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Graphics

Design
Graphic Design
• Graphic design is the use of drawn letters to
make words which can pass a message ,
• In graphic design one can decorate letters so as
to look beautiful.
• In our topic we will learn to decorate lower case
letters, and upper case letters , we will make
beautiful letters and create simple message.

Sunrise School
How shapes influence letter construction
During the process of constructing block letters, the
series of steps taken sometimes necessitate
drawing general shapes such as squares,
rectangles, triangles and circles.
For instance, circles can be used to derive corners
and curves need for letters that indicate round
corners.
As is evident, squares are mainly used for setting
up a 'square grid' in which desired block letters can
be constructed. By analysis, basic shapes can
quickly be obtained from a well-constructed square
grid in right arithmetical (square) values of 3×5 or
1×5 and 5×5. Here is a table discussing ways in
which general shapes can cause transformations,
which reveal actual block letters:
Layouts
 This is an aspect of design that deals
with arrangements of text or pictures
on a set out page.
 Layouts are characterized by constant
changes, they can be :
>>vertical,
>>horizontal or
>> radial.
 A reasonable conclusion of a functional
layout can be reached after considering
expected out comes of the final design,
in addition to how the absolute layout
shall be displayed.
 The effectiveness of a layout can be
determined by the feasibility of its
implementation to users along with
their ability to follow a logical path of
identifying the most important in a
design created.
 In fact, complex information requires the simplest presentation possible, so that the focus
is on the information rather than the way it is presented.” That is to say, a lay out page
persistently goes through a process of arranging text, images or both for an optimal
balance. This course of action is matched with various elements and principles of design.
 A careful look at newspaper layouts suggests a surprising display of well laid out text,
usually accompanied by illustrations, both in different sizes and colors on different page
displays. This causes ordinary readers to wonder how individual parts were delightfully co-
ordinated to fit proportionally on each page without influences of misguided judgment.
 Let us assume that the type of layout you plan is meant for a poster; vary the words or
text accordingly and probably put emphasis to the most important—decide on what
should stand out most.

SUNRISE
Types of layouts
Layouts are different. Thereby, they exist in various complex orientations. Here is a
general review of the various types of layouts:
a) Symmetrical layouts are made up of parts that are exactly similar or facing each
other. “Symmetrically balanced layouts are those with visual elements mirrored from
side or from top to bottom.” Generally, symmetrical layouts are habitually used in
novels—on pages.
b) Radial layouts are mainly shaped like a wheel or they often appear in circular
form. They are commonly used for presenting radial graph visualizations. Although
radial layouts are not easy to read, designers prefer them for logo designs. In other
words, they are not clear enough to be effortlessly read. Look for the five-ring
Olympic symbol.
c) Asymmetrical layouts display parts or aspects of a design—not in an equally
arranged manner. “creating such a layout is more challenging ... since each individual
element used in a design must be considered.” By careful analysis, asymmetrical
layouts do not have an axial symmetry because they are spontaneous; they display an
optimal balance that is delicate and difficult to analyze.
How elements and principles of design can be used on layout designs
ART &DESIGN
learners Book 4
Graphic Illustrations By: Hussain .K ©
How to design a Badge
Badges are creatively composed in very many well-judged design plans. Designers
who create badges start by acquiring and developing a clear enlightenment of
purposes or functions of the expected design. Some badges are made for schools,
army or police and organized societies, businesses and associations.
Sometimes designers confuse badges with emblems because they are not easy to
distinguish. As a creative artist, it is essential for you to understand that before you
begin to sketch. Exchange cognate views with a person concerned.
It can be a teacher, friends, or the owner of a badge; to clarify and/or review the
purpose of the design as well as its appearance.
At this stage Mead (2008, 30-31) suggests, “investigate the symbolism of your
school ... badge. Inspect closely and thoroughly the hidden messages in a range of
logos or
symbolic colors of clothing” for instance uniforms. They will guide you on how to
identify icons, which shall appear in your design of a badge as well as necessary
colours.
KNOWLEDGE IS POWER

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