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MUSIC & ARTS


(MODULE 1-4)
PREPARED BY: KRISHA TANARE-MALATE
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IMPRESSIONISM
MUSIC
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Impressioni has a free and flexible rhythm


st music uses whole tone scale.
focuses on mood, emotions,
arose by the subject rather than
a detailed tone picture.
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Ravel’s music has a floaty and


vague feeling.
His orchestral works have
lavished and complex
Impressioni instrumentations, full of bursting
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colors and vivid images that
earned him the title Master
Orchestrator.
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Debussy’s music evokes magical


worlds of exoticism and has
completely ignored traditional
rules and created complex yet
Impressioni free-flowing rhythms.
st music
Mood and atmosphere were much
more to him than intellectual
musical structures.
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EXPRESSIONISM
MUSIC
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style which seeks to express


emotions with exaggerations.
Expressionis
m music complex and irregular rhythm,
constant change and highly dense
texture
uses distorted melodies and
harmonies and usually has no
tonal center or key.
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Arnold Schoenberg
Expressionis
m music primary proponent of
expressionism and the
creator of the 12-tone
scale.
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most famous
Expressionis
m music compositions.
 Pierrot Lunaire
String Quartet No. 1 in
D Minor, Op. 7 (1904)
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New Music
(Avant Garde)
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 a French phrase meaning


Avant Garde "vanguard" or (literally,
music "advance guard"),
movements of innovation and
experimentation
 broke various rules and
regulations of traditional music
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It uses augmented


Avant Garde
music triads, diminished
chords, polyrhythms,
syncopations,
& improvisations
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most prominent composer of


GEORGE Avant Garde music
GERSHWIN His music is mostly influenced by
jazz and blues styles.
Popular works are: Rhapsody in
Blue, Porgy and Bess, An
American in Paris and
Swanee.
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explored the music of ballet,


theater, opera and commercial
PHILIP
GLASS jingles
uses syncopated, repetitive
rhythms, melody, diatonic scale,
atonal
in later years with more emphasis
on melody and complex rhythm.
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WORKS:
PHILIP Einstein on the Beach (1976) -
GLASS
was his first large-scale triumph
opera.
It was considered as Glass’ most
significant theatrical achievements
of the Post World War II.
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accomplished pianist before he


became famous a conductor.
LEONARD
BERNSTEIN His musical style includes lyrical
expression that features his
Russian and Jewish roots and
spiritual approach, tunes mixes
popular song with operatic style,
and has dynamic rhythm.
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IMPRESSIONISM
ART
Short, thick brush strokes capture
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mood not detail.


Impressionism
The paint is often applied impasto
(thick application of paint).
 Paintings are made en plein air
(outdoors).
 Colors are not blended or
smoothly shaded.
 Wet-on-wet, or alla prima
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(Italian) is a painting technique


Impressionism in which layers of wet paint are
applied to previous layers of
wet paint.
 Painting during evening to get
the shadowy effects of the light
in the evening or twilight.
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MASTER OF
IMPRESSIONISM
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adopt a method of painting the


CLAUDE same scene many times in order to
MONET capture the changing of light and
the passing of the seasons.
best known for his landscape
paintings (flower garden & water
lily ponds)
CLAUDE MONET FAMOUS PAINTINGS
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 His works were snapshots of real life,
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full of sparkling color and light, most


PIERRE-AUGUSTE often focusing on people in intimate and
RENOIR candid compositions.
 Renoir’s method of broken brush strokes
was combined with sudden colors to
portray the light and movement of the
subject.
 He was greatly inspired to paint figures,
particularly of women.
PIERRE-AUGUSTE RENOIR FAMOUS PAINTINGS
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depict Modern-life subjects.


