Professional Documents
Culture Documents
Stormzy won Best Grime Act at the 2014 and 2015 MOBO Awards.
His debut album, Gang Signs & Prayer (2017), was the
first grime album to reach number one on the UK Albums
Chart and won British Album of the Year at the 2018 Brit Awards.
“I'm fortunate that I've been able to do my work and be involved in certain
organizations, certain endeavours, and offered some assistance in some way.
Whether that is about raising money or helping to raise awareness, just
being another body to show some force and conviction for a particular idea.
Finding out where the need is – and if someone thinks you're going to be
helpful, then helping.”
2 Florence Beatrice Price (April 9, 1887 – June 3, 1953) was an
American classical composer, pianist, organist and music teacher. Price is
noted as the first African-American woman to be recognized as
a symphonic composer, and the first to have a composition played by a
major orchestra. Price composed numerous works: four symphonies, four
concertos, as well as choral works, plus art songs, and music for chamber
and solo instruments.
Even though her training was steeped in European tradition, Price's music
consists of mostly the American idiom and reveals her Southern roots.
Being a committed Christian, she frequently used the music of the African-
American church as material for her arrangements. Price began to
incorporate elements of African-American spirituals, emphasizing the
rhythm and syncopation of the spirituals rather than just using the text. Her
melodies were blues-inspired and mixed with more traditional,
European Romantic techniques. The weaving of tradition and modernism
reflected the way life was for African Americans in large cities at the time.
14 Samuel Coleridge-Taylor (15 August 1875 – 1 September 1912) was an
English composer and conductor. Of mixed race birth, Coleridge-Taylor
achieved such success that he was referred to by white New York musicians
as the "African Mahler" when he had three tours of the United States in the
early 1900s.
In 1904, on his first tour to the United States, Coleridge-Taylor was received
by President Theodore Roosevelt at the White House, a rare event in those
days for a man of African descent. His music was widely performed and he
had great support among African Americans. Coleridge-Taylor sought to
draw from traditional African music and integrate it into the classical
tradition, which he considered Johannes Brahms to have done
with Hungarian music and Antonín Dvořák with Bohemian music.