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  • Challenges of Using Sources in Generating Collective Memory Through Museological Practice

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    This document discusses the challenges of museums in representing collective memories of recent conflicts through their collections and exhibitions. It addresses how museums in post-conflict societies struggle with their status, funding, and role as defined by the state. Examples are provided of how some museums in Bosnia and Herzegovina represent the Second World War, the 1992-1995 war, and the Srebrenica genocide through artwork, artifacts, and memorial designs that aim to critically engage with the past within the limitations of their context.

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    This document discusses the challenges of museums in representing collective memories of recent conflicts through their collections and exhibitions. It addresses how museums in post-conflict societies struggle with their status, funding, and role as defined by the state. Examples are provided of how some museums in Bosnia and Herzegovina represent the Second World War, the 1992-1995 war, and the Srebrenica genocide through artwork, artifacts, and memorial designs that aim to critically engage with the past within the limitations of their context.

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    4 views36 pages

    Challenges of Using Sources in Generating Collective Memory Through Museological Practice

    Uploaded by

    ellma
    This document discusses the challenges of museums in representing collective memories of recent conflicts through their collections and exhibitions. It addresses how museums in post-conflict societies struggle with their status, funding, and role as defined by the state. Examples are provided of how some museums in Bosnia and Herzegovina represent the Second World War, the 1992-1995 war, and the Srebrenica genocide through artwork, artifacts, and memorial designs that aim to critically engage with the past within the limitations of their context.

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    © All Rights Reserved
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    Challenges of using sources in generating collective memory

    through museological practice


    THE SECOND WORLD WAR 1992-1995 WAR
    MUSEUMS AND THE SOCIETY
    MUSEUMS AND HISTORY

    MUSEUM OF REVOLUTION – HISTORY MUSEUM

    Vojo Dimitrijević, Smrt fašizmu, sloboda narodu, 1966.

    Antun Augustinčić, Nošenje ranjenika, n.d.


    MUSEUMS AND SPACE

    Nandor Glid, Ustanak, 1966.


    Photo credits: Esad Hadžihasanović

    POST-CONFLICT MUSEUM:

    - STATUS
    - FINANCIAL FRAMEWORK
    - STATE STRATEGIES

    Besieged Sarajevo @ History Museum of Bosnia and Herzegovina


    MUSEUM FUNCTIONS AND ROLES
    Contemporary museum praxis
    OPEN DEPOT AS A PLACE FOR CRITICAL THINKING
    THE ROLE
    OF ART IN
    DEALING
    WITH THE
    PAST?

    WAS IST KUNST BOSNIA AND HERZEGOVINA? HEROJI 1941-1945


    IRWIN
    CHALLENGES OF MUSEALIZATION OF RECENT HISTORY
    Footsteps of Those Who Did (Not) Cross

    Srebrenica Memorial Center 

     
    Space design and
    two installations by
    Samina Tanović
    Graphic
    design by
    Bernard
    Pavlinović

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