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    The document discusses how to tell stories of conflict and reconstruct post-conflict reality through culture and history. It mentions contested history, culture as a no-man's-land, and division in society as challenges. It also highlights endangered heritage and ways institutions like museums and memorial centers use art, design, and education to discover, curate, and share the experiences of conflict and its aftermath.

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    The document discusses how to tell stories of conflict and reconstruct post-conflict reality through culture and history. It mentions contested history, culture as a no-man's-land, and division in society as challenges. It also highlights endangered heritage and ways institutions like museums and memorial centers use art, design, and education to discover, curate, and share the experiences of conflict and its aftermath.

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    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
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    7 views32 pages

    ICA Sofia

    Uploaded by

    ellma
    The document discusses how to tell stories of conflict and reconstruct post-conflict reality through culture and history. It mentions contested history, culture as a no-man's-land, and division in society as challenges. It also highlights endangered heritage and ways institutions like museums and memorial centers use art, design, and education to discover, curate, and share the experiences of conflict and its aftermath.

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    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
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    of 32

    HOW DO WE TELL STORIES OF CONFLICT?

    HOW DO WE RECONSTRUCT POST-CONFLICT REALITY?

    History Museum of Bosnia and Herzegovina

    Elma Hodžić
    Photo credits: Esad Hadžihasanović

    Vojo Dimitrijević, Smrt fašizmu, sloboda narodu, 1966.


    CONTESTED HISTORY

    CULTURE AS NO-MAN‘S-LAND

    DIVISION IN SOCIETY

    ENDANGERED HERITAGE
    Photo credits: Esad Hadžihasanović

    Zubanović, Skopljak, Baždar, Rukavice, 2012.


    Photo credits: Esad Hadžihasanović

    Besieged Sarajevo @ History Museum of Bosnia and Herzegovina


    Designed by Sanja Vrzić
    Safet Zec, Zagrljaji, 2019.
    Paul Coldwell, A Life Measured: Seven Sweaters for Nermin Divović, 2018.
    Discovering and curating

    Footsteps of Those Who Did (Not) Cross

    Srebrenica Memorial Center 

     
    Space design and
    two installations by
    Samina Tanović
    Graphic
    design by
    Bernard
    Pavlinović
    EDUCATION
    Illustrated by
    Sanela Husić Musabašić

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