10 RAPID ways to get a woman interested in you

by Kezia (author of best selling 15 ste s to be!oming a master sedu!er"

DISCLAIMER No responsibility can be accepted by Kezia Noble or her publishers for the accuracy of information contained in this book, or any action taken or not taken based on such information. You are responsible for your own behavior, and none of this book is to be considered legal or personal advice. You may NOT copy, steal, or distribute all or any part o t!is boo" #it!out permission$

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Hey guys I often get asked How can I make more impact in my interactions with women? by my students. There are hundreds of ways to achieve this, but for this e-book, I have broken it down to ! of the most effective and "#$I% ways that &'( can use in order to achieve this ob)ective. *n)oy. 1. Break patterns! %oing the une+pected does not mean having to do something weird or strange or out of character. ,ubt-y breaking patterns in a conversation forces the woman out of her .auto pi-ot mode/ and as a resu-t it creates an important hair -ine shift in her perception of you. Here are a few effective ways of breaking patterns in an interaction with a woman you want. a. 0hen she te--s you what she does for a -iving %' 1'T respond with the usua- and predictab-e fo--owing responses Do you like it? How did you get in to that? Who do you work for/where do you work? How long have you been doing that for? Instead try and use the fo--owing more effective response2 Is that something you wanted to do since you were very young? Really? !ob? If you had "ero chance if failure# what would you like to do most in the world? #-- these a-ternative answers wi-- create an important hair-ine shift in her perception of you and wi-- force her to snap out of her auto response mode. o tell me what characteristics do you need in order to be good at your

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b. 0hen she te--s you her favourite pass time, instead of nodding your head and rep-ying with the predictab-e .coo- rep-y. 3ha--enger her and ask her why she does not make her passion her )ob? How can she have such a strong passion4hobby and not make it her -ife? 0omen a-ways respond we-- to this. 5reaking patterns is a rapid way to create impact with a woman and can start you on the road of making a deep connection with her. There is much more information about this on my %**$ 3'11*3TI'1 %6% set if you are interested to -earn more. 2. Break Rapport. 5reaking rapport whi-st your ta-king to a hot woman might sound -ike the -ast thing you want to do, but in fact its one of the most $'0*"7(8 things you can do9 :y video right here wi-- e+p-ain to you how to do this and why it is so effective2 http244www.youtube.com4watch?v;c<o3=0b-psk 5reaking rapport conveys the fact that you have 8I:IT*% or $"*3I'(,* time, which wi-a-ways come across as HI>H 6#8(*. 5reaking rapport gives the sensation that the gir- cannot ?**$ you, and that you cou-d -itera--y s-ip through her fingers at any given moment9 This e+cites women, as it heightens the cha--enge that you present to her9 The cha--enge being that she has to 0'"? in order to keep you happy and to stay with her9 3. Use double sided compliments! I -ove teaching my students the art of giving doub-e-sided comp-iments to women. The resu-ts men get when using doub-e sided comp-iments $"'$*"8& are a-ways positive9 ,tudents often say to me that when they give a woman an outright comp-iment, they are often met with the nice but essentia--y use-ess rep-y .Thanks and this can be a reaAll Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

