Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale

Pa e 1 of !""

[1tr1 Begins] Lovedrop: All right. So one principle I want to explain really quick—which is textbook evolutionary psychology—is the idea of the least-costly mistake. ecause organisms have to make all their decisions based on imperfect information! they"re always going to make mistakes. #ou always try to make the best percentage choice that you can! but you"re always going to fuck up at some point. At some point you"re gonna be wrong! no matter how good your decision is. $hink of it from the perspective! for example! of basic strategy lack%ack. So! when you play lack%ack! there"s a certain strategy that gives you the highest percentage. $he dealer has this card up and I have these cards! the best move is for me to hit or the best move is for me to stay. It doesn"t mean I"m guaranteed to win! it %ust means I have the best percentage chance to win. And so! that"s what"s going on with organisms. &hen an organism is moving about in its environment! it"s receiving all these cues from the environment. $hey give it information. $he organism doesn"t have 'odlike knowledge. (e doesn"t really know how dangerous this is or what the actual thing is going to happen! he %ust knows whatever the best statistical chance is. So! a classic example of this! which comes from a book The Dangerous Passion! the example is the snake in the leaves. So let"s say you"re in the ancestral environment and you"re a tribal child running around the forest. And there"s a spot in the path where there"s some leaves and they move. So there could be snake underneath the leaves. #ou don"t know for sure if there"s a snake. #ou %ust know that there"s some statistical probability that there could be a snake. So now! you have to make a choice. #ou could say! )&ell! there"s not a snake!* and %ust walk through. And most of the time! there isn"t. #ou %ust walk through and you"re safe. +r you could say! )&ell! I think there is a snake there. I don,t know for sure! but why take the risk.* So instead of walking across the path! I"m gonna sort of climb down around the side and then climb back up and continue on my way. -ow! notice that no matter which decision I make! I"m gonna be wrong some of the time. Sometimes I"m gonna get scared that there"s a snake and I"m gonna climb around and waste all this energy and all this time!

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale

Pa e ( of !""

and there"s really nothing there. &ell! I wasted all this time and energy to go around a snake that wasn"t even there! but I"m still alive. Sometimes I might walk right through. .et"s say that I throw caution to the wind and I walk through that spot and up comes a snake and bites me and I get killed. So obviously if there"s a snake and I chose to walk through and I get bit! I made a mistake. I made the wrong guess. Similarly! if there"s no snake there and I climb around! I made a mistake. $here was nothing there! and I wasn"t all this time and energy and there"s nothing even there. ut which mistake is more costly/ It"s better to err on the side of caution because when you err on the side of caution! even though you might waste a little time and energy you still live and you pass on your genes. -ow! let"s say there"s only a snake there 0 out of 011 times. y the time an ancestral tribal child is 2 or 01 years old! he"s been running down that path hundreds or thousands of times. (e"s gonna get picked off by a snake before he reaches puberty and passes on his genes. And so! you would expect that those people who are a little bit more emotionally cautious tended to survive better. And even today! if you look at the city of .os Angeles! the -o. 0 thing that is most likely to kill you! by far! is the automobile. ut how many people in .os Angeles are in therapy with an unnatural fear of automobiles/ 3robably none. ut how many people do you think are in therapy with the unnatural fear of snakes or spiders/ 4uite a few. 4uite a few more than they have any fear of automobiles! even though automobiles are more dangerous statistically. ecause in the ancestral environment where those emotions evolved! those people who had a healthy fear of snakes and spiders passed on their genes better. 5ven in cases where maybe there wasn"t even a snake there! but the fact that they were a little overly cautious gave them a benefit and they passed on their genes better. So! it"s important to understand that whatever cues are coming our way we"re never operating on perfect information. &e"re always going to make mistakes. And we"re emotionally programmed to make the leastcostly possible mistake because we"re playing with the statistics6 we"re playing with the probabilities in the situation. 7oes that make sense/ Male: Lovedrop: Sure. $he same is true of attraction. .et"s say that a woman sees a man who"s surrounded by other women. She doesn"t know for sure that he"s higher

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale

Pa e ! of !""

value. ut that cue is a pretty good indicator that he"s higher value. And the fact that if she"s attracted to that gives her a statistical improvement. It doesn"t guarantee that he"s higher value! but it"s a pretty darn accurate indicator. 8ust like the peacock"s tail. &hy is the peacock"s tail an accurate indicator/ &ell! let"s say that the peacock has a big tail and he"s still alive. -o predator has picked him off. 5ven though he has this tail weighing him down! he has not been picked off by a predator. 9or a peacock : say that there was a peacock who was very weak and slow or stupid and he has a big tail. &ell! the tail"s gonna slow him down! the predators are gonna eat him. So! he can"t really fake the cue because : .et"s say you say! )&ell! I"m really actually very weak! but I have a big tail so I"m still attractive! I"ll still get laid.* -o! you got eaten by a predator before you passed on your genes. And so! it"s too costly to fake the cue. $he peacock would be better to %ust have a small tail and better luck next year. $he fact that he has the big tail and he still survives makes the cue more accurate. $he females can trust the cue more because it"s more difficult to fake it. And so! you"ll see that all of the cues that people respond to are the cues that are more difficult to fake. And the more difficult it is to fake! the more impact it will have emotionally on someone who"s viewing it. If a cue is easily fakeable! then people will be less emotionally attracted by it. 7oes that make sense/ Female: Lovedrop: &hat exactly do you mean by )cue/* A cue is some piece of information that enters your brain! from your environment! that gives you an indicator. It"s not perfect. It"s %ust an indicator. I"ll give you an example. .et"s see that you see a man surrounded by women. Is he higher value/ #ou don"t know! but it"s a pretty good indicator. It"s a little piece of imperfect information that helps you make a better guess. It"s not perfect information! but it"s enough to make a better guess and improves your chances statistically. And so the women who are attracted to men that have other women! which we call that pre-selection. $he women who are attracted to that tended to get better men. $hey tended to pass on their genes more. And so today! all the women are attracted to it. 5ven if they don"t admit it! they"re emotionally attracted to it.

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale

Pa e / of !""

And pre-selection is emotional response that has been observed in many species. $he classic example is the grouse. 'rouse! bird! it"s a form of bird. $he grouse is affected by pre-selection. And so! they did an experiment where they had a male grouse! and they measure the number of times that he mated. And then they took a stuffed female and put her next to him in his territory. And once they put the stuffed female there! other females started coming to mate with him because of the presence of the stuffed female. ecause she indicated preselection! which is normally an accurate indicator. -ormally in the environment where the bird evolved! you didn"t normally have stuffed grouse being placed around. So normally! they can trust that indicator and they evolved to select for it. And so now! we made a little test. &e put a stuffed female stuffed grouse there! the male gets laid more. So! it proves that female grouse are attracted to males that have other females. And this mechanism! pre-selection! is definitely true in humans. Male: Lovedrop: Male: Lovedrop: Male: Lovedrop: Male: Lovedrop: Male: So the fact that these cues can be faked or couldn"t be faked 21!111 years ago is what matters! not that they can"t be faked today. 5xactly. +bviously today! women use make-up : 5xactly. $hey use hair extensions. 3ush-up bras. 3ush-up bras or breast enhancements or whatever. And men put height enhancers in their shoes. And men lie about their %obs! or whatever. #es. #eah! people buy all kinds of things and so on and so forth. So! these are : so we have to really go back 21!111 into the Stone Age! cues that couldn"t be faked then are what matters. $hat they can be faked today is not in our programming yet. $hat"s right. So they"re still very powerful.

Lovedrop: Male:

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale

Pa e " of !""

Lovedrop: Male: Lovedrop:

$hat"s right. #eah. $hat"s right. +kay! so let"s see. &here are we now/ I"ve explained the principle of the least-costly mistake. y the way! an interesting example of a least-costly mistake is the fact that men tend to over-assume that women are attracted to them. So! where you would ask a woman! )(ey! are you attracted to that man/* )+h no! I %ust think of him like a friend.* #ou ask the man! )&ell! do you think she"s attracted to you/* )+h yeah. #eah! she wants me.* ;en will tend to guess that the woman wants them! more than is actually true. And why is this/ ecause the man is relying on the principle of the least-costly mistake. If a man %ust assumes that no one wants him and he never approaches any women! he doesn"t pass on his genes. If a man assumes that every woman wants him! then he"s more likely to go interact with them and give it a shot. And even though it doesn"t work out with every woman! it"s still gonna work out more often because he assumed they wanted him. So! even though the belief is technically wrong! it"s still a useful belief because it still results in him passing on his genes better.

Male: Lovedrop:

And strangely! that self-confidence attracts women. $hat"s true. $hat"s true. $hat"s true. So and this is interesting to me. $he man could err on either side. If he thinks she"s not attracted to him! he"s wrong some of the time. Sometimes she is attracted to you! and you assume she wasn"t. And you were wrong. ut what"s the other side of the mistake/ $he other side is you assume she is attracted to you when she"s not. &ell! even though you"re wrong a lot of time you still get laid more. So! it"s better to err on the side of assuming they want you! which is what men tend to do. ;en tend to err on that side. $hey tend to think women are attracted to them when they really are not because this gives me an evolutionary benefit. So! it"s the same emotional programming that would cause someone to be cautious where there might be a snake. It"s the same exact principle that causes someone to think women want him more than they really do. 5ven though the belief is wrong! it"s still useful. It still gets results. ;ake sense/

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale

Pa e 0 of !""

Male: Lovedrop:

#ep. So now what"s going on here! when we observe the cues that create attraction! when we observe! say! a woman with youth and health and healthy skin and long hair! breast si<e! hip-to-waist ratio! etc.! etc.! or when a woman views a man that has various cues that are attractive. Is this something where we see the cues logically and we say! )+h well! look at that. $herefore! I want this more. I made a logical decision.* -o. &hat happens is our unconscious mind picks up these cues from our environment and activates emotions automatically. $he emotions %ust get activated! even if you don"t know what activated the emotion. #ou may not even be consciously aware of what activated that feeling. .et"s say someone came up behind you and put a lighter on your leg or something and you weren"t looking. #ou"re immediately gonna %ump and scream in pain! even though you didn"t know that someone had a lighter. #ou didn"t know if there was someone behind you. #ou immediately %ump and scream in pain! and only later maybe you turn around and you say! )+h! there was someone there with a lighter.* 5ven before you were consciously aware of what activated that feeling! the feeling still got activated! motivated the behavior! and only later can you sort of reflect back and say! )&ell! what caused that feeling/* And the same is true with these psychological feelings! these emotions. $hat emotions will get activated! even if we don"t really know what triggered them. And so this is another example from The Dangerous Passion! is they did a study on %ealousy. 8ealousy is an emotion designed to protect a pair bond. So if I have a pair bond with a woman! this is an investment that"s cost a lot of time and energy and men tend to protect the investment and so on. And so in any : to whatever degree that I feel that pair bond is being threatened! an emotion"s gonna activate that"s gonna motivate me to protect it more. 8ealousy is an emotion that"s designed to protect your pair bond and it does so by motivating certain behaviors. +ne behavior that it motivates is a behavior to be extremely vigilant towards your pair bond. So! when a man starts getting %ealous! he calls her more. (e checks up on her more. )&here are you/* (e doesn"t let her go out as much. (e doesn"t take her out to the bars. (e wants to keep her at home. (e wants to keep her away from other men. (e"s becoming more and more vigilant. (e doesn"t want her going to do girls night out. $hese behaviors are coming out of him. And even though she might say! )&ell! he"s so

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale

Pa e * of !""

controlling! he"s such a %erk!* well guess what! the men who didn"t have those feelings don"t exist. $hey got weeded out. $he men who were overly controlling! even when they were wrong! still protected themselves more than the men who didn"t care. $he other behavior that %ealousy motivates is violence towards rivals. So if you see someone who"s a potential rival! who"s coming in towards your pair bond! the %ealousy emotion will activate and cause violence and threatening behavior towards that male! in order to sort of scare him off and protect your pair bond. And because of that! you"re more likely to pass on your genes because you scare off your rivals. ;en and women both do this. &omen are very catty towards their rivals. 4uestion/ Male: Lovedrop: Male: Lovedrop: #eah. I think =1 percent of all murders are based on %ealousy. #eah! some : &asn"t there statistics on this/ #eah! something like =2 percent of all murders are based on sexual %ealousy. Someone felt sexually %ealous! murder. ;urder. And so we might say! )&ell! that"s wrong6 murder"s wrong.* ut in the ancestral environment where these emotions evolved—and by the way! they probably evolved before we were human. $hey were probably at the ape level or the bird level or whatever. &ay back when! the males and the females that %ealously protected their pair bonds passed on their genes better! even when they were wrong some of the time. #ou know what : go ahead. Female: Lovedrop: Female: Lovedrop: And that"s like social trait that you %ust are : from years and years ago that you %ust inherently get stronger and stronger! or/ >ight. It"s %ust : 5xplain by that. 8ust like the fact that you can feel pain or the fact that when you eat good food it tastes good. -otice that anything that involves proteins and fats and sugars taste good. ?arbohydrates. -otice when you eat rocks and dirt it tastes bad. &hen you eat protein and carbohydrates it tastes good. Some part of you is saying! )#eah! do that. $hat"s good. 5at that.* And you"re getting rewarded with those feelings.

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ole or in part in any for&. It"s fucking with our relationship. (e won"t let me go out with my friends. $he guy"s in counseling saying! )I don. Anytime a man comes nearby! he acts like a %erk.ook! I know it"s a problem. It"s completely confidential.t know what it is. It"s embarrassing because a man walks by and he gives them a funny look or he gets protective towards me and it"s %ust embarrassing. $here must be something wrong with me. And he says! ).t of reproduction in w. And so! they go in for couples counseling. (e might sit there and rationali<e it and try to event a reason to explain it. I know it"s wrong. I don. (e calls me every five minutes.e ri . +ut of the blue! I %ust feel this powerful feeling come over my whole body! and I find myself wanting to check up on her. $his feeling %ust comes over me.* So then! they ask the man. -inety percent of the time! when a partner felt %ealous! the other partner really was cheating. &hichever! both genders get %ealous. &e"re alone here. And here I am! I"m in couples counseling.co& Pa e 1 of !"" All ri . ' ())* +enusian Arts$ LLC. It"s sort of embarrassing in public. (e didn"t know what it was. I"m trying to fix it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 1 of !"" Actually! here"s the study on %ealousy. I"m trying to fix it. It"s for science. I don.t know why I get this feeling. I admit it"s a problem. (e won"t let me go out. So in this example! so they pull the woman aside and they say! )+kay look! it"s a study. And the woman says! )#ou know! he"s a big pain in the ass! he"s constantly checking all my movements. $hey had 0!111 couples in the study! something like that. And I %ust go cra<y. ut he didn"t know what those cues were in his environment that activated that emotion. 5ven when that person didn"t think that it was right.* So! what they did in this study was then they would pull her aside! or if it was the man! they"d pull him aside. I know it"s mistaken. &hich is what people do! they rationali<e their emotions. I"m in couples counseling.t know what it is. www.ilosop.eanwhile! she really was cheating. .area"1lifestyle. So they had these couples! they were going to couples counseling because they had %ealousy problems. $his feeling %ust comes over me and I act cra<y. It"s causing a problem in our relationship.P. I"m trying to fix it. It"s causing a problem. So for example! let"s say that there"s a man who"s acting overly %ealous. $his is an interesting study.y$ #nc.* . Something in his environment got picked up by his unconscious mind! activated the emotion! motivated the behavior. .ts reserved$ includin t. 7id you cheat on him/* -inety percent of the time! she was cheating on him—or he was cheating on her! whichever the case.

It"s not necessary for you to be consciously aware or have any understanding of how it worked or why it worked.ilosop.ole or in part in any for&. $hey %ust like to do it. As long as the emotion gets activated! you feel the powerful feeling! it motivates your behavior! and your behavior changes! and that somehow improves your survival and replication chances! that"s good enough.co& Pa e 2 of !"" All ri . I %ust get a urge. Similarly! when you eat and it"s something good for you—for example! proteins! carbohydrates! sugars! fats—then your body rewards you with a sense of pleasure. And if you were to ask the cat! )&ell! why do you sneak up on things/ Is it because it makes you more likely to kill and eat and pass on your genes and have little baby cats that like to sneak up on things/* #ou know the cat would say! )-o! I %ust like to sneak up on things. As long as your behavior gets modified appropriately! that"s good enough for the trait to get passed on to the next generation.y$ #nc. 3eople have different motivational systems built in that motivate them to do appropriate behaviors that are necessary for their survival and replication.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 2 of !"" ut here"s a situation where the person actually believes they"re wrong! but meanwhile their partner really was cheating. And so! you form good memories.* $he cat doesn"t have to have any conscious understanding of why that urge is there.area"1lifestyle. It"s completely unnecessary for you to know what happened. #ou get a sense of intense pleasurable sensation—eating is one of the basic pleasures of life—which rewards you to encourage that behavior in the future. Similarly! cats have an urge to kill things. So! one example of this is motivational systems. www. ecause evolution doesn"t care if you know why the emotion got activated. ?ompletely independent of whether they"re actually hungry or not! they %ust have this urge to sneak up on things. Anyone who has owned cats has had that experience where the cat brings back a dead bird or a dead mouse and puts it on your pillow or whatever! leaves it on your doorstep as a gift. In this case! the ' ())* +enusian Arts$ LLC. . . I %ust like to do it. [1tr2 Begins] Lovedrop: So you can see that evolution doesn"t care if you have any conscious awareness of why the emotion got activated. $hat helps to motivate us to eat.e ri . +ne motivational system is they have a urge to sneak up on things.t of reproduction in w. And they"ll even do it when they"re not hungry. 9or example! for eating! in humans! we get hungry.ts reserved$ includin t. As long as the urge motivates the appropriate behavior! that"s good enough and it will get passed on. So a more complicated example of this is felines have seven motivational systems that bring them to eat—tigers! house cats! whatever.P. And the next time you consider eating! you have sort of this fondness for the idea of doing it again.

ole or in part in any for&.co& Pa e 1) of !"" All ri . &ell! this movement is obviously more likely to result in more attention. $hey definitely like to dance more than men do. And again! if you were to ask the cat! )&ell! why do you like to kill things/ Is it because it makes you more likely to eat and survive and be successful and mate and have baby cats that like that eat! kill things as well/* And the cat again would probably say! )-o! I %ust like to kill things6 I %ust like to doing it. As long as the behavior happens! that"s good enough. www. And if you were to ask her! )&ell! why are you up there dancing/ Is it because you"re more likely to have a better choice of men and get into a better pair bond and pass on your genes better and have daughters who like to dance/* She would probably say! )-o! I %ust like to dance. And have a whole bottle and turn on her stereo and dance by herself in her house! if she really likes to dance. And she goes and finds the highest spot in the whole bar and shakes her body. And she"s more likely to then pass on those genes so that she has daughters who en%oy dancing as well. Anyone who"s interacted socially has observed this! that women en%oy dancing more than men do. (e had some urge pop up.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 1) of !"" cat wasn"t even hungry but it still killed a bird. And by dancing! shaking their body! they"re conveying their replication value out to where more men are gonna see it.e ri .* $he cat doesn"t have to have any understanding of why that behavior"s there. 7oes that make sense/ asically! because she"s out doing that in public! up in a high place where everyone"s gonna see it! she greatly increases her chances of having access to better selection of men.ts reserved$ includin t. &ell! the fact is that women are out in the social scene and the single scene conveying replication value. . . &hy/ (e %ust felt like it. .* It"s completely unnecessary for her to have any conscious awareness of why that behavior"s there or why that feeling is there.ilosop. ' ())* +enusian Arts$ LLC.t of reproduction in w.P.area"1lifestyle. ut instead what does she do/ She gets all gussied up and she goes down to the singles bar where all the single people are getting drunk. $hat"s it. She may understand it or not! but the point is that for her to understand it is completely unnecessary for it to still work. &omen like to dance.ore men are going to notice her. I %ust feel like it. So then! compare this to women. It"ll get passed on to the next generation.y$ #nc. And because of that! over five or ten years! she"s more likely to mate with a higher-value man. She"s going to have more numbers and more quality of men that see her. 9or example! she could stay home and drink store-bought 'rey 'oose for @1 bucks. As long as she does it! that"s good enough.

9or example! let"s say that a girl is gonna contemplate cheating! or a guy"s gonna contemplate cheating.co& Pa e 11 of !"" All ri . . www. And when that person considers cheating! there"s some emotional calculation that"s going on at a level below their conscious awareness that says is it worth the risk. $he idea that emotions are there! they cause us to have feelings that motivate our behaviors! these behaviors give us a better statistical chance of survival and replication. (Laughter) ' ())* +enusian Arts$ LLC.ole or in part in any for&.area"1lifestyle. >eally some value calculation happened and now she"s %ust trying to rationali<e why she felt that way. 3eople rationali<e their emotions. All right! cool. 9or example : Female: Lovedrop: It"s natural.e ri . -ow! she"s gonna rationali<e it to herself and say! )&ell! I didn"t cheat because I"m not that kind of girl! I"m not the kind of person.* -o! I think I"m good right now.ts reserved$ includin t. $his time! do it.* $hat"s the rationali<ation to come up and sort of explain why she didn"t. $he emotion! )#eah! cheat. $he emotion pops up differently. &e don"t have to have any understanding of why they"re there.P. I think you"re pretty good too.t of reproduction in w. And in fact! in our drive to try to understand them we"ll rationali<e some sort of reasons that may not even be accurate. &hat"s the value of my current mate/ &hat"s the value of this potential new mate/ Is it worth the potential loss of the investment that I already have with my current pair bond/ 5ven though the value may be higher! is it worth losing that investment/ And some calculation is made and then you get the resulting emotion that says! )#eah! cheat!* or! )7on"t cheat. And so! she decides to cheat. She doesn"t feel like the investment risk is that bad.* And let"s say the calculation comes back and says don"t cheat. Some other proposition comes along and the value"s better and she doesn"t have as much value for her own pair bond.ilosop.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 11 of !"" .ake sense/ 7id anyone have a question! or/ Female: Lovedrop: Female: (Laughter) Lovedrop: All right.y$ #nc. It"s not really a decision. . Similarly! let"s say that five years later she does cheat. So! this is very important foundational stuff here.

5motions calculate differences in value! in order to motivate us to avoid certain people and to align with others. . #our survival is to a great degree dependent upon this person. It %ust means that he has less of potential impact on you. $hey"re both equal in the eyes of 'od or whatever. #ou say something stupid.* And you feel it. #ou get the same cue! the same social feedback from your boss and from a beggar. (e could give you a raise. $he beggar on the other hand! is less important for your survival! he has less of an impact on your own survival and replication value! and so you don"t have as big of an emotional reaction to him. .P. And your boss kind of looks at you like! )$hat was stupid. -ow! the boss and the beggar! they"re both human beings.co& Pa e 1( of !"" All ri .* (e gets this look on his face like he"s kind of disgusted with you and he turns his back. -ow right in that moment! you feel this sinking feeling in your stomach like! )+h man! I %ust fucked up. And as you pass him! he makes this face like he"s %ust disgusted with you! like! )$hat was stupid!* and then he turns his back on you.aybe he could fire you.ole or in part in any for&. ut at the same time! one of them is more important for your survival and so you"re programmed to have more intense emotional reactions to him. Imagine that you"re at a party and your boss is there! someone who"s really important. $hey both have human dignity. In one case! you get that cue and you feel bad inside like you %ust messed up. ut really! it"s %ust a rationali<ation to try and explain the behavior that already occurred because it was emotionally motivated. In the other case! you get that same cue from a beggar and you don"t feel anything.t of reproduction in w. .e ri .y$ #nc.area"1lifestyle. Imagine that you"re walking down the sidewalk and you see a beggar! a dirty beggar on the sidewalk. And so! this is where we start to get into the idea that emotions calculate value.ilosop. It doesn"t mean that he"s any less of a person. So let"s say that you"re standing there at the party and you make a faux pas.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 1( of !"" And again! now she"s gonna rationali<e it to herself and she"s gonna say! )&ell! we weren"t really get along that well anyway and we were fighting a lot!* or whatever the excuse is. So here"s a really good way to explain that so that it"s very simple for the layman to understand. -ow what do you feel in that case/ 3robably nothing. -ow imagine this. I messed up. www. And what are some more examples of this/ #ou"re walking through an alley and some criminal-looking guy pops out with a gun and puts it in ' ())* +enusian Arts$ LLC.ts reserved$ includin t.

In one case! some calculation has been made that says! )$his is a serious threat to my survival!* so you have a more intense emotion. &hereas! say! a =1-year-old crone or my B-year-old niece or whoever! someone who"s not potentially going to help my replication value in any way! is not going to give me as much of an emotional reaction. And when someone is perceived as having higher value! we"re motivated to want to align with them.P.e ri . So! you see that we"re programmed to have greater or less emotional reactions based on the potential impact to our own value. If you"re at the party and the important guy shows up! ' ())* +enusian Arts$ LLC.t of reproduction in w.et"s say that you"re at a party and ?armen 5lectra walks in the room—or whatever! some generic example for some hot chick! walks in the room. And you feel nothing. )$his could potentially impact me at a much greater impact! so I"m gonna have much more of an emotional reaction to it. An attractive woman! say! @@ years old! hip-to-waist ratio 1.* (ere"s another example. $hey don"t want to fuck it up. www. &hy don"t I treat them equally or feel the same feeling towards both of them/ And the reason is because one of them has a greater potential impact on my replication value.y$ #nc. #ou"re at a family party and little 2-year-old kid runs up with a toy gun and points it at you. .! she"s a much great potential impact! positive impact! on my replication value so I"m gonna have a greater emotional reaction to her. $hey"re both human beings! so why am I feeling this intense emotion to that woman and not to that woman/ ecause that woman has a : well! that woman as opposed to the 2-year-old niece.ole or in part in any for&. .A! etc.! etc. 7o you feel that same sense of nervousness/ 7o you feel that same feeling like! )+h I don"t want to fuck this up*/ -o. -ow! imagine this. In both cases! what"s going on is your unconscious mind and your emotional mind is actually calculating the potential impact to your own value. .ilosop. If I see a =1-year-old lady! I"m not gonna feel all nervous around her the way that I would around Angelina 8olie. $hey"re getting emotionally reactive to her. $hey don"t want to say the wrong thing. &hereas let"s say that your 2-year-old niece walked up to you.co& Pa e 1! of !"" All ri .area"1lifestyle.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 1! of !"" your face. &hereas the little kid points the fake gun at you! it"s less of a threat to your survival so you have less of an emotion! or almost no emotion at all. &ell! why is that/ $hey"re both human beings. And the guys around get nervous.ts reserved$ includin t. +r! it could be anything that"s not sexually attractive. Immediately you feel your entire body fill with powerful emotion. $his fight-or-flight response pops up. It could be an old crone or something.! etc.

Specifically! not because that person"s higher value! but because they have a higher impact on my value.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 1/ of !"" you want to go over there and make sure you get in the conversation with them. I"m only referring to whatever their potential impact is on my own value. And to whatever degree that is the case! my emotions are gonna be automatically programmed to motivate me more or less to align with that person.* And we"re more prone to form alignments with higher value. #eah.ole or in part in any for&. I"m only referring to survival and replication value. #ou see a dirty beggar walking down the street you"re not trying to play golf with that guy.P. Female: Lovedrop: Female: Lovedrop: Female: Lovedrop: &hat"s SC> value/ $hat"s survival and replication value.ilosop. Some part of your emotions are automatically programmed to say! )$hat person has higher value! make an alignment with them.y$ #nc. ut in one case! a more attractive woman has a greater potential impact on my replication value. And so! I want to make clear that whenever I use the phrase )value* I"m not referring to intrinsic human value. $hey"re gonna get more offspring. . 9irst time abbreviation. . And maybe play a round of golf with him sometime or something like that. #ou"re %ust not motivated to.e ri .area"1lifestyle. And out to second! third! fourth generation! you"re statistically more likely to have more offspring because you mated with a more attractive person. I"m more interested in aligning with her or even having sex with her! than if she"s a lot less attractive. Same thing with women! if I see a woman who"s really attractive! I"m more interested in aligning with her! that"s a sexual alignment! it"s called a pair bond. Survival and replication value. +r maybe they"re really low impact. So! the people who are attracted to that pass on their genes better. #ou don"t want to align ' ())* +enusian Arts$ LLC. +h! okay.et"s say if a person puts a gun in your face! it"s a negative impact on your value. . And now here we are! all attracted to more attractive people! people with higher SC> value. 5ven the sons will be more attractive and they"ll get more women. If I have sex with her! I"m gonna have children that are more attractive. 5ither way they"re both equal human beings.ts reserved$ includin t.t of reproduction in w.co& Pa e 1/ of !"" All ri . www. I"m not referring to a person"s human worth or human dignity.

. 5motions are extremely accurate.ole or in part in any for&. If I"m acting nervous around a girl! it conveys that I think she has higher value than I do. #ou may not even know what the little subtle cues were that activated that emotion. If I"m rad 3itt—or any generic example of a high-value guy—and there"s some girls around! am I gonna get all! if I"m rad 3itt am I gonna get all nervous around some girl/ Female: Lovedrop: -o.y$ #nc. . www.area"1lifestyle. $his is a crucial point. &hereas that same girl might go to ' ())* +enusian Arts$ LLC. &ell! this is very important. So that"s why I tell people! when you have an emotion! take it seriously. Almost the entire 'ame is based on this. So sometimes! based on the impact on your value! you"re more motivated to align with someone! sometimes maybe you"re more motivated to get away from someone. #our emotions are calculating basic strategy lack%ack. $hat"s right.e ri . -o. -o matter how real : [1tr3 Begins] Lovedrop: All right. If I"m acting scared of someone! what does that convey/ It conveys that I think they have! they"re a potential threat to me. It"s probably accurate.co& Pa e 1" of !"" All ri . It"s not 'od. $hey"re not always right! but they"re making the least-costly mistake and giving you the best percentage chance. $hey"re there and something activated it.t of reproduction in w. In every case! your emotions are calculating what is gonna give you the best statistical chance.ilosop. #ou want to get away from them.ts reserved$ includin t. Anything that could potentially my value is gonna give me an emotion. It"s not the 3rophet. ut it"s not 011 percent accurate.P. I"m not gonna get all nervous because I"m not perceiving her as having higher value. And it"s probably accurate. +r sometimes maybe you %ust don"t feel anything at all. It"s not the +racle. If I"m talking to someone and I"m reacting to him emotionally! maybe I"m getting nervous! maybe I"m fidgeting more! maybe I"m moving around a lot more! what that"s doing is that"s conveying to him! and to everyone else around! that I perceive him as higher value. So we"ve %ust basically covered the idea that people have more intense emotional reactions to anything that they perceive has having a greater potential impact on their own value. ecause what this means is that whenever you see someone acting reactive! when you see someone getting emotional! it conveys their own perception of their value differential. 8ust because you feel it doesn"t mean it"s real.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 1" of !"" with them.

ole or in part in any for&. It has nothing to do with whether it"s really true. So I"m gonna perceive him as being less important.area"1lifestyle. $his isn"t some conscious decision they"re making. She sees someone who"s much more unreactive! she"s going to feel attracted! or at least she"s much more likely to.co& Pa e 10 of !"" All ri .* And then here"s this other guy! this rad 3itt guy! he"s completed unaffected. Female: Lovedrop: Female: &ell! as a girl I think maybe sometimes I"ve had that experience where they"re a little bit too needy kind of : 9or sure. www.* I"m like! )?ool. So! by changing your own behavioral subcommunications! by changing your movements and the way you speak so that you don"t come off emotionally reactive! people will perceive you as having higher value and they will treat you that way. .y$ #nc. So! when she interacts with him! she sees! )+h! here"s this guy getting all nervous around me. &hat we"ve discovered here is that by acting emotionally unreactive! you convey higher value.P. It"s really good to meet you. #es. &hen you act unreactive! you convey higher value.ts reserved$ includin t.* I view you as : neither one of us is really having any great emotional reaction.e ri . Is there anything : can I get you a drink or something like that/* Immediately I"m gonna perceive this guy"s! he"s rapport seeking! he"s trying too hard! he must be feeling some emotion inside that he perceives me as being more important. #es.ilosop. She"s immediately gonna perceive that the nervous guy is lower value! and thus less attractive! and that the rad 3itt guy is higher value and more attractive. ' ())* +enusian Arts$ LLC. Male: Lovedrop: And the same goes when a guy is maybe not nervous but maybe overly friendly! that"s another form of reacting. ut if I say! )(ey! how"s it going!* and you say! )+h! wow.et"s say that I"m talking to you and I say! )(ey! how"s it going/* And you say! )+h pretty good. &hen you act reactive! you convey lower value. All it means is that"s the way people will perceive it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 10 of !"" class and some guy sitting in class gets all nervous around her because he has a perception that she has higher value. . $he feeling is %ust not there.t of reproduction in w. And furthermore! everyone around who sees this is gonna have the same perception! that I"m or important and he"s less important. It"s an automatic emotional response built into them. 5ven if it"s not really true. 3retty good. If a girl sees that a guy is acting nervous her! she"s not attracted. . : way too much! and it"s overwhelming and it"s very unattractive.

' ())* +enusian Arts$ LLC. So! the fact that he doesn"t approach her conveys lower value. #eah. -o big deal. (e"s not even in it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 1* of !"" Female: Lovedrop: Female: Lovedrop: And it"s annoying and you"re %ust like : And creepy. If she can see that he sort of came around and hovered around but didn"t build up the courage to actually say something! she"s immediately gonna think! or she"s gonna feel! )+h he chickened out. $his is the basic mistake that most guys make.e ri . $hey"re doing all these things that show that"s too important to them! that they care too much! that they"re feeling too many emotions attached to this interaction. (e"s not accustomed to getting girls like me. And this is where we really start getting into the core of pickup. $hat"s right.t of reproduction in w.P.ts reserved$ includin t.ole or in part in any for&. #ou know what I"m saying/ $hat"s right. Someone like rad 3itt sees a girl he"s interested in! he knows he can get her! so he walks right up. $hey get clingy. I view you as low value now.co& Pa e 1* of !"" All ri . >ight. So is this true! what you were saying/ $hat totally disqualifies him! period! if he doesn"t even approach her.* &ell! guess what/ I view you as below me as well. (e views himself as below me. +r they"re so nervous they don"t approach at all. And what they"re doing is they"re telegraphing lower value. . &hereas a guy who"s nervous and says to himself! )+h! I could never have that girl!* he"s gonna be scared! he doesn"t go up and approach her. $hey try too hard.y$ #nc. )(ey! how"s it going/* 5ven if he doesn"t get her! no big deal he"ll get someone else. $hey seek rapport.area"1lifestyle.ilosop. Male: Lovedrop: Female: Lovedrop: Female: Lovedrop: Female: Lovedrop: Female: +kay! I have a question. +kay. I find you less attractive. . $hey act needy. www.

www. &ell! obviously! if you don"t go up and talk to her then you have <ero chance of ever getting her! obviously. &hich basically says if you see a set that you want to open! immediately go over there and open it within three seconds. ut it"s not %ust about forcing you into set. #ou don"t come off chicken. So you go up and hover and then open the set and they treat you like you"re low value. So they sort of hover nearby! building up the courage. It actually has an affect on the way the women respond. If you walk right up without any hesitation! without any hovering! from the woman"s perspective it seems like you %ust popped up out of nowhere.ole or in part in any for&. -ot only that. $hey got into the field! they see some girls! they want to go talk to them! so they go over nearby but they haven"t worked up the courage to open. &hereas what we do with the Denetian arts is we follow the three-second rule. ut not only not! is that she"s gonna perceive him as lower value because he didn"t approach. &hen they finally open! the girls treat them like low-value guys. )&ell! he must be gay.e ri . . ut this guy! who"s too scared or whatever! he doesn"t even have any little chance whatsoever because he didn"t even try. $hat tells her! )+h! he must be a low-value guy. She felt him hovering. Lovedrop: Female: Lovedrop: Female: Lovedrop: Is that because of they"ve watched hover for so long! or/ >ight. It"s because she felt him hover.ilosop. 8ust walk right up and open it. $hey %ust get this feeling and they follow their feeling.co& Pa e 11 of !"" All ri .* ecause if this is a guy who gets any girl he wants! then why would he be scared to come over and talk to her/ And so this is! by the way! a common mistake that newbies make. +r he must not be accustomed to getting girls. She could tell he"s building up his courage and that he"s intimidated by her. >ight. $hey"re not even conscious of it.t of reproduction in w. &hereas! say! five guys do! okay! at least they tried.area"1lifestyle. #eah.y$ #nc. She felt that he"s lower value. It"s creepy. And so a lot of people think that the three-second rule exists to sort of force students into setE no hesitation! go into set.* So if she perceives! emotionally she perceives this! she feels it emotionally that he"s low value! she"s gonna treat him that way. #ou don"t come off like ' ())* +enusian Arts$ LLC. It"s weird.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 11 of !"" Lovedrop: Female: $hat"s right. .ts reserved$ includin t.P.

&hereas when you follow the three-second rule! you notice a much higher percentage of positive interaction! indicators of interest! and so on and so forth. #ou can"t go up to a girl and hover! and then go back in time and try it without hovering! and notice the difference in her response. &e train people to behave a certain way so that they convey the highest possible value! which makes them the most attractive.co& Pa e 12 of !"" All ri . And notice statistically the difference in response. (e"ll do it over about three or four seconds. $hat person may not even be conscious of it! but inside them! somewhere there"s an emotion that made them lean back a little bit. Inside her! she feels that feeling. . It has meaning. +bviously this is audio! but over about three or four seconds he leans his head back! opens his lips like he"s sort of looking at her! sort of %udging her a little bit.et"s say that someone! you"re talking to someone and they lean back an inch or two. #ou %ust come off higher value.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e 12 of !"" it"s any big deal to you. $ry hovering on 011 sets and then open them. ut I guarantee if you go out and test it statistically. She"ll immediately perceive you as having higher value and you"ll actually get a better response. If a girl says something that he doesn"t like or that he wants to punish! he"ll do this thing where he sort of moves his back two or three inches. And so a lot of what we do in the 'ame is we train people to behave. . ' ())* +enusian Arts$ LLC.ole or in part in any for&. Female: Lovedrop: Female: Lovedrop: So when you talk about indicators of interest! what exactly are good follow-ups or what would be good to : &hat are examples of those/ 5xamples! yeah. #ou"ll notice on one side girls being a lot more bitchy or putting up their protection shield! using lines to get rid of you! turning their backs! giving other indicators of disinterest.e ri . $hey %ust lean back a little bit. And then try following the three-second rule on 011 sets.ystery will do to punish.ilosop. #ou"ll notice a higher percentage of those. She feels that emotion.ts reserved$ includin t. . +bviously! it"s impossible to test this on the same set.t of reproduction in w. www.area"1lifestyle. It"s such a subtle thing to move a few inches and part your lips a little bit. $his is something .P. &ell! the way I like to explain it to people is I say that every little subtle thing has meaning. 8ust sort of tips his head back two inches and opens his lips slightly! very slowly.y$ #nc.

If someone turns their body to face you more or turns their body away! it"s an indicator of interest or indicator of disinterest. She will turn and face you with her body. She does it without thinking about it.P. If someone leans in a little bit or leans back a little bit! that"s an indicator of interest or indicator of disinterest. She will play with her hair. And those usually : >ight. Female: Lovedrop: Female: Lovedrop: Female: Lovedrop: . And when you do that! these little subtle things! she"s going to feel them very powerfully. &hat else do girls do when they"re attracted/ (ere"s what girls do. ut you"ll still see those little things like playing with her hair because she"s not conscious that she"s doing it. #ou"re conscious of it. #ou can feel it when it happens. . -otice that when a girl is attracted to a guy! she starts playing with her hair! calling attention to her replication value. . ' ())* +enusian Arts$ LLC. &e call that a hand throw. If someone"s attracted to you and so they try! she"ll sort of try and act too cool for school! or act like they don"t notice or whatever.ilosop.ts reserved$ includin t.co& Pa e () of !"" All ri .area"1lifestyle. www. $he more socially intelligent you get! the more social interaction you experience! you"ll notice more and more subtle things that maybe you didn"t even notice before! but now you feel it. #es.y$ #nc. &hen a girl"s attracted to you! she will : Female: Lovedrop: She laughs. And I don"t do it like I"m trying to punish her! like I"m trying to show her that I"m consciously planning this. And so! every little thing has meaning. Instead! I sort of discard it like an afterthought.t of reproduction in w. #ou didn"t really necessarily think about it consciously! you %ust sort of discarded it like a piece of trash without even thinking about it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e () of !"" Another example is for example if I take a girl"s hand and I"m looking at her hand and I feel her start to pull her hand away! I"ll throw the hand. #es. She"s not consciously trying to do this! but the behavior is built in.ike you felt a fly on your arm and you kind of brushed it off. She will touch you a lot more.e ri . I can feel if a girl"s trying to act cool because she"s attracted to me. I mean there are more and more nuance and subtleties. 7o some ultimately ignore! too! as interest/ Are you saying that a girl will try and act blasF/ #eah.ole or in part in any for&. She will laugh a lot.

&hat"s going on is they want to be opened. $his is another really great example. I get a really positive response.ole or in part in any for&. oom! she responds positively. 3roximity. www.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e (1 of !"" And so there might be a girl who"s trying to act cool and when I walk by! she plays with her hair. ut as long as it increases her statistical chances of meeting me! or meeting whoever it is! then it worked. >ight. $hey don"t have to be aware of it. I was down in +n-and+n or $iger-$iger! one of those bars at .ts reserved$ includin t.t of reproduction in w.! etc. $hey"re talking about something. So! I might be standing here! and five feet away there"s a girl standing there! facing away. 3roximity. Gsually she"ll be facing away from him. . &hat"s going on is she"s giving me proximity.co& Pa e (1 of !"" All ri .y$ #nc.area"1lifestyle. $hey"re not conscious of it! necessarily.e ri . $hat"s so true. Some part of them is %ust programmed that when they perceive value coming by! talk a little louder! more likely to bring attention! more likely for them get opened! etc. It %ust increases their statistical chances. >ight as I walk by! their voices get louder.ondon teaching a boot camp last year. &hat girls will do is when there"s a guy they"re attracted to—and remember! she may not be consciously aware of this! but some part of her is programmed to do this— is she"ll come up within five to eight feet of where the man is standing! and she"ll stand on that perimeter! five to eight feet away. $hey could be! but they"re not necessarily conscious of it. +r maybe there"s a group of girls! and as I"m walking through the bar! their voices get louder as I walk by. ' ())* +enusian Arts$ LLC. I was in . And even though they"re not necessarily aware that they"re giving you proximity! they still respond better. So if I see that a girl is giving me proximity! I can walk over and say! )(ey! how"s it going!* and open.eicester Square! 3iccadilly ?ircus area. Female: Lovedrop: Female: Lovedrop: Male: Lovedrop: +r the picture thing! when they start taking pictures and stuff. $here"s some part of her! and she may not even be conscious of it! she may not be aware that it"s because I"m there! %ust some part of her %ust had a urge to stop there—%ust had a urge! so she stopped.! etc.ilosop. ?alling attention to themselves.P. .

(er emotions %ust gave her a urge to stop. Start to notice that if there"s a girl standing nearby! or if a girl"s walking by and she stops for a second. And right when she got to the spot about five feet away from where I was! she stopped. &omen notice proximity! too.ondon"s not known for attractive women. So we get into the bar early! so it"s still kind of empty. . So there"s this whole! big empty room. Actually no! wait a second. &oo-hoo. And you have a higher percentage chance than the typical cold approach. $his is a perfect example of proximity. ut they were there and we opened them up and started talking to them. $hey"re nothing that special. . She may not be conscious of it! but here"s what she did. www. -ow remember! now I"ve got pre-selection. And the other reason it"s important to understand proximity is because remember that women are extremely intuitive on the social level. Start to notice this stuff. She comes walking by right near me6 she stops! waits a second or two and then keeps walking. $hey opened us.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e (( of !"" Female: Lovedrop: 3iccadilly ?ircus. Hind of looked around for a second or two and then kept walking.area"1lifestyle. I"m standing there and there"s two girls up on me like they"re trying to get with me. -ot that they are many attractive women in . &as she conscious that she was stopping near me for a reason/ -ot necessarily. If you open her! she will respond positively. She walked across the room. .y$ #nc. Anyway! I"m standing there talking to these two women. And we start talking to some girls.ole or in part in any for&.ondon! at all.ilosop. ut now a more attractive woman comes walking into the room. ' ())* +enusian Arts$ LLC. $hey opened us. And if I had opened her at that moment! she would"ve opened. And they"re not really that attractive. $hat"s proximity. (ere I am in the middle of the room.P.ts reserved$ includin t. So! when the other woman comes walking through! she feels that pre-selection. ut they were not that attractive. Female: Lovedrop: (Laughter) Female: Lovedrop: (Laughter) Sorry.t of reproduction in w. -ot that they"re : &ell! 5uropean women.e ri .co& Pa e (( of !"" All ri . $hey notice it emotionally.

Gnderstand that you are conveying interest and giving away your position! showing your cards. $hat"s your kid. . So! proximity is important! not %ust because you notice that women are doing it! but notice when you are doing it. #ou %ust lowered your value because she"s gonna perceive that you were too chicken to open her up.y$ #nc.t of reproduction in w. [1tr4 Begins] Lovedrop: So one topic I wanted to touch on before we move on is the concept that romantic love is essentially value based. ut she"s gonna feel that! )(e"s interested in me. >omantic love is value based at its very essence.ole or in part in any for&. (e"s got attitude problems. $he fact that parents unconditionally love their children helps them much better to pass on their genes. (e"s obviously interested! but he"s not opening me! must be chicken. .ts reserved$ includin t.* She"s gonna feel that vibe. It"s the purpose of romantic love. And you"re gonna get rid of your kid because he"s got some problems/ $here"s something wrong with you if you do that. . So there"s an evolutionary reason for that! the fact that parental love is unconditional. It"s a necessary and essential piece of romantic love. www.co& Pa e (! of !"" All ri . Same thing! if you go up to the bar and you happen to stand next to the cute girl when you order the drink! you may not say anything to her! you %ust order the drink. #ou may not even be aware that you did it.area"1lifestyle.ilosop.e ri . 3eople will %udge me if I don"t get rid of her. 7oes that make sense/ ' ())* +enusian Arts$ LLC.owvalue guy.P.* $o discard your child! there"s something wrong with you because parental love in unconditional! for good evolutionary reasons.et"s say that you have a problem child! a %uvenile delinquent or whatever. And maybe you take him out in public and he"s breaking things and screaming and stuff like that. . 3eople are gonna say! )$hat"s fucked up.* 3eople are gonna %udge you for that.* -ow when I finally do go and talk to her! I"m gonna get a much worse response out of her. >omantic love! on the other hand. Suddenly now! there"s something wrong with me if I don"t get rid of her. ecause of your proximity! she"s gonna know you"re interested. So! let me give an example.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e (! of !"" So for example! if you go wondering through a bar and there"s a hot chick! and you sort of stand near her for a few seconds and then keep walking! she"s gonna feel it. -ow! let"s say you get rid of the child! )(e"s a problem! get rid of him. Imagine that I have a problem girlfriend! and every time I go out in public with her! she"s screaming and breaking things. So! )(ere"s a guy.

(Laughter) #eah. At this point! my friends are gonna be whispering like! )&hy is he with that girl/ &hat"s wrong with him/* -ow suddenly they"re %udging me for not discarding her.iterally! she"s in the mall! throwing plates! and screaming and kicking things.t of reproduction in w. And she"s screaming and breaking plates. #ou"re expected to get the best for the value that you have to offer! to get the best value in return.ole or in part in any for&.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e (/ of !"" Female: Lovedrop: Female: Lovedrop: #eah.* $he truth is you"re expected to get the best you can get romantically. &omen are attracted to resource-laden! dominant men. I must have low self-esteem. And if you take : and if you sell yourself short and accept something that"s substandard! it says bad things about you.P. . . .* Imagine that you take your 2-year-old child out into public and he"s screaming and breaking plates. $he whole purpose of romantic love is to get the highest value mate—and again! with good evolutionary reason. $here must be something wrong with you because romantic love is value based. &ell! with your comment! you %ust said your friends would expect you because of those traits. 5ven then! if you get rid of your child! there"s something wrong with you.ilosop. 3eople will %udge you.area"1lifestyle.y$ #nc.co& Pa e (/ of !"" All ri . &ell! yeah! like! )&hat wrong with him/ &hy is he staying with her/ &hat"s wrong with him that he would stay with her/ (e must have low self-esteem. www.e ri . &hat if they were not nasty traits like that! but %ust traits under their standards/ Are you saying : +f course. I must not think I can do any better. . $hey"ll say! )&hat the fuck is wrong with you that you would discard your own child/* -ow! imagine that I go out into public with my girlfriend. 3eople will make assumptions about my self-esteem. )$here must be something wrong with me. She"s a psycho. ?orrect/ Female: +kay. : that your friends are gonna still gonna be down on you/ Lovedrop: Female: ' ())* +enusian Arts$ LLC.ts reserved$ includin t.en are attracted to young! attractive women with long hair and clear skin. reaking plates in public and screaming.

ut you don"t hear men fantasi<ing about that. .et"s say I date some girl who"s 2B years old. : weeded out. And for good reason! we should be attracted to value.* ut you never hear girls having an ama<ing connection with the fat loser in a wheelchair. And so people are gonna wonder! )&ell! what"s wrong with him/ 7oes he think that"s best he can get/* $hink about this for a second. Female: Lovedrop: Female: Lovedrop: &hat : &ait. . Imagine if I was attracted to =1-year-old women! how far would my genes go. oom.area"1lifestyle.t of reproduction in w. She"s rationali<ing the fact that she"s attracted to value. $hat is low replication value.* #ou never hear girls fantasi<ing about that! about what a great connection they have with the fat loser in a wheelchair. -o! it"s always the great connection they have with the captain of the football team.ts reserved$ includin t. 'irls always talk about how! )+h! this guy is so ama<ing. I"m I@. &hen was the last time you saw some chick saying! )+h wow! this guy.ole or in part in any for&. It doesn"t have to be an : I"m using an extreme example to make the point. . $hat attraction gene that made me attracted to that! that gene died.ilosop. And we have such a deep! ama<ing connection. #ou never hear that. . $hat gene ceased to exist! whereas men who are attracted to @1-year-old women pass on their genes a lot better.e ri . $hat"s it. www.et"s say she"s 22 years old. And again! you never hear men talking about what ama<ing connection they have with a =1-year-old woman. Imagine! how far would my genes go if I was attracted to =1-yearold women/ I would get : -ot very far. All right! I"m %ust checking. -ormally! men are attracted to women in their @1s and I1s! not women in their 21s and J1s.y$ #nc. . &ell! isn"t she %ust as much of a person/ ?ouldn"t I %ust have a great connection with her! %ust as much as her/ 8ust because she"s old doesn"t mean I can"t have a connection with her. . ' ())* +enusian Arts$ LLC. I have such a great connection with this guy.co& Pa e (" of !"" All ri .P. &e have these ama<ing conversations.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e (" of !"" Lovedrop: Female: Lovedrop: +f course! of course.ook! I know he"s a fat loser in a wheelchair! but he"s so ama<ing because we have such a great connection.et"s say the girlfriend doesn"t scream and break plates.

And the higher value you can get! the more your genes will be successful. $hat %ust means the fact that she wants it makes her more likely to get closer to that goal. . It actually makes sense that people have these ideal fantasies. 3eople are attracted to value. It"s important to understand that romantic love is conditional for the same reason that parental love is unconditionalE because it gives you the best evolutionary benefit. 3eople are attracted to survival and replication value.ole or in part in any for&. 3eople do fulfill their mating strategies! but the truth is that romantic love! at the norm! is conflict laden. &omen who have a man committed to them derive an evolutionary benefit. $he ideal is not out there! but the fact that he fantasi<es about it makes him more likely to sleep with more women. And that"s why that attraction is there.area"1lifestyle.* +kay! well that"s nice.P. 9or example! let"s say that a woman derives a benefit from having a man commit to her! completely committed to her. ' ())* +enusian Arts$ LLC. 7oes that make sense/ -ot that it can"t be found.y$ #nc. And this is why this is so difficult for people to swallow because it runs against the social programming that they learned growing up.e ri . www.t of reproduction in w. And that"s the male mating strategy. 3eople do get into happy marriages. And so! people have these visions of the way they think things should be because it motivates them in the right direction. $hey look at it the ideal version of this is what it should be.ts reserved$ includin t. Similarly! men have fantasi<es about an endless stream of nubile young women. A woman who fantasi<es about prince charming who loves her and only her forever! that doesn"t mean that guy actually exists.co& Pa e (0 of !"" All ri . )&ell! I think this should!* blah! blah! blah. &e all have desires and wishes of what we think people should do! but that doesn"t mean that"s reality.ilosop. $hat doesn"t mean that their ideal actually exists. 3eople grow up watching 7isney cartoons and they have this idealistic picture of love. 'uys do sleep with a lot of different of women or whatever. 7oes that mean that that ideal in his mind is what"s actually out there because that"s the way he thinks things should be/ -o. Instead! they look at it the way they want it to be. )I think people should.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e (0 of !"" -ot because there"s anything wrong with a =1-year-old woman! %ust because it has a low impact on my replication value so I don"t emotionally find myself attracted to that. 3eople don"t look at love the way it actually is and the way people actually behave. So! it makes sense that women who fantasi<e about that are more likely to gain that benefit. .

All these little calculations and emotions are occurring. ecause I"m not saying! )+h well look! here"s how these animals behave. It"s like saying there"s no 8esus.y mating strategy isn"t the same as hers and we"re fighting over it.* Female: Lovedrop: Female: Lovedrop: Female: Lovedrop: (Laughter) Female: Female: Female: Female: I think there"s actually a difference between romance and love.area"1lifestyle.et"s hear it. >omance is! at the norm! full of conflict! rife with conflict.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e (* of !"" Female: Lovedrop: ut : $here are constantly value calculations being made! infidelities occurring! conflicts occurring. And people have this whole belief system built up about the way things should be and their fantasy of what they"re gonna find if they keep looking or whatever. . $he romance part is the easy part. .t of reproduction in w. >omance is the curiosity! the intriguing! the dating. +ne person may have more value than the other! so they get their mating strategy! they get their preferences more than the other! that sort of thing. +h! let"s hear it.y$ #nc. 7oes that make sense/ $his is so difficult for people because basically what I"m telling them is it"s like saying there"s no Santa ?laus. And : I"ve got your hard part right here! buddy boy.co& Pa e (* of !"" All ri .ole or in part in any for&. And that"s the fun part : : and the exciting part. I"m curious. I might as well %ust have told that their religion is false because romantic love is sort of a national religion. And I"m basically sort of saying! )&ell! those are %ust beliefs and emotions! and they help you survive and replicate! that"s it.ts reserved$ includin t. . It"s the fun part.P.e ri . . And that part is the hard part.* -o! no! no. 7istinctly. .ove is the command part. Isn"t this interesting/ $he males do this and the females do that.ilosop. ' ())* +enusian Arts$ LLC. www.

Lovedrop: [1tr5 Begins] Lovedrop: $his is the inner 'ame portion. $he love I feel for the fellow soldier in the trenches is a completely different emotion than the one I feel for my child. And as a matter of fact! while I"m on the sub%ect! I want to recommend a couple of books that will really help elucidate these concepts clearly.t of reproduction in w. &ell! romance is sort of a nominali<ation.co& Pa e (1 of !"" All ri . $hose are two different forms of love. www.ole or in part in any for&. And there"s a fu<<y! fu<<y line that they don"t know of and they think that that is love. +ne of them is called The Evolution of Desire by 7avid uss! I believe it is. I hope I have these names right! but I believe I"m correct.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e (1 of !"" Female: : that a lot of women will think that romance! and they"ll be convinced the romance part is love.ts reserved$ includin t.ilosop. And so and people have a hard time accepting that. $his is the most Ken-like and philosophical piece that I teach. ' ())* +enusian Arts$ LLC. And another book that is really good on learning evolutionary psychology is The Red ueen by . 3arental love is that"s my child. 3eople want to believe that there"s soul mate out there! or whatever religious belief they"ve created. Another really good book—that will really fuck your head up when you reali<e how people actually behave sexually—is called Sperm Wars by >obin aker! I believe.P. &hen I feel love for a woman! that"s a different emotion. .y$ #nc. ut when I say romantic love! as opposed to parental love or brotherly love! brotherly love is I"m in the trenches with this guy.e ri . +ut of what their mom told them or the way they think things should be! or whatever they saw on 7isney cartoons growing up.area"1lifestyle. It"s a word that describes! it actually refers to a process.att >idley. And I really believe that it"s the most important piece of the course. And it"s designed to select for value! for good evolutionary reason. . And that"s a completely different emotion than the one I feel for a woman. ut we really have to face the fact of what human behavior actually is and why these motivations are built in. $hat"s romantic love. &e use the word )love* as if it"s the same emotion. $he attitudes! the general attitudes of the pickup artists! or really %ust the general attitudes of a normal! healthy! cool person. And anyone! I swear if you read these three books! your whole understanding of the way that people behave sexually and romantically will be forever altered and you"ll have much more accurate insight into human behavior. $hey"re two different emotions.

$hey"re both integral. So! the yin describes the way that I"m not affected.ole or in part in any for&. So! you have the negative side and the positive side! the yinLyang symbol. If someone says something nasty to you! you"re not affected by it. If this is the way that your personality expresses itself socially! it"s all that you need. And so let me %ust describe the different meanings here a little bit. So the way that I look at it is that there are two main categories of attitudes that both have to be true. www.e ri . And so! the best way to picture is yinLyang. And they"re %ust examples of the way that someone would behave if they felt this way. ut really! things such as canned material and routines! they"re really %ust sort of little canned expressions of how someone might act if they had these attitudes. If someone"s being cruel or if there"s a bad vibe or a bad attitude or %ust anything! anything that"s directed your way that could ' ())* +enusian Arts$ LLC. 5verything else about pickup! everything else even in this course! is superfluous if you have these attitudes. So that if someone throws a stone at you! it doesn"t affect you. . .area"1lifestyle. $hey"re both important. #ou have the passive side and the active side. So! we teach people to fake those behaviors until they take it on as part of their personality and it becomes who they are.t of reproduction in w. +ne way of looking at the yin is it"s like you"re a ghost. If someone says something really nice to you that maybe would be really validating or make you feel really good! again you"re not that affected by it. $hat this one little piece is the entire 'ame! and it"s the most pure expression of the entire 'ame. .y$ #nc. I cannot stress that enough.y validation should not be dependent on positive social feedback because otherwise it could %ust be taken away when I get negative social feedback.ts reserved$ includin t. And they"re actually both the same thing. $he yin is a set of attitudes that describe the way that you are not affected by things.ilosop.co& Pa e (2 of !"" All ri . It %ust passes right through you like you"re not even there. $he way that I"m not affected by other people! the way that I don"t hold expectations against other people or %udge other people! the way that I don"t put negative feelings into interaction with other people. $hings of the world %ust can"t touch you.P. If someone has these attitudes! they"re gonna behave a certain way.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e (2 of !"" And what"s so important about these is that : I mean! well of course besides the fact that they"re extremely effective! is that I honestly believe that if you take on these attitudes and you really feel them and they control your behavior or your behavior sort of expresses that this is the way you feel inside! that it really is all that you need. And all the routines and tactics that we study are %ust sort of training wheels to eventually develop these attitudes inside of you.

If you constantly have big deals coming up and drama coming up! it"s %ust not good. It"s sort of a! to use the phrase! )trailer trash* way : Female: Lovedrop: It"s petty. >epeat that phrase over and over in your head! )-o big deal. +h there"s some girl and whatever didn"t work out! so what! there"s other girls. So! what are some examples of this/ &hat are some expressions of this/ $he first one is being unreactive. If some drama gets stirred up! you don"t get sucked into it.area"1lifestyle. It"s not the right energy.co& Pa e !) of !"" All ri .* -othing is ever a big deal. And! of course! as we"ve discussed previously! when you react to something! you come off lower value because those who react emotionally are reacting to those things that they perceive as being above themselves. .y$ #nc. $here"s nothing that should ever be that dramatic to you.ilosop.P. Some more examples of this attitude is being chill! being relaxed! feeling careless and carefree. $here are a lot of people who interact socially in reactive way. -othing"s any big deal. 7rama-free. -othing should ever be that big of a deal to you. 5verything that they do is a reaction to something else! a reaction to someone else"s behavior or someone else"s vibe. And so the yin is it"s like being a ghost. I mean you don"t care. So! if you"re reacting! that"s inherently the behavior of a low-value person. #ou"re unaffected. 5xactly. 7rama should sort of be : I mean drama is a low-value thing.ole or in part in any for&. And so! you"re not going to react. -o big deal. #ou don"t have any different emotional reaction than a normal healthy person would have. If someone says something really mean to you! you"re unaffected.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 #nstructor$ Male$ %e&ale Pa e !) of !"" possibly affect you! doesn"t affect you.e ri . Something happensE you"re not affected6 you don"t react. #ou"re like a vapor and it %ust passes through! and it can"t touch you. #eah! it"s petty.t of reproduction in w. #ou have more important things to do. It"s the way that you"re not affected by others. www. It"s %ust a trashy way of looking at things.ook at it as if you"re disassociated from it! as if it can"t really touch you. #ou have fun things going on! than to get caught up in drama. #ou don"t have the time to care. $here"s some emotional bullshit going on around you! don"t get caught up in the matrix of that whole thing. !End of "udio# ' ())* +enusian Arts$ LLC. . At least not any more! say! to a beautiful woman than you would to your B-year-old niece. .ts reserved$ includin t.

I move away. So because of that! when she"s on vacation! she feels more free to indulge in those experiences that she wants to have! that she wants to explore. &omen with a poor social reputation tended to have much worse prospects because men select for fidelity and other evolutionary reasons.ts reserved$ includin t.ole or in part in any for&.P.ilosop. So someone should never feel like you"re %udging. &omen! especially! are extremely concerned with their social reputation because the woman"s social reputation has an impact statistically on her survival and replication value! especially in the ancestral environment where those emotions evolved. . She doesn"t have her social circle around to find out that she slept with some guy and lowered her reputation. $hey"ll rationali<e reasons not to show up at this event or whatever! not to return that phone call. If someone"s going to be around you and they feel like they"re being %udged! and that makes them feel de-validated or whatever! it"s a negative feeling! people avoid those.area"1lifestyle.co& Pa e !1 of !"" All ri .y$ #nc. It burns. &henever someone"s around you! they should feel like they"re in a %udgment-free <one.t of reproduction in w. $he second reason is that when people feel %udged it restricts their behavior. If you need something more than the other person does! you"re reacting to them more than they"re reacting to you! which means you"re lower value to them and ' ())* +enusian Arts$ LLC. It"s %ust natural. $hat"s how you want people to feel when they"re around you. $he next part of the yin energy is being not needy. . $hey don"t even reali<e they"re doing it. $his is the reason that people tend to engage in more affairs6 especially women tend to engage in more affairs when they"re on vacation.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e !1 of !"" Lovedrop: So why should you be non%udgmental/ $here"s two reasons that come to mind. ecause when a woman is on vacation she"s not being %udged. www. &hen people feel that they"re not being %udged then they have this sensation of being free! that they can indulge in whatever experience they want to have! and it"s not going to come back later with negative repercussions or consequences. #ou want them to feel good emotions all the time! and you want them to feel free to indulge in new experiences and not to feel like they have to put on some front in order to maintain reputation or to maintain plausible deniability. $he first is that whenever someone feels %udged! they"re going to feel negative emotions! and people avoid negative emotions %ust like people avoid negative physical sensations. -ot because you may not have some valid %udgment in mind! but %ust because giving people that feeling is not useful to you socially. )+h! there"s a fire.* Same thing emotionally.e ri .

A lot of guys have this problem with being clingy! with hovering too much! with telegraphing interest! with %ust in general needing it more than she does.y$ #nc.* -ow! what"s going to happen is he"s going to feel that emotion inside! like! he"s being misinterpreted! like! )(ey! no! I wasn"t trying to be try' ())* +enusian Arts$ LLC. If you think about it! creepy is when one person needs it or wants it more than the other.e ri .ts reserved$ includin t.* +r imagine that I"m sitting there in-set. I mean! really! if you are rad 3itt and you"ve got girls all over you! and you"ve got girls around your house! and you can call up a different girl whenever you want to! are you really going to be needy around this one girl/ Are you really going to be clingy to her/ asically! by being needy and clingy! you"re communicating to her that you don"t have other girls. $hey"ll %ust get this feeling like you"re lower value and they"re higher value! which can be validating for that person to make them feel higher value! but it certainly doesn"t make you attractive. I totally like you how you are. . In fact! this is really what creepy is.P. #ou don"t have to try and prove yourself or anything like that.! etc. If you"re trying more than the other person you"re reacting more than the other person. #ou"re destroying your own pre-selection.+' him! which should be a last resort.+' someone socially or to -eg a girl socially is to frame them as a try-hard! to say : to use expressions such as! )(ey! man! you don"t have to try so hard! bro. It"s creepy if this interaction means a lot more to someone else than it means to you. #ou must be lower value. &e like you! man.ilosop. www. . It communicates that you care too much! that it"s too important to you! that you need it more! etc. I"ve got two or three girls around me! and there"s this other guy! and for whatever reason! I"ve decided I have to A. All that matters is if I can frame it as if it was and misinterpret it as though it was. In fact! that"s a really good way to A. So the worse that you can do is be a try-hard because it communicates all the wrong things.ole or in part in any for&.area"1lifestyle. #ou"re fucking cool.co& Pa e !( of !"" All ri . Again! this comes down to emotional reactivity. &e love you. -ot only will they feel this! but everyone around with feel this. And it doesn"t matter what he does is actually try-hard. And if people accept then frame! then I when. &e think you"re a cool guy. If you give someone a hug and you feel like they"re squee<ing a little bit too long like it"s a little bit too important to them! it"s creepy.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e !( of !"" they"re higher value to you. Another piece of the yin energy is not trying.t of reproduction in w. If I say : let"s say he : I don"t know! whatever he does! and I come up and I said! ) ro! ro! you don"t have to try so hard! man.

