The document provides information about reader-response criticism and the reader-response writing process. It defines reader-response criticism as focusing on the reader's reaction to and interpretation of a text. It describes how reader-response theorists see the reader as actively engaging with the text and how the meaning is formed through this interaction between reader and text. It then outlines the writing process for a reader-response analysis, including making observations while reading, drafting an introduction that draws in the audience, explaining how the text and personal experiences interact, and concluding by pulling the ideas together.
The document provides information about reader-response criticism and the reader-response writing process. It defines reader-response criticism as focusing on the reader's reaction to and interpretation of a text. It describes how reader-response theorists see the reader as actively engaging with the text and how the meaning is formed through this interaction between reader and text. It then outlines the writing process for a reader-response analysis, including making observations while reading, drafting an introduction that draws in the audience, explaining how the text and personal experiences interact, and concluding by pulling the ideas together.
The document provides information about reader-response criticism and the reader-response writing process. It defines reader-response criticism as focusing on the reader's reaction to and interpretation of a text. It describes how reader-response theorists see the reader as actively engaging with the text and how the meaning is formed through this interaction between reader and text. It then outlines the writing process for a reader-response analysis, including making observations while reading, drafting an introduction that draws in the audience, explaining how the text and personal experiences interact, and concluding by pulling the ideas together.
about the following pictures reader-response analysis definition Reader-Response as a theory gained prominence in the late 1960s, that focuses on the reader or audience reaction to a particular text, perhaps more than the text itself.
Reader-response theorists recognize that texts do not
interpret themselves. Reader-response theory recognizes the reader as an active agent who imparts “real existence” to the work and completes its meaning through interpretation. how it works Reader-response criticism argues that literature should be viewed as a performing art in which each reader creates their own, possibly unique, text-related performance Reader Response Criticism focuses on the reader's psychological experience of reading a text, and how the reader creates meaning from what the text has given them as they read. ·How do I feel about reading this piece? writing process ·What does the title suggest to me?
Pre-Writing - To find a starting point for
exploring where your personal experience ·Does the work include quotations that I and the text converge, you will find it would like to copy and save? helpful to make a few personal observations before, during, and after reading the text. ·What questions would I like to ask the These observations will help you discover author? interpretive points for discussion.
·What objections can I raise to what I am
reading? writing process
Pre-Writing - To find a starting point for
·Where do I experience confusion, exploring where your personal experience disagreement, approval, or any other attitude or and the text converge, you will find it feeling? helpful to make a few personal observations before, during, and after reading the text. ·What experiences does the text bring to These observations will help you discover mind that I can describe or narrate? interpretive points for discussion. writing process After reading the text, make short initial responses about the text.
·Consider how you might
MOMENT ·Describe how you feel about action to have acted had you been one TO the text action of the characters. MOMENT ·List the things you like about ·List those aspects of it that SUBJECT the work. Why do you like aspect to bother you. Why do they bother TO them? aspect you? SUBJECT · What else would you like to SCENE TO ·Write a brief summary of the non sequitur know about the characters or SCENE text events? writing process After reading the text, make short initial responses about the text.
·Which of your values,
PERSONAL beliefs, or assumptions does TO it challenge? PERSONAL PERSONAL · What values, beliefs, or assumptions of your own does TO this work affirm? PERSONAL PERSONAL ·Compose a letter (not to be sent) to the author or to one of TO the characters. PERSONAL Drafting and Revising the Reader-Response Analysis INTRODUCTION In making a reader-response analysis it is appropriate to involve your audience in the introduction to your essay. In other words, try to provoke a strong response from your own reader. One way of doing so is to begin by recounting an incident from the work that elicits a particularly powerful reaction or quote a passage that holds strong emotion for most readers THE BODY The core of your paper will explain how the text controls the reader’s understanding and sympathies, identify the personal material you have put into the text, and describe how the two interact to create the text. THE BODY You should explain what resulted when the text and the reader came together. Although the text proffers certain norms or values, it is the reader who decides whether or to what degree they should be accepted or rejected. The critic’s job is to raise meaningful questions and to look for meaningful answers. THE CONCLUSION The conclusion, then, is the place to pull all the disparate pieces of information together into generalizations about the text. It need not be lengthy, but it should state the major effects the work has had on a reader and the causes that produced those effects. THE CONCLUSION Finally, the conclusion should include an evaluation of how effectively the text elicited the desired responses, how deeply the reader became involved in constructing the text, and how the work was enriched by the mutual participation of text and reader.