The document discusses different types of production for audience-participation broadcasts. It notes that these broadcasts usually involve a studio contest with a script serving as a guidepost. Microphones used include eight-ball microphones and two velocity microphones. The master of ceremonies is usually positioned so they can see the control room, clock, audience, and contestants. Audiences should be admitted 45 minutes before airtime and doors closed 10 minutes before. Children's broadcasts focus on make-believe and being comfortable for children. Program auditions allow testing of actors, singers, announcers and shows.
The document discusses different types of production for audience-participation broadcasts. It notes that these broadcasts usually involve a studio contest with a script serving as a guidepost. Microphones used include eight-ball microphones and two velocity microphones. The master of ceremonies is usually positioned so they can see the control room, clock, audience, and contestants. Audiences should be admitted 45 minutes before airtime and doors closed 10 minutes before. Children's broadcasts focus on make-believe and being comfortable for children. Program auditions allow testing of actors, singers, announcers and shows.
The document discusses different types of production for audience-participation broadcasts. It notes that these broadcasts usually involve a studio contest with a script serving as a guidepost. Microphones used include eight-ball microphones and two velocity microphones. The master of ceremonies is usually positioned so they can see the control room, clock, audience, and contestants. Audiences should be admitted 45 minutes before airtime and doors closed 10 minutes before. Children's broadcasts focus on make-believe and being comfortable for children. Program auditions allow testing of actors, singers, announcers and shows.