conversation ki--er. I often hear my se-f-doing this when men give me comp-iments in re-ation to my image4sty-e4-ook etc. 0hy do I do this? It can be for @ reasons, but first of a--, -et me be c-ear in one thing. It is 1'T because I don/t -ike comp-iments, in fact I 8'6* comp-iments and I/m not ashamed to admit it either9 The reasons I and other women simp-y rep-y thanks/ and then await the uncomfortab-e si-ence are these2 First reason: There is nothing -eft to say9 There is nothing -eft to say on TH#T sub)ect. If a guy te--s me I have a rea--y coo- dress sense, I/m not going to fee- ob-iged to te-- him why I have that particu-ar dress sense, and I don/t fee- ob-iged to give him a comp-iment back either. ,o what do I do? I simp-y smi-e sweet-y and say .thanks and then I await the conversation to inevitab-y end. The comp-iment, is a statement, and is not a <uestion or an assumption and therefore wi-- not force the woman to respond. If you have a fo--ow up to your comp-iment, then that/s fine. 5ut usua--y guys don/t, and unfortunate-y the awkward si-ence after the comp-iment, makes the guys fee- uncomfortab-e and even embarrassed, and so conse<uent-y they either change the sub)ect in an awkward manner, or )ust wa-k off be-ieving the gir- has somehow re)ected them Aeven if this is not the caseB Second reason: The woman fee-s uncomfortab-e or forced9 The other reason women wi-- answer a mans comp-iment with )ust a .thanks is because, for some woman, a comp-iment can make them fee- ever so s-ight-y uncomfortab-e. They can fee- a -itt-e se-f-conscious or they can fee- that the guy is forcing the interaction in to something more f-irtatious, which they maybe too shy to comp-y with, or which they are not "*#%& to do yet. These are the reasons why I teach my students the art of giving doub-e sided comp-iments. # doub-e-sided comp-iment can produce a coup-e of resu-ts. It can he-p disp-ay high standards4va-ue effective-y whist forcing the gir- to respond with more than )ust a po-ite and unhe-pfu- thanks/ #nd in most cases, it wi-- even get her to <ua-ify her se-f. ,o what is a doub-e-sided comp-iment? All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

$ double sided com%liment# is giving the girl a vague com%liment# and then adding to it a D&'$I(&D sentence that will translate as) but there is room for im%rovement or but I have seen better without# of course actually using those words* Example: +ou look great* ,ut if you made your hair a darker/blonder colour then you would be very hot +ou dress really well# but if you wore something a little more tight/elegant/shorter# then you would be -W.W/ Here, you are te--ing her she -ooks good, but if she took your advice then she cou-d -ook H'T or ,*C&. 'r even more appea-ing than she does a-ready. Its important to begin the doub-e-sided comp-iment, with a vague comp-iment, so as it wi-not come across as an insu-t. If you )ust to-d her to a-ter her appearance to -ook better, then she might very we-- react defensive-y or aggressive-y. 0ith the first part of the doub-e-sided comp-iment, you are making it c-ear you find her attractive. THI, I, I:$'"T#1T. 1'T*2 #-though I teach D1*>,D to my students, and be-ieve that there are most definite-y p-enty of advantages in using D1*>,D in the right circumstances. I am a-so aware that 1*>, can cause bad reactions in women too. This is why I prefer doub-e sided comp-iments. Forcing a response # doub-e-sided comp-iment a-ways gets a response from the women, and usua--y it is a $',ITI6* response too. They never respond to doub-e sided comp-iments with the dreaded conversation ki--er Thanks Instead they usua--y ask the guy <uestions and even better they start to <ua-ify them se-ves. # -ot of my students te-- me that women say stuff -ike2 Well# usually I dress more se0y than this# its !ust that I was tired/ in a rush/had All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

my clothes in the dry cleaners etc The moment a woman is <ua-ifying herse-f, she wi-- see you as a man of HI>H ,T#1%#"%, Here are some tried and tested doub-e sided comp-iments mmm# that/s a nice %erfume# let m smell it %ro%erly leans in to her neck* Its nice# but I used to know a girl that wore 1oco 1hanel 2insert %referred %erfume3 and it was so se0y# every man would look around when they smelled her come in the room +ou are an attractive woman# but if you em%hasised your eyes/li%s more then you would look so fucking hot I like the way you dress# its very cute# but if you wore something more elegant like a long backless black dress then you would be much more se0y (et me see your shoes** Holds leg u% to ins%ect shoes* 'hey are nice# but if you wore some stra%%y killer heels you would be so hot There is -itera--y an end-ess amount of doub-e-sided comp-iments you can use, and it can a-ways change depending on the woman/s -ook or sty-e. >o and use them as soon as possib-e, and eradicate the dreaded .thanks response forever. ,ave the outright comp-iment Awhich means no .but or .If . fo--owing the comp-imentB when you are firm-y in the seduction Eone. This wi-- act as a reward and p-us she wi-appreciate it and be-ieve its sincerity far more than if you had used it whi-st in the comfort Eone.