It makes him look like now he"s stumbling over himself trying to explain! trying to make sure that I got the right impression of him as though my impression matters.ike! let"s say that I"m with a girl! and I"m at an art gallery! and we"re looking at some piece of art. And as I"m standing there! I sort of crane my head around and I see some other piece of art that looks interesting! and I %ust wander off and go look at it.ike! it wouldn"t even occur to you in the first place! like you"re not even in that headspace. It catches my attention6 it catches my ' ())* +enusian Arts$ LLC. Instead of having my own feelings and thoughts about things and sticking to those! instead of having them dictated to me by others. It"s that it wouldn"t even occur to me. It"s no big deal! bro. It"s more like you %ust didn"t even really notice. #eah! like you"re not even in that headspace. (e comes back and starts trying to explain himself to clear the air! and that %ust makes him look even more reactive. ut it"s a good way of looking at it. &e don"t have to get some big! scientific explanation about this. It shouldn"t be misinterpreted in a sense that you"re trying to punish someone.y$ #nc. Female $: Lovedrop: It"s %ust natural.* It"s not like that at all. #ou said it"s not %ust about not trying! but it"s about coming off like you don"t have to try. Another thing that"s important is a willingness to walk away. I wasn"t trying to impress you or whatever!* like I misinterpreted it. &hat should he care/ As soon as he starts going to explaining mode I can say! ). It"s not %ust about not trying.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e !! of !"" hard. . ut these external factors around me are sort of buffeting me! and I"m sort of being tossed in the surf randomly by these forces that are external that I have no control over instead of surfing the wave and choosing my own path. Sort of designing them intelligently for myself. . www. #ou should always be in your own headspace instead of having it dictated to you by others! and that"s really the difference between being proactive versus being reactive.e ri .t of reproduction in w.ts reserved$ includin t.ilosop. If someone says something! and my behaviors and feelings are all in reaction to what someone else did or what someone else said! then basically! my reality is being dictated by other people! by external factors.ole or in part in any for&.* And you made a good point.an! you don"t need to get all technical. #ou said you didn"t even like that word. .P.area"1lifestyle. . I"m already in my own world having fun and adding value! and it"s %ust a completely different energy that feels foreign and gross and low-value. I wouldn"t even think of it.ike! )+h! you"re going to be like that! I"ll %ust walk then! bitch. .co& Pa e !! of !"" All ri .

et"s say that I were sort of a clingy guy. 8ust in a place where you feel completely comfortable. &hen you"re in the bar! maybe you feel like you can"t find a comfortable stance. #ou put your hands in your pockets6 that"s not comfortable. . ut rather! I"m sort of in my own headspace. Another piece of the yin energy is %ust being comfortable.P.ts reserved$ includin t. And I say! )+h! hey! let"s go look over at that one. And then later on! I run into her and I"m! like! )+h! where"d you go/* 5ven though I"m the one who wandered off. I"m needy6 I"m clinging. #ou don"t feel %udged. ?ome on.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e !/ of !"" interest. And the way that I like to describe this to people is I say imagine that you"re in a situation where you normally feel comfortable. $hink about if I were to do the reverse. ut! )+h! where"d you go/ I don"t know what happened/* I didn"t even think about it. And I want to go see that other artwork but she"s standing there! so I don"t want to %ust walk off. www.* As opposed to %ust sort of getting distracted and! )+h! what"s that!* and sort of wandering over there.e ri . #ou"re %ust relaxed and %ust en%oying yourself! and %ust feeling good and not being self-conscious or sensitive to your internal sense of validation or sense of value relative to other people. $he fact that I have a willingness to walk away is not about back-turning people. #ou"re drinking a beer and watching a game. It"s %ust high-value because otherwise what does that communicate/ It communicates that I"m overly affected by her6 I"m overly influenced by her! overly reactive to her. #ou"ve got your shorts and a $-shirt on. And it didn"t even occur to me that I left her standing there as I walked off to some other piece of art. ?ross your arms! fiddle with your fingers6 some ' ())* +enusian Arts$ LLC.t of reproduction in w.ilosop. It"s %ust about showing that I have my own priorities! and not everything is going to affect me so strongly.area"1lifestyle. #ou"re sitting there on the couch or your standing and walking to the kitchen or whatever.y$ #nc. It didn"t even occur to me. Imagine that you"re sitting at home! and maybe your brother is over or your buddy. 5xactly.co& Pa e !/ of !"" All ri . And I"m %ust en%oying life from my own viewpoint. $hat is the way you should be in the bar. $hat is the way that you should be everywhere. . It"s sort of like the cra<y rock star personal that I have my own interests! and I"ll %ust start talking about them or wander over and look at them. It didn"t even cross my mind. . I"m sort of overly aware of her and overly sensitive to her presence. #ou don"t feel like you have to impress anybody. ?ome on. Female $: Lovedrop: It didn"t even cross your mind.ole or in part in any for&.

area"1lifestyle. $hat"s right. (e stretches out! stretches out his neck! rolls around on his back! exposes his belly. #ou want that exact same energy of comfort and relaxation to come across when you"re interacting socially. www. (ow are you going to stand/ (ow are you going to move/ $hat"s how you should look in the bar.P.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e !" of !"" people! they can never find a spot that"s truly comfortable. 5verything is cool6 everything is comfortable la<ing around on your couch. I mean! it really is about being comfortable. It"s like! )$here"s not a fucking thing in the world is going to touch me. ut right now! this is ' ())* +enusian Arts$ LLC. 9orce those mannerisms and come off that way! and eventually! you will feel it on the inside.* #ou see the same sort of thing on the cover of a rap album. -ot fidgeting. Male %: &hat are other ways you"d suggest to help fake it/ So this concept of confidence! conceptually that makes sense! but watching certain movies! what other ways : friends of yours : what other ways would you suggest/ &hat other ways would I suggest to fake it/ &ell! this is interesting actually because in the section on delivery! which I"m going to do next! we sort of talk about all the different behavioral mannerisms that you can do that make you look comfortable! that make you look relaxed. Speaking slowly6 moving slowly! and so on and so forth. 3eople standing with their arms crossed and their chin up exposing their neck! as if they don"t have anything to worry about! as if life is fine.e ri .ilosop. e confident.y$ #nc. $here"s all sorts of little behavioral mannerisms that we teach that help people come off more natural and comfortable. 3eople always say! ) e confident.t of reproduction in w. And I would like to contrast this with a concept of being confident. If you don"t feel that way at first! fake it. . I"ve got my @1 females right here.co& Pa e !" of !"" All ri .* -o! it"s actually more about being relaxed and comfortable. Lovedrop: . ut stop for a second! and imagine if you"re %ust at home by yourself or with a good group of friends or old buddy watching the game! feeling comfortable. 9ake it Mtil you make it. $hings like leaning back instead of leaning in.ts reserved$ includin t. I"m the king of the %ungle. Female $: Lovedrop: 9ake it Mtil you make it.ole or in part in any for&. +n the inside of your body you will feel those same emotions! and it will come out naturally in your mannerisms and your behaviors. Imagine the lion out on the plains of the Serengeti! and he"s laying under the tree somewhere. And I feel relaxed to %ust sort of sit back and expose my neck and not care. -o one"s going to fuck with me. (e"s got his harem of B1 females or whatever! and he relaxes back.

ecause a lot of people that go into some social interaction trying to force a certain outcome! and I"m telling you now! it"s not about forcing a certain outcome.ilosop. www. And think about yourself in that situation and the way that you naturally move6 the way that you naturally stand6 the way that you naturally talk6 the way that you naturally sit6 the way that you naturally interact with other people when you"re feeling completely comfortable.* So now you"ve set this outcome in your mind that this outcome has to happen or you"re not going to be satisfied. . .aybe you weren"t meant to fuck this girl. #ou %ust feel comfortable and relaxed!* I want people to focus more on that feeling inside.y$ #nc. . . $here J billion people on the planet. $he next piece of the yin energy! which again! this is you being the ghost! you being unaffected by other things : the next piece of the yin energy is being completely independent of outcome : outcome independence.area"1lifestyle. And she takes you back the next weekend to meet her roommate at her place! and you end up falling in love with her roommate. It"s about putting out a certain energy.co& Pa e !0 of !"" All ri .aybe instead you weren"t to %ust have a really good time with her and then go back to a house party with her and her boyfriend and meet her sister! and her sister becomes impressed with what a cool guy you are. #ou can"t change all the people in the world.ole or in part in any for&. $his is what has to happen for things to go right for you. And so if you"re coming into an interaction : for example! let"s say you meet some girl and you say! )+h! I"ve got to fuck this girl.e ri . And you can"t change the world. >ather! it"s about putting out a certain vibe.t of reproduction in w.P. $he only thing you can change is yourself. 9ocus more on that attitude. And that"s an ' ())* +enusian Arts$ LLC. #ou"re not being %udged. $hink about that feeling inside and the way that you are when you feel that way! the way that you"ve expressed yourself to other people! and that"s the energy you want to bring into social interaction. So when I say to you! )(ey! imagine that you"re sitting at home with your good buddies watching the game. So the most that you can hope to do is sort of bounce around randomly and meet some small segment of them. So the responses you"re going to get and the experiences you"re going to have are dependent on the energy that you put out. #ou could never possibly in your lifetime meet even a small fraction of these people. In the next segment! we"re going to get a lot more in-depth on the specific behavioral mannerisms that convey this! but for right now! %ust think about that feeling.ook at social interaction like a random soup.ts reserved$ includin t. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e !0 of !"" more a section on attitudes! and I want people to %ust feel that feeling. 9eel that feeling of comfort.

Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e !* of !"" experience that could have naturally unfolded in your life that you completely cut yourself off from because this one girl you met in a bar! instead of %ust opening up to whatever is going to happen! trying to force a specific outcome with her. 8ust shine bright and the moths will come! attracted to you. 5veryone has some sort of relationship! even if it"s an antagonistic relationship. . Male &: Lovedrop: It"s good in the neighborhood.t of reproduction in w.* 7on"t try and force things.co& Pa e !* of !"" All ri . $hey will come sucked into your vibe! into your energy. So be completely outcome independent. So if you put out the best vibe! the best energy! then a lot of good things will randomly! naturally happen to you.y$ #nc. www. It"s all cool.e ri .ole or in part in any for&. 'ood things will happen randomly. It"s no big deal. . &ho knows/ . $he way I look at it is whatever interaction or relations that you"re going to have with this person : relationship %ust being a normali<ation for the way that you relate to somebody.aybe I"m going to meet her boyfriend! and his sister is the girl I end up hooking up with. So once you"re in that lifestyle! where good things happen to you all the time %ust randomly! and they %ust happen all the time! then why would you care to try and force the outcome/ &hy would you care to say! )+h! this has to happen here!* or! )$hat has to happen there*/ #ou don"t care. $he most that you can do is put out a good! positive vibe and a good energy so that you have the most positive experiences and the most positive relationships. &hy cut yourself off/ ' ())* +enusian Arts$ LLC.ts reserved$ includin t. It"s all good in the neighborhood. &hatever happens or doesn"t happen! you don"t care.P. I tried to fuck her! and on to the next girl. I don"t care if I fuck this one girl because as long as I put out a good energy and have a good time I"m going to get laid anyway! so why get all caught up and obsessed with trying to force some specific outcome in this case or in that case or in that case.ilosop. &hen you"re sort of bouncing around in this random soup of social interaction! things are going to happen randomly. And if that doesn"t happen! )&ell! oh! okay. Instead of trying to trap the moth! instead! %ust glow like a flame. I"ve got to erase her number out of my phone. ad things will happen randomly. >elease any attachment to outcome! and let things unfold naturally because of the energy that you"re putting out. &hatever that relationship is going to be is going to unfold naturally! and it"s going to become whatever it was meant to be on its own! naturally. #ou don"t know. $hat"s right.area"1lifestyle. Instead! put out a good energy. I may not hook up with this girl.

ilosop. If you give someone a gift it"s actually rude in certain cultures because that makes that other person feel obligated to you! which is a negative emotion. She feels obligated.co& Pa e !1 of !"" All ri . $hat"s %ust : it is what it is. &hat do you think about that! being unconditional/ &hat does that mean to you/ Female $: I think that it"s like something you don"t even have to think about6 it %ust happens.11 on dinner. 3eople avoid negative emotions. It"s %ust a feeling or an emotion.P.t of reproduction in w. (ere"s something that guys do a lot. &omen especially avoid negative emotions.y$ #nc. It"s a negative emotion. Lovedrop: Female $: Lovedrop: Female $: Lovedrop: . It"s %ust there! like parents and kids. It"s going to happen anyway! as long as you put out the right energy! and that"s what these attitudes are about. $hat"s why in certain cultures it"s considered rude to give a gift. And now! she feels like she"s sort of obligated to put out or something.e ri . >ight.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e !1 of !"" &hy not %ust have good experiences! give other people good experiences! and trust me! all kinds of ama<ing things will happen in your life randomly! naturally. She"s obligated to! )&ell! he spent N011.ole or in part in any for&. &hat happens when you make a woman feel like you"re sort of creepy or you expect that she owes you something or whatever/ She stops picking up the phone not because you"re a piece of shit or because you deserve that sort of treatment! but %ust because she"s %ust avoiding the emotion. $hey take a girl out for dinner! and they spend N011. $he next piece of the yin energy is being unconditional.11 on dinner. So a lot of guys! they"ll take a girl on an expensive date and spend a lot of money or they"ll throw some great party or provide some whatever resources in such a way that later on the girl now feels sort of guilty. +r maybe like you"re not putting obligations on things/ #eah. #ou can"t help it.ike you"re not placing expectations on things.area"1lifestyle. >ight.ts reserved$ includin t.* And what is that feeling of obligation/ If you look at it at the core level! feeling obligated is a negative feeling. She feels like she"s obligated to give back! to put out or maybe there"s some expectation from him that she has to do that or she hasn"t lived up to her end of the bargain. #ou don"t have to force it. 3eople avoid negative feelings. . $here"s this negative ' ())* +enusian Arts$ LLC. $hat"s what this inter-game is about. www. .

And then out of sight! out of mind. &omen especially are susceptible to emotion.ole or in part in any for&. &e sort of accept it as almost below our consciousness. &hen emotions come up! they have such a tendency to influence our behavior! to motivate our behavior! that we almost forget that! )(ey! wait a second. It"s sort of like for us.ilosop. And there"s a deeper reality beneath it all that most people are completely unaware of because they"re plugged into the matrix! and they"re accepting the reality as it"s presented to them. 5veryone feels emotions. $hat is to not get caught in the matrix of emotion. .e ri . &hen the fish is swimming through the water! the fish may not even notice that the water itself is there. And they don"t really see things the way that they really are. I"m getting sucked into the matrix.ts reserved$ includin t. #ou"re sort of above the fray. So for example! say some drama comes up! and you find yourself getting emotionally sucked into it or caught into it. .* $he emotions around us! it"s sort of like a fish in water. I"m being influenced here by this emotion. I"m getting pulled into this feeling.* &e get caught up in the feeling as if it"s real. &e"re inside the air. &e almost forget that it"s even there. And that"s the last piece that I want to get across from this yin energy. $here"s something about that drama that is! like! )&hoa! whoa! wait a second. 5veryone is programmed with the exact same set of emotionsE attraction! repulsion! %ealousy! anger! sadness! loneliness! shyness! etc. So the same is true with emotions. www. So we look at emotion like a matrix. 5veryone does this. ut the idea in The Matri' is that there is sort of this world that"s the way that people think that things are. 5veryone"s got a Matri' metaphor these days. 3eople get caught up in these feelings! and they start interpreting logic and making decisions and forming beliefs and so on based on their emotional state at the time. ut really! there is this whole actual reality beneath it all that what you think is reality isn"t really true. &e look at it like its empty space! but we"re really surrounded by matter. And the same is true with emotions. ut it"s so ubiquitous6 it surrounds us. Again! the yin energy is the way that you"re not affected by things! the way that you don"t put negative energy into things! the way that positive or negative things that come your way don"t really affect you in any way. $he movie The Matri' obviously has been used as a metaphor by almost every belief system.P.co& Pa e !2 of !"" All ri .t of reproduction in w. $hey ' ())* +enusian Arts$ LLC.y$ #nc. $his is the mistake that people make.area"1lifestyle. 3eople get caught up in the matrix of emotions as if they"re real.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e !2 of !"" emotion. She sort of puts it off! and it"ll stop ringing in a second.

#ou"re getting sucked into that emotion! and it"s starting to control your behavior and influence your behavior in ways that you will even rationali<e to yourself and not even reali<e what you"ve done. Instead of being tossed in the surf by all the different emotions that are pushing and pulling in all directions! %ust set myself above that to where I can still feel it and notice it! but it doesn"t control me anymore. >emember! emotions are a good indicator.et"s say that you get into a fight with your girlfriend.ole or in part in any for&.e ri . It feels so real.y$ #nc. >ecogni<e that it"s almost like this big group of robots all interacting based on the same set of rules and getting caught up into this feeling as if it"s so important and so real. $hey"re not the prophet. .* $hey pull me this way! and they pull me that way! and they"re trying to warp my perception and bend my behaviors. . I can feel them pulling and tugging all directions! but I have to understand that even though I can feel it! I still have the freedom to sort of release myself from that.ilosop. $hey"re fairly accurate! but they"re not 'od. $hey do misfire.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e /) of !"" get sucked into the emotional drama or into their own emotions or to whatever is going on! and they look at these emotions as if they are reality itself because it feels so real. She starts yelling or she says something nasty! and you feel an emotional flare! and you want to lash back. www. . $ake a step back! and look at it from a dispassionate! almost humorous viewpoint! like! )&ow! look at this funny! human condition that we"re all sub%ect to! and these influences! these emotions that come and tug at us and pull at us. 7isassociate yourself. !(eginning of %tr%# ' ())* +enusian Arts$ LLC.P. It"s! like! wait a second! you"re getting caught in the matrix. $ry to remain disassociated : don"t even try. #ou feel that emotion! and suddenly decisions are being influenced! even at a subtle level where you don"t notice that they"re being influenced. I can still choose my own path and choose the way that I"m going to feel and the way that I"m going to react! or better! the way that I"m going to proact instead of having my reality dictated to me by these emotions. $hey"re not perfect information! and it"s one thing to recogni<e them and feel them and take them into account.t of reproduction in w. $hey"re a useful guide. e disassociated.co& Pa e /) of !"" All ri . ut it"s another thing to be blindly caught up into that matrix and tossed around without even really being conscious of the process that"s controlling you at a deeper level.ts reserved$ includin t.area"1lifestyle. $hey can be inaccurate. $hen when you see people get sucked into the little emotions! and they start rationali<ing their behavior! and they start being influenced and so on. e in the Ken state.

ike! why would I care/ &hat would a guy like rad 3itt do/ If a girl gave rad 3itt some kind of shit test! is rad 3itt going to come back with some perfect line that he"s been practicing in front of a mirror or is he %ust going to come off like : he doesn"t even bother responding.area"1lifestyle.ilosop. (e said another thing you could do is you could throw out formalities. It actually became clear to me that the perfect technique could be the wrong ' ())* +enusian Arts$ LLC.co& Pa e /1 of !"" All ri . ut %ust the fact that I had that response prepared shows that I cared too much. And I asked him : and it was a typical student question : I said! )&hat"s the perfect response to a shit test/* &hat"s a great response if a girl says this or a girl says that/ And what he taught me was that having the perfectly thought-out response could! in fact! be the exactly wrong thing to do.y$ #nc. . www.ole or in part in any for&. And so $yler said try doing things like that. It"s kind of weird that I would put that much energy and thought into it.P. I mean! let"s say that a girl says some shit test. She says! )&hy are you asking us this/* And I come back with a perfect response! overly thoughtout! logically! frame controls are %ust right and everything.ts reserved$ includin t. . I don"t really! uh! yeah.* 8ust sort of this gibberish response. . And I remember I was hanging out there with him out there in (ollywood. It"s sort of not worth the time or effort to him.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e /1 of !"" Lovedrop: So on the topic of attitudes! I remember one lesson that really stuck with me that helped me understand the importance of attitude and the difference between being in that state versus having some technique. It gives her a little bone! but it shows that you didn"t : you %ust didn"t put the effort into really thinking it through that much because you %ust didn"t care. A girl gives you a shit test! try saying! )+h! man! you know! I"m sorry. And another thing that he said was try %ust speaking gibberish. And isn"t that what the cool high-value guy would do as opposed to having the perfect line for everything/ $he act of having the perfect line almost : it lowers your value because it"s like you"re too focused on technique.t of reproduction in w. It shows that it was too important to me. . $here was a lesson I got from $yler! who was one of my teachers. $ry doing things like not finishing your sentence.ike you didn"t even care enough to finish your own sentence. Say things like! )(ey! you know what"s good with vodka is when you take* : and then %ust literally %ust drop your sentence : drop your own sentence.e ri . 9or example! saying I"m sorry! not like you really mean it! but like you"re %ust being socially correct and giving the right formality! throwing her a bone! not being rude. And that"s the difference.

co& Pa e /( of !"" All ri .area"1lifestyle.ilosop. . So we"ve been talking about these attitudes! and I"ve sort of : I"ve classified them in two main categories! which I"ve used the yin-yang metaphor. And then there"s the yang side! which is the way that you put energy out to influence other people.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e /( of !"" technique. So this sort of energy is often sorely lacking. And by the way! that"s a good little thing to play around with in-set! the idea of the ?are ear Stare because the cartoon was quite popular with girls.y$ #nc.t of reproduction in w. And again! like rainbows and butterflies and gumdrops popping up everywhere! sort of this magical ?are are effect. And immediately! some evil! gross! old man would turn all nice and friendly! and flowers and gumdrops would start popping out of him6 and rainbows and butterflies and stuff. I"ve had one set of attitudes that describes the way that you"re not affected by other people! by social vibes and so on! and that"s the yin side! the way that you"re sort of like a ghost and nothing can touch you! nothing can affect you. www.* -ow! each ?are ear had a little symbol on its chest! like a flower or a rainbow or a heart or whatever! and each ?are ear had the power to do something called a ?are ear Stare! where he would sort of puff his chest out! and this glowing ray of light would emit from his chest and shoot out and strike the target. . And it"s a really good metaphor for the yang energy. If someone is acting a little ' ())* +enusian Arts$ LLC. $hat was the ?are ear Stare.e ri . The )are (ears were these little fu<<y teddy bear creatures that : I don"t even remember the exact plot! but their power was they did this thing called the )?are ear Stare. !(eginning of %tr&# Lovedrop: I don"t know if everyone listening to this remembers there was a cartoon that was popular back in the MB1s called The )are (ears. It"s the energy that you put out to add positive feelings and charisma and value to the interaction with other people.ts reserved$ includin t. If the yin energy! you could sort of think of it like you"re a ghost! like nothing can affect you! nothing can touch you. It basically showed that they were %ust pushing so many good feelings right out into him and %ust filling the air with good feelings and positive energy. It"s the way that you affect other people.P.ole or in part in any for&. And so a lot of girls are familiar with it. And think of the yang energy as if you"re doing a ?are ear Stare! and you"re shining out this warmth and energy and positivity and charisma! that when it strikes people it %ust fills them with good feelings.

Asking questions is all they have.onica years ago now and had breakfast with 8uggler and Style.ook! I"m not saying that you can never ask a question for the rest of your life. So think of that like your yang side of your energy.area"1lifestyle.* And what I"m saying is that for most guys! that"s all they"ve got. &hat"s your name/ ?ool.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e /! of !"" nasty! you could say! )Gh-oh! we"ve got to do the ?are ear Stare. . And you have to recogni<e that when you make a statement there is a different energy to it than when you ask a question. #eah! I make a lot of money. www.P. &hat a lot people do when they haven"t developed their social skills but they"re very desperate to talk to somebody! is they"ll sort of try and force the conversation along even though they have nothing of value to add. &hat will ' ())* +enusian Arts$ LLC. In the pickup community we call this the interview.ts reserved$ includin t. $his is the way that you are proactively adding value to the social vibe around yourself.* It"s a role-playing thing! it"s fun and they tend to play into it.e ri . I went out to Santa . 7on"t ask questions6 make statements. So one day I got to meet him. So where do you go to school/ Are you a student/ +h! cool. I remember $he 8uggler was always saying don"t ask questions6 make statements. (e has nothing better to say! and so he"s trying to sort of force things along with a false lead. I thought! well! what"s wrong with questions/ ?an"t I show genuine curiosity in somebody/ &hat"s wrong with that/ &hat"s wrong with asking a question here or there/ ut he always said statements! not questions. And I asked him! I said! )&hat"s this whole no-questions thing/* And he said! ). And I always thought about that. &hat do you think/ +h! cool! I like that too. 7oes he really care/ I mean! does he really care what her ma%or is/ +bviously he %ust wants to talk to her.co& Pa e /! of !"" All ri . . And what guys do to do this is they ask a lot of questions. And I learned this lesson from $he 8uggler! actually.t of reproduction in w. It"s something that you need to familiar yourself with.ilosop. So he said what you should do is force yourself to not ask any questions for a month or something like that.y$ #nc. So for example! you walk up! say hi to a girl! )(ey! I"m ?hris. &ell! I do this. 8ust take a period of time that you force yourself to make statements instead of asking questions. &hat do you do/ &hat"s your ma%or/* And it"s %ust the same old stupid question where he says : he asks for some basic fact6 she spits the fact back at him. And if you"re one of those people who %ust ask only questions and that"s your conversational style! then you"re not accustomed to the energy of making statements.ole or in part in any for&.

It"s about taking the lead but without being pushy. &hat are you contributing/ Are you putting the effort into your thought and your conversational skills to add value to the interaction/ And that"s what the yang is. >ather! you should %ust shine your light and they"re sucked in. -ow! I want to make very clear that that doesn"t mean that you should deliberately clown yourself. #ou want to be a little bit cra<y.e ri . . #ou"re leading by adding value. And he said in the long run! sure! you can ask questions here or there! but you don"t want it to be a crutch that is all you do because it"s all you know. So if someone walks through the room who has higher value! someone who is really hot! we tend to look at them more. So because of that! people feel good emotions when they get attention because it validates their own internal sense of value. #ou want to be fun. &hat happens is that there"s a mechanism built in to us that we tend to react more to higher value.co& Pa e // of !"" All ri . #ou also have to put a positive energy into the interaction.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e // of !"" happen is you"ll start to get accustomed to that energy and incorporate that into your conversational style. It"s not enough %ust to be unaffected. www. #ou want to be humorous. If a lot of people are giving me attention! I must be conveying value well because I"m getting attention for it. It"s a false lead.t of reproduction in w. $hey keep things going but they"re not adding actual value to the conversation.area"1lifestyle. #ou want to be exciting. e willing to expose yourself to embarrassment or re%ection.ilosop. $herefore! my programming rewards ' ())* +enusian Arts$ LLC.ole or in part in any for&.y$ #nc. . $hey should be attracted to go in the direction that you want them to go.P. If rad 3itt walks through the room! I"m going to steal more glances at rad 3itt! and I"m going to steal fewer glances at some beggar. A lot of guys using the interview! asking questions! they %ust sort of force things around without actually adding value. It"s about spreading good emotions around and creating interesting conversation. #ou shouldn"t push people to go a certain direction. It"s about being proactive as opposed to being reactive! sort of making your own energy and making your own vibe. #ou definitely want to be risk taking.ts reserved$ includin t. &hy am I looking at that guy instead of that guy/ ecause he had higher value and we"re programmed to give more attention to higher value. $hey haven"t put the effort into developing their conversational skills! developing their social skills so that they actually have something interesting to say or something fun or something emotionally relevant! something that"s stimulating on an emotional level6 something that makes people laugh6 something that makes people think.

9or example! don"t try to avoid re%ection. Anyone who has raised children knows the old adage that even bad attention is better than no attention. $hat having been said! you still need to be willing to take risks. 8ust put yourself out there! and en%oy the experience for what it is and ' ())* +enusian Arts$ LLC.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e /" of !"" me for that. -o big deal. 7o not deliberately clown yourself %ust for the attention. It"s okay. (ere! have a good feeling!* to reward you for conveying that value! and that"s what validation is. -o big deal. Instead! you"re unaffected! and your value %ust went up in her eyes. (appy. So it"s not about never facing re%ection! but rather! it"s about accepting re%ection as if it"s okay and %ust being cool with it! and that is a very attractive thing. .y$ #nc. . $his is a typical question that we"ll get from students.P. $he idea is not to avoid re%ection6 rather! the idea is to embrace re%ection and be okay with that. If I go up to some girl and she"s not interested or she"s rude! no big deal. &hatever.t of reproduction in w. ut they have learned how to be a clown. 7on"t try to protect yourself too much.ilosop. $hat"s the yin attitude. e willing to expose yourself to re%ection and be cool with it. >ight in that moment that you could have reacted and said! )+h! you fucking bitch!* or! )#ou lesbian!* or whatever! you could really drop your value in that moment. Gnfortunately! because of this mechanism! people are willing to do embarrassing things that lowers their value in order to get the attention because attention feels good. . $hey get that little sense of validation even though they actually convey lower value. So you don"t want to get caught in that trap.aybe do something stupid! people look at them! and then they feel good.co& Pa e /" of !"" All ri . ?areless. And so a lot of people have got stuck in this trap where they"re not conveying value properly! and they"re not getting attention for it. $hen you come back again! open again maybe instantly or maybe in five minutes or maybe an hour later! you come up and open her again! and she"ll most likely be more receptive because of the fact that you"re unreactive. www. e willing to be a little goofy and have fun. It says! )+h! you"re conveying value. So take risks.e ri . $hat sort of thing.ole or in part in any for&.ts reserved$ includin t. -ext set. Students will say! )(ey! how can I avoid re%ection/ &hat lines can I use so that no girl will ever re%ect me/* $hat"s the wrong mindset.area"1lifestyle. It"s sort of like the old saying dance like nobody"s looking6 love like you"ve never been hurt. e risk taking in social situations. Gnaffected. If you go up to a girl and she re%ects you and you"re unaffected by it! she"s actually going to be a lot more attracted to you now. It"s that internal reward! that emotional good feeling that you get because you"re getting attention.

#ou have to be the one who is actually doing it. -ow! I escalated because that"s my yang energy. #ou have to be the one who makes things happen. -ot like I need her or I"m trying to get something! but %ust like I"m adding value. So for example! let"s say that I go towards a woman and start escalating. It"s your responsibility as the man. So it"s your %ob as the man to escalate. $hat"s the sort of positive energy that I"m putting out there so I"m going to escalate. I"m %ust adding fun.P.y$ #nc. Another piece of the yang energy is being playful. #ou ever see these guys walking around the bar! and they"re sort of like! )(ey! s"up/ &hat"s up/* $hey"re sort of trying to act tough or trying to act or trying to act deep and serious! as if there"s some deep! profound philosophical magic inside this guy. &omen are extremely attracted to men who are willing to take risks. I"m completely unaffected6 no big deal. It"s much better to %ust have a smile on your face and have a good time and be playful and play around %ust like you"re a little kid having fun without a care in the world.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e /0 of !"" accept it for what it is. I"m unaffected.area"1lifestyle. &hen women see that you exhibit those behaviors they find it extremely attractive. It"s cool. $here"s too many guys are trying to be deep or serious or tough or cool.ole or in part in any for&. -o big deal. $hat"s the yin energy.co& Pa e /0 of !"" All ri .ts reserved$ includin t. +kay. $hat"s my %ob. $ake risks. If she"s attracted to you then she will comply. I get re%ected/ +kay! that"s fine. I come back and escalate again because that"s my %ob. It"s a very masculine trait. I mean! put a smile on your face like you %ust had a blow%ob. $hat"s it. If you"re going to walk up to her! if you"re going to talk to her! if you"re going to touch her! if you"re going to move her! you are the one response to do those things. It doesn"t matter what happens tonight! you"re going to have a good time. $hat is the dance! and that is attractive. And the evolutionary reason is because men who take more risks tend to reap more rewards! and the women who are attracted to that pass on their genes better! etc. It"s a fun! playful attitude where you don"t take things too seriously. . www. So be willing to continually escalate! and at the time : at the first sign of being pushed ' ())* +enusian Arts$ LLC. It"s all good.t of reproduction in w. I get a re%ection.ilosop. She"ll go along with it! but it can"t be her fault. #ou don"t really care. Another piece of the yang energy is that you have to be willing to escalate. It"s your responsibility to : everything : every point of escalation. In fact! I"ll turn around and escalate her again in a fun! playful way.! etc. .! etc. I"m unaffected. If she re%ects me again! no big deal. I almost don"t even notice it.e ri . She %ust sort of goes along with it.

Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e /* of !"" away or re%ected! no big deal. So ultimately you have to make that choice. If you start talking about childhood and the way you felt as a child! then people are going to go back to that feeling inside themselves. &ell! ask yourself! what are the feelings that you put out there that other ' ())* +enusian Arts$ LLC. . . So you"re spreading these motions out in a vibe around you so that other people can experience them. -otice what"s going on is there"s all these little events happening in the venue! and you"re either someone who is making those things happen! who is apart of it! who is being seen as the fun! cool guy. -o big deal. She"s laughing.ts reserved$ includin t.ilosop.P. $hey"re going to remember how they felt as a child. 5very other girl who sees this is going to feel that sense of pre-selection and be more attracted to me. 7on"t act affected. #ou"re the guy standing against the wall watching all these events. 3eople look over! there I am dancing with some girl and having fun.e ri .et"s say that I"m in the bar and I"m talking to some girls! and we"re laughing and having a great time. In the venue! there are the observers and there are the observed. #ou have to say to yourself! )Am I going to be the one who sits there watching all the events going on in the club! reacting to them and following them with my eyes! being lower value/ +r am I going to be the guy who goes out and makes this happen/* !(eginning of %tr*# Lovedrop: &e spoke previously about how you should be unaffected by energies that people throw your way! and we also spoke about what sort of energies you should put out to affect other people that will get the most useful results back for you. Someone snaps a picture6 the flash goes off. 7on"t act like you had some emotional reaction to it. So let"s talk a little bit about what kind of energy you"re putting out because remember that the things that you say are going to activate places in people"s minds. A little back turn6 do a roll-off.aybe I talk to a girl! take her hand and she her a little dance move.ole or in part in any for&. +r you"re the observer.y$ #nc.co& Pa e /* of !"" All ri . If you talk about that sense of innocence and childlike wonder! and maybe even better! if you describe some experience that really brings them through that process of feeling that and remembering what that felt like! then other people are going to feel those emotions as well. >ight when the flash goes off! everyone in the venue is going to turn and look over at me and see me and some girls having a great time together. www. . #ou go in the venue! you"re talking to some girls! they"re laughing! they"re giggling! people look over. .t of reproduction in w. #ou want to be having a good time.area"1lifestyle. ?ontinue your fun! happy vibe and come back and escalate again.

If you"re going to come up and say to a girl! )+h! you think that"s gross check this out!* no! no! no. +ther things that I would avoid in conversation with girls are anything that"s creepy6 anything that shows that maybe you are a little needy or clingy or a little weird.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e /1 of !"" people associate with you.ole or in part in any for&. And any time that she hears your voice or sees your voice! it"s going to : to whatever degree! sort of reenergi<e and reactivate those feelings inside of her of disgust and feeling grossed out.ilosop. $his happened the other day! right!* and you"re sitting there telling a story! meanwhile she"s being grossed out/ &e have to be a little more sensitive and ask ourselves what exactly are the feelings that I"m creating in this person/ Am I doing it deliberately to accomplish a youthful goal or am I %ust sort of blabbing because it popped into my head so I spit it out like a verbal vomit! %ust pooping words/ So we tell students don"t talk about things that are gross.* -ow! that story is disgusting! and it might be funny if you"ve got a couple 0I-year-old boys! one telling the story to the other! and they get a little kick out of it.t of reproduction in w. She"s going to feel those emotions : as she imagines that story she"s going to feel those emotions much more powerfully than you do! and she"s going to feel absolutely disgusted and grossed out! and she"s going to associate those feelings with you. 7on"t even start talking about it. $hose feelings are going to become anchored to your face and your voice.y$ #nc. And I could sort of see the gross cockroach guts hanging out of the one-half of the cockroach that"s still left in that burrito after I"ve obviously eaten the other half! and I can see it feel it crunching and squishing around in my mouth as I"m sitting here eating this cockroach. And I looked down and I could see this little leg twitching out of the top of my burrito! and I could see very clearly that there was a cockroach that"s been bitten in half. www.co& Pa e /1 of !"" All ri . $he problem is though if you say that story around a girl! she"s going to feel grossed out. 9or example! let"s say that there was a true story that you ate a cockroach on accident when you were eating a burrito. Anything that"s gross! dead baby %okes! these sorts of things! no matter how cute or clever you think it is! remember! you"re ' ())* +enusian Arts$ LLC. Sometimes people! they %ust think of something and they start talking about it without sensitivity or regard to exactly what sort of emotions and thoughts they"re activating in other people.P.ts reserved$ includin t.area"1lifestyle. . 7on"t even get into that story. So one example of that is talking about things that are gross. So maybe you"re sitting there and you"re telling your guy friends! you say! )+h! man! it was terrible. . I took a bite out of the burrito! and it was kind of crunchy. If you didn"t know any better! and you"re %ust sort of telling a story! )+h! here"s a funny story.e ri .

* $his is this guy"s birthday party. Say interesting! fun things. .et me get you a drink. Always put a positive spin on things.* 3ositive. $hen he"d introduce me to the person! and he would say good things about the person. 8ust say cook things. I"m walking around his party! and every time I ran into Dincent he was talking to someone else! someone else who was cool! some girl who was cute or some guy who was connected in some way.e ri . -o matter how cute the story may be! %ust don"t talk about it.co& Pa e /2 of !"" All ri . &hat I"m saying is I"m %ust trying to point out the way that some people try to put out a good! positive energy and make people feel good and make people feel accepted. So what energy do we want to put out there/ A positive energy6 a happy energy6 a fun energy6 a non%udgmental energy6 all these sorts of attitudes that we"re teaching here. I offer to buy him a drink. It"s Dincent! )(ey! we"ve got to party. I brought three girls and two friends : two guy friends. Say friendly things. www. (e buys drinks for all of us. ?hris is awesome.* &e go down to the party! there"s Dincent with a smile on his face. ?hris is really cool.ilosop. And you"re going to create those feelings in those people! and they"re going to associate them with you. )(ey! it"s so good to see you. I get a phone call.y$ #nc. $en minutes later I run into him again. 7on"t ever say anything creepy or bloody or violent or sick.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e /2 of !"" going to be activating emotions inside the girl who is listening or inside the guy that you"re talking to and hanging out with because this isn"t %ust about sex6 it"s about social interaction. . ?ome on down! you"re all invited.P. (e knows how to play the game properly. Say nice things. -ow! I"m not saying that you need to go around buying people drinks and that that"s some big secret to success socially. &e"ve got a guy here in San 7iego : I"m down in San 7iego doing this production : and there"s a guy here! Dincent! who is a really social guy.t of reproduction in w. I pull my money out6 he puts my money back in my pocket and buys me another drink.ole or in part in any for&. Always make people look good to other people. I"m sitting here at home. (e"s a great friend of mine. (ow are you doing/ . And if they"re bad feelings! guess what/ 3eople avoid bad feelings. Always making them feel good6 always making them feel like other people view ' ())* +enusian Arts$ LLC.area"1lifestyle. A positive outlook is absolutely key. (e"s always giving props and respect to people. And I"m continually impressed when I see how he operates socially because he does all the right things. (e"s going to buy me a drink/ (e takes us to the bar and buys drinks for all of us. Always talk about positive things.ts reserved$ includin t. And every single time he would say! )+h! you got to meet ?hris. >emember! it"s his birthday.

e the guy who is introducing everyone around to everyone else because if you"re the person in the room who has introduced more people to more other people! then you must be the most socially connected guy in the room and everyone will be talking about it. $hat"s not good. It"s very true. An example of this is sarcasm.et me give you an example. And so the very act of using that sort of sarcastic attitude is going to do nothing but reveal that you"re lower-value6 reveal that you"re feeling emotionally reactive! which is a low-value trait.ilosop.ole or in part in any for&. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e ") of !"" them positively.area"1lifestyle. About how you made them look good to somebody.t of reproduction in w. About how you introduced them to some cool guy. Sarcasm is a form of humor6 more specifically! is a sneering! %esting or mocking at a person. -umber @! in addition to the bad feelings that he"s creating in other people! he"s also sort of telegraphing the fact that he has some concealed anger or annoyance! that there"s some part of him on the inside that"s being reactive! that"s being pissy! that"s annoyed about something and that"s feeling emotions about something. www.ts reserved$ includin t. It"s a type of verbal irony intended to insult or hurt feelings.om said it best when she said if you don"t have anything nice to say! don"t say it at all. So let"s think about this for a second. . 5verything that you say should be about putting a good! positive energy out there6 putting a good vibe out there6 making people feel good6 making people feel more validated6 making people feel that other people appreciate them more because you gave them those props! because you gave them that respect.e ri . 8ust always reinterpreting things in a positive light because if you"re the ' ())* +enusian Arts$ LLC. So again! why would you ever use that sort of humor when all it does is make your value look lower and give people bad emotions causing them to want to avoid you/ So don"t use sarcasm. . 7on"t use negative humor. &hy would we ever use some sort of negative statement or some sort of negative attitude/ ecause all that"s going to do is create a negative feeling! and that person is not going to want to hang out with us anymore. Gse positive humor. $he use of sarcasm is viewed as an expression of concealed anger or annoyance. 0! he"s creating bad feelings in the other person! making them want to avoid him. 5veryone will be talking about how they saw you with a different girl every time you walked around the room. If someone is being sarcastic! hey! he may think he"s getting in his little %abs or his little digs! and he may think it"s clever and funny! but ultimately! what he"s doing is! -o.y$ #nc. . ecause Dincent said I"m cool! now other people think I"m cool.co& Pa e ") of !"" All ri .P.

&omen are ama<ing. . #ou"ve got these guys that are %ust really putting themselves out there and lowering their value in a weak way towards women. So that"s why if I got cheated on a lot I must not have been satisfying the girl. 5ven though I may have had some painful experience in the past! I"m still going to love like I"ve never been hurt. (ave women ever left relationships/ +f course! both genders have left relationships.ole or in part in any for&. +f course women cheat. I must be the low-value guy. I en%oy the chase. 'uys who are sort of too easily manipulated by women6 too eager to please6 too eager to seek rapport6 they supplicate! as >oss 8effries would say. !(eginning of %tr+# Lovedrop: In the community! we"re trying to take guys who! in the worst case of a student! who are sort of wussy! as 7avid 7"Angelo would say. So then if I sit here and complain about! )+h! women are all cheaters! women are all whores!* what I"m really doing is I"m saying I"m a low-value guy and women ditch me all the time. I love women. 9or me to : it"s going to give me the most access and the most en%oyable experiences with women. I probably got dumped a lot by women. -o! instead I"m going to say women are wonderful creatures. $he fact that those things occur! the fact that those things are true in this world doesn"t mean that they should be true for you. And so because of ' ())* +enusian Arts$ LLC.y$ #nc. $hat is going to cause the most women to be attracted to me.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e "1 of !"" guy who is sitting there reinterpreting things in a negative light! it shows that you have some sort of negativity inside! some bitterness or resentment based on bad feelings. Any time I put out some negative comment or negative attitude! it"s %ust going to lower my percentages. .co& Pa e "1 of !"" All ri . I must be the re%ect. 5ven if it"s actually happened to you! it should still not be true for you.ts reserved$ includin t. I love being around women.et"s say I got cheated on! but I"m not going to sit here bitching and being bitter about how women are cheating whores. I en%oy the energy of it. &ell! what does that say about me/ I must be low-value.P. I en%oy the verbal repartee! the %oust! the test of wills. I"m still going to put out the most positive! happy! fun energy out there that I can! and make that my reality because that is %ust going to give me the best percentages. .area"1lifestyle. 7o women cheat/ Sure! both genders cheat. 3eople have been cheated on and so on.e ri .t of reproduction in w. I probably got cheated on a lot by women.ilosop. www. &hat"s the point of that/ 7on"t do it. I mean! think about it! if I"m always complaining about women and talking about how horrible women are! what does that say/ I probably had a lot of bad experiences with women.

A little bit like you"re discarding the girl! like you"re brushing her off a little bit! as if you"re showing that she"s not that important to you. .t of reproduction in w.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e "( of !"" that there"s been a lot of focus in the community on training people to be a little bit more manly and a little bit less needy. It is appropriate to use them! and it is necessary to use them with hot women. www. (aving standards for what you"re going to tolerate and what kind of people you want to hang out with and what kind of women you want to be with. I think there"s a little bit too much focus on negs and disqualifiers! and a little less focus : a little less than what"s necessary on putting yourself out there with the warm and charismatic five. -ot because he"s making a genuine connection with that person! but %ust because he wants to get some value. ecause of all this focus on this! because a lot of people need it! what happened is there"s been a little bit of glossing over the other side! the yang energy! that we really need to also be able to express a very warm and charismatic personality.co& Pa e "( of !"" All ri . ut unfortunately! what happens is because of all this focus on being too cool for school or reserving yourself or having standards.ole or in part in any for&.ilosop. -ot only that! but you want to put out a very genuine vibe. &hen I talk to a girl! and I turn and look at her! and I put my focus on her! she should feel the full warmth of my powerful charisma shining down on her! and it should feel so good. And there"s not enough focus on that in the community.y$ #nc. $here"s a lot of people out there who are willing to fake interest and use flattery in order to obtain value! whether it"s a gold-digging bitch or whether it"s a guy who %ust wants to use women for sex or maybe a guy who wants to form some alignment with someone else %ust to take advantage of financial benefits or whatever. . $his is why I think it"s important to bring this up and make a point of it now. And the truth is! using these sorts of disqualifiers is a very powerful tool when used in the right way. $here should be that bright shining light that %ust sucks them in %ust from the power and the intensity of your personal charisma.e ri . 8ust like I said before! the ?are ear Stare. It should be so fun and so exciting and so stimulating and friendly! %ust like a good! warm backrub.ts reserved$ includin t. ' ())* +enusian Arts$ LLC. $he person should feel the warmth of your attention and charisma shining down on them so that when you turn away they feel like they"re left in cold shadow. And so there"s a lot about that in the community about teaching men to not give it away too easily! to sort of act cold! to be a little bit almost insulting or a little bit -eggy or disqualifying.P.area"1lifestyle. $eaching them to use more negs and more disqualifiers! more romantic barriers6 setting a price on themselves.

ut what if you went up to that guy and qualified him/ &hat if you went up to him and said! )&ow! man! that"s really awesome. . It"s important to understand the difference there. 3eople want to talk to me. #ou throw some party and the guy walks in with a guitar.P. &hatever. I mean! people should feel the sense of genuine interest that when you connect with them you"re being real. $his is all he"s got going for him.t of reproduction in w. $hey know if you want something.to Win Friends and .area"1lifestyle. And hey! if I get distracted and I turn away! and my charisma is taken away like the light of the sun leaves you alone in the shadow! well! I mean! I"m not punishing you. (e"s desperate. +ne classic example is the guy who always brings the guitar to the party. I think it"s the book . She"ll feel that neediness! and she will not respect your kindness or your nice acts because she"ll view them as disingenuous. $hings come up. I"m not trying to get revenge on you. #ou"re really good with that guitar.ilosop. elieve me! if you need or you"re trying to get it! you need to get what she"s got to give! she"ll feel it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e "! of !"" &omen especially deal with this all the time. I %ust got distracted. . -o matter how much of a nice guy you think you are because you were so respectful and took her out on such a nice! expensive date6 I mean! ultimately! if you were %ust acting that way because you"re trying to get something! then it"s disingenuous. She"ll view them as %ust you deceiving her because you"re trying to get something.e ri . ut when the guy shows up at the party with the guitar you could be negative.nfluen/e People that taught me this lesson.* ' ())* +enusian Arts$ LLC. $he whole idea of the value that you get form really showing genuine interest in someone and appreciating someone for what they believe they deserve to be appreciated for.co& Pa e "! of !"" All ri .aybe he doesn"t believe that his own value is enough that he has to compensate for it by bringing in a guitar or by buying someone dinner or whatever it is. So it"s really important not %ust to put out a warm! positive vibe but to really put out a genuine vibe.* $hat"s probably true! actually.aybe he thinks that"s the only way he"s going to get laid or be able to show he has any value. #ou could say! )+h! look at this guy. (igh-value people have options.ole or in part in any for&. $here"s no pretense.y$ #nc. It"s creepy! and it"s definitely not appreciated by women. $hey deal with a guy who is acting like a %erk because it works! or the guy who is trying to be overly nice and sweet and buy her things and so on. I"m a giver! not a taker. . I"m that sort of person who %ust shines out my light and puts good feelings towards people. www. . $here"s no expectation. I really respect that.ts reserved$ includin t.o. $here"s no obligation. $here"s nothing more than %ust being willing to connect with them and add value and fun to their experience with no expectations on any return %ust because you"re a giver.

#ou"re okay with whatever happens. Instead! what they see is a genuine! engaging! warm! friendly! charismatic vibe! and that is attractive. ut in that moment when they interacted with me! they didn"t get a cautious ?hris who is sort of holding back trying to protect his ego. asically! all the stuff that we learn in the game are %ust training wheels to help us learn to take on these attitudes as part of ourselves and become part of your personality! and it"s the most attractive that you can be.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ( Male 1$ Male ($ Male !$ %e&ale 1 Pa e "/ of !"" $he fact that you recogni<ed him and appreciated him for what he wanted to be appreciated for causes intense positive feelings in your direction. So again! the yin energy is about being unaffected. And the yang energy that you put out there is that fun! cra<y! playful! warm! charismatic! positive vibe. .ake people feel that you bring out the good in them! and you appreciate it! and you recogni<e it for what it is. It"ll all come out %ust right.ts reserved$ includin t. All the techniques! all the tricks! all the lines! they might as well %ust go down the toilet because I"ll tell you what! after you practice that for a year or two and these attitudes become a part of you! you can drop all the rest of the game and stop using material and attitudes will take care of everything.area"1lifestyle. I mean! that guy will basically be your bitch for the rest of the party. &e could basically discard all the rest of the game. www. And I swear to you! if you master these attitudes! if you master this ability to be unaffected and yet to also add genuine value to the interaction! this is all the game anyone really needs. -ow! )+h! something comes up. $hey didn"t get a ?hris who is trying to act cool or trying to act tough or trying to show his active disinterest to show how much he doesn"t really care because he"s too cool for school.co& Pa e "/ of !"" All ri .t of reproduction in w.P. #ou"re internally centered and have that internal sense of peace. And so instead of being insecure and trying to compare yourself to other people and say! )+h! well! she"s not all that!* or! )I don"t know what she sees in that guy!* or whatever! look for the good in people. &hen shit gets thrown your way it doesn"t really touch you. . . #ou"re okay with re%ection. (ey! it was nice to talk to you!* and then I"m gone. And then it"s a genuine interest that you really care! you really find him interesting.y$ #nc.ake people feel that when they"re around you. It"s the secret to being a cool person. ' ())* +enusian Arts$ LLC.ole or in part in any for&. (e"ll introduce you to people6 he"ll make you look good6 he"ll show you I+Is and smiles and interest and happiness as if you"re this cool! great guy. . #ou"re okay with it. $hat"s the yin energy that you need to put out there. And that you show it to other people as well. I"ve got to go say hi to my other friend.ilosop.e ri .

.when you interact socially -. And so this is the sorts of things that we want to avoid.ovedrop here with Hacy and Alexis and 7ex and we want to talk about delivery! body language! vocal tonality! facial expressions and these sorts of things. And I"ll tell the student after the set -. #ou know! I"ll see a student go into a set and lean in and of course this causes the girls to lean back like they"re cringing back.ike what"s your name/ &here are you from/ &hat do you do/ All of these questions start popping out at soon as a woman gets attracted.the main clue is what we talked about previously -. And it"s only in that moment when the student reali<es how much he really was ' ())* +enusian Arts$ LLC. 5ven after I specifically told him not to do it! he still goes and does it anyway and then honestly believes he didn"t do it. She didn"t care what I did or what my name was 2 minutes ago and suddenly she does.this is one of the number one problems that students have is leaning in.ts reserved$ includin t. #ou will naturally do things like leaning in! talking too fast! getting nervous! fidgeting! asking a lot of questions. $he way that you come across visually and audibly -.co& Pa e "" of !"" All ri .an! you leaned in -. www.if that"s a word -.ole or in part in any for&.ilosop.t of reproduction in w. Anyone who has started practicing the game has seen this where at some point your game gets good enough! you go into set! you start running material! the girl starts feeling attraction and all of a sudden she cares. So it"s important to understand that when you feel emotionally reactive to someone! you will naturally start giving indicators of interest.y$ #nc. $he first reactive thing that most guys do -.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e "" of !"" Lovedrop: Alright. .you do not want to act like you"re having emotional reactions beyond how ever you would normally react. So this is a clear indicator of interest and that"s why we have to understand that when we do these behaviors! we"re also indicating interest.I"ll say! ). So .area"1lifestyle. And many times what I"ve had to do is actually sneak up behind the student! grab the back of his shirt and physically pull him back. $hese are all unattractive because they"re all lower value. And the reason that leaning in is so insidious is because you don"t reali<e you"re doing it.you were leaning in again! you gotta stop doing that. So let"s start out with body language. #ou know if a girl becomes attracted to you! then she"ll start asking you a lot of questions.* (e actually didn"t reali<e that he was doing it. &hen we walk up to a girl and say! )&hat"s you name/ &hat do you do/* that is again a clear indicator of interest. . So if I"m interacting with a beautiful woman! then I don"t want to have emotional reactions that are any different then the same reactions I would have with my grandma or with my B year old niece. I don"t want her to detect that I"m coming out any more emotionally reactive then I would in any other normal situation! because otherwise it portrays that I view her as higher value and that I"m needy or that I"m trying to impress her or whatever.P.e ri .* And he"ll say! )-o! I didn"t.

5ven if their head is craned around and pointing the other way! if their body is facing you! then you know there"s interest there.the next thing you know is she"ll start leaning into you. 7on"t %ust not lean in but lean back -. $his is absolutely crucial. Its probably the number one body language mistake that we see is leaning in and people don"t notice they"re doing it! so its very hard to correct it. &hen you"re interacting socially with people! you can basically tell where people"s true interest lies by where their feet are pointing. If she has trouble hearing what you"re saying! she will lean into you! especially because if you"re leaning back! she doesn"t feel like you"re needy or trying to get something! so she feels comfortable to lean into you instead of having this feeling like she has to cringe away. #ou"re moving your head probably O-2 inches! does it really change the acoustics that much/ It"s %ust psychological. And again! this goes two ways! if you"re facing the girl with your body! then she knows you"re interested in her. www.%ust like the song. Another answer to that is when you"re leaning in.t of reproduction in w.ake a conscious effort to lean back. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e "0 of !"" leaning in.P. $he worst thing you can do is reward bad behavior. $he number two body language tip is not to face the set with your body.e ri .if you sort of lean back -.* And my first answer to that is to speak louder -. If she"s turning away and meanwhile you"re giving her all your value and facing her with your body! you"re rewarding bad behavior and you"re setting a very low price on yourself and making yourself cheap and easy -.y$ #nc.and unattractive. >eal gangsters don"t dance. !(eginning of &tr%# ' ())* +enusian Arts$ LLC.area"1lifestyle. .ts reserved$ includin t. . And a lot of students use the excuse where they"ll say! )&ell! how"s she supposed to hear me/ It gets loud in there.co& Pa e "0 of !"" All ri .ole or in part in any for&. So I"ve seen many students have that epiphany where they finally started leaning back and suddenly the girls all up on him. She"s not going to hear what I"m saying if I"m not leaning in.ilosop. #ou need to turn away. If she"s starting to turn away! you need to turn away as well. And then if she turns back and faces you more with her body! then you reward that by turning in with your body as well. And the other thing that I like to point out to students is! guess what/ If you don"t lean in -. $he worse thing you can do is when the girl turns around and you continue to face her with your body. She"s leaning into him! she"s touching his chest and putting her ear up to his mouth! things that he"s never had women do before because he never tried leaning back. So you can"t face her with your body until she"s earned it.you"re probably not speaking loud enough. So that"s number one. $hey %ust pull up their pants and lean back! lean back! lean back.

Another tip for body language is not fidgeting. #ou know as a man it"s hard for me to understand what it feels like to be sexually attracted to people that are bigger and stronger then you. And again! this is insidious because it happens unconsciously! people don"t reali<e their doing it.you know they don"t feel the energy of it -. So to always feel a little bit of fear with your attraction or to have some sense of concern for your physical security when you"re attracted to ' ())* +enusian Arts$ LLC.as they start to feel more hooked into your material! they start to feel more interested and attracted! they will naturally start to turn towards you and touch you and ask you questions and now you can reward that by turning in towards them.ts reserved$ includin t. Actually! that is a good point because it could be boredom! you know/ And you"re going to tell the difference %ust by the vibe.they don"t feel the vibe of it. So I would go into a set and I would feel like I did everything right but then I would get blown out really bad.ole or in part in any for&.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e "* of !"" So the advice that we give students is -. It turned out because I was tapping my straw up and down really fast! which made me look nervous! which made me look like I was reacting emotionally! which would made me look lower value! which is unattractive.and remember this is a rule of thumb and none of this is written in stone but it"s definitely a good basic model to practice with -.e ri . asically! she"s feeling an emotion -.but 'od! when is this guy gonna leave/ +r how much longer do I have to sit here/ ut normally if I see her tapping her straw up and down and there"s any hint of nervousness! then I"m not going to think she"s bored! rather I"m going to think that maybe she"s a little scared because it can be intimidating. ut that is true. And what"s happening is your body feels this nervous energy inside and so it tries to express it. . And you"ll see people shaking their leg! tapping their foot up and down or playing with their straw or playing with their lips or whatever. www.t of reproduction in w. $hen as they start to hook -.area"1lifestyle. So when you turn in towards them! it shouldn"t be something you give away for free! it should be reward for good behavior.co& Pa e "* of !"" All ri . Again! this is something that people do without reali<ing it.tapping the straw up and down in the glass really fast.is when you first go into set! open over your shoulder or open as you"re walking by from the side. 9or example! let"s say someone is in front of you tapping their straw and in one case the person"s really nervous and in the other case the person"s really bored! isn"t it obvious to you either way/ -ow! to someone who doesn"t have much social experience it may not be as obvious -. $his is a nervous gesture. .P. 7oes that makes sense you guys/ +kay.y$ #nc.not that she"s reacting to me -.ilosop. 9or example! what I used to is I would be holding my drink with one hand and holding my straw with the other hand and my hand holding the straw would be tapping up and down in the glass -. 7on"t face the set directly with your body.

www.t of reproduction in w. &hen I"m sitting at the bar! I want to look like I"m chilling at my house.y hands are resting comfortably at my sides and I should look exactly the same way in the bar. . 8ust having your hands natural at your sides is the best way to do it. If you have trouble with that! maybe playing with your fingers and so on! then hook your thumbs in your back pockets and learn to train yourself to feel still and comfortable and then after a few months then you"ll get naturali<ed to that and then you can %ust leave your hands at your side.* 9idget expresses nervous energy and makes you look lower value. It could also be possible that she could be attracted and she"s nervous and that it"s a clear indicator of interest. And if you don"t feel like that! fake it.ilosop.so that"s not an emotion that I"m personally familiar with as much -. 7on"t move around with your feet a lot. 7on"t tap your straw in your glass. #ou haven"t brushed your hair! you"re not trying to impress anyone! you"re not trying to look cool! you"re %ust relaxed in your own environment in your own world. &hen I"m standing there watching the game with me and my brother hanging out at my place! I"m not fiddling my fingers nervously.y$ #nc.P. It"s still an emotion -. 7oes that make sense or -In that case! she"s feeling anxious. If you look at two people in set! the person who is moving more tends to be the one with lower value.co& Pa e "1 of !"" All ri . $his is my place sort of splayed out comfortably.ts reserved$ includin t. 7on"t fiddle with your fingers. ut she"s still feeling something because otherwise! why is that energy expressing itself with the tapping in the first place/ I mean for example all of the people probably listening to this product! the advice is )don"t fidget. 9orce yourself to move your body the same way that you would in a comfortable relaxed environment and that"s how you want to come off. $he way that you carry yourself in that situation is exactly how you should look at the bar.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e "1 of !"" someone because you don"t know that guy -. ' ())* +enusian Arts$ LLC. $his is my bar.some high value person -. #ou can basically determine relative value. (ere"s the way that I describe it to peopleE the way that you should be in a venue! in a set! is the same way that you should be if you"re at home comfortable wearing shorts and a t-shirt! watching the game! having a beer! maybe with your one or two closet friends.e ri . And even if that person is ill 'ates or whoever -. #ou %ust get this feeling like that person is cooler then that person because ones reacting more. !(eginning of &tr&# So the basic clue for your body language is don"t fidget.ole or in part in any for&. .area"1lifestyle.you know the female experience -but I think it might be possible that she could be a little nervous or scared.this sort of %ittery anxiousness! not because she"s attracted to me but because she wants to get away. .they"ll still come off lower value with you look at the interaction. #ou don"t care.

Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor

Pa e "2 of !""

Another body language tip! which is important! is to move slowly. If someone says! )(ey ?hris!* and I immediately snap my head really quick and look! then it makes me look too reactive. It makes me look more like a beta male. &hereas! if someone says! )(ey ?hris!* and there"s a pause and I slowly turn my head and look! it comes off more alpha. $here"s something specifically about slow movements that makes you look more of an alpha male. .ike on my own time baby! that kind of thing. $he basic tip is walk slowly! move slowly! turn your head slowly! sort of slowly and purposively. -ot as if I"m aimlessly wondering around looking for something interesting! but more like I have it going on but I"m taking my time because nothing"s going to fuck with me. I have my own reality and I"m comfortable with it. So slow movements. $his basically comes from micro calibration and one of basic concepts of micro calibration is that you always want to balance indicators of interest with indicators of disinterest. I want to make this very clear. 'uys who act overly nice! they think they"re being a nice guy when they show interest and act nice and friendly. $hey think they"re being a nice guy but what really what they"re doing is they"re being a creepy guy. $here"s something creepy about showing too much interest. So anytime you"re interacting socially! especially with women! if you start showing too much interest! especially if you"re showing more interest then she is! you"re not coming off like the nice romantic guy. #ou"re coming off like the creepy guy that she wants to get away from. And so what we do is whenever we do something that conveys interest! we balance it by also doing something that conveys disinterest and that"s micro calibration -- or that"s a piece of it. So %ust like you said! when ;ystery turns in towards the set! that"s going to indicate interest! so he crosses his arms to calibrate that -- to balance it out with a little disinterest. Similarly! if ;ystery runs a -5'! which is an indicator of disinterest! you know if he says! )I"m not so sure about you yet.* (e"s indicating disinterest and he"ll calibrate that by showing some interest. (e"ll put a little smile at the end so it doesn"t hit so hard. And so! we"re going to talk about this a lot more in micro calibration! but the basic concept is that whenever you give an indicator of disinterest! balance it with a little bit of interest! an I+I calibrate. And whenever you do an indicator of interest! balance it with an I+7 calibrator. 3ut a little disinterest at the end to soften it so that it doesn"t come off too strong. !(eginning of &tr*# #ou think you"re being all nice and really you"re creating suspicion in other people. #ou"re making other people feel suspicious! but meanwhile
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor

Pa e 0) of !""

if you push them away -- if you cross your arms and use -5's and disqualifiers! that actually creates comfort. y disqualifying someone or by turning away from them or crossing your arms! you"re actually making them feel more comfort because now they can let your guard down. $hey don"t feel like you"re trying to get something. Instead! they can feel comfortable to relax like they don"t have to put up your protection shield and ward you off! because you"re already sort of pushing away a little bit. So that"s why when we teach -5's! we explain that -5's are actually disarming. -5's make people feel more comfortable. $hat"s an important point because it translates over into body language and delivery! which is what we"re talking about here. Any -5' could be appropriate. If it"s not appropriate! it"s probably not a proper -5' at all. .ike for example! an insult is not a -5'. $hat"s inappropriate to insult people and also if the -5' is a proper -5'! if it"s a real -5'! then the only thing that would make it inappropriate is if you use it at the wrong time. #ou know you use -5's at the moment when you need to create a little attraction or when you need to disarm someone or when you need to disarm her friends. +kay! more on body language. (ere"s another common mistake that guys make in terms of how they show their body in the club is they hold their drink in front of their chest. $hey naturally walk around with their drink held right up in front of their chest and it looks like a security blanket. And now that I"ve %ust said this! go out to the bar and look around at all the guys and see how pathetically obvious it is. #ou see some guy standing around with some drink in front of his chest. It looks like a security blanket. It looks like he"s trying to protect himself! like he"s feeling a little insecure inside. And I can almost guarantee you that if that guys sitting at home with a drink! he"s probably hanging it at his side. (e"s probably holding the glass at the top with his fingers and hanging that drink down by his hip and then he"ll pick it up and drink out of it whenever he wants to drink and then hang it back down by his side. $hat one little tip will have a big effect. 7on"t ever hold your drink in front of your chest. Instead! sort of daggle it at your side! walk around with your drink at your waist! and it %ust makes you look more open and more comfortable! like )(ey! this is my house. I"m not in some bar. I"m at my house.* And when there"s a guy standing right next to you holding his drink at his chest and meanwhile you"ve got it at your side! you"re %ust going to look more comfortable and more confident then he is and he may not even be aware of it. 8ust like the guy tapping the straw. $hey"re not even aware of how they"re telegraphing their security! so these are some ma%or basics here.

