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Week 1 - Introduction To Film
Week 1 - Introduction To Film
School of Communication 2
Persistence of vision
Daedalum / Zoetrope
School of Communication 3
Eadweard Muybridge’s Sallie Gardner at a Gallop
◦ A series of photographs consisting of a galloping horse
◦ June 15, 1878
School of Communication 4
Frame + Movement = illusion of movement
Later: 24 frames/second
School of Communication 5
Cinematic time And……
Lighting
Camera movement
Characters
Sound and music
Structure Etc……
School of Communication 6
Focal length
◦ Blur or distortion
near the frame
School of Communication 7
Middle focal length
◦ 35-50mm
◦ Horizontal line appears
as straight line
School of Communication 8
Physical time
◦ Shoot time = real time
Psychological time
◦ Combining the past, present and future
◦ inconsistent, disrupted, unpredictable
School of Communication 9
Still camera
Zooming
◦ Changing the area of frame
Hard Boiled ( 辣手神探 , 1992)
School of Communication 10
Sound affects how we understand a scene
School of Communication 11
Unit of narrative structure: shot
Cause-effect relationship
Order: chronological, non-chronological
School of Communication 12
The Lumiere Brothers: the realist
School of Communication 13
Documenting daily life
Baby's lunch (1895)
Arrival of a Train at La Ciotat (1895)
Employees Leaving the Lumière Factory (1895)
The Waterer Watered (1895)
Cordeliers' Square in Lyon (1895)
The Card Game (1896)
School of Communication 14
Illusion
Hugo (2011)
School of Communication 15
Dots (Norman McLaren, 1940)
School of Communication 16
Yellow Submarine (George Dunning, 1968)
School of Communication 17
Run Lola Run (Tom Tykwer, 1998)
School of Communication 18
How does the filmmaker mix different media?
School of Communication 19