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pproac! "omen in t!e da#time! All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

This wi-- obvious-y, automatica--y create immediate impact, simp-y because men do not usua--y approach women in the day -ight hours. &et the coffee shops, parks, shops, pub-ic transport and the busy high streets are fu-- of sing-e women9 5ut the prob-em here is that a -ot of men %' 1'T know how to approach a gir- in the day time/ and conse<uent-y they come across nervous and (1IT*1TI'18& creepy. There is a -ot of materia- out there that e+p-ains how to approach women in the day time and get a resu-t, but, here is my shortened take on how to achieve ma+imum resu-ts the ne+t time you go out and chat up a woman in the day-ight hours. a. Try and use a direct opener b. # direct opener means stating your intention straight away. I.e. .I think you -ook beautifu- or . I think you have incredib-e dress sense or .I rea--y -ike the way you carry your se-f, it/s very e-egant This is )ust a few e+amp-es of hundreds of direct opening -ines that you can choose to use. 0hy use a direct opener in the day rather than indirect? To answer this <uestion c-ear-y, here is video here wi-- e+p-ain in more detai- why I be-ieve direct openers achieve better resu-ts in the daytime than night time2 http244www.youtube.com4watch?v;&gFyuGH?Isk c. 0hen you approach her, do not begin with the dreaded -ine .I was )ust over there watching you and.. This conveys the fact that you are some guy sneaking around and watching her from behind the shadows, and it a-so makes it seem as if you have too much time on your hands. d. &our first words shou-d be .This is rea--y random, but.. e. #-ways use a 7#8,* TI:* 3'1,T"#I1T. # fa-se time constraint shows the gir- that you have a -imited amount of time to get to know her. :ake up something such as this2 All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

It would be cool to get to know you a bit# but unfortunately I only have 4 minutes because I have some friends I need to meet How and why wi-- this he-p you? Think about it. 8et/s say the woman -ikes your approach and thinks your kind of cute4coo- etc, but is apprehensive about having to ta-k to you for too -ong incase she find out that doesn/t actua--y -ike you that much, if you don/t use a fa-se time constraint she wi-- probab-y )ust say she/s too busy to chat to you, simp-y because she does not want to be in a predicament where by you might be hanging around her for too -ong. It a-so conveys the fact that you are busy, and are not in the habit of hanging around streets or bookshops hitting on unsuspecting women. f. If an uncomfortab-e pause arises after the opener, which can often happen even if the gir- has accepted your offer of ta-king to you for J or ! minutes, %' 1'T do what most guys do and ask her what her name is or where she works or what she/s up to. This wi-- on-y resu-t in causing an uncomfortab-e 8(88 in the interaction. 5ecause your approach is fu-- of energy, you need to keep up the e+citement4momentum 6*"5#88&. ,o Instead of asking a series of mundane <uestions, and def-ating the initia- energy, choose to make impact, and say this2 +ou know what# this so random** I tell you what# I/m going to say 5 things about my self and then you have to say 5 things about your self# but they have to be interesting deal? &ou go on and te-- her three things Ahave these three things p-anned in advanceB and try to make sure that one is about your pastK one is about your present and one about your future. This wi-- #80#&, make a great impact on the gir-, and in response she wi-- give you some interesting information about herse-f. This wi-- get the conversation going in fu-swing, and give you enough conversation materia- to -ast for ages. $. % &' B(U% E )* (%*ERS + S%, +RESE-% -. FU%URE