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor

Pa e 01 of !""

In your case! what you"re conveying is impatience which is a clear indicator of disinterest. &hen a woman starts acting disinterested! bored! impatient! picking fights! being snipping! these are all indicators that she"s like! )Alright! fuck off.* And so! for me! I have enough social intuition that if I see a girl tapping her straw! I"m going to know if she"s doing it out of boredom or impatience or nervousness or whatever! because I"m going to feel the different energy. As for students! if you can"t really tell -- well! basically assume she"s being impatient which is an I+7. ut if you can"t tell! trust me! after you do 0!111 sets! you will be able to tell. An indicator of disinterest. +kay. .et"s talk a little bit about facial expressions. +ne problem that we see a lot is that people are not animated enough in their facial expressions. $hey sort of have this blank facial delivery -- sort of like a <ombie. !(eginning of &tr+# #ou want the emotions that you"re describing and hopefully if you"re in set! you"re speaking on an emotional level! not on a logical level. And as you"re speaking about these different emotions and describing these different emotions! they should be clear on your face. $his is really true that -- for example! let"s say that I"m telling a story and I reach a sad part in the story! there should be a little sadness evident on my face. If I"m telling something or talking about something that"s trying to express a carefree emotion! there should be that sense of carefree on my face. $he emotions that you"re speaking about should be felt on your body and expressed on your face and a lot of students have a problem that their facial expressions are not expressive enough. $hey don"t really express the emotions that they"re describing with their voice. >emember that women are much more emotionally impacted then men and when you can convey more emotion! it really hits them. $hey really feel it. I mean for a man! an emotion is like a -- its something that you feel and try to ignore. Its something that -- you know! oh I feel this but I know that I have to do x! y! < anyway! inspite of this feeling. It"s like I felt something like a mosquito bite or something. 9or women -- and this is a gross generali<ation but most women will agree with this -- emotions are almost like this ocean that"s all around them. It like surrounds them and colors their experience and they can feel it deeply and almost everything is interpreted through that lens. So when you describe something! a woman is going to feel it more deeply then a man on average. .ike for example! the other day I was recording and I told the story about the guy biting into a burrito and accidentally crunching a cockroach in half and crunching that cockroach up inside of his mouth and feeling the little legs twitching and stuff like that. $hat"s
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor

Pa e 0( of !""

disgusting. If you tell that story to a guy! he"d be like! )+h! that"s gross.* #ou tell that story to a girl! )She"s going to feel more disgusted on the inside then a man will.* And that"s why I warn men because a man will tell that kind of story thinking it"s funny and meanwhile girls are feeling grossed out and disgusted because it doesn"t occur to him %ust how deeply they"re being impacted by those feelings. So the same is true when you"re speaking. #ou can really make a big difference by adding emotional expressiveness to your face and to your voice. ;ost students don"t do it enough. ;ost students have a blank facial expression and a monotone voice. And so you have to put extra effort into making your face more expressive and making your voice more emotionally expressive. ;aking your face more expressive and making your vocal tonality more emotionally expressive. And because most students don"t do it enough -- here"s the problemE the level that is normal and useful feels like too much -- to the student it feels like too much because he"s not accustomed to being that expressive. So when he pushes his expressive to where it needs to be! he feels like he"s doing it too much. (e"s %ust not use to it. So students will never push it to the level that they should. And so what I tell them is to over express. e overly expressive with your face and with your voice. 3ush it outside of your comfort <one. If you push it too hard! you"ll start to come off gay. $hat means you"ve pushed it too hard and people will ask you! )(ey! are you gay/* +kay! fine. -ow! you"ve found where the line is drawn and now you can calibrate back down and bring the expressiveness back down to where it needs to be. ut I would rather have you push it too far and calibrate it back down! instead of never pushing it far enough in the first place and always having this blank delivery and this flat voice because you"re not willing to push yourself outside of your comfort <one. So really try to be express. And this is important! especially because if you"re starting out with your practice! I"m going to tell you it really affects your results. If you go out and really push the emotional expressiveness in your face and your voice! you will get massively more indicators of interest! massively better reactions out of women and much more buying temperature and emotions being pumped inside the woman. So it"s important %ust to play around with that %ust to see the sheer power of what you can do with emotional expressiveness. If you push it too hard! you can always calibrate it back down later. ut get comfortable with being able to use that power because if you"ve never done that before! you may not reali<e how powerful it really is. uying temperature is an expression that we use that refers to the emotional state. And %ust to give a clear distinction really quick. $here
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor

Pa e 0! of !""

are two forms of attraction. +ne of them is evolutionary attraction which is sort of the deep romantic sexual attraction which is caused by displaying evolutionary attraction cues such as dominance! good health! ambition! pre-selection. $hese sorts of things will cause actual true romantic attraction in women. $hey"re a little different then buying temperature. uying temperature is a short term emotional state. So I can walk up to some girls and %ust by being really emotionally expressive and fun! I can make them shriek and laugh and giggle and I"m really pumping their emotional state up in the moment. ut as soon as I stop! their emotional state will drop back down and they"ll immediately %ust turn around and walk away like I"m nothing to them. $here"s not that permanent long term attraction. $o contrast that with -- let"s say Angelina 8olie comes in and she starts telling some funny %okes and we all start laughing. So she"s pumping my buying temperature and when she stops talking! she stops pumping my buying temperature. I still stay there because she"s still sexually attractive on an evolutionary level. She has evolutionary value. &hereas! let"s say there"s some really unattractive girl! who I haven"t meet before! and she comes in and she starts telling %okes and again! we"re laughing and giggling. She"s pumping our buying temperature but once she stops talking and my buying temperature drops! I"ll walk away because there"s no other real evolutionary attraction there. She"s not evolutionary attractive. So buying temperature is a short term attraction that pumps people"s emotional state and it"s sort of like glue. It makes them stick to you there in the moment while you"re pumping their emotional state and that gives you time to demonstrate deeper evolutionary value! which will get you a more long term attraction. !(eginning of &tr0# &hen you first go into set! you pump up their buying temperature. $hat gets them all giggly. -ow! they like you for a few seconds. $hat gives you time to start demonstrating real value and start throwing in -5's and all the rest of it and that"s how you get the attraction and seduction going after that. $hat"s one way to do it but it doesn"t mean that you have to do it that way. It"s possible to run a set without using any buying temperature at all. So look at buying temperature as nothing more then %ust a useful tool. Another way that we using buying temperature is we use it to push through logistical log %ams because it disarms logic. So let"s say that a girls about to get into my car and come back to my pimp pad! so right when she"s about to get into the car! all these interruption mechanisms start coming up -- all this logic starts popping into her head. And she"s like! )&hat a second/ &hat am I doing/ I"m getting into some guys car.*
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor

Pa e 0/ of !""

$hat"s where I pump up her buying temperature. I pick her up and spin her around and make her giggle and shriek and then whisk her in the car and then boom! by the time the buying temperature drops! she"s in the car now. So you can use it to push back log %ams. So it"s a useful tool. It"s worth knowing how to do but it"s definitely not the full game. So! in any case! back to what we were saying! having animated and emotionally expressive facial expressions and vocal tonality pumps buying temperature. So play around with it. &hen you go into set! be extra expressive. e so expressive they think you"re gay! %ust for the practice. And you will get ama<ing shrieking and giggling and laughing and touching. #ou"re really pumping their emotional state. And then! of course! you can always calibrate back down once you know how to do it. +bviously! you don"t want to come off gay for the rest of your life but you want to be able to pump buying temperature through your emotional delivery. Another thing about facial expressions is smiling. A lot of guys walk around the club and they"re trying to look cool or they"re trying to look tough. All their movements are trying to look like the cool guy or the tough guy or the deep philosophical guy. I guess because they"re insecure or they think this is going to impress women or whatever it is! but really the best way to look is by smiling. $he best way to look is you"re comfortable! you"re friendly! you"re happy! you"re relaxed! you"re smiling! basically like you %ust had a blow%ob. #ou were %ust in the other room and had a great blow%ob from the hottest chick on the planet and now you"re walking through the room! )I don"t give a fuck. I don"t care if someone gives me a nasty attitude. I don"t care if someone doesn"t like me or whatever. -othing can touch my happiness.* I"m %ust walking around with a smile on my face like a big happy baby. $hink about this! let"s say you"re walking through the bar and there"s a set there and you walk by. $hey"re not going to see you the whole time you"re in the bar. $hey"re %ust going to see you for this second that you walk by. $hey get this flash like a photograph. $hey get one little image of you and you"ve continued walking on. So what is that image going to look like/ 3referably! a relaxed comfortable smiling face. So what we tell students is! always be smiling when you"re walking around the venue. As I"m walking around the venue! even if you don"t feel like it! faux that smile until it becomes real. (ave a smile on your face! walk around the venue with a smile! and that way when girls get quick glances at you -- or quick images pop into their head! there"s always this happy smiling guy. -ow! when you actually go into set and start running a set! you don"t want to be constantly forcing a smile because that looks try hard. $hat looks like they"re -- here I am talking to three girls and I"ve got this big shit
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor

Pa e 0" of !""

eating grin on my face! it looks like I"m trying to force report. It looks like I"m trying to force a sense of report and connection with them -friendliness with them. And so once you"re actually in set! I would %ust have normal expressive facial expressions and smile when appropriate but don"t have this big smile the whole time. ut when you"re walking around the venue! smile! because it will affect the way that people respond to you. And notice all the other guys trying to walk around and look all mean and tough! and here you are with this happy playful smile on your face. It really has a big effect. Its one of ;ystery"s primary tips when it comes to walking around the venue. !(eginning of &tr1# .et me tell you something! 8ames ond is a fictional character. ;ystery has fucked like @1 strippers! a supermodel! like O11 women and I goats and circus midget! okay/ I guarantee you that smiling works. &alking around the venue with a smile on your face is a good tip. It will definitely improve your results. I mean if somebody says 8ames ond or what about this or -- I don"t know what to tell you man. Smiling works. Its one of our core tips. It really works. If I"m walking around by myself in a bar! people are only going to catch glimpses of me. &hen they catch those glimpses! I want them to see a smile on my face. ut when I go into a group of people and have a conversation! now I don"t want to be smiling constantly because it looks like I"m trying to force report -- it looks like I"m try hard. So when I"m actually in a conversation with a group of people! I"ll drop the smile and still be friendly and comfortable and I"ll still be emotionally expressive! but I won"t have this big smile the whole time I"m talking. ut meanwhile! if I leave the set and go walking around the venue! I do want to be smiling because as people look over and catch a glimpse of me! I want them to see a smile on my face instead of the whole ;r. $ough 'uy look that most guys try to pull. 7oes that make sense/ $he voice. &ell! one clear tip with the voice is to be emotionally expressive and we already covered that a little bit. +ne little exercise that I got from >oss 8effries of Speed Seduction 9ame was he said )8ust pick a word and try to say that same word with different emotions.* >oss used the word watermelon. So he"ll say the word )watermelon* angry and then he"ll say the word )watermelon* curious. (e"ll say it sort of sexual. $his is %ust an exercise. $he exercise is take the exact same word and speak it with different emotions. &rite down a list of 01 or @1 different emotions and try to express that emotion in a word and this is how you want to speak when you"re talking. If I"m telling some story and there"s this little part where there"s a surprise! I want them to feel that surprise in my voice. $here"s a part of
' ())* +enusian Arts$ LLC, - P.ilosop.y$ #nc, www,area"1lifestyle,co& Pa e 0" of !"" All ri .ts reserved$ includin t.e ri .t of reproduction in w.ole or in part in any for&,

e ri . $his is really good because it makes your material last longer. ut I think the way it works is that normally people direct their attention towards higher value! so any trick that causes attention to move towards you will also make you look higher value a little bit! unless you"re really lowering your value by doing something that only a clown would do. 8ust the act of speaking slow has a powerful hypnotic effect on people! so I encourage students to go out and say run 01 sets normally and then run 01 steps speaking literally three times slower.ike force yourself to speak painfully slow with pauses in a way to you that feels like its way too much.et"s say that I"m in set and there are two or three girls there and some other guy comes into the set. $he next step when you"re speaking is to speak loudly and clearly with a deep powerful voice that comes from your diaphragm.area"1lifestyle. ut the act of rushing through the routine lowers your value and makes you look reactive. (e"s nervous that I"m going to leave and then she"ll actually lose attraction and lose interest.is that a student will go into a set and he"ll try to rush through his routine because he thinks if he can %ust get the words out! then that"ll have the effect.y$ #nc. $his is one of those things that used to piss me off in the earlier days when I found out it was actually true. .co& Pa e 00 of !"" All ri . #ou can always calibrate it back up later but %ust experiment with it. ' ())* +enusian Arts$ LLC.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e 00 of !"" this story where something shocking happens! I want them to feel that shock in my voice.t of reproduction in w. -o mumbling. www. &ell! all I do is start speaking more loudly.ystery"s game. .ilosop. I can"t emphasi<e enough that this is one of the deepest core secrets of . A lot of students will speak too quietly and it"s actually trick that when you speak loudly! you get more attraction from women.and this is so typical -. #ou can tell he is being reactive.ole or in part in any for&.ts reserved$ includin t. If you"re speaking three times more slowly then normal! then your material is going to last three times longer. And! as he starts talking the girls start to look over at him. So it"s much better to %ust very slowly speak the routine slowly! clearly with pausing and good delivery! and that actually is what sucks them in is that delivery. (ere"s the basic idea. 5ven if there were no logical words being spoken and all they could hear is %ust the emotional content of my voice! I want them to hear those emotions loud and clear through my words and that"s very important. . $hat"s what"s so attractive. -ot only does it get a great reaction but it also makes your material last much longer. . Its worth practicing. So rather what you should do is speak slowly and use pauses -!(eginning of &tr2# So what"ll happen is -. I don"t have her interest.P.

Its literally one of the core! two or three! top most powerful things that . .co& Pa e 0* of !"" All ri .ystery is known for saying )enthusiasm is contagious.area"1lifestyle. And speaking of this -. $hat"s all you"re doing.P. $hat you want to get it %ust right or %ust perfect and it comes off weak. &hat matters is the delivery. If I could take something and describe it in I11 words! versus taking that same concept and describing it in @1 words! the @1 word description will hit harder.ost people put too much faith on the material instead of the delivery! which is the true secret.ilosop.but because your delivery is so powerful! then you"ll get powerful responses back socially. So I would start second guessing myself.material! you"re actually %ust practicing your delivery. #ou don"t have to be running ?A. #ou could %ust be sitting there talking about whatever you want to talk about -.ole or in part in any for&.whatever you would normally talk about -. #ou"re actually making your communication weaker and more wishy washy. +h! speak slowly. ut unless you see him do it or unless you really play around with it yourself and take it seriously! you don"t reali<e the power of it.ystery does. It"s one of those simple little things. www. If you come off overly descriptive or overly wordy! its like you"re sort of communicating to the person that they"re too important to you or you don"t want to mess it up.t of reproduction in w. It"s been to %ust make clear statements that come across in fewer words.* And another thing he"s known for saying is )be interesting.e ri . +nce you have really good delivery! it carries over into your normal communications.material.ts reserved$ includin t.y$ #nc. So when you describe something using fewer words! people feel the impact of it much more deeply.I want to make sure that people understand that they should pact more value into fewer words. It"s something that people might not even write it down in their notebook when they hear it. It doesn"t matter what the words are.ystery"s delivery is enthusiasm. $he truth is! when you"re out running ?A.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e 0* of !"" Another way to sort of illustrate the power of this form of delivery is once your delivery is good! you could almost go up and %ust recite your grocery list. $hat"s why I want to make sure that you understand that if you"re overly wordy or descriptive! what you"re actually doing is taking the power out of your communication. Another key trick to . revity packs a punch. . So it"s not %ust about saying your words slowly! but it"s also about using fewer words wherever possible. . I would go into set and I"m about to say something and I would think! )&ait a second! is this interesting enough/* And I would find myself holding back on saying certain things because I wasn"t sure if they"re interesting enough and then ' ())* +enusian Arts$ LLC. I used to think to myself! I have to say things that are interesting and if what I"m saying isn"t interesting enough! then I"m being boring. .* And so what does this mean/ I use to misinterpret this.

that feeling like what you"re talking about is so interesting and so ama<ing and so cool that %ust the feeling of that coming out in your voice and in your facial expressions! carries over to her and she"ll think its cool too. >ather! the trick is to have that enthusiastic delivery -. &hen you deliver something as if it"s the coolest! most ama<ing thing! with enthusiasm and passion! then people feel that emotion.co& Pa e 01 of !"" All ri .P. (e"ll sort of sing a 7oors song or something like that. So whenever I hear someone else singing . +ne funny example of this is . So that"s the trick.t of reproduction in w.ts reserved$ includin t.y$ #nc.e ri .* And so one day I see him do it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e 01 of !"" you find yourself really going blank a lot because you"re nervous that you"re going to say something that"s not interesting enough.you know he"s in set with a girl and he turns to her and starts singing to her all deep and like he really means it and feels it. And I don"t think his singing is all that great! like especially compared to mine. I mean I never thought he was like some ama<ing singer or anything like that -.atador! I sort of say to myself! )+h! its not really singing. www. And so he turns to this girl and he"s got this soulful look on his face and he"s singing to her and meanwhile I"m cringing.* -o offense bro. I"m telling you man! I sing to girls.* I"m thinking what an embarrassment it"s going to be. $he trick is not to try and find the most interesting thing and %ust constantly second guess everything you"re saying.not that I"m %udging. .atador likes to sing to girls in set. I like to sing and I consider myself a reasonably good singer when I have my guitar.I would see him singing and he would say! )I"m going to sing this acapella.* And I"m thinking like! )#eah! right.area"1lifestyle. $his is so lame! right/ And so! she"s looking at him and he"s singing to her and at ' ())* +enusian Arts$ LLC. So I could be talking about the stupidest thing! but if I sit there and act like it"s so ama<ing and so cool and I"m so enthusiastic about it! that"s how she"s going to feel as well. $hey go nuts man. $hey get all excited and cra<y. (e"s %ust sort of doing his best. ut I never thought of . $his is so embarrassing if he"s going to go sing to some girl. It has nothing to do with the logic of what you"re saying. I finally reali<ed the true meaning of this. &hat ever emotion you convey through your voice and expressions is the emotion that you"re vibing out to other people and they feel it inside. And so! I remember thinking to myself -. !(eginning of &tr3# And so! he"s talking about how it works really good! )+h I sing to girls. . It has to do with the emotion that you deliver it with.ole or in part in any for&.* And I"m thinking to myself! )+h my god. I"m sitting there feeling all awkward and uncomfortable like this is so embarrassing.atador like this ama<ing singer or anything like that. (e"s sitting there and turns to some girl -.ilosop. I"ve been practicing for years.

ilosop.ike act enthusiastic! that"s a principle.ole or in part in any for&.P.the emotion you put into it will determine how they respond. It"s stupid! right/ ut the fact that you act like its so cool! people ' ())* +enusian Arts$ LLC.* . So whatever your thing is -. &hat"s important is that you act like its cool! you act likes ama<ing! you act like it"s the most interesting thing and you"re enthusiastic about it. &hat I"m saying is there are certain principles! right/ .ike the grocery list -. +r act like what you"re talking about is really cool! right/ -ow! . 7id you know that the universe is 02 billion years old/ Isn"t that ama<ing/ Isn"t that cool/ ut what you said basically isE does this mean that everybody has to have their own thing/ I"m saying )no.ike it hit her so hard emotionally and that"s %ust another illustration of %ust the fact that you believe in your own bullshit! carries over to the girl. I mean he"s not a bad singer! but from my perspective! he"s not like some ama<ing singing god or anything but the girl responded like he was.you know broccoli and it was so cool.you know what! I was going to the grocery store and it was so ama<ing when I walked in and I"m looking at my list and I"ve got pasta and milk and broccoli -. And whether you"re doing a little song or you"re .ts reserved$ includin t.ystery talking about the age of the universe or whatever the little thing is! it doesn"t matter. www. If you act like it"s really cool and really ama<ing and you"re enthusiastic about it! that"s what matters.whether you"re copying somebody else or you. -o matter what that thing is.ve come up with your thing! whatever it is is irrelevant. And its %ust interesting that the fact that he"s enthusiastic about it and into it! you know he %ust sucked her right into that bad.t of reproduction in w. . I hope .atador never listens to this and beats my ass. $he vibe %ust carries over and becomes a shared vibe. ut the point is! when it comes to picking up women! is the energy you put into it -.co& Pa e 02 of !"" All ri .area"1lifestyle.ystery might sit there and talk about cosmology. +h my god. And if you feel it powerfully! then she"ll feel it powerfully too.* 5veryone will naturally have their own thing because everyone has their own personality! but the important point is that the energy that you put out when you do it is what will determine how people respond. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e 02 of !"" the end when he finishes singing! I was expecting her to say something like! )+h that was nice!* like she didn"t want to make feel bad! you know/ And instead with perfect sincerity! she looks at him and says! )$hat was so ama<ing.atador like sing something to a girl like it"s so ama<ing! whereas .e ri . I hope that makes sense. . 5veryone is going to have a different personality and different things that they find interesting.y$ #nc. ut the shit works. 'irls don"t really analy<e what you"re saying to see if it"s logically true or not! instead they analy<e how you"re expressing emotionally to see if you believe it and feel it.

y$ #nc. I wonder if I"m going to have to go run to the dance floor or run to the bathroom or go get a drink or go find my friends!* or whatever the excuse is. So that"s the opening phase. $he opening phase is when you first go up and break the ice and start the conversation and then get to the hook point.ole or in part in any for&. $hey"re going to be giving I+7s! indicators of disinterest. It"s an emotional communication. I hope he doesn"t go. I mean think about it! let"s say you"re a 9rench guy and you go up to a girl and you"re not even speaking 5nglish but the way you"re saying it! it"ll get to her.I would actually experiment with this. And what we want to do is shift them to a point where instead they"re thinking! )+h! I hope he stays. I wonder how long he"s going to be here. #ou want to hook the set. $hey don"t even understand the words that you"re saying. 8ust like the girl looking at . In fact! would that not be cool if you spoke 9rench or some cool sounding language -.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e *) of !"" get sucked in.ilosop. www. A lot of times we"ll take some stupid non-secular philosophical bullshit but you talk about it like it"s really deep and really ama<ing and people fall right into it.t of reproduction in w. And I tell you what! if you speak another language that"s sexy! try it on 01 sets and see the responses that you get. $hat is so ama<ing. &ow! this guy is so much fun. I"m so lucky and happy that I got to talk to him.et"s say for example you spoke 9rench -.co& Pa e *) of !"" All ri .e ri .ts reserved$ includin t.* $hat"s the hook point.and remember! girls get hit up by guys all the time. $he hook point is when they change from hoping you"re going to leave to hoping that you"re going to stay. &hat is opening/ +pening is when you first break the ice and you start a conversation with a group of people and you"re trying to get to the hook point. Gsually! they"re hoping you"re going to leave or on the inside they"re thinking! )+h great! here comes another guy. It forces you to focus on the way you touch her and the way you move your body! the way you speak! the emotions that you"re putting out there. So we"re going to talk about opening. I hope he doesn"t leave.P. !(eginning of &tr$4# Alright. .area"1lifestyle. ' ())* +enusian Arts$ LLC. And what that forces you to do is it really forces you to focus on your delivery because she doesn"t understand the words. I would go into a bar and pretend I didn"t speak 5nglish and that I only spoke 9rench and I would actually %ust go up to girls and %ust start speaking to them in 9rench. Gntil a set is hooked! they"re going to be disinterested. I hope we can continue hanging out like this.atador! )$hat was so cool!* right/ She %ust got sucked into the vibe that he was putting out because he felt it and believed it so strong that she believed it too. So what does this mean/ &hen you first go up to a set of girls -. .

So what are some other examples of I+7s/ Avoiding eye contact.* $wo seconds later they"re like making out with some guy. It"s funny because if you"re a normal guy and you don"t approach that much and you go up to some girls and they"ll say! )+h! we"re in the middle of a really important conversation right now. y the way! this is one thing that we teach about opening moving sets is when moving sets walk by and you say! )(ey guys! blah! blah! blah!* and you run your opener! they"ll %ust pretend they didn"t hear you and keep walking. She"ll have no sense of humor. She wants to kill it and end it. $hey"ll be terse.co& Pa e *1 of !"" All ri . $hey avoid facing you with their body or looking at you in the eye. So she"ll look at me and use the line and she"s looking at me like she"s expecting me to eat it and swallow it and I"m thinking! this is a bald face line. So for someone like me who"s a player! what happens is I"ll go out and hit 011 sets -. ?heck this out. . So! for example! if I ask her a question! she"s going to respond with as few words as possible.P. If I say! )+h! where"d you go to school/* if she"s interested! she"s going to say! )Actually! I went to school in Seattle. And the trick to get past that is to open them super loud.area"1lifestyle. $his is really typical. $hey"ll lean back away from you.a 0!111 sets -. $hey"ll act impatient. If people are trying to indicate disinterest! they will not look you in the eye. If a girl can pretend she didn"t hear you! she will if she"s disinterested.ilosop.* If she"s disinterested! then she"s going to say! )+h! whatever* or she"ll say )?laremont. #ou know to say! )(ey guys. And so at some point pretty quickly you reali<e that is %ust a line.* #ou"ll actually take it seriously and be like! )+h! I"m sorry.* She spits out the minimum necessary to answer the question.ts reserved$ includin t.y$ #nc. Another thing that they"ll do if they"re disinterested is they"ll %ust pretend like they didn"t hear you. It was so cool.e ri . ' ())* +enusian Arts$ LLC. #ou know if you"re cool or funny or whatever! she"ll look at you like you"re being stupid because she doesn"t want to play into it and encourage the vibe.* -ow! they can"t sort of pretend they didn"t hear! so they have to turn and look at you and that gives you a chance to hook the set. www. . Gsually a girl gets to be probably at the age of 0@! 0I! 0O years old and she starts getting all this sexual attention from males. If a girl"s really disinterested and doesn"t need this crap right now! she"ll act really impatient and sort of pissy and bitchy. And why are girls like this/ ecause of all the stupid approaches that have happened to them over the past 01 years.t of reproduction in w.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e *1 of !"" So what are some I+7s that girls use/ &hy are you saying this to us/ &hy are you telling me this/ I have a boyfriend. . It"s a typical line.ole or in part in any for&. And the reason is because if you open them super loud! it doesn"t leave them the excuse to pretend they didn"t hear you.I would hear that line five times in a night. &e"re in the middle of a really important conversation now.et me let you get back to your conversation.and so I -.especially before I was any good -.

$hat"s over 211 times a year. www.y$ #nc. .et"s say she gets hit on 01 times a week. . ut for her! she"s heard that same opener probably a 0!111 times.co& Pa e *( of !"" All ri .this is way conservative.et"s say a girl gets hit up -.* A programming wall is a piece of automatic behavior that"s been built in through repetition that happens unconsciously.* >ight! and as soon as I finish the conversation! )+kay! catch ya later.let"s be conservative and say 01 times a week -. . &hy am I sitting here in front of work/* ecause you go into auto pilot mode. 5veryone has done this.* $he same thing when you walk through the kitchen and you stop! )&hy did I %ust open the fridge! I"m not even hungry.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e *( of !"" And a lot of times! the males come up and they run the same exact bullshit on her every time. . $he guy thinks it"s this big clever thing. ye and I hang up.ilosop. I"ll say! )+h sorry bro.ole or in part in any for&.t of reproduction in w.P. I wasn"t even going to work. !(eginning of &tr$$# In the pickup community! the Denusian arts! we call this )programming walls. I was driving to the store. 5veryone who has driven the same drive over and over again! eventually it becomes unconscious and they go into auto pilot and they"ll sort of wake up in front of their office building! )+h here I am at work.* I was supposed to hand him the phone but I %ust hung up because it"s what I always do. (e had to work up his courage and maybe he hasn"t talked to a girl in two months or whatever. &omen get hit on a lot more then that. I need to tell him something before you hang up. (ow many of those 2!111 guys said! )#ou"re hot*/ (ow many of those 2!111 guys said! )?an I buy you a drink/* (ow many of those 2!111 guys said! )?an I give you a back rub/* (ow many of those 2!111 guys said! )7o you have a boyfriend/* Anything that you think may be some clever line or would be a good way to open a girl! she"s probably heard it 211 times before. . $he actual number is much higher.area"1lifestyle. If she"s @2 years old! that"s 01 years! that"s 2!111 approaches conservatively.* $he second you get off the shower you flush it and then! )+h sorry bro!* and the guys in there screaming because you"ve done this over and over again that it becomes automatic behavior.e ri . $he same thing! someone"s in the shower! )3lease don"t flush the toilet.et"s say that you"re driving to work and you"re going down the freeway and you take your exit and you pull up in front of the building and park and you stop and say! )&hat a second! its Saturday. ' ())* +enusian Arts$ LLC. I"ll give you an example.ts reserved$ includin t. I"m in the shower.* (ere"s another exampleE let"s say that you"re on the phone and you friend says! )(ey! put me on the phone with him.* And you say! )+kay. She"s not only heard it but she thinks its stupid and she"s already developed auto pilot responses to ward it off. It happened automatically.

7o not hover. 5ventually! she develops patterns of behavior to sort of get away from that. So what do we do/ +ne of the principles of opening is to follow the three second rule. . . www. . &alk up to two big football player guys and start a fun conversation! right/ A girl walks by! turn and open her. It happened automatically.ilosop.* (e"s being picky about sets and what happens is the entire room has developed this perception that the guys walking around by himself all night. 8ust go right up to them and start talking to them. +h! I don"t want to talk to them.area"1lifestyle. &e %ust want to do things a little differently here. and they tend to get patterns of the same approaches over and over again. &e don"t want to go indicating any king of interest. She"s talking to some guy right now.ole or in part in any for&.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e *! of !"" &omen get approached by a lot of guys that are scary! creepy! pushy! needy! aggressive! etc. It"s important not to be the guy who is picky about sets. (ere"s what a picky guy will do! he"ll sort of wander around in the venue! )+h! no she"s not hot enough. >ather! you should always be in a set. &e don"t want to go in trying to seduce her. !(eginning of &tr$%# $his is about being a social person. I don"t care who it is. . So it"s not about only talking to people that you would consider having sex with. So let"s say you build up all your courage and you go run some opener on some girl and she brushes you off! you go home feeling all re%ected or feel like there is something wrong with as person. #ou don"t have to try and fuck everybody that you talk to.P.ts reserved$ includin t. It happened on auto pilot.et"s say that she feels uncomfortable! she says the wrong thing and the guy freaks out! which is a real feel for women. So one of the things we need to do when we open a set is we need to avoid activating her auto pilot responses. 7o not hesitate.e ri .t of reproduction in w. >ather! it"s about being a social guy who is always talking to people. 'uess what/ She probably doesn"t even remember doing it.aybe the guy starts screaming at her! )#ou fucking bitchP #ou"re going to fuckin be rude to me like thatP/* So she very quickly starts to develop behaviors to avoid those situations and once the behavior starts working effectively for her! she does it over and over again! it becomes automatic. &e don"t want to do the same shit that she"s been hit up with 011"s of times before. &e need to avoid activating her programming walls. $he guy who looks like he ' ())* +enusian Arts$ LLC. I"m not going to get into a big discussion of the three second rule because we"ve already talked about it. $here"s another group of two girls and three guys! turn and open them. If you see a set you want to talk to! open within three seconds. It was a programming wall. &hen you first enter the venue! open a set within three seconds. It becomes a programming wall. So I"m %ust going to mention it now! follow the three second rule.co& Pa e *! of !"" All ri .y$ #nc.

It"s usually a two set or a three set of girls. $hink about this! a girl goes up to the bar. +pen a girl nearby so you can build up pre-selection! so when you do open that two set they"ll be more attracted to you when the time comes. 5very time I have to go back and continue what I was saying! it makes me look like I"m trying harder and harder. ' ())* +enusian Arts$ LLC. So anyway! girls usually go out in groups of two or three. #ou"re going to look like the guy who knows everybody and that"s going to raise your value because it"s going to pump up your social proof.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e */ of !"" knows everybody! right/ If you look like the guy who is always in some different set! it seems like you know everybody. So by demonstrating social alignments! even if you"re faking it because they"re all strangers! the fact that you"re talking to all these people makes you look like you have alignments which increases your value and then when you do go talk to that girl that you want to meet! she"s going to respond better because you come off as a higher value guy.e ri . . $hey see you talking to some people.ole or in part in any for&.et"s say there"s a two set standing at the bar. 9irst of all! don"t approach somebody if you know they"re about to have an interruption. Secondly! when you approach somebody there"s a few common mistakes. So this is a sort of an example of a situation where don"t be dogmatic about the three second rule.y$ #nc.ts reserved$ includin t. In the meantime! open someone else. #ou could be their best friend for all they know.co& Pa e */ of !"" All ri . . So maybe she makes her drink order with the bartender and then she turns back at me and I go back to what I was saying and then the bartender comes back with the drinks and she has to give him the money.ilosop. And then he goes back and comes to the cash register and I"m talking and then he comes back with the change! etc. #ou"re going to look like the most social guy in the room.area"1lifestyle. y the way! if you do see a girl that went out alone! go open her. .P. $hey don"t know. www.t of reproduction in w. So the three second rule really means to always be in set. -ow! I"ve gotten interrupted and now I sit there and wait like a dork waiting for a second and then I have to go back and continue what I was saying.en are attracted to men who have more social alignments. $here"s some girls up at the bar that are ordering drinks! let them finish! let them get their drinks and pay for their drinks and then go open them. . -ow! let"s say that I go up and open them! right/ &ell! what"s going on right now/ $hese girls are trying to get the bartenders attention. So I go up and run an opener and they look at me and then the bartender walks by and then they turn and look at the bartender really quick. 'irls very rarely go out alone. 9or example! I tend not to approach girls when they"re at the bar. I"m deliberately setting myself up for a constant stream of interruptions.

.let"s say for example that I"m going to use an opinion opener. As a matter of fact! if I can demonstrate pre-selection and then I go into another set! I don"t have to do attraction anymore.ystery does a lot.co& Pa e *" of !"" All ri .ole or in part in any for&. And so we use it to create attraction. So! for example! if there"s a woman leading against the wall and I"m leaning up on her like I"m trying to talk to her -.y$ #nc. (e"s using them to demonstrate pre-selection so that when he goes into the next set! he"ll have his attraction already done and then he can move on to the next phase of the game. It"s the same story that I told earlier about the grouse! where they put the stuffed female next to the male and suddenly all the other females wanted to come mate with him.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e *" of !"" 3re-selection is a core evolutionary value switch. $he attraction phase is done. +ne thing that I"ll do is I"ll walk by the set -. I can literally go into a set and not have to do any attraction work because I already demonstrated preselection.ilosop. If they"re touching me a lot and smiling! giggling at everything I say! playing with their hair! trying to get near me! that sort of thing! all the other women in the room will find me more attractive. $his is what . I can skip the attraction phase and move on to the next part of the game. I can go directly to the next phase and start qualifying the set -. $hat"s not pre-selection because I"m the one indicating interest to the woman. It"s like I suddenly grew a big pair of tits or something -. $his is definitely true in humans. $his will cause other women to get attracted.P. It causes sexual attraction. (e"ll go into one set and do a magic trick and something and get everyone screaming and shrieking and then he"ll put two girls on his arm and he"ll walk over and open the next set. It"s whenever a woman sees that other women are trying to get with me or indicating interest in me. I"ll walk by the set and then I"ll sort of a do a little double take with my head as if I %ust ' ())* +enusian Arts$ LLC.t of reproduction in w. $hey saw me talking to some hot girl and she was touching me and stuff and now when I go talk to this other set! they"re already attracted to me.area"1lifestyle.it"ll look like I"m gaming her and trying to get her. $hese girls are %ust pawns.like I suddenly became a hot guy. I guess a guy with tits isn"t hot but you get my point. If you"re the guy that"s sitting there with several girls! all the other girls in the room are going to be attracted to you! especially if the girls with you are showing you a lot of interest.go into the AI phase. . www. !(eginning of &tr$&# So when you approach someone! one thing that"s really important is the angle of the approach. #ou know when women show interest in a guy! it makes other women interested in the guy.ts reserved$ includin t.I"m leaning in -.e ri . It"s an unconscious thing that causes an emotional response and it"s a proven demonstrated mechanism. ut if I"m leaning back against the wall and the woman"s leading into me and she"s trying to get up on me! it looks like the woman"s giving me interest.

I can do it but definitely direct openers have a slightly lower percentage.to %ust walk straight in facing a set and directly say! )(ey! how"s it going/ I"m ?hris.co& Pa e *0 of !"" All ri . I"ve gotta get back to my friends but would you guys date someone who is still friends with their ex/ So I"m creating this spontaneous feeling.like imagine that rad 3itt sees some girl! he"s not going to make up an excuse to talk to her.y body is facing the direction I was walking! so that"s another tip to keep in mind. So I"ll walk by and do the little double take thing and its sort as if I"m looking at them as if they"re on my side. So let"s say I"m walking through the bar and I"m looking for someone to ask who has a watch. +h hey! do you have the time/ (e"s not ' ())* +enusian Arts$ LLC. It doesn"t look like I have an agenda -. -othing special about her but the truth is that she"s my target or her friend is my target but I don"t want to convey that when I open.e ri . I walk by and here they are at my side and I turn my head to the left and open. I could ask the old lady! whoever! %ust give me the time. I %ust need the fucking time.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e *0 of !"" noticed them.ts reserved$ includin t. $hat"s the sort of attitude. So I"m walking by and the attitude I"m trying to give off is! oh! I"ll %ust ask them.* $he truth is you can do that. www. 7o you have the time/ -otice how it"s sort of off the cuff and spontaneous6 same thing with girls. $his person"s good enough. I want to meet you guys.it doesn"t telegraph an agenda. So I"ll walk by and I"ll do a little double take. $here"s a whole other science of direct openers because when you walk up direct! what you"re doing is you"re conveying confidence. Instead! it looks like I have my own interests and I %ust need someone to answer this opinion and here"s a girl! I"ll %ust get it from you.y$ #nc. So it"s not like I want you or I"m trying to talk to you.ilosop. . . &hen you open! the last thing you want to do is convey interest. I"ll %ust ask them. (ey guys! let me get a quick opinion. #ou know if I walk up -. +pen over your shoulder.et"s say I have an opinion opener like! )&ould you date someone that"s still friends with their ex/* $hat"s style classic %ealous girlfriend opener. It"s more like I need some information.et"s say you"re going to ask someone for the time! you don"t really care who you ask! as long as they have a watch.ole or in part in any for&. .P. .ike it could have been anybody but you"re standing right there so you"re convenient! I guess I"ll ask you. &hen you convey interest! you activate women"s programming walls. (ey! excuse me. . . Instead! I want them to feel like I %ust noticed them and oh okay! I"ll %ust ask you guys then.area"1lifestyle.t of reproduction in w. . I don"t want them to feel like I spotted them across the room and snuck up on them like a tiger about to pounce and came up with my line. It"s called a direct opener and a direct opener has a different energy to it and it tends to be more difficult to pull it off and still get the set to open. -ow! does that mean it"s impossible to open direct -.y body is still not facing the set.

(ere"s a couple of other little tips about pro%ecting physically. -ow! like I said before! its better to open from the side or over your shoulder or even . $hey don"t feel like you"re trying to get something because you"re leaning in and facing them.ts reserved$ includin t. ut if you get re%ected! you"re not going to get all reactive and pissy about it.ystery will open someone directly behind him. She"s a cute girl but she isn"t the hottest girl in the club.e ri . So you"ll get attraction from that.t of reproduction in w. She"s gotta say yes or no and she"s gonna make that choice on whatever her attraction is at the time. ut .y$ #nc.ystery and the Denusian arts! we tend to focus more on indirect openers. I hope so because I already telegraphed my interest.ilosop. #ou have to really come off like its no big deal and you don"t care. $hey"re always effective. www. (e"s %ust going to walk up and say! )(ey! how"s it going/ I"m rad. ecause when you open with a direct opener! sure it can base some confidence. #ou know because if I say! )(ey! I want you. 7o you want me/* &ell! now she"s gotta make a choice.co& Pa e ** of !"" All ri .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e ** of !"" going to do that.ole or in part in any for&.* So you can get away with a direct opener but you have to really come off like that rad 3itt guy. . $hey tend to have higher percentages and also! they don"t give your cards away. So when you open indirect! it gives you more time to build that attraction! so that when you finally do convey interest to her! she"s going to make that choice based on her higher level of attraction and you"ve had the time to create that. &hereas! if you open indirectly using an opinion opener or some other indirect opener! what"s happened is it"s allowed you to start a conversation without telegraphing interesting! okay/ $hat means she"s not forced to make a choice.P. So hopefully it wasn"t enough to get her! she"s going to have re%ect me now because I gave away my cards. ' ())* +enusian Arts$ LLC. $hey definitely work a lot better if you don"t have much practice. .area"1lifestyle. I mean you"re interested. #ou"re not telegraphing too much interest! so it"s very disarming. !(eginning of &tr$*# It gives her a plausible deniability to sort of allow things to continue and see where it goes. $hey feel disarmed. -o big deal! right/ #ou"re a high value guy and if you can correctly pro%ect that vibe! then you can really make direct openers work really well and it"s worth practicing. #ou"ll definitely get more attraction because you opened in a confident way! but the problem is that you %ust gave away your cards -. (e"ll literally turn his head back and sort of look over his shoulder and lean back a little back and he"s opening over his shoulder. &ell! maybe that confidence I shown was enough to get her. It shows you have balls.you also %ust showed your interest! right/ So if that confidence was enough to get her! you know maybe she"s not a supermodel! maybe she"s like a A or something. . $his makes people feel safe. &hat"s your name/ #ou seem cool.et"s have lunch or something.

$he person"s not sitting here worried about how long this guy is going to be here.ole or in part in any for&.again! this is not dogmatic.ystery does this really well.co& Pa e *1 of !"" All ri . . And from there! as you open! you can start body rocking. (e"ll sort of move in a circle. It"s a way of %ust using body language to make people feel like you"re leaving. (e sort of turns and says something and goes like he"s going to walk off and then he thinks of something and he turns back and says something else and walks back. .we also did some video! so we have video of this as well. . I"m not saying this can never be done. So try moving in circles and coming from a O2 degree angle to where she never really feels like you"re coming straight up to her. It"ll freak them out and put this scary vibe into them and then they"ll associate that feeling with you.y$ #nc.ts reserved$ includin t. www. ut what I am saying as a rule of thumb! you don"t want to open directly from behind someone.ystery opens a set! they always feel like he"s leaving. $he best way to approach a girl is actually the same best way to approach a horse. . -ow! I don"t know if anyone here has seen the horse whisperer but in the horse whisperer! he"ll approach from a O2 degree angle and in a circle. &hen you come up straight behind a girl and open her! it"s scary. $his creates comfort. So he"s sort of angling -.t of reproduction in w. So let"s get into false time constraints for a second. ody rocking! which again! we demonstrated this on the video portion but body rocking is basically a non-verbal false time constraint.P. .one of Style"s contributions to the Denusian arts. ut when you walk towards a girl! you"re sort of coming at her at a O2 degree angle and the closer you get to her! the more you"re also sort of turning your body away.e ri . ' ())* +enusian Arts$ LLC. It"s disarming. $hen he mentions that he has to get back to my friends.ike you"re walking in a straight line straight up to her face to face and I think this has to do with some sort of a predator instinct or something because! you know! a predator will come running straight for you. Instead! they"re thinking! )+h no! he"s leaving.ike he"s always there talking to them but they always have this emotion feeling like he"s on his way out! like he"s leaving.area"1lifestyle. So I"m not saying it can never be done or there"s never some situation where it would work! but I"m saying as a general rule of thumb! don"t sneak up behind girls and open them. Another thing is its better not to approach a girl straight on directly. I believe that these were invented by Style -.this is very hard to show visually -. ut more like you"re circling around and walking away. ut I"ve noticed when you walk straight up towards girls! it scares them.* I would rather have people to have that sort of feeling when you open them. And then you slow down and turn and open her. Almost like by the time I get to where she is! I"m almost walking away from her now because I"ve circled back out.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e *1 of !"" Another thing you want to do is -. &henever .ilosop.

#ou"re getting into the next phase of the game which is the attraction phase.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e *2 of !"" !(eginning of &tr$+# asically what it is is you place a time constraint on yourself that"s not true but it"s a way of disarming the person. If I"m standing at your side looking straight at you and you"re looking away from me! I"m trying to seek report with you! meanwhile you"re faced away. &e"ve already said before that you don"t want to face the set with your body until they turn to face you. So one guy"s facing away but the other guy"s facing towards him. It"s actually a form of -5'. It disqualifies yourself as a suitor because she thinks you"re leaving and that"s what body rocking is as well. She doesn"t think about them.ole or in part in any for&.co& Pa e *2 of !"" All ri .y$ #nc. $he guy who is facing towards him will look lower value.ilosop. www.those feelings %ust vanish and disappear. She doesn"t feel them. I can only stay a minute but -. I"ve taken all those fears and annoyances in her head and %ust puff -.will allow you a little more time to pump their buying temperature! demonstrate some value! disqualify some more! you"re hooking the set! you"re creating attraction and etc. If they turn to face you! then you turn to face them as a reward but you don"t want to be facing them with your body when you"re facing away because that lowers your behavior. It makes the people feel like you"re leaving. $he false time constraint buys you time -.area"1lifestyle. etc. &ell! what does that mean/ ' ())* +enusian Arts$ LLC. .* -otice when I throw out that false time constraint.P.ts reserved$ includin t. So they don"t have to worry about getting rid of you because they think you"re already on your way out. #ou"re not seeking report with me. 5ither way it creates the same feeling. ut imagine that I walk up and I say! )+h man! I really have to go.e ri .t of reproduction in w. $ry to picture this visually! imagine that someone is standing there and another person is standing at his side facing him. ody rocking is %ust a non-verbal false time constraint versus a verbal false time constraint.notice when I throw out that false time constraint! what I"ve %ust done is like magic. . ut really quick do you have the time/* or )>eally quick! what would you do if blah! blah! blah/ I need to get back to my friends. I"ve removed them from her mind. So! for example! imagine if a guy goes up to a girl and he says! )(ey guys! how"s it going/ ?an I buy you a drink/* #ou know in that moment she"s thinking! )(ow long is this guy going to be here/ Am I going to have to get rid of him/ I"m I going to have to look like a bitch and be all rude and then feel guilty for it or not/ Am I going to have to pretend like I need to go get a drink or run to the bathroom or go find my friends or go to the dance floor/* She has all these worries and annoyances in her mind. It"s a disqualifier. It"s a disqualifier based on time. +ne little point I wanted to make about body language.

www. If she starts to turn a little bit away! I turn a little bit away. As she turns a little bit towards me! I turn a little bit towards her.co& Pa e 1) of !"" All ri .ilosop. +ne person"s trying harder.P. +ne person"s reacting more and that"s the person with lower value.e ri .area"1lifestyle. !End of "udio# ' ())* +enusian Arts$ LLC. #ou basically have to micro calibrate this.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD ! #nstructor Pa e 1) of !"" +ne person is trying to get report more then the other.ts reserved$ includin t.ole or in part in any for&. $his is important because this happens in the opening face a lot.t of reproduction in w. . 8ust by positioning your body to where you"re facing someone will make you value drop unless they"re also facing you. If you don"t do this! she"ll drop your value through the floor and once she perceives you as low value! she"ll walk away. If it"s mutual then its cool! but if that person faces away! you must turn and face away as well.y$ #nc. .

e ri . A three set has three people. $hey may be attracted to each other. I mean! this is a pretty typical thing. +ften it"ll be some situation where it"s some guy that works with her! and he secretly wanted to fuck her for years! and they"re out at the bar! and so when I walk up and talk to them! he"s already starting to feel a little edgy and nervous like! you know! )+h! no!* and! you know! he"ll want to create : he"ll want to convey the impression to me that they"re together! right! but she won"t play along with it. &ell! do you mind if I talk to her for a second/* #ou know! you can take her right off the guy. . www.ole or in part in any for&. 5ven if he wants to get with her! you know! he can"t come back and say! ) ut! but! but!* you know! because it makes him look insecure and try hard. .area"1lifestyle.P.aybe it"s her brother. I mean! he may be holding the torch for her and hoping he gets a chance! but that doesn"t mean he"s actually with her. So I remember : a lot of people are intimidated by mixed sets! you know! but I remember once $yler told me that he actually found mixed sets to be the easiest to approach! a mixed two set to be the easiest to approach! and I asked him why! and he said! )&ell! let"s say that they"re together. If it"s! say! two women and a man! then that would be a mixed three set. +kay. So you might ask. #ou might say! )So! you know! how long have you guys been together/* and he"ll want to come out and say! )+h! a few months!* right! if he can get away with it! but often she"ll come out really quick and say! )+h! we"re not together!* you know.ore often than not! it"ll be someone who is not with her.aybe it"s a buddy of hers! someone from work.ost of the time! if you walk up to a mixed set! you could actually end up getting the girl right in front of the guy! you know! and it turns out they weren"t together at all.ts reserved$ includin t.co& Pa e 11 of !"" All ri . -ormally! if I say a two set or a three set! I"m really saying two women! three women. #ou know! then there"s no threat there. 5ven though he may want to get with her! that doesn"t mean that she wants to! you know! and she"ll leave him standing there like a chump and turn and talk to you! I mean! you know! without any regard.ilosop. So normally the easiest set to open is a two set or a three set! a standing set.y$ #nc. .t of reproduction in w. . $he mixed set is a set that has men and women in it! so a mixed two set is gonna be a man and a woman! you know. $hey"re usually not boyfriend and girlfriend. A two set has two people.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 11 of !"" Lovedrop: +kay! so continuing on opening. )&e"re %ust friends!* right. >ight at the moment where she does that I could say! )+h! cool! great. $hey may have %ust met that night. . . #ou know! they"re already happy with ' ())* +enusian Arts$ LLC. As soon as she says that! now he"s destroyed! right. A lot of people are scared to go up and open those sets! because they think! )+h! well! there"s a boyfriend and girlfriend!* and the truth is they"re usually not. #ou know! you %ust walk right up to them and start talking to them.

If I go up to the set! and I"m standing there! and they"re seated! and I"m talking to them! I"m slightly less comfortable than them! so it looks like I have slightly less value than them. She"s sitting there bored! and meanwhile! you know! he doesn"t have anyone to talk to except for her. It"s cool at first. So don"t do it. $hey"re higher value than me! and so when you crouch down to talk to somebody! you"re %ust basically dropping your value.ilosop.* And so! because he looked at it that way! it was the easiest thing for him to go up to mixed sets and open mixed sets! and it"s really good practice to get in the habit of opening mixed sets.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1( of !"" each other. $hese sets are more difficult to open. #ou"re not hitting on someone. $here will be two or three people sitting at a table somewhere instead of standing up.area"1lifestyle. &hen you first run out and start running the opener and start talking! you can stand there! and it"s cool! but over time your value will drop. It"s not as extreme! but it"s still true to a smaller degree. www. If you notice! if you look around! you see a lot of : you"ll see a couple standing at the bar. #ou"re disarming.y$ #nc. . $hey tend to be the most bored people there! so you"re actually doing them a favor. So the more time that passes that you"re standing there! the more your value will drop! so you have some window of opportunity to ' ())* +enusian Arts$ LLC. So if they"re sitting there comfortable! and I"m coming up! making myself uncomfortable in order to talk to them! it shows that I value them more than they value me. #ou want to be %ust as comfortable opening a mixed set as a normal set. #ou"re not trying to get with someone or showing some agenda. &hat are some other sets that you"re gonna encounter often in the club/ +ne of them is a seated set. #ou"re demonstrating disinterest and using disqualifiers.t of reproduction in w. I"m lower value than they are. Instead! all you"re doing is starting a friendly conversation.ole or in part in any for&.e ri . $he same principle is true if you stand there and talk to them.co& Pa e 1( of !"" All ri . >emember! when you open! you"re not conveying interest. Are women attracted to that/ -o. . I"m reacting to them more than they react to me.ts reserved$ includin t. Gsually a couple is bored! because! you know! the girl normally has guys coming up and approaching her! but as soon as she has a guy with her! then suddenly she stops getting approached! so she"s bored. #ou"re %ust giving them some stimulation! some interesting conversation! so you"re really sort of doing them a favor.P. #ou don"t want to feel any sense of hesitation or nervousness because there"s a guy in the set. #ou %ust walk up. And so the trick is! with the seated set! is you want to be seated with them as quickly as possible. 9or example! you do not want to be the guy who comes up and crouches down to talk to them! and the reason is because it makes you look physically uncomfortable.

y then I"ve hooked the set! and I"m in.co& Pa e 1! of !"" All ri .ole or in part in any for&." &hat do you guys think about that/* -ow they"re start chattering again. Start your routine. . If I"m sitting down at their table! if I %ust pull up a chair and sit down! their attention is gonna be on the fact that I sat down! but if I"m talking about something else while I"m sitting down! then their attention will be on my words! and the sitting down part will %ust be incidental. -ow I"m seated in the chair! so I say! )&hat do you guys think about that/* #ou know! )I don"t know. #ou say! you know! )I"ve really got to get back to my friends! but check this out!* and then I continue the opener.ts reserved$ includin t. Are they in love/ (ow long have they been together/* #ou know! whatever! right! so they start talking! and then I"ll interrupt them. &e call this principle ) ullshit affles rains.ike they start asking these questions. www. I sit down as I continue the opener. y the way! this is )Style"s 8ealous 'irlfriend +pener. 7oes he ever spend time alone with her/ Are they still in love/* . I"ll sit down. So! again! the formula is open the set normally! maybe over your shoulder.P. ) lah! blah! blah! blah! blah! blah! blah! blah! blah!* you know! and they"ll usually have different opinions.y friend"s been dating this girl for two months! you know! but he"s still friends with his girlfriend from college. +ne of them will say! ' ())* +enusian Arts$ LLC. I"ll continue the opener! finish the opener. #ou know! remember! I %ust used the false time constraint! so they think I"m about to leave anyway. (is girlfriend told him! M#ou need to stop talking to the girl! and you need to burn the box. $his is like drama.area"1lifestyle.ilosop.* $hen I"ll say! )+kay! well! here"s the thing. . So here"s the general formula.t of reproduction in w. #ou might say! )(ey! guys! I need a female opinion!* and then you throw in your false time constraint.* asically! if you"re talking while you do something! then it takes the attention off the fact that you"re doing something.y$ #nc. &hat I"m doing is I"m getting them chattering about dramatic stuff that they find stimulating. $hen I"ll throw in another false time constraint! and then I"ll! you know! go to the next routine! continue talking.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1! of !"" sort of hook them a little bit! enough to sit down with them and continue talking! and your value will be : excuse me! your value will be maintained much better once you"re sitting down with the set.e ri . &hat do you guys think about that/* See! what I"m doing is I"m feeding them chick crack. It"s really irrelevant. $hen I"ll cut them off again! and I"ll say! )&ell! check this out. &hat do you guys think about that/* As I"m saying that! I"m sitting down. $he formula is you go up! start your opener! throw in a false time constraint! and then sit down as you continue your opener. &hat do you guys think about that/* #ou know! )&ell! I don"t know. I"m feeding them soap opera crap. I say! ). So I"ll say! you know! )(e"s still got this box with letters and pictures and stuff! you know. (e still has this shoe box with letters and pictures and stuff like that.

(e"ll say! )#ou know what you guys should do for ?hristmas/ #ou should get each other those little shoulder strap mirrors! so when you"re by yourself you can still look each other in the face like that. And the last part! I think this came from $yler.* (e"ll actually hold his hand up on his shoulder and turn his head like he"s looking in a mirror! so he still gets to look someone in the eyes even when he"s alone! and they"ll start laughing again. (e"ll say! )Are you guys best friends/* And they"ll say! )#eah!* or )-o!* or whatever! and he"ll say! )#ou know! I can totally tell! because : well! let"s %ust do the test.P. $hat"s an old friend of his.co& Pa e 1/ of !"" All ri . )Are you guys really good friends/ #ou guys make the exact same facial expressions.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1/ of !"" you know! )&ell! if he really loves her! then he should get rid of that other girl and stop talking to her and burn the box. (e can"t even keep pictures/ She"s telling him to burn his pictures or she"s gonna leave/ $hat"s a creepy ultimatum. I"m %ust giving them something to get them chattering.* >ight at that moment where you say )facial expressions!* they will burst out shrieking in laughter.e ri .t of reproduction in w. And the way Style runs that routine is he"ll actually do a little test. 7o you guys use the same shampoo/* >ight when he says that! the girls will look at each other in the eyes! and he"ll say! ' ())* +enusian Arts$ LLC.* $hat"s a neg. . So they"ll giggling! and then immediately I"ll go into the next routine. -otice how I use the pausing to build anticipation.ts reserved$ includin t. She shouldn"t be like that!* and they"ll even sit there and start arguing with each other! you know.* >ight when I say that! they will turn and look each other in the eyes! and they"ll start laughing again. $he delivery is all that counts. . I think it was $yler who came up with this last part. $hey"ll giggle.ole or in part in any for&. www.y$ #nc.area"1lifestyle. >ight when they start laughing! then I"ll say! )And you know what else I notice/ &henever I say something! or whenever you guys are about to say something! you guys look at each other first!* and I"ll point my finger between their faces and say! )#ou guys look at each other first. #ou know! at that point! once you finish that opener! that"s the end of the opener. Ironically! of course! I don"t really give a shit. )#ou guys make the exact same facial expressions. I %ust want to bring attention again to the delivery. -otice the delivery. $hey start chattering! and then Style will follow it up! and he"ll say! )#ou know what/ $his is %ust like watching The 5ie-. $he classic favorite next routine is the ) est 9riend $est* from Style again! where he"ll say! )&ait a second!* you know.* +kay! they start laughing. $hey"ll laugh! because you %ust compared them to arbara &alters and >osie +"7onnell and Star 3arker! whatever. I mean! that"s what I would do!* and some other girl might say! )$hat"s psycho! you know.ilosop.

She actually sort of was nasty to him like he was being stupid! but once she saw that her friend thought it was funny! she turned back.t of reproduction in w.* $hat buys him enough time to start negging! to start using disqualifiers! to start conveying more deep evolutionary value that causes deeper romantic and sexual attraction and go into the attraction phase of the set and move on. 3eople who are really good friends will look at each other to synchroni<e their emotions. I already know.area"1lifestyle. I believe I got this from . So! in any case! Style is basically taking advantage of that mechanism when he uses the est 9riend $est. (e"ll do his 8ealous 'irlfriend +pener or whatever the opener is. So Style will come in! and he"ll throw it right off the opener. $he est 9riend $est is a good example of a quick little routine that pumps buying temperature like cra<y. . -either one of them is a 011 percent maneuver. $hen she turns back and looks at her friend. +kay! so I want to talk about moving sets. So you"re not moving! and they are moving! and so what does this do when you"re trying to open the set/ (ow does this change things when you"re trying to open the set/ $here are basically two ways to open moving sets.oving sets are more difficult to open! and so your percentages are gonna be lower on moving sets than they are on ' ())* +enusian Arts$ LLC. $his is actually pretty scary when you reali<e how women do this. . #ou don"t have to answer the question. www.ilosop. So often what"ll happen is that you may be standing in one position! and a two set of girls comes walking by! or whatever kind of set comes walking by. So the girl who thought it was funny! she starts laughing. .ts reserved$ includin t.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1" of !"" )$hat"s it. -ow she thinks it"s funny! too. -ow that buys him enough time! like! )+h! he"s funny. $hey synchroni<e their emotions like that. (e"s cool.ole or in part in any for&.e ri . She turns back smiling and laughing. Steve! do I have this right/ -o! no! it"s backwards.* (e"ll also use other little psychological observations like the girl who looks first is the beta female.co& Pa e 1" of !"" All ri . It"s sort of like a flock instinct or a herd instinct that they tend to synchroni<e feelings with each other more than men do.oxie is our instructor in Australia! and he told me a story once that he walked up to a two set! and he said! you know! some routine that was funny! and one of the girls thought it was stupid! and the other girl thought it was funny. (e"ll get them hooked enough to throw out the est 9riend $est.y$ #nc. . It"s very important to them what other women are thinking! what other women are feeling. &hen I asked you that question! you looked at each other. She sees her friend is smiling and laughing. She will look to the alpha girl to see what her opinion is! and then she"ll copy her opinion. So the girl who thought it was stupid! she"s looking at him like he"s stupid.oxie.P. (ere"s an example of this. $hat gets them giggling and shrieking with laughter! so now he"s pumping their emotional state. +kay! one of the girls thought it was stupid! and one of the girls thought it was funny.

www. It"s definitely worth practicing and worth doing. It makes them more of a social violator if they ignore you! so more people will stop.ilosop. $hey"re checking to see if you"re gonna chase after them! which is a low value behavior. $hey will look at you to see what you"re going to do! or! at least! they often will do this! and so the critical thing is for them to not see you start to move towards them. So you have to pro%ect your opener a little bit louder than normal. So you have to keep your feet rooted to the ground. . $his makes it more difficult for them to pretend they didn"t hear.ole or in part in any for&. So the two main methods for opening moving sets! the first one is %ust basically standing still and not following the set and %ust pro%ecting your voice louder as they walk away! and the second method is invented by .area"1lifestyle. In the first case! you"re %ust standing still! and the set"s walking by! and you"re trying to get them to stop and come back up to you. &hat will happen is : let"s say that you run an opener such as Style"s 8ealous 'irlfriend +pener.e ri .ystery.P. &hen the set walks by! you have to speak really loudly when you run your opener! because what they"ll tend to do is if they can pretend they didn"t hear you! then they will! and they"ll %ust keep walking.* So what you do is you come around in front of the set and walk as if you"re walking along the same tra%ectory as the set! and then you turn back over your shoulder and open them as you continue to walk with them! and then from there run the set. >ight when the set walks by and you start running the opener! they will look back at you as you"re running the opener. If they see you even take one step towards them! then they"ll turn back around and keep walking.ts reserved$ includin t. In the second case! you"re sort of walking along the same tra%ectory as the set and sort of maintaining the same momentum as they have so that there is no relative motion between the two of you as you"re both walking along the same line.t of reproduction in w.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 10 of !"" standing sets! but! you know! they can be opened! and your percentages will get better as you practice.co& Pa e 10 of !"" All ri . (e calls it! )An ob%ect in motion tends to remain in motion. #ou can turn your head and! you know! keep your eyes on the girl as she"s walking by! and you can pro%ect your voice as you"re running your opener! and you can pro%ect it louder and ' ())* +enusian Arts$ LLC.y$ #nc. So let"s get a little bit deeper into these two methods. . #ou basically have to pro%ect your voice loud enough such that the set has no excuse to pretend they didn"t hear you. If they see you even take one step in their direction! then they"ll turn back around! and they"ll %ust keep walking. So in the first case! the critical thing is! first of all! as the set walks by! and : okay! this is the method where you %ust stand still. 8ust keep your feet completely rooted to the ground.

+ne time I stopped a moving set using the same method! and there were three girls! and I actually had the one that was the one that was the most interested stop first! maybe ten or @1 feet away. #ou won"t get a 011 percent on this! but if you"re good at it! you"ll get a pretty good percent on it. $hen they"ll stop. I had %ust told him exactly how to stop a moving set! %ust! )(ey! don"t chase after the girls!* because I think I had actually seen him chasing after the girls. (e"s leaning against the wall! and she starts leaning into him and touching him as he continues running his routines! you know. $hey may be ten or @1 feet away.ts reserved$ includin t.y$ #nc. 7on"t ever chase after the girls. &hat will happen is : and remember! the percentages are not perfect.co& Pa e 1* of !"" All ri . I said! ). $hey see that you"re not moving or that you"re even leaning back onto the wall or leaning back onto the bar or whatever! and when they see that you"re not following them! they"ll stop. #ou"ll start your opener.e ri . I had %ust told him : this was in 7allas! $exas. $hen the second one walked back! ' ())* +enusian Arts$ LLC. It"s a really powerful opener if it works.area"1lifestyle. If you get them to stop and come up to you! then they"re a lot more invested in the interaction than if you had %ust walked up to a set. +h! yeah! so what you"ll see happening is the set may even walk. +h! yeah! I remember one story where there was a student who I had %ust told him this. #ou"ll do your thing.an! do not chase after the girls. $hen the next two kept walking! and then the second one stopped! and then the third one kept walking and stopped a slight distance farther than that! and so then the first one! who was closest to me! walked back up to me as I continued talking! continued running my opener.* So he did it! and sure enough! first thing the girl! she turns her head to look at him. She"s walking away! but she"s looking at him! and at some point! she stops. $hey"ll stand there and listen to you a little bit longer! and then they"ll start coming back and walk up to you and continue the conversation! and you finish your opener.ole or in part in any for&. #ou know! what happens when you chase after a cat/ It"s the same thing! right! so %ust lean back against the wall and keep talking as if you expect them to stop! and %ust keep talking louder and louder. www. (e leans back against the wall.ean back against the wall so she sees you leaning back as you"re talking. She comes back up to him! and he"s locked in already.ilosop. In fact! you may even lean back.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1* of !"" louder and louder as she gets farther and farther away! but do not move towards her.t of reproduction in w. So that"s an example of that. . (e keeps running his opener. >emember! her friends were continuing to walk away. I"ve seen them get farther than that. I"ve seen them get even I1! O1 feet away. &hat will actually tend to happen is they"ll walk by. $here were three of them! and so she actually had the momentum of her friends pulling her! and she still stopped! so she was the one that was the most interested. .P. $hey"re looking back at you to see what you"re doing. #our feet are rooted to the ground! and they"ll tend to get a little ways away before they stop. .

