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  • Watermelon Man Listening Group

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    Sebastian Zhang
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    The document discusses listening to an audio extract and filling in what is heard at different timings, including noting similarities to blues music such as chord progressions, added 7th chords, swing rhythm, use of flattened 3rd and 7th notes, improvisatory passages, call and response, ostinato bass, and time signature. Students are divided into wizard-knight groups to discuss their observations for 10 minutes while listening.

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    Watermelon man listening group

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    The document discusses listening to an audio extract and filling in what is heard at different timings, including noting similarities to blues music such as chord progressions, added 7th chords, swing rhythm, use of flattened 3rd and 7th notes, improvisatory passages, call and response, ostinato bass, and time signature. Students are divided into wizard-knight groups to discuss their observations for 10 minutes while listening.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    5 views1 page

    Watermelon Man Listening Group

    Uploaded by

    Sebastian Zhang
    The document discusses listening to an audio extract and filling in what is heard at different timings, including noting similarities to blues music such as chord progressions, added 7th chords, swing rhythm, use of flattened 3rd and 7th notes, improvisatory passages, call and response, ostinato bass, and time signature. Students are divided into wizard-knight groups to discuss their observations for 10 minutes while listening.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    (hancock)

    Discuss in your wizard-knight group for 10 minutes while listening to the extract
    Fill in what do you hear at the various timings by end of the lecture.

    Who Timi What do you hear? How is this similar


    does ng to blues? ☺
    what
    JX 0’00 - I-IV-V-I progression
    group - added 7th chords
    0’16 - Swing rhythm
    - Consists of “blues”
    notes such as
    Wei 0’36 flattened 3rd (Ab) and
    Ler’s 7th (Eb)
    group 0’41 - Improvisatory
    passages
    0’59 - Call and Response
    - Ostinato Bass
    - 4/4 time signature

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