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IMPRESSIONISM

EDOUARD MANET
POST-IMPRESSIONISM
ARRANGE THE SCRAMBLE LETTER TO FORM THE CORRECT
ANSWER.

1. MISTIVPRINEOMI =
2. VISMAUF =
3. ISADMAD =
4. SURELISMAR =
5. LOCIAS MISALER =
EXPRESSIONISM
SUB-MOVEMENT OF EXPRESSIONISM

NEOPRIMITIVISM
FAUVISM
DADAISM
SURREALISM
SOCIAL REALISM
NEOPRIMITIVISM

was an art style that incorporated elements from the native


arts of the South Sea Islanders and the wood carvings of
African tribes which suddenly became popular at that
time. Among the Western artists who adapted these
elements was Amedeo Modigliani, who used the oval
faces and elongated shapes of African art in both his
sculptures and paintings.
FAUVISM

Was a style that used bold, vibrant colors and visual distortions.
Its name was derived from les fauves (“wild beasts”), referring
to the group of French expressionist painters who painted in this
style. Perhaps the most known among them was Henri Matisse.
Highly fashionable, bold use of color, play use of lines and
colors.
DADAISM

Was a style characterized by dream fantasies,


memory images, and visual tricks and surprises—
as in the paintings of Marc Chagall and Giorgio de
Chirico below.
Anti-art, anti-war, had political affinities with the
radical left and was also anti-bourgeois (capitalist).
SURREALISM

Was a style that depicted an illogical, subconscious


dream
world beyond the logical, conscious, physical one. Its
name came from the term “super realism,” with its
artworks clearly expressing a departure from reality—as
though the artists were dreaming, seeing illusions, or
experiencing an altered mental state.
SOCIAL REALISM

expressed the artist’s role in social reform. Here, artists used


their works to protest against the injustices, inequalities,
immorality, and ugliness of the human condition. In different
periods of history, social realists have addressed different
issues: war, poverty, corruption, industrial and
environmental hazards, and more—in the hope of raising
people’s awareness and pushing society to seek reforms.
ABSTRACTIONISM
SUB-MOVEMENT OF ABSTRACTIONISM

CUBISM
FUTURISM
MECHANICAL STYLE
NON-OBJECTIVISM
CUBISM

Cubist painters were not bound to copying form,


texture, colour, and space. Instead, they presented a
new reality in paintings that depicted radically
fragmented objects.
FUTURISM

Italian Futurismo, Russian Futurism, early 20th-


century artistic movement centred in Italy that
emphasized the dynamism, speed, energy, and power
of the machine and the vitality, change, and
restlessness of modern life.
MECHANICAL STYLE

the result of futurist movement. In this style,


basic forms such as planes, cones, spheres and
cylinders all fit together perfectly and precisely
with neatness in their appointed places.
NON OBJECTIVISM

The logical geometrical conclusion of abstractionism


came in the style known as nonobjectivism. From
the very term “non-object,” works in this style did
not make use of figures or even representations of
figures.
ABSTRACT EXPRESSIONISM

Abstract Expressionist paintings share several broad


characteristics. They often use degrees of abstraction; i.e.,
they depict forms unrealistically or, at the extreme end,
forms not drawn from the visible world (non-objective).
They emphasize free, spontaneous, and personal emotional
expression
SUB-MOVEMENT OF ABSTRACT
EXPRESSIONISM

POP ART(POPULAR ART)


OPTICAL ART
POP ART

art in which common place objects (such as


comic strips, soup cans, road signs, and
hamburgers) were used as subject matter and
were often physically incorporated into the
work.
OPTICAL ART

Style of visual art that uses optical


illusions they give the viewer the
impression of movement
CONTEMPORARY ART FORMS
 Installation art is a contemporary art form that makes use of
sculptural materials and other media to modify the way the viewer
experiences a particular space. It is also called environmental art,
project art, and temporary art. It creates an entire sensory
experience for the viewer that allows him to walk through them.
 Performance art is a form of modern art in which the actions of
an individual or a group of a particular place and at a particular
time constitute the work. It involves four basic elements, namely:
time, space, the performer's body, and a relationship between the
performer and audience. The performer himself or herself is the
artist.
INSTALLATION ART
PERFORMANCE ART
PERFORMANCE ART
ASSESSMENT

IDENTIFY THE MOVEMENT OF THE


FOLLOWING PAINTINGS

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