&hat you can do is you can position yourself to where you"re walking on a tra%ectory such that you end up in front of them. (e refers to it by saying that an ob%ect in motion tends to remain in motion! so instead of trying to stop them! %ust walk along in front of them! and then! you know! now you have time. 5ach one of those ' ())* +enusian Arts$ LLC. So now the other way to open a moving set is to move along with them. . $he set will walk away from you and try to get away from you if you come up behind them! following behind them as they"re moving.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 11 of !"" and then the third one walked back! and so that"s basically the behavior that you"ll see when the opener works properly.I model! and basically there"s three phases to the model! attraction! comfort! and seduction.ystery . So those are the main three phases! the A 3hase! the ? 3hase! and the S 3hase! attraction! comfort! and seduction.P. So as you"re running your material! as they go into rapport with you! as you hook the set! now you can slow down! physically slow down your walking! and they will slow down to match! because they"re in rapport with you.co& Pa e 11 of !"" All ri .ystery had come up with a model called the .ole or in part in any for&. In the Denusian Arts! . Instead! he gives himself some lag time to open the conversation and to build his value before he finally goes and conveys interest! and by then he"s had a chance to build his value! and so it"s sort of an interesting comparison there between the way that he holds back on showing interest in a set as compared to the way that he will hold back on trying to stop a moving set! rather buy himself some time to hook the set first before then trying to stop them. www. It doesn"t work. At that point! you can run the set like normal.ilosop. #ou can lock in! whatever. #ou can use normal material! run whatever opener you would normally use.t of reproduction in w. #ou end up sort of walking along in front of them! %ust in front of them! walking in the same direction that they"re walking! and at this point it"s every easy now to crane your head back and look over your shoulder and open them over your shoulder as you"re walking. $his is creepy. $his is actually interesting! because philosophically it"s the same as the way that .y$ #nc.ethod.ts reserved$ includin t.ystery doesn"t convey interest when he opens a set.area"1lifestyle.ystery opens moving sets. -ow you don"t want to be following behind them.e ri . So as you slow down walking! and they slow down walking! you can even come to a stop! and they"ll come to a stop! and you can continue running the set! and now it"s %ust the same as any other set. . #ou"ve been able to buy time to hook the set before you then try and stop them after they"re hooked. (e doesn"t come in conveying interest right away. Attraction! which is the A@ phase of the ?lassical . And so that"s how . And this will come off very natural and very normal! and here you are walking along with them wherever they"re going! if they"re walking through the mall or through the bar or wherever the hell they"re going.

* asically! as I"ve discussed previously! people have a problem! tend to have a problem a lot with asking too many questions and not making enough statements! and so! you know! have you ever been in set with a girl! and the interview pops into your head! you know! as you"re talking to her/ $hose stupid questions start popping up into your mind! you know! )So! what"s your name/ So what do you do/ So where are you from/ #ou know! so what"s your ma%or/* these sorts of things. So! for example! you know! storytelling takes some study and takes some practice. . $hey"re boring.ole or in part in any for&. All right.ts reserved$ includin t. $hey"re easy to go out and use right away.I model! and so A0 is the open! which we"ve already discussed! how to open a set! and then A@ is the attraction phase! which is the female-to-male attraction phase. $here"s a couple quick conversational tricks! and I usually teach these on the first day of seminar! and the reason I teach these on the first day of seminar is because they"re easy to remember. So there"s nine phases overall that make up the . $hese questions! all they do is give away interest. And so! obviously! after we open! we have to get the female attracted! and so what is attraction/ And I basically want to discuss the principles of that! of attraction.e ri . AI is the phase that you begin to show your attraction for the target as she wins you over. $hey don"t add any value to the conversation whatsoever. $he ?omfort 3hase has ?0! ?@! and ?I! and the Seduction 3hase has S0! S@! and SI.area"1lifestyle. So in A@! once you"ve opened the set! you now want to make the female become attracted to you! and that"s basically what we"re gonna get into now is how to get the female attracted to the male! and then after that! then we go into the male-to-female attraction phase! which is AI.y$ #nc. So the first trick is what we call )4uestion Into Statement. www.ilosop. In other words! you can"t show attraction for her right away! and first she has to become attracted! and then she has to put effort into winning you over! and then as she puts in effort! you reward that effort by showing growing interest in her! and then you can move into the comfort phase together! and that"s the basic idea behind the pick-up. She"s heard them a million ' ())* +enusian Arts$ LLC.co& Pa e 12 of !"" All ri . $hey indicate that you"re interested in talking to her. #ou"ve got to set your stories up! and negging! you have to understand negging and learn some lines and so on! and so it takes a little bit of preparation to be able to use those tricks! but we have a couple tricks that can be used right away! and so we give them to students on the first day of workshop so they can go out in the field that night! and they can immediately start using something effective.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 12 of !"" phases is in turn broken down into three sub-phases! so attraction! the A 3hase! has A0! A@! AI.P. &ell! first of all! before I get into the main principles of how attraction works! I want to give a couple quick conversational tricks.t of reproduction in w. .

area"1lifestyle. .P. &hen that question pops into your mind! when that interview pops into your mind : and you know it"s going to pop into your mind : as soon as you go blank! one of those stupid questions is gonna pop up. She spits out a factual answer! and now that"s it.e ri .* #ou know! she can tell that you probably don"t even really care what the answer is to the question! but you"re asking anyway! because you have nothing better to say. It"s over! and I"m gonna go into the next question! but instead! what if I took that question and turned it into a statement! and I said : instead of saying! )So where are you from/* I say! )#ou know what/ #ou guys look like 5ast ?oast girls to me.co& Pa e 2) of !"" All ri . ' ())* +enusian Arts$ LLC. )So where are you from/* She says! you know! )I"m from Arkansas!* or whatever. $urn it into a statement. So now I ask the question. 3lay around with it. #ou know! you have this look on your face and that little mischievous grin! and! you know! those shoes that you have and that businesslike walk totally reminds me of a girl from . It basically says to her! you know! )I"m not fun.ake it as a statement.ole or in part in any for&. I"m not interesting! but I"m desperate to keep the conversation going! so I"m coming up with these stupid questions. It was still more fun and more entertaining than if I had %ust said! )So where are you from/* you know! and you can do the same thing with any question.anhattan. Instead of saying! )&hat"s your name/* you might say! )#ou know what/ #ou look like a 'eorgette to me!* and she"s immediately gonna giggle and ask! )&ell! why do you say that/* and this is the sort of conversational energy that you would much preferably have as opposed to the try-hard feeling that comes from %ust asking question after question after question. It was still fun. So! for example! instead of saying! )So where are you from/* you know! I might say that to a girl.t of reproduction in w. $hey activate her programming walls and put her on the defensive.ts reserved$ includin t. e fun and playful with it. I could say! )I don"t know.y$ #nc. . www. -ow this trick is really good! because you can go out and immediately start using it without having to memori<e some kind of line. 8ust take the question and turn it into a statement! and make it as a statement. $hey"re not 5ast ?oast girls. So here"s the trick. #ou know! %ust take whatever that question is that pops into your head.* -ow you"re kind of putting them on the spot a little bit! and usually what"ll happen is they"ll giggle! and they"ll say! )&ell! why do you say that/* and now I can do a little cold reading.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 2) of !"" times before. #ou know! don"t get stuck on it too long! and then move on to the next thing. . It"s a great little trick.* >ight! and then they might giggle again and say! )&ell! actually! you know! we"re from Arkansas.ilosop. $hey"re actually from Arkansas.* -ow notice in this case that even though I was wrong! even though my guess was wrong : you know! they"re not from -ew #ork.

It"s not like the guy who says! )#ou know what/ I met you at .y$ #nc. )&e"re gonna fly off to the beach on the other side of the world! and we"re gonna sell hot dogs together.P.ole or in part in any for&. She"s still gonna picture us running around on the beach wearing togas! selling hot dogs! and sort of laughing together. www. .area"1lifestyle. $hat"s it. )#ou know what/ I"m gonna take you on my private %et! and we"re gonna fly all the way over to 'reece! and we"re gonna go down on the beach! and we"re gonna wear togas and sell hot dogs on the beach.et"s go sell hot dogs in 5urope!* I"m fucking with her! but it"s fun! you know! and she"s still gonna picture it. $his is the best part. $hese are classic examples in the community.co& Pa e 21 of !"" All ri . +bviously! if I say! ). So he might say something like this.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 21 of !"" $he next trick that works really good is role playing! which is sometimes known as 9uture Adventures 3ro%ections in the community! and the way it works is you make up some bullshit little fantasy adventure that the two of you can go on together! and %ust describe it to her! and the shorter the better! and! also! the more it sounds like total bullshit! the better.e ri . She"s still gonna get the fun from that thought and from that fantasy! and she also gets this slight neg from the fact that she knows I"m %ust playing around. . It doesn"t require any pre-memori<ation. 7avid 7 taught this. It"s like! what! five seconds! ten seconds to say that line! and I %ust made up some bullshit little fantasy. I think I got this from 7avid 7. It"s obviously not going to actually happen.ilosop. #ou don"t have to have some prememori<ed line. It"s fun! and it"s something that you could %ust make up right on the spot.a (ina"s last week! and! you know! maybe we could meet for dinner and a movie this 9riday!* you know! which sounds completely serious! as if he really wants to do it. I"m not trying to be all deep and romantic.* +kay! now notice I"m done.t of reproduction in w. +bviously! it"s not ever gonna actually really happen! and she feels like she sort of got sucked into it! and then she reali<es you were %ust fucking with her the whole time. asically what he does is he sort of sucks them in at first by making it sound a little romantic! like you"re telling some fun! romantic little story! and then he twists it around to where it looks completely ludicrous and completely ridiculous! that obviously you"re %ust making it up. (ere"s some other examples of this. It adds value and energy to the interaction. (ere"s an example of this.* +kay! notice how it"s obviously ridiculous. -o matter how ridiculous it is! she"s still gonna picture it in her mind.ts reserved$ includin t. +ne of them is! )#ou know what/ #ou know what I would do with you/ I would wrap you all up in bubble wrap and put you in my suitcase. I would fly you all off to -ew #ork and take you into $iffany"s ' ())* +enusian Arts$ LLC. $he more ridiculous and unrealistic it sounds! the better it will work. #ou %ust think of some cra<y bullshit fantasy and say it! and it"s fun. (ere"s a line from Style.

(ow could I be having a normal conversation with someone! and then suddenly I throw out this cra<y story! you know/ #ou know! isn"t it inappropriate/ And then I"m gonna go back to normal conversation/ $he answer is you"re supposed to be having a fun! playful conversation the whole time. I"m done. All right! so what are some more examples of role playing/ I mean! literally %ust make up bullshit. -ow you may say to yourself! )&ell! this is sort of incongruent! you know. So it"s like! )#ou know what/ I"m gonna take you to $iffany"s! and I"m gonna deck you all out in $iffany"s! and I"m gonna parade you all around -ew #ork! and all the other girls are gonna be %ealous of you. .e ri .P. .co& Pa e 2( of !"" All ri .* oom! it"s done.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 2( of !"" and deck you all out in $iffany"s. I"m on to the next piece. I %ust throw it out there.t of reproduction in w.ole or in part in any for&. I"m gonna take you out to a nice dinner.ilosop. .y$ #nc. Some more examples of this type of role playing! here"s a line from . I"m gonna be like a Hen doll! and you"re gonna be my arbie! and we"re gonna put on little arbie and Hen swimsuits! and we"re gonna swim around in that aquarium! and we"re gonna explore the coral reef and find magical new lands and have ama<ing adventures together. &hen you"re out in the venue running game! you learn to talk differently. (e says! )#ou know what/ #ou know what I"m gonna do with you/ I"m gonna dress you all up in black leather from head to toe! and then I"m gonna take you on my spaceship.* .* It"s like! )+kay.ike this should be your interaction style when you"re in set. It is funny! isn"t it/ $hat"s the whole idea. All right. #ou know! instead of : it works like cra<y! as opposed to! you know! like! )#ou know what/ I"m gonna treat you right.eehow. Instead! what I"m doing is I"m taking one little fun little playful idea! and I say it! and then it"s done. I add some fun to the interaction. I"m gonna bring you flowers.ts reserved$ includin t. $hen I could put you on my arm!* and right when I say that! I can actually pantomime this.ook! you"re laughing over here. All right! >omantic 'uy!* you know. #ou learn to talk playful and fun and not to take things too seriously. I"m gonna fly you all around the galaxy! and you"re gonna be my space princess. #ou know! girls aren"t looking for some deep! philosophical experience when they"re out in the bar. $hey"re looking to have fun and meet someone ' ())* +enusian Arts$ LLC. I can actually take her and put her on my arm! you know! and say! )+kay! that"s all you get!* you know! but then I can say! )I can walk you all around -ew #ork!* and right when I say that! I can actually walk her around the bar! and so what I"m doing here is I"m parading her around the bar in order to generate preselection so that I"ll get better reactions from other sets in the bar. >ight/ $hat"s it. www. -otice I"m not telling some big! giant! long story. I don"t get stuck on this thread. #ou might say! )#ou know what/ &e"re gonna shrink down to the si<e of arbie and Hen dolls.area"1lifestyle.

9uture Adventure 3ro%ections are used for pumping buying temperature.y$ #nc. &e basically have a complete understanding of the way that attraction works. . Gsing buying temperature! value! and disqualification! we can create powerful attraction! powerful attraction in women.P. Female: #ou"ve given a very good couple examples! but! you know! those are good ones. &hy is it that when I say this! women get attracted to me! and when I say that! women don"t/ #ou know! what are the principles behind creating attraction/ And so that"s why we need to get a little bit deeper into how ' ())* +enusian Arts$ LLC. . #ou know! notice that as soon as I start telling some role playing routines! the girls start giggling a little bit! and that"s what"s going on. #eah! yeah! ha.t of reproduction in w.co& Pa e 2! of !"" All ri .e ri . $he one you said! they"re funny. I mean! you want to keep it light and fun and creative and interesting! you know! but! I mean! before we get into specific lines and what makes a line good and what makes a line bad! we need to understand the principles behind what"s attractive and what isn"t attractive. Some may be funny but only to certain people! so the generali<ation may be : &ell! there"s definitely a few things that are off limits! you know. +kay! now both of those tricks the question into statement trick! as well as the role playing trick : question into statement is sort of an example of training yourself to add value to the interaction instead of being a value leach.ts reserved$ includin t. Instead of being the guy who asks questions and sort of forces things along! you"re actively coming up with creative ideas and adding value to the interaction! and the role playing is %ust an example of pumping buying temperature.ilosop.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 2! of !"" cool and fun and playful that doesn"t take things too seriously! and so we"re starting to train ourselves to speak this way.ole or in part in any for&.ike what are things that you would not approach and that would be negative/ &hat do you mean! like what"s a bad example of how to pump buying temperature/ #eah! because! you know! being approached or tell a story that may be negatively impacting as opposed to positive.ike I would definitely never talk about creepy topics! violent! bloody topics! anything weird or sick or gross. www. $he first one is buying temperature! the second one is value! and the third one is disqualification. Lovedrop: Female: Lovedrop: . ?ould you suggest bad ones/ .area"1lifestyle. #ou know! like none of your routines should ever start out by saying! )+h! you know what"s grosser than that/* that sort of thing. &e"re pumping buying temperature. So there are three main concepts that are important in attraction. #ou actually heard buying temperature being pumped there! and that"s what role playing does.

#ou say! )#ou know what/ I would dress you up in a little fluffy angel costume with little feathery wings and a little fluffy halo! and then I would put both you guys on my arms and walk you all around the club so all the other girls could be %ealous of you! and then whenever we had to make a decision! I"d let you guys fight over what would be the most fun. #ou know! buying temperature is one form of attraction. ' ())* +enusian Arts$ LLC. Dalue is one form of attraction. It"s actually the primary form! and then also disqualifiers.ilosop. #ou point at the target.area"1lifestyle.ike they never actually say that.co& Pa e 2/ of !"" All ri . It"s kind of interesting to me that I"ve never had one girl ask me! )&ait a second. !(egin Tra/6 $4# I actually! as I"m sitting here thinking about it! a few more of those role playing tricks popped into my mind. . $here"s one where you say! )#ou know what/ I"m gonna take you on my magic carpet! and we"re gonna fly all over Africa chasing kangaroos. +h! here"s a good one.* . So you make the obstacle the devil! and then you make the target the angel. I can %ust make it up right there on the spot.t of reproduction in w. I say! )#ou know what/ (ere"s what I would do with you guys.P. $heir eyes light up! and I"ve never had any set do anything but get all excited and laughing and giggling when I run this routine. #ou say! )#ou know what/ #ou know what I would do with you guys/* and right when I say that! I pause! and then you can see the anticipation building on their faces.* #ou see how we"re %ust making up some bullshit little fantasy and little role playing thing/ )+h! I"m gonna dress you up like this! and we"re gonna go do this! and it"s gonna be so much fun!* right! and that"s it. #ou!* and I point to the obstacle! )I would dress you up in a red 3D? devil costume with horns and bitch boots and a push-up bra and a pitch fork! and you :.y$ #nc. $here are no kangaroos in Africa. www. now at this moment! this is when they giggle! and then I"ll say! )#ou know what/ $hey don"t even have kangaroos in Africa! but we can still do that anyway! because we"ll be in my world!* right. $hey"re not actually a form of attraction! but they"re one of the primary pieces of creating attraction! and so I need to explain how all of these things work and how they work together.et"s say there"s two girls! so it"s a two set! right! and I"m gonna make one of them an angel and one of them a devil! and so what you do is you make the obstacle the devil! because both girls actually want to be the devil. . I"m %ust pumping buying temperature.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 2/ of !"" attraction works.ts reserved$ includin t.* >ight.ole or in part in any for&. So here"s how the routine goes.e ri . I don"t know if they"re playing dumb or what! but! let"s see! what"s another one/ $here"s a few others that popped into my head. .* -ow you point at the target! and by now they"re giggling and stuff.

y$ #nc.ole or in part in any for&. It"s really good for pumping buying temperature. So basically what you"re doing is you"re setting the frame that you"re the one with value.e ri . $hat"s it. (e says! the trick! the secret to women is to be cocky and funny at the same time. $hey change their opinions to match hers! and she finds it boring! and she finds it manipulative! and it"s a breath of fresh air to have someone come in who"s fun and playful and challenges her a lot and ' ())* +enusian Arts$ LLC. $hey supplicate to her. . www. (e said basically you"re doing it right if she"s laughing and punching your arm. It"s %ust making people giggle and laugh.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 2" of !"" All right. -ormally! men sort of cow tow to her. #ou"re being cocky and funny. It"s not funny! and if she"s not like : you know! basically she should be saying things like! )#ou %erk!* but in a good way! you know! and if she"s not talking like that! then you"re not being cocky funny! and being cocky funny %ust pumps buying temperature like cra<y! drives it up through the roof.area"1lifestyle.P. $he way that we do buying temperature is through the role playing trick! which I %ust taught! as well as using a lot of cocky funny! which was originated by 7avid 7eAngelo of Dou7le 8our Dating fame. #ou"re the one who chooses whether or not you have time to hang out with her! and you"re really humorous about it! sort of like you"re always testing her and challenging her in a way that normally she doesn"t get from men. So the three forms of attraction or the two forms of attraction really are buying temperature and value! and then we also use disqualifiers quite a bit! so I"m including that here. In fact! you could push it way too far and fry out her circuits. 7avid 7/ 7avid 7eAngelo is a guy in the pick-up community! and he sells products on how to meet women and attract women and so on! and he sells the 7ouble #our 7ating products. Female: Lovedrop: Female: Lovedrop: ?an you : can you explain that a little bit/ I"m not totally sure what you"re talking about.t of reproduction in w. If she"s laughing and punching your arm! you"re doing it right.11 e-book or something like that that he sells. (e talks about this idea called cocky funny. uying temperature is a short-term emotional state. &hat! cocky funny/ -o! who is this person and what the concept was. It"s pumping the emotions! so it"s taking someone through sort of an emotional roller coaster or a lot of humor! a lot of laughter. .ilosop. ut if she"s not laughing! then you"re doing it wrong.co& Pa e 2" of !"" All ri .ts reserved$ includin t. (e"s a pretty big player in the space! pretty well known guy! and his book! Dou7le 8our Dating! is a! you know! N@1. (e came up with the cocky funny idea that he talks about quite a bit.

(e always ends up as the guy who! you know! inadvertently pissed off the wife and has to sleep on the couch and that sort of thing. Is it effective/ +h! yeah. $hat"s right. e funny. (e builds up this tension and then releases it with a shocking statement that takes the validation back and makes her laugh. #ou know! he"s always got to sort of deal with his wife who"s hen pecking him and sort of trying to push him around and get him to do stuff! and he always ends up in the dog house.ole or in part in any for&. #ou know! she says! )&here"d you go/* and he says! )&ell! I was in the other room thinking about you all night.ts reserved$ includin t. +n the $D show! he"s this character who he"s sort of a beta male. ?an you imagine a guy like that hanging out with a guy Male: Lovedrop: Male: Female: Lovedrop: ' ())* +enusian Arts$ LLC.oves >aymond*! that guy on that $D show/ Sure. (ere"s the way I explain it to people. I guess! you know! tease a girl the same way that you would tease your little sister : put it that way : and you"ll get attraction. !(egin Tra/6 $$# Male: Lovedrop: Female: Lovedrop: It"s : you could call it : say in one word! )teasing. #ou know! I couldn"t get you out of my head!* you know! and right when she"s sort of starting to! you know! buy into that! and then he"ll say! )$hen I went to a strip club and blew a thousand bucks!* you know! something like that.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 20 of !"" sort of makes her %aw drop open with shock when he says something and then doesn"t take it back! you know! and I do a lot of push-pull! where he gives validation and then takes it away. .y$ #nc. Gh-hmm. e arrogant in a really funny way to where she can"t help but laugh! and once someone laughs! they"ve accepted the frame! you know. I say! )Imagine >aymond* : you remember from )5verybody . www. $he idea is that the cocky part is basically be arrogant! but at the same time be funny.P. #eah! it"s extremely effective. It"s extremely effective! and it"s fun! you know.* $hat"s right! teasing.e ri . .co& Pa e 20 of !"" All ri . So! I mean! think about this.t of reproduction in w.ilosop. Female: Lovedrop: 7oes that have : It"s basically a show of dominance is what it is! but in a way that makes her laugh.area"1lifestyle.

#ou know! is rad 3itt gonna start laughing/ >ight. So go ahead. $he person has submitted to the frame! and if it"s really funny! they can"t help it! you know! because it"s so funny they can"t help but laugh! and then! boom! they"ve bought into your frame. $he point that I"m making is that laughter is a sign of social submission. I wouldn"t want to end up sleeping on the couch. +h! you can totally overdo it. +h! you can totally overdo it. And totally overdo it! yeah. If he says! )+h! I"m gonna end up sleeping on the couch!* ha ha ha ha! you know! rad 3itt doesn"t laugh! not because he"s trying to be a %erk! you know! but because what"s going on is it"s %ust not funny to him. #es. Male: Female: Lovedrop: Female: Male: Lovedrop: ' ())* +enusian Arts$ LLC.P. $hat"s the trick behind cocky funny.area"1lifestyle.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 2* of !"" like rad 3itt/ And certain things that one of them finds funny would %ust not be funny to the other guy. . #es. It"s not funny to him! so he doesn"t accept the frame! so he doesn"t laugh. 7id you have a point to make/ Female: -o.ole or in part in any for&. In his reality! you know! )&hat! I"m gonna say something !and I"m gonna end up sleeping on the couch! you know! as if I have no power in this relationship or as if I couldn"t go out and have any girl I wanted to/* It"s %ust not his reality. (e %ust doesn"t get it.y$ #nc. .ts reserved$ includin t.t of reproduction in w.ilosop. It doesn"t make sense.co& Pa e 2* of !"" All ri .y question was did you have to be very selective on that! because I think some people! I guess! sensitivity on both sides may be different. www. .ike if >aymond said! you know! )+h! I better watch out saying something like that around the wife.e ri . (e"s accepting the fact that the frame was %ust set. #ou know! if someone"s laughing! it has an implication that they"re buying into the frame that"s %ust been set. And backfire! I"m thinking. #ou know! like if I said : if I said! )+h! 7ex is a real %erk!* and he started laughing along with it! )+h! ?hris! ha ha ha! ha!* he"s sort of accepting the fact that he"s a %erk.* (a ha ha ha ha. $he trick is you say something really arrogant and dominant! set the frame that! )+h! I"m dominant!* but I do it in such a funny way that she laughs! and now she"s bought into the frame! right/ I haven"t done it in a mean way or a cruel way! but I have set a dominant frame! which is attractive and which pumps emotion! you know. .ike you can be : #ou can overdo it. .

ole or in part in any for&.P.area"1lifestyle.t of reproduction in w. $hey"re screaming uncontrollably and shaking and crying! you know! and! I mean! if you think about the emotions that are going through that person"s mind! they"ve been way overloaded with buying temperature! you know! and I"ve actually seen .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 21 of !"" Female: Lovedrop: And backfire bad. It"s definitely a good trick.co& Pa e 21 of !"" All ri . $hey don"t use disqualifiers. $hey don"t use all these other tools that we"re teaching here in this course.e ri . .y$ #nc. Imagine old blackand-white footage of a eatles concert. I mean! think about the emotional state that"s going on there. . It"s %ust a tool. !(egin Tra/6 $%# 8ust picture it right now.et me tell you something about the backfiring on that is a lot of guys! they"ll go to 7avid 7! and they"ll study cocky funny! and it"s sort of : it"s not a complete system! right.ilosop. $hey"re screaming. It"s %ust this one little trick that pumps emotion! and the guys who have done this : I"m not saying every student from 7avid 7! but we"ve had students from 7avid 7 that had this problem where they do way too much cocky funny. $hey"re crying. $hey don"t use pre-selection. !singing# )I want to hold your hand!* right.ystery fry out girls" buying temperature to the point where ' ())* +enusian Arts$ LLC. #ou use it maybe if you want to get over a log %am! get the girl to move to another part of the bar or get in the car or something like that! you know! or if she"s about to hesitate over something! pump her buying temperature to get past that hesitation point. $hey literally have tears streaming down their face.ts reserved$ includin t. #ou know! you use it to first get in the set! to get them going. www. $hey"re %umping up and down. I"ve fried out girls" circuits pretty bad by doing way too much buying temperature. So it"s useful as a tool! but it"s certainly not a complete game! you know! and I"ve seen . #ou know! it"s worth knowing how to do! but! I mean! %ust to illustrate how buying temperature can be pushed way too hard and can fry people out! imagine this for a second. I"ve actually done it. Instead they %ust go out and use cocky funny! and they overdo it! and we end up having to fix that problem in a lot of students! you know. $he eatles are up on stage. $here"s girls in the audience! and what are they doing/ Male: Lovedrop: $hey"re screeching. #ou"ve these guys up on stage! and there"s all these other women facing their attention towards these guys! all these people facing their attention towards these guys! you know! focusing all their attention and their value towards these guys! and it pumps up the buying temperature in the crowd so hard that their circuits are being fried out. .ystery do this in set. $hey"re fainting. $hey don"t use other attraction tricks.

+h! yeah! of course. #eah! I can totally see that raising buying temperature does not equal closing the deal.t of reproduction in w. It"s a short-term emotional state.y$ #nc.co& Pa e 22 of !"" All ri . (e"ll say! )'ive me your phone number.ilosop. Lovedrop: Male: Lovedrop: . It"ll make someone stay there and listen to you in the short term. It"s %ust one interesting trick! but the reason I"m pointing it out now is because in attraction there are really two forms of attraction.area"1lifestyle.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 22 of !"" they"re kind of shaking. .* She won"t give her phone number! because she doesn"t feel qualified. $he short-term attraction is buying temperature.ole or in part in any for&. It"s worth the practice. It"s certainly a useful tool! though.P. I mean! go out and overdo it.e ri . 'o out for a few months and way overdo buying temperature %ust so you understand how to use it and how it works! but once you have it down in your tool set! I mean! of course you don"t want to depend on it as a crutch or as a complete game. +nce you drop the emotional stimulation! the person could %ust as easily walk away. Imagine! you know! rad 3itt walking into some random bar! and everybody recogni<es it"s rad 3itt! and a big like ruckus erupts! and! you know! the girls are screaming and wanting his autograph or whatever! and he would randomly pick a girl! and he would ask for her phone number! and she would totally feel : while her buying temperature is way up! she would totally feel disqualified to even : )&hy does he ask me for my phone number/ It doesn"t make any sense. #ou know! they don"t have that long-term attraction to you that comes from deeper evolutionary value. $here"s a short-term attraction and a long-term attraction. I want people to understand what it is! understand how it works! understand how to use it and when to use it. www. Male: $hat"s interesting! this example that you you"re %ust giving.ts reserved$ includin t. $hey"ll cry. So he"ll go to leave! and she"ll say! )-o! don"t leave!* and she"ll start shaking and crying! and he"ll say! )'ive me your phone number!* and she refuses to do it! but you"re getting this insane! cra<y behavior starts coming out! because the person is in such an intense emotional state that! you know! you start seeing these erratic behaviors start coming out! and it shows that the buying temperature was pumped way too far! you know! so yes! you can certainly backfire that on yourself for sure. (e hasn"t done enough AI! but meanwhile her buying temperature is pumped up so hard through the roof that she starts crying if he leaves.* >ight. $hat"s what we call attraction switches! and so this is where we start getting to the difference between! you know! ' ())* +enusian Arts$ LLC.

$his is the SC> value! the survival and replication value. .e ri . $hey automatically feel sexually and romantically attracted. &e know that a hip-to-waist ratio of . !(egin Tra/6 $&# All right.ts reserved$ includin t.area"1lifestyle. 9acial beauty is in part determined by facial symmetry! so! in other words! does the left half of your face look symmetrical to the right half of your face.y$ #nc. $his is evolutionary value or! as we started out! you know! originally in the earlier recordings! we spoke about survival and replication value.A is ideal and is found most sexually attractive by men.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1)) of !"" %ust emotional pumping and actual evolutionary value. (e"s gonna be attracted based on athleticism! how athletic she is. $hey"re hired wired switches! okay.ilosop.ole or in part in any for&. If there"s something that"s asymmetrical! maybe that"s a little bigger or a little strangely shaped on one side and not on the other! that"s less attractive! and there"s good evolutionary reasons for that! and the idea is that! you know! if something goes wrong genetically! and part of your face gets messed up! the chances are very low that that mistake would happen exactly the same on both sides of your face. (e"s also attracted to facial beauty! which is determined through several different factors. (e"s looking for youth. #ou know! most men tend not to be : you know! the average @2-year-old guy is not gonna be sexually attracted to a =1-year-old woman! but then he sees some other woman! and she is really sexually attractive. . &ell! what is it about her that made her sexually attractive to him/ &ell! science has basically determined these attraction switches! and for a man looking at a woman! he"s looking for health. (e"s gonna be attracted based on the hip-to-waist ratio.P. Sexual and romantic attraction is caused by attraction switches at the evolutionary level! and we"ve really sort of codified what these switches are and how to activate them! and these are the switches that get you real attraction that cause the person to want to align with you sexually! want to have sex with you! you know! to want to be with you and not %ust to be there in the moment to en%oy the stimulation. So that"s what this is. A lot of times these are indicated via body weight! via skin tone! via the quality of the hair! via even the bounciness in her step! this sort of thing. (e"s gonna be attracted based on breast si<e.co& Pa e 1)) of !"" All ri .t of reproduction in w. www. I want to talk about value! attraction based on value. So! for example! let"s way that a man sees a woman who"s =1 years old! and he"s not attracted. So now! instead of buying temperature! I want to switch gears and start talking about deeper attraction. (ere"s why this is important. $hese are value switches that are built in that! when other people see them! they automatically feel attracted. ' ())* +enusian Arts$ LLC.

ilosop. So if you studied plastic surgery! you could do a web search on this and find out more about this! but the basic concept is that there is a golden number.y$ #nc. So take 9ibonacci"s Sequence! 0! 0! @! I! 2! B! 0I! what! @0! et cetera. .P. www. If you cut that in half! there"s a golden triangle.ole or in part in any for&.e ri .area"1lifestyle. asically! each number in the sequence is made up by adding the two previous numbers in the sequence! and any time you take any two numbers in sequence from 9ibonnaci"s Sequence and use them to make a rectangle! you get what"s called a golden rectangle. It"s a hard-wired sexual attraction. &e don"t understand why it is that this is the case! but there is definitely a mathematics behind beauty! and people are sexually attracted to it. It"s sort of a ' ())* +enusian Arts$ LLC. . $hose people who were attracted to facial symmetry tended to have mates with facial symmetry! tended to have children with facial symmetry! et cetera! et cetera! and so symmetry is! again! a hard-wired attraction trait.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1)1 of !"" #ou know! if there was some gene that caused your eye to droop a little bit! what are the chances that that same gene would cause the exact same droop on both sides of your face/ #ou know! usually! when something goes randomly wrong! it happens randomly wrong in one spot! and it"s not exactly copied on both sides of your face! so because of that! symmetry became a very good indicator of genetic health! and therefore! those people who were attracted to it passed on their genes better. $here"s a golden rectangle. And any time we make shapes using that ratio! they"re associated with beauty. So! okay! so we know that being good looking is a hard-wired attraction trait. It works on men! and it works on women! you know.co& Pa e 1)1 of !"" All ri .t of reproduction in w. $here"s a whole bunch of different shapes that are made from this ratio! and anything that uses those shapes that is closer and closer to that ratio will tend to be perceived as more beautiful! and these sorts of shapes are found all throughout nature! seashells! leaves! faces! and so on and so forth! and it"s actually a trick in plastic surgery now that what they"ll do is they"ll analy<e someone"s face! and they"ll pick the different shapes as they fit over someone"s face! where the ovals are and the triangles are and so on! and to whatever degree they differ and they move away from the golden ratio! they do plastic surgery to move those shapes back in tune with the golden ratio! and the person becomes more physically beautiful.ts reserved$ includin t. #ou know! if you draw a circle around it or an oval! you get a golden oval. Another attraction trait in terms of facial beauty is the use of the golden number. 9or example! a rectangle that is five inches by eight inches is called a golden rectangle or eight inches by 0I inches! you know! or 0I inches by @0 inches is a golden rectangle! and each time that the number gets bigger there! the ratio that"s formed! you know! 2LB or BL0I or 0IL@0! whatever! the ratio gets closer and closer and closer to the golden number! this perfect number.

#ou know! there are : I"ve got a whole list of attraction switches here that cause attraction. $hat"s the first interaction! so the first time! you know! that"s the first time you respond to is good looks! but many times the minute they open their mouth! and they"re really stupid! we really walk away or they : because they have nothing to say! so I think that may %ust give them the advantage for maybe the first step but not necessarily to follow through. 'ood looks is one legitimate attraction switch. I don"t want people to think that good looks are necessary to get results! but I still have to give it an honorable mention! because it really works. It can cause attraction! but it"s not every possible attraction switch! and it may not even be every necessary attraction switch. . $hey need to feel attraction more %ust because he has a pretty face! but we also can"t ignore it. www.ts reserved$ includin t. It causes legitimate sexual attraction! so we sort of have to give it its due here and give it honorable mention! and then beyond that! I"m gonna go and talk about other traits that you can change with your personality that aren"t sort of something you"re stuck with.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1)( of !"" misnomer in the community. !(egin Tra/6 $*# Female: &ell! I somewhat agree with it.ooks don"t matter!* but the truth is that looks do matter. 3eople try and say! )+h! well! looks don"t matter. If you"re a really good looking guy! you"re gonna get more interest from women than if you"re not! and it"s %ust a basic fact! but at the same time! being good looking in and of itself isn"t the end-all! be-all to your sex life.y$ #nc. So it is a legitimate switch. It"s a legitimate attraction switch! but! of course! it"s not the only one! and it"s not a deal breaker if you don"t have it.t of reproduction in w.co& Pa e 1)( of !"" All ri . $here"s plenty of other attraction switches that men can take advantage of besides %ust looking good. $here are a lot of great pick-up artists! you know! Denusian artists! who are short or who are bald or who are classically unattractive or whatever it is! and they still get great results! and so I don"t want to be misinterpreted here. . &hat it is is it"s %ust one attraction switch.area"1lifestyle.e ri . Lovedrop: ' ())* +enusian Arts$ LLC.P. eing really good looking is a legitimate attraction switch. #ou know! there"s probably a lot of women that"s %ust not enough. #ou could be a physically unattractive man and still! as long as you have good game! you can get plenty of great results. #ou know! we have to admit that all other things being the same! you know! if you have two guys! and they"re both %ust as funny! and they"re both %ust as rich and %ust as dominant! whatever it is! that if one of them is better looking! he has a slight advantage. . $here maybe women that that"s %ust not enough.ole or in part in any for&. #es! the initial attraction usually is like good looks! but as a woman! you know! normally that"s the first attraction.ilosop.

$he first category of attraction switch is how you look! you know! your good looks! your height! and your athleticism! the degree to which you"re in shape. Again! height is a legitimate attraction switch. #ou"re gonna feel really good! feel really positive! and feel really validated! so I cannot emphasi<e enough the importance of working out.area"1lifestyle.ole or in part in any for&. #ou know! probably 01!111 years ago or 011!111 years ago! a million years ago! whenever it was! men who were more athletic were considered more sexually attractive by women! and there is %ust no denying it.e ri . 7oes this mean that a short guy can"t get laid/ +f course not.ilosop. #ou know! if you could wear -ew >ocks or some kind of shoes besides those that give you a height advantage! you will derive better results in your game! and so! I mean! it"s %ust sort of worth accepting and acknowledging the fact that it is a legitimate attraction switch! but you can"t really do too much about your height. www. #ou know! game is : game is not %ust looking good! so I"ve given these attraction switches honorable mention. $hat having been said! that"s not really game! either. &ork out. #ou know! a good looking man is basically a guy who works out and dresses well! and so do not neglect it. -ow another one that"s a big attraction switch is : and! again! this isn"t really game! but we have to mention it! athleticism. #ou"re gonna get way more attraction from women! and you"re gonna have way more sex with women.t of reproduction in w. &omen are %udging your sexual ' ())* +enusian Arts$ LLC. . $his comes from! you know! the ancestral environment. $here"s other categories of attraction switches. +bviously! the behaviors that you give off are gonna communicate to women your value.ts reserved$ includin t. So that"s the first category of attraction switch. If you work out! if you"re in really good shape! and you have a really nice body! you"re gonna get way more attention from women. #ou know! it"s a huge attraction switch. #ou"re gonna have a lot of energy. +ne category is the way you act. As a matter of fact! if you don"t work out! then do not come bitching to me that you don"t get laid. #ou can still go on and create powerful attraction in women! even if you"re a short guy! but I"m at least gonna give it that mention! and then we"ll move on. 'et out there! and work out. #ou know! a short guy can be extremely attractive and can have really good game and all that! but height does have an effect! and so! again! I have to sort of give it honorable mention and say yes! it does work.y$ #nc. It"s basically true that for a man! being in good shape and dressing well is the same as being good looking. #ou"re also gonna be in a much better state emotionally.co& Pa e 1)! of !"" All ri .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1)! of !"" $hat having been said! there is another one that is basically you"re stuck with it! and that"s height. It has a big effect on the way that you look. . $he taller a man is! all other things being the same! the more sexually attractive he becomes to women. #ou"re basically stuck with how tall you are! and it"s not a deal breaker. I don"t want to hear it.P. It does have a big effect on the way that women respond to you.

area"1lifestyle.en are looking for breast si<e and hip-to-waist ratio and facial symmetry and youth and health and fidelity and so on.co& Pa e 1)/ of !"" All ri .ilosop. $hat motivates her behavior! and she"s either more or less likely to sleep with him.en are basically attracted to visual cues. She can tell how tall he is and how good looking he is! you know! but all those behavioral cues are %ust not there. So there"s a whole list of attraction switches here that I"m gonna go through and describe.P. . -ow this is a little bit of a difficult concept for some men to understand! because men tend to react to visual cues. . $he more time that a woman spends with a man! the more she"s able to observe his behavior! and the better! more accurate %udgment she"s able to make about his attractiveness. . .t of reproduction in w. www. ' ())* +enusian Arts$ LLC. #ou know! for example! if you"re getting pre-selection! if other women are standing near you and looking at you and smiling! that"s gonna make you more attractive. $here"s the way you act! including the way that your emotions force you to act.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1)/ of !"" attractiveness and your sexual value based on your behaviors. -ow! of course! they"re not necessarily doing this logically! but there"s some emotional processing going on that observes your behavior! and then she feels the resulting emotion.e ri . A woman feels an emotion. She"s definitely gonna be responding based on how your emotions are programmed! and in addition to that! there is also the way that others react to you. She has to spend some time with him in order to pick up on his behavioral cues and determine %ust how attractive he really is. -ow! again! this is hard-wired emotional programming. !(egin Tra/6 $+# So one way that women determine the attractiveness of men is through the way that men behave.ts reserved$ includin t.ole or in part in any for&. She"s gonna pick up on that! and there"s also the way that you connect with the target. &omen are basically attracted to behavioral cues! and so a man can look at a woman all the way across the room and already have a pretty good estimation of the value differential of! you know! exactly how much value she has relative to his! how much her value would impact his own! and therefore how much attraction he"s gonna feel! whereas a woman! she can look across the room and see a man. So there"s the way you look. She feels more attracted or less attracted or whatever it is based on the calculation that was done inside her mind! and then she %ust follows that emotion. #eah! she can tell some things about him. So! again! the categories of attraction switches are the way you look! the way you act! the way your emotions force you to act! the way that other people react to you! and the way that you connect directly with the target.y$ #nc. A man behaves a certain way.

e ri . $hey"re already attracted to him! so she"s able to look at that indicator and feel attracted! as well.y$ #nc. 5verything about the attitudes! the yin and the yang attitudes being unreactive! being unaffected! being non%udgmental! being cra<y and playful and fun and exciting and all these different attitudes! these are attractive behaviors. She"s basically saving time and energy and taking advantage of the work of other women! and so because pre-selection gave women such a great advantage! the trait became selected in the population! and that"s why we have pre-selection. $hat"s what really creates a positive ' ())* +enusian Arts$ LLC. All the women are attracted to it. So here we are today. #ou know! if you behave a certain way! you"re going to get a lot more attraction! and so the first piece to remember is the attitudes that I taught previously! as well as the delivery. 5verything about the delivery and the body language and the attitudes! that"s what really attracts women.P. #ou know! where I can si<e her up almost immediately! she needs to spend I1 seconds! five minutes! two hours! two weeks! two months with me in order to better and better make an accurate estimation of %ust how attractive I really am. www. $hose other women already spent time with him. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1)" of !"" So this puts women at a significant disadvantage.ilosop. So back to this idea that women tend to be attracted to behavioral cues. $hese will shine out attractive behaviors in a way that women will strongly respond to. -ow not to say that women can"t si<e men up pretty damn quickly! but it does put them at a disadvantage! and so this is why pre-selection evolved! because some women were able to look over across the room! and there"s a man! and! oh! there"s a man over there! and! oh! there"s a man surrounded by other women. It was a way that women who normally have to spend time observing behavior were able to shortcut that by taking advantage of other women"s work. All these pieces of delivery have a huge effect on the attraction that you generate and the people around you! and so these are part of the behavioral subcommunications that convey value! so it"s extremely important that you adhere to the attitudes that we taught and all the body language and delivery that we taught. .t of reproduction in w.ole or in part in any for&. &ell! what does that mean/ #ou know! is that an accurate indicator/ &ell! it actually is an accurate indicator! and so the women who are attracted to it passed on their genes better. In addition to that! there is the delivery! speaking slowly! moving slowly! taking up space in a comfortable way! standing up straight! leaning back instead of leaning in! not fidgeting! you know! facing the set only when they"ve earned your attention! speaking slowly and with pauses and with a certain rhythm! being emotionally expressive with your face and your voice. $hey already observed his behavior.ts reserved$ includin t.co& Pa e 1)" of !"" All ri .area"1lifestyle. So pre-selection is an example of an evolutionary shortcut.

'o out. !(egin Tra/6 $0# So what are some of the other behaviors you can exhibit that are gonna be attractive besides being unreactive and sort of adding a lot of value! a lot of positive value to the interaction/ &ell! another thing is social intelligence. 'o to the next store.area"1lifestyle.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1)0 of !"" vibe and creates sexual and romantic attraction! and all the canned material is %ust a way of practicing that delivery and practicing those attitudes! so I cannot emphasi<e that enough that! you know! your behavioral subcommunications are gonna shine out from those attitudes! and they"re either gonna be attractive or not! and that"s the key! really.ilosop. If you dress really well! if you have good fashion! it"s gonna convey that you know the score! that you"re socially intelligent! that you"re a cool guy.e ri . Some pieces of advice I would give are don"t go out and buy a lot of clothes at once! because your tastes will change. 8ust get in the habit of shopping %ust for the fun of it! %ust to get into it and understand it. 'o ahead. As you get in the habit of shopping and learning about fashion and learning how to shop! your tastes will change over time! so you don"t want to go spend two grand in one big shopping trip and then find out two months later that you don"t like those clothes anymore and that you %ust wasted money on clothes you"ll never wear. Anything that conveys social intelligence is gonna be attractive! and the reason is because women who mated with socially intelligent men gained an advantage for that offspring! so it got passed on. 'et a fashion consultant! whatever it takes. &hen you go out! do people compliment you on your clothes/ 7o people compliment you on your clothes when you go out/ If they do not! get better clothes.ole or in part in any for&. $ry on a bunch of things! even if you don"t buy them. 8ust be in the habit of shopping! %ust like you might be in the habit of golfing. +nce or twice a month! go out and buy a shirt! and I also want to make sure that you understand so you get in the habit of shopping! even when you"re not buying something. $hat"s gonna get you more indicators of interest from women. . www. $ake them off. 'et into it! and practice your fashion sense! and then maybe every week or two pick up a new piece. $hat is sexually attractive. So what are some things that convey social intelligence/ &ell! one of these is having good fashion.ts reserved$ includin t. ' ())* +enusian Arts$ LLC. 'o walking through the mall.y$ #nc. .co& Pa e 1)0 of !"" All ri . So let me ask you something. $hat indicates value.t of reproduction in w.P. 3ick up a new shirt! but make sure you"re 011 percent certain about that piece! because if you buy something that you feel only =1 percent about! trust me! you"re never gonna end up actually wearing it. So one piece of advice is to go out and %ust buy clothes! maybe one item every paycheck! something like that. $he attraction to that trait was passed on. $ry clothes on.

#ou know! if a woman sees a guy who doesn"t know anyone! and she finds that attractive! well! her %eans are gonna go into the future to some degree. (e"s got access to more resources! access to other people! access to people of status. www. $his is a statistical thing! and the bottom line is that in the ancestral environment where these emotions evolved! women who were attracted to men that knew a lot of people did better than women who were attracted to loners.y$ #nc. &omen are more into this stuff! and so if you have a girl! a friend! or someone! you know! someone that"s cool that you can take out that"ll help you do your shopping and help you understand what looks good and what doesn"t! definitely do it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1)* of !"" Female: Lovedrop: Is it advisable sometimes like to bring a girlfriend that"s very fashionable! to bring her around! %udgment/ 7oes that help/ -o/ #eah! it definitely helps. It looks like I know them. So what does this mean/ $his means that any time that you"re in the venue! and it looks like you know a lot of people! your value goes up! and you become more sexually attractive! you know! and this is funny! because people don"t know who you know.co& Pa e 1)* of !"" All ri . It"s really good %ust to get in the habit of shopping and trying on a bunch of different things %ust so you get a feel for the process.e ri .ilosop. #ou know! )(ey! let"s go to the mall on Saturday.ole or in part in any for&. I mean! the more social alignments you have! the more wealth and status you tend to have on average. 7on"t look at it like this painful! tortuous! )+h! man! now I have to go buy %eans again!* you know. $he reason is because women have better fashion on average than men.t of reproduction in w.ts reserved$ includin t. If a woman sees a guy who knows everybody and plays the social scene really well and has all these social connections! you know! if that"s what she"s attracted to! that"s the children she"s gonna have! the children with those genes. &hat else/ &hat else demonstrates social intelligence/ 7efinitely having a lot of social alignments. . (e"s got access to other women. I could say! )+h! you ' ())* +enusian Arts$ LLC. (e"s got access to social circles. #ou could walk into the venue and walk up to complete strangers and start talking to them! and for everyone else! it looks like you know them. If you think about it! the guy with a lot of social alignments! he"s got more access. $hen I go open the next set! you know. I"ll buy you lunch! and help me pick out some clothes!* you know! that sort of thing. . &ell! how are those genes gonna do into the future/ And it %ust happened to be that those people with more social alignments passed on their genes better! so today we have people that are attracted to that trait! attracted to social alignments.area"1lifestyle. I seem to be the social guy! and once I open two sets! now I can introduce them to each other. Instead! look at it as something that you do regularly! you know! once or twice a month! %ust so you can get good at it.P.

$he guy"s happy! because I introduced him to a chick! and I"m happy! because I can isolate my target somewhere and talk to her. 9or a bystander then it would be like! )&ow! this person is always walking around! must know everybody. . www.e ri .ilosop. So I open the next set! and I find some hot guy! and I say! )(ey! man! this girl wants to talk to you. -ow : So it"s a : 'o ahead. So the truth is that people are constantly playing Lovedrop: Female: Lovedrop: Female: Lovedrop: Male: Female: Lovedrop: ' ())* +enusian Arts$ LLC. 8ust exchange a few words. eing dominant and having a strong frame! having the control of the frame! is sexually attractive to women. !(egin Tra/6 $1# Male: +ne thing you can do is open a lot of sets or %ust ping a lot of people in a bar or whatever! and they"ll make a complete! like! pick-up out of it. All right. I see. I"ve got a target and an obstacle. . -ow my value goes up! and my target finds me more attractive. -ow the obstacle"s happy! because I introduced her to a hot guy.ts reserved$ includin t. #eah. #ou know! it"s %ust all value all around! and the fact that I"ve shown the social alignment by introducing one person to the other demonstrates that I know a lot of people! demonstrates that I have social alignments.area"1lifestyle.* #ou know! for example! maybe I open a two set! and there"s an obstacle. I want you to talk to her for a second. I want to isolate the target! but the obstacle is : you know! obviously! she can"t be left alone. (e"s really cool!* or! )(ey! check out this girl. $hat"s right. +h! okay.t of reproduction in w. So this is %ust one example that the basic principle is the more you can demonstrate social alignments! the more attractive you"ll be.* ?orrect.P.ake a %oke! whatever! so you know them! and then the next time you see them! you can ping them again and! you know! exchange a few words! and as you walk around! it appears like you know all these people! and you"ve always known all these people. She"s really nice. Another attraction switch is dominance. Absolutely.co& Pa e 1)1 of !"" All ri . It"s a visual thing. -o one"s ever gonna leave her friend alone like that. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1)1 of !"" should meet this guy.* I bring the hot guy back! introduce him to the obstacle! right. >ight. It"s a core attraction switch.ole or in part in any for&.y$ #nc.

)+h! sorry.t of reproduction in w.ystery calls the willingness to walk.* It"s not like that. She may think! )&ell! I"m not attracted to that!* you know! but that"s completely irrelevant. www. It still gives her access to resources.P. #ou have to convey that you"re willing to walk off! and I"ve said this before. -o big deal. It shows that she"s too important to me! whereas if I"m the sort of guy who always sort of gets pulled away : maybe I"ve got to go say hi to a friend! or maybe my friend wants to introduce me to this girl over there! or maybe I saw a cool light! and I sort of wandered off for a little bit. #ou know! if she tries to frame control a guy! and she wins! you know! )(old my purse.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 1)2 of !"" frame games with each other! men and women. It doesn"t mean that you"re trying to punish him or you"re trying to say! )+h! well! fuck you then. She may not even believe it. . $hink about it for a second. . >ather! it"s more like you %ust got distracted! more like you have things that interest you! and! you know! you %ust didn"t notice. $hat"s what she"s testing for.ole or in part in any for&. ' ())* +enusian Arts$ LLC.e ri . If you"re not strong enough to stand up against her! then how can you possibly be strong enough to stand up against the big! bad world to protect her while she"s pregnant and to protect her and her offspring! you know/ -ow! again! women don"t have to be conscious of this. &omen are constantly testing men! and it"s kind of interesting! because from the woman"s perspective! she wins either way. Another important attraction switch is what . If you fail the test! and she gains control of the frame! then she"s gained another pawn! which is good for her! whereas if you win the test and gain control of the frame and become dominant in that interaction! then she"s gonna find it more sexually attractive.en are constantly vying for dominance with each other.ilosop.area"1lifestyle.* #ou know! )'o get me a drink.* #ou know! if she wins! you know! of course it"s not sexually attractive to her! but at the same time! it"s still good. I was talking to some girl. #ou know! it gives her a little orbiter running around doing her bidding! and so she"s actually gonna be happy either way. $hey don"t have to be cogni<ant consciously that this is happening or that this is how their attraction switches operate. As long as her behavior matches up! that"s all that matters! and the genes will get passed on.ts reserved$ includin t. I didn"t mean to walk off!* you know! but the thing is that if I"m a little clingy to her! if I"m always standing too close to her and following her around and not willing to leave! it really lowers my value.* )+kay. . I can always wander back. #ou know! as long as her emotions get activated the right way and her behavior activates the right way! she doesn"t have to logically understand how it works.co& Pa e 1)2 of !"" All ri . I"ll take off right now. She"s testing for strength. #ou know! maybe I saw a cool painting! and I wandered over and looked at it! you know.y$ #nc.* )+kay.

Female: I have to agree with that! because quite often I think in my experience! if people are hanging around me! and I meet them! fine! but they"re obviously always right beside me and talking to me! which is fine! but they don"t leave like once they talk! and they"re %ust there all the time. $hat says that I must get other nines! right! whereas if I"m talking to her! and I"m all nervous to fuck it up! and I"m clinging! and I"m hoping it keeps going! I mean! it shows that I don"t have too many opportunities like that.P.co& Pa e 11) of !"" All ri . -o big deal.t of reproduction in w.* -ow ' ())* +enusian Arts$ LLC.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 11) of !"" $hat willingness to walk! that indicator that you"re not clinging or sticking or hovering is such a powerful attraction switch that I would say it"s basically necessary in the game. #ou seem like a great person. asically! it communicates to her that I don"t get that many women. So do it! because it works! you know! %ust being willing to convey that you"re willing to lose the set. : hoping the next thing happens. If she doesn"t see that! if she feels that you"re a little too clingy! your value drops through the floor! and it"s over. So! for example! let"s say that I go up to a girl! and I say! )(ey! you know! I really like you. So what else conveys value/ &hat can I do in my behavior/ &hat is it about the way that I act that makes me more attractive/ &ell! a big one is using indicators of disinterest. I"d like to see you again sometime. . &e"ll have to think about it.y$ #nc. I hope something happens. At some point in the game before you sleep with a girl! you definitely have to convey to her a complete! perfect! happy willingness to turn and walk around and walk off as if it were no big deal whatsoever.* ut that"s cool if they go off! and then they come back. #ou talk.ilosop. It"s much more attractive.ole or in part in any for&. ?an I get your number/* And she"s! )I don"t know. Indicators of disinterest convey higher value! okay. #eah. #ou know! if I"m talking to a nine! and things are going well! and I convey that it"s not that important to me! I can still walk off.area"1lifestyle. Lovedrop: Female: Lovedrop: Female: Lovedrop: Female: Lovedrop: . It"s much more attractive.ts reserved$ includin t. www. )I hope something happens. #ou know! I"ve %ust destroyed my own pre-selection by acting clingy and hovering. -o! that makes sense. $he set"s not that important to you.e ri . $hat says that I"m pre-selected. #ou seem really cool. $hey"re %ust standing there : It"s very irritating.

(ere"s my number. .ts reserved$ includin t. I don"t really need you.t of reproduction in w.co& Pa e 111 of !"" All ri . .e ri .ole or in part in any for&. #ou know! I mean! you"re cool and all! but I"m not stuck on you. She"s saying! )I don"t know. !End of "udio# ' ())* +enusian Arts$ LLC. (ere"s my number!* right/ $hat would show that she"s a little desperate or that she"s definitely ready and interested! you know! and maybe she doesn"t have as many options! but when a girl indicates disinterest! it shows that she has higher value. &e"ll have to think about it!* what she"s doing is she"s indicating disinterest! okay. She"d be like! )#eah! we should hang out.ilosop.* She"s indicating disinterest. &ell! what does this say/ $his says that she has a lot of options. She"s not being insulting or rude. #ou know! it shows that she has higher value. She"s not being a bitch.y$ #nc. . If she was desperate! she would %ump all over it.aybe she has access to ten guys that are more attractive. &e"ll have to think about it!* but she"s definitely not %umping on the bait too easily.area"1lifestyle. $o whatever degree you indicate disinterest! you raise your own value! you know. #ou know! maybe she has another guy who"s more attractive.P. #ou know! what she"s showing is! )#ou know! I can take it or leave it. www. She has more options.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD / #nstructor$ Male and %e&ale 3pea4ers Pa e 111 of !"" when she says that! )I don"t know. So the same is true of you.

aybe he has other girls. &ell! this is a great social advantage. Any time that you.s listening to you.s reacting to me more and I. $hat : #ou. &hy/ ecause you.ilosop.P. 5veryone.ole or in part in any for&. Another thing that conveys value is humor and emotional stimulation.m so eager or desperate. www.m also conveying higher value! because higher value people! they.re talking about active disinterest.re more picky. . #ou.m going to get a lot deeper into disinterest and false disqualifiers and negs and how they work and what they do! but I %ust wanted to mention that now! that indicating disinterest is a way of conveying higher value. She.s making people laugh or stimulating their emotions! so they.t even think of her sexually.m reacting to her less! I look less interested6 I look higher value.m going to %ump all over it like I.m going to get a long deeper into neg theory after we talk about all the rest of these attractions! which I want to finish going through the list here.aybe he has some degree of preselection. So the bottom line is when you indicate disinterest! people take it as if you have higher value.re doing is you.y$ #nc.s correct. .aybe he has more options.re %ust reacting less.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 11( of !"" !(egin tra/6 +tr$# Lovedrop: -ow! so we.t even notice her that way. .re the one who.s this guy! he could take it or leave it.aybe she. .re talking about the value that is conveyed through your behaviors! and one of those behaviors that conveys value is an indicator of disinterest. .t of reproduction in w.re right! active disinterest is a good way of looking at it.s most entertaining. $he fact that I.s inept! doesn. 8ust because some cute girl wants to talk to me! doesn. Male 9$: Lovedrop: Male 9$: Lovedrop: ut disinterest is not the same as %ust standing around in a boy with a frown on your face and not approaching anybody/ $hat.re giving their attention to you.ts reserved$ includin t. $hey have more options.s focusing their attention towards you. #eah! what you. .s trying to hook up with me! and here. Any time that I indicate disinterest! I.t know what to do! scared to do it! %ust kind of standing there trying to look cool! hoping that something magically happens on its own6 whereas to me! disinterest is : yeah! you.s already married! whatever.t mean I.e ri . &hat you. So I.co& Pa e 11( of !"" All ri . So I.re holding court. .aybe he.m willing to walk away! or not that interested! maybe a little disinterested : or maybe I didn.s a hot girl! but I didn.re the one who. It ' ())* +enusian Arts$ LLC.area"1lifestyle.s thinking to herself! Q&ell! this is weird6 every guy.ve %ust described sounds more like chicken6 sounds like someone who. 5veryone.re making people laugh! you. If it looks like a girl.

t do that good of an example. (umor is the accurate indicator of intelligence. I might say! Q+h! 7ex is in there scraping his face with a butcher knife!Q or something. .co& Pa e 11! of !"" All ri . A humorous person tends to be an intelligent person. It.Q A good way to test this is to go to ?raig. I like to use absurd analogies.ist and look at the personal ads! and look on each personal ad posted by a woman.ll compare things to : let.ll notice that they all ask for basically the same five to eight traits! and humor is one of them.y$ #nc.s say that someone.re shaving with a disposable ra<or. +ne trick : and this is .re trying to express some form of truth by exaggerating it and taking it into the absurd! but there.ll make an analogy that it makes a really caricature example of that behavior! pushes it to the absurd level.Q ut if I were to mike myself up with a digital voice recorder and %ust record myself for a night while I.re an asshole!Q he goes! QAnd then some!Q right/ (e.s actually not that funny! but it.s always a kernel of truth in it that you.re funny.ystery.s say that you.ike! let.m trying to make something absurd! creating an analogy or comparison that makes it absurd so people look at it from that perspective.ole or in part in any for&. It also conveys creativity and intelligence.ister! you.e ri . $hey. $his is actually a core attraction switch for women.ll take whatever it is! and I. .ll say! QI want a man who makes me laugh. .ts reserved$ includin t. $hat.m teaching seminar and give an example! I can.s doing something.P.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 11! of !"" helps you get social alignments.re in there shaving and you. Q+kay! say something funny! then.m out running Lovedrop: ' ())* +enusian Arts$ LLC.ll %ust make it more absurd. www.s funny! because for me to sit here while I.ike if you say! Q(ey! . Anything that you say! he.s .s the essence of humor! like you. So what are some humorous tricks. I.area"1lifestyle. #ou can always go to the absurd. 7oes that make sense/ Male 9$: Female 9$E Lovedrop: 5xample/ 5xample! yeah/ . &omen who made it with intelligent men gained an evolutionary advantage! and so women are attracted to humor.s what makes people laugh.ilosop. -o matter what someone says! you can go to the absurd! and then everyone will laugh and you.re sort of exposing! and that.ve taken control of the frame! and you. I. Male 9$: $hat. #ou.s famous trick is he takes it to the absurd.t of reproduction in w.s an example of how I. #eah.s taking back the frame! inflating it to the absurd.ll %ust say what you said! but he.

s actually got good humor in there. .t know! maybe some of our infilled video will have good examples of that or whatever audio we. !Laughing#: !Laughing#: 'ive me 02 minutes on 'oogle/ I.Q &hen you say that! you look %ust like my grandma!Q and I. I like to do impressions! too. So I. www. Another thing that.P.ll sort of imitate a grandma saying what he %ust said! that sort of thing.ll sort of act it out with pantomime and do the voice! and everyone starts laughing.ll do.y$ #nc. $hat.m sure I could capture all kinds of great examples of %ust whacky! absurd humor that makes girls laugh.ll go do an impression of it! and I. So humor is often building up tension that can only be released by laughter. ?an you recommend a good book on humor/ -o. Dery interesting.co& Pa e 11/ of !"" All ri .e ri .ike! he basically started out with saying : !(egin Tra/6 +tr%# Male 9$: Lovedrop: Male 9$: Lovedrop: Male 9$: Lovedrop: Female 9$: Lovedrop: Male 9$: Lovedrop: Male 9$: Lovedrop: 3eople don. . .s the sort of thing that I.ll do a comparison! an absurd comparison! and then I.ole or in part in any for&.t of reproduction in w.ll make something absurd! I.m sure anyone else can 'oogle one as well.area"1lifestyle. See! but we laugh to relieve the tension.ts reserved$ includin t.t laugh most of the time because something is funny! but to relieve tension. $hat. If I say! Q#ou know what! you. $hat. Male 9$: 7avid 7.s right.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 11/ of !"" game! then I. I don.re %ust like my grandma when you do that!Q or.s really useful : again! an attraction switch is when you. had an interesting segment on that. 7avid 7. Dery interesting. I sort of figured out the way that women respond to humor.ilosop.s book is actually good for humor! Dou7le 8our Dating by 7avid 7eAngelo.ve got.re able to make people laugh and stimulate people emotionally! and so ' ())* +enusian Arts$ LLC. ?offee funny.

s %ust a fact. drinks! and all of a sudden! I feel this powerful grip on my ass. (ere.t say what happened! but rather say what you saw! what you felt! what you heard! right/ $hen when those experiences! as you.Q $hat.Q So I look down! and right there I see this beautiful kid with these big! bright eyes! and he says! Q(ey! .m doing is! I. $he thing is that most women don.ole or in part in any for&.re storytelling.t it ama<ing how electricity works!Q or something like that! and they.m thinking! you know! I.s this cute bartender behind the bar. Instead I might say thisE QI.ve had girls grab my ass before : ' ())* +enusian Arts$ LLC.re describing something! describe it in terms of sensations and emotions. I can see her boobs bouncing as she.s say you.s some simple examples of this. It doesn. It. 'uys tend to get stuck on these logical soliloquies! where he sits there and explains to a girl the intricate parts of how to put a diesel motor together! or QIsn.ve got a kinesthetic feeling in my body6 you.Q -ow! what is this/ It. If I were to say! Q#ou know! this like kid tugged on my shirt. .ll say : let. .area"1lifestyle.s my reaction : then I saw this.t of reproduction in w.ll hit facts! facts! facts.m doing here is instead of saying a fact! QSome kid grabbed my shirt!Q instead what I.m saying! this happened6 event occurred6 it.ve described! having those experiences! then you describe the emotion that results! that. So what do we do/ &henever you.m always trying to bring things back to an emotional and an experiential description.s factual.co& Pa e 11" of !"" All ri .m standing at the bar! and this guy grabs my ass.m painting in their mind as I tell this story.m %ust giving a fact! a kid tugged tugged on my shirt6 whereas instead! what if I were to say! Q#ou know! suddenly I feel this pulling on the front of my shirt.re using facts and logic because they find it interesting and they find it cool.y$ #nc. So I.m standing at the bar.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 11" of !"" one trick for that that.s more stimulating is emotions. Q&ell! this works like this because of this and logically this leads to this!Q and they.t have any experience being described! but that.Q So I.P.t find it very stimulating! and what.e ri . (ow did you proact/ $hen what happened6 and don.s activated inside of you as a result of that! and then the way that you reacted.s smoke in the air! and there.s a fact! right/ I.ts reserved$ includin t.s pretty obvious if you think about it! is to always describe things in terms of sensation and emotion.re telling some story about how some guy grabbed your ass in a bar.ve had girls grab my ass before : then notice how I threw in a little pre-selection there : I.ve got a new picture! a visual picture that I. #ou could say it like this.s what really sucks people in when you.m describing an experience6 I felt this! then I looked down : there.ve got a reaction in my behavior6 you.s kind of sweaty and there. I. #ou.s walking around pouring peoples.ister. www.Q &hat I.re telling a story! whenever you.ilosop. #ou could say! QI. Another example that I use is I.

m attracted to a really hot girl and less attracted to a really old lady.area"1lifestyle.co& Pa e 110 of !"" All ri . So I slowly turn around : and now here again! as I.P.y$ #nc.m describing emotions6 I. If I put my hand on a hot stove! I. www.s good for me. So let. $hese feelings are there for your own good! to motivate your behavior! to give you the best statistical chance.m telling the story! I.m doing an impression of him So notice that instead of %ust saying! Q(ey! some guy grabbed my ass!Q instead of %ust giving a fact! instead! I.(ey! buddy boy! how. $he fact that I. !(egin Tra/6 +tr&# Lovedrop: So we talked about attraction switches that come from the way that you look. &hat are feelings/ 9eelings are behavior motivators! right. I.m describing! QAnd then I saw this! and then I felt this.m going to feel a powerful feeling to make me move away! to make me pull my hand away. So this is important! because this sort of delivery and this sort of conversational style! is attractive.m attracted to a hot girl instead of an old lady makes me more likely to ' ())* +enusian Arts$ LLC.ole or in part in any for&. $his is the sort of storytelling and conversation that is compelling and attractive to women. I actually show my head turning as I turn around with a curiosity on my face! because I.s this man. It causes attraction.s face! not eight inches away with his stubble and this handlebar mustache and his piercing blue eyes looking me right in the face! and he says! . . I do this kind of cowboy voice or something! and make a statement as if I.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 110 of !"" but this felt %ust a little too strong! like %ust a powerful grip.ve talked about attraction switches that come from the way that you act.Q &ell! this is a little weird! I felt this emotion! right! and then I see this picture with this mustache right in front of my face! and I feel this grip on my butt or whatever.s why these feelings are there. &hat I. #our emotions are there to make you do things! so your feelings are there to make you do things. .s look at it from this perspective. Also notice my delivery! notice my pausing! notice my emotions! et cetera! et cetera! et cetera. &e.m acting it out.t of reproduction in w. So emotions are the same way.s worth practicing! understanding properly. So I slowly turn around! and there. $his is the sort of thing that pulls them in.e ri .m doing is! I. $hat.ilosop.ts reserved$ includin t. $his is the healthy emotions attraction switch. $his is really interesting stuff to me.m describing an experience. Q+h! I. -ext! I want to talk about attraction switches that are based on the way that your emotions are programmed.m describing experiences6 I.m trying to put these feelings into the listener.m describing reactions.s it going/Q -ow! notice that now I. $hat feeling made me do something6 it motivated me to take my hand off the hot stove for my own good.Q &ell! that. It.ve done an imitation of the guy.

s getting her face kicked in! hee! hee! hee!Q like it. www.s say I have an emotion that causes me to bang my head against the wall. .co& Pa e 11* of !"" All ri . So women are not attracted to unhealthy emotions.s funny! right/ &hat does that show/ . It. Imagine that I point at my niece! and I! Q(a! ha! ha! look at that6 she.e ri . She can relax and trust in that. I almost don.s something emotional that makes me feel connected to you! that there. &hat if they.re miswired.ilosop.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 11* of !"" pass on my genes! so that feeling motivates me in the right direction to help my survival and replication value. $here. &hen your emotions are messed up! it. &ell! if a woman was attracted to that! would that help her pass on her genes better/ -o.area"1lifestyle.s say that I.ts reserved$ includin t.s extremely unattractive to women! because what happens if you marry her and ten years later! she.et.s billions of other girls! for some reason I formed this connection to you! and there.m one of those people : some people are born with a fifth finger or something! right.s getting her face kicked in/ She needs to know! not only am I going to come and protect her! not only am I going to do that! but that my emotions made me do it! that my emotions are programmed such that I will fill this overwhelming feeling come over my body that will force me to go protect her.m made at her or whatever! as soon as some weirdo starts kicking her in the face! that I. -ow! imagine that I start laughing.m born with a messed-up emotion! and it makes me have an urge to bang my head against the wall.ove is this emotion! right! that pair bonds us to another person that says! Q5ven though you.P. $hat.y$ #nc. &ell! let. . $hey.s so important about love.s say I.s something ' ())* +enusian Arts$ LLC. . $his is the important key to understand about the healthy emotions attraction switch.s something about my emotions that when I.t of reproduction in w.t even have a choice about it! because my emotions made me to it.y emotions are fucked up.re programmed wrong. She can trust that even if I.re programmed wrong.m going to feel this overwhelming emotion come through my whole body and I. $hink about this for a second.s that my emotions made me do it.m supposed to be protective of my loved ones! instead I sort of get a humorous thrill out of watching them get violently in%ured.s say that my emotions are fucked up. . &omen are going to find this extremely unattractive. $hey.s something she can count on.m out with a woman! I. So let.y little eight-year-old niece is being beat up by a bully.s not %ust that I do the right behavior6 it. So let. .ole or in part in any for&. .re not the hottest girl in the world! even though there.m walking through the park! and I see my niece getting beat up.s say that I.et.m going to come running over there and do something about it. -ow! this is very interesting because if you think about it for a second! this is also what.

