Professional Documents
Culture Documents
20 CENTURY
TH
DESCRIBES ART MUSIC THAT WAS WRITTEN
NOMINALLY FROM 1901 TO 2000. TWENTIETH-
CENTURY MUSIC WAS PRECEDED BY SEVERAL
LATE ROMANTIC ERA DEVELOPMENTS,
INCLUDING IMPRESSIONISM, EXPRESSIONISM,
NEO-CLASSICISM, AVANT GARDE AND MODERN
NATIONALISM.
IMPRESSIONISM
IMPRESSIONISM IN MUSIC WAS A MOVEMENT
AMONG VARIOUS COMPOSERS IN WESTERN
CLASSICAL MUSIC WHOSE MUSIC FOCUSES ON
MOOD AND ATMOSPHERE, "CONVEYING THE
MOODS AND EMOTIONS AROUSED BY THE
SUBJECT RATHER THAN A DETAILED TONE‐
CLAUDE DEBUSSY
1862-1918
CLAUDE DEBUSSY WAS A FRENCH COMPOSER. HE IS SOMETIMES SEEN AS THE FIRST
IMPRESSIONIST COMPOSER, ALTHOUGH HE VIGOROUSLY REJECTED THE TERM. HE WAS AMONG
THE MOST INFLUENTIAL COMPOSERS OF THE LATE 19TH AND EARLY 20TH CENTURIES.
NATIONALITY: FRENCH
DEBBUSSY’S WORKS:
• ARRIETES OUBLIEES
• STRING QUARTET
• PELLEAS ET MELISANDE
HEIGHT: 1.61 M
NATIONALITY: FRENCH
RAVEL’S WORKS:
• STRING QUARTET
• MIRIORS OR MIRRORS
• BOLERO
EXPRESSIONISM
THE TERM EXPRESSIONISM "WAS PROBABLY
FIRST APPLIED TO MUSIC IN 1918, ESPECIALLY
TO SCHOENBERG", BECAUSE LIKE THE
PAINTER WASSILY KANDINSKY HE AVOIDED
"TRADITIONAL FORMS OF BEAUTY" TO
CONVEY POWERFUL FEELINGS IN HIS MUSIC.
ARNOLD SCHOENBERG
(1874-1951)
ARNOLD SCHOENBERG OR SCHÖNBERG WAS AN AUSTRIAN-AMERICAN COMPOSER, MUSIC THEORIST,
TEACHER, WRITER, AND PAINTER. HE IS WIDELY CONSIDERED ONE OF THE MOST INFLUENTIAL
COMPOSERS OF THE 20TH CENTURY. HE WAS ASSOCIATED WITH THE EXPRESSIONIST MOVEMENT IN
GERMAN POETRY AND ART, AND LEADER OF THE SECOND VIENNESE SCHOOL.
SCHOENBERG’S WORK:
• PIERROT LUNAIRE
• GURRELEIDER
IGOR STRAVINSKY
(1882-1971)
IGOR FYODOROVICH STRAVINSKY COMSE WAS A RUSSIAN COMPOSER, PIANIST AND CONDUCTOR,
LATER OF FRENCH AND AMERICAN CITIZENSHIP. HE IS WIDELY CONSIDERED ONE OF THE MOST
IMPORTANT AND INFLUENTIAL COMPOSERS OF THE 20TH CENTURY AND A PIVOTAL FIGURE IN
MODERNIST MUSIC.
SIBLINGS: YURY STRAVINSKY
SCHOENBERG’S WORK:
• PETROUCHKA
NATIONALITY: HUNGARIAN
BARTÓK’S WORK:
• ALEGRO BARBARO
• MIKROKOSMOS
NEOCLASSICISM
NEOCLASSICISM IN MUSIC WAS A TWENTIETH-
CENTURY TREND, PARTICULARLY CURRENT IN THE
INTERWAR PERIOD, IN WHICH COMPOSERS SOUGHT TO
RETURN TO AESTHETIC PRECEPTS ASSOCIATED WITH
THE BROADLY DEFINED CONCEPT OF "CLASSICISM",
NAMELY ORDER, BALANCE, CLARITY, ECONOMY, AND
EMOTIONAL RESTRAINT.
