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CPAR 11 - 12 Q3 0301 Philippine Contemporary Arts PS
CPAR 11 - 12 Q3 0301 Philippine Contemporary Arts PS
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LEARNING TARGETS
The contemporary arts in the Philippines encompass a vast range of forms, reflecting the
nation’s diversity. Filipino artists harness this diversity to create art that resonates deeply
and evokes strong emotions in their audience. Moreover, as society progresses
technologically and embraces innovation, artists become more adventurous and
resourceful in creating art, bringing a liberal perspective to their audience.
Understanding modern and contemporary art allows us to connect with the artist’s
intended message by looking at their social, historical, and cultural backgrounds. This
exploration reveals that art is an ever-evolving, dynamic process. It continuously
contributes to our cultural literacy and fosters a deeper appreciation for the arts.
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UNIT STIMULUS
Jingle Making
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CENTRAL QUESTION
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Lesson 01
Contemporary Arts in the Philippines
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DEFINING MOMENT
Instructions: 10 minutes
● Find a partner.
● Each pair will have 10 minutes to work on an acrostic
definition of contemporary art.
● Each word or statement in the acrostic should be connected
and relevant to the concept of contemporary art.
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ART LENS
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Contemporary Art vs. Modern
Art
Commonly, the term modern is used to describe the present. Being modern implies being up-to-date
and technologically advanced, often associated with being contemporary.
Art that is new or current is often labeled as modern in contrast to traditional or conservative. These
terms are often used interchangeably in everyday language, indicating similar meanings.
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Historical Overview
Historical Overview
religious and
pottery, body landscape,
ecclesiastical icon, wartime scenes
adornment, portraiture,
and secular (aggression,
Painting ornament genre,
portraiture nationalism,
interior, still
(See figure a) life atrocities,
(See figure b) symbolic modern, figurative, non-
protest, conservative, figurative, art for
aspiration for abstract, arts sake,
santos, furniture,
pottery, carving peace), experimental, multimedia, mixed
reliefs, altar pieces,
and woodwork, propaganda, public art media, transmedia
jewelry, metalwork,
metalwork, and free standing indigenizing
Sculpture fiesta,
expression relief, public and
ornamentation
orientalizing
(See figure c) works, genre
(See figure d)
Historical Overview
Historical Overview
Figure d. Figure e.
Santos made from ivory wood Paoay Church VIII
Contemporary Art vs. Modern Art
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Neoclassical Style
● Modern art emerged as a groundbreaking and provocative movement,
while neoclassical art offered a sense of familiarity and comfort.
● Guillermo referred to neoclassical art and other established European
styles brought through Spanish colonization as academic.
● Neoclassicism continues to be taught in academic institutions like the
University of the Philippines College of Fine Arts, maintaining its place
within the academic curriculum.
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Fernando Amorsolo Guillermo Tolentino
Stylistic Overview
American Postmodern or
Form Pre-Conquest Spanish Period Japanese Period
Period Contemporary
incipient triumvirate,
collaborative,
13 moderns, abstract,
Painting hyperrealist, new
neorealist, surreal,
painting
expressionist
religious, devotional,
religious (animist or
secular, formal,
Islamic), community-
naturalistic classical,
based, interethnic junk or scrap,
(homegrown, nostalgic
relations, collective duchampian, arte
miniaturismo, guild),
history covera,
academic
Sculpture abstract expressionism neoindigenous,
site-specific
performance art,
hybrid
Stylistic Overview
Stylistic Overview
American Postmodern or
Form Pre-Conquest Spanish Period Japanese Period
Period Contemporary
neoclassic, art
worship-related and Filipino
deco by Juan
religious (animist or residential, architecture, urban
Arellano, Juan
Islamic), community- earthquake, baroque, planning,
Nakpil, Pablo international,
Architecture based, interethnic Hispanic revivalist economic zone,
Antonio, Art industrializing, eclectic
relations, collective (neo-Gothic, neo neovernacular,
Nouveau,
history Romanesque, prefab, regionalist,
California
Islamic) cosmopolitan
mission style
Cultural Overview
Cultural Overview
Painting
museum-circulated,
Sculpture colonial and mass produced,
ritual and governance artist-centered, gallery-
post-colonial market oriented
distributed
Architecture
Stoplight
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WHAT MAKES IT DISTINCT?
Instructions: 15 minutes
● Form groups with five members each.
● Each group will have 15 minutes to create a diagram illustrating the
similarities and differences between modern and contemporary art.
● After 15 minutes, each group must present the diagram to the class.
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HITMAKERS
Modern art and contemporary art are often associated, yet they possess
similarities and differences, such as the following:
Slide 13: Symbolism in Pre-Colonial Filipino Warrior by (no author) is licensed under CC0 via The Manila Times.
Slide 13: Neolithic Pottery Burial Jar, Palawan 890-710 BC by Gary Todd is licensed under CC0 via
Wikimedia Commons.
Slide 13:
Nuesra Señora del Santisimo Rosario, Damian Domingo founder of Academia de Dibujo and Virgen del Rosari
o, Peruvian 18th Century
by Carlos Indicó is licensed under CC0 via Quora.
Slide 13: Mindanao Burial Pottery - 32843892691.jpg by Gary Todd is licensed under CC0 via Wikimedia Commons.
Slide 14: Santos - made of ivory wood by (no author) is licensed under CC0 via Preceden.
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PHOTO CREDITS
Slide 14: Paoay Church VIII by lordartworks is licensed under CC BY-SA 3.0 via Wikipedia.
Slide 16: The Sketch (1928) by Victorio Edades by (no author) is licensed under CC0 via HandWiki.
Slide 18: Fernando Amorsolo History & Famous Paintings of Artist by Ki is licensed under CC0 via Philippine News.
Slide 18: Everyday History by Philippine Star is licensed under CC0 via Facebook.
Slide 20: Filipina: Dh, Installation (1995) by Imelda Cajipe-Endaya by Imelda Cajipe-Endaya is licensed under CC0 via
Facebook.
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REFERENCES
Baclig, Cristina Eloisa. 2020. “Tattoos: The Art that Exhibits Philippine Culture and History.” Lifestyle Inquirer.
https://lifestyle.inquirer.net/374686/tattoos-the-art-that-exhibits-philippine-culture-and-history/.
Hernandez, Eloisa May P. n. d. “The Spanish Colonial Tradition in Philippine Visual Arts.” Filipino Kastila Tripod.
Accessed .
https://filipinokastila.tripod.com/paint.html#:~:text=For%20the%20first%20centuries%20of,of%20heaven%2C
%20purgatory%20and%20hell
.
Soliman, Michelle Anne P. 2022. “A Retelling of Stories of Filipinas and Histories of the Motherland.” BusinessWorld.
https://www.bworldonline.com/arts-and-leisure/2022/09/07/472795/a-retelling-of-stories-of-filipinas-and-hist
ories-of-the-motherland/
.
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