Professional Documents
Culture Documents
Goto80: Jump To Navigationjump To Search
Goto80: Jump To Navigationjump To Search
Goto80
Background information
name
Years 1992–present
active
Website www.goto80.com
of
the millennium he was one of the first to bring chipmusic to a wider audience,
and was also an early adopter of live Game Boy music. He has an extensive[2]
back catalogue of free music – often open source – with a wide span of musical
influences. He currently
[3]
focuses on research and art, and maintains a
[when?]
number of blogs and labels such as Chipflip and the text-mode tumblr.
Contents
1Career
o 1.1Music
o 1.2Research
o 1.3Art
2Music distribution
3Discography
o 3.1Studio albums
o 3.2Compilations
o 3.3EPs
4Remixes
5References
6External links
Career[edit]
Music[edit]
Goto80 released his first music in the demoscene in 1993, at the age of 12. He [4]
founded the group Hack n' Trade and released his music for free in demos and
on BBSs. The style seems to have been predominantly rave and
electronica. His first live performances was with the pop group HT in 1998.
[5] [6]
with LSDj together with Role Model. His Papaya EP was released the same
[8]
year, combining pop, dub, vocoders and calypso. This led to some media
attention, and him opening the Hultsfred Festival. He was also working regularly
with famous demoscene groups like Fairlight and Triad. In 2002 he co-founded
the band Superdöner to play a form of 8-bit punk rock. The following year he
[9]
year he was selected as artist of the year at the Microdisko Chipmusic Awards,
and was later one of three nominees for all-time C64-composer
at Commodore's official 25-year celebration. [11][12]
In 2007 Goto80 made one release every month and performed once a week. [13
]
The following year he tried to release one song every day together with Da
n Brännvall at internet2008.se. This established him further as one of
[14]
the top 8-bit acts. His next release, Breakfast (2009) has been listed as one of
[15]
the top-10 chip songs of all time. Following this poppy song, he started to
[16]
focus on darker sounds, often improvised completely on Commodore 64. One [17]
BBC review described his music as microscopic bursts and stutters of atonal
sound on which he eventually lays down some beautiful descending bass
tones.
[18]
Among his aliases, Extraboy seems to be the most productive one. Extraboy
appeared on record for the first time in 2002 with a remix of Tim Koch. Other
[19]
Research[edit]
Goto80 has been called a demoscene historian. His main research topics
[21]
are chipmusic, textmode graphics and the demoscene. He published his first
text in the book From Pac Man to Pop Music in 2008, where he described
chipmusic as a medium and form. Carlsson received his master in Media a
[22]
nd Communication in 2010 with his thesis Power Users and Retro Puppets – a
Critical Study of the Methods and Motivations in Chipmusic. [23]
Art[edit]
His art works are often focused on live performances (2SLEEP1, Gotozilla,
Punk Potemkin, Data Jam) or computer violence (HT Gold, Polybius, 44422435
To Nowhere). He has worked together with artists such as Raquel Meyers,
Jossystem, Otro, Videogramo, Entter, Rosa Menkman, Shojono Tomo and
Jacob Remin. Since 2011 he has been focusing on textmode aesthetics
[25]
together with Raquel Meyers. In 2012 they claimed to be the first to make a
performance using only PETSCII-based graphics and music software. [26]
Music distribution[edit]
Following the practices of the demoscene, Goto80 releases most of his music
for free. By 2007 he had 1000 songs online. In the same year, he
[27]
left Myspace and later criticized fellow musicians for trying to be present on
too
many Internet platforms, advising them to use their own distribution channels
instead. He is vaguely connected with hacking and piracy, having performed
[28]
in textmode, but was only available as streaming video. All these releases
[30]
Remixes[edit]
Goto80 has contributed to several famous remix compilations such as 8bits of
Christmas (2003) and Wanna Hld Yr Handheld (2009). In the 1990s, Goto80 did
many tongue-in-cheek remixes based on 1980s pop culture. This can be heard
in Lo Fi Mono Festival and Papaya EP where he covered music
from Yazoo, Kikki Danielsson, The Incredible Hulk, Megaman, Depeche
Mode, Barbapapa, etcetera. In 2002 he released Italo Megamix for C64, with
remixes of Miko Mission, Scotch, Laserdance and others.
In 2007, he made a C64-version of Deep Throat together with Role Model. The
full movie was converted into chunky pixel graphics, which was streamed from
the C64 datasette in realtime. He has also remixed more contemporary artists,
[31]
References