EDOUARD He was a key figure in the
MANET
transition from realism to
impressionism
his works considered as
marking the birth of modern art.
EDOUARD MANET FAMOUS PAINTINGS
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POST
IMPRESSIONISM
 Cézanne's often repetitive, 28

exploratory brushstrokes are highly


PAUL characteristic and clearly
CÉZANNE recognizable.
 He used planes of color and small
brushstrokes that build up to form
complex fields.
 The paintings convey Cézanne's
intense study of his subjects.
PAUL CÉZANNE FAMOUS PAINTINGS
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 He created about 2,100 artworks,


VINCENT WILLEM
including around 860 oil paintings
that includes landscapes, still life’s,
van GOGH
portraits and self-portraits,
 characterized by bold colors and
dramatic, impulsive and expressive
brushwork that contributed to the
foundations of modern art.
VINCENT WILLEM van GOGH FAMOUS 31

PAINTINGS
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The Great Filipino


Impressionist
Artist
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 best known for his illuminated landscapes


 often portrayed traditional Filipino customs, culture, fiestas and occupations.
 He used natural light in his paintings
 developed the backlighting technique Chiaroscuro, which became his artistic
trademark and his greatest contribution to Philippine painting
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 a political activist of the Philippine Revolution during the late 19th century
 painted literary and historical scenes
 His allegorical works were inspired with classical balance, and often showed
figures in theatrical poses.
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acknowledged as one of the great Filipino painters of the late


19th century.
Hidalgo was represented by his paintings done in the grand
romantic manner.
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EXPRESSIONISM
ART
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artistic style in which the artist seeks


to depict not objective reality but
rather the subjective emotions and
EXPRESSIONISM
responses that objects and events
ART arouse within a person.
The qualities of being highly
subjective, personal and spontaneous
self expression
ARTIST OF 38

EXPRESSIONISM  best-known work, The Scream


 His childhood was overshadowed
EDVARD by illness, bereavement and the
MUNCH
dread of inheriting a mental
condition that ran in the family.
These personal struggles emerged
who urged him to paint his own
emotional and psychological state
('soul painting').
ARTIST OF 39

EXPRESSIONISM
WASSILY was a Russian painter and
KANDINSKY art theorist
Kandinsky is generally
credited as the pioneer of
abstract art.
ARTIST OF 40

EXPRESSIONISM  was a German expressionist


painter and printmaker
ERNST
LUDWIG one of the founders of the
artists group Die Brücke or
"The Bridge", a key group
leading to the foundation of
Expressionism in 20th-
century art.
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NEO-PRIMITIVISM 
He is known for portraits
AMADEO and nudes in a modern style
MODIGLIANI
characterized by elongation
of faces, necks, and figures
that were not received well
during his lifetime but later
found acceptance.
Its name was derived from les
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fauves (wild beasts), referring to


FAUVISM the group of French expressionist.
Fauve artists used pure, bold,
brilliant and vibrant color and
visual distortions aggressively
applied straight from the paint
HENRY MATISSE tubes to create a sense of an
explosion on the canvas.
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variously called organic,


SURREALISM emblematic, or absolute
Surrealism
the viewer is confronted with
abstract images, usually
biomorphic, that are
SALVADOR DALI

suggestive but indefinite.


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ABSTRACTIONISM
ART
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 logical and rational that


involved analyzing, detaching,
selecting, and simplifying.
ABSTRACTIONISM
ART uses visual language of shape,
form, color
 departure from reality in
depiction of imagery in art
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ABSTRACTIONISM
ART
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Wasily Kandinsky
Piet Mondrian
BEST Kazimir Malevich
ABSTRACT
ARTIST
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ABSTRACT
EXPRESSIONISM
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is the term applied to new forms


of abstract art developed by
American painters such as
ABSTRACT Jackson Pollock, Mark Rothko
EXPRESSIONISM and Willem de Kooning
 often characterized by gestural
brushstrokes or mark making,
and the impression of spontaneity
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 characterized primarily by large fields of


flat, solid color spread across or stained
into the canvas creating areas of unbroken
surface and a flat picture plane.
COLOR FIELD  The movement emphasis on gesture,
PAINTING brushstrokes, and action in favor of an
overall consistency of form and process.
In color field painting “color is freed from
objective context and becomes the subject
itself”.
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