#s I mentioned in the previous point, ta-king about each other/s past and future Aas we-All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

as presentB can a-ways add some vita- verba- impact in to what can a-ways potentia--y be a du-- interaction that -eads nowhere. 5y getting the gir- to ta-k about memories and her future p-ans and desires as we-- as what she is thinking and4or doing in the present wi-- not on-y bring impact in to the conversation but it wi-- a-so get her to start *:'TI'1#88& I16*,T in you. Think about it. How many guys get her to revea- memories and desires so rapid-y? ,he wi-- -ink emotiona- states Athat you wi-- have purposefu--y put her inB with you9 #s with any type of investment whether it be money, time or emotions, we a-ways want to see that investment again and again9 "emember to use ,T"'1> emotiona- words, rather than b-and words such as .nice or .coo-, as this wi-- he-p to get her instant-y anchoring emotions to those words. A#s strong4emotiona- descriptions and words make more impactB (se future pro)ections, such as .I can )ust imagine us choosing a pet, you wou-d probab-y pick a cat and I wi-- want a dog, and in the end we wi-- get a hamster or a rat This is a simp-e and -ighthearted way to start using the future pro)ection/ routine. 7rom there it can go on to something a -itt-e more meaningfu-. 1ote2 If you decide to te-- her about a memory of yours that is sad Awhether true or notB make sure that you don/t start over p-aying it, in which I mean, %' 1'T come across as vu-nerab-e and in need of sympathy. 6u-nerabi-ity is a ski-- women use to attract men, but this ski-- does not work the other way round9 /. +R(0('E 1E&&(US2 0H#T??????? I hear you shout. ,ure-y this wou-d ruin any chance you have of getting that woman back in your bed9? This wou-d go against the sing-e piece of advice a-- the women in your -ife have given you so far right? 0rong9 0hen I say provoke )ea-ousy/, that does not mean you shou-d stand there with your tongue hanging out whenever the ne+t b-onde wa-ks past you or that you shou-d go and chat up other women in front of the gir- you -ike. :y advice is to provoke :I8% yet *77*3TI6* )ea-ousy in a woman, but you must do it 6*"& surreptitious-y. If done correct-y you can heat up her desire for you which wi-- he-p you transition the interaction away from the comfort stage and on to the se+ua- stage. All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

How do you do this? How do you provoke )ust the right amount of )ea-ousy in a woman without going too far? ,imp-e. The ru-e is not to make her )e--ous towards other women in the c-ub, but instead, make her )ea--ouse towards the other women in your -ife Apast and presentB. 5ring in a story or two or three about maybe an e+-gir-friend or fema-e friend or recent se+ua- con<uest. :ention in the particu-ar anecdote that you are sharing, how attractive this gir- was4is. :ention casua--y how a-- your friends thought she was hot, or how when she wa-ked in to a c-ub -ike this/ every guy wou-d check her out. This wi-- create a picture in her head of you hanging with hot gir-s Apre-se-ectionB, and p-us on top of that, she wi-- be comparing her se-f to these women. ,he wi-- start wanting to prove to you that she is )ust as attractive, and that your friends wi-- think she/s )ust as attractive too. This provokes )ust the right amount of )ea-ousy and hea-thy competition This is a-so a perfect way to remind the gir- that you are a se+ua- creature/ and not some kind of a monk that she thinks she can )ust be friends with9 Its very common for men to get in to the dreaded friends Eone and never get out9 This shou-d be nipped in the bud as soon as comfort has been made in the interaction, and the best way to do this A5efore making your actua- moveB is to do the above suggestions that I have given you that wi-convey the fact you are se+ua- without actua--y being verba--y se+ua- T'0#"%, her. 3. +er4ect #our bod# language! I am a big fan of behaviora- therapy, and this is something that I have used to he-p my students combat approach an+iety as we-- as creating an immediate positive impact when meeting a woman. If you are fee-ing nervous when going to approach a woman, then hanging your shou-ders in a stooped -ike manner and your beer bott-e he-d up to your chest and an apo-ogetic voice and facia- e+pression, wi-- on-y serve to fue- those insecure thoughts you are having. #-ways present the body -anguage of someone who owns the c-ub or bar that you are in. How wou-d the owner stand? How wou-d he sit? How wou-d he say he--o to someone who was in HI, estab-ishment? All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

