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Period
Ms. Joyce de Rama Timbol
MUSIC 9
MUSIC OF THE BAROQUE PERIOD
▪ Baroque period lasted from 1685-1750
▪ “Barroco” is a Portuguese word which means “a pearl is irregularly
shaped.” It is where the period was named after.
▪ Baroque period shined under the leadership of Louis XIV of France.
– This period was the time of great philosophers and writers such as
Descartes, Locke, and Voltaire
▪ Baroque was distinguished by the use of instrumental and secular
music.
– Great composers like Lully, Monteverdi, Purcell, Scarlatti, and Vivaldi stood
out on this period.
Most famous and great composers during the Baroque Period
▪ It was during the Baroque period when tonality was created. Composers and performers used
very elaborate ornamentation in their music, made innovations in musical notation, and
introduced new playing techniques with instruments. This style of music STILL EXIST TODAY.
▪ The soloist or smaller group is the “concertino”.
▪ The full ensemble or bigger group is made up of eight to
twenty musicians called “tutti” or “ripieno”.
▪ Tutti are usually string instruments and a harpsichord for
the basso continuo. [(in baroque music) it is an
accompanying part that includes a bassline and
harmonies, typically played on a keyboard instrument
and with other instruments such as cello or lute. "the
piece is scored for flute, violin, viola da gamba, and CONCERTO
continuo“]
GROSSO
▪ The concerto grosso has three movements: (1) Fast, (2)
Slow, and (3) Fast, followed by the concertino.
An important form of
instrumental music during the
▪ The first and last movements are in the ‘ritornello’ forms. Baroque period.
▪ The form is the alternate playing of concertino and tutti. Two groups of instruments
The tutti plays the theme first which is called ritornello contracted against each other
(tutti). compose a concerto grosso.
▪ Usual form of the concerto grosso is as follows:
1. a) Tutti (f), ritornello in the beginning key
b)
2. a) Tutti (f), ritornello, part only
b) Solo
3. a) Tutti (f), ritornello, part only
b) Solo
RITORNELLO
4. a) Tutti (f), ritornello in the beginning key
The ritornello, Italian for 'little return,' is
one of the most frequently used
compositional techniques and it involves
The beginning part of Brandenburg Concerto No. 5 of Johann
a musical theme that returns repeatedly,
Sebastian Bach is a good example of concerto gross in
with sections of different music in
ritornello form.
between each return. Imagine we are
diagramming the sequence of themes in
a composition using letters. For
example, if we use the letter ''R'' to
represent the ritornello and the letters
''A'' and ''B'' to represent different
musical sections, we can diagram a
piece with a ritornello in this manner: R
A R B R A R.
▪ The English term fugue came from the 16th century and is
taken from the French word fugue or the Italian fuga. This
also came from Latin, fuga, which is itself related to both
fugure (to flee) and fugare (to chase) The adjective form is
fugal.
▪ Fugue usually has three sections:
– Exposition is the initial presentation of the thematic material
of a musical composition, movement, or section.
FUGUE (FEWG)
– musical variation, which is a slightly different means to the
sameDevelopment is a process by which a musical idea is
communicated in the course of a composition. It refers to
the transformation and restatement of initial material. It is a contrapuntal compositional
Development is often contrasted with end. technique in two or more voices
– Recapitulation a part of a movement (especially one in sonata It is built on a theme introduced at
form) in which themes from the exposition are restated. the beginning in
imitation/repetition at different
▪ CONTRAPUNTAL - /ˌkäntrəˈpən(t)l/; of or in counterpoint; pitches, and recurs often
(of a piece of music) with two or more independent throughout the composition
melodic lines.
▪ Most FUGUES open with a short main theme, the subject, which
then sounds successively in each voice.
▪ After the first voice is done stating the subject, a second voice
repeats the subject at a different pitch, and other voices repeat in
the same way.
FUGUE (FEWG)
formed from previously heard material.
▪ Entries and episodes are generally alternated towards the “final “The Musical Offering”
entry” of the subject. Johann Sebastian Bach
▪ This time the music has returned to the opening key and is Six-part fugue
usually followed by the coda as closing material.