5ven though I may have a logical reason! Q+h! well! I. $his is why women need to feel this sense that there.ole or in part in any for&.s not %ust a decision that he. So for example! protector of loved ones. -ow! remember! I never really used to have much respect for the protector of loved ones attraction switch.re looking for emotions that are programmed the right way. . $his emotion makes me do it.ystery talking about it all the time! but until I really see it in action is when I really understood and gained new respect for the healthy emotions attraction switch.s going to be there! attached to her! and if she knows that his emotions are forcing him to do it! that makes her feel a lot more safe! because she knows that it.s in any danger! you have emotions that are going to fire up and motivate you to protect her.m not going to run off because I feel this emotion for her. So the whole idea of love is that it.m not in the mood!Q or! Q#ou. If you. $hat.s what.s an emotional bond before they expose themselves to sex! because what if she gets pregnant and then the guy disappears.s %ust one attraction switch! but it is a very effective attraction switch.s something that transcends logic. $hat.e ri .ll still safe because I still love her.re the sort of person who protects his loved ones and your emotions motivate you to do this! then that gives her a great advantage.ilosop.s actually a powerful feeling that.y$ #nc.Q I always stuck to pre-selection! because it.s motivating his behavior and forcing him to do it.t like the way you cooked the beans!Q or whatever it is! no matter what these logical reasons are that come up! she. She needs to know that he. +f course! again! it. &hen a woman sees that a man has emotional programming that makes him protect his loved ones! the woman will feel more attracted to that man. I remember . &hether I like it or not! this emotion forces it. $here.ve been a bitch lately!Q or : !(egin tra/6 +tr*# Lovedrop: : Q#ou did this or you did that!Q or QI don.ts reserved$ includin t. . . 3re-selection.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 111 of !"" special and unique about you! and I feel it emotionally.s making! but it.ystery always used to say! Qpre-selection! leader of men! protector of loved ones!Q and I sort of said! Q#eah! yeah! yeah! protector of loved ones! whatever.co& Pa e 111 of !"" All ri . $his is precisely the case.s this emotion there outside of my reason! outside of my logic! that makes me feel this connection. If she mates with you! she knows that any time that she.t of reproduction in w.P. So what women are looking for is they.s good for her survival and replication values! so it makes sense that women would develop an attraction to it.s so important about love.Q $hat allows her to relax and feel comfortable and feel trust! feel safe! because for example! if I have sex with her! I.area"1lifestyle. www.s pretty easy to ' ())* +enusian Arts$ LLC.

I %ust want you to know that I love you and I.t . At some point during the dinner! . She started sparkling and playing with her hair.atador. It. I was in -ew #ork with .ystery! and we had done a boot camp up there! and the boot camp was over! and we all went out to dinner! and . Another couple of healthy emotions that women select for : and these are well known in the field of evolutionary psychology.s almost like a : I felt it in my stomach.ts reserved$ includin t. If you read up on evolutionary psychology! you.re my brother! and I will always be there for you. . ' ())* +enusian Arts$ LLC. (e felt it and %ust turned to his brother and said it. I mean! I really noticed it! but what was interesting to me was more than %ust seeing it visually.s an automatic! hardwired! emotional switch built into her that when she sees that sort of behavior in a man! she feels attraction. I felt the hit.y$ #nc.atador and . If you can flip these sorts of switches in your stories! then you will be able to get this sort of attraction %ust by storytelling! and we.co& Pa e 112 of !"" All ri .e ri .Q (e basically says it like this. After that moment! I reali<ed the true power of showing healthy emotions.ll never forget it. 7(D is a 7emonstration of (igher Dalue. . She turned to face .P. . >ight in that moment when he said that! I saw that girl light up like a fucking ?hristmas tree. y demonstrating that he loved his brother and that he would always be there for his brother to provide resources and protection because he loved him! she recogni<ed that his emotional programming was set up properly.area"1lifestyle. Also! . $he second that he said it! in that 7(D hit! she lit up and I felt it.ll see that women definitely select for these traits.ilosop.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 112 of !"" get a girl on your arm and show off pre-selection and make yourself look attractive.! and I saw it work. I mean! her eyes lit up! her body posture changed. 5ven more than that! I felt it in my body.re all sitting there having dinner.s brother was there.Q >ight when he said that : I believe he was being genuine.atador.t of reproduction in w. (e had met her at the bar the night before! and she came out to dinner with us.en who are more kind are more attractive to women! on average! all other things being the same.atador had this girl that he had been seeing. I will always be there for you! no matter what happens.re going to describe how to do that. Again! this isn.some logical decision that she.m there for you. +ne of them is kindness.atador looks over at his brother and he %ust tells him! Q(ey! I love you! bro. I remember this one story6 I.s made6 rather! it. (e says! Q#ou know! bro! I %ust wanted to let you know that I really love you and you. www.ole or in part in any for&. (e had his little brother! who was working in -ew #ork ?ity as a model or an actor or something like that! and the guy came out to dinner with us! and we.

Q So the strength has to be there first! but given that that. trying to fuck her! you.s an unkind person.y$ #nc. . Q+h! 8im was an ambitious ' ())* +enusian Arts$ LLC.s a little cocky funny! he doesn.s being nice to me because he wants to get in bed with me! but really he.t want to show it early on.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1() of !"" -ow! remember! all other things being the same : you still have to be strong and dominant and pre-selected and have resources and have social alignments and all these other attractive traits. . eing nice doesn. I knew there was a soft side to him. . So to whatever degree that you convey kindness! women do select for this emotionally. (er reaction.s not also nice! so women select for kindness. &omen consistently find it unattractive when the guy is cruel or mean to the wait staff! and this is because women select for kindness.P.area"1lifestyle. $hey will get sexual attraction! romantic attraction! to kindness! as long as you understand that it.t cut it! but if you do have these other forms of attraction and you.s a baby carriage. $o whatever degree that you come off ambitious! to whatever degree that you come off hardworking! you will come off more attractive.ts reserved$ includin t.re also nice! you. +ftentimes! when women refer to an attractive man! they refer to him as ambitious. +bviously! if you.co& Pa e 1() of !"" All ri .s Alpha! he. &hat a cute little baby! so cute!Q right.s so sweet.re.t take her too seriously! but then when he walks by the baby carriage! he says! Q+h! look at the cute little baby!Q and boom! she feels! Q+h! wow! he. Imagine thisE Imagine a woman is in the park! walking through the park! and here comes a wimpy guy who comes walking along! and there.aybe he. Another couple of healthy emotions that women select for are ambition and industriousness. www. $his is actually clichF. .ilosop.e ri . . . &hen I guy takes her out on a date and he.s in good shape! he. !(egin tra/6 +tr+# Lovedrop: And he says! Q+h! look at the little baby. $he way of looking at this is that you probably don.s a %erk.s going to look and see how you treat other people.s rude to the waiter or tips the waiter poorly or he.s %ust one attraction switch. +ne way that women pick up on this is the way that you treat other people.s a %erk6 he. So what if he loves the baby! right.t of reproduction in w.s not in a vacuum6 it.aybe he.eanwhile! imagine a really attractive guy comes along. .s the case! adding kindness is extremely attractive.s kind of a %erk to the waiter! basically what that tells her is this guy.any women have told me consistently that they.ole or in part in any for&.re going to be nice to her! but she.re more attractive than a guy who. So when they see this clear indicator that this person is unkind! boom! attraction turns off. $heir attraction is partially dependent on this switch.re always turned off when they see a guy mistreat a waiter.s going to be basically! whatever! right! sort of this wimpy! loser guy.

s not being faked. !(egin tra/6 +tr0# Lovedrop: Another set of attraction switches have to do with the way that other people react to you. .y$ #nc. So the fist perfect example of this is pre-selection. &e have this social programming built into us.area"1lifestyle.ole or in part in any for&.m not going to say this. I.m conveying the healthy emotions attraction switch. $hey select for the propensity to protect his loved ones! and so on.Q Instead! I.s going to find that attractive. &e.co& Pa e 1(1 of !"" All ri .ilosop.m going to say! Q&ell! I see my niece getting beat up! and all of a sudden I %ust feel this overwhelming feeling come over my whole body and I %ust see red! and before I can even think about it! I. 8ust like when a man describes a woman! he.Q Something about that word is implied is attractive6 and it.m running over there to do something. $hey select for ambition! industriousness! kindness.m already over there! swinging punches! because I love that little girl so much.t of reproduction in w. So there are actually attraction switches built into the way that other people respond to you.ll say! Q+h! she was this beautiful girl!Q and what does the girl say/ Q+h! he was an ambitious young lawyer. $he basic one is attention.s a genuine thing6 it.Q I didn.ts reserved$ includin t.s true! that is one emotional in men that women select for. I.m going to describe the emotion that activates it.m telling a story! I.t reali<e what happened6 I.s other people around me6 that. &e show how the emotions are motivating me to protect my loved ones.s their behavior. If a girl sees that all these other girls are talking to me! all these other girls are standing near me! all these other girls are touching me! if she sees that she.ll hear this word quite a bit.re social animals. $his is an attraction switch that women select for. 9or example! if I see my little niece getting beat up and I. So these are important switches to understand. Automatically! without thinking! the feeling made me do it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1(1 of !"" young lawyer from $ennessee. #our emotions made you do it.m showing that a feeling came over me that was so powerful that I couldn"t think of anything else! and I immediately swung into action. .e ri .s not my behavior6 that. $he next group of attraction switches come from the way that other people react to you.P. www. 3eople tend to turn their attention towards the value. $he key to conveying healthy emotions is making it look like your emotions made you do it! like it. -otice how in the story I. +ur sexual attraction is based in part on the way that people behave socially around us.m not %ust saying that the behavior was correct! but I. So if a ' ())* +enusian Arts$ LLC. -otice! that.m not going to say! Q+h! I saw her getting beat up! so I ran over there to help.! because I.Q &hy is that word thrown in there/ &hy not! Q8im was a cute lawyer!Q or something/ ut you.

ole or in part in any for&. $his guy. I believe it was $yler told me this analogy.re waiting to buy a drink! or they.s the first basic attraction switch based on how others react to you.e ri . .re waiting to pay for their drink! or they. .s attractive.s moving around behind the bar! people are looking at him.t of reproduction in w.ve already ordered it6 they.aybe it has nothing to do with his place in life logically. 5ven if I actually don.s %ust a switch that says! Q+h! here.P.s looking at the bartender.co& Pa e 1(( of !"" All ri .t %ust people looking at me. &hy is it that he. 5veryone. As the bartender. $hey.re programmed to be attracted to beggars! how well are you going to pass on your genes/ -ot as well.s reacting to the bartender.aybe they.s concert.s a bunch of people looking at him! attractive.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1(( of !"" bunch of people are looking at me! it indicates value6 women are going to find that attractive. So that. If you.Q .re waiting for their drink to come after they. $here.s one person and here.s I!111 people staring at them and screaming and crying. It could be wrong from time to time! but it. $here are a lot of girls that will happily hook up with a bartender. It.s giving attention and social proof to the bartender! and because of that! he.s the bartender moving behind the bar.ll act based on that.area"1lifestyle.s %ust attention. So this isn.re waiting for their turn to talk to the guy.. Same as the eatle.ts reserved$ includin t. $hey. >ather ' ())* +enusian Arts$ LLC.s the eatles up on stage6 there.ll never forget was he said! Q. (e said! Q&ell! look at it this way! ?hris. 8ust the fact that everyone.s right so often that they evolve an attraction to it. ut wait a second. 5veryone.ilosop.y$ #nc. Another indicator of the way that people react to you is the social alignments that you have. . !Snap#: Attractive! automatically. . So a girl comes into that situation and she sees all this social proof going towards this one guy or this group of guys6 she finds them more attractive! because we.t have any value! the indicator is still accurate enough that women find it attractive! and they.re programmed to have attraction to those who have more social proof! because that attraction gives us a benefit. artenders get laid like rock stars.ve even got a little pecking order about who gets to talk to him first! and if you.s not a lawyer! and he.ook at it this way! ?hris. www.s a bartender. 3eople look at the bartender. $he fact is! everyone.s waiting for their chance to talk to the bartender or to get through the bouncer gives them some degree of social value that makes them more attractive6 irregardless of their actual amount of resources or whatever else.re waiting for their turn to order.s so attractive/ $he point that $yler made to me that I.re buddies of the bartender! he comes and serves you first even if other people have been waiting and all this sort of thing.s not a doctor6 he.re in a bar! and there.Q A bunch of people looking at one person/ !Snap#: Attractive. Imagine that you.aybe it.

$hey got all these hot girls dancing up on them! girls trying to get up on them. #ou get a rap video of some famous rapper! and you get some other famous rapper to come in and guest star on the video! and the two of them dance around together on the video. www.area"1lifestyle. .re doing is they. !(egin tra/6 +tr1# Lovedrop: I noticed this before once! really strongly in . $hey.y$ #nc.s that guy. -ext time he goes into a club! it.re showing off their social proof.re dancing! then more girls start popping up like mushrooms around our area of the dance floor. I.s a bunch of hot girls standing ion a circle around me! %ust sort of talking to each other! they. &hat they.re making themselves look higher value so that every person who watches that music video is sort of programmed to treat this guy with high value.co& Pa e 1(! of !"" All ri .ole or in part in any for&. So this is social alignments! so whatever degree that you convey more social alignments! you will convey higher attractiveness. $hey got a bottle of champagne! all their boys sitting around. $hey.m going to be perceived as more attractive than someone else.re parading their alignments.it sort of snowballs! ' ())* +enusian Arts$ LLC. &hat they. -otice this for example! in rap videos.re giving me proximity instead of giving proximity to someone else. $he whole is greater than the sum of its parts.re doing is they.iami about two! two and a half months ago.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1(! of !"" more than that! this is people aligning with me.re out on the dance floor dancing! and I %ust love to dance.! and we react to him as though he has such high value because all these switches have been flipped in our mind that have been set up in that music video. As we.re %ust showing off these attractive switches. ecause we.re showing off! QI party with this guy!Q and Q(ay! I party with this guy!Q and the fact that we party together gives us more value.P. .e ri . $hey.re aligned together! we have the value! the added value that comes from that social alignment. Another example of the way others react to you is proximity. $hey. I took two girls out to a bar and we. So not that they.s like Q+oh! it.s 3uff 7addy!Q right. It. $his is people who want to shake my hand! people who want to invite me to a party! people who want to hang out with me! people who want to do business with me! people who want to have sex Iith me or get in a relationship with me!.m standing there talking to a friend and there.ilosop. -otice in those same videos! they got all their boys sitting around. So two or three girls go dance with each other five feet away! and another group pops up6 and they want to go dance -.re showing off their social alignments.re showing off their pre-selection.t of reproduction in w. $hey. I give off this great energy6 the girls are having fun.ts reserved$ includin t. If I.re trying to dance with me! but they %ust sort of dance in my proximity! in my area.

At some point! me and my girls left and went to a different part of the bar! and it was so funny to %ust sort of to turn back and look at the dance floor I %ust left and see these four or five A.s %ust a funny experience to see that first time there with my girls! that attracts more girls! that attracts more girls! that attracts A. So then by pure random chance! there. (e. It was actually a pretty dramatic example which is why I.+'S.s more girls over there.s really excited to see me. &hat this does is %ust causes massive pre-selection in all the sets that are nearby! so I %ust start getting more and more attention! more touches! more smiles! more girls dancing closer to me! more girls popping up.s this really hot girl who I had gamed the night before at a different bar! and she sees me and she.+' yet/ A.s really happy to see me.y$ #nc.e ri .+'S standing there! blinking with a stupid look on their face! %ust standing there alone on the dance floor and not dancing6 no fun! no playfulness! trying to look all tough! trying to look cool.Q So the guys sort of come up towards a girl and tries to rub on her on the dance floor.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1(/ of !"" right.s sort of the bull moose! the bull of the football team! the guy who sort of %ust pushes his way! maybe bullies a little bit! says! Q'imme thisQ or Q'imme that!Q and people do it! so he sort of becomes accustomed to behaving that way. (e. So three or four sweaty-looking muscular guys with frowns on their faces come walking up on the dance floor. $he next group is going to find that spot more attractive because there. An Alpha guy is the guy who. It.ilosop.re not dancing! right6 they. Male 9$: Lovedrop: 7id we introduce the term A. It.+'S start coming in.s a girl6 I. +f course! they don.+' is %ust sort of an Alpha guy. www. An interesting experience.re %ust standing there! staring! coming in from all directions towards me and my girls! towards my group of people.co& Pa e 1(/ of !"" All ri .area"1lifestyle. &hat happens next/ $he A. (e.s like watching goats butt heads or something like that.t of reproduction in w. $hey %ust sort of! Q+h! there.s not dancing! but he tries to %ust kind of go up and rub his crotch on her butt or something! and she sort of shrieks and runs over closer to me and moves away from him! and I have these A.ts reserved$ includin t.s sort of %umping up and down like she.s like being at the licking ground.m going to go try and rub on her.+'S literally standing there.s always focused on dominance and controlling the frame. .P. It. So she comes running across the dance floor and %umps up on me and wraps her legs around my hips! and she. .ole or in part in any for&.s always focused on ' ())* +enusian Arts$ LLC.t really know what to do.m describing it! because there were literally probably @1 or I1 girls dancing in a big group around me. A lot of guys might be weak! or eta! or %ust sort of a normal cool guy or a player-type of guy or a gay guy or whatever. $hey.

$he A.re doing group theory! you.re sort of taking over the group so that everyone. . Male 9$: Lovedrop: Hind of the %ock-type/ #eah! sort of the stereotype of the %ock.area"1lifestyle.re the one having everyone face you and listen to you.+' refers to Alpha . #ou. $hey either want to listen to you or ask you a question or talk to you6 you.t of reproduction in w.re playing a video game.m going to talk about much more in detail later on in this same audio course.ole or in part in any for&. 3roximity is %ust another example of how other people reacting to you makes you look more attractive. (e.s looking at you and everyone.+'S are like the sort of more muscular! more dominant! sort of louder guy that tries to get his way more! and he.ve got the normal guys running around! the boyfriends! and you. &hen you.e ri .ale of the 'roup! or Alpha .+' is.co& Pa e 1(" of !"" All ri .t say much! and another ' ())* +enusian Arts$ LLC. #ou.ve %ust described it! the dance floor story.s listening to you as you tell your story! and you.re the Alpha guys.s displayed more dominance! and he gets more females.s listening to you.ilosop. Anytime that you lead the men! the women will follow! and the best way to lead a man is by showing him something! by being an authority to him in a positive way.ve got the A. #ou. Another way that people look attractive with others reacting to them is by looking like the tribal leader! the leader of men.ts reserved$ includin t.re the guy who sits in the group kind of quiet! doesn.ale +ther 'uy.s a lot of cool %ocks out there! but the typical negative stereotype %ock is a perfect example of what an A.P. If you. !(egin tra/6 +tr2# Lovedrop: So proximity! as I.s the same socially. $hink of it like you. .ve got the cute little girl who.re the one holding court. $his is the same with goats. A. $hey. +bviously! there.s running around and you.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1(" of !"" being more Alpha than the other guy6 does that guy think that he can tell me what to do! that sort of thing.s more pushy about it.re the one holding court. #ou.+'S. So it. www.re the ones that are the most concerned with intimidating people! with looking dominant or looking strong or looking tough. #ou see like two mountain goats butt heads and one of them wins6 all the females want to go mate with the winner.y$ #nc. asically they.re the Alpha male of the group6 you.ve got the obstacles running around and you. In any case! the most typical example of being a tribal leader! being a leader of men! is when you do group theory! which I.re the Alpha male! and women go for the women.re going into a group of people and you.re telling some fun! entertaining story and everyone.s used to getting it because he. y holding court you show that you have Alpha status.

area"1lifestyle. So it.ole or in part in any for&. ' ())* +enusian Arts$ LLC.t help but turn their attention to you.t mean that people can.ilosop.aybe she. +ne way to do that! befriend the guys! but don.s a saying that when a man goes into a bar! he wants to sleep with all the women! but when a woman goes into a bar! she wants to sleep with the winner. $o whatever degree that you convey a similarity between you and the target! she will find you more attractive. If we go into a group and take over the group and becomes a dominant Alpha . $hat doesn. $his is really a real attraction switch! because the women who mated with men who had too many dissimilarities that are not similar enough! had less reproductive success.P.s holding court.co& Pa e 1(0 of !"" All ri .t get in a romantic relationship with someone who has dissimilarities6 it %ust means that the more dissimilarities there are! the more of a handicap you have. ecause of that in today. If they say something rude! don.t of reproduction in w. e positive6 add value6 take over the conversation with something fun and interesting and exciting and playful.s one of the primary demonstrations of higher value! or 7(Ds! that we use in the Denetian arts! is taking advantage of the leader of men attraction switch. (old court in the group to the point where people want to pay their attention to you. Sort of act like they. &hen you.re the one who.re the one who. -ow! one other attraction switch that.re being a little weird.ll become.ale of the group! then we basically hi%ack their social group in our favor! and all the women in that group are going to be attracted to you! or me! whoever took over the group! and they.m more of an artistic type of person! and I have a certain set of interests! and I dig this girl who.s say that I. .s the same way.s important! because this comes from evolutionary psychology! is similarity. So for example! let.re not going to be attracted to the guys that are sort of more subservient to us and more eta to us.s more into engineering.ve got that you.s a different sort of person.re going to be naturally the dominant male.y$ #nc..s world! women tend to be attracted to similarity. If you.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1(0 of !"" guy tells you what to do and you do it! none of the women are going to want to hook up with you! at all. #ou.t acknowledge it. #ou can have certain personality traits that are similar or certain hobbies or interests that are similar! but my point is! the more similar you become! the more attractive you become.e ri .s the tribal leader6 you.ve got people paying their attention to you! not because you. www. . $he more dissimilar you become! the less attractive you.re pushing it but because you have so much value and so much fun that they can.s maybe from a different culture or she.t get sucked into their frames. She wants the top dog! or at least someone in the leadership circle of the top dog. It. +f course! even in that example! you can still have similarities. $he reason for this is because people who mated with dissimilar people in the past had less reproductive success.ts reserved$ includin t. . $here.

Q(ey! man! don.t of reproduction in w. Smoke something good.m being helpful! right/ ut as long as I have the dominant role in that interaction! I. I say! Q(ere! smoke this! man6 here have a fresh cigarette! ro.m going to teach him something.s say he says! Q(ey! man! do you mind if I smoke that cigarette there in the ashtray/Q $here.Q And I pull it out of his mouth and throw it away! and I open up a fresh pack and hand him a fresh cigarette. I say! Q(ey! sure! ro! go ahead.re going to like it.ve sort of taken a dominant role in that interaction! but in a way that is for his own good.s say that a guy likes to smoke a cigarette. (old out your hand like this! now do this.Q (e reaches out and picks it up and goes to light it! and I look over! it.Q -otice what I.t that cool! ro/ 9ucking awesome! huh/Q -otice how I.t get mad at me because I.m going to look like the dominant male! and the women are going to find me attractive more than him. (ow can I be a %erk if I. So for example! let.t smoke that crap. #ou can read about it in the Evolution of Desire by 7avid uss.an! you shouldn"t be smoking that thing. ?ome on! don. (ere! have something good.Q And I show him some little trick.e ri . !(egin tra/6 +tr3# Male 9$: 'oing back to the attraction switch of demonstrate : or being the real men! you said demonstrating something through the other guys in the group. I. (e can.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1(* of !"" $o whatever degree they see that they have more similarity with a man! they will feel more that it.s a half cigarette in the ashtray.s a half cigarette.et.m being friendly! if I.Q So I look like the good guy.ve done is I.s meant to be! and there.Q -ow! notice what I.ilosop. -ow! let. .y$ #nc.ve helped him out! ' ())* +enusian Arts$ LLC.s say I know some little trick or something! some little social trick! and I say! Q#ou know what! man! check this out.s really cool6 you. Smoke this.et me see that!. I.ittle rother! it comes off friendly! and so you can.m going to look Alpha6 I.area"1lifestyle. (ere! here! smoke this! man.Q I say! Q(ere! watch this.s a well-proven and demonstrated attraction switch.t smoke that.ve been dominant there.m more Alpha! because I was nice6 I was friendly6 I was helpful. I say! Q.co& Pa e 1(* of !"" All ri .ole or in part in any for&. www.P. #ou. ?ould you perhaps give some examples for the listener/ &ell! anytime that you teach a guy something! any time that you help a guy out with something in a dominant way! like the ig rother helping the . . I said! Q-o! don.ts reserved$ includin t. 7oes that make sense/ So same way if I. Lovedrop: .re going to like this better. $hat.t smoke that crap.t get all insecure about it.s a half cigarette. It. QIsn.m helping him.m doing is! I. I was doing something to be good to him.s more of a connection there and more of an attraction there! and it.t come off like the %erk. (e can.m going to show you this little trick. .

ut at the same time I. Any time that a girl sees you in that role! she.ole or in part in any for&.m leading some kind of team or some sort! threw a party! that fits the same attraction switch as well/ #es.s going to find you more attractive.ve got similarity! the leader of men! we.ilosop.ve sort of gone over the list of attraction switches! the things that cause evolutionary attraction.area"1lifestyle. $hese switches are : you. ?aptain of the football team! guy who threw the party! the guy who knows everybody! the karate teacher! whatever it is. Male 9$: Lovedrop: Male 9$: Lovedrop: !(egin tra/6 +tr$4# Lovedrop: So now we.ve got pre-selection! which is sort of the way people react to you6 you.ts reserved$ includin t.ve retained the Alpha side of the frame. . So if your identity includes -. It makes him look like a bitch about it! because what! the guy was being nice to you and you get all reactive and chill out! there! ro. www.y$ #nc. .ake sense/ Male 9$: Lovedrop: #ou can also do that in the storytelling. (aving the right attitudes! which we taught earlier in the course6 having the yin and the yen attitudes! being unreactive and adding a creative proactive positive energy to the interaction6 demonstrating social intelligence! and really intelligence of any form6 demonstrating dominance! conveying the willingness to walk away6 and ' ())* +enusian Arts$ LLC.I. I was sort of in the authority role and he was in the student role! so I. $hey convey survival replication value! which is sexually attractive. &e.ve got height! good looks! dominance! ambition : what are all these here. It. $here was some emergency situation! and you saved everybody. It will have a big effect on the responses you get. I. ?alm down there! ?ecil.co& Pa e 1(1 of !"" All ri . So I don. .t of reproduction in w.m going to read them out.m a teacher of something! or I was organi<ing an event! or I.P. 5xactly.ve got proximity! preselection! social alignments! getting attention or social proof! demonstrating the right emotions! such as kindness! protector of loved ones! ambition! industriousness6 the way you look! good looks! height and athleticism : athleticism being a big one actually.ve managed to retain the Alpha side of the frame! and the women are going to view me as the more attractive male6 the same as if I had butted heads and I was the stronger goat.e ri .s %ust a naturally attractive masculine trait.t come off like some %erk! and if he starts getting reactive! then it makes him look like a pissy little bitch.ve got protecting loved ones! which is a healthy emotional switch6 you. I was educating him.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1(1 of !"" but at the same time! I was leading him. I was teaching him.

So I told her my name! and she seemed like a pretty cool girl.m in a bar! and a girl sees other girls talking to me! and she perceives that pre-selection. .s happened here is I. &e didn. So what.s do it.s clear to her! even if she doesn. It.t see the pre-selection! but I.s seen it with her own two eyes. So let.Q So here I show the girl in the story was asking me questions. -ow! contrast this with taking the pre-selection switch and embedding it into a story.t of reproduction in w. I say! Q+h! well! we started talking to these girls! and this one girl was playing with her hair. #ou can embed it into your story.s an I+I.ve directly demonstrated pre-selection.m slipping preselection into the story. . So I.y$ #nc. .Q See! that.s say I.ve done here by telling this story. So you can embed these 7( spikes into your story! but you can also convey value by directly demonstrating it. $hose are indicators of interest right there.ve got all of these different attraction switches.m talking to a girl! telling her this story! she doesn.t see the girls around me6 she doesn. $hat.m telling a story.t really get to talk too much longer because I got distracted and I walked over to say hi to a friend of mine.m going to give an example and make the point clear.m telling her this story! she.ts reserved$ includin t. I. So you can put a value spike into your story. As I. $his works. -ow! notice what I. I.m still conveying it to her by subcommunicating it through my story. She. ut later on I ran into these girls towards the end of the night! and they invited us to a party.s hearing that some girl was asking me questions and touching her hair and touching me and smiling at me and so on.ilosop. I. It.ystery! and we were talking to these two girls! and this one girl! she was sort of twirling her hair! and she asked me my name. -ext! I say! Q#ou know! she was playing with her hair and then she asked me what was my name! and she asked me what do I do.ve directly demonstrated it.! and I say to the girl : you know! this is funny! because I was out last night with my friend .Q I said! Q+kay! let.s going to be so much fun.t understand it logically! she. &hat are the ways that we actually put them into use and make other people feel that attraction/ So I want to describe the difference now between embedding 7( spikes : 7( is a demonstration of higher value.s going to feel it emotionally. &ell! that means I must be a higher value guy6 I must be attractive.area"1lifestyle. www.e ri .ole or in part in any for&.co& Pa e 1(2 of !"" All ri .s say that I. $hey said! Q+h! you got to come to this party. #ou can subcommunicate higher value switches into your storytelling so that people will become more attracted to you. #ou got to come6 it. So as I. So we.s clear to her that I was getting pre-selection from another woman.et.P.m showing that some girl gave me an I+I.Q So I go and get in the car with the girls and we go to this party. ' ())* +enusian Arts$ LLC.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1(2 of !"" any other indicator of disinterest! -egging! and so on! disqualifiers : all convey higher value! which will make you more attractive.s I+Is.

$hat.s an indicator of interest.Q -ow! that. &hen a girl runs up to a guy at the end of the night in some bar and says! Q+h! we. I say! Q&ell! I was talking to this girl but then I got distracted!.Q -ow! girls know what this means.m talking to you.m %ust telling some fun story : oh! I was out partying with my friends and met this girl! and she invited me to a party! and then I saw this cra<y fight and it was some guy had toilet papered the whole house and whatever. (ey! I.m slipping in those demonstrations of higher value! and she.area"1lifestyle.ts reserved$ includin t.t be so rude6 I.P.ve got to come with us to this party6 you. #ou should come.Q -ow! imagine that you. It. I had to walk over and say hi to a friend of mine. So what I.t talk to them for too long because I got distracted. . 9or this same reason! you really want to avoid demonstrations of lower value. -otice how I. $he fact that I show her! oh! I got distracted so I %ust wandered off and said hi to a friend of mine! it shows her the willingness to walk. $hen I run into her at the end of the night! and she says! Q+h! you. A lot of guys may tell a story that actually lower their value! and they don. If two. I.s good! why not eight6 why not I1 or something like that.m talking.Q Again! this is a high value behavior. asically he.m talking to you.m doing! it seems like I.s picking up on it and feeling those emotionally! and she.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1!) of !"" !(egin tra/6 +tr$$# Lovedrop: -otice also that I said! Q#ou know! I didn. I thought! Q(ow rude.ilosop.s cool to have cats and to love animals and everything! but to bring it up in conversation and say! QI have two cats!Q does that really convey higher value/ $o me! that makes me think of like an old lady with like eight cats or something.t of reproduction in w. I knew one guy! he would be talking to a girl! and he. Are you %ust going to get distracted and walk off and go talk to a friend/ -o.y$ #nc.s your name!Q but it was like she acted like she couldn"t hear me! so she turned her back.re going to sit there! clinging and hovering like cra<y! hoping for any chance! please 'od. So then I started to feel angry.s saying! QI talked to a girl6 she ' ())* +enusian Arts$ LLC. (ow could she be so rude/Q So I started tapping her on the shoulder. www. $he willingness to walk attraction switch has been embedded into my story.e ri . #ou. Imagine that if a guy told a girl that story.co& Pa e 1!) of !"" All ri .m %ust telling some fun story! but inside that story! I.s going to feel more attraction to me as a result.s good and all. $hink about the things that you say.Q She.t even reali<e what they %ust did.re going to this great party. It sounds like I. Imagine if you told a story where you said! Q#ou know! I was out and I met this girl and I said! Q&hat. .ve got to come.d say! Q#eah! I have two cats.Q -ow! listen to that story.m tapping her on the shoulder! saying! Q(ey! don.ole or in part in any for&. and I had to go say hi to a friend.re a loser guy! talking to some hot girl.s isolating me at a party.

#eah! me and the girls went down to the pool yesterday. $hat %ust so happens to convey value! but it. $hey.t of reproduction in w.t talk about that kind of stuff.s turning into a %erk and starting to yell at her and stuff like that! starting to be all reactive! which is low value.ole or in part in any for&. It should never look like it. It destroys your pre-selection6 it makes you look low value6 it makes you look reactive6 it makes you look creepy6 it makes you look scary. So you definitely do not want to brag.ilosop. ragging is bad.area"1lifestyle. 7on. $he one trying to impress is the one with lower value6 right/ If I.m trying to impress her. $hose are all 7. &hy on earth would you ever tell a story like that! unless you didn.re not trying to brag.P. A story like that is going to massively lower your value. I hope you know that!Q or Q#ou know! girls invite me out all the time6 I hope you know.s exactly right. s not like I. . Is that going to make him more attractive/ &hat.s the point.s now being pushy and rude! and she. .s not the point of the story. $he fact that some girl invited me to a party was an incidental detail. ' ())* +enusian Arts$ LLC.s giving him I+7s. #ou..s a surface communication. #ou basically %ust want to talk the way a high value guy talks. $hose are all demonstrations of lower value.t know any better.re slipped in there.Q #ou.Q So she.t know any better! you don.s the next part of the story/ QSo then I started tapping her on the shoulder! saying .re not the main point of the story! but they.s trying to get away from him! so now he. Male 9%: Lovedrop: Male 9%: Lovedrop: $here is a danger! though! to come off! try hard by making these 7( respikes too obvious.ike! say you get caught bragging. .ike that.m trying to impress her! then I.hey! hey.s not a subcommunciation now6 it. .re %ust telling some story from your life.m reacting to her6 I.s way too obvious.re actually not doing it right! because it.ike if you.Q .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1!1 of !"" turned her back on me! and she ignored what I %ust said.ts reserved$ includin t.m lower value than her.m saying! Q(ey! I want you to know! I fuck a lot of girls.t reali<e how everything that you say is either raising your value or lowering your value. www. #es! that.re basically coming off like a creepy needy guy who.Ds.e ri .re bragging! then you. >emember! if you.y$ #nc. +h! of course.co& Pa e 1!1 of !"" All ri . It. So now here he is! telling some girl a story about how another girl gave him I+7s! indicators of disinterest. >ather! you want to subcommunicate these demonstrations of value as incidental details in your story. It looks like I. If you don.re rad 3itt and you say! Q(ey! yesterday we went down to the pool with the girls!Q you.

#ou wouldn.s going to immediately notice that6 she.s completely outside of your conscious awareness. (ere. $he stick shift! there.s gone. +ne time I had a girl staying with me for a few months! and I let her drive my car.re a normal part of the background noise of his life.re trying! it.ilosop. $hat pink rubber band! she.re using a pink rubber band in your hair! you.s going to know a girl was here.s trying to somehow create some impression. &hat.s a pink rubber band around the stick shift! with a hair tie that she put her ponytail in.s what.t get laid! if you don.s no pink rubber band on the stick shift.t of reproduction in w. -ow! here.re not going to notice that there.s outside of your reality6 they.s the insidious partE #ou never notice that it.s obvious.e ri .t have women in your life the pink hair tie. .re probably a girl.s %ust one of those things where if you.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1!( of !"" It shouldn. $here.s a difference here between really being that kind of guy! these are %ust normal details of his life! versus being the guy who. ' ())* +enusian Arts$ LLC.s a pink hair tie missing from your stick shift. $hey were real girls! and we were at a pool and they wore swimsuits and everything.ole or in part in any for&. #ou %ust don. If you.s obvious. So think about this for a second.t get women and you. I had this (onda and she was driving around in San 7iego! and one time I get in my car I notice there.ts reserved$ includin t. A girl was here.re saying! Q(ey! I went to a pool with some girls.s going to immediately feel the pre-selection6 I don. I get in the car! there.re not going to notice that these little clues are %ust not there.re %ust not there. #ou. $he fact that a guy who has girls in his life! those little clues are all around.s interesting about that. -ow! if you.s interesting is! when a girl sees these little clues! it.t come off like you.area"1lifestyle. !(egin tra/6 +tr$%# Lovedrop: -ow! I have longer hair! and there are some men with longer hair! but none of them that I know if use pink hair ties.s got a pink rubber band around it.co& Pa e 1!( of !"" All ri . (ere.re that kind of guy! then those clues are naturally there all around you. It.s directly immediately obvious to her. If you. Any girl who gets in that car is going to see that pink rubber band! and she.Q $here.t even reali<e even to think about them6 but when a girl gets in your car! she can tell you don. www. It. $hey. $his guy has girls in his life.re the kind of guy who doesn. It.s a fucking pink hair tie on your stick shift6 there. It. .t notice them. It.y$ #nc.s not going to be there.s the stick shift6 it.s %ust not there.re not that kind of guy! if you don.P. $rust me! if you.s a box of tampons under your sink or something like that. #ou.s a clear indicator that a girl was here.re driving around in your car! you.t have women in your life.s these little clues that girls have been here. It.s the way I like to describe this.ve got girls around6 there.t have to say anything. 'irls are around.

s clean! everything feels comfortable and luxurious and safe and secure6 and women come into this environment! and you.ilosop.Q 'irls can immediately tell. .s say that I would go to your house! and your house is a slobby mess. &hen a girl comes into your house! she should never leave.P. 8ust like before when I said if you go out! your clothes should be so cool that people compliment you on them! well! the same should be true of your house.d %ust rather sleep here. 7o you get those responses from women when they come into your house/ #ou ' ())* +enusian Arts$ LLC.ts reserved$ includin t.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1!! of !"" . $he problem is that when a guy doesn"t have a lot of women in his life! it.t of reproduction in w.s talking on the phone! and she says! Q.s so great. It is obvious to them. 5verything. $here are not women in this guy. Q#ou know! is it okay with you guys if I stayed the night here/ I.t hang out in places like that.t leave.y$ #nc. I started decorating my place with a really nice vibe! with good lighting and plants and music and keeping everything really clean and clutter free! keeping everything really well stocked! food and toilet paper and toothbrushes and medicine! %ust everything.re used to it.ole or in part in any for&.et.t think to reali<e that girls can immediately obviously tell! Q+h! you never get laid.m kind of tired! and I. $hey call over their friends and they say things like! Q+h! man! I love it here. 'uess what! women don. She has literally spent every night here ever since.area"1lifestyle. It. She should literally en%oy the vibe inside that house so much that she %ust doesn.ook! I. It should be a consistent theme. www. I ever want to leave.iterally! there is a girl sleeping here next to me right now who came into this house : was it two or three weeks ago : and she has not left.e ri . #ou got sweat socks on the floor! and the carpet needs to be cleaned! and it. $hank you so much for letting me in your house.ve got your sweat socks on the floor6 you. #ou.s well stocked! everything.Q 7id you reali<e it was that obvious! because it is.s a mess and there.ve had a girl walk in while she. .s clutter everywhere6 women don. Is that okay!Q that sort of thing.s life. She can immediately tell! Q&ell! this guy has a pink hair tie on his stick shift6 whereas that guy over there has sweat socks on the floor and a big mess in his bedroom! a big pile of laundry on the floor.co& Pa e 1!! of !"" All ri .t leave.re presented. So if you sort of got this frat boy bachelor lifestyle and then you have a girl over to your place and she sees that! she immediately knows there. . $hey stay all weekend.ve got the lights and the pro%ector and music and the couches and the rugs and the pillows and everything! and I swear! they %ust don. #ou don.ve seen the same thing day after day6 you.m going to be home in like ten minutes! and I got to go!Q and they come in and they %ust sit down and stay for hours and hours.t hang out in places like that. $hey crawl up in bed with you.Q !(egin tra/6 +tr$&# Lovedrop: I.s no pre-selection here.s not obvious to him! because people accept the reality that they.ve got your pile of laundry6 you.

&hat are you talking about/Q #ou can totally turn this around! which actually makes women even more wanting to find out what the true story is! because you have this weird contradiction between all these subcommunicated 7( respikes! and once you actually say it to her face! maybe with a smile on your face and sort of keeping her guessing.y$ #nc.P. Male 9%: $he better you actually get at subcommunicating these hints and these 7( respikes and all that! rather than communicating it blatantly and openly! the more you can actually coquet with this.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1!/ of !"" should.s going on is these sorts of clues are so obvious to girls! and they will clearly make the assumption about what kind of guy you are and what kind of lifestyle you live that when you act like you. &ell! women are always looking for the secret meaning. If you don.ole or in part in any for&.ve obviously got girls everywhere.re really good at subcommunicating these 7( respikes. It looks like you have something to hide! like Q+h! he. She says! QSo! how.t of reproduction in w.re going to tell stories like that sort of guy! you.t! then %ust like your wardrobe! it.eanwhile! she can see a high heel poking out from under my couch.s going to be a high heel poking out from underneath your couch! and this sort of thing. $here.re the sort of guy with girls in his life! you.et.t know for sure! but it.s time to upgrade! because even though you may not see what.s immediately obvious to women. So she comes over the next day and she says! QSo! how.Q $his is actually a really good reputation to get! is the reputation of the guy who does not kiss and tell! the guy who never brags about sex. She doesn.s the hidden meaning! right! and they love feeling like they figured something out.s missing there6 you may not see the missing pink rubber band6 it. Lovedrop: .s sort of a push-pull dynamic that you can play with once you. #ou can actually : while all these clues are sort of like there! it. &hat.s it going with the love life/Q I say! Q+h! not too much! kind of inconsequential.s the pink hair tie on the stick shift6 the place is really nice6 girls are calling all the time6 girls are coming over all the time.area"1lifestyle.s say for example that there.ts reserved$ includin t. $here. .Q ' ())* +enusian Arts$ LLC.re not going to talk about it! it %ust makes them believe it more.m still looking for that special someone.s hiding it.s pretty obvious that he fucked her! right.Q QSeriously! come on! tell me. www. &omen can pick up on the fact that you have these hints in your life.d it go with that girl/Q I say! Q+h! nothing! nothing happened.co& Pa e 1!/ of !"" All ri .t have any other girls.re going to have that evidence all around you.Q . #ou can say! Q+h! women6 I don.re going to talk like that sort of guy! you. .s a pair of panties crumpled up in the closet6 there.s some girl that comes over! and another girl knows I fucked her.e ri . If you.ilosop.ve dated around! but I. &hat.s subcommunicated subtly. So that. So she can see that I. #ou can : in your playing straight open communicating! you can play the nonplayer type.Q I say! Q+h! I.

s going to brag to everybody.t tell anyone! and someone asked me about it! I denied it. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD " #nterviewer$ Male 51$ %e&ale 51$ %e&ale 5( Pa e 1!" of !"" She.y$ #nc.s going to feel much more free and comfortable to sleep with me because she knows that her reputation is going to be safe as well! and she. www. If I have that kind of reputation! she.t! she.re actively trying to hide it/ $he low value guy is the one who.m the sort of guy who has all these obvious clues of women and yet keeps it on the lowdown! or keeps it on the down-low. After ten o. 5ven if we weren.e ri .s going to brag about it and try and raise his value by bragging about how much sex he gets.clock when 8im left! I saw you guys go back in that room. #ou guys went back in that one room.ilosop.s one thing to sleep with a lot of women! but to look like you.s also going to find me much more attractive! %ust because I.s going to think we were having sex! and the fact that I.ts reserved$ includin t.s like! QSeriously! come on.ole or in part in any for&.s reputation so he gets more sex. If she picks up very clearly that I have this reputation for hiding it : I slept with some girl and I didn.P.t of reproduction in w.Q She knows we were having sex.co& Pa e 1!" of !"" All ri .m denying it %ust makes it that much more powerful. . $he high value guy is %ust trying to protect the woman.area"1lifestyle.Q Q+h! we were %ust talking. -o woman wants to put out to a guy who. !End of "udio# ' ())* +enusian Arts$ LLC. It.

ike that"s the sort of thing that the guy usually ends up saying! because the guy is the one chasing. www. It comes from !audio s6ip# minutes. >olling tape. She gets bored! et cetera. (e %ust doesn"t tell those kinds of stories! and if he doesn"t reali<e it! it"s kind of outside of his reality. #ou know! )I can be get out of here in ten minutes. See! the guy who doesn"t have women in his life %ust doesn"t tell those kinds of stories. . .ts reserved$ includin t. : bouncing around in the house.e ri . . $hen you"ve got value! which is these evolutionary value switches! and then we"ve got disqualifiers or nets! which is a third ma%or component of attraction. $his is where the word neg comes from. #ou know! it"s really too bad! Dave: Lovedrop: ' ())* +enusian Arts$ LLC.y$ #nc. It"s like! you know! contrast.t of reproduction in w.ike 7ave here! for example! you had four girls over the other night : I did. &e"re still in the attraction phase! talking about disqualifiers.* .area"1lifestyle. Any barrier creates romantic tension. $he guy"s saying! )+h! I could drive over there. It"s a completely arbitrary disqualifier! but by having disqualified her! it creates romantic tension. I could be out there in ten minutes!* right! and then! you know! she loses interest. So we already talked about buying temperature! and we already talked about value and the different value switches and how you can activate them either by directly demonstrating the value switches or by subcommunicating them through little clues in your environment! little clues in the way that you speak! you know! such as! you know! the guy that has girls around a lot is gonna have girls in his stories.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1!0 of !"" Lovedrop: All right. I want to be the one saying! )#eah! it"s too bad you"re a brunette! because I"m totally into blondes this month!* right.P. So something that you do that disqualifies yourself as a suitor to the target is going to make her honestly believe you"re not trying to get her.ole or in part in any for&. (e never notices that those women are gone! that they"re %ust not there! you know! because you %ust don"t notice that it"s missing! but a girl will notice if you tell those kind of stories or not! you know! as opposed to! )I was sitting at home alone! and! you know! I had to feed my cats!* or whatever. I want to be in that position. $he strict dictionary definition of a neg is any statement or action that! without insult! disqualifies ones self as a potential suitor.co& Pa e 1!0 of !"" All ri . So! in any case! you"ve got buying temperature! which is emotional stimulation. #ou know! if I say! you know! )It"s too bad that we"re getting along so well! because you"re really not my type!* you know! or! )#ou know! it"s too bad! because you seem totally like my type! but something about your personality is %ust a little too irritating.ilosop. So you might tell some stories! say! )#ou know! my friends Ashley and ?at and 5rica and Hasey were over here the other night! and we were all hanging out and!* you know! whatever! )the cat got out!* or whatever kind of story it is.

$hen I"ll ' ())* +enusian Arts$ LLC. oom.P. . >eward that. -ow get off of me.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1!* of !"" because other than that! we would have been perfect together!* by creating these barriers! I"m creating tension. I could be out there in like ten minutes.* oom. oom. #ou reward her for it. So! for example! let"s say I said! )+h! man! it"s too bad you live way on the other side of town.ike here she is working for it. . . I reward. It really is. Lovedrop: .et"s say she works for it. -o! seriously! though! you have a car/ #ou could be out here in ten minutes/ &hat freeway do you take/ $hat"s awesome.ole or in part in any for&. I"m curious about you.t of reproduction in w. !(egin Tra/6 %# y the way! that"s not a consistent rule! to reward. In other words! it"s necessary to deliberately in%ect tension as a tension plot line between you and the target. etween you and the target there should be this simmering! growing sort of tension where she"s kind of like wants to reach out and tickle you or punch your arm or something or say! )+h! my god! I can"t believe you said that!* that sort of thing! and by disqualifying! you know! I"m making it safe for that tension to build! because she doesn"t feel an agenda! right! but again! there"s no resolution.ilosop. ?ome here.ts reserved$ includin t.y$ #nc.e ri . $his undercurrent! this tension subplot is a necessary part of every pick-up! in my opinion. She qualifies herself a little bit! or she tries to get together with you somehow.area"1lifestyle. She"s working for it! so now I reward! so I say! )+h! really! you have a car/ &ow. #ou know what/ I"m curious about you. Male: So if you"re gonna answer this! then %ust tell me you"re gonna answer this.et me see your hand for a second. $he tension is growing. I do a compliance test! right! or maybe I do another disqualifier! and I"m %ust throwing this stuff out there and %ust playing with it. I"m gonna reward her intermittently! which means probably she"ll get a reward! but every now and then! I"ll mix it up and maybe give her another I+7 and then a compliance test! then a reward or something like that! or maybe I"ll give her an I+7! indicator of disinterest. +kay! so I get good behavior.co& Pa e 1!* of !"" All ri . It"s like animal training. #ou know! you"ve got more going for you than I thought. oom. 'ive me a hug.* I want to reward that. &e could totally hang out!* and she says! )-o! I have a car. www. #ou know! I figured you were working down at the garbage dump and! you know! riding a skateboard or something. . +nce a girl starts qualifying herself! so you give her a disqualifier! and if she actually follows up with! you know! trying to qualify herself based on that! do you follow it up with %ust another story/ 7o you actually 7(D at that point/ &hat do you : at what point do you start following up qualifiers as they start qualifying themselves and with what/ &ell! here"s what you do.

Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er

Pa e 1!1 of !""

turn and give her an I+I. $hen I"ll give her an I+7 and then an I+I again. I"m %ust pumping her emotions! a little emotional roller coaster! right. Male: Lovedrop: 3ush-pull. $he basic formula is good behavior! reward! okay! but the little bit more complicated model is reward intermittently! because it"s more powerful to reward intermittently. Actually! let me tell a little story. $his is a psychological experiment! a classic psychological experiment. asically! let"s say you take a pigeon and give it a button! and every time it pushes the button! food comes out. 3ush the button. 9ood comes out. 3ush the button. 9ood comes out. It very quickly learns to push the button. -ow turn off the food. 3ush the button. -o food. 3ush the button. -o food. $he bird now very quickly learns to stop pushing the button. -ow let"s say that instead of rewarding the bird consistently we were to reward it intermittently! so if it pushes the button! it has some chance of getting food. 3ush the button! some chance of getting food! okay. -ow that bird will push! push! push! push! push! push! push. 9ood. oom. 5ats the food. 3ush. 3ush. 3ush. #ou could take the percentages and lower them lower and lower and lower to where the bird has to push the button like a thousand times to get one piece of food. $hen you turn the food off. $he bird keeps pushing that button forever. $he bird doesn"t learn to stop. ecause you rewarded it intermittently! you trained it to continue the behavior. $he behavior is much more reinforced through intermittent rewarding than it is through consistent rewarding. $his is a trick used by dog trainers. $hey use intermittent rewarding! and this is a trick used by casinos! because that"s what gambling is. #ou know! ding! ding! ding! ding! ding! ding! ding! ding! you know. .ose your quarter. .ose your quarter. .ose your quarter. 5very now and then! %ackpot. #ou"re being intermittently rewarded. $his is why gambling is addictive. Male: 7oesn"t it also! with like dog training and stuff! also help when you start intermittent rewards and reducing it! allow you to increase the behavior you"re getting/ So you might like start off with %ust! )Sit!* but then because of the way you do the rewarding intermittent! you"re essentially forcing it to do more complex behavior for the same reward. #ou"re talking about basically %ust getting more and more compliance out of the animal for the same sort of rewarding/ ?orrect! and if you give it too much rewards! it"ll never start increasing its compliance! but if you lower the amount or rewards and then increase the reward to the next level! it goes to the next level. >educe rewards and then increase rewards for that next level. So essentially if you reduce

Lovedrop: Male:

' ())* +enusian Arts$ LLC, - P.ilosop.y$ #nc, www,area"1lifestyle,co& Pa e 1!1 of !"" All ri .ts reserved$ includin t.e ri .t of reproduction in w.ole or in part in any for&,

Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er

Pa e 1!2 of !""

rewards for a lower level of compliance and give a good reward for a higher level compliance! that"s how you increase compliance through animal training. Lovedrop: &ell! I"ve got to say that I had not researched it to that degree! but! I mean! it sounds cool! you know! but I personally wouldn"t be able to comment on that. As far as negs! it seems like when you explain negs! you said like it"s anything to kind of disqualify yourself as a potential suitor. >ight. ut a lot of the things : it seems like you have to kind of keep her on a little bit of like a possibility that you might be interested. >ight. .ike it"s a possibility! but it"s : y somewhere suspended between hope and doubt. $his is actually the last effect of disqualifiers is that it makes her a little insecure so that you become a source of validation for her! you know! so you"re always keeping her between validation and devalidation. And that varies! right! the level of validation. >ight. If she"s too validated! then she loses interest. She gets bored! but if she"s too devalidated! then she feels like she doesn"t have a chance! so she gives up to protect her ego. So you want to keep her %ust validated enough to keep working for it! right! so you could keep rewarding her for increased compliance! and then we move our way into : this is latter on in the game. >ight now we"re talking about attraction! but obviously the whole point of the attraction is to get compliance. #ou know! I mean! I don"t want to give her some great feeling in her head and then go home alone. #ou know! I"m putting these feelings into her so that I can get more and more compliance out of her. $hat"s what the game is! but yeah! let"s go through this list really quick one more time. &hat do disqualifiers do/ $hey make her believe you"re not trying to get her. $hey make her honestly believe you"re not interested! because you"ve disqualified her. It disarms the girl! as well as all her friends! the target and all the obstacles! because you don"t convey an agenda. #ou convey that you don"t have an agenda! so they"re all disarmed and willing to continue the interaction instead of trying to shut you out. It removes her internal need to interrupt what"s happening. -ormally! a girl is like!
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Male: Lovedrop: Male: Lovedrop: Male: Lovedrop:

Male: Lovedrop:

Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er

Pa e 1/) of !""

)+h! great! you know! I can"t let this guy keep gaming me. ;aybe he doesn"t have enough value!* or she doesn"t feel safe enough or there"s enough comfort yet or whatever! but because she feels like you"re constantly pushing her away emotionally! then she feels safe to not interrupt things and let it continue. It buys you time. It also conveys much higher value! because only a high value person would disqualify. +nly a high value person would say! )I"m not sure about that! you know. #ou"re kind of losing me.* #ou know! rad 3itt says that sort of thing. #ou know! most guys are desperate for a date! and so rad 3itt says that sort of thing and sort of pushes her away. It definitely creates sexual and romantic tension! so not only does it convey higher value! but it creates a tension between you and the target! and the reason is because you"re putting up barriers. #ou know! )+h! it"s too bad you live on the other side of town.* )+h! it"s too bad you"re not really my type!* putting these barriers up. arriers always create sexual and romantic tension! which is an essential ingredient. It"s challenging to her. It makes you not easy. #ou"re not the typical role that she expects! and so she finds herself having to work for it more. &hen you neg and use disqualifiers! it creates plausible deniability. ecause you"re conveying disinterest! you have plausible deniability. Male: Lovedrop: &hat does that mean! plausible deniability/ 3lausible deniability means : it"s like a social cover of assumptions! but basically what it means is that you actually have the potential to really not like know what you"re doing or not : like you"re trying to do what you"re trying to do! so if you can actually say : if people around can actually say! )+h! he didn"t know. (e wasn"t trying to hit on her!* so it looks unintentional or :

!(egin Tra/6 &# Male: you actually have the potential to really not like know what you"re doing or not : like you"re trying to do what you"re trying to do! so if you can actually say : if people around can actually say! )+h! he didn"t know. (e wasn"t trying to hit on her!* so it looks unintentional or : Gnintentional. $here"s no hidden motive. -ot that there"s no hidden motive! but it looks like you certainly could have had no hidden motive! and there"s no way to accuse you otherwise. $here"s no proof otherwise! you know. It"s easier. Instead of trying to

Lovedrop: Male: Lovedrop:

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er

Pa e 1/1 of !""

define plausible deniability! it"s easier to %ust give an example of it! okay. .et"s say I had a hundred dollar bill in here! and it went missing! okay! and I kind of look at 7ave! and I look at you! and I"m like! )&ell! where"s the hundred dollar bill/* and you"re like! )I don"t know.* -ow all three of us know there would be this sort of cloud of suspicion that would hang in the room! like! )+kay! I know one of you mother fuckers took that hundred dollar bill!* but do I really know for sure/ ;aybe it got stuck in a crack somewhere! or it"s under a pillow! and like if I were to come out and say! )7ave! did you take that fucking hundred dollar bill/* : Male: Lovedrop: .ook through your pockets. .ater on! we find it under a pillow! and now I feel like a big asshole! you know. $he truth is 7ave could have taken it! but he has plausible deniability. $here"s no proof that he really did! you know! so it"s the same thing with women! especially! need plausible deniability in order to proceed forward in a pickup! because it can never be her fault. If a woman looks like she"s trying to fuck some guy! it hurts her reputation! right! so any time someone says! )(ey! did you get with that guy/* she"s like! )&hat/ I don"t know what you"re talking about!* you know. .ike! you know! she can sort of maintain the veneer that even if she did or not! no one can really say for sure! so she at least : she can at least plausibly deny that anything happened. #ou should always be able to plausibly deny. So like! for example! let"s say I go up into a set! right! and! well! it kind of looks like I want to pick up that girl. >ight! there"s that hot girl. (ere I am walking up to talk to them. Hind of looks like I"m trying to pick up that hot girl! but if I can say things that plausibly make it look like I"m not trying to get her : see! you know! you"re trying to get her. )&hat are you talking about/* >ight. I can deny it and plausibly get away with it! right. ;aybe I am! but they can"t really accuse me without looking like they"re sort of crossing a line! like! )(e has plausible deniability.* I hope : does that make sense/ Male: >ight. .iterally if they accuse you of trying to hit on the girl! you could almost be like! )Are you kidding me/ .ike what are you talking about/* you know! because of the words you said. >ight. And then they : .ike! for example! let"s say a neg disqualifies you! right! and that gives you plausible deniability. So let"s say that I went in the set! and while I"m talking to the set I say I have a girlfriend. I have a girlfriend! right. -ow later on! if you said! )Gh! you"re trying to get her! aren"t you/* I"d be like!

Lovedrop: Male: Lovedrop:

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er

Pa e 1/( of !""

