Professional Documents
Culture Documents
2020
DO NOW – Look at the two images and outline the differences between
them (use bullet points)
A* Challenge
What keywords would you use to describe this?
FILM EDITOR
Data manager
VFX supervisor
Colourist
Editor assistants
and trainees
Can I Outline Editing?
ALL FILM ROLES - CHAIN OF
COMMAND RECAP
CASE STUDY: (10 mins) Can I Outline Editing?
WALTER MURCH
INFORMATION HUNT Task: Who is he
and what does he
say about editing?
A* Challenge
Read these books
Can I Outline Editing?
WALTER MURCH has 6 Criteria for
film editing he breaks them down in
terms of importance.
Task - Can you match the correct
percentage to the criteria?
A) 3D Space – is the cut true to
the action?
6) 3D Space
PLAY 5) 2D Plane of Screen
4) Eye Trace
3) Rhythm
1) Emotion 2) Story
Learning Check
Can I Outline Editing?
1. Continuity Editing
2. Radical Subjective Continuity/ Dis-
Continuity/Disjunctive editing
3. Classical Editing
4. Thematic or Montage editing
5. Soviet Montage theory
Can I Apply Editing?
Continuity Editing
PLAY example
This style is achieved through ‘coverage’ (the process in which a
scene is filmed from a variety of angles, for example ‘eye line
match’ – if we see an actor refer to something off scree, this
object is filmed through ‘cutaways’ – coverage of items or
actions. ‘Matched action’ – cuts happen during a major action,
this adds emphasis to the action.
Thematic or Montage editing Can I Apply Editing?
EXAMPLE
HOT FUZZ
Can I Apply Editing?
Soviet Montage theory
Montage is associated with Soviet cinema 1920’s,
film makers especially Lev Kuleshov, V.I Pudovkin and
Sergei Eistenstein.
Kuleshov’s famous experiment, which was later
termed ‘The Kuleshov effect’ was a breakthrough in
understanding and producing films.
TASK - watch and make notes on what ‘The
Kuleshov effect’ is.
Success criteria:
Watch the following ‘Battleship
Potemkin’ clip and evaluate how
effectively the meaning is
communicated through the editing?
KEYWORDS Learnt this lesson to use
Film Editing, Film editor, Data manager, VFX
supervisor, Colourist, Editor
Assistants/trainees, Walter Murch, Emotion,
Story, Rhythm, Eye trace, 2D plane of
screen, 3D Space, Continuity Editing, Radical
Subjective Continuity/ Dis- A* Challenge
Continuity/Disjunctive editing, Classical Editing, Use as many KW’s and
Thematic or Montage editing, Soviet Montage
theory, ‘The Kuleshov effect’, Sergei Precise examples as
Eistenstien, Metric montage, Rythmic montage, possible. Add this to
Tonal montage, Over tonal montage, your blog
Intellectual or ideological montage
Media text analysis (15mins): Can I Evaluate Editing?
Success criteria:
Watch the following ‘Requiem for a
Dream’ clip and evaluate how
effectively the meaning is
communicated through the editing?
KEYWORDS Learnt this lesson to use
Film Editing, Film editor, Data manager, VFX
supervisor, Colourist, Editor
Assistants/trainees, Walter Murch, Emotion,
Story, Rhythm, Eye trace, 2D plane of
screen, 3D Space, Continuity Editing, Radical
Subjective Continuity/ Dis-
Continuity/Disjunctive editing, Classical Editing,
Thematic or Montage editing, Soviet Montage
theory, ‘The Kuleshov effect’, Sergei
A* Challenge
Eistenstien, Metric montage, Rythmic montage, Add this to your blog
Tonal montage, Over tonal montage,
Intellectual or ideological montage
Plenary: Last Progress check
Homework (1 hour min):
Watch the following video and conduct research into the different types of
transitions there are
A* Challenge
Upload all the content
from todays lesson to
your blog.