Cambodian Music • Consists of polyphonic stratification andis based predominantly on the pentatonic (five-tone) scale. It is built linearly, devoid of harmony in the Western sense. [] Musicians in a music ensemble have a collective melody in mind that no single musician actually plays. Instruments were carved on the walls of the Angkor Wat temple dating the ensemble to at least a thousand years ago. [Both]Today, we are going to talk about the three different types of Cambodian Pin Peat- Used for ceremonial music at royal courts It is one of the oldest Khmer music ensemble. • The pin peat repertoire is also known as phleng skor (drum music) or Phleng laim (dance music). This ensemble consists of the following instruments: sralai (quadruple-reed oboe), roneatek (xylophone), roneat dek (high-pitched metallophone), kong tauch (high-pitched circular frame gongs), kong thomm (low-pitched circular frame gongs), chhing (small finger cymbals), sampho (small double-headed barrel drum), skor thomm (large double-headed barrel drums), Phleng Kar- • A classical music genre of traditional songs that are performed at wedding ceremonies. • The instrumentation includes a vocalist who is accompanied by 7 instruments from the wind, string and percussive families. • The music is said to bring prosperity and happiness to the newly wedded couple. This ensemble contains the following instruments: • Trosao- A two-stringed, bowed, wooden fiddle • Tro ou- A low-pitched, two stringed fiddle with coconut shell resonator, • Khimm- A hammered dulcimer with fourteen courses of triple steel strings • Takhe- A long, fretted, plucked zither, • Skor Dei- A goblet-shaped drum with a single head made of snake skin Mohaori • A secular entertainment music .It’s characteristics is that it is the musical ensemble which has a proper clear, fixed, and well- organized for both the lyrics, music rhythm, and wording of the sing which make the listeners feel comfortable, entertained, and fresh • The word Mohaori or Mahori is derived from the sanskrit word “Manohari” for female and “Manohara” for male and came into existence since before Angkorian period. The ideal instruments of Mohaori includes: Roneat ek (high-pitched xylophone), Roneat thung (low-pitched xylophone), Khloy (duct or fipple flute), Tror che (high-pitched two stringed fiddle), Tror so toch (medium-high-pitched two stringed fiddle), Krapeu (three-stringed-zither), Khim (hammered dulcimer), • Chhing (small cymbals), and Indonesian music • The musical identity of Indonesia as we know it today began as the Bronze Age culture migrated to the Indonesian archipelago in the 2nd-3rd century BC. • Some of them developed elaborate and distinctive musical instruments, such as sasando string instrument of Rote island, angklung of Sundanese people, and the complex and sophisticated gamelan orchestra of Java and Bali. Gamelan- • [Bascon]The most popular and famous form of Indonesian music is Gamelan, an ensemble of tuned percussion instruments that include metallophones ,drums ,gongs and spike fiddles along with bamboo flutes. The 5 beautiful forms of indonesian music • Tembang Sunda – also called seni mamaos cianjuran, is a style of classical vocal music that originated in the Priangan highland of western Java. Unlike Sundanese gamelan music, tembang sunda was developed in the court of the regent Kabupaten Cianjur during the Dutch colonial period (mid-nineteenth century). Dangut- Is a genre of Indonesian folk music that is partly derived and fused from Hindustani, Arabic and to lesser extent, Malay and local folk music. • Dangdut is a most popular musical genre in Indonesia and a very popular in other Malay World countries as well because of its melodious instrumentation and vocals Keroncong- • Keroncong- is the name of a ukulele-like instrument and an Indonesian musical style that typically makes use of the kroncong. • A kroncong orchestra or ensemble traditionally consists of a flute, a violin, at least one, but usually a pair of kroncongs, a cello in pizzicato style, string bass in pizzicato style, and a vocalist. Qasida • The qaṣīda is an ancient Arabic word and form of writing poetry, often translated as ode, passed to other cultures after the Arab Muslim expansion. • The word qasidah is still used in its original birthplace, Arabia, and in all Arab countries Campursari In Indonesian refers to a crossover of several contemporary Indonesian music genres, mainly Javanese Langgam Jawa and Dangdut. • The word campursari was coined from the Javanese language, and literally means “mixture of essences”. Campursari music is popular and prevalent within the Javanese cultural sphere, especially Central Java, Special Region of Yogyakarta and East Java; and also in some regions where Javanese immigrants were abundant, such as parts of Greater Jakarta, Lampung or even Suriname Essay question (10pts)
Do you think that learning about others cultural music Is good? If so then why and how exactly do you do it?