:y book / J steps t becoming a master seducer/ e+p-ains how to perfect the idea- body -anguage in greater detai- and it inc-udes the L co-umn stage/. 'nce you adopt this idea- body -anguage you wi-- find that your initia- fears seem to evaporate faster than you might have e+pected. This of course is a-- thanks to the behavariou- therapy process. 5y a-tering your actions you wi-- a-ter your mind set, -itera--y meaning &'(" #3TI'1, ,H#$* &'(" 5*8I*7,. &ou cannot continue to be shy and scared for too -ong if your body is portraying that of a strong and confident person.

5. .o cold readings! 3o-d readings and making detai-ed assumptions about the woman a-ways make impact9 0oman -ove to be psychoana-yEed, its something we derive great p-easure from. 0hi-st men hate having a torch -ight shone in side them, and usua--y resist opening up, we women -ove it9 0e va-ue a man who can see past our bravados4masks and4or a-ter egos. It presents to us a great sense of re-ief as we-- as the deve-opment of a sincere respect for the man. A# woman must respect a man before she can be attracted to himB ?eep your co-d readings detai-ed9 There is nothing worse than a guy giving us some random and vague assumption about our se-ves such as2 .I reckon you/re a rea--y fun person or .&ou seem to be a rea--y nice person If you use a vague assumption -ike these e+amp-es, then a-- you wi-- get in return is a vague response. ?eep the assumption4co-d reading %*T#I8*%. :ake it tai-or made for her9 ,he wi-- respond so much better this way. .5ut what if I/m wrong??? I hear you ask9 The answer is simp-e. "ep-y with the .response of intrigue All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

I.e.2 ."ea--y? That/s interesting, te-- me more 0hat this does, is it shows her that you are now intrigued to find out more about this side of her that you did not rea-iEe e+isted. In return she wi-- give you a -ot of information about her se-f because your assumption was so detai-ed9 Here are some usefu- co-d reading -ines, which wi-- give you an out-ine of what you can create your se-f2 .I reckon you were serious-y naughty at schoo-, but not -ike the c-ass c-own kind of naughty, but more -ike the instigator behind the c-ass c-own, very sneaky . I bet you were spoi-t as a chi-d, but rebe--ed none the -ess )ust for the sake of rebe--ing . &ou seem to be someone who knows what they want and knows how to get it, but at times you get a bit -aEy and put that ambition to the side .To me you seem -ike a woman who has a -ot of ma-e friends and on-y a few c-ose fema-e friends, because in the past women have -et you down or been backstabbers 8ike I said, even if they are way off the mark, she wi-- respond by te--ing you H'040H' ,H* "*#88& I,, and as a resu-t she wi-- be supp-ying you with a wea-th of information about herse-f with out you asking a sing-e <uestion9 6. 'iss !er on t!e 4ore!ead. I wanted to inc-ude at -east kino-re-ated tip in this e-book.

7unny enough, the innocent Aor not so innocentB kiss on the forehead has a speciapower that affects women a -ot. :ost guys wi-- try to kiss her on the cheek or the -ips too soon or they wi-- avoid kissing All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