)7idn"t I %ust say I have a girlfriend/* >ight/ )&hat are you talking about! dude/ 7idn"t I %ust say I have a girlfriend/ $hat was kind of weird.* +kay. -otice how having a girlfriend or saying that I had a girlfriend! which is a neg : I"m disqualifying myself. -ow I have plausible deniability. )(ow can you say I"m trying to get with that girl/ I said I have a girlfriend.* Same thing with being gay. #ou know! a lot of guys will do that. )+h! I"m gay. &hat are you talking about/ If I wasn"t gay! I would be all over you! little girl.* >ight/ And so right in that moment! you know! they might think! )&ell! is he gonna try and get with that girl/* It"s like! )&ell! I don"t know. I mean! he said he was gay.* #ou know! )+h! he"s gay. 7on"t worry about it!* you know. -ow I have plausible deniability. )+h! my god! you have to meet my other gay friends. ?ome here. I"ll be right back with this girl.* 7rag her around the corner! start making out with her! right. #ou go back to her friends. 7o they know we made out/ $hey know it was possible! but we could deny it. It"s plausible. #ou know! )(ey! I don"t know. 7id you see anything/ I"m gay! right/* Male: Lovedrop: So as long as he doesn"t have to take responsibility for whatever happens! then it"s cool. 5xactly. She should never have to take responsibility for anything. #ou have to do everything. She should never have to take responsibility for anything. #ou have to do everything. #ou have to lead! you know! so and the other thing that disqualifiers do is they cause her to feel a little insecure! because normally she"s used to guys %ust trying to get with her! so here"s a guy who! )I could take it or leave it!* right! so she feels a little devalidated by that. She wants to get the validation back by hooking your interest. So you have to be carefully! because! especially when you start negging! girls will start showing you interest! and it"s fake. 'irls will fake interest. $hey"re %ust testing their own attractiveness. &hat they"ll do is maybe a girl might come up to you and smile at you and touch you a little bit and! you know! rub up against you and say! )(ey! how are you doing/* She"s testing for your response! okay. It"s like if you put a little piece of steak out in front of a dog! you know. )7oggie! doggie! doggie! you want some steak/* and you want to see if the dog"s gonna %ump on it real quick or maybe if he kind of looks at it and hangs back. She"s doing the same thing. She sort of bounces it around in front of you and gives you a smile and shows you a little token interest to see how eager you are to %ump on it! to %ump on the bait! right. She"s testing for her own attractiveness. &ell! if you"re super eager! what does that tell her/ +h! low value guy! never gets laid! you know.

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er

Pa e 1/! of !""

Male: Lovedrop:

+r he"s faking it. >ight. #eah! that"s not what she"s testing for. See! look. If she"s hot! the guy wants her! right! but she %ust wants to see how eager he is. 9or example! if she comes up and shows interest! and he"s really eager! then she knows! okay! you know! he wants it really bad! but if she sees that he"s not eager! and he"s sort of holding back! and he says! )&hatever! you know! it"s five dollars to touch that!* or! )(ey! are you touching me! little missy/ $his is too early in our relationship for you to start touching me like that! little girl!* right! the fact that he"s not easy shows that he has a lot of choice. #ou know! she"s gonna think! )&ell! he must have a lot of girls!* you know! et cetera! et cetera.

!(egin Tra/6 *# So! in any case! one thing that disqualifiers do is they knock her insecurity down a little bit and make you a source of validation! so she wants to go and try and get the validation back from you. She"ll come up and show you interest to see if you"ll give interest back! so now she feels revalidated! so she starts working for your attention! okay. 7on"t be a sucker and give her all that interest right back. #ou know! as soon as she starts showing you interest! don"t get sucked into it and give her a bunch of interest in return. She has to work for it. As she starts working for it! that"s what the negs are doing. $hey"re tempting her to work for it. #ou know! they"re baiting her to work for it. As she continues to work for it! then you can slowly give her rewards! intermittent rewards for her effort. So this is the real game. $he real game isn"t about making her feel attractive. $he real game is about taking that attraction and using it to get more and more compliance! okay. So what are some of the things you want her to do/ #ou know! you want her to ask you questions! give you I+Is. #ou want her to do more compliance! so I"ll do kino escalation as a reward! you know! )+h! good behavior! kino escalation. 'ood girl.* 3ush her off! that sort of thing. 7oes that make sense/ -egs are also sort of vital to group theory. (ere"s the trick to group theory. &hen I go into a group! I"ve got a group of people. I"m running demonstrations of higher value to the whole group! and we"ve already talked about demonstrations of higher value! telling stories and so on! holding court in the group. 5veryone"s giving me attention. 5veryone"s giving me social proof. ;eanwhile! I neg the target. -eg the target. D(D to the group. -eg the target. ;aybe I even lock her in. I take my hat off and put my hat on her! so she"s not gonna run off to the bar. She"s gonna stay and listen. ;aybe I even give her a little more bait. I put the hat on her! and I say! )+oh! I"ve got something really cool I need to tell you. 8ust a second.*
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er

Pa e 1// of !""

$hen I go back and 7(D to the group some more. She"s waiting. I neg her. )+h! my god! is she always like this/ (ow do you guys roll with this girl/ She drives me nuts. Anyway! I"m hanging out with my friends. &e go down to the 'rand ?anyon!* right. I"m going into my story! demonstrating value to the group while negging the target. $his is gonna cause her to have massive attraction for you. After this point! it"ll be easy to qualify her! isolate her! and so on and so forth. So what is the secret behind group theory/ !(egin Tra/6 +# +kay! so I want to take a minute to talk about disinterest and interest. &hat are some indicators of disinterest/ $he main indicator of disinterest is any form of avoidance! and this goes for women and men. If a guy is trying to avoid you : maybe you"re trying to align with someone! and you"re coming off a little try-hard! coming off like you"re trying to seek rapport with him! and because of that! he sort of avoids eye contact with you! avoids interaction with you. Same thing with women. &omen will avoid eye contact. $hey"ll avoid your phone calls. If they see you! they"ll sort of move around to another part of the room. If you say something! if she can pretend she didn"t hear it! she will. She won"t put any effort into contributing to the interaction. If you ask questions! she"ll give them oneword answers. #ou know! she"ll avoid getting into deeper conversation. She"ll get impatient. She"ll act really impatient. She"ll tap her fingers on things! and she"ll go like! )huhhhh!* like that! and she"ll roll her eyes. Female: Lovedrop: So true. She"ll walk away or look away. She"ll avoid eye contact. 5ven if she"s standing there! she"ll look away! so even when you"re looking right at her! she"ll be looking away! right! and you feel like she"s being a rude bitch! and meanwhile she feels uncomfortable! like! )&hy won"t this guy %ust leave me alone/* Anytime that she leans back! turns her back! talks to someone else! moves away! doesn"t respond! she"ll have a minimum level of response. She won"t give any compliance at all. If you say! )(old out your hand!* she won"t. She won"t even move two feet. )+h! can we stand right here/* )-o! I"m not moving!* that sort of thing. So these are all indicators of disinterest. +f course! if you"re adding a lot of value to the interaction! if you"re pumping buying temperature and conveying value and using disqualifiers and so on! then what you"re gonna do is you"re gonna start getting interest. #ou start getting a lot of indicators of interest.

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She"ll play with her hair. So also I"d like to go over some other indicators of interest here! %ust to give you some examples.ole or in part in any for&. She"ll face you with her body.ts reserved$ includin t. #eah! that"s what it is! because you"re constantly getting little signals from people.co& Pa e 1/" of !"" All ri . I give the ping of not saying anything! and I get a pong back.t of reproduction in w. She"ll laugh while you"re talking. She"ll look at you and then look back.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1/" of !"" So what are some indicators of interest/ $he most important I+Is are she will look at you. She"ll touch. Female: Lovedrop: Female: Lovedrop: Female: Lovedrop: Female: Lovedrop: $hat"s what that means. asically what she"s doing is she"s looking at you to see if you"re looking at her. &hat! like the ping-pong metaphor/ #eah! but I never asked what that was. #ou"re sending signals out! and they"re sending signals back! and people are often unconscious of what these signals are! you know! but! I mean! if I drop the conversation! and she asks a question! that gives me some indicator of her interest level! you know! and I"m gonna feel that vibe! and that"s gonna determine partly how I behave in the future! but any time that she"s trying to spend more time with you! to have more conversation with you! to give more eye contact with you! to touch you more! these are all indicators of interest. $he reason she"s tossing her hair is because ' ())* +enusian Arts$ LLC. She"ll re-initiate conversation! so if! for example! if you let the conversation drop! she might ask a question.area"1lifestyle. So this is actually something you can do as a test to see where you are. She may not notice that she"s doing this. . #ou know! you"re conveying some feeling or some vibe! and you"re seeing what the : ping-pong! ping-pong.e ri . &ell! I"ve heard you guys say that like over and over. And! I mean! women like to give hints! and if you %ust look at the little subtle things and take them seriously as if they have meaning! then suddenly it becomes so glaringly obvious. She might say! )So! where are you from/* -otice that she would start to get desperate for something to say! so she went into the interview! and she"ll pop out an interview question! same thing that guys do.ilosop. She"ll keep stealing glances at you. 3ing-pong/ $hat"s a really good definition of that.P. www. She will touch you a lot. +kay! so she"ll giggle. She"ll toss her hair.y$ #nc. #ou know! if I want to see what her interest level is! I"ll %ust let the conversation drop for a second and see if she re-engages! and if she re-engages or asks a question! then that"s sort of a pong. .

www.co& Pa e 1/0 of !"" All ri . So she"ll play with her hair to cause you to look over and display her replication value! which she does around attractive males. #eah! in this room over here!* you know! I mean! straight up.ts reserved$ includin t.ilosop. &hat does that mean when that chick looks at you like that/* >ight/ . I"m such a slut!* you know! and she can"t believe she"s even doing it.ike he can hardly tell.area"1lifestyle. #eah! come down the hall. .ike! in other words! for a guy! it"s like he can hardly tell.t of reproduction in w. . #ou know! I"ll tell you what! if you"re at a party! and there"s some girl who"s holding eye contact with you %ust a little bit longer than other girls! and you sort of feel it inside! I mean! you could probably %ust like have her right there at that party! right then and there.ole or in part in any for&. $his is so glaringly obvious.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1/0 of !"" movement draws attention! so when she moves her hair! you"re more likely to turn and look at her! and then that"s gonna pull attention! draw attention to her replication value! which is conveyed through long hair.P.e ri .y$ #nc. Female: Male: Lovedrop: Female: Lovedrop: She was %ust getting wasted! so it"s like : &ell! I mean! so what you"re saying there is that her buying temperature : -o! what"s happening is that she"s putting herself out there! and so : y giving a long eye contact/ .eanwhile! someone who knows what"s going could %ust grab her by the hand and say! )+h! my god! there"s something I have to show you back here. 7o you think that chick likes me/ I wonder what that means. Male: ' ())* +enusian Arts$ LLC. If eye contact happens! she"ll hold it for a little bit longer. She has another drink! you know. . )Is this a hint/ Is she trying to tell me something/* ut from her perspective! it"s so obvious that she"s putting herself out there so much that she feels like a slut! and if he doesn"t do something! she feels totally re%ected! because to her it was so obvious! and how could he not get the fucking clue! you know/ She was! quote-unquote! you know! really in a ready high buying temperature mode for whatever reason. .eanwhile! the guy"s like! )Is she looking at me/* !(egin Tra/6 0# )I wonder. +kay! other things that they"ll do. #ou know! I mean! it really is true! and it"s such a subtle little thing! and a lot of guys! they get a signal like that! and inside she"s thinking! )+h! my god! I"m really putting myself out there.

)It was crowded! you know. .area"1lifestyle. .* >ight. #eah! while most guys are sitting there thinking like! you know! )&hat does that mean/ 7id you see that/ She kind of did it like this. . #eah.ake a move! unless you"re a big chicken! or you"re socially unintelligent and stupid! because! you know! you don"t get it. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1/* of !"" Lovedrop: Male: Lovedrop: >ight. She could always deny it and! you know! sort of : Male: Lovedrop: Female: Lovedrop: It was crowded. $hose are my tits. $hey don"t whisper and giggle when they see a beggar. She"ll give you proximity. And then : She"s like! )I like you. . 7on"t touch me! you freak!* you know! but meanwhile she was kind of rubbing them on you! that sort of thing.ike you couldn"t say for sure that she did it on purpose.* $hat"s what she"s saying! you know.co& Pa e 1/* of !"" All ri . +h! yeah. . $hey whisper and they giggle when they see a cool guy! right. &atch! I"ll show you.ilosop.P.e ri . So what are some other indicators of interest/ +kay! if you"re in the middle of a conversation! she"ll interrupt it from nearby. Any socially intelligent male can then take that buying temperature and literally leverage that and take off with it. +kay! they don"t do that for beggars! right.y$ #nc. It"s something ' ())* +enusian Arts$ LLC. (ere"s another thing you"ll see is you"ll catch a girl looking at you! and she"ll whisper to her friend! and they"ll both giggle. 'et off me. www. .ike she"ll sort of overhear the conversation! and if she has an excuse to break in and comment on something! then she will.t of reproduction in w. .ike you might sit there thinking! )Are they making fun of me/* -o! they like you.ike she"ll stand nearby. If you walk by her! or if she walks by you! especially if it"s sort of crowded! then she"ll turn her body towards you instead of away from you! and she"ll rub against you more.ts reserved$ includin t. In any way! if she initiates anything at all in any way! if she walks up and asks you for a light! she asks you for the time! asks you if it"s okay if she orders a drink after you! whatever the fuck it is! if she says anything where she"s initiating something with you! it has meaning! right. She"ll rub her breasts against your arm and that sort of thing as you go past! but she"ll do it in such a way that she has plausible deniability.ole or in part in any for&.eanwhile! like! someone like me who knows what"s going on could %ust lead her in another room and hook up with her! you know.

She %ust asked for a light! so she could get away with it! but notice she asked that guy instead of that guy! right. -ow that"s his chance to start talking to her! and it"s not her fault. +kay. If she asks you if you have a girlfriend! she"s definitely interested! or it could be that one of her friends is interested! and she"s trying to help one of her friends.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1/1 of !"" where she plausibly has an excuse. (ey. If you"re the beggar or some gross! weird guy! is she looking for excuses to touch him/ -o.ts reserved$ includin t. . #ou know! it was kind of crowded!* right! but again! it has meaning. It"s the same as if you"re walking by a group of girls! and they"re talking! and suddenly they start talking louder.t of reproduction in w.y$ #nc. It has meaning. )(ey! do you have a light/* $hat"s plausibly deniable. $hat doesn"t mean that she"s ready to hook up right then and there! but it means she definitely wants to see where this is going! and she"s interested! and so interpret it that way. +kay.P. She studiously avoids that leg touch if that guy is gross to her! so the fact that she allows it to happen! you know! she has plausible deniability! but she"s able to give that hint.ole or in part in any for&.area"1lifestyle. &hen sitting next to her! if any part of her touches you! it"s not on accident.e ri . If you"re talking to her! she goes into the interview. #ou know! again! if I"m sitting next to someone! and her leg kind of touches mine! she has plausible deniability. ' ())* +enusian Arts$ LLC. $hose are indicators of interest. &omen operate on subtle hints.co& Pa e 1/1 of !"" All ri . .* >ight. She"ll get particularly talkative in set! because what she"s doing is she"s trying to draw attention to you. www. She %ust asked for a light! right.ike she"s got a cigarette. She"s not a slut.ilosop. $hey"re trying to draw attention to you. If she comes up to you and asks for a light! trust me. If you"re talking to her group! she"ll be really talkative. She starts saying like! )&hat"s your name/ &hat do you do/* all the stuff! and she gets really curious and starts peppering you with questions! then it shows that she has interest. If that was a gross guy! she would keep her leg from touching that guy"s leg! because she doesn"t want to send him the wrong signal. Are you socially intelligent enough to recogni<e what"s happening here/* +kay. She didn"t go up to the beggar and ask for a light. 8ust interpret it as an indicator of interest. She"ll reach out and touch your arm when she says something! touch your chest when she says something! touch your shoulder! touch your back! whatever. She doesn"t want to touch her leg against a gross guy! you know! and then have him be like! )+h! she"s touching my leg. )&hat/ I was %ust sitting there. Another thing is if she repeatedly touches you in any way! even if %ust during conversation. She went up to you. . 5very little subtlety! interpret as if it has meaning! and you"re probably right. It"s like! )+kay! ball"s in your court! buddy.

I totally do. www.y$ #nc.co& Pa e 1/2 of !"" All ri . (opefully! if you"re going on trips like that! then you really do have cool friends and girls with you! anyway! so you %ust tell the true story! and it"s attractive.P. -o! that does not disqualify you.ts reserved$ includin t.area"1lifestyle. . Male: Lovedrop: Male: Lovedrop: Male: Lovedrop: &ould you ever : well! on the girlfriend thing! would that totally disqualify you sometimes/ &hat do you mean/ .ike some girls! like : +h! if I say I went with my girlfriend/ #eah. #ou know! you might say! )+h! well! I went on a trip to the 'rand ?anyon!* and they say! )+h! did you take your girlfriend/* #ou know.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1/2 of !"" !(egin Tra/6 1# +kay. &hat it is is! I mean! it is a disqualifier. Female: Lovedrop: Female: Lovedrop: Female: ' ())* +enusian Arts$ LLC.e ri .ole or in part in any for&. #es! they do. $hat"s not what I would say. . If you"re not thinking straight! you might say something like! )Actually! no! I don"t have a girlfriend. A lot of times they won"t ask directly if you have a girlfriend! but they"ll bring up your girlfriend or mention something where you have to come out with whether you have a girlfriend.ike it will make them more interested! not less! because what"s happened is I"ve %ust conveyed pre-selection! so now the girl is gonna be more interested in me because I have pre-selection! and girls have no qualms about stealing another girl"s boyfriend. I haven"t had a date in two years!* right. +h! really/ #eah. $hat does not disqualify you at all. It"s me saying! )+h! well! me and my girlfriend! blah! blah! blah!* so I"ve kind of disqualified myself! but it definitely does not take me out of the running with other girls. It was really fun! really romantic!* something like that or whatever! you know. Instead! I would say! )I went with like ten of my girlfriends!* or something like that! or )Actually! I had this one girlfriend I was living with for six months! and! you know! we really were cra<y about each other! and we went together on the trip. 'o ahead. +kay! you"ve never : I do. .ilosop.t of reproduction in w.

#ou guess/ So what if you mention that you had a girlfriend! and at the same time you have : (ere"s the other thing. #eah.et"s say that you were with some guy! and you found out that he dumped some other girl to get with you. )(ey! I have a girlfriend!* so now she can feel safe! right/ It"s disarming! because it"s a neg.ilosop.co& Pa e 1") of !"" All ri . A lot of times! if Female: Lovedrop: Male: Lovedrop: Male: Lovedrop: ' ())* +enusian Arts$ LLC. . www.ts reserved$ includin t.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1") of !"" Lovedrop: Female: Lovedrop: . -umber one! it gives me pre-selection! so it makes me look more attractive. >ight. I can neg her! and I"m %ust more attractive! because I have more pre-selection. . +ften! they have a boyfriend! and if they"re interested in you! they"ll avoid mentioning it. $hat doesn"t mean I have a girlfriend right now. $hat would be wrong!* and there"s all these beliefs that are built up around that! but that"s not how people actually behave. -umber two! it disqualifies me.y$ #nc. &ould you have a big moral issue with that! or would you be like! )&ell! them"s the breaks. #eah! I could say my girlfriend at the time if I wanted to! but! you know! I could also say I have a girlfriend right now. $hey probably were gonna break up anyway! and! you know! he would have met some other girl*/ #eah! I guess.t of reproduction in w.P. It"s a disqualifier! so now she feels safe! and all her friends feel safe for me to continue to hang out with them! because! )(ey! he has a girlfriend!* right/ -ow I can continue demonstrating value. #ou know! maybe it"s true. #ou know! last year I went surfing down the 'rand ?anyon or rafting down the 'rand ?anyon with my girlfriend and blah! blah! blah! blah! blah. $hey"ll hide it! you know. &hat are some other indicators of interest/ She will avoid mentioning her boyfriend. 8ust because when I tell that story doesn"t mean I have a girlfriend right now.area"1lifestyle. #ou know! I have plausible deniability.ole or in part in any for&.e ri . So the socially programmed rule and sort of the 7isney cartoon social programming tells us! )&ell! if he has a girlfriend! then none of the other girls are gonna want him! because he already has a girlfriend! you know! and they wouldn"t want him to cheat or ditch his girlfriend. .aybe it"s not! but either way it makes me more attractive! you know! and here"s what it does. (e"s %ust using the! whatever! present past tense or whatever.

Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1"1 of !"" I"ve hooked up with a girl who had a boyfriend! then I don"t find out that she has a boyfriend until after. !(egin Tra/6 2# ' ())* +enusian Arts$ LLC.co& Pa e 1"1 of !"" All ri .e ri .area"1lifestyle. &hy did he do that/* It"s %ust a way of sort of rationali<ing it to yourself that it"s not your fault.ole or in part in any for&. I told him I had a boyfriend! you know.t of reproduction in w. So when your skill set"s not that good! they"ll pretend they have a boyfriend even when they don"t! %ust to get rid of you.ook! I"m not gonna do that. #ou know! we shouldn"t be doing this. $hen she sort of comes out with! you know! )+h! well! don"t be mad! but there"s something I have to tell you!* and this kind of crap! right. So like if I"m escalating a girl! and she says! )I have a boyfriend. &e shouldn"t be doing this!* if I escalate and have sex with her! then she can sort of tell herself! )&ell! you know! it wasn"t my fault. I told him I had a boyfriend.ts reserved$ includin t. #ou get all these different behaviors. I don"t want rumors going around. #ou know! I want you to have the social intelligence to keep your fucking mouth shut and understand that I can only meet on this schedule and that I"m not gonna leave this person or! you know! that :. )I want discretion. Gsually what it means is that you came on to her too strong before gaming her properly! you know! is what it usually means. . &e shouldn"t be doing this. Sometimes a girl has a boyfriend! and the reason she"s telling you that she has a boyfriend is because she wants to cheat! but she doesn"t want it to be her own fault.ilosop. #ou know! I want you to be quiet about it. www. #ou know! like when you go talk to some girls! and they"re like! ). It"s worked for her many times in the past! so she uses it! but at some point when your skill set is good! and they want you to stay! and they want to hook up with you and so on! then somehow the fact that she"s been living with this guy for two years never comes up into the conversation! you know. Another thing that will happen is a girl will say she has a boyfriend even when she doesn"t! %ust because she doesn"t want to look like a loser who can"t get a boyfriend! you know.P. So sometimes a girl will tell you she has a boyfriend so : she"s not saying! )7on"t fuck me. $his is what it is!* you know! and so when a girl says she has a boyfriend! you know! it could have a million different meanings. +r another thing that they"ll do : like everyone"s different! right.* She"s %ust saying! )I want to make sure when you fuck me that it"s not my fault!* right. I have a boyfriend!* and I say! )I know.y$ #nc. Another thing that they"ll do is they"ll tell you they have a boyfriend! and what they"re saying is! )I"m willing to have an affair with you! but I want you to understand that I have a boyfriend!* right.ook! I have a boyfriend!* right! it"s like it works. .* #ou know! sometimes people get into affairs! and they think! )#ou"re gonna leave your wife for me!* you know! and sometimes people want to make clear! ).

co& Pa e 1"( of !"" All ri . $his is a typical thing! and guys do this! too. ' ())* +enusian Arts$ LLC. It"s rapport-seeking.t of reproduction in w. It"s a natural thing that people do that indicates their interest.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1"( of !"" So what are some other I+Is/ Any time that something comes up that you like or that you like to do or that you think is cool! she"ll come up with a way to say that she likes it! too.ike they don"t want to seem disagreeable. >ight. She"s %ust saying that she"s interested in it.e ri . &hen I say! )I love to go golfing. If I say! )I love to go golfing!* and she says! )I"ve always wanted to learn how to golf!* I could say! )#ou know! you could %oin a great golf club!* or! )I know a great instructor! blah! blah! blah! blah! blah!* and I"m thinking logically and answering logically instead of thinking! )Is that an indicator of interest or disinterest/* 8ust take whatever she says and process it to I+I or I+7. $hen there"s that sort of classic clichF moment where she"s holding the golf club! and I"m standing behind her with my arms around her! like helping her do the! you know! swing the thing properly! and meanwhile she"s like looking up at me! because she doesn"t give a fuck about golf! right. If she"s interested! )+h! okay! that sounds like fun!* right. www.ike if I say! )+h! I love golfing!* you know! and a girl might say : okay! for example! let"s say that I said! )I love golfing. #ou get an I+I.y$ #nc. She won"t do this every time necessarily! because that"s pathetic! but she"ll do it enough to get the hint across that she"s interested. I go every weekend!* and she says! )I"ve always wanted to learn!* I think I+I. +kay! so compliance test. #ou should come!* right. #ou do a compliance test. )+h! really! you"re into that/ I"m into that! too. Male: Lovedrop: Male: >apport-seeking. .* #ou know! it"s like! )(ey! I"m going golfing this weekend.P. )(ey! I"m going this weekend. . $hey"re seeking rapport.* .ts reserved$ includin t.ole or in part in any for&. I"m always down at the beach doing whatever! playing volleyball!* you know! that person! if they"re really interested! is gonna try and find common interests between the two of them.area"1lifestyle. $his is human. #ou know! I go every weekend!* and then there"s a girl there who says! )I"ve always wanted to learn how to golf.ilosop. If someone that you"re attracted to you says! )+h! I love doing this.* +kay! what does that mean/ +kay! stop interpreting things logically and start interpreting them as microcalibrated indictors of interest or disinterest! okay. #ou should come!* not! )&ould you like to come with me if it"s okay/ I mean! I don"t want to impose. .

e ri .ts reserved$ includin t. $here"s a girl nearby who"s attracted. If she"s interested! she"ll call you names! not nasty names! but she"ll come up with nicknames. #ou know! they %ust get an urge to look over at you! but they don"t want you to see that they"re doing it! so they"ll steal glances! or they"ll ask their friends what you"re doing! and you"ll catch their friends looking at you and then talking to her. &hen you see someone doing that! I mean! I swear all these are so obvious that I almost feel stupid saying them. She"ll keep looking at me! Lovedrop: Male: Lovedrop: Male: Lovedrop: ' ())* +enusian Arts$ LLC. It"s like when you"re interacting socially! and you see these subtle cues! after a while if you ask yourself : each time! %ust ask yourself! )Is that interest or disinterest/* and it"s so blatantly obvious. +h! oh! right. She"s in an ad%acent set! but she"s attractive. >ight! so maybe I"ve got a couple girls with me. >ight. If you have a choice between looking at her when she looks at you or not : &ait a second. &hat are some other things girls will do when they"re interested/ $hey"ll sneak glances at you! because they want to see what you"re doing or what you look like at the time. 7o you mean from like across the room! like she"s across the room! and she gives me a glance! or like what do you mean by that/ &hat do you mean when you say glance/ So you said if a girl glances at you. .P.ole or in part in any for&. #ou know! if she"s attracted to me! she"s gonna find reasons that we have similarities and that we have commonalities and that there are things we should do together or something that I do that she"s always wanted to try! this sort of thing. #ou feel those vibes! and they"re obvious.t of reproduction in w. She"ll call you $exas.area"1lifestyle.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1"! of !"" Lovedrop: >ight! well! yeah! so that"s what a girl"s gonna do to indicate interest. She finds out your from $exas. www. #ou know! after a while! you sort of look around! and you obviously see who"s interested in who! who"s disinterested! who"s trying to get away! who"s trying too hard. #ou"re a heartbreaker.et"s say that she"s not in my set. She"ll say you"re a player. It"s one of the I+Is.co& Pa e 1"! of !"" All ri . $he fact that she"s giving you nicknames shows that she"s trying to build a conspiracy! build a connection! build a rapport with you.ilosop.y$ #nc. . Male: So if you"re getting glances! and you"re able to like catch them! and you have a choice of A or : you know! when you see her glance! you have the choice of either almost ensuring you"re not! you know! looking at her! or you"re ensuring you are! and then the eyes connect! so A or on that one. . She"ll keep stealing glances.

I"m gonna notice peripherally.ook at this. I know because there"s attraction she"s gonna comply. #ou don"t have to! you know! ' ())* +enusian Arts$ LLC. )She used to point out tall women to me! and she"d say! M+h! 5ric! she"d be perfect for you!" and I"d say! M5ew! that"s my mom picking out girls for me!"* right! and right when he says that! the girl starts laughing. It"s funny you said that. It"s a lot of %ust going from one story! you know! stacking into the next one.ts reserved$ includin t. It"s not like you really need that much transition. )#ou know what/ #ou"re very little!* and she goes! )&hat/* It"s kind of a neg! because who says that to a hot chick/ #ou know! normally they"re like! )+h! wow! it"s nice to meet you.ilosop. -ow we"re celebrating! %ust like the end of . )(ey! you know what/ .* So I turn.t of reproduction in w. $hey %ust go right into fun! normal conversation like someone she"s known for years. -otice that there"s never this weird formal )-ice to meet you* phase./ean<s $$!* right! and he goes into 7(D stories or whatever. !(egin Tra/6 3# Male: Lovedrop: >ight. >ight! because I know I"m getting indicators of interest.ole or in part in any for&. . Male: Lovedrop: >ight! and you don"t take any proactive action at that point based on eye contact! or do you/ &ell! she"s not gonna make eye contact! because she"s stealing looks! right. +ne of our in-field videos is a girl standing near .y$ #nc. I broke my toe the other day. (ere"s what"s gonna happen. www.P.co& Pa e 1"/ of !"" All ri . I might look over at her and say : this is one of .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1"/ of !"" but she doesn"t want me to see that she"s doing it! so she"ll do it in a mirror. (e"ll %ust look over at a girl! and we actually have this on video. $his is gonna work.area"1lifestyle. $here"s never this weird formality at the beginning. -ow he goes into the next routine. .* She goes! )(uh/* and he goes! )#ou know! my mom used to point out tall women to me!* because he"s tall.ystery"s favorite openers. 7o you have a boyfriend/* #ou know! instead he kind of looks over like he"s %udging her! and he says! )#ou"re very little.e ri .* I %ust start talking. She"s gonna open up! you know. I"m gonna notice out of my peripheral vision that she keeps stealing looks at me! and I"ll %ust turn and open her! like! )+h! I+Is.ystery! stealing looks at him! right! and he leans over! and he goes right into it. (e says! )#ou know what/ I %ust pulled off a caper. Male: And it also sounds like there"s not a lot of transition. I"m wearing these sandals! blah! blah! blah. She"s interested in me! okay! so now I"m gonna go do the compliance test of opening her up. She"ll do it all sneaky.

So she comes out to meet us the next night. #eah! but this is like the hanging out time! yeah. She was drunk the first time! so she doesn"t remember much of it. . -o! we can always cut it out if it sucks.ts reserved$ includin t. www. It"s so funny! because I was meeting you guys for the first time! and then I like called him to come out! because the line was all long and shit! and you"re like behind him doing the humping thing! but he looks over while I"m waiting in line! and he"s like! )&ow! usually you look like :. #eah! exactly.e ri . #eah.ole or in part in any for&.ilosop. #ou can %ust go to the next story! right/ Lovedrop: +h! yeah! %ust like when you"re hanging out with your good friends.area"1lifestyle. She"s coming out to meet us! and : Male: Lovedrop: Female: Lovedrop: Female: Male: Lovedrop: Female: Lovedrop: Female: Male: Lovedrop: Female: Lovedrop: ' ())* +enusian Arts$ LLC. #ou %ust cut in with something. +h! yeah! we met her at one bar! and then she came out to meet us the next night.t of reproduction in w. She comes out to come see us the first time.y$ #nc.* $he first time I ever hung out! okay! so he doesn"t know what I usually look like. #ou know what like the one is that he said to me the first time I met you guys/ &hat"s that/ &ell! do you want me to say it or no/ 'o for it. It makes you look try hard. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1"" of !"" necessarily take your opener and have some kind of savvy transition to the next story.co& Pa e 1"" of !"" All ri .P. #ou say! )+h! you know what/ >emember last week when blah! blah! blah! blah/* #ou know! you %ust start talking! you know! because if it looks too overly thought out or overly planned out! then it %ust makes it look like : $ry hard.

e ri .* #eah.ts reserved$ includin t. $hat"s funny. $hat was the first thing! and then like you came up and humped him from behind! and I was like! )&hat/* $hen I was like! )+kay! whatever!* and I %ust like went inside. So what does he say/ (e says! )#ou know what/ -ormally you look like shit! but tonight you look beautiful! and that"s a compliment! and I don"t normally give too many of those.area"1lifestyle.y$ #nc. It was %ust cool. #eah. . It"s %ust an attitude that you have to vibe out. #ou hadn"t said anything. #ou"re having fun! which means you"re controlling! you know! your vibe that you"re sending out. >ight. #ou guys were funny! and it was like you were having fun! and you didn"t care like what you were doing. So appreciate it. #ou were having fun! and you didn"t care. &hat was your impression of us when you saw us right there and when we were talking over that glass wall to you/ I don"t know.co& Pa e 1"0 of !"" All ri . #ou know.t of reproduction in w.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1"0 of !"" Female: #eah! and he"s like! )Gsually you look like shit! but right now you look gorgeous!* and then he"s like! )and that"s a compliment! and you don"t get very many of them! so appreciate it!* or something like that. #ou"re not affected! which means literally! you know! you really don"t care.P. 9unny how that works. I mean! think about it for a second. It"s the same. #ou know! it"s like the yin-yang thing. www. $rue.ole or in part in any for&. $hat"s a good line. $hat"s a good one. Male: Female: Male: Lovedrop: Female: Lovedrop: Female: Male: Lovedrop: Male: Lovedrop: Female: Male: Female: Male: ' ())* +enusian Arts$ LLC.ilosop. >ight. I hadn"t said anything to you guys. . ?ombine those two! and that"s what we"re looking for.

'irls like ?hris. $hat"s code word for )Ask her for her phone number now. &hen girls see pre-selection! it really gets to them! and they"ll start talking about it. So to whatever degree it comes off like an I+7! an indicator of disinterest! if it"s gonna hit her too hard! he"s gonna calibrate it with an I+I to balance it out and soften it! okay.ole or in part in any for&.ts reserved$ includin t. So here are some other indicators of interest I want to throw out there.co& Pa e 1"* of !"" All ri . She"ll call you a heart breaker. #ou know! so if he says! )#ou know! you totally look like shit!* he"s got to put a little smile on the face to calibrate it so he gets away with it! and then she laughs instead of being insulted and angry and so on. She comes running up to you! and she says! )+h! well! it looks like we"re leaving now. 'irls like ?hris!* and she got : you know! she kept doing it! and I"m thinking to myself : you know! because I try and look at people like they"re these robots.t of reproduction in w. It"s worthless if she"s not into you! so I %ust would rather focus on getting her into you! and so I would %ust focus ' ())* +enusian Arts$ LLC. It %ust really got to her.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1"* of !"" Lovedrop: I want you guys to understand that to whatever degree! to whatever degree that would have come off a little too harsh! he would have calibrated it with a smile! okay.iami recently. So let"s say that you talk to some girl. +kay! what else will she do if she"s interested/ +ne thing she"ll do is she"ll call you a player.ilosop. Female: !(egin Tra/6 $4# Male: Lovedrop: (e"s very good at it. I had that happen to me once in . $hat means get her number.e ri . . $his is where we get into the description of microcalibration that basically every indicator of interest should have a little disinterest so it"s not too validating! and every indicator of disinterest should have a little bit of interest so it doesn"t push her away too hard and crush her too much.* +kay. +ne of them is if she"s leaving the bar! usually her whole group is leaving. . Somehow I %ust got the vibe going right! and they started popping up like mushrooms! and! you know! I had a few and then a few more and a few more! and I remember this one girl.* All right.y$ #nc. -ormally! I don"t even bother number closing girls anymore! because the number is %ust a piece of paper. $hey all have basically the same rules built into them! and what are these emotional switches that are being flipped inside of her that"s making this happen/ $his is my passion.P. ?hris is cool.area"1lifestyle.ater on! she comes running up to you towards the : maybe later towards the end of the night. . $hat"s true! though. www. She"ll talk about how all the girls like you. She goes with her group. She kept talking about it. I had %ust a bunch of girls. She"s like! )'irls like ?hris. She will run up to you before she leaves to tell you that she"s leaving! okay.

' ())* +enusian Arts$ LLC. It"s totally cool. $hat"s why she went up there was so that you would ask for her number! so go ahead and do it. .y$ #nc. +kay! if you say! )(ey! I"m taking off!* a lot of girls will say! )+kay! nice to meet you. .ike that"s the clue.ole or in part in any for&. &e"ll hang out sometime. #ou know! if you"re a really attractive guy! girls will ask for your number! and their friends will get it from them and so on and so forth. #ou should always have somewhere cool to go. If she says! )&here are you going/* that means! )Invite me. #ou know! you"re going to the next bar.* +kay. $hat means! )I want to come with you.m. So that"s number one. (ere"s another thing that"ll happen is if you"re leaving : let"s say you"re on your way out of the bar! and you say to the girls! you say! )+h! it looks like we"re taking off!* she"ll go! )&here are you going/* Again! code word. So now when you"re out! and you"re in a bar or the club and you"ve talked to a girl! and now you"re leaving! you say! )(ey! we"re taking off!* if she says! )&here are you going/* invite her with you.ts reserved$ includin t. (ave a good night!* okay! but if they : that"s a lot different! but if she says! )+h! where are you going/* that"s her code word. So think back in your memory about all the times that that happened! and you didn"t take advantage of it! and you feel like a fucking idiot! because you didn"t reali<e what was really going on! because I know that"s what happened to me when I first figured this out.! you know! looking for the dregs at the bottom of the barrel. www. #ou"re going to your after party.e ri . I want to come with you.area"1lifestyle. .ake sure you actually have something going on. So normally I say don"t bother getting the number! because it"ll make people focus on the wrong thing. Invite her with you! whatever! because otherwise she wouldn"t say that. #ou know! start building that into your life and put some effort into it.P.co& Pa e 1"1 of !"" All ri . Invite me.* Invite her! and you"ll probably get laid. If you"re out at the bar! like come 0EI1 or! you know! whenever it"s reasonably still a little early! you should have somewhere cool to go. Invite her with you. #ou know! you don"t want to be the loser who has nothing going on and nowhere to go. #ou don"t want to be the guy circling the bar at IE11 a.t of reproduction in w. &hen they should be trying to create attraction! they"re trying : instead! they"re trying to get some piece of paper! but one case where I"d break that rule is if! like I said! if the girl runs up to you at the end of the night and says! )&ell! it looks like I"m leaving now!* )+kay! let me get your number before you leave.ilosop. .* Ask for her number.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1"1 of !"" on my game and make my game really good! and then girls will start number closing you. #ou know! you want to be the guy who has some cool party going on! that has all the cool people going back to your house for the after party and all the girls.

$hey figure out whatever they want based on their emotions! and then they come up with reasons to %ustify it. &ell! same thing coming the other way. She"ll invent reasons to hang out with you more or reasons not to hang out with you! et cetera! and this is what men do! as well. If they"re not interested in you! they will not return your phone calls. So! for example! if she wants : she"ll invent reasons to be isolated with you or reasons to get away from you. Gsually when girls go to the bathroom or to the bar or to go dancing! what they"re really doing is ditching you! and you can tell! especially when they ditch you.ilosop.ike why didn"t she leave/ &hy is she standing there continuing to talk to you/ 8ust the fact that she didn"t leave indicates interest! and the longer period of time that she doesn"t leave! the more obvious the interest becomes. !(egin Tra/6 $$# So! really quick! I also wanted to go over the concept of passive I+Is. #ou know! that"s why you need to do regular roll-offs when you"re trying to attract a woman. Another really good one is if her friends go to the bathroom! and she stays. $he girls will give you passive I+Is. . She"ll reach out! and she"ll touch your arm when she ditches you! and the reason is because girls know that by touching you it gives you some good feelings! gives you some good emotions and some validation! and so because she knows she"s about to ditch you! she feels bad! so she touches you to make up for it. .ts reserved$ includin t.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 1"2 of !"" Another thing that girls will do : again! this is so glaringly obvious. .ike if she"s playing with her hair! that"s an active thing. $hey"ll stick around and try and keep things going! and the fact that they haven"t left over time begins to indicate more and more and more interest. If you"re sitting there talking to her! if you haven"t done a roll-off and like walked away or gotten distracted by something! after a while it"ll become quite obvious to her that your interest is there through your passive I+I! that you"re passively staying there! so you have to sort of roll off so that you"re not indicating too much interest to the girl. She"ll invent reasons to go to a party with you or reasons to not go to the party with you.e ri . It"s that simple. It actively indicates her interest! or if she"s touching you or asking questions or whatever! but sometimes a girl indicates interest by not doing something! for example! the fact that she"s sitting there talking to you when she could leave.t of reproduction in w. www. #ou can tell especially if they touch you when they do it. #ou know! they either go for it! or they avoid it! and the other thing that girls will do is they"ll invent reasons. So up until now we"ve been discussing I+Is that are active! where the girl is doing something that indicates her interest. If they"re interested in you! they"ll return your phone calls.ole or in part in any for&.P. So whenever you have a girl reach out and sort of ' ())* +enusian Arts$ LLC.co& Pa e 1"2 of !"" All ri . .y$ #nc. She"s sitting there playing with her hair.area"1lifestyle.

area"1lifestyle. 8ust behave as if it"s true. #ou know! you don"t have to like give me a pity pat or anything like that. I would go for the kiss at that point! even %ust for the practice. And so! again! think back into your past over all the times that girls made themselves available to you! and you %ust didn"t escalate. If you get a little too close to her! if you start moving in closer! a lot of times a girl! if she"s not interested! will kind of flinch! or she"ll pull back. A lot of times girls are extremely shy. If you start escalating physically! and she doesn"t stop you! that"s an I+I. $hey"re trying to hide their interest. If she doesn"t like it! she"ll say so! or she"ll leave. . If she"s not interested! she"ll leave. #ou know! you didn"t get any hints or clues from her that she wanted anything! but! again! there she is! waiting for something to happen. .ole or in part in any for&. #ou know! escalate! not in a try-hard way but using kino escalation techniques. #ou know! if she"s standing near me! talking to me! time is passing! she"s interested. I would personally %ust not care.e ri . 'o and escalate again.P. #ou"ll get more practice that way! anyway! and it"s usually accurate.ilosop. +kay! if she"s not interested! she"ll leave. !(egin Tra/6 $%# &hat are some other passive I+Is/ If you move! she waits for you! or she follows you. #ou can go to the bathroom.y$ #nc. If she allows it! push her away. 5scalate.t of reproduction in w. www. She"s sort of allowing it to continue. So if you : here"s another passive I+I. She"ll say! )+h! you know! no thanks!* or she"ll walk away or whatever! but trust me.co& Pa e 10) of !"" All ri . If this girl doesn"t! if you move in closer and closer to her! and she doesn"t flinch! and she doesn"t pull back! that"s a strong I+I. If you say! )+h! let"s go to the bar and get a drink!* she comes with you! okay. In fact! you can probably kiss her.* #ou know! I actually would not say that! because that"s making too big of a deal out of it. $he reason that I"m mentioning passive I+Is and the reason they"re so important is because often they"re the only I+Is that girls will do.ts reserved$ includin t. So the rule of thumb is when in doubt! she"s interested. It"s where she"s not personally taking responsibility for the escalation! but she"s allowing it to continue happening. $hat"s what a passive I+I is.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 0 #nstructor$ Male 3pea4er$ %e&ale 3pea4er Pa e 10) of !"" touch your arm and say! )+h! we"re gonna go to the bathroom!* like! you know! you almost want to sort of look down at your arm like she"s touching you and say! )$hat"s okay. $hey want something to happen! but they don"t want to feel responsible for it! so they sort of make themselves available! give a hint or two! and then allow things to happen! and if you don"t take the hint and make things happen! then you"ll miss out! even though she was ready to let you do whatever. !End of "udio# ' ())* +enusian Arts$ LLC. $he rule of thumb is if she"s there! she"s interested. $ry and make a move.

* >ight/ She giggles both times. )7on.t want to fuck it up and I don.y$ #nc.ve got stereotypical hot chick here and I. Say! )+h my 'od! I cannot believe you %ust ' ())* +enusian Arts$ LLC. )7on. .s funny.t really think of a -5' as more %ust a playful little thing.* And he calibrates it with a smile! and then he"ll follow it up with! )I.* )Is she always like this/* )+h my 'od. It. #ou know! if I. It.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 101 of !"" Lovedrop: +kay! there are several different ways to run -5's! one way to run a -5' is like you.s like (ow could someone be so stupid/ #ou wouldn. So! there is definitely a category of very playful -5's.area"1lifestyle.* And he says it playfully! right/ (e"ll say! )7on. $here are many students that think of -5's as insults or they.re the one who"s the pri<e! who decided whether or not she meets your standards instead of acting all nervous around her trying to impress her! that sort of thing. $his is probably one of .ll pick you up by your puppy scruff.ts reserved$ includin t.s %ust not affecting me.re being really playful! %ust like I.m being playful with my sister! and a lot of people do not do this.P. +ne way to look at -5's as if you.re all nervous around.re the authority! and that you. .t come out and talk like the big brother like that.t make me come down there.co& Pa e 101 of !"" All ri .m talking to my little sister! well here"s a sample -5'. (uh! she giggles both times.t expect anyone to say that! yeah. I"ll pick you up by your puppy scruff.t of reproduction in w.s say she says something.ole or in part in any for&.* #ou know! like! somehow! she.t make me come down there. She could say anything and you %ust misinterpret it like she was really crossing the line. And so! that"s one way to look at -5's. Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: $hat"s really stupid then. So! what are some examples of this/ )+kay! now! you wait your turn.re setting the frame that you. www. #eah! well! here"s the thing! even though he"s not being rude! he"s not insulting her! he"s not trying to make her insecure! but he is treating her like! more like you would treat your little sister! instead of the way you would treat a girl you. ecause it sounds like! I don.ystery"s favorite -5's.* #ou know! and listen how playful that sounds.e ri .re trying to cut someone down or make them feel insecure! and they don.t want to say the wrong thing! you know! I wouldn.t make me come down there.ilosop.re sort of being a little playful! but you. (e says! )7on.t make me come down there.m all nervous and I don. Imagine that I.* +kay! let.t know.

Gm! I have to go to the bathroom. &here you say! )#ou know! I think your hair would look better up!* right! because her hair is down.m doing a little impression. And you.m not gonna make out with you. . . )Are you gonna let me finish/ $hank you! 'od.m telling you! it works. #ou could dress her up! but you can. $hey are.m making an absurd impression of someone with really bad $ourette"s syndrome! you know what I. I have a girlfriend! %ee<. .re sort of si<ing her up.re right.re losing me.area"1lifestyle.* #ou go! )Gh-oh! $ourette"s syndrome. +kay.ay I finish my sentence/ $hat is wonderful. 5xcuse me.* )9uck Shit itch.co& Pa e 10( of !"" All ri .ilosop.* )Is she always like this/* )'od! this girl! you can dress her up! but you can. +h! that"s a good one. It. +kay! this is more of a %udgmental -5'. )(ow do you guys roll with girl/* )8ee<! you must have driven your parents cra<y.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 10( of !"" said that.t take her anywhere. $his is where you.* #ou hand her your drink and then you turn your back and start talking to someone else/ (ere"s another one. 5very time I pause! everyone will laugh! including the girl.* $hat"s a good one.e ri .* +kay! let.* Parti/ipant: Lovedrop: -o one said that to me and I cuss a lot. #ou. (ow do you roll with this girl! 7ave/ She must have driven her parents cra<y. 7on. I love doing that! because now! what am I doing/ I. )&hoa! $ourette"s syndrome there.re keeping her! again! swinging between validation and devalidation.ts reserved$ includin t. www.* )&here"s your off button/* )#ou know what/ #ou look like my little brother. 7id you %ust wake up/* $hese are pretty good. Stop. 7amn! I wasn"t going there.ady! I. (ere! hold this for me.t touch me like that. I.m saying! like )9uck Shit itch*and everyone starts laughing! right.t even know you. All right! you. #ou say! )(ere! hold this for me.t take her anywhere.s say she says something like! )9uck. I.P.ole or in part in any for&. .s say she cusses.t of reproduction in w. -otice how playful this is. Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: ' ())* +enusian Arts$ LLC.et. #ou think you"re so funny. . It works.s okay.* +kay. I don.y$ #nc.

$his is playful. Is that a movie/ #eah! that"s from Gncle uck with 8ohn ?andy.P. +kay.m actually insulting her saying! ).co& Pa e 10! of !"" All ri . See! if I said that to someone! if I said! you know what! )$ake this quarter! go down to the subway and have a rate gnaw that thing off your face.ve built tension! you. . ' ())* +enusian Arts$ LLC.m fucking with her.* +r whatever! you know.ole or in part in any for&.ve got that tension plot line between you and the girl! which is necessary.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 10! of !"" So! you would say! )I think your hair would look better up.m doing is I.* Sometimes I do this! right! and then you could be a little critical! you could say! )I don.ilosop. +kay! and because it. +kay! now there are also some -5's .s a little mean! it will build tension.s not like! I.m showing that"s a real insult. )7elicate shoulders! slim waist! birthing hips. -o! notice I. +kay.* She"d say! )>eally/* If she falls for it! if she plays into it! she"ll start putting her hair up with her hands and trying it in different ways and saying! )&ell how! what you think of this. &hat I. I like this one.oh! here"s another good one.ook lady! why don. &hen you smile! she"ll start giggling.e ri . Sort of! like if you said! )(ere! take this quarter! go down to the subway and have a rat gnaw that thing off your face.y$ #nc. It.* 7o that kind of stuff! and then she puts her hair down. I. -ow you.* &ait! )And have a rat! gnaw that thing off your face.m being a fucking asshole.m %ust teasing. It will break the tension.ve gotta laugh! so you. .m teasing her! and so she plays along with it because she knows I.t know! that first one looked better than that second one. +f course! you still gotta give her a little love! or at some point! she"ll be off the deep end. #ou would not look good with short hair.* #ou know! )?a-ching! ca-ching.ts reserved$ includin t. And then you get the laugh - [Begin 7ltr2] Lovedrop: +kay/ And you also get dominance over the frame! because she accepted the frame by laughing. www.* Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: &hat thing/ $hat"s from Gncle uck. She knows I.area"1lifestyle. I know! it is kind of mean! but that"s where you calibrate it with a smile.* )-o way! do not cut your hair short.t you take your birthing hips and go home and have @A or @B more children/* #ou know! )Start popping them out now.m being like in your face rude.t of reproduction in w.* Parti/ipant: Lovedrop: $hat"s kind of mean. $hat"s crossing the line.* I.

So! the only reason I.* +kay! notice I. I. So! what"s an example of that/ +kay! if I say! )Gh! you spit on me. -ow! I.* +kay. #ou didn"t even notice it.* +kay! imagine if I said that to some hot chick! some stereotypical Angelina 8olie-type whatever! really beautiful girl.m not impressed.ilosop. Parti/ipant: (ave a little something in your teeth.m not being mean. All right! so those are playful -5's! but there are also -5's that aren. It was on accident.m teasing her and she"ll giggle and punch my arm.m not teasing.t of reproduction in w. #ou didn"t notice that you -egged her.s not your fault. I didn"t think of her romantically.co& Pa e 10/ of !"" All ri .m not coming off like! I. Instead! these -5's sort of make it look like you didn"t notice.ts reserved$ includin t. ' ())* +enusian Arts$ LLC.t blame you. I can say! )Gh! you spit on me.e ri . .m not being mean! I.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 10/ of !"" Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: (ow would you get a rat in the subway/ +h! that subway.s not your fault because you weren.y$ #nc.m playing with her.t playful.m also not coming off really impressed by her. At the subway! you know where people travel under ground on the east coast/ #eah.ole or in part in any for&. Instead! I. +kay. +kay.m all nervous trying to impress her. $here"s nothing wrong with her! it %ust didn"t occur to me that she was a potential sex ob%ect or whatever! that she was a potential romantic interest.m not deliberately teasing her! but I.re going it right. If I say that to her )Gh! you spit on me. It.* And I kind of give her a weird look like! uh.ook at this delicate shoulders! slim waist!* I kind of spin her around! I go! ) irthing hips. -otice! I.* +kay! as she talking! she says something! I can misinterpret that she %ust spit on me. See! that feeling! I.t trying to do that to her.m pointing out that Gncle uck line is to contrast it! because when I say to a girl! ). I.area"1lifestyle. www.m not like! )#ou fucking bitch!* you know! I.P. #ou know! like I %ust didn"t think of her that way. .m not insulting her like I was with the rat story. +kay. Parti/ipant: Lovedrop: It.m %ust making her feel a little weird like she %ust screwed up a little bit! but I. So! it doesn"t look like I"m trying to make her insecure! but she still gets this little feeling like! I.m saying! )Gh! you spit on me. #ou said it! she left a little more insecure! but she can. Instead! I. If a girl"s laughing and punching your arm! then you.

.P.s that he didn"t think to care.ilosop. $he guy pulls out the Hleenex! blows his nose. +r disgust her. .t care. ' ())* +enusian Arts$ LLC. . Self-conscious. Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: e very nervous. -ot that he"s trying to say this! but that it %ust didn"t occur to him! right/ And so! by the way! she"s not gonna necessarily think this consciously! she"d gonna feel it emotionally. $hat"s her emotion. I could never hook up with a guy. #ou.e ri . -ow imagine Angelina 8olie has that same experience.ike! for example! would you be nervous to blow your nose in front of a five-year-old. Another example! I blow my nose. (e"s not going to blow it right in front of her! because he doesn"t want to fuck it up. She"s gonna emotionally feel this man is not as attracted to me as most men.re gonna blow your nose.m kind of nervous! I better go somewhere else.ts reserved$ includin t. It doesn. Seriously! your eight-year-old niece.ve disqualified yourself as a suitor.t even think about it.t occur to you.re like! whenever you blow your nose you don.s not so much that he"s trying to blow it in front of her or not! it. www. It has to look like it didn"t occur to you. Seriously. -o! seriously! right.re sitting here talking to her and you pull out the Hleenex and you blow your nose! it has to look like an afterthought. +r disgust her! right! ugh.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 10" of !"" Lovedrop: #ou know! because you. (e doesn"t want to insult her or offend her or whatever. +f course not.area"1lifestyle.t of reproduction in w. +kay.* #ou don. (e"s not attracted to me.y$ #nc. I.ole or in part in any for&. Are you like! )+h! shit! she"s gonna see.co& Pa e 10" of !"" All ri . (e"s not trying to impress me like most men. I could never kiss a guy who %ust blew his nose in front of me! or whatever! and so! when you. It %ust didn"t occur to him! you know! and that"s going to be a very genuine indicator to her! to think to herself! hey! he"s not trying to impress me. #our eight-year-old niece walks in the room! you. It. Gsually a guy around Angelina 8olie is gonna go! excuse himself and to the other room and blow his nose.

P.m not too sure about you.ts reserved$ includin t. )#ou. $he -5' is one of .ystery uses this on almost every set. I %ust wanted to show that the -5' doesn"t have to be playful.t know! I. . (ere"s some common disqualifiers.re losing me!* and he"ll kind of turn away a little bit. She"s used to guys constantly trying to accommodate her! trying to agree with her! trying to build rapport with her! trying to get more time with her. >ight! exactly! and playful -5's give her that feeling too. 5ither way! it still creates that feeling like you.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 100 of !"" Parti/ipant: Lovedrop: &hat does he have that makes it such that he"s not attracted to me/ $hat"s what gets her brain going. (e"ll actually say! )All right! you. .re losing me. (e"s losing interest for that. It creates attraction. It could look like sort of an afterthought! or it could look playful. #ou know! she says! )+h! I like golf.ilosop.t know! I.ve heard them from all different people and whatever sounds good! I sort of put in my personal notes and I study this cheat sheet when I go out and practice it! %ust some examples! of good material that I like to use.m not trying to impress.s %ust so great. At some point! you have to convey that willingness to walk.* +kay.m giving her that feeling like! I.exican food too.* +kay! this is a really good one. www.re losing me.co& Pa e 100 of !"" All ri .area"1lifestyle. It gets her working for everything good! everything good! all right.ike she"s talking and I say! )'od! where is her off button/* >ight. It. ' ())* +enusian Arts$ LLC.* >ight. +kay. >ight when you hit her with an emotion and her emotion spikes up! then she says something maybe you could be like its a little weird! or you can misinterpret it that way/ Say! )All right! you.t of reproduction in w. .re not trying to impress her.ole or in part in any for&.* $he guy! )+h! I like golf too. -ow! I.* $he guys like! )+h! I like .e ri . So! instead! along comes this guy who"s like I don. It breaks the pattern.y$ #nc.ystery"s primary inventions. At some point! she"ll do something or say something that he wants to punish or that he can misinterpret as if he"s losing interest. $he best time to do it is right after an attraction spike.re losing me.exican food. I.m being playful! but still! I.* She says! )I like . . #ou know! he uses it on every set and it.m not too impressed by that! as opposed to the guys always trying to match up.s like the core secret to his attraction. $hat willingness to be like I don. #ou know! whoa! that was kind of weird! I.m not too interested in that.* And he times it %ust right so the girl reaches over and grabs his arm and pulls him back. $hese are from my personal notes by the way - [Begin 7ltr3] Lovedrop: So! these come from all different sources. It disarms them. )All right! you.

s a point to understand that if you. >ight. .re discriminating! if you.y$ #nc.ilosop. +kay! much in the same way! if you don. www. (e"ll take whatever he can get. She"s not used to being %udged.co& Pa e 10* of !"" All ri . 8ust by acting picky about women and saying all I. $hat"s attractive.t of reproduction in w. Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: It. #ou better be up to my standards. &ell the important point is! remember! -5's indicate value.m checking you out.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 10* of !"" Parti/ipant: Lovedrop: $hat"s a little creepy.t act a little %udgmental! then what you.m used too.* -ow! why is this important/ +kay. ecause when she closes her eyes and fantasi<es about prince charming! what she fantasi<es about that highvalue guy! trust me! she"s picturing a picky guy.re telling her is that you. #ou know! that"s what makes them swoon! and! you know! %ust be so into the guy.P.s part of attraction.area"1lifestyle. ut more like! )All right! I.ole or in part in any for&. She"s used to guys! without %udgment! %ust being grateful for whatever they can get! and instead! looks like this guy is %udging her. It.e ri . So! she sees a guy acting like that! she thinks! ooh! high value guy. It conveys value. 'eorge ?looney is picky! or whatever.m not too impressed by that! you know! she"s got to work for it to impress me.att 7amon is picky. . #ou should be picky. &here do you want to go eat/ &hat movie do you want to go watch/ $hat"s not her fantasy.t act picky! if you don. (er fantasy is the guy who"s picky! who has a lot of different options! a lot of different women! you know! but he chooses her! because there"s something special about her. So! it. ' ())* +enusian Arts$ LLC. (e"s not one of these desperate guys that I. She"s not picturing the guy who"s like! sure baby! whatever you want. rad 3itt is picky.re a low value guy who"s desperate.re out. .s see what you got! you know! but you better be up to snuff.ts reserved$ includin t.et. (e"s sort of si<ing her up and down. +kay! so you actually have to act a little %udgmental and act like! you have standards because otherwise! the women are going to be less attracted to you. >ight! that! whoa! that was a little creepy. >ight. -ot that he"s like done with her! like! all right! you. y having that sort of high value abundance attitude! it shows that you must be a high value guy. .re picky! it indicates higher value.s the prince charming affect! where he can have any woman! but as you said! he chooses her. #ou know! she"s not used to that.

re desperate! it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 101 of !"" So! a lot of times! we"ll frame it like maybe she"s a little creepy! or she"s a little perverted! or she"s being a little weird! or she"d being a little too clingy or a little needy or whatever! %ust because! again! you.s not %ust because you.t do it right away.re setting that frame that you. . #ou know/ So! it. (ave standards.re getting some I+I"s! now you throw that in.ystery uses this in every set.e ri .ilosop. (ere"s another one that"s one of .t built value yet! then she"ll agree.re keeping her swinging between validation and devalidation! so on.* $his line! you have to do after you have some value.co& Pa e 101 of !"" All ri .re probably right.re the pri<e! you.t of reproduction in w. She"ll go! )&hy! why! why/* She"ll giggle and start asking like that like! )&hy not/ &hy not/ &hy not/* +kay. I say! )#ou and I are not gonna get along. +kay! what are some more lines/ )7amn! we"ve got a 8e<ebel over here!* you know! if she starts acting a little wicked or a little bitchy! all right.ole or in part in any for&.re interested! but you haven.* )#eah! that"s %ust what I was thinking.s good all around.area"1lifestyle. $he pong comes back.re si<ing her up. www.assive I+I! okay! so! you. &ell! why not/ &hy not/ I.ystery"s favorite lines.s not %ust because you.y$ #nc.* And she"ll go! )#eah! you.t decided yet. . So! a lot of -5's are like this! they sort of set up this playful frame between her and you! where she can tell that you.re glad to fuck anything you can! but rather because you do have options and she has high value! and she can feel high value because this guy"s pick and he chose me. . &e"re not gonna get along. I wouldn.P. 5very second I. #ou say! )#ou know what! I can already tell!* here"s" the pause! anticipation! she starts smiling.re the one with standards. I ping it out. #ou. If you go into the set! and you haven. #ou. ut if you come in and build value and get some attraction! you. [Begin 7ltr4] Parti/ipant: So! something like that where I kind of push them away! you have to actually sense a little attraction first before you do that/ ' ())* +enusian Arts$ LLC. #ou.* She"ll start giggling. (e says! )+h man! I can already tell! you and I are not gonna get along.m gauging interest levels.* She"ll be kind of! you know a little bit like that.re getting these pongs back. . #ou want to make sure she"s up to snuff! and that makes her feel good! because that means that if you choose her! it.ts reserved$ includin t. #ou"ll go! )#ou know what! I can already tell you and I are not gonna get along.re sort of! again! you.re %udging her.m gauging interest levels and testing.

* +kay.re well! calibrated and you know when to use these lines.t take my shit. #ou. So! you can open pushing people away.* >ight.ve earned a little bit of my respect! you.re gonna get a strong I+I. It.t of reproduction in w. #ou.ole or in part in any for&. So! he"s telling her well! you. (ere"s the bottom line is! if you.s almost like an all embed! but you. It as a mistake and now you. #ou. So! but I.* +kay.e ri .ve earned a little bit of my interests.re so ama<ing. .re getting some interest! show the line in.ts reserved$ includin t.re gonna get a strong I+7 based on it! or you.s really tough to come back! probably. ' ())* +enusian Arts$ LLC. It doesn.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 102 of !"" Lovedrop: &ell! I mean! I.m saying with this line! specifically! I can already tell you and I are not gonna get along! that line tends to work a little later in the set! maybe not in the first minute! maybe in the first five minutes.ll know exactly! oh! no! I can. >ight.re willing to make an all embed especially at .ilosop. &ow! you. www.t take your shit.ve gotta overcome.ve got character.s all embed! because if she agrees with you! it.I mean it. &hy/ ecause you got the experience in the field! so now you.s not gonna work. #ou. ?ome here! give me a hug! I love you. -ow get off of me.ve developed a much better social intuition. #ou know! %ust practice it 011 times and then you.co& Pa e 102 of !"" All ri . #ou. #ou shouldn"t have said it in the first place.t have much time! but check this out. -ow! here.ve gotta recover.s what he"ll do! once he says we"re not gonna get along and she"s like why not! why not! then he"ll bring it back up! and he"ll say! ) ecause we"re too similar.an! I really don. Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: And not care. .t feel right and then later okay! perfect! now"s the time to use it.t take my shit. #ou.P. >ight now! I can give her a big hug and say! )&ell! you wouldn. ut once when you sense it! it sounds like you can use that line and it works! you know! that"s a really! really strong I+I! because! again! it.ll know exactly when it.y$ #nc. #eah! I mean! I . #ou wouldn.s either! you. I wouldn. I"ll say! ).re spunky. #ou know! the best way to figure that out is to go out and start using them until you get calibrated.m not saying that you have to in every case! because I"ll actually open by pushing people away! or use false time constraints.s gonna work and when it.area"1lifestyle.yeah! if she agrees with you! you %ust lost value.t use that yet. -ow he"s qualifying her.re not like all those other girls who %ust go along with everything.

I .t count. #ou know! you don. #ou -5' her! )'osh! she"s always like that/* #ou know! keep talking! now she"s feeling really devalidated. www.re %ust out of the running! like you.re so hot.t of reproduction in w. I mean! I felt kind of neutral about you at first! but wow! I mean! you are an ama<ing person. ut! you. >ight. 'o Ahead.s fun.re doing it right! instead of you know! oh 'od! you.m sort of punching my fist together.ystery is going to do in every set. .s some interest there! but she"s feeling it too! and you.co& Pa e 1*) of !"" All ri .re interested yet. #ou wouldn. $hey. &e"d constantly be butting heads. #eah! now! if you.* +kay. +kay! some more lines. $his verbal %ousting! which is basically the content of every romance novel. 4ualify her! )+h my 'od! really/ #ou.ole or in part in any for&. I see him do it constantly. #ou. y doing that is that! is that indicating like! you. I. #ou don. )&e"d constantly be butting heads.s almost a weight point for him.re flirting and it. At each point! she"s laughing. So! listen to this line.t take my shit.it.re like this/ &ow! I didn"t reali<e that about you.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 1*) of !"" $his is a thing that .t even have #ou.m disqualifying her! but it.area"1lifestyle.re gonna! he"s gonna still be teasing her [Begin 7ltr5] Parti/ipant: Lovedrop: ' ())* +enusian Arts$ LLC.re a loser in other words.s kind of y flirting! yes! you are indicating interest. +kay. &here you sort of . I"ll buy you a drink/ 7o you think we can have lunch tomorrow or something/ 'ive me your number please. If I had to hang out with you! I would go bald. )All I can already tell. +kay. #ou know! I.y$ #nc.re indicating interest! but it.re gonna go into flirting.t tell if you.re flirting really well! and she"s into it! then she knows there.re both into it! right! but it. I wouldn.s flirting.* >ight then! you start showing interest! but he makes her feel like! she earned it instead of giving it right away. It. #ou and I are not gonna get along.e ri .s also possible to create attraction where she really can.re %ust out.re saying that you. -ow she"s gonna want to <ing back a little bit and we"ve started this playful rapport between the two of us.ve got to say! your first impression was kind of shit.* )#ou know! some girls! they %ust drive me up the wall! I can pull my hair out.* And when I say that! I. -ow turn and isolate her! start asking her some questions.s like! you.re doing it competently. .t take your shit.you blow your nose! and you say something funny to the group.s flirting! like its playful and it. -ow you. ?ome here. #ou know! but again! they. Parti/ipant: Lovedrop: #ou said that it.P. 'ive me a hug.ilosop.ts reserved$ includin t.* )&hy not/ &hy not/* )&e"re too similar.s flirting.