SERGEI PROKOFIEFF
(1891-1953)
SERGEI SERGEYEVICH PROKOFIEV WAS A RUSSIAN COMPOSER, PIANIST, AND CONDUCTOR WHO
LATER WORKED IN THE SOVIET UNION. AS THE CREATOR OF ACKNOWLEDGED MASTERPIECES
ACROSS NUMEROUS MUSIC GENRES, HE IS REGARDED AS ONE OF THE MAJOR COMPOSERS OF
THE 20TH CENTURY.
GENRE: CLASSICAL
NATIONALITY: RUSSIAN, SOVIET
PROKOFIEFF’S WORK:
• CONCERTO IN C MAJOR
• SYMPHONY NO.1
FRANCIS POULENC
(1899-1963)
FRANCIS JEAN MARCEL POULENC WAS A FRENCH COMPOSER AND PIANIST. HIS
COMPOSITIONS INCLUDE SONGS, SOLO PIANO WORKS, CHAMBER MUSIC,
CHORAL PIECES, OPERAS, BALLETS, AND ORCHESTRAL CONCERT MUSIC.
NATIONALITY: FRENCH
POULENC’S WORK:
• LES MAMELLES DE TIRESIAS
• DIALOUGES DES CARMELITES
• LA VOIX HUMANE
• LITANIES A LA VIERGE NOIRE
AVANT-GARDE MUSIC
AVANT-GARDE MUSIC IS MUSIC THAT IS CONSIDERED
TO BE AT THE FOREFRONT OF INNOVATION IN ITS FIELD,
WITH THE TERM "AVANT-GARDE" IMPLYING A CRITIQUE
OF EXISTING AESTHETIC CONVENTIONS, REJECTION OF
THE STATUS QUO IN FAVOR OF UNIQUE OR ORIGINAL
ELEMENTS, AND THE IDEA OF DELIBERATELY
CHALLENGING OR ALIENATING AUDIENCES.
GEORGE GERSHWIN
( 1898-1937 )
GEORGE GERSHWIN WAS AN AMERICAN COMPOSER AND PIANIST
WHOSE COMPOSITIONS SPANNED POPULAR, JAZZ AND CLASSICAL
GENRES.
NATIONALITY: AMERICAN
GENRES: CLASSICAL, JAZZ
GERSHWIN’S WORK:
• PORGY AND BESS
• LES SIX
LEONARD BERNSTEIN
(1918-1990)
LEONARD BERNSTEIN WAS AN AMERICAN CONDUCTOR, COMPOSER, PIANIST,
MUSIC EDUCATOR, AUTHOR, AND HUMANITARIAN. CONSIDERED TO BE ONE
OF THE MOST IMPORTANT CONDUCTORS OF HIS TIME, HE WAS THE FIRST
AMERICAN CONDUCTOR TO RECEIVE INTERNATIONAL ACCLAIM.
BERNSTEIN’S WORK:
• CANDIDE
• ON THE WATERFRONT
PHILIP GLASS
PHILIP MORRIS GLASS IS AN AMERICAN COMPOSER AND PIANIST. HE IS WIDELY
REGARDED AS ONE OF THE MOST INFLUENTIAL COMPOSERS OF THE LATE 20TH
CENTURY. GLASS'S WORK HAS BEEN ASSOCIATED WITH MINIMALISM, BEING
BUILT UP FROM REPETITIVE PHRASES AND SHIFTING LAYERS.
GLASS’S WORK:
• MUSIC IN FIFTHS
MUSICAL NATIONALISM
MUSICAL NATIONALISM REFERS TO THE
USE OF MUSICAL IDEAS OR MOTIFS THAT
ARE IDENTIFIED WITH A SPECIFIC
COUNTRY, REGION, OR ETHNICITY, SUCH AS
FOLK TUNES AND MELODIES, RHYTHMS,
AND HARMONIES INSPIRED BY THEM.
