Professional Documents
Culture Documents
WORKSHOP
(Plagiarism, APA Style and
Paraphrasing)
Presented by:
From a class perspective this put them [highwaymen] Although they did not question the
in an ambivalent position. In aspiring to that proud, if inegalitarian hierarchy of their society,
temporary, status of ‘Gentleman of the Road’, they
did not question the inegalitarian hierarchy of their highwaymen became an essential part of
society. Yet their boldness of act and deed, in putting the oppositional culture of working-class
them outside the law as rebellious fugitives, revivified London, posing a serious threat to the
the ‘animal spirits’ of capitalism and became an
essential part of the oppositional culture of working-
formation of a biddable labour force.
class London, a serious obstacle to the formation of a
tractable, obedient labour force. Therefore, it was not
enough to hang them – the values they espoused or
represented had to be challenged.
(Linebaugh, P., The London Hanged: Crime and Civil
Society in the Eighteenth Century (London, 1991), p.
213. [You should give the reference in full the first
time you use it in a footnote; thereafter it is
acceptable to use an abbreviated version, e.g.
Linebaugh, The London Hanged, p. 213.]
Sample Source text:
Sample Source Text Plagiarised
From a class perspective this put them [highwaymen] Although they did not question the
in an ambivalent position. In aspiring to that proud, if inegalitarian hierarchy of their society,
temporary, status of ‘Gentleman of the Road’, they
did not question the inegalitarian hierarchy of their highwaymen became an essential part of
society. Yet their boldness of act and deed, in putting the oppositional culture of working-class
them outside the law as rebellious fugitives, revivified London, posing a serious threat to the
the ‘animal spirits’ of capitalism and became an
essential part of the oppositional culture of working-
formation of a biddable labour force.
class London, a serious obstacle to the formation of a
tractable, obedient labour force. Therefore, it was not
enough to hang them – the values they espoused or
represented had to be challenged.
(Linebaugh, P., The London Hanged: Crime and Civil
Society in the Eighteenth Century (London, 1991), p.
213. [You should give the reference in full the first
time you use it in a footnote; thereafter it is
acceptable to use an abbreviated version, e.g.
Linebaugh, The London Hanged, p. 213.]
Sample Source text:
Sample Source Text Plagiarised
From a class perspective this put them [highwaymen] Although they did not question the
in an ambivalent position. In aspiring to that proud, if inegalitarian hierarchy of their society,
temporary, status of ‘Gentleman of the Road’, they
did not question the inegalitarian hierarchy of their highwaymen exercised a powerful
society. Yet their boldness of act and deed, in putting attraction for the working classes. Some
them outside the law as rebellious fugitives, revivified historians believe that this hindered the
the ‘animal spirits’ of capitalism and became an
essential part of the oppositional culture of working-
development of a submissive workforce.
class London, a serious obstacle to the formation of a
tractable, obedient labour force. Therefore, it was not
enough to hang them – the values they espoused or
represented had to be challenged.
(Linebaugh, P., The London Hanged: Crime and Civil
Society in the Eighteenth Century (London, 1991), p.
213. [You should give the reference in full the first
time you use it in a footnote; thereafter it is
acceptable to use an abbreviated version, e.g.
Linebaugh, The London Hanged, p. 213.]
Sample Source text:
Sample Source Text Plagiarised
From a class perspective this put them [highwaymen] Although they did not question the
in an ambivalent position. In aspiring to that proud, if inegalitarian hierarchy of their society,
temporary, status of ‘Gentleman of the Road’, they
did not question the inegalitarian hierarchy of their highwaymen exercised a powerful
society. Yet their boldness of act and deed, in putting attraction for the working classes. Some
them outside the law as rebellious fugitives, revivified historians believe that this hindered the
the ‘animal spirits’ of capitalism and became an
essential part of the oppositional culture of working-
development of a submissive workforce.
class London, a serious obstacle to the formation of a
tractable, obedient labour force. Therefore, it was not
enough to hang them – the values they espoused or
represented had to be challenged.
(Linebaugh, P., The London Hanged: Crime and Civil
Society in the Eighteenth Century (London, 1991), p.
213. [You should give the reference in full the first
time you use it in a footnote; thereafter it is
acceptable to use an abbreviated version, e.g.
Linebaugh, The London Hanged, p. 213.]
Sample Source text:
Sample Source Text Non- Plagiarised
From a class perspective this put them [highwaymen] Peter Linebaugh argues that although
in an ambivalent position. In aspiring to that proud, if highwaymen posed no overt challenge to
temporary, status of ‘Gentleman of the Road’, they
did not question the inegalitarian hierarchy of their social orthodoxy – they aspired to be
society. Yet their boldness of act and deed, in putting known as ‘Gentlemen of the Road’ – they
them outside the law as rebellious fugitives, revivified were often seen as anti-hero role models
the ‘animal spirits’ of capitalism and became an
essential part of the oppositional culture of working-
by the unruly working classes. He
class London, a serious obstacle to the formation of a concludes that they were executed not
tractable, obedient labour force. Therefore, it was not only for their criminal acts, but in order to
enough to hang them – the values they espoused or stamp out the threat of insubordinacy.
represented had to be challenged.
(Linebaugh, P., The London Hanged: Crime and Civil
Society in the Eighteenth Century (London, 1991), p.