I.m misinterpreting it like she"s trying to get something. +h! okay! this guy has options.area"1lifestyle.m showing that .s like a backrub or something. >emember! girls are accustomed to having guys desperate for touch.e ri . I don. . . (e"s like! oh my 'od! there"s a girl touching me. She looks down like! oh! your hand is on my boob. She may not even be thinking along those lines! but I.ve made myself more attractive.m doing is I.et. I don. She"s giving me some value! but I. So! by disqualifying that way! I.t remember who found it originally! .m ' ())* +enusian Arts$ LLC. #ou know! like she"s a little bit too needy! like she"s a little bit too creepy.co& Pa e 1*1 of !"" All ri . I hope she keeps touching me.m doing is I. .I.P.s say she"s gonna ditch you or ask you a question or whatever! she touches you. I look down like! uh! you think you can touch me/ .ilosop.m the one who brushed it off.m setting a frame! because remember! girls frame is that by touching me! she"s giving me value.ike she"s the one giving the value. >ight.ike! what the fuck do you think you are doing/ #ou know! and then you look up at her like look back down at your arm! look back up at her like! uh! your arm is on me. . So! instead! what happens/ Instead! she comes up! she touches! you know! she"s in a conversation with me! she touches my arm and I say! )&hoa! whoa! whoa! hands off the merchandise there girl! this shit ain.m setting.s a little too early in our relationship for you to be grabbing my arm and grabbing whatever. )#ou know! whoa girl! you know! I %ust met you it. It.ve raised my value. I. So! she"s accustomed to guys wanting more and more of that touch. Similarly! another thing you can do is if a girl touches your arm! you %ust! without saying anything! you %ust look down and look at her hand. +kay.m the one with the higher value and she"s the one trying to take it! right/ $hat"s the frame I. So! when the guy touches her! excuse me! when she touches the guy! he"s usually grateful and he wants it to keep going! like it feels good to him. #ou know! and so what I. $his is a cool! fun guy.t for free.ts reserved$ includin t.m setting the frame that she is. #ou know! almost as if like! you went you went up and grabbed a girl"s boob or something. So! I.* And you kind of brush her hand off. And you say! )&hoa! whoa! whoa! hands off the merchandise! girl. I"m misinterpreting it and being playful about it! and usually the girl will play into it! and she"ll start laughing and it makes me look good! because most guys want more touch.* &hat I.re trying to do over there.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 1*1 of !"" Lovedrop: (ere"s some other lines! )All right! hands off the merchandise.y$ #nc. $his shit ain.t free.* >ight. She"s the one with value and she"s giving it to me by touching. $his shit ain.ystery or $yler or someone! but basically! the girl touches you! which girls usually do to try and give value.t free. >ight.t of reproduction in w.* +kay! we got this line from a girl! of course.m reframing it! such that by touching me! she"s taking value. #ou know! I.ole or in part in any for&. www.t know what you.

#ou know! she"ll say something like! )&hatever! I"ll get some guy to buy me a drink.ve eaten girls like you for breakfast.ook her up and down and say! )#ou can.* If she does something that you can misinterpret like! she"s trying to escalate you! you can say! )&hoa! it.re presented. #ou %ust have to start believing that. +kay. Again! I. If that"s the frame and you set it in a strong way! she"ll fall right into it! and she"ll start role playing and she"s probably grateful! because she finally found a guy who"s attractive like that instead of most of these guys who are %ust begging for whatever they can get.s true! believe like it.m the one with the value! right. )#ou don.s true! and it becomes true. #ou know! you %ust naturally have that high value perspective and that high value vibe. &hat kind of person talks that way/ (e must have this kind of attitude inside.area"1lifestyle. )&ell! I. .* +kay.co& Pa e 1*( of !"" All ri .* +r something like that! something like I. It shows what his frame of reference is. I have to go to the bathroom. .* . ?ome down off the box! you don.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 1*( of !"" like! )Gh! whoa! whoa! whoa! whoa! whoa! not so fast there girlie! buy me a drink before you start touching me like that.* +kay. Act like it.ike! )All right come off it little missy. I. Parti/ipant: Lovedrop: $hat line you would say with a smile and would you do it in a group/ #ou can. If this is how he"s acting! this is how he"s talking. I would do it in a group.m %ust assuming she"s the one who wants me.* So! that"s if she says anything egotistical! which she will. I need a lot more comfort and trust before I would go sit alone with you. I would do it with a smile or without a smile. (ere"s a really serious one! okay/ ' ())* +enusian Arts$ LLC.* +kay. So! remember! all these lines! it.ts reserved$ includin t. I would do it one-on-one.ve eaten girls like you for breakfast.t need lines. (ere"s a few more lines. $his is how he"s behaving. .s more about learning the attitudes. (ere"s another one.m so hot anyway! you know! and you.s true! talk like it. $ry not to embarrass me.t have me.t even know where my friends are right now.ole or in part in any for&.y$ #nc. It. 8ust play around with it.ilosop.P.re not a go-go dancer you know. ?alibrate! like you"d be surprised! like watch.s not about memori<ing the lines! per se! although that"s good practice. #ou %ust have to act that way.* #ou know! and so! when you set the frame! people accept the reality they. It shows what his frame of mind is! his feelings and attitudes inside! and the way he views his value relative to other people! and so by talking this way you"re training yourself to think that way and feel that way! so that eventually! you don.e ri .t of reproduction in w.t have me. .ike! )&hoa there! calm down there ?ecil.s too early in our relationship for you to be touching me like that.y friends are her! you know! okay/* .ll say! )&ell! I. www.t scare me.t work here. #ou. I mean I don.

)#ou.P.t have me! okay! whoa! no! no! no! hands off there!* you know! )+kay! I think you should put the drink down.area"1lifestyle. . www. +kay.t have me.* >ight. I grab her and kiss her or grab her and ' ())* +enusian Arts$ LLC. >ight.ole or in part in any for&. So! let.* >ight. oom! I grab her by hips and pull her in and bit her neck and then push her off.e ri . I run some buying temperature routine.t of reproduction in w.ook! I.* )#ou know what! wow! your personality is really cool! if you were my type! I. If you want to escalate a girl! you want to hit her with an emotion first! right/ I want to either! pump her emotion up or down and then escalate her.ilosop.ts reserved$ includin t. If you say! you.re totally not my type.m creating here.s really too bad because we seem to get along really well! but you.y$ #nc. Something like! you know! like she"s not he"s type! even though he totally thought she was hot. I say! )#ou know what! you have such a good girl face! but you totally have bad girl mannerisms.re not my type. #ou.m acting so serious builds more tension! so she.d be all over you. +kay. All right! here"s another one. Another example of that is to devalidate a girl before you escalate.m your friend. She starts giggling and laughing! )Stop it! stop it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 1*! of !"" [Begin 7ltr6] Lovedrop: )#ou can.s what I would do. )+h! you. ut at the same time! here.ve had too much to drink tonight. So! I might say! )#ou know what! it. #ou can only use certain of these lines with really attractive women it sounds like. . She"ll probably laugh because she"ll still the fact that I. +kay.co& Pa e 1*! of !"" All ri . I care about you. I mean! well! I mean he could have calibrated it better! maybe with more of a smile. She feels her self-esteem start to drop.re totally not my type. -ow! I might do it really gay! really over animated and say! )Gm! you can. She"ll be like! )&hat the fuck/* She"ll feel all re%ected! and angry! and blah! blah! blah.s more likely to laugh. I pumped her emotions and then escalated.* +kay! right when I say that split second pause! she feels completely devalidated.s say I want to pump her emotion up. (ere.re not my type! if she has low selfesteem +h! yeah she got She"ll get pissed.* She starts giggling. Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: ?osmo used that on Hat.* #our boyfriend must be a really cool guy.* 3unching your arm! see the vibe that I.s the problem. +kay. +kay. .

+kay.y$ #nc.* #ou see what"s going on here. #ou say I like you. +kay! so I do the disqualifier indicates this interest! then we indicate interest to calibrate it back up so it.t know! maybe we could like get our rhythm together after a while.P. And do like this sexy dance where I"m rubbing her pussy with my leg.m gonna get away with it because she"s feeling a little devalidated.t work! you know! I need someone who"s compatible. +h! wait! wait! give me a hug! okay! I.m like! )arrrgh* and she"s like! )ahhhh.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 1*/ of !"" bit her neck and go )argggh* and like bit her neck and shake her a little bit. (e"s a little bit more likely to accept escalation! right. +kay! notice this.* $hen I stick my leg between her legs and do like the lambada.et me see your hands.e ri . +kay! girls do this all the time! naturally. She goes! )+h my 'od!* and then I turn and grab her! push her against the wall and say! ) ut I can. #eah! never being completely predictable! never seeming needy or you know! hold my purse! I"ll be right back! okay! and ten minutes later he"s standing on the same spot.t like you! kind of messages/ >ight! a push pull message.t like you! that sort of thing. . So! I say! )#ou are such a nerd.* And then I push her off.* 3ush her off and say! )-o! get off me! this definitely wouldn.s not too harsh.m doing! right/ And then I say! )-ah! that doesn"t work for me.et.* And I"d say! )&ait a second! though! can you cook/* -ow! if she"s interested! she"s gonna %ump in the hoop.* >ight.m not sure.s like really kind of! I like you! and then! I don.t help myself. ?ome here for a second. (ere"s some more lines. I want to feel your back. $hen again! I. Dalidate! devalidate! validate! devalidate! you know! push! pull! push! pull! push! pull. Parti/ipant: Lovedrop: And totally surprising her -5xactly. +kay! what you do is you go hot! cold.t of reproduction in w. www. . $his line is a disqualifier! but I ended with a qualifier. I don.m gonna pick you up for a second. So! notice how we do these vibe drops! or excuse me! like validation hit or emotional pump right before I try and make a physical move! because she"s more susceptible to it during that time. Parti/ipant: Lovedrop: So! it. I.ts reserved$ includin t. See! I. I"d say! )I don. . At least ' ())* +enusian Arts$ LLC. She"s gonna say! )I can cook.s see how you dance.* $hen I start biting her neck and I.* I"ll be like! )(igh five! that"s awesome.ilosop.m taking her on an emotional rollercoaster. See what I.ole or in part in any for&. A really good way to do it is to mix signals.co& Pa e 1*/ of !"" All ri . )#ou know what! this is so ama<ing! we"re having such a great conversation! but you and I would not be compatible physically. -o! we would definitely not get along physically.area"1lifestyle. .

Parti/ipant: Lovedrop: #ou say something like! oh! I agree.* )#eah! I wasn"t going to say anything but that"s pretty fucking gross. She"s like! )&hat/ &hat/ .* +kay.* )&ell! I guess your hair Lovedrop: ' ())* +enusian Arts$ LLC.re not.* )#ou know! while we"re at it! you should probably do something about that hair! I mean! %ee<! did you get that cut with a rusty saw or something! I mean look at you.* )#ou are so fired.re trying to see how eager you are to sort of chase after and you. $hat"s right.area"1lifestyle.* >ight.s basically conveyed that she"s not trying to impress me.re nice.ilosop.* .re gonna %ump through their hoop! if you.t know. I don.m doing that. -o man is ever going to love me.* >ight.re gonna validate them! and by not doing that! you.re showing that you.* &hat you do is you say! )#eah! I wasn"t going to say anything. Such a nerd is an indicator of disinterest! so that"s the -5'. Sit in my lap.t that fun/ )#eah! I wasn"t going to say anything. ut then say! but hey! at least you.P. #ou know! I mean! isn.y$ #nc. Instead! it.* )#eah! well! I wasn"t gonna say anything. www. +kay.m not getting suckered into the! )+h no! you look hot.ook at these love handles. ?ome here.re nice.* See how I. . $hey really want to see if you.* )+h my 'od! are you drunk/* [Begin 7ltr7] +kay! here"s another one! remember how I said that girls would disqualify themselves.* +kay. I. 8ust say! )#ou are such a nerd! oh my 'od! but at least you.t of reproduction in w. #ou know! and also! the truth is it. So! that"s where you. aby! you look good.re essentially passing the shit test. Parti/ipant: It.ts reserved$ includin t.ike that.m looking kind of fat! look at these love handles.* If she says that right in front of you! you feel like! )+h! why is she saying that in front of me/* . )&e are so broken up. $hat"s right. $hey.* >ight.s like! )#eah! yeah! I know! I wasn"t going to say anything! but that is kind of weird. #ou know! that"s exactly what you should say.m not taking the bait. >emember that line! okay.s definitely! a form of a I think a shit test! when they start doing that.y hair looks good. So! it.s also fun! like he"s fun.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 1*" of !"" you. )+h my 'od! I think I. I.s never too harsh.m like! I. . And you feel yourself lose power! like a girl will go! )+h my 'od! I am so fat.ole or in part in any for&.m get a <it on my forehead.re giving interest and bringing her back up. If a girl goes like this to you! if a girl ever pulls that shit! she goes! )+h! I. $his is disgusting. I want my stuff back. #ou look really good.* +kay.co& Pa e 1*" of !"" All ri .re nice.ike! she. .e ri . )+h my 'od! this dress looks weird on me. $hat is exactly what you should say.

* >ight. (e totally would love you and appreciate you. It. $his will work out so great you know! blah! blah! blah! blah! blah.re too much of a nice girl for me.* +kay.t feel the same way about you that I feel about girls that I. . (e would buy you flowers. +kay! so much in the same way! you can disqualify her like that.an! I am total not boyfriend material.m disqualifying myself.co& Pa e 1*0 of !"" All ri .t you love me/* )7on.d get your heart broken.* And instead! the guy"s like! )#ou know what! I am such a bad boyfriend! I will probably cheat on you constantly.ook at that guy over there. (ere"s another one! )#ou are so beautiful.* I don.s go talk to him right now.s weird! I mean! like logically! I know you.s too bad.* )+h! shut up. .m really into! but we have such a good conversation! you know! it. It %ust wouldn"t work out. #ou can say! ). #ou. #ou.m disqualifying myself to the girl.et.t I hot enough to satisfy you/* ) #eah! I guess you could satisfy me! but the problem with me is I get depressed all the time.* +kay. )#ou really wouldn.area"1lifestyle.e ri .t of reproduction in w. . #ou know! you need a guy who"s actually going to take good care of you and pay attention to you and bring you chicken soup.ole or in part in any for&.ilosop.* It.P.t you care/ Aren. #ou can say! ).* )+h my 'od! I can. #ou do not want to hang out with me. (e would worship the ground you walk on. #ou know/* ) &hy! don. ?ome on. All right! so what are some more lines/ All right! so anyway! you know how a girl will do that! she will say! ).* >ight! understand how this works.s a shame you.t shower for three or four days at a time! and I mean! trust me! trust me! I toxic.y$ #nc.* &ell! much in the same way! you can do that to girls. www.re a pretty girl! like logically you are a pretty girl! but I %ust don.m toxic for you. Always use that for your disqualifier. ?ome on. +kay! again! ' ())* +enusian Arts$ LLC.s too bad that you slept with that one guy! because I would totally hook up with you! but 'od! if you slept with him! there"s no way I could ever touch your filthy! nasty skanky ass.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 1*0 of !"" looks good if you come from the Gkraine or something. . )#ou know! we differently should not get to know each other. #ou need to find a guy like that guy over there. .s too bad you.m not trying to get her! because most guys are like! )+h! I can totally make you my girlfriend.* #ou know! )It. (e would do everything you say.* ) -o! no! no.s too bad you live on the other side of town. #ou know what! once I get in a relationship! I don.ook how fat I am! you know! and you feel yourself %ust lost some power. y disqualifying myself to the girl! she can tell I.* >ight! see how I.an! I would be such a horrible boyfriend.* And there"s another one! I want to throw that in! )It. #ou know.re so short or we would totally hook up together.t want to.* (ere"s another disqualifier.t know! for all I know! they have the best hair in the world over there! for all I know. I.emori<e that phrase! it"s too bad! you know! )It.t believe you said that. I.ts reserved$ includin t.* +kay.re not my type.

* )I have to move over there! you won. See the frame.s either Swing ?at or 7avid 7! but it. Instead! he talks like his opinion matters.* See! how he"s got them %umping into hoops.re the guys that want to take advantage of someone/* ) -o! we"d never take advantage! we swear. I think it.t know what the fuck is up with you guys.ts reserved$ includin t. +kay.m a really cool guy! you can trust me.I! dude! do not leave me alone with these girls! you guys! this is a little creepy.m throwing out here.re both holding drinks and they"ll say! )I don.P.* >ight. I don.ole or in part in any for&. )+h! I cannot trust you girls! I . Absolutely nothing. I.* #ou know! like I. www. I am so pissed off.co& Pa e 1** of !"" All ri . (e says! )I don.s on my cheat sheet.t know if I can trust you guys. I put vodka in my drinks.area"1lifestyle.* >ight. . &ho the fuck ' ())* +enusian Arts$ LLC. &hat else have we got/ )#ou know what I love about you.t know if I can trust you guys. ut basically! every time the girl says something like! she says! you know! she says! )Scoot over and let me sit down. I don.ilosop.m writing on my hand! and I go! )7ear diary! tonight I was out with ?hris and he made me sit over on the right side instead of the left side. As if! their opinion matters.m trying to get an attitude. #ou sit over there next to me on that side.m not trying to get lines out there.m the one with value to protect here. (e"s got them qualifying themselves! trying to prove whether! why they live up to his standards! you know! then he says! what"s that! what"s that stuff they put in people"s drinks/ [Begin 7ltr8] Lovedrop: Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: &hat"s it/ '( / &hoa/ >oofies! '( / Hasey! 7ave! I was gonna say vodka.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 1** of !"" I.t know if I can trust you guys.t know if I can trust you guys.t know about you guys yet.t know where your head is.* I say! )-o! this is my spot. So! he"ll be sitting there taking to girls and they. )Are you the kind of girls that would put something in my drink/* )-o! we"d never put something in your drink.y$ #nc. (e says! )I don.e ri .t of reproduction in w. Another one is! )7ear diary! I don. #ou guys get it/ $hat"s Stevie 3GA"s date rape routine.t know where I got this.* #ou know! )I don.* -otice she"s setting the frame that he"s the one whose opinion matters.* +kay. &hat else have we got here/ Stevie 3GA has his date rape routine. I.m trying to get an attitude. I don. Instead of! )+h! you girls! you can trust me! I swear! I. +kay.t let me sit over here where I want to/* Immediately I hold up my hand and I act like I. . #ou.* All right! this is some bind temperature stuff I.

>ight. www. Parti/ipant: Lovedrop: So! there"s a balance.m setting the frame that I.m gonna have to go get my resources somewhere else. $hat"s it.s going to be committee to her! and then she can.t want to be doing this every five seconds.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 1*1 of !"" does he think he is anyway/* >ight.t need some girls who are like 3'-0I bad.t of reproduction in w.ts reserved$ includin t. #ou know! I hope you have more than one button to push! you know! like have other stuff going for you besides that routine! but it.ilosop. So! in any case! she says! )+kay! give me a drink.t trust that it. #ou don. Gh! what else we got here/ +kay! 3'-0I bad. I mean! are you guys like rated > bad! or are you guys like 3'-0I bad/ ecause you ' ())* +enusian Arts$ LLC.m the one setting the standards! that they have to meet my standard! but I. Say! )Are you guys fun/* )#eah! we"re fun.* $hey"ll even start pantomiming their dances and shit. See how I throw that in there! all right. ut because it. >ight! yeah! there definitely has to be some degree of mutual compliance where her effort pays off! because if she"s not getting her hooks in you at all! then you might be attractive! but she can. .* >ight.m making it fun so they en%oy it! so they play along with it. $his is where you start qualifying girls based on how adventurous they are.e ri .* )7ear diary! ?hris handed me a drink tonight and he didn"t even give me a straw. .co& Pa e 1*1 of !"" All ri .* So! I pour her a drink! hand it over to her.P. +kay.t feel safe! so she"s gotta go take her sexual resources elsewhere to get a better deal! and this is all programmed emotionally! of course! you may not be conscious of this. If I get all serious and mean and like you know! then they. She has to feel like she can start getting compliance! otherwise! she will feel like! okay! no dice with this guy! I. So! she"s gotta feel like she"s winning you over and steadily getting more and more compliance.* )#ou guys know how to dance really good/* &hat are they gonna say/ )#eah! we love to dance.s a little bit of funny callback humor. $wo or three times after that is call back humor over the long course of the whole night. &hat I.m doing is I.s fun! they play along with it! and they play into the frame.* +kay.m pumping them up! I.ve seen grandmas dance like that. She says! )#ou didn"t give me a straw. I mean! I don. +kay! then a few minutes later! )?hris! will you pour me a drink/* )Sure! here you go. #ou have to past a dance exam. Say! ) ecause I don. +nce is funny.* lah! blah! blah! pour her a drink! hand it over. So! the next thing I say is! )I don.t know! is you guys really bad/* .ike! I.t know if you guys are good enough to come back to the pleasure bubble. -otice I give some compliance here or there.y$ #nc.* I say! )+kay! here! I"ll get you a drink.re like! whatever! fuck you! and they leave.area"1lifestyle.ole or in part in any for&.

co& Pa e 1*2 of !"" All ri . ecause girls will normally set the frame that! they. And you look at her and you go! you know I thought I loved you until you did that.re %udging you! that they.ittle drunk girl! here"s another one. >ight. #ou know what! you might be like the coolest girl I have met all night or! a total weirdo.re setting the standards on you. Same as like your nose wiggles when you talk. &e"ll be sitting right over here.m setting the frame that I. So! she gets away with it. )+kay! fine. #ou know what you guys are so much fun.* >ight.m the one with the standards. $hey. I. Attraction gets sparked! tension! -egging! disqualifiers! demonstrations of higher value! buying temperature to keep it going.t set that frame deliberately and like set that frame! she will assume the opposite. She asks you something.t know about you guys yet.t know. .P. &hat do you do or where are you from/ I can"t tell you.* >ight. )#ou know what! listen! I have to go to the bathroom. See! how I"m setting that frame. -otice! how I"m setting the standard that I need to get to know you a little bit better before I! whoa! you"re pushing a little bit too much there! little missy. 7tr9 Lovedrop: +kay. Ask her if she"s drunk. I"m not sure about you yet.ost guys do that.* )+kay.ilosop.m trying to get the point across here.re the ones on the spot having to . I can"t believe it. Are you drunk/ She"ll go ' ())* +enusian Arts$ LLC. I don"t know you well enough yet.re qualifying you! that they. +kay. Again! validation! devalidation! emotion roller coasters. 3art of me wants to stay here and talk to you guys and part of me wants to run away as fast as I can. I can"t figure it out.t you %ust go get us a drink. I mean! is she really a bitch/ (e fucking let her get away with it. I.ole or in part in any for&. . +kay.ike! what does the card say/ &hat does the card say/ I want a divorce. . . I don.m the one with the value.* .being proven. +kay.* See! I. I thought I loved you and then! you fucking pull your straw out like that.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 1*2 of !"" guys! I don. I hope you guys are getting it. I"m going to buy you guys a present. $hat was the most! gross thing. 7o I have to give you the look/* She starts giggling.y$ #nc.m the one %udging! I. I"m going to get you like one of those huge teddy bears.t of reproduction in w.e ri . If you don. &ill you hold my purse/ I"ll be right back. And I"m going to get your J1 roses! and a card. She"ll do something! anything that you can misinterpret as stupid. . $here"s some part of her that"s disappointed but hey! at least she has another pawn! but when a guy comes along whose like! )#ou gotta be kidding me you %ust asked me to hold your purse. www. I.ts reserved$ includin t. She opens her mouth. +kay.area"1lifestyle. >ight. #ou can misinterpret that she opened her mouth a little too wide! and you go! oh my 'od! I %ust saw your tonsils. 7oes that make sense/ She will be like! )Gh! why don.et"s say she"s talking. +kay.* She %ust assumed! )+kay. #ou probably pick your toenails. +kay.m the one deciding.

?ould you please leave us alone for a minute/ And when she goes to leave! %ust pull her back in! %ust escalate her a little bit. I fucking love that song. $hey"ll be like well why are you talking to us/ 7o you even have a girlfriend/ #ou let a pause hang for a second and then! you go! that was weird.co& Pa e 11) of !"" All ri .y$ #nc. I love to dance. #ou are really awesome! kind of. I"m going to call you Sarah @! because I already met another Sarah tonight. I don"t know what it is. #ou can like promote her and demote her. $hat really slaps them down. +kay. Parti/ipant: #eah! it"s a shit test.ole or in part in any for&. #ou know what I got to say! this girl! look at this girl. &hen you put your arm around her shoulders do not look at her because it"ll creep her out. www. oom.ilosop. I"m going to call you Sarah O. It"s the same as if you said you know let"s say oh! what"s her name! what"s your name/ I"m ?hris. &hat"s your name/ Sarah. If she says something that you can misinterpret as being weird! maybe she says something that actually would make you feel a little awkward. #ou say if you"re good! I"ll put you up to Sarah @. #ou know what you are really awesome! kind of. Instead! look away. -ote to self! do not hang out with this girl again. &henever she"s talking! say )whatever. (ere"s another one! she"s talking to you and you"re talking to your friend and you say! ah we"re having a guy talk here. It"s like a shit test she"ll probably throw out there to see how you react. #eah.area"1lifestyle. She"s so funny. She usually gets away with it! so she %ust poops it out of her mouth. See what I"m doing is I"m throwing out I+I. ut! there"s part of her that knows that she crossed the line there and you nailed her for it. #ou put your arm around her shoulders. Lovedrop: ' ())* +enusian Arts$ LLC. I love that one song by 21R! in the club. . #ou know! like she says! do we even have a girlfriend/ Something like that! that"s bitchy. 3ut your arm around her shoulders and look away and say! this girl I"ve got to say! she is so ama<ing.* &hen she"s in the middle of telling you some stupid inane story about her friend"s brother"s boyfriend"s sister or whatever! then about half way into you go and! your point is/ +kay. -o! wait you"re Sarah O. And if you act in a way that shows that you"re different! than other people to other guys! you"re going to pass the test.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 11) of !"" like no or whatever! and then you say you"re slurring your words. $his is buying temperature and it"s also a -5' because it"s putting her on the spot.ts reserved$ includin t.e ri . +kay! Sarah all right. #ou are the coolest! annoying dork! who has annoyed me all night. #ou know that"s the I+7. 'irls will do that stuff. #ou are a weird girl! but I kind of like you. . It shuts them down! hits them hard. I mean! can you believe she"s never had a boyfriend. #ou actually have to do it when it was weird! when she knows she was pushing it. +kay.P. $hat"s a little creepy.t of reproduction in w.

Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: . And she"s attracted! she"ll try and %ump in and say something.eu and you"re osley. (ere"s another routine.ole or in part in any for&. +kay! so what are the three most told lies/ #ou can ask girls this.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 111 of !"" All right. And then turn your back and finish talking to her friend a little bit more. #ou say that to the target. $hen you kind of role your eyes and turn away from her a little bit. It"s going to help me predict your cycle way better if you"re acting like this. All right! let"s say she touches! you right.P. Second! one is look this is only going to hurt a little bit.ucy . 7oes that ever happen to you guys/ And they"re sort ' ())* +enusian Arts$ LLC. Another one you can do! this comes from !where does this come from/ $his comes from )$he 9amily 'uy.e ri . And I said hey! can I get the check/ And he looks at me and he says already been taken care of. +kay! what you do is you say you what guys! the funniest things happened to me the other day. &hat are the three most told lies/ Say! okay the first one is the check is in the mail. I"m eating lunch and the waiter comes by.y$ #nc. Another thing you can do is a similar thing to that is she starts to talk! say one second! and hold her finger up in front of her face. She grabs your arm and pulls you back. I think I need to pull out my calendar and put a red dot on today"s date.et"s say you"re talking to her friend and making a point. .area"1lifestyle. And you get the idea. #ou"re osley. &hen you say that! girls go nuts.ilosop. (ormonal cycle! whoa -&here did you get all these questions from! a how to be boring book/ (ow to be boring for dummies -$hat"s so mean! 'od. $his is an energy here! right. >ight when she %umps in you look at her and say! ah! I"m talking to your friend right now! gees.t of reproduction in w.* #ou know where you name the girls after )?harlie"s Angels. www. And you could be .ts reserved$ includin t. 5ven when they know exactly what you"re doing! it still gets them. +kay.co& Pa e 111 of !"" All ri .* #ou go! oh my 'od you guys are like ?harlie"s Angels. $his really gets them! drives them nuts. I was down at the &. Immediately be like! look I know you have the hots for me! okay.ittle hormonal there. #ou could be 7rew arrymore. ut could you please calm your hormones down a little bit/ 7tr10 Lovedrop: . And then you turn your head back to her friend and leave the finger in front of her face! while you"re talking to her friend. I don"t remember who made up this routine. +kay. I guess no one special or whatever! but this is a pretty good routine that I"ve used here and there. . $he third one is oh! come on I"m not going to cum in your mouth.

I really appreciate it. .y$ #nc. And you kind of look at them like they"re stupid and you say! probably that guy! okay. So! I %ust went over there and I said look man. +kay. . >ight in that moment! you built massive anticipation. And I got to get back to work. $hat"s a pretty good routine. $hey"ll say well who bought the lunch then. And they"re like what did you do/ &hat did you do/ I said well look like! I said this never happened to before so I didn"t! I didn"t really know what to do. #ou get a huge laugh at the end of the story. +ften they"ll ask.e ri . If you"re sick of the best friend test! then you can use that early on in the set. +kay.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 11( of !"" of! at this point I"ve created curiosity and anticipation. And then she"ll start laughing because she reali<es you"re not taking her seriously. Again! you"re really communicating that you really don"t are.ole or in part in any for&. And as I"m saying this to the girls! I"m actually looking around! like I"m being conspiratorial and looking around. $hey"re looking at me like! who bought it/ &ho bought it/ And a lot of times! they"ll ask. #ou"re not trying to impress! etc! etc! etc. (e looks at me! right in the face and he goes! I have no idea what you"re talking about. >ight. And then you stack forward. ut usually! you know if you can misinterpret it like it came out kind of stupid or like it was mundane. And they"re like oh! my 'od. 7tr11 ' ())* +enusian Arts$ LLC. It works pretty good. #ou turn to your wing and you high five and you go! they like us. I"m really flattered! but it"s not gonna happen. (ere"s another one you could do. #ou know! I"m not gay. I start looking around.area"1lifestyle. And I"ll say! you know I looked around. She says something and whatever it is! let"s say she says something and it sounds sort of philosophical or like she"s trying to say something important.ts reserved$ includin t. I like to use that instead of the best friend test. And then I get a little conspiratorial and I lean in and say! you know I thought someone must have recogni<ed or maybe one of my friends is in here fucking with me. $hat"s the routine. Another thing you can do which is similar is you can say! that is the most romantic thing that anyone has ever said to me. +kay! when the girl says something like oh! wow you guys are cool! what"s your name! like that.P. #ou"re %ust having fun.t of reproduction in w. And then I see this one guy smiling over at me from across the bar.ilosop. www. $hey"ll be like who bought it! who bought it/ And I"ll be like! I don"t know. I see some business lunches. +kay! here"s another line you can use. +kay.co& Pa e 11( of !"" All ri . I see some couples having lunches. 'ay! gay! gay! the gay! the creepy gay guy! you know. #ou look at her and say that was so deep! like that.

So! here he goes again. .ole or in part in any for&. #ou know! wow this guy"s different you know. She"s used to %ust kind of throwing out whatever. -ow hear the difference in delivery between %ust the monotone! okay! here"s a line versus here"s how you do it to a girl. Say! hold on %ust a second! and leave your finger there. So! you know that doesn"t train her to put in a lot of effort. #ou wouldn"t take my shit. All right! here"s another one.e ri . .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 11! of !"" Lovedrop: So! let"s %ust make sure we hit some of the most important -5's. $hat delivers a little monotone.* &hen he tries to engage you! put your finger up and then turn away and leave her looking at your finger. >ight. 3reselection is the Parti/ipant: Lovedrop: ' ())* +enusian Arts$ LLC. Another -5' that you should use at almost every set! I can already tell you and I are not gonna get along.P. So! what happens when a guy"s like ah! okay! you"re losing me. I wouldn"t take your shit. #ou now what! I can already tell you and I! are not gonna get along. $hey hang on her every word. +bviously. $here"s not a single thing that they"re not fascinated and interested in that she has to say.ike! she"ll %ust throw out any stupid bullshit and they eat it up anyway. So! try it in ever set. www. $he first one is! )hold on %ust a second. (ere"s the feeling you put in your voice when you do it to a girl. She does something or whatever that you misinterpret that you can do that -5'.ilosop.area"1lifestyle. (ere"s another way to do it. And you know obviously you want to calibrate that to %ust the right time to where right when you push it too far is when you stop. So! when she says something kind of dull or boring or! okay here"s another thing. .y$ #nc.t of reproduction in w.co& Pa e 11! of !"" All ri . . So! that -5' is one of the important attractions! which is that you %ust hit when you do that one. #ou wouldn"t take my shit. $hese are the ones that . She feels that. #ou know she"ll say! you know I don"t know blah! blah! blah! and the guy"s like! oh my 'od! that"s so ama<ing.ystery really likes to use. &e"re too similar. After she does something that"s not! that you don"t like. $his is one that makes her really believe that she"s losing you! when you say all right! you"re losing me.ts reserved$ includin t. And so what! you lose some sets because you want to calibrate that line because it"s very powerful. All right! you"re losing me. >ight. &e"d constantly be butting heads. Something that! I mean most guys are interested in everything she says. &e"re too similar. $his one! this is not a playful -5'. It"s good at some point in the set to show a willingness to walk. I wouldn"t take your shit.ike! literally be willing to lose sets %ust to practice that line -- Parti/ipant: Lovedrop: And see what happens -8ust take a month and do it in every set. All right! you"re losing me. >emember because most guys are interested in whatever she says! and she"s not accustomed to putting out much effort.

-otice when I take her arm! I"m giving her an indicator of interest. +kay. +kay! you take her arm and you put it on yours. #ou know or you can grab a girl and say get off me.P. And you have to go through those experiences to go to the line! but . Parti/ipant: Lovedrop: 7oes the girl ever get turned off! like oh you asshole! you arrogant bastard/ Sure! you can certainly get that response! but then still get the girl. #ou can always do something escalating and then accuse the girl of doing it and she"ll fall into that frame! %ust because you have a stronger frame. So! I have to calibrate it by giving an indicator of disinterest. -otice that I"m the one who escalated and then I immediately accused her of being the one who escalated. It"s powerful line. I"m acting like she"s the one trying to get something. #ou know she"s going to start working for it a little bit! %ust test the reactions for a few moments. . And she"ll start laughing and giggling as if she was the one who was %umping on you. So! I act like! I"m pushing her off a little and I"ll say all right! that"s all you get now. It"s funny! but guys never say that to her. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 11/ of !"" high value guy.aybe when you do it you"ll calibrate it with a little more of a smile or you"ll do it but not as harsh as you did last time. . &here is her off button/ #ou do this when she talks a lot and she starts chirping about something. It"s fun and exciting for her. And then you punch her and say okay! that"s all you get.area"1lifestyle.t of reproduction in w. 'et off me. Stop it. So! I say all right! that"s all you get. And when she starts chirping about something if I look at her like! I"m looking at my little sister! I"m like! oh my 'od! where is your off button/ She will shriek with laughter. Also! maybe it"s %ust because you haven"t practiced it enough and so your calibration"s off. It"s worth it. (e always gets them working for it.co& Pa e 11/ of !"" All ri .ole or in part in any for&. +kay! this is a consistent principle. She doesn"t get that very often. #ou know you get a nasty response. 'uys never say that to her. It has nothing to do with what"s logical. #ou go! my 'od! where is this girl"s off button/ +r! you can say it to her! where is your off button/ It"s fun. y taking her arm and putting it on mine. ' ())* +enusian Arts$ LLC. It %ust has to do with who has a stronger frame. She"ll start giggling.ilosop. It seems illogical! but you can do that every time.ts reserved$ includin t. $hat"s an indicator of interest.ystery almost! I mean! I never see him screw up with that line. www. #ou can do something and then blame the girl for it and it works. #ou"re going to do it a little better. #ou know! you"re a cool! fun guy. +kay! that"s gonna help you calibrate in the future.e ri .y$ #nc. #ou know guys are usually like! oh wow! that"s so cool! tell me more. All right! so here"s another one. So! I mean you %ust push it too far some how! use the line wrong.

And then he gives her a hug. (e also uses it to make the target. And it"ll also raise your value. (e"ll say you were pooping words %ust now. +kay.P. +h! my 'od! her %aw drops open. I love you. I love you.y$ #nc.ole or in part in any for&.ystery always uses this one. #ou didn"t mean that.area"1lifestyle. She"s giggling.ts reserved$ includin t. And then he pushes her off. 5veryone laughs. #ou"re pooping words. #ou are ama<ing. I love you. &e have to party sometime -Parti/ipant: Lovedrop: ()rosstal6) you"re my new best friend -+r something like that! you"re my new best friend. #ou know your friend and I! we kind of like each other a little bit! but if she says one wrong thing then ' ())* +enusian Arts$ LLC. And then everyone laughs. And back to me! so anyway I"m in $oronto! blah! blah! blah. oom. She says for example! let"s say that I"m talking to the group and I %ust said something really funny.co& Pa e 11" of !"" All ri . I know your scheme. 7tr12 Lovedrop: +kay! doesn"t make sense! right. It"s completely mixed messages. She"ll start talking and he"ll say oh my 'od! you are pooping words. ?alm down there! ?ecile. www. (e"ll start rambling about something! right.t of reproduction in w. And right then! I come out with! all right now! slow down there.ilosop. And right at that moment! her body temperature spikes so she touches my arm and she goes! we have to party sometime. (e wants to disarm them! so you disarm them by making them the target. (e"ll like! first he"ll show that he"s willing to call her an asshole! so he"s not all scared about impressing her. (ear that. &hoa! we"ve got to slow this down or calm down there! ?ecile. . (e"ll be like! you are such a prick! come here.ystery talks that way to girls. And he"ll do it a lot.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 11" of !"" +kay! another one that"s similar to that is! whoa! slow down there. #ou know! I need a little bit more comfort and trust. &hen you do that though! it"ll make her start laughing again. #ou know! you"re fun. . And then he comes back in with the calibrator and he says you are ama<ing. And then if he can tell that maybe it"s not hitting or he"s not getting the right response! then he"ll immediately say! oh I"m %ust pooping words. (e"ll say you"re pooping words. And she feels shock. #ou are such an asshole.e ri . #ou know you have your little thing you do! but I see what"s going on there. . ?ome here. +h! I know it"s going on with you little missy. $hat"s all you get. So! an interruption comes into the set. Another thing he"ll do is he"ll say it about himself. Its all mixed messages. #ou are such an asshole. +h! here"s another one . All right! here"s another one. So! he"ll say this girl! she"s pooping words. Shock.

I haven"t been with a single non-runway model in the last two years.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 110 of !"" I don"t even know if I could tolerate her anymore.ike! why are you telling me this/ &hy are you trying to tell her that/ So instead! it should come off like you"re not trying to tell her that! like something %ust kind of slipped out that makes her reali<e you"re not trying to get her. &e get in my car and we %ust drive to sushi and I"m %ust sort of doing my thing! being myself. It looks like I"m trying to tell her that and! why do you care/ . . She gets to feeling like! I have options! but it doesn"t look like I was pushing that on her. +kay. I turn my head! meanwhile the pebble sails through the air! ' ())* +enusian Arts$ LLC.y$ #nc. And I mention to my friend! you know what these days I only date runway models. -ow one important point about -5's! which we got from Style is that you know if you say something that makes her think you"re not trying to pick her up! you really want to make it look like it was inadvertent. So! I toss the pebble.ts reserved$ includin t.area"1lifestyle. -ow if she"s sitting over there and she hears me say that! I"m -egging her. I hope you know that now! okay. .et"s get in my car and we"ll drive for sushi. $here"s sort of this time gap there. #ou know! if I said to a girl! I hope you know that we could never date! so don"t even think about it because there"s no way it could ever happen. If I"m hanging out with a girl and I"m saying she"s a cute! cute girl! but not super hot. So! one point that Style made is that he said throw your -5's like pebbles.e ri . &hen you throw a pebble! you toss the pebble and it"s going to sail through the air and then land.P.ilosop. She"s been pooping words all night. . y the time that pebble hits the ground! you should be looking somewhere else. www. I have plausible deniability. $hat little hair tie"s down there but it"s not my fault. #ou turn your head and look somewhere else. It doesn"t look like I"m pushing it in her face and saying look! see there"s other girls! see.co& Pa e 110 of !"" All ri . #ou"re not my type and I"ve got a girlfriend! so that"s completely out of the picture. I think it"s basically a rule now that I"m only going to be with runway models and that"s it. It doesn"t want to look like you"re trying to make her think that.t of reproduction in w. ut instead! it looks like hey! let"s go. I"m disqualifying the fact that we could get together! but at the same time it doesn"t look like I"m trying to tell her! that she"s disqualified because then that would communicate an agenda. ut! it doesn"t look like you tried to tell her that. . &ell! when you toss that pebble don"t be still looking when it hits the ground. $he same thing with -5's! the -5' needs to come off like! it didn"t look like you were trying to -5' her. +kay! that sort of thing.ike! for example! if I"m driving around in my car with some girl and she sees there"s another girl"s hair tie! like a little pink hair tie on the stick shift! she looks over and she sees that there. See how obvious that is.ole or in part in any for&.

ole or in part in any for&. $hat"s how -5's should be.ts reserved$ includin t. y the time that reaction hits her! I"ve already turned away and I"m on to the next thing.P. $hat"s kind of cute. +kay! whereas! if I say something like! oh your nose wiggles when you talk.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 11* of !"" lands on the ground! but I didn"t see it hit because I wasn"t looking! because I had already forgot that I tossed it. www. I"ve already turned! gone to the next topic.e ri . She knows I"m trying to fuck with her self-esteem. I"ve got my own vibe going on. If I"m sitting here trying to push buttons and get a little kick out of the fact that I got some reaction out of somebody. I got that. (e didn"t even notice it! but I felt my self-esteem go down a little bit! right. +kay.co& Pa e 11* of !"" All ri .t of reproduction in w. I didn"t think about it. 3eople will see that -5'! they"ll feel that -5' and they won"t think you"re trying to do something to them. I got the reaction. >ight at that moment! I should turn my head and maybe say something to one of my other friends. I feel like I need to get the validation a little bit. It lands somewhere! but I wasn"t looking because I didn"t care. +h! bro remember that $ool concert"s coming up this weekend. I throw a pebble out there. I turn away. She"s still thinking ' ())* +enusian Arts$ LLC. If I sat there and looked for her reaction! if I said oh! you know your nose wiggles when you talk and I sat there looking at her! waiting to see what her reaction is! oh! what does she do/ And she knows the gig is up. 7oes that make sense/ So! a lot of these -5's were like that. So! it looks like I"m not sitting there thinking about it. Instead! they"ll %ust feel like! oh! it was inadvertent. .area"1lifestyle. I got the reaction. .eanwhile! she"s sitting there and she"s still thinking about that remark. . If I say! where"s her off button/ I"m not going to sit there and look at her and wait to see her %aw drop and like ha-ha-ha. She knows I"m pushing her buttons. $hat"s gonna be awesome.ike! why would I care/ So! instead when I say where"s her off button! I"ll sort of point to her! maybe she said something stupid or something like you know she pooped some words. I wasn"t thinking about it. I kind of point at her and I say! oh my 'od! where"s her off button/ (ey bro! check that out! blah! blah! blah. And then I turn to my friend and start talking to my friend. $hen I actually look like a low value person because it"ll look like I"m trying too hard. It"s not like! I had some agenda! and I"m trying to make her feel something! right. $he person trying to get the reaction! the person trying harder is the person reacting more.ilosop. So! if I say to a girl! you know what your nose wiggles when you talk. So! throw your -5's like pebbles and they"ll be taken much more legitimately.y$ #nc. It was inadvertent. It"s a person with lower value. ecause now that makes me look reaction-seeking. . It looks like I"m thinking of it consciously and I"m doing it deliberately. It %ust sort of came out without me thinking about it. (ow cute.

She"s getting angry and then he"ll say something again and she"ll come with another comeback.ole or in part in any for&. .ystery"s formula for this and again! he does this every set.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 111 of !"" about that remark. I thought! man! this guy pushed it too far. #ou can take that emotional energy and turn it to the positive and she"ll end up loving you.P. I can feel the tension in the air. And right then! he qualifies her for being feisty. And so . (e qualifies her for being feisty. ut she"s not looking at me as if I was trying to put her buttons.y$ #nc. 7tr13 Lovedrop: +kay. (is formula for this is that he"ll -5' a girl %ust enough to really bring her up to the edge! where she"s almost about done with him. And in fact! it can be a really good moment in a set. She"s pretty pissed. $his is his trick. (e"ll give her a big hug! like! he"s so impressed! and so happy that he met someone so cool that she was feisty like that.e ri . (e"ll do it again! and she"ll come with another comeback and you can tell she"s really %ust about done with him. (e"ll %ust say you know what you are ama<ing. ?ome here. And right then! he comes out with a smacker. (e pushed it too far.t of reproduction in w. So! right then! he"s got a massive amount of traction and he"s done his AI. And at that point! you want to come in and give her some love. And his formula is that right when she"s on that edge and she pisses back! like he"ll say something to -5' her. So! then he says! oh my 'od! you do not take my shit at all.co& Pa e 111 of !"" All ri . So! in any case! sometimes you get a really negative reaction comes out of a girl. If the girl"s really angry at you and there"s some serious tension there and right then! you qualify her and give her a big hug and say! wow! you"re ama<ing. I retain plausible deniability. Sometimes when you"re -egging a girl or doing a lot of push-pull! you may mis-calibrate! you may do it a little too harshly or maybe she has lower self-esteem than you could tell from your intuition! your intuition was off a little bit.ilosop. (e"s already! he"s gotten her to feel like that he recogni<es her more than %ust a hot chick! but rather he ' ())* +enusian Arts$ LLC.ike! the fact that she was fighting back and being spunky and not taking his shit! he acts like that"s the thing that impressed him so much about her. >ight. #ou are ama<ing. . I feel a little awkward right now! even %ust being here. www.area"1lifestyle.ts reserved$ includin t. (e"s done the qualification phase. She"s to the point where I sat there thinking he fucked up. She"ll come with a comeback. It"s almost like it"s not even my fault. And I"ve seen in my experience that if you do this right that girls %ust! they fucking love you in a way that you may not have got such a powerful emotion out of her if you hadn"t pissed her off first. . +r! he"ll say! you know what! he won"t even say the first part. #ou want to give her a massive dose of rapport seeking and a lot of times! you can turn it around.

co& Pa e 112 of !"" All ri . So! play around with this. She needs to feel like there"s that potential there. #ou can handle teasing. . I grew up with little female cousins and we always teased each other all the time.ole or in part in any for&. www. +kay. $ake a month or two and force yourself to do it this way and watch the results that you get because this is what . She needs to know that she"s gonna have emotional hooks to sink into you! that she"s going to have access! that you"re going to be emotionally affected by her. ut sometimes! at strategic moments let her win.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 112 of !"" recogni<es her for the personality traits that she has that"s so impressive and so rare. She needs to know that his emotions are getting attached to her and that makes her feel safe to have sex with him because she knows that his emotions are gonna make him stick around. ?ome here and he"ll give her a big hug.t of reproduction in w. I grew up with sisters and that"s how I show affection is by playing around with you and teasing you the way I tease my sisters. (e isolates her and goes into comfort after that and everything.y$ #nc.e ri . Again! I don"t care if it doesn"t work the first five or ten sets.ilosop. And so he comes back really sweet and really nice. +kay.ike! you"re almost like one of the guys. And then he"s in. And this is how I show affection. . I can"t let her win. . (e"ll -5' them! build up the tension and they"ll start giving him comebacks and then he"ll say! oh my 'od! you are so ama<ing. #ou know! it"s not enough that you"re a cool guy with resources. So! a little bit of opening up and being willing to say okay! I fucked up. It sort of puts herself in a dangerous position. So! that"s his trick. #ou"re right! letting her win some battles. If you want to push it even more and look really apologetic! by the way! everyone in the community! it"s like they don"t want to admit their wrong to the girl because they"re afraid their supplicating to the girl or something like that. (e"s isolated her. .ts reserved$ includin t. If she can"t hook up with you! it"s too dangerous because if she doesn"t have any emotional hooks in you! you see what I"m saying. #ou"re not like other girls. And here"s a few other lines like that that you know! you"ve sort of been mean to her! you pushed a little too hard! now it"s time to recover. So! one of them he says! you know what I tease you because you"re not like the other chicks. #ou definitely want to have ' ())* +enusian Arts$ LLC.ystery does.area"1lifestyle.P. #ou"re on another level. She needs to know that she can sort of get to you emotionally because otherwise! it"s too dangerous for her to hook up with you.et her feel like she managed to turn you around! that you came and turned around and changed because of her. Another one is you know what! I grew with sisters. #ou can handle it because you"re smart.

ystery knows this in a way that other guys %ust don"t get it. 7o not listen to her logically. I didn"t mean to make you feel bad. I won"t do that again. Instead! %ust listen. 7o not try and give her some logical solution. I"m not going to sit there and be her therapist and listen to her bitch about her fucking best friend or whatever guy she fucked or whatever! right. . .y$ #nc. She"s not looking for solution. And he starts trying to give solutions. 7o not try and argue with her. So! that"s what he"ll do. And guys want to listen to what she says logically and give it some logical argument. She"ll get mad. +kay. +h! you got to do this and listen here"s what you got to do. She"s not looking for an argument.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 12) of !"" frame control.co& Pa e 12) of !"" All ri . (e"ll listen to what she"s saying. I %ust ' ())* +enusian Arts$ LLC. She %ust wants to see that you"re going to listen.t of reproduction in w. $hat"s what she wants. .ts reserved$ includin t. &ell! my friend did blah! blah! blah.ole or in part in any for&. And he"ll sit there and let her talk. (e"ll let her come out with it and then he"ll say look! after she"s done! he"ll say you know what! can I %ust say one thing/ I am monumentally sorry. +kay. -ow I know where that line is. She"s like no no no no! I can"t believe you blah! blah! blah. I didn"t mean to cross your line. (e doesn"t interrupt her. #ou seem like a great person. Another thing that guys will try to do is they"ll try and find a solution. She wants to know that when she"s expressing her emotions that are important to her that you care enough to sit there and listen to it and try and understand it. I"m listening. (e"ll sit there and listen.e ri . And here"s another thing that I swear . She"s not looking for discussion. (e"ll say! you know I"m really sorry.et"s say she starts bitching.ilosop. 7tr14 Lovedrop: So right when he pushes her too hard with a -5'! he"ll come back and he"ll say something like that. (e"ll even sort of say go ahead! you know finish what you have to say. She"ll start talking and he"ll sit there! pay attention! look at her. ut in that moment when I -egged her a little too hard and she got mad and she wants to come out and say something! give her that respect. #ou want to be dominant and all that stuff! but to let her work for it and win a few battles here and there is very important because it makes her feel like this could be something that she could really do. ecause I can"t let my value get dropped. I don"t want to hurt your feelings. .isten to her words. (e"s making the mistake of listening to her logically. #ou know I don"t know you that well and I crossed one of your lines.area"1lifestyle. She says this and he"s like no! that"s not true! because well he"s trying to prove her wrong. (e won"t interrupt her. $here"s some cutoff point! obviously.P. +kay. www. She"s sitting there talking and yapping. It"s a necessary part of the set.

www. . $his will go for hours. (e"ll -5' her a little too hard and then he"ll say you know what can I %ust say that I am monumentally sorry. &e teased each other all the time. +kay. I grew up with sisters. (ere"s another one. I didn"t mean to hurt your feelings. +kay.y$ #nc. I mean we could go like this for hours and neither one of us would ever give up. ut it"s too bad that you"re sort of afraid to put your wall down.P.ilosop. ' ())* +enusian Arts$ LLC. And he"ll give her a hug.co& Pa e 121 of !"" All ri . And what if! so the whole group would see you say something like that -Sure -And that would be okay.ystery here so you get a feel for the energy of it. And we both sort of have our walls up. +kay.ts reserved$ includin t. (e"ll say you know what it"s funny because we"re both smart people. #ou"re really a cool person. See how he"s qualifying her.area"1lifestyle. ?ome here. (e"ll say! respect.e ri . Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: Parti/ipant: &ould you say that in isolation or in -Anytime -Anytime and -#eah.et"s turn this program off and let"s let these walls go down and let"s talk for a second and connect and see how it goes because I"m curious about you. It"s a useful tool.ole or in part in any for&. >ight at that moment when she needs that big dose of sappy love! . 3lay around with them. And we keep like crashing into each other like this all day long. +kay. #ou give me some shit. #ou keep your wall up and this will go all night. .ystery"s the one who knows how to come in and do it right at that moment. (e"s saying! man! you"re tough. >espect. I mean I"m really curious about you. #ou are ama<ing. >ight when she"s angry and crying he comes in and gives her the hug that she needs! instead of trying to argue her into some better solution like most guys do. So! he"ll do that. And I give you some shit. I"m really sorry I pushed it too far. And he"ll make a fist and hold it out like! she"s supposed to make a fist and bump their fists together. ut these sorts of lines will add a lot to your game. >espect.t of reproduction in w. 'ive me a hug. ut! enough is enough.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 121 of !"" want you to know that I"m monumentally sorry. $hat"s how I show affection. . &e"re both sort of protecting ourselves and being cautious. I"m %ust sort of riffing like . ?ome here. $hese sorts of lines! of course you have to do it at the right time! for the right reason.

And oh! you know what this reminds me. So! I went over there and like I said this never happens to me. I"ve got to get back to work. . See how I %ust switch to the story! switch to the next story! the coolest thing. I mean! you I"m really flattered but! I"m not gay. ?heck this out. And I don"t know how to describe it but he has this energy to him.t of reproduction in w. Someone is in here that knows me. I see some business lunches. I"m sitting in there eating lunch today. See how I segwayed into the story. $he waiter comes by. www. #ou know I went to have lunch and someone bought me dinner and I was looking around. #ou can go into any story like that. . And he says it"s already been taken care of. I was standing outside the & in -ew #ork and there"s this statue of this guy. +utside the & in -ew #ork! there"s this statue of this guy running. +kay.co& Pa e 12( of !"" All ri .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 12( of !"" Lovedrop: Sure. ?heck this out. I didn"t really know what to say. $here"s a few segways. If you %ust told a story and you want to tell another story and you"re thinking how to go into it! I %ust want to throw a few of these out there because I"m looking at my cheat sheet right now.y$ #nc.* I might look at a girl and I might say! you know what you remind of this girl that I knew when I used to live up in Alaska.ike! previously I recorded the ). (ere"s another one! )this reminds me of!* )you remind me of!* )this reminds me of.e ri . I say oh my! gosh! it was like the coolest thing you guys. Someone"s fucking with me! whatever. ut! I said! look man! I really appreciate it. And then I see this one guy smiling at me from across the room. . I have these written down. (e"ll totally say that in front of a group. And he"s sort of moving. -ow notice the transition I did. &ell! it never happens to me. I said hey! man can I get the check. I"m sitting there eating lunch. I see some couples.area"1lifestyle. 7id I ever tell you my ?hristmas story/ &hen I lived in Alaska on ?hristmas 5ve! boom! I %ust went into a story. (ere"s another one! )you remind me of.P. (e"s got one foot up in the air. +kay. >ight.unch of the &* story.ilosop.ts reserved$ includin t. And when he focuses on somebody! he really focuses his warmth and charisma right on that person. +ne of them! I saw the coolest thing. &ho was it that bought me the dinner/ So! let"s say there"s some statue outside of that building. (e"ll say that alone! whatever. And he looks me right in the face and he says! I have no idea what you"re talking about. So! anyway he wouldn"t tell me who it was! so I start looking around thinking all right! my friends are in here. (as that ever happened to you guys/ 7tr15 Lovedrop: All right. And oh my 'od! you guys will not believe what happened when I was eating lunch in there today.* #ou know what this reminds me ' ())* +enusian Arts$ LLC. I look around. I could go you know what I saw the coolest thing.ole or in part in any for&. Some cool statue of a man running.

ichelle last year. . And he sort of convinced the rest of us.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 12! of !"" last year I was hanging out in . And so! she goes and gets a boob %ob! and do you guys ever finish each other"s sentences/ #ou guys look like really good friends. It"s %ust like when I bought this one shirt in . I don"t have to use some pre-programmed story. It"s %ust like last year I got this one t-shirt when I was shopping on .iami with my friends and went to the Shore ?lub. (ow did I start this off with/ #our shirt! right. $his was so much fun. See I can %ust say that.* #ou can say that to introduce any story. And they"re identical twins. I ' ())* +enusian Arts$ LLC. I already did this with my one friend! . . It"s great practice. And the girl I was dating she was an exotic dancer! you know don"t be a hater. $his reminds me of last year when I was hanging out in . >ight. www. +kay. And I said hey! Sarah have you ever touched the (ollywood sign/ She"s like no. &e"re going to get a picture. And then I go into the old )bad ass little kid* story or whatever. . I was hanging out with my friend! Sarah.y$ #nc. I said listen here"s what we"re going to do. And we"re walking down the street.elrose. +kay. It"s a useful tool. I"m %ust throwing these things in! how you can %ust start talking about anything.area"1lifestyle. It"s got a logo on it. And I see this bad ass little kid on the side of the road.ilosop. I can %ust start talking about anything.ook at your shirt! bro. I bet you finish each other"s sentences sometimes.elrose last year.co& Pa e 12! of !"" All ri .ole or in part in any for&.e ri . .ts reserved$ includin t. ut at the same time! I can %ust start talking about anything from my life. I was dating this one girl at the time and she had a twin sister. It"s red. &e"re going to drive up there and we"re going to climb the fence and we"re going to touch the (ollywood sign. It"s %ust like when! you know. (ere"s another one! )it"s %ust like when. Anyway! my girlfriend and her sister used to finish each other"s sentences. I can %ust start riffing about anything. $here"s the )small-breasted twin* story.iami with my friend! 5ric and my friend! 8ames. So! like okay! from %ust talking about it to let"s actually drive up there right now and do it.ichelle and . I said look at this. I was hanging out with . I might say hey! that"s a cool shirt.ook at this computer right here! it"s %ust like this one computer I had ten years ago when I was living in -ew +rleans. I mean they basically look the same! but my girlfriend for her %ob she wanted to get a boob %ob because she was a dancer. I was hanging out with my friend! Sarah. #ou can %ust say that for anything. -ot that there"s a problem with canned material! I recommend canned material. I recommend practicing it! using it. I said have you ever touched the (ollywood sign/ See how I can go into anything. And the funniest thing was that this sister had to go get a boob %ob too! even though she didn"t want to get one! because she didn"t want to be the small! breasted twin. And there was this one guy there who was totally cra<y.P. And her sister was really hot.ichelle says let"s go touch the (ollywood sign.t of reproduction in w. #ou know it"s red and it"s got a little symbol on it.

I go do cra<y fun things. $urn off that little program. Sort of like all right! I slept with four girls last week. It"s like all right! whatever. . 7tr16 Lovedrop: Parti/ipant: Lovedrop: Parti/ipant: Lovedrop: $his guy was living with a stripper.area"1lifestyle. ut notice I"m not bragging. &hat does this show/ I"m hanging out with girls.elrose. I basically said I"ve dated a stripper. ut it subcommunicates this guy dates strippers. She was an exotic dancer. >ight. See! how I"m putting these 7(D switches into my stories. And he said we should go touch the (ollywood sign.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 12/ of !"" can throw in preselection. 9rom the society program view! it"s sort of bad! like how could you be so promiscuous and sleep with four girls/ ut the underbelly! the secret society! the actual behavior of people is that if you sleep with girls! you Parti/ipant: Lovedrop: ' ())* +enusian Arts$ LLC. It"s kind of like! hey! don"t react -Gh-huh. I was hanging out with my friend! Sarah. Instead! I train myself to naturally talk this way.ts reserved$ includin t. I don"t say! I date strippers I hope you know. #ou know! let"s be real. So in sort of trying to impress her! it"s be like don"t you know! take the other like! instead of like you"re doing it to get a reaction. And you also start as! you said like oh! and she was an exotic dancer! don"t hate -7on"t be a hater. I"m hanging out with multiple girls on multiple occasions. It"s %ust like when I bought this shirt out of . I don"t have to make up some canned story. I have a fun life. ?ome off of it.ole or in part in any for&. oom.P.t of reproduction in w. +h! I dated this girl.co& Pa e 12/ of !"" All ri . #ou know what and I said we should go and touch the sign! %ust like I did with my friend! . www. 7on"t be! like -7on"t hate. I know cra<y cool guys. 7on"t %udge me. . I was hanging out with . -ow! don"t trip (/rosstal6)! okay.e ri .ichelle.ilosop.y$ #nc. I can construct it to have the 7(D switches. Instead! it was like! well this girl and her sister and she didn"t want to be the small! breasted twin! ha-ha-ha. It"s kind of a funny story. 7on"t %udge me.ichelle and her friend rittany and this one guy! 8osh was over there! really cra<y guy. I was hanging out with my friend! Sarah. -otice with the (ollywood sign! what do I say/ +h! look at your shirt. I"m throwing this preselection that I was hanging out with a girl. ecause a lot of times girls will be like! oh.

$yler had a really good one. (e said something like! he goes you know what! I don"t know why I surround myself with all these girls. -otice how he acts like it"s a bad thing. . (e acts like he"s insecure.ts reserved$ includin t. .t of reproduction in w. !End of "udio# ' ())* +enusian Arts$ LLC. (e"s sort of embarrassed about it.ilosop. 'irls all over me. So! what you can do is to slip in a 7(D! you can act embarrassed out it.ike! one I got from $yler. &hat he"s really doing! he"s conveying preselection. #ou know! I have this deep-seated insecurity inside that I never feel like I get enough validation.P. >ight. .co& Pa e 12" of !"" All ri . And you can do the same thing with any 7(D.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD * Moderator$ Participant Pa e 12" of !"" have preselection and girls find you more attractive.y$ #nc.ole or in part in any for&.area"1lifestyle. (e acts like it"s embarrassing. 'irls all over me. I think it"s because I"m insecure. It"s really quite pathetic. www. So! I"m constantly surrounding myself with women to try and revalidate myself and feel good about myself.e ri .

And she"ll say well! what"s the third thing/ And you say well! the third thing! I"m sorry. I want her to ask. I say! you know what! there"s three things I really like about you. And now she"s curious.* An open loop is where you say something that leaves an unspoken question where she can reach out and ask the next part. I"m afraid you"ll stop doing it. +kay. +kay. And a lot of times! a girl will %ump in and say! where did you travel to/ #ou know. .y$ #nc. +kay. If the interest is there then she"s going to say what are they/ &hat are they/ And I"ll say okay! well the first one is! there"s this one thing about! and then you say something about her looks. y the way! I don"t know whose line this is! you know like I said! this is %ust my cheat sheet that I"m holding here. I went to Australia recently. . I! it"s so cute I %ust! I can"t tell you. She"ll say no! seriously! what is it/ Say no! I can"t tell you. I"m sorry.ilosop. I want her asking for it. I! I! you"ll stop doing it. www. So! I did not make this line up. So! why say it! when I could leave it open out there and have her ask! you know.ts reserved$ includin t.area"1lifestyle. She will go fucking nuts to find out what the third thing is. I mean I %ust! I %ust think! it"s the cutest thing in the world. -ow notice I leave it dangling.e ri . +kay! because now she doesn"t have the opportunity to ask and I can"t gauge her interest level.co& Pa e 120 of !"" All ri . I want her working for it. #ou know if I said you know when I was traveling last summer! I didn"t say hey! I went to 5urope last summer. She"ll leave a voice mail on your phone asking what the third thing is. Say! you know there"s this one thing about your lips. +kay. I might say to a girl! you know what! there"s three things I really like about you. It looks like a poster.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e 120 of !"" 2tr$ Lovedrop: All right! so let"s try one example of an open loop. And she"ll go where did you fly to/ +h! I went to Australia. So! this is an example of an )open loop. She will chase you down all night to find out what the third thing is. I can"t tell you the third thing. +kay. So! rather I say you know I had to go on this 0O-hour plane flight! and by the time! I get off! it felt so good %ust to run around and stretch my legs. &ere you in 5urope/ $hat sort of thing. $hey"re %ust so perfectly shaped. So! you might say and this one little thing you do with your hips when you"re happy and you twist your hips really quick! it"s so cute. I don"t say the next part. Instead! I said hey! when I was traveling last summer! I met this one guy. ' ())* +enusian Arts$ LLC.P. I got it off altseductionfast or wherever it was posted.ole or in part in any for&.t of reproduction in w. +kay. If she"s not curious enough! if she"s not interested enough! why would I want to push it. So! that"s the first open loop. $he second thing you do it about something that she does. ut! I don"t tell girls! you know I %ust went to Australia and blah! blah! blah.