NIKOLAI RIMSKY-
KORSAKOV
NIKOLAI ANDREYEVICH RIMSKY-KORSAKOV WAS A
RUSSIAN COMPOSER, A MEMBER OF THE GROUP OF
COMPOSERS KNOWN AS THE FIVE. HE WAS A MASTER OF
ORCHESTRATION.
BORN: MARCH 18, 1844, TIKHVIN, RUSSIA
DIED: JUNE 21, 1908, LIUBENSK, RUSSIA
CHILDREN: SVIATOSLAV RIMSKY-KORSAKOV,
ANDREY RIMSKY-KORSAKOV, MORE
SPOUSE: NADEZHDA RIMSKAYA-KORSAKOVA (M. 1872–1908)
NATIONALITY: RUSSIAN
KORSAKOV’S WORK:
• VISIONS FUGITIVES
NEW MUSICAL
STYLES
ELECTRONIC MUSIC
ELECTRONIC MUSIC IS A GENRE OF MUSIC THAT
EMPLOYS ELECTRONIC MUSICAL INSTRUMENTS,
DIGITAL INSTRUMENTS, OR CIRCUITRY-BASED
MUSIC TECHNOLOGY IN ITS CREATION. IT
INCLUDES BOTH MUSIC MADE USING ELECTRONIC
AND ELECTROMECHANICAL MEANS
(ELECTROACOUSTIC MUSIC).
MARIO DAVIDOVSKY
MARIO DAVIDOVSKY WAS AN ARGENTINE-AMERICAN COMPOSER.
BORN IN ARGENTINA, HE EMIGRATED IN 1960 TO THE UNITED
STATES, WHERE HE LIVED FOR THE REMAINDER OF HIS LIFE.
NOTABLE WORK: SYNCHRONISMS
DAVIDOVSKY’S WORK:
• SYNCHRONISMS NO 5
EDGARD VARÈSE
(1883-1965)
EDGARD VICTOR ACHILLE CHARLES VARÈSE WAS A FRENCH-BORN
COMPOSER WHO SPENT THE GREATER PART OF HIS CAREER IN THE
UNITED STATES. VARÈSE'S MUSIC EMPHASIZES TIMBRE AND RHYTHM;
HE COINED THE TERM "ORGANIZED SOUND" IN REFERENCE TO HIS
OWN MUSICAL AESTHETIC.
NATIONALITY: AMERICAN, FRENCH
GENRE: NATURAL SOUNDS
CHILDREN: CLAUDE
VARÈSE’S WORK:
• POEME ELECTRONIQUE
CHANCE MUSIC
• THE TERM “CHANCE” OR “ALEATORIC” MUSIC REFERS TO ANY SORT OF
MUSIC THAT INCLUDES SOME COMPONENTS LEFT TO CHANCE, OR
PARTS OF A COMPOSED WORK LEFT OPEN FOR INTERPRETATION. THIS
ADDS RANDOM AND EXCITING ELEMENTS TO THE WHOLE PROCESS, AS
WELL AS MAKES LISTENERS’ EXPERIENCES MORE ENJOYABLE.
CHANCE MUSIC CAN BE EXCITING AND CHALLENGING FOR
PERFORMERS TO PLAY. IT OFTEN FEATURES UNUSUAL TIME
SIGNATURES AND RHYTHMS, AND IT CAN BE DIFFICULT TO PLAY
WITHOUT MISTAKES. IT MEANS THAT SOME ELEMENTS OF THE PIECE
ARE DETERMINED RANDOMLY, WHICH CAN LEAD TO UNPREDICTABLE
RESULTS.
JOHN CAGE
(1912-1992)
JOHN MILTON CAGE JR. WAS AN AMERICAN COMPOSER AND MUSIC
THEORIST. A PIONEER OF INDETERMINACY IN MUSIC,
ELECTROACOUSTIC MUSIC, AND NON-STANDARD USE OF MUSICAL
INSTRUMENTS, CAGE WAS ONE OF THE LEADING FIGURES OF THE
POST-WAR AVANT-GARDE.
BORN: SEPTEMBER 5, 1912,
LOS ANGELES, CALIFORNIA, UNITED STATES
GENRE: CLASSICAL
CAGE ‘S WORK:
• MUSIC OF CHANGES