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  • The Voice and The Violin

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    Esteve Costa
    11 views15 pages
    This document discusses improving violin playing techniques by drawing analogies to singing. It addresses exploring concepts like phrasing, sound, expressivity, intonation, vibrato, shifting between positions, portamento, and blending registers by treating the violin like the human voice. The document involves video recording the violinist's playing, receiving feedback, and doing reenactments to incorporate the feedback into a new reference recording for the next cycle.

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    The Voice and the Violin

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    This document discusses improving violin playing techniques by drawing analogies to singing. It addresses exploring concepts like phrasing, sound, expressivity, intonation, vibrato, shifting between positions, portamento, and blending registers by treating the violin like the human voice. The document involves video recording the violinist's playing, receiving feedback, and doing reenactments to incorporate the feedback into a new reference recording for the next cycle.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    11 views15 pages

    The Voice and The Violin

    Uploaded by

    Esteve Costa
    This document discusses improving violin playing techniques by drawing analogies to singing. It addresses exploring concepts like phrasing, sound, expressivity, intonation, vibrato, shifting between positions, portamento, and blending registers by treating the violin like the human voice. The document involves video recording the violinist's playing, receiving feedback, and doing reenactments to incorporate the feedback into a new reference recording for the next cycle.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 15

    The voice and the violin

    Artistic Research F2
     How can I improve my phrasing, sound and
    expressivity by exploring the analogy between
    the violin and the voice technical and artistic
    approaches?
    Video reference recording
    Feedback
     Intonation
     Vibrato not connected and by inertia
     Left hand stucked in shifts
    Blending registers
    One register principle

    One position principle ( Ruggiero Ricci)


    - Connect instead of jumping
     Ear as main guide
     Never lose contact with the instrument
    Clarification of concepts
     Shifting / portamento / glissando
    Shifting / Glissando
    Portamentos
    VIBRATO
    Reenactments
    Intervention
    New reference recording
    Feedback reflection conclusion
    Next cycle

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