her a-together. ,he does not e+pect a man to kiss her on her forehead9 The on-y men that do that to her is her father or her boyfriends. ,he wi-- not push you away or move from you when you do this, as it something so une+pected and so pure, that she wi-- not have time to react straight away. Instead she wi-- start to wonder whether you -ike her in a /friend/ way or a se+ua- way/ and this wi-resu-t in -eaving her in an emotiona- and psycho-ogica- state of -imbo Awhich is a >''% position to have her inB 0omen a-ways -ike it when guys do the forehead kiss, it makes them fee- protected and -oved, and strange-y enough, it -eaves them wanting more of a kiss of a different nature. 6.Role7pla# (se some verba- ro-e-p-ay. If anyone comes a-ong and )oins you and the gir- you are ta-king to, introduce your se-f as her e+-husband. #dd a -itt-e ro-e-p-ay by saying you are current-y discussing who gets to keep the kids and who gets to keep the dog etc. 0omen near-y a-ways respond by gigg-ing and p-aying a -ong with it. This a-ways breaks that uncomfortab-e moment when she has to introduce you to her friends. "ather than have her forget your name or say .this is erm..Mohn who I )ust erm met.. If one of your friends )oins, then introduce the gir- as you mother in -aw or something humorous. "o-e-p-ay is a -ight yet effective way of adding the fun/ e-ement in to the interaction. &ou can a-so transition the p-ayfu- ro-e-p-ay in to one of a more se+ua- nature -ater on, and because she had comp-ied with the p-ayfu- ro-e p-ay, the more se+ua-/ ro-e-p-ay that you wi-- introduce in to the interaction wi-- 1'T come off as weird or creepy. :ost men do not use ro-e-p-ay in their interactions with women, because either they do not know how to do it or they are not actua--y aware of how much impact it can make. All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

1'T*2 0hen doing ro-e-p-ay, you must be bo-d with it9 'therwise, if you/re nervous or unsure it wi-- backfire9 18.)* &&E-9E *ER 1o one -ikes a head nodder/9 Head nodders make N*"' I:$#3T9 There are p-enty of ways to cha--enge the woman such as2 a. ,trong opinions b. 3ha--enging her p-ayfu--y c. 3ha--enging her inte--ectua--y d. $-aying devi-s advocate :en be-ieve that if they agree with everything the gir- says, and nod their head -ike good -itt-e boys, then they wi-- magica--y be given access to her bed. 0"'1>9 D. 6.' ,&6D +.7R .W6 R&$(I'+ I6 $11.RD$61& WI'H H&R 8 0omen can sme-- this a mi-e off, and it actua--y works #>#I1,T the mans chances. # -ot of men ho-d on the fa-se be-ief/ that a woman wi-- 1'T s-eep with him because or at -east part-y because he did not -ike her favorite movie or did not share her po-itica- views or he did not share the same passion for her favorite ho-iday destination. 'ut of a-- the women I know, 1*6*" once have any of them said they did not go back home with a man because he didn/t agree with her about things, or that he had his own mind, his own -ike and dis-ikes9 ,ounds obvious right? 5ut ask your se-f how many times you have found your se-fbending your own rea-ity in accordance with a woman that you are chatting up? How many times have you caught your se-f agreeing with her Aeven though you didn/t rea--yB and nodding your head and rep-ying with vague responses such as .coo- .nice etc? #nd then you -eft confused when she te--s you she )ust want to be friends, or she picks All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

one of the FO we-- practiced e+cuses that us gir-s use when we want to re)ect a mans advances. 0omen want menta- stimu-ation 1'T # $*'$8* $8*#,*"9 ,o why do men resist cha--enging a woman? @ answers to this <uestion. The first answer we have touched on a-ready. 5ecause men have a fa-se be-ief that women wi-- be attracted to them more if they comp-y and agree. The second reason is, because a man is worried that the cha--enge Awhether p-ayfu- or semi-seriousB might esca-ate in to a fu-- b-own argument, and if this happens then he fee-s that this conse<uence wi-- serious-y damage his chances of bui-ding any type of attraction with the woman. Here I am going to share with you an inva-uab-e techni<ue ca--ed the diffusion techni<ue/ This techni<ue wi-- not on-y diffuse any argument that might occur, but it wi-a-so make that argument work for you9 8itera--y turning a potentia- negative in to a powerfu- positive It wi-- show you how to take that energy/ from the heated argument and manipu-ate it in to a se+ua- energy9 %!e di44usion tec!ni:ue: If the cha--enge resu-ts in a bit of a heated debate, pin point the e+act moment you can see the debate becoming an argument, or the point where it becomes persona-. #t that e+act point, rather than back down or try and change the sub)ect. ,mi-e, and say .stop ?eep smi-ing, ho-d her gaEe, and then continue with.. .:e and you are never going to agree on this right? ,he wi-- say .right Ain a defiant mannerB .In fact me and you can sit here arguing about this for @ weeks and we wi-- sti-- not agree right? ,he wi-- again respond with .right .5ut you know something..I -ove that This is the point where you wi-- begin to hook her in .%on/t you )ust hate it when peop-e agree for the sake of agreeing? &ou/re -ike me, you All Rights Reserved Kezia Noble !"#" $ www.kezia%noble.com