213. [You should give the reference in full the first
time you use it in a footnote; thereafter it is
acceptable to use an abbreviated version, e.g.
Linebaugh, The London Hanged, p. 213.]
Sample Source text:
Sample Source Text Non- Plagiarised
From a class perspective this put them [highwaymen] Peter Linebaugh argues that highwaymen
in an ambivalent position. In aspiring to that proud, if represented a powerful challenge to the
temporary, status of ‘Gentleman of the Road’, they
did not question the inegalitarian hierarchy of their mores of capitalist society and inspired the
society. Yet their boldness of act and deed, in putting rebelliousness of London’s working class.
them outside the law as rebellious fugitives, revivified
the ‘animal spirits’ of capitalism and became an
essential part of the oppositional culture of working-
1 Linebaugh, P., The London Hanged:
class London, a serious obstacle to the formation of a Crime and Civil Society in the Eighteenth
tractable, obedient labour force. Therefore, it was not Century (London, 1991), p. 213.
enough to hang them – the values they espoused or
represented had to be challenged.
(Linebaugh, P., The London Hanged: Crime and Civil
Society in the Eighteenth Century (London, 1991), p.
213. [You should give the reference in full the first
time you use it in a footnote; thereafter it is
acceptable to use an abbreviated version, e.g.
Linebaugh, The London Hanged, p. 213.]
APA CITATION
GUIDELINES 6th
EDITION AND MOST
NOTABLE CHANGES
IN 7TH EDITION
SOURCE: This citation guide is based on the 6th edition of the APA Manual. The latest edition, published in
October 2019, is not yet supported, but we have compiled a quick guide to
the most important 7th edition changes.
Smith, P. (2019, April 18). Citing Sources in APA Format. Retrieved April 21, 2019, from
https://www.scribbr.com/apa-style/
APA style is one of the most
common formats for citing
sources Other well known citation
styles include MLA and Chicago.
In October 2019, the APA
introduced the 7th edition of the
APA Publication Manual, which
replaces the 6th edition published
in 2009.
APA style citations consist of two
parts:
In text Citation: A brief citation in parentheses when
you mention a source, citing the author’s last name and the
year of publication, e.g. (Smith, 2019). It identifies the full
source in the reference list.
Reference List Entry: Full publication details listed
on the reference page, which appears at the end of your
paper. The reference provides all the information needed to
find the source, e.g. Smith, P. (2019, April 18). Citing
Sources in APA Format. Retrieved April 21, 2019, from
https://www.scribbr.com/apa-style/
1. In-text
Citations
APA Referencing Basics:
In-Text Citation
In-text citations are citations within the main body of the
text and refer to a direct quote or paraphrase. They
correspond to a reference in the main reference list. These
citations include the surname of the author and date of
publication only. Using an example author James Mitchell,
this takes the form:
Research shows that there is a great need for … (Reynolds & Thomas, 2014).
Reynolds and Thomas (2014) write that there is a great need for …
The surname of both authors is stated with either ‘and’ or an ampersand between. For
example:
Recent research suggests that there is … (McGuire, Morrison, Reynolds, & Thomas, 2014).
McGuire, Morrison, Reynolds, and Thomas (2014) argue that …
If you cite the same source again, to save space, you shorten the citation. Instead of
including all the authors’ names, include only the first author, followed by “et al.”
(meaning “and others”).
Image Example:
Millais, J.E. (1851-1852). Ophelia [painting]. Retrieved from
www.tate.org.uk/art/artworks/millais-ophelia-n01506
6th Edition: How to Cite a Film in
APA Format
The basic format of a film citation is:
Producer surname, initial (Producer), & Director surname,
initial (Director). (Year of Release). Title of film [Motion
Picture]. Country of Origin: Studio.
Film Example:
Hitchcock, A. (Producer), & Hitchcock, A. (1954) Rear
window. United States of America: Paramount Pictures.
6th Edition: How to Cite a TV
Programme in APA Format
The basic format is as follows:
Writer surname, initial(s) (Writer), & Director surname, initial(s)
(Director). (Year of Release). Episode title [Television series episode].
In Executive producer surname, initial(s) (Executive Producer), TV
series name. City, State of original channel: Network, Studio or
Distributor
TV Programme Example:
Catlin, M., and Walley-Beckett, Moire (Writers), & Johnson, R
(Director). (2010). Fly [Television series episode]. In Schnauz, T.
(Executive Producer). Breaking bad. Culver
6th Edition: How to Cite a Song in APA Format
The basic format to cite a song in APA format is as follows:
Song Example:
Beyonce, Diplo, MNEK, Koenig, E., Haynie, E., Tillman, J., and Rhoden,
S.M. (2016) Hold up [Recorded by Beyonce]. On Lemonade [visual
album]. New York, NY: Parkwood Records (August 16)
6th Edition: How to Cite a
Website in APA Format
When citing a website, the basic structure is as follows:
Author surname, initial(s). (Year, month day). Title. URL
Website example:
Mitchell, J.A. (2017, May 21). How and when to reference.
https://www.howandwhentoreference.com.
Additional:
Surnames and initial up to 20 authors (instead of 7) should be provided in the
reference list.
APA Formatting
for Papers
There are certain formatting rules you
must adhere to when writing a paper in
APA format.