGH A SYSTEM OF DEEP OPEN WELLS & ARTIFICIAL CHANNELS. THEY ADOPTED ANIMAL HUSBANRY AS AN IMPORTANT MEANS OF EARNING A LIVILIHOOD ALONG WITH AGRICULTRE. ACCORDINGLY ANIMAL YARDS WERE INTEGRAL PART OF THEIR VILLAGE PLANNING. VAASTU-PURUSH-MANDALA It has been interpreted by various scholars in their own ways. Aryans adopted a square grid as well as square plans to raise various buildings on. They arranged their various day to day activities according to the various energy fields represented by these subdivisons. The Vastu purush mandala is the modal of to universe exhibiting the connection between people, built structures and nature. Vaastu means substance or built environment seen in relation with environment. When these are in perfect harmony with each other, it is termed as purusha the universe man represent energy. The Mandala is oriented with sun God occupying a crucial in the east . Wind God in the west, wealth God in the north and God of Death in the south. ARCHITECTURAL STYLE ARCHITECTURE STYLE VAASTUSHASTRA PROVIDED GUIDELINES FOR PLANNING VILLAGES AND BUILDING ABODES WHICH MEANT TO BE FREE OF DESTRUCTIVE ELEMENT AND RADIATION,STRUCTURES. THEY HARMONIZED WITH ‘PANCHSMSHSBUTAS’, THE FIVE BASIC ELEMENT PRITHVI,(EARTH),AAKASH(SPACE),VAAYU (AIR),JAL(WATER),AND AGNI(FIRE), INSTANCE THE KING PALACE USED TO BE A SQURE PLAN STRUCTURE OF 162ft SIDE ON FOR HASTA (6ft)GRID WITH ANTROPOMETRY.THE PALACE STRUCTURE USED TO HAVE 12ft HIGH CHANBERS. PILLARS IN THE ROYAL PALACES USE TO BE 14 INCHES WIDE AT THE BASE AND 10 INCHES AT THE CAPITAL. ONLY RESIDENTIAL AND OCCUPATION STRUCTURES WERE BUILT DURING VEDIC PERIOD. TEMPLES AND RELIGIOUS STRUCTURES WERE NOT ERECTED AS ARYANS DID NOT BELIEVE IN IDOL WORSHIP AND THE PRACTICE WAS NOT IN VOGUE THEN. SACRIFICIAL YAGYAS,MEDIATION,YOGA AND WORSHIP OF ELEMEENT OF NATURE AND NAV- GRAHAS WERE PERFORMED IN AN OPEN ENVIRONMENT AND THEREFORE REQUIRED NO COVERED ENCLOSURES. DANDAKA THIS USED TO BE A UNICELLULAR RESIDENTIAL UNIT. SUCH UNITS WERE ARRANGED IN A ROW HOUSING LIKE MANNER OR AT TIMES WERE CLUSTERED AROUND A TREE IN A common open space. Such the society called shoodras residential units were meant for the lower strata for , who were in service of upper classes of society. VARDHMAN Such residential units were planned around courtyard with inner Allinda giving protection to the doors and fenestration opening onto courtyard. Similar to Sarvatobhadra but relatively of smaller dimensions this unit was also planned as a detatched block. CHATURMUKHA This L shaped residential unit planned embracing a semi covered Yagyashala to it’s north east was meant for Brahmins to perform yagyas. The rear outer walls of this unit used to have small window openings at higher level and a plinth protection at the ground level. CONSTRUCTION TECHNIQUES AND MATERIALS The Aryans of the Rigveda period in India were not nomads. They lead a settled life and constructed their dwellings with the locally and easily available materials like mud, wood and thatch. Columns were erected on hard ground with supporting beams placed reclining against them and connected by rafters on which long bamboo were laid resulting in a high roof. The whole of the structure was covered with some other material. The straw and reed reinforced mud walls were plastered and finished with cow dung periodically giving sufficient protection against weathering agents. Rammed earth floors too was given periodic cow dung treatment. The Aryans used to decorate their entrances by making colorful geometrical and floor patters on the wall. Some special geometrical patters called Yantras were also employed for such decoration They believe in fortune and provides protection against the evil forces. Creative efforts at that time were mainly directed to poetry and religious thoughts.
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