stick to what you be-ieve in no matter what..I -ike that This is the point where she wi-- -ook down and -ook back up and smi-e and respond with .&es..Its true Here you wou-d have diffused the situation and at the same time you are conveying the message that a-though you both might disagree on the surface, you both 3'11*3T on a much deeper -eve-. &ou are both strong-minded peop-e, you are both peop-e who stick to what you be-ieve in. There is something that I -earned from a natura- recent-y. He to-d me that whenever he and his current/ gir-friends argue, he stops her and -aughs and then says something very simi-ar to the diffusion techni<ue/ He wi-- stop her mid- shouting at each other and say2 .,top, you know what the prob-em is here? &ou are the fema-e version of me and I/m the ma-e version of you He said this -ine a-ways seemed to take that heated/ energy in to the bedroom. %on/t be afraid of energy, )ust -earn how to mou-d that energy in to se+ua- energy is the message here. "emember, cha--enging a woman wi-- 1'T decrease your chances of success, *,$*3I#88& if you know how to de-iver the diffusion techni<ue/ if things get too heated. 1ote2 a -ot of my students now $("$',*7(88& cha--enge the gir- in order to use the diffusion techni<ue9 #s it rea--y can increase the guys chances of success. %on/t be afraid of energy, )ust -earn how to mou-d that energy in to se+ua- energy. If you want to -earn more from ?eEia with her %6%s >o to2 ;;P http244www.keEia-nob-e.com4products4 If you want training with keEia or a member of her team Aenter team page -inkB 3ontact infoQkeEia-nob-e.com

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Kezia Noble !"#" $ www.kezia%noble.com

'e;ia -oble %raining <aterials

=1$ Steps to Becoming a <aster Seducer> B((' Have you ever dream/t of becoming an infa--ib-e seducer of women? This book te--s you everything you need to know, courtesy of the wor-d/s on-y ma)or fema-e $(# Apick-up artistB, ?eEia 1ob-e9 J ,teps to 5ecoming a :aster ,educer is the first and on-y surefire pick-up guide to be written by a woman. It has the potentia- to transform a -one-y man into someone who need never be sing-e againR un-ess, of course, he wants to be. S"ead :ore =.eep )onnection> .0. Hours of groundbreaking techni<ues that wi-- give you a step by step break down which wi-- have you mastering the art of creating deep connection, and hand you one of the most powerfu- secrets in the seduction community is yours to have. S"ead :ore

=%!e 18 *ook &ead S#stem> .0. The ! hook -ead system is a c-ear, practica- and actua--y <uite a fun way to have great conversations with women. It gives men the abi-ity to transition the opener to a fu---b-own conversation effort-ess-y. It serves to disp-ay the mans persona-ity to the best of his abi-ity, rather than change his persona-ity or become someone he is not. This %6% wi-- go give you hours of inva-uab-e information that wi-- change you game forever, and give you "*#8 resu-ts. S"ead :ore

All Rights Reserved

Kezia Noble !"#" $ www.kezia%noble.com