3lay with open loops. +kay.area"1lifestyle. So! the attraction! I"m not %ust trying to create a feeling inside of her! but I"m trying to use that feeling as bait to motivate her behavior.P.co& Pa e 12* of !"" All ri . +kay. #ou know! hold on a second.ook! I said I might have a surprise for you later. +kay. I want you to meet this one guy. +kay. I"ve been saving this for you all night. #ou know how hard it was to keep this from getting broken inside my shirt.ole or in part in any for&. $hese are the behaviors and the frames that we want to set. Dincent throws the best party.isten to that energy! again. . . And this is a consistent theme we"re really going to start getting into here! is that it"s not enough for her to have attraction! she has to work for it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e 12* of !"" -ow she had to work for it. $hey"re awesome. $hat"s an open loop. I don"t even ever have to come up with something and say okay! or I can make it up later! you know. $hese lines aren"t used in isolation. +kay. She"s not gonna work for it if she"s not attracted.ts reserved$ includin t.ilosop.e ri .* +kay.t of reproduction in w. I don"t ever have to give her a surprise.isten to you. She has to invest in this interaction. ?hill out. She"s sitting there thinking! what"s the surprise/ &hat"s the surprise/ ut! I already changed the sub%ect and act like! I forgot about it. . +kay. #ou know! I"m sitting here hanging out talking to her anyway. So! what"s another example of a good open loop/ Another one that"s really good! remember this line. . -ow! if you want to fuck with her and have some fun! she comes up and she says! what"s the surprise/ &hat"s the surprise/ And you say! look it baby! I said I might have a surprise for you. #ou should have come to Dincent"s party. #ou"re such a spoiled brat. #ou know there"s not always going to be a surprise. I"m creating the attraction because attraction is only a tool that allows me to get her working for it. . &hat"s the surprise/ &hat"s the surprise/ #ou"re going to ruin it! you know. And I turn and start talking to someone else. $hese open loops are a way of creating curiosity and excitement! anticipation inside of her! and tension! and getting her reaching out and working for it! asking questions and chasing you down. +kay. ' ())* +enusian Arts$ LLC. So! that"s what these open loops do. I might be talking to her and saying! oh my 'od that was so fun last weekend. +h! I got to go. )I might have a surprise for you later. So! you can play with it. &hat"s the surprise/ . I let her chase me down repeatedly over the course of the night. ?alm down. . ut that open loop"s out there! she"s going to come up to me later on and say! what"s the surprise/ I"ll say gees you are so high maintenance. www. +h my! 'od.aybe at the end of the night I picked a flower from the smoking section there and handed it to her. I can"t tell you every time or it won"t be a surprise. +h! by the way! I might have a surprise for you later.y friend"s waiting outside.y$ #nc.

She"ll say oh! it"s white or whatever when it"s really black. And then she"ll like! at that moment! they will all giggle.* ' ())* +enusian Arts$ LLC. It"s very simple.y$ #nc. I"m going to ask you five questions! nothing personal! %ust five questions. All right! have you played this before/ >o.P. .ole or in part in any for&. It"s very simple. .ike they"ll shriek and giggle like cra<y.co& Pa e 121 of !"" All ri .ilosop. All right! here we go. +kay. . I went down and had breakfast with Style and 8ugular and he did this game on me and because of that! I had to pay for breakfast. I"ll say what color is that thing over there/ And she"ll say whatever! and she"ll lie again. &hat color is your shirt/ (lue.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e 121 of !"" 2tr% +kay! we"re going to play the lying game. She"s going to play along. 'otcha. And usually one of them will say! oh you know I am or she is! and they"ll point at each other. 7amn she"s pretty good. I"ll basically say what color is your shirt/ She"ll lie. +kay. All right! so that"s it. And I say we"re going to play the lying game! okay. Shit man! you are pretty good at this! all right. $hat"s the game. #ou say all right! which one of you guys is the better liar/ And they"re like me! me! me! or whatever. I got this game from Style! actually. www. And all you have to do is lie every single time. So! I"m going to ask you five questions! %ust lie every single time.t of reproduction in w. And you say okay we"re going to play the lying game! okay. +r sometimes it"s really funny they"ll point to one girl. All right.ts reserved$ includin t. And she says okay. And I"ll say what color is your shirt/ +h! wait did I ask you that already/ And she"ll say yeah! you asked me that already. So! that"s it"s. So you say that to get things going. And she"s supposed to lie! right. And then I"ll say! have you played this before/ And she"ll go )no.area"1lifestyle. And usually the way that I"ll introduce it to the girl"s is I"ll say all right! which one of you guys is a better liar. &hat color is! let"s see! what color is your shirt/ +r! did I ask you that already/ 8eah. And you go okay! and you pick one. And you"re like got you. 'ot you again.e ri . +kay. ?an you do that/ #eah. All right! what color is my sock/ =reen. And that"s important because right there I got her explicit acknowledgment that she"s going to participate. +kay.

+kay. have no idea at all: That su/6s: What do ?ou mean -hat happened@ $hat"s the question. www. And a few days later her sister is found murdered.ts reserved$ includin t. She didn"t get a chance to say good-bye because he"s gone.t of reproduction in w. So! it"s %ust a little psychological game! like a little riddle that you play. And they reali<e that however funny it was! I %ust nailed them. She meets this man at the funeral. She didn"t get a chance to exchange contact information or whatever. &hat happened/ . #ou can use it on a guy. And I say it %ust like that. She never felt that way about a guy before! okay. . All right. I actually! feel like a %erk for releasing it. And that"s basically! how you run that routine.y$ #nc. It works great. And she thought this guy was so ama<ing. And she has no way of reaching him. #ou can go in a group and use it on the guys. #ou can use it with a group. #ou"re engaging him.co& Pa e 122 of !"" All ri . So! here"s the way it goes. 2tr& All right! so this is a fundamental routine. have no idea: ' ())* +enusian Arts$ LLC. I did not want to release this to the general population. ut! what the hell. And you have to figure out what happened! and tell me what actually happens.ilosop.e ri . +r! you could use it as an opener. She never met him before. $hen they laugh again even harder. . So! later on as things sort of wrap up and finish up! she"s walking around and looking around. So! she goes home. And she reali<es he"s gone. &hat happened/ .P. #ou feel like less of a threat! but it"s still entertaining for everybody. #ou can use it with a girl! one-onone. (e was like her dream guy. I go! got you again! five questions. So! it goes like! you"re talking to him.ole or in part in any for&. I %ust did it again! twice in a row. #ou can use it on the obstacle. So! this woman! her mother dies. And she goes to the funeral. #ou know like! she almost felt like she could fall in love with him! right there on that spot. So! this is %ust a great piece of material. asically! I"m going to tell you like a little riddle! like a little story! %ust a short little story.area"1lifestyle. And she meets this man.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e 122 of !"" I"ll be like gotcha again! five questions. #ou could be sitting there eating and sort of lean over and say! hey guys! what do you guys think of this/ And use this. #ou can use it in almost any context.

ole or in part in any for&.o. It is such a fun game. . It"s a real -. #ou"re like! whoa. In fact! I don"t even know if we should let this out. A few days later her sister is found murdered. It"s like one of my favorite routines. +kay. And so! like! here"s what a psychotic person will do.hA m? =od: That<sA frea6ing me outA this is so fu/6ing ps?/ho: +kay. y the way that you answer this question! they can determine if you"re psychotic. $his question is an actual question that"s used by psychiatrists to determine if you"re psychotic.y$ #nc. . She doesn"t get his number.P. She meets this ama<ing guy. www. &hat happened/ WellA meeting this amaBing gu? has nothing to do -ith her sister 7eing murderedA though: . +r you"re like! and they"re like is that the right answer/ #ou"re like! yeah! as a matter of fact! that is the right answer. She goes home. A psychotic person : . . . $hat is such a fun game.t of reproduction in w. That<s s/ar? : #ou weren"t supposed to get it. +kay. don<t thin6: All right. +kay : We should do that to ever? person -e meet : I know.ts reserved$ includin t.area"1lifestyle. >oA ?ou should: (ut that<s s/ar?: ' ())* +enusian Arts$ LLC.: It"s a real question. What -ould a ps?/ho person sa?@ A psycho person would get it right.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ()) of !"" She goes to her mother"s funeral. I should not have recorded this. $he correct answer is! she murdered her own sister so that she would have a chance to meet the guy at the next funeral.ike! I use it all the time. It"s a real psychological test.e ri .ilosop. #ou"ll be like! a few days later her sister was found murdered.hA m? =od: A psychotic person will answer it correctly.co& Pa e ()) of !"" All ri . &hat happened/ And they"ll go! oh! she %ust killed her sister so she could meet the guy at the next funeral.

$hey"ll be like! I mean obviously like! isn"t it obvious.t of reproduction in w. And actual court psychiatrists use it to determine if people are psychotic.ike! by far most people never get it! and then you explain to them! you say actually here"s the answer. . It"s a great example of an opener where ' ())* +enusian Arts$ LLC. 9irst of all you"re going to notice that most people don"t get it. And oh! %ust kill him and take the money. ut! you say only psychotic people get it right. &e put it in the book! and I"ve sort of used it on this recording. Li6eA ?ou<re not even supposed to 7e thin6ing li6e that: 5very now and then! someone gets it. And they"ll do this. So! here"s what you"re going to notice when you use it.P. #ou can open mixed sets. $he reason we use it is because it"s %ust a great example.ole or in part in any for&.co& Pa e ()1 of !"" All ri . $he prime culprit is the %ealous girlfriend opener by Style. #ou know you %ust! there"s some piece there that doesn"t activate. I mean it"s %ust fucking great.ilosop. www. +f course! that happening and she should meet the guy again! you know.11 and it"s in cash back in his bedroom! you know.ts reserved$ includin t. ut! nevertheless! it"s a fucking great routine! so I"m throwing it in here. 2tr* So! the community has sort of been plagued with a glut of the same opener being used by everyone! over and over again. ut it"s pretty funny when you actually meet those people! because every now and then you"ll meet someone who gives that response to that routine. #ou"re not supposed to get it right. She killed her sister so she could meet the guy at the funeral. And it gets everyone talking. And the reason that we still throw this opener into our literature! you know we put it in our little handout for boot camp students.area"1lifestyle. And they"re like! whoa. #ou can use it on the guys. #ou"re not supposed to get it right. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ()1 of !"" It"s a great routine.y$ #nc. ut! I"ve like run the routine and then there"s one person! and they"re like oh yeah! she %ust killed her sister so she"d meet the guy at the funeral! isn"t it obvious -Does it frea6 ?ou out@ #eah! it freaks me out when it happens. 8ou<re li6e sta? a-a? -I"ve had people get it! seriously. . 5veryone loves it.e ri . #ou know like! oh my friend! he %ust won a N011!111.

It"s your own unique opener and yet no one does it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ()( of !"" you"re leading the frame. +ne time I hooked up with a girl who had heard the same opener three times. $hey can"t sit down and come up with an opener that uses a little drama and tell some little story about an ex-girlfriend or a guy who"s stalking his girl! or one girl who"s %ealous of another girl! or oh! you know I %ust found out that my friend"s sleeping with his roommate. I mean you can take any kind of stupid drama or funny little story and throw it out there and make an opener about it. #ou know! I mean what happens next! he comes up with another opener and suddenly there"s a million people using it. And you know if you have a cool! fun life you"ve probably got a new story like that every week anyway. . ut! I"m going to go ahead and give them out! what the hell.ole or in part in any for&. . I mean thing about how ridiculous this is for a second. And so the %ealous girlfriend opener is %ust a great generic example of an opener. It works really well! and it"s probably the most well know! most populari<ed opener in the community. So! I"m still %ust absolutely flabbergasted that people still use the %ealous girlfriend opener.e ri . Should I tell his girlfriend/ I knew her before I knew him. &e were old friends.illions of people are out there using the %ealous girlfriend opener. www.P.illions of people use it.ts reserved$ includin t. #ou know! why was I out there using it/ 8ust because I practiced it so many times! I was comfortable with it! it %ust out automatically! and so I was still using it. I mean it might as well be like what"s your sign/ I mean it"s that clichF. 5veryone"s out there using Style"s %ealous girlfriend opener.t of reproduction in w. Style! one man! invents this one opener and basically! everybody uses it.area"1lifestyle.ilosop.y$ #nc. So! I mean I have a few other openers that I use. And up until now! I"ve kept them secret. &hat do you guys think/ &ell! what do you think/ #eah! but is that really right/ ?hange sub%ect. I haven"t posted them anywhere. Are you guys! really good friends/ #ou guys make the same facial expressions. -o one takes the five minutes to come up with their own cool opener.co& Pa e ()( of !"" All ri . . I really don"t want to give them out because they work really good. It"s %ust enough to get people talking and people chattering so you can change the sub%ect and go to the next routine. $he reason that we use this opener as an example over and over again is because people should really come up with their own openers. It"s %ust ridiculous. . #ou"re using dramatic! sort of chick crap sort of entertaining drama. ' ())* +enusian Arts$ LLC. ut! if you really write that opener down and look at it! it"s pretty obvious that you can make something up %ust like it in a second and you come up with a million different openers along those exact lines that no one"s ever going to catch! no one"s ever going to figure out.

So! notice how much there is this sort of fun! cool vibe when I say it. I"m not walking up all serious. In my opinion! this is the best opener ever made. And they immediately freak out! especially if there"s three or four girls. #ou know! there"s no formality! none of this! what"s your name! or I don"t know this guy. $he movie is )7irty 7ancing.ilosop. 2tr+ So! here"s what I"ll do. 3lease help me! right.ts reserved$ includin t. I rock out. And I want the vibe to sounds so powerfully that the girls kind of what to talk to me anyway.* +kay.y whole body walks in and twists and leans and pulls away and so on! as I"m running this opener. It"s an awesome! awesome opener.y$ #nc. 'irls will immediately start giggling and clapping their hands and saying oh! my 'od! oh my 'od! I can"t believe you %ust said that. I can"t even talk to you now. So! I"ll still do the thing where I open over my shoulder. $hat is a classic line from the movie! )7irty 7ancing* which every girl knows and loves. I"m not asking like! I really want to know like! I don"t know. $hese sorts of reactions! like the shield is gone. +ne of them is going to know it and start shrieking and clapping her hands and stuff. +kay. Gsually! all of them will know it! okay. I"m sort of testing her to see if! oh come on! you don"t even know this movie.area"1lifestyle. I love that movie.t of reproduction in w. $hat"s the kind of vibe that I"m putting out there. ut rather! I"m playing with it with my whole body. So! what I"ll do is I"ll! remember a lot of my game comes from my vibe.* +kay.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ()! of !"" So! the first one is the dirty dancing opener. +kay.ole or in part in any for&. And I really want to come in with this fun energy.co& Pa e ()! of !"" All ri . ut! I"m sort of %udging her.* $he girls freak out. I"m dancing. #ou know! so I"m not %ust walking and saying these words. 'uys! guys! guys! what movie is this from/ )-obody puts aby in a corner.P. I have this fun! playful vibe! like I don"t care.e ri .* +kay. And I"m cool. I"ll walk up and I"ll say! guys! guys! guys! what movie is this from/ )-obody puts aby in a corner. +h! my 'od I was %ust thinking about that movie the other night. #ou %ust walk up and you say! guys! guys! what movie is this from/ )-obody puts aby in a corner. ' ())* +enusian Arts$ LLC. $hey"re kind of hoping that I"m going to come up anyway and talk to them. So! I"ll come in! and another thing of course! which I have to say because this is audio! is I"ll be body rocking. #ou"re fun. Instead! what I"m doing is acting like! this is so fun and so cool! I know what it is. &alk back. I sort of walk away. $hey"re not like these magic words. $his movie has been described as the )Star &ars* for girls! %ust to give you an idea of its popularity. It"s not %ust the words that I"m saying. ut immediately you"re cool. www. #ou"re awesome and you guys are partying together. . . .

$hey"re like laughing and giggling. So! when you go into their set! you don"t have to do any formalities. 3ut some .ickey Avalon! but he"s gonna be big.* And the song kind of goes like this! it goes )one! two! three! four! get your booty on the dance floor and work it out! shake it little momma let me see you do the 8ane 9onda.ickey Avalon show! there are girls everywhere! girls dancing naked on stage! girls in the audience almost exclusively. #ou don"t really care because you"re having fun anyway! right.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ()/ of !"" -ow this next opener! it"s not really based on canned material as much. +kay. And so! play around with this kind of stuff. And again! there"s always going to be at least one girl who knows the song! who thinks it"s so cool and so ama<ing and the other girls follow her lead! because girls tend to get the vibe from the other girls around them. 'irls get sucked up into that vibe. And then they go nuts and they start dancing with you and bouncing around you.ickey Avalon opener. So! if you haven"t heard of him yet! trust me you will. 'irls fucking love this guy. #ou could probably also do them in the reverse order! although I haven"t tested that. $hey start shrieking. 9or example! you can walk up and use the dirty dancing opener.ts reserved$ includin t. And what I"ll do! is I"ll dance right in the middle of them and right up to them! like I"m having fun! but I could walk away. #ou can use both of them.ole or in part in any for&. It"s a vibe I"m putting out there. And I"ll be like! five! six! seven! now! if you don"t know let me show you how! and work it out. -ow! what you can do here is you can interchange these openers. . Shake it little momma! I know you want to do the 8ane 9onda.ickey Avalon song. A lot of times! they"ll start dancing up on me.P. $his is the . www. And I"m singing that . It"s more of a vibe opener! more of a dancy! fun! vibe opener.ilosop. All girls at his shows! when you go to a . It"s field-tested! and this is the kind of stuff that I do in field now.t of reproduction in w. So! I"ll %ust walk right in and notice how I"m vibing this opener.ickey Avalon thing with the 8ane 9onda thing. And then I"ll continue the chorus. And he has this one song that"s sort of his number one hit right now! it"s called )8ane 9onda.* And girls love this song! girls who are familiar with this song.ickey Avalon on your play list at your party pad and girls will get up and start dancing. +kay. I don"t know how many of you listening are familiar with . I"ve been using it. $hey open up. +ne! two! three! four! get your booty on the dance floor and work it out! shake it little momma! let me see you do the 8ane 9onda. +kay.area"1lifestyle. ut! I"m putting it out there because it"s an extremely good opener. ' ())* +enusian Arts$ LLC. $hen you do the .y$ #nc. .co& Pa e ()/ of !"" All ri . And I"m sort of imitating his voice a little bit. So! I"ll walk right in the center! I"ll be like! and I"m dancing. #ou know it"s not some logical set of questions.e ri . #ou walk right in dancing like! you"re the coolest shit! like you"re having so much fun! and they can take it or leave it.

ut! I don"t want to run routines. &hat it is! is a useful tool and a useful way to practice. And so I %ust wanted to clear up some of the misconceptions about canned material.e ri . . I want to be myself. $hey want stuff to say! so they don"t sit there and have their mind go blank.co& Pa e ()" of !"" All ri . ut let"s say you want to ' ())* +enusian Arts$ LLC. As if oh! well you %ust got these five routines or twenty routines and you %ust run through these routines like a robot! and they"re supposedly going to get you the results. ?anned material is not a complete method. ut! it"s definitely not the only way that you should interact with people. $hey need stuff to say. I want to be real. #ou have to practice them and get the right energy out.ole or in part in any for&. $he same is true with canned material. 9irst of all! for guys who are not in the game! who are %ust starting out! new guys. So! let"s talk about what it is and what it"s not and how"s the best way to use it and practice it. So! it"s not %ust about technically pulling off the move! but it"s about actually making it look natural and normal like it %ust happens spontaneously. So! be grateful and good luck! have fun.ystery method or the Denusian Arts! as if it"s all %ust about a bunch of canned material. And you can use it over and over again.P.ilosop. I"ve also! I mean previously I"ve already given some tricks for things you can do to keep the conversation going even when your mind goes blank.et"s say a magician has a certain routine he does where he levitates something or you know does some slight of hand.y$ #nc. (e"s going to practice that routine over and over again! not %ust to where he can pull it off! but to where it comes off natural and spontaneous. It"s been written. . So! you have to go out night after night and practice running your routine over and over and over again. $hey"re my latest! greatest! coolest shit.ystery and . So! it"s %ust like if a magician has a certain routine. 2tr0 So! I want to give a quick little speech about canned material.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ()" of !"" So! I mean these are really good openers! but obviously you have to do them right. . #ou can go out and test it and experiment with it and work it until it"s very smooth. ut these are the openers that I am personally using right now.t of reproduction in w. If you come up with some routine! you know the first few times you"re going to run it"s going to come off funny because you have to practice your delivery. $here"s been a lot of misconceptions in the community because people think of . #ou know canned material is where you"ve got some routine or some little story or some little game that is in the can! like! it"s been figured out.ts reserved$ includin t.area"1lifestyle. www.

$he point is that I"m getting ' ())* +enusian Arts$ LLC. It"s sort of like a security blanket. . $hat"s irrelevant. #ou"re practicing your pausing. So! when you look at canned material from this perspective! we"re looking at it like training wheels. And then you can %ust sort of be yourself! and you don"t need the canned material anymore.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ()0 of !"" memori<e some routines. #ou already have fun things to say. So! let"s say I have a stack. #ou"re practicing the certain rhythm to the way that you speak.e ri . -ow what are some other uses for canned material/ &hen you first start out in the game! the best thing to do is %ust pick like five or ten routines! learn them and then %ust practice them over and over and over and over again. It goes bad! whatever. #ou"re practicing your vocal tonality. So! that"s my stack. It helps you practice your delivery. #ou"re practicing your facial expressions and your body language while you talk. As you do that! you get comfortable with it. . And you should have a cool enough life and a fun enough life by then that you are telling cool stories from your real life. ut it"s important to understand that when you practice canned material! you"re not really practicing the material itself! per se. And so! canned routines give you something to say! so you don"t have to think about the words! so you can practice your delivery.et"s say I have five canned routines. #ou"re practicing your pauses.t of reproduction in w. So! canned material is useful because it helps you practice that. #ou"re practicing using emotional descriptions and sensory descriptions. It makes you feel comfortable! gives you something to hold on to! so you can go out there and start talking to people. It"s more about that energy you put out. #ou know! %ust last night me and my friend! ?at went out with my friend! 5rica and we went and got drunk and this guy hit on her! tried to put a pill in her drink and we had to take her out of there. #ou"re practicing good storytelling. 9air enough. #ou"re really out there practicing delivery! practicing attitude.ts reserved$ includin t.area"1lifestyle. It"s useful because it gives you something to say when your mind goes blank! so for guys who are new! it gives them stuff to say. www. So! memori<e some routines and practice then and that way you have something to say. And she"s puking in the bushes or whatever.ilosop. . It"s more about how you say them. #ou get practiced at it. So! I go out open a set and run my stack. And after month! after month! after month of hard practice what happens! is you don"t need those routines anymore because you trained yourself to talk that way naturally.co& Pa e ()0 of !"" All ri . A stack is a set of routines! canned routines. ut! you still got the wellpracticed delivery. $hese stories should be an actual! natural part of your life. #ou"re practicing the delivery. It goes good.y$ #nc.ole or in part in any for&. And that"s what"s important. So! there"s no need to come up with some stupid canned routines that give you something to say.P.

$his is similar to the questions and statements thing. 7o not think about what you"re going to say next. $he same is true with canned material. I go to the next set. And once you get good at that and competent at that! then you can start adding questions back in where they"re useful. And the reason is because you have to force yourself to practice interacting without using preprogrammed material.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ()* of !"" practice.ost guys! they ask questions. (e said you have to force yourself to not ask questions and instead! only make statements.ole or in part in any for&.t of reproduction in w. #ou force yourself to do it! because you"re forcing yourself to become! creative and to come up with stuff on your own and to add a sort of different energy. $hink about it! after you"ve done this a hundred times or a thousand times your delivery is going to be so good! and your ability to run those routines is going to be so good. $hey ask a question.area"1lifestyle. . 7o not try and pre-plan what you say. -ow at some point of you"re good at stacking and you"ve got pretty good delivery! what I would recommend to a more advance student! say an intermediate student is drop all the routines! %ust drop them. 7on"t think about what you"re going to say next.aybe I"ll say that. . 9orce yourself to come out with creative! fun! spontaneous conversation and practice it that way with no canned material. #ou think of something! %ust throw it out there.y$ #nc. #ou"re forcing yourself to become familiari<ed with a different energy! the statement energy. After you"re good at using canned material! drop it all and force yourself to run sets without canned material. So! early on in a pick-up artist"s career they practice this. $hey"re not comfortable with it. Stacking is where you run out or excuse me! you go out and you %ust run through your canned material and practice your canned material over and over and over again.P. All they do is ask questions. . oom! it"s fucked up.ilosop. 8ust let your own personality come out and shine through. #ou"re putting yourself in a bad mental state. 2tr1 +kay. >un the same stack. $hey"re not practiced at making statements. $he second you sit there trying to! oh! maybe I"ll say this. (ere"s the trick to this.e ri . >un the same stack.ts reserved$ includin t. ' ())* +enusian Arts$ LLC. $his is called stacking. &e call this stacking. So! this is what 8ugular told me. $hey"re not familiar with that energy. . +kay. www. $hey never make statements! so they"re not accustomed to it. 'o to the next set.co& Pa e ()* of !"" All ri . 8ust be in the moment and %ust come out with it. 9orce yourself to go completely spontaneous. +kay.

www. +kay. #ou don"t rely on it. #ou give it to someone else! they don"t know how to play guitar! well! it"s a different story. And that"s the way that we look at that sort of thing.aybe it gets interrupted halfway through and you let it drop. Same with the guitar! a guitar is a useful tool in the hands of an artist who knows how to use it properly.ole or in part in any for&. In the long run! you really shouldn"t need any canned material at all. And that"s the way that we use canned material. And you can %ust run game naturally that way without having to use memori<ed routines. >ely on your behaviors. So! now what happens is the canned routines become little useful tools. I"ll get a great reaction. So! do it. It"s %ust a useful tool in the hands of an artist.ts reserved$ includin t. $he magician knows how to use the gimmick properly to create the effect. #ou %ust find the specific moment where it"s right. $he same is true with canned material. &hen your game is really good and you"re able to run fun spontaneous conversations! every now and then you will see the perfect opportunity to throw in a canned routine. . #ou trained yourself through your practice. I can throw in that psychotic test that would fit perfect here. #ou can throw them in where they"re useful! but you"re not relying on them like crutches. It starts off as training wheels. #ou don"t care. .t of reproduction in w. #ou"ve got social intelligence and calibration. . ut! even then! you"ll still find occasionally! the perfect little spot to throw in some routine.co& Pa e ()1 of !"" All ri . ut now! you"re going to use it differently.y$ #nc. +r! you know I"m sitting there being myself! having fun and suddenly I say! wait a second. And later on! you have to sort of get rid of it and practice interacting without it.ilosop. And that"s the way we look at canned material here in the Denetian Arts. -o big deal.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ()1 of !"" -ow after you get good at that! you"ve been practicing that for months and months! now you can come back to canned material. $hrow it in.P.e ri . And then eventually you start adding it back in and you use it as %ust a useful tool! in the hands of an artist! in the specific cases where you need to get a certain reaction and you know that routine is gonna work in that way. #ou"ll see the perfect opportunity right then to say! oh! right now I could throw in the lying game. #ou don"t need it. 2tr2 ' ())* +enusian Arts$ LLC. Instead of stacking and using the canned material like some kind of training wheels! instead what you"re going to do is you"re now going to use it as a useful tool. $hrow it in there! cool.area"1lifestyle. #ou rely on your attitudes. #ou know %ust like a magical gimmick! it doesn"t work the whole trick.

7o I have preselection/ -o. And they really do too! because I can"t see anything. $hey"re comfortable. . So! not only have I restricted myself in terms of my physical comfort! but I"ve also restricted myself in terms of my conscious awareness. ut! all I can see is these two girls. ut! I %ust want to go over it again here! on the audio %ust because it deserves redundant addressing. So! because of this! it doesn"t look like they"re trying to get me. .ocking in is such a crucial concept. It looks like I"m trying to get them. (ere I"m the guy trying to get up on them! trying to talk to them! trying to have my chance with them! and it shows that I must be of lower value! than them.+' making faces behind my back. $hey"ve got the power of position. And they"ve got it going on.* ut if I"m ' ())* +enusian Arts$ LLC. $hey can see everything behind me. So! I don"t get any preselection. I"m standing there in front of them.t of reproduction in w. $he reason that women become attractive for preselection is if they see other women trying to get me. $he difference in value has been conveyed. #ou know! there"s not some women that are going to be attracted to me because I"m hitting on someone over here. And we taught locking in on the video portion of this product. $hat I"m focused only on them! meanwhile they have access to look around at the whole room. ecause the girls are leaning against the bar! I"m up on the girls. I"m less comfortable than they are. www. $hey probably see some A. I"m going up to where they are! trying to sort of get in.ts reserved$ includin t. She"s giving me )eye lives. (ere"s why.eanwhile! they can look over my shoulders and they can see everything that"s going on in the whole room.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ()2 of !"" So! I wanted to take a moment here and talk about locking in. I"m not leaning on the bar.ilosop. #ou see how this gives them sort of a power position. If some woman is trying to get me! then other women will be attracted! because that"s legitimate preselection. I"m up! walking up to them! approaching them. .area"1lifestyle. $here they are in a good spot. +kay. $hey"re leaning against something. It"s one of those moments that has to happen in every set.ole or in part in any for&. &hat does it mean to be locked in/ &ell! first of all imagine that I"m walking along the bar! and there"s two girls there leaning against the bar.e ri . $hey"ve got their spot. . So! when someone has the power of position and other people are trying to get up on them! what it"s doing! is it"s telegraphing the value differential.co& Pa e ()2 of !"" All ri . So! being locked in is one of the weigh points of the set. +nce you"ve opened a set! basically your first goal at this point is to get locked in. So! in that moment when I go up and talk to those girls I"m not locked in.y$ #nc. So! it looks like I"m trying to get with the girls. I can"t see anything behind them! but the bar. I"m facing these girls. And I go up to talk to them. $hey"ve got the power of position.P.

>ight! when I spin her out! then I"ll go! oh! like I %ust nailed her! like I %ust caught her. (old up your hand. $hat doesn"t make them any more attractive. . See even if she logically knows that she was there and I took her spot! she knows logically what happened. I"ll spin her around. . I want the power spot. 2tr3 ' ())* +enusian Arts$ LLC. She"s the one working to get it. +h! that"s the one locked in. . &e automatically have this programming that makes us view that as higher value.co& Pa e (1) of !"" All ri . So! in other words! once I go in and I open a set! I want to get locked in as quickly as possible. -ow! she"s leaning in on me. $hey"re going to perceive that I"m the high value cool person and she"s the one who wants a piece of it. +nce! I get locked in! the fact that I"m locked in actually makes me more attractive to her. . 8ust by moving my physical positioning! I"ve created a new perception in the people all around us.y$ #nc. I show her the next routine. $hat psychological trick works on her too. $hat"s sort of the vibe right there.e ri . ottom line is I want the power position here.P.area"1lifestyle. . +r man! I really got to get back to my friends! but check this out.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e (1) of !"" giving her )eye lives!* well! you know that"s! that what men do all day. I want to be locked in.ilosop. +kay. $here"s a psychological trick! every one else around is gonna perceive like she"s trying to get me. So! what I"ll do is! in this case where the girls are leaning against the bar! is I"ll do some little routine where I"ll say oh! let me see your hand. She"s going to be up on me because now I"m the one locked in.t of reproduction in w.ike! oh I can"t believe you fell for that. And then I go into the next routine. -ow this has a psychological effect. As I spin her around! I"ll move myself back to her spot and I"ll lean against the bar! and now she"s standing in front of me and she"s not leaning against the bar anymore. I want it to look like the girls are up on me. I"ll take their hand.ole or in part in any for&. $hat"s the guy locked in! looks like she"s trying to get up on him. So! right in the moment I preempt that by saying! you know what! I really have to go in %ust a second. ut it doesn"t change the fact that we"re programmed emotionally. +kay. As long as I"m running my material right! she"s going to be interested. +kay.ts reserved$ includin t. www. So! that trick doesn"t %ust work on the people around! but it works on the girl! herself.en walk around showing interest all day in other women. ut! emotionally you feel like she"s trying to get up on him and you"ll respond as if that"s what"s going on. And she forgets what %ust happened. &ell! guess what.ike! you %erk! give me my spot back. #ou may logically know it was arranged. And she"s like! oh! she can"t believe it.

And you look attractive. I lean back against the wall. . She will still feel more attracted to me because that emotional trigger is still there.area"1lifestyle.aybe there"s a pillar right there. #ou know! in other words! I"ve trained myself to move this way all the time! all the time. She"ll be standing in between your legs. $hat psychological trick is still operating. -ow! here I"m sitting with the group! now. &ell! they"re still friends with! or he"s still friends with his girlfriend from college. .y$ #nc. 3ushing her away! pulling her back in. I"m leaning back against the bar. (e"s still got this shoebox with letters and pictures.y friend! Aaron"s been dating this! I"m sitting down as I"m saying this. +kay. See now they"re not looking at me! the fact that I sat down! instead they"re listening to the opener.co& Pa e (11 of !"" All ri .e ri . As long as there"s a place for me to lean back! and be comfortable and be locked in! and sort of tempt her to come over towards me! that"s good enough. -ow also! remember I don"t necessarily have to steal her spot.P.t of reproduction in w. -ow! let"s say that the girls are leaning against a wall. I opened a seated set. I"m going to lean back against the wall. I want to be locked in. . I"m sitting down. www. +kay. ut! check this out. #ou"re twisting your hips here and there! running little routines on her. I"m locked in. As soon! as I can I want to be seated with them. She"ll start leaning in to me. So! instead of stealing her spot! I %ust lean back against the pillar.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e (11 of !"" 5ven though she knows I spun her out! she knows I stole her spot. All the women around her are going to find you more attractive because it looks like you have preselection. $here"s a couch! I"m going to sit on it and look relaxed and comfortable. She"ll start asking me questions. I"m sitting down. 5veryone"s sitting at the table. . I"m walking down a hallway with a girl! we stop to talk for a second! I"m not %ust going to stand there and talk.e! and a girl are walking down a hall. I run some false time constraints. &e stop to talk for a second. If you do this right! if you"re gaming her right then ideally! very quickly you"re going to be sort of leaning against the bar! sitting on a bar stool. . If I tell you I opened a seated set! you know you say! hey guys! have you ever dated someone that"s still friends with their ex/ #eah! I got to get back to my friends! there"s a false time constraint. #our legs will be slight spread. 5very set you want to get locked in. She"ll start touching me.y friend! Aaron"s been dating this girl for two months. . And I say! actually she said you have to stop talking to the girl! and you have to burn the box.ts reserved$ includin t. I want to lock in against the wall! okay. So! she"ll start giving me more I+Is. &hat do you guys think about that/ lah! blah! blah. $his is the general idea of locking in! sitting against a bar.ole or in part in any for&. &hat do you guys think ' ())* +enusian Arts$ LLC.ilosop. She"s going to come in towards me.

I"ll use a lock in prop. And that psychological effect is going to affect everyone around! including her. What if it<s a t-o set and the?<re seated@ Do ?ou -ant to sit 7et-een them@ Actually! no! the best place! to sit with a two set! the best place to sit is next to the target! so you can look past her and talk to the obstacle. And let"s say she"s getting a little antsy. I really need to get back to my friends. All the demonstrations of value are going to the target! right. . And I"m telling it to the obstacle apparently! the target %ust happens to hear it because she"s sitting there. She"s going to come up to me. . +h! I might have a surprise for you later. +ne second! I go to her friend and say check this out.co& Pa e (1( of !"" All ri . ut notice! I"m sitting with the set. And I went into some story. And I lean over and I"m talking to the obstacle and the target"s sort of stuck there in between us listening. She"s going to be standing between my legs. +r! ' ())* +enusian Arts$ LLC. I"m talking to a girl. I lean back against the pillar. +kay. #ou know what! have you guys heard that new . I"m locked in with the set.y$ #nc. I say! you know what. I"ll say! oh here! put this on for a second. #ou know what. I put a necklace on her or a feather boa or put my hat on her! you know. +kay.t of reproduction in w.ole or in part in any for&. I"m always making myself comfortable. And then I go into the next routine. $his is so funny because last week I was down at the & eating lunch! etc. It"s going to look like she"s the one up on me instead of me the one up on her. I"m always leaning back! leaning on something! sitting on something! looking comfortable and chill and relaxing cool to such a degree that if she needs to hear me better or if she has any interest at all! she"s going to lean into me.P. .ickey Avalon song! that one that goes )one! two! three!* or I go into the lunch at the )&* story. I lean back against the wall. +r maybe I lock her in with something psychological like an open loop. ut meanwhile the target has that open loop.ilosop.aybe I look at her and say! ooh! I"m going to have a surprise for you later.ts reserved$ includin t. So! I"ve got! the target"s in between us. I can do all kinds of value demonstrations and tell fun stories and so on. >ight. www. So! now I"m engaging the obstacle! keeping the obstacle disarmed! making her feel good. I threw in another false time constraint! stacked forward to the next routine. $hen I"ll lock her in. And this is good because I can run plenty of 7(Ds.area"1lifestyle.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e (1( of !"" about that/ And they"re like! oh my 'od! blah! blah! blah.e ri . And the target"s not going anywhere. +kay. I was talking to this one girl and she always wanted to hang out with me. She can"t move because she"s stuck between us. So what are some examples of this/ Stealing her chair! stealing her spot at the bar! sitting down with the seated set! if there"s no seats available! pull one over! that"s not available! steal a girl"s chair. &hen I was a kid! I was eight years old! right.

ut! that"s So! there"s a difference between a lock in prop! which you put on a girl to make her stick around! and then %ust the idea of locking in. . SoA ?ou /an 6ind of pla? pit them against ea/h other and the?<ll 7e more attra/ted.e ri . I might put my hat on her. +kay! now she"s going to stick around.ock the girl in with the hat. . +kay.ts reserved$ includin t. And they"re both gonna be more attracted to you. And I go into the next routine.area"1lifestyle. &ednesday you call up the hat girl. ' ())* +enusian Arts$ LLC. www. $hey"re going to look at each other.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e (1! of !"" you know what/ I %ust noticed something about you that is so funny. $hen go open a different set. I"ve got to show you something so cool! but %ust one second.co& Pa e (1! of !"" All ri . #ou want to run a really good %ealousy plot! open a set. 2tr$4 &hat else can I say about locking in/ And also! oh also! there"s a little bit of confusion here! there"s a difference between getting locked in and using a lock in prop. 5xactly! and we"ll get into that a lot more in the future. And locking in meaning! as soon as I open that set! as quickly as possible I should be leaning against a wall. ?an you go over there and get my hat back/ Second girl runs back over to the first girl to get your hat back. +kay.P.ole or in part in any for&. +kay. I"m locking her in with that open loop. basically a %ealousy plot line. 3ut the hat on her. And if you got a phone number from each one of them! then you can pick them off one at a time! you know. -ow as long as she"s standing there holding my drink! she can"t %ust walk off because she"s got to give it back to me first. +kay! so that buys me some time for her to stand there and I can maybe run some %ealousy! talk to another girl or do some 7(Ds that she hears or whatever. (ey! 5ric says he wants his hat back. I should be leaning against a part or sitting down with them or something like that! where I"m locked in.ilosop. $hey"re gonna hate each other. I might lock her in by putting a necklace on her or a feather boa. She comes over. 'et the next girl going and then tell her! oh! you know what that other girl still has my hat over there. $hursday you call up the other girl who went to get the hat! right! because they"re both still so attracted to you because the %ealousy hit both of them.y$ #nc. .t of reproduction in w. +kay. oom! out comes the claws. A lock in prop is where you lock a girl in by putting something on her! like here hold my drink. 'irls are very catty. So! if you got their phone number you %ust pick them off one at a time and at separate times and locations in the future.

$hat will affect the guys around. Some Amog will walk in or some player will walk in and try and %ust talk to my girls.co& Pa e (1/ of !"" All ri . &hen I watch a student in the field! I ask myself! okay he %ust opened.ock in. It"ll affect the whole crowd. #ou know! I"m leaning back against a wall or against a bar. I don"t know.area"1lifestyle. ut! when you see the girl trying to get the guy! you know it"s %ust a lot more intimidating. &hen you lock in your value is held solid and it will go up. It"ll affect other women. +ther guys are extremely intimidated because they feel like she"s in on it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e (1/ of !"" $his is a weigh point of the set. And here"s another cute little thing about locking in is it looks like the girls are in on it. Is he going to lock in/ &hy hasn"t he locked in yet/ If he waits too long his value will drop. . $his should happen in every set. . $hough a lot of guys! they"ll %ust not go into that set because it makes them feel stupid. . And if they"re game is good! the girls will follow the game. It"s very intimidating to other guys. ecause when you"re the one leaning back and the girls are leaning in to you! they"re standing up in front of you! she can %ust wander off. She"s leaning into me. $he girls turn their attention to him.ilosop. $hey"ll try and %ust take them right off of you.y point is it"s very powerful. I mean you need to go and try and grab her off of him. I mean! maybe! that"s her boyfriend or something.ts reserved$ includin t.t of reproduction in w. www. $hey"ll feel like you own them.y$ #nc. She"s the one trying to get me. #ou know! when you see a guy trying to get a girl! it"s very each to go to that girl and oh! this guy is trying to get her! but I"ll go talk to her! right. . +kay. I"m talking to a set! some other guy comes in! if he"s running better game! you know there"s not like some kind of massive loyalty going on here. #ou know! normally if I"m %ust talking to some girls! another guy will come in. &hat it does is it makes it look like it"s her thing.P. And most importantly! it will affect the target! ' ())* +enusian Arts$ LLC. $his is her thing that she"s trying to do! and so it"s very intimidating for other guys. It makes them feel like here"s this girl trying to get on that guy! and I"m %ust going to come in and try and talk to her. If I go over there and get re%ected! it looks like I"ll get re%ected! you know.ole or in part in any for&. +nce you get locked in! you fucking own that set. +ther women will get attracted to you. ut she"s obviously trying to get with him. And then I"m blown out. I mean you know he"s more attractive. #ou %ust look like the cool guy. ut! if I"m locked in it! looks like the girls are gaming me! very intimidating for other guys. ut! she"s coming up to me. Li6e -ho is this gu?@ #eah! you know.e ri . She"s facing me. I mean it looks like you own them! you know.

$hey"ll test you. She either! gets a pawn or someone who"s attractive. $hey"re attracted to the winner. $he females are attracted to it. $his is similar thing that"s going on in social interaction. +ne of them is a little more dominant! a little stronger! and he wins. So! I want to talk a little bit about Amogging. www.ilosop. &ell! she wins because now she"s acquired a new pawn. Also! women will so vie for dominance.area"1lifestyle. If a woman tests you and she wins! let"s say she says! hold my purse and wait right here.et"s say that she says hold my purse and you don"t go for it. 2tr$$ All right.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e (1" of !"" herself. $hey will! against you! women will fight for dominance against you. Always get locked in on every set. So! for her it"s good either way. #ou"ve got to mountain goats. $he point is she"s constantly testing for that dominance. It"s field' ())* +enusian Arts$ LLC. And you do it. And this is because again! they win either way. It"s a basic truth of life. .ts reserved$ includin t. $he females are all going to mate with the one who wins.ole or in part in any for&. It"s absolutely true that when a man wins an Amog battle against another man! the women will find him more attractive. (e"s going to get laid like cra<y.en are constantly vying for status! testing each other for dominance. And one of them wins. +ne wins. She"s got someone who will do whatever she says. Again! she wins because now she"s found an attractive man. &ell! why do they do this/ I mean would you get together with your friend and %ust run towards him and bang your heads together/ &ell metaphorically! yes. . ut! why do the goats do this/ $he basic reason is because they"re fighting for status. She will feel like you own her as well! because the same psychological trick works the same on everybody. 3eople do this. And men are constantly testing for that dominance. 3robably! everyone"s seen the 7iscovery ?hannel where the two mountain goats are butting heads! ram up against each other. As soon as you shown dominance over another man! women will show you indicators of interest.t of reproduction in w.P. $hey butt heads.e ri . She"s stimulated or she"s got access to resources or whatever. So! the males are competing for the females.en are constantly vying for dominance because the dominant man tends to get more resources! more status! and more women.aybe you say ah! are you %oking or something or you"ve got to be kidding me. &hat is it/ &hat are the principles/ (ow does it work/ So! imagine for a second mountain goats.co& Pa e (1" of !"" All ri . $hat"s what we"re doing when we"re Amogging. . . . .y$ #nc. 5ither way! she"s happy.

(e"s going to push you around.t of reproduction in w. So! even if you don"t plan to use Amogging in an aggressive way! you still need to understand it because people will use it on you. So! the first point I wanted to make is that being dominant is not being hostile. +ne point I want to make early on is that there"s a big difference between being dominant and being hostile. $here"s no escaping it. So! what are some techniques that will help you win these battles/ 2tr$& All right. (e"s trying to make you look insecure.ts reserved$ includin t. #ou can use it to create attraction in the field. &hether you"re out there playing Amog games or not! people are still going to be out there doing it to you.* asically! he"s the guy who"s always testing you for dominance. . $hey want to show how! you know they throw out their lines and the other guy can"t do anything and he"s fucking nailed him and he got him.P.ike! imagine for example that you"re $ommy . 2tr$% $his is so important because this is going to happen to you anyway! whether you"re aware of it or not. $hey"re completely different things. eing hostile and being dominant are %ust! they"re %ust different things. . So! at least understand how to use it defensively.ee and some guy"s in the bar and he tries to Amog you! he says like! oh bro! nice shirt man.ilosop. And this is coming from a place of someone who hasn"t felt enough dominance already and he"s trying to make up for it.y$ #nc. #ou"re either aware of how it works or you"re sort of buffeted about by these forces that are unexplained to you.ole or in part in any for&.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e (10 of !"" tested. A lot of guys! they"re not used to being the dominant guy and so they learn all this Amogging stuff and they want to go into the field and they want to show how dominant they are on other guys. -ow! what does Amogging stand for/ $he Amog stands for )alpha male other guy* or sometimes we call it )alpha male of the group. And that"s probably something that he"s been doing since childhood! since he was on the football team or whatever. . (e"s going to try to make you look like a beta male relative to him because it gives him more access to women if he wins.area"1lifestyle. www. I had that ' ())* +enusian Arts$ LLC.ee. (e"s going to try to make you look weak. If you"re $ommy .e ri . And it"s almost like he has something to prove.co& Pa e (10 of !"" All ri . (e feels sort of beta and he feels sort of insecure. So! let"s %ust accept it and move on.

Cind of li6e -hat . 5very thing is going good. (e"s cool.area"1lifestyle. #ou"re not trying to get him back.ystery does. #ou have a positive vibe together. ut! I"m telling you now! the truly alpha guy! the truly dominant guy! simply does not care enough.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e (1* of !"" back in high school or whatever.y$ #nc. #ou"re in a place mentally that you"re not trying to get dominance. www. And the fact that he doesn"t care and the fact that he"s like whatever! makes him naturally look more dominant. #ou guys are happy to see each other. . If you"re in some bar and some biker guy is like dominating you! kind of.ee. #ou know my little brother wears that shit! ha-ha-ha. #ou know and everyone laughs and you"re sort of sitting there like! ah! okay.t of reproduction in w.ike! they"re sort of making up for all the times that they felt weak in high school.et"s think about it from a different perspective. $hat"s a very hostile sort of dominant frame. It"s not something you have to try to do. . (e"s like hey! guy nice pants. #ou got that in high school! ha-ha-ha. (e"s friendly. ut that"s not what .e ri . #ou"re naturally dominant. #ou"re not trying to get the upper hand. #ou know you might! the normal player might have some great line to come up with to be like! oh yeah! blah! blah! blah or whatever. So! here"s an example I want to put out there! %ust so you understand. &hen some guy pulls some Amog shit on them and they get to come back! and like hit him back with like oh! yeah! nice shirt. 2tr$* -ow when you"re talking to him! he"s obviously the dominant one in the conversation. 7o you care/ .ilosop. #ou"ve got your friends around. Imagine that you"re an executive or you"re a manager in a normal corporation and you"re at some corporate party and there"s your ?5+.ole or in part in any for&. ut! imagine for a second that you"re $ommy . It"s fun. #ou accept each other as you are. (e %ust does not care enough to try and get the alpha-ness back or try and get the dominance back. . ' ())* +enusian Arts$ LLC.ike! you %ust don"t care. (e"s the one with the power.ts reserved$ includin t. And like you %ust don"t care. #ou"re friendly to him. -as sa?ing to )at earlier: Li6eA it<s not even -orth ?our 7reath to even respond to someone li6e that: >ight. +kay. It naturally makes him look more like he"s the one with the value. . -ow! I mean for guys who are newer or they"re %ust learning this stuff! it"s like entertaining to them. ut at the same time! there is <ero hostility! <ero hostility. #ou"re %ust like whatever bro and you kind of smile and you walk back to your DI3 table with your eight girls and your vodka and your security guards.co& Pa e (1* of !"" All ri .P.

I"m ready to take him and introduce him to my friends and give him props. +kay.ole or in part in any for&. And hey! if you have to Amog the guy and it"s already a hostile vibe and you have to defeat him! fine. $his guy is fucking ama<ing. I want you to meet my friends. So! I want to make sure this is very clear up front because . . ' ())* +enusian Arts$ LLC. It"s very important to understand this dynamic because this is how . I mean! I"m going to talk about how to do it.ystery. I want you to meet this girl. . $his is .t of reproduction in w.ee sort of guy! this rad 3itt sort of guy. ut! at the same time! there"s not this hostility between the two of you. I mean! how many times! have I seen some guy talk to . #ou don"t want to be the guy who creates hostility all around you. It hasn"t even occurred to him. +kay. 3eople are still going to get hostile! especially if people feel that their women are threatened.ystery and say! bro you are so fucking cool.ilosop.y$ #nc. www.P. So! there"s naturally this comfortable happy vibe where you actually like each other! but someone is still the dominant person. #ou"re still a little bit trying to impress him or a little bit trying to stay on his good side. #ou know! like they"re grateful that they got to hang out with them! that they"re the ones who get to introduce him to their social circle! that they got to be a part of this.ts reserved$ includin t. $he guy should be beta to you because he"s happy to be! not because you forced him to me. . (e"s naturally sort of this $ommy .co& Pa e (11 of !"" All ri . Li6e 6ill him -ith 6indness: Hill him with kindness! that"s right.ystery doesn"t Amog the way that a lot of other guys in the community Amog. (e doesn"t even care to prove himself. $hat was so ama<ing. (e assumes his status and that"s the way it works. (e has nothing to prove. -ow! I mean let"s be realistic. ut I %ust want to make clear! up front! that the preferable way to do it is to be friendly! is to befriend the guy. (e"s not trying to prove himself. (e %ust assumes his value.ystery Amogs in this way by being friendly! by being a leader! by giving guys value! by helping guys out! by being the cool! fun guy who"s %ust naturally alpha. e like! you"ve got to meet this guy.area"1lifestyle.e ri . $hat is the kind of dominance that you want to have socially.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e (11 of !"" ut! yet he"s still the ?5+. And like! normally a guy might try and be dominant or try and be alpha. $his guy is so cool. I don"t care about all that ego shit. e the person that everybody likes. ro! you are so awesome! man. ut! in this case! wow.ystery is in set. -ow! this doesn"t mean I"m not going to teach some hostile Amog moves. (e still naturally has that dominant position. (e hasn"t even thought of it. $hey"re going to treat you with some degree of hostility.

-ow! I have to destroy him and I"ll go into that game. &e"re having fun together. www.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e (12 of !"" ut! I %ust want to make clear that that"s not the goal.-ould ?ou Dust automati/all? put him on the friend@ (ow would I put him on the friend/ 8eah: +kay. #ou want to be so cool and you want these guys to like you so much! that they literally push their girls on you.o.e ri . $he goal is not to be the forceful! pushy! aggressive Amog! hostile guy. .area"1lifestyle. If ' ())* +enusian Arts$ LLC. I run an opener.o. -ow! let"s say that a guy comes into my set. So! there"s two girls or three girls or whatever. So! it really depends on the situation! itself. I start getting the set going. She"s got a guy. I can take the guy! put him on the friend! now she"s not all alone.ilosop.co& Pa e (12 of !"" All ri . So! in this case! the guy comes into the set! it"s actually good. . . ut let"s say he"s being cool. Say! oh you know I need to talk to her for %ust a second.et"s say that I"m talking to two girls.aybe I want to isolate my target and I can"t because I"m going to have to leave her friend alone. +kay. &e"ll be right there. I"m going to isolate the same way I would isolate in any set. . -ow! I can take my target and isolate her. +kay! you want to play games! okay.ts reserved$ includin t. +kay. Heep this in mind.P. I walk up to them. . If he"s a guy who understands the score and he can! you know and he"s coming in and he"s being cool! I"m going to be cool to him.y$ #nc. I mean if you can"t game these guys and make them love you this much! then why are you a player/ 2tr$+ -ow! let"s say that I"m in a set.t of reproduction in w. $hey like me. >ight.ole or in part in any for&. $he goal is to be the guy that everybody loves.et"s say that a guy comes in. -ow there"s going to be a million different scenarios here. +kay. And also! it sort of depends on how he"s acting. . If he"s being cool! I"m going to let it go on because I do want him to %ump on the obstacle. #ou"re so lucky you have a chance to get with this guy.et"s say he"s being a %erk.-ould ?ou do that though@ . . -ow at that moment! I could %ust try and destroy him. And I"m going to go and isolate the girl. $hey should literally be introducing their girls to you! pushing their girls on you! telling their girls get with this guy. And I"ll point to a spot! literally like three or four feet away because I don"t want the friend to freak out that her friend"s gonna disappear and she"s going to be alone.

ilosop. (ere"s the thing though! if he"s not socially intelligent! if he"s not a member of the secret society then not only will I know it and he won"t of course the girls will know too. +kay. If he"s one of those guys who gets it! then we"ll automatically know what we"re trying to do. If they hit it off well! then guess what! all four of us can now leave! go ' ())* +enusian Arts$ LLC. &ell! I might have to destroy him. And that"s a whole other ball game.t<s li6e an un6no-n thingA ?ou gu?s Dust li6e ->ight.area"1lifestyle.co& Pa e (() of !"" All ri . #ou"ve got to see this. (e"ll be interested to do it. Cind of 6i/6 him out of the pi/tureA right -#eah. And I"ll take her by the hand! leader her three or four feet away! then I"ll lock in. www. If he"s a player coming into my set! there"s two choices. +r! he"s friendly! if he"s being cool then him and me can sort of have a conspiracy together. So! the girls will be like giving me I codes and what"ll happen is the girls will want to ditch him. (ey bro! you and me and there"s these two girls. If he"s cool! then we"ll all have a fun little conversation! the four of us. +kay! he"s going to talk to her right there.et"s be productive here. . . (ey Hasey! there"s something I have to show you. What if he<s a gu?A that has a /rush on the girlA ?our target@ -ow again! there"s two different situations here! in one case he"s a guy who knows them! right. If the guy"s smart! socially intelligent! he"ll understand and he"ll want to help me because now he knows he"s going to get isolated with the other girl. (e"s be in on it.t of reproduction in w. If he"s a fucking weirdo dork! if he doesn"t have the social intelligence then now I"ve got to %ust! I basically have to work around all his mistakes and so on and so forth.y$ #nc. 5veryone feels safe. +kay.ole or in part in any for&. All right! he"s either hostile in which case I have to destroy him! which I will do. And I"ll start talking to her. I"ll lean against a pillar or whatever. .ts reserved$ includin t. And I"ll leave the guy isolated with the obstacle.P. &e"re going to sit right there and I will deliberately pick a spot that"s only a couple of feet away so no one feels freaked out. I mean! the bottom line is you either! get it or you don"t. And then at some point! five! ten minutes later or whatever I"ll say you know what! I need to talk to this girl for %ust a second.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e (() of !"" I say we"re going to sit right there and I"m pointing to a spot like five feet away! she"ll be cool with it.e ri . And the other case! he"s %ust some player coming into my set -Some random gu? -+kay. .

t of reproduction in w.P.ole or in part in any for&. . +kay. (e comes back.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ((1 of !"" back to my pleasure bubble and have a fun night together and have a good time. ut I will definitely make him feel good and try and make it look like to him! that I"m making him look good in front of the girls. If he believes that I"m making him look good to the girls! then he will fucking love me! because here I am making him look good. #ou ever see girls. #ou know! and especially if he doesn"t understand the score! if he doesn"t know any better. And I qualify him for that. I say fuck! man! you got these girls some drinks. www. So! if he"s that guy! it all depends on! again it depends on his attitude. I"ll be like wow. All these fucking selfish guys thinking about themselves and here you are thinking about your girls and making sure! they"re happy! awesome bro. #ou"ll see this a lot where you"re talking to some girls and suddenly a guy shows up with like three drinks. $his is a completely different situation. . $here"s girls there. (e feels like I"m ' ())* +enusian Arts$ LLC. If he"s cool! then I"ll be cool to him.aybe he %ust showed up and he knows them or maybe he was already with them.ilosop.e ri . (e went to get a drink. I might say something more like this.et"s say that the guy knows the girls. So! it"s like oh! that was cool bro! why don"t you go get! go get more drinks. #ou know! or whatever. 3rops. And I"ll talk about that. #ou got drinks for these girls! you know. &ell! what about what enedict said/ If he"s like a friend of the target and has a crush on her! you know -+kay. . Shake his hand. .ike! he feels like he"s handing the drinks out like he %ust destroyed me.area"1lifestyle.et"s say he shows up with some drinks. . $his guy"s awesome. . 9rankly! even that"s too obvious. 2tr$0 ecause I"m like the fun! cool player guy and he looks like the supplicating! I"ll take you on a date. And the truth is he kind of hurt himself.ike! he looks like that guy showing up! handing out the drinks. . I think the girls are thirsty again. Imagine this. And the funniest thing! is that he honestly believes that he"s coming in like! yeah! I"m the one with the drinks! buddy.co& Pa e ((1 of !"" All ri .y$ #nc. &hy don"t you run and go get the car ready or go and set up the whatever for us! so that me and the girls can have fun together and thanks for helping out! little Santa"s elf.ts reserved$ includin t. ecause now he looks like the one who"s spending money on them! while meanwhile I"m the cool! fun guy that they"re talking to. I"ll give him props! but in a way that makes me the dominate one. And this is actually good when that happens because it makes him look really bad. I"ll take you on a cruise. I"ll take you to 3aris.

ands off of herA she<s mineA t?pe of thing.P. &ell! if he feels like I"m making him look good! then he"s gonna be grateful for that. (ere he is out with her and this is a very common situation. ut let"s say instead! that he gets hostile.t of reproduction in w.ike! she knows he wants her. It"s an orbiter. (e"s a friend from work. >ight. And there"s a power differential there.e ri . $hese guys are out there.co& Pa e ((( of !"" All ri . $he situation is that he secretly wants to get with her really bad! but she doesn"t feel that way about him. $his guy"s great.--ow! this is a typical thing. She"s not into him. 2tr$1 ' ())* +enusian Arts$ LLC. And meanwhile! she doesn"t feel that way about him. . She doesn<t even 6no-. &ell! what"s really happening is I"ve taken control of the frame. . I"m the one determining whose cool and who"s not. If she said fuck me! he probably would.ole or in part in any for&. She knows that! fuck me. WellA Dust sa? li6e he<s in love -ith this girl -ho<s his friendA o6a?: "nd then here ?ou are tal6ing to her li6e ?ou 6no.area"1lifestyle. #ou know she hooks up with other guys! whatever. $hat"s an orbiter. ecause I"m -- . +kay. www. . (e"s gonna love me. I"m the one who"s sort of dominating the frame. A lot of times! what"ll happen is let"s say for example! let"s say they work together.aybe he takes her on a date or invites her out here and there.ts reserved$ includin t. I take that dominance and use it to give him some respect! but I"m still the dominant one. $his is the classic definition of the orbiter. >ight. (e"s a friend. &ell! she probably does know. (e"s waiting for his chance like some day she"ll get drunk and we"ll kiss and she"ll reali<e how much I care about her or whatever. &hen you go into these mixed sets! you"re thinking it"s her fucking husband or her boyfriend! no. +kay. And then next thing you know! oh this guy"s cool. . (ut at the same timeA he<s gained respe/t for ?ou and ?ou -ill 7e all ->ight.y$ #nc.ilosop. $he guy who hangs around! he"s hoping something is gonna happen. ut! she sort of pretends like! it"s not true. ut! meanwhile he"s had this big crush on her for months and months. (e works with her. >ight. &hat"s going on in this situation is that he"s an orbiter.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ((( of !"" giving him respect and giving him props.

co& Pa e ((! of !"" All ri .area"1lifestyle.-hat .6a?A li6e at Stinger Ra?: M? friendA RossA remem7er the one at the end of the night -ho -as pushing the gu?s a-a?. I feel bad to say it! but there"s a lot of these guys that get stuck in this trap.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ((! of !"" So : ?an I ask you a quick question/ Gm-hmm. +h! you"re so sweet. 7on"t worry.ilosop. I"m here to save you from these guys. 'et those guys away.6a?A li6e .e ri .<m li6e if ?ou didn<t /are that something -as going to happen -ith me and -hoeverA -h? -ouldn<t it 7e /ool for all of us to go 7a/6@ Wh? -as it su/h a 7ig dealA that ?ou had to 6eep ?ou gu?s a-a? from me: "nd to -hereA ?ou 6no.that . $hey think that the way to a girl"s heart is to show how much they care.<m the one instigating it. . .ole or in part in any for&. loo6 7a/6A . www. >ight. >ight. ' ())* +enusian Arts$ LLC.<m sa?ing -. 9or example! let"s say that you and ?at! and these two guys. +nly! when you"ve got her really feeling emotional towards you! then you show how much you are. 8eah.P. And instead! he"s thinking get those guys away.t<s a/tuall?A -hen . .it<s so o7vious thatA if ?ou don<t feel that -a? a7out me then let<s all go and hang out and have a good time and -ho /ares -hat happens -ith meA and -hoever. $hen she"ll! then that matters to her. (ey! why don"t yall come back to our house and party/ &hy wouldn"t he want to/ . 'o buy me a drink ->ot trueA ?ou<ll Dust 7e her friend for life thoughA period.ike for example ->o. And it feels bad.t of reproduction in w. I"m here to protect you. had no idea at all through this -hole timeA no. If you"re showing how much you care before you demonstrated value! then she won"t respect it. $he guy who was like trying to protect you from us -8eah: . She"ll %ust use you like a pawn. >ight. And that"s actually true but! only after you"ve demonstrated your value. $he truth is he"s an orbiter.ts reserved$ includin t.y$ #nc.

All right! so let"s say that the guy does know the girl and he"s kind of hostile. Whi/hA /an . I want to prepare the girls in advance so ' ())* +enusian Arts$ LLC. -ow let"s say that I"m in a set. >ight.co& Pa e ((/ of !"" All ri . (e"ll ask you to do stuff and you won"t do it. Ever?7od?A an?-a? -ithout ?ou even tr?ing to. &henever the guy comes into the set! he"s going to say something. 2tr$2 +kay.t of reproduction in w.t<s going to 7e o7vious: . +r! I have to destroy him. And you"ll say oh! I"m not in the mood for that. -ow! I"m in a situation where okay! I can either win him over. I"ve got some girls there.ilosop. . ut! the bottom line is when one person wants it more than the other! there"s a difference in power.t<s going to 7e o7viousA -ho<s the dominant one and -ho isn<t: 5xactly. &hich one is the girl attracted to! the other one! the one with higher value. (e"ll be! I"ll go get you a drink. +kay.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ((/ of !"" >ight. And I know that it"s possible some guy is gonna come into my set.et"s hear it. And the way I"m going to destroy him is I"m going to frame things in such a way that I look like the dominate male and he looks like the non-dominant male. And I don"t want to have to do that! but if he puts me in that position! I will do it! because I"m not going to get tooled. #eah. .area"1lifestyle.P. ut! then when you say I"m thirsty. 8ust the fact that he"s trying -"nd ?ou<re notA ?eah: . So! what I want to do is! is inoculate. $he person reacting more is the one with lower value. (e looks like the beta male.y$ #nc. And there"s a power differential. I can be a great! cool guy and win him over! which he may not allow me to do. www.e ri . (e"ll say! hey blah! blah! blah. $here"s a power differential there. If he desperately wants to be with you and you don"t! then you"ll ask him to do stuff and he"ll do it.ole or in part in any for&. . >ight. . And it really is unfair to the person! but he"s putting himself in that position -Letting it happen.t<s going to 7e totall? o7viousA an?-a?: Li6eA if he<s tr?ing and ?ou<re not: . sa? something@ #eah. +kay.ts reserved$ includin t.6a?. >ight! because like the person trying more is the person reacting more.

+kay! %ust an example.<m t?ping in their phone and the -hole time .t<s li6e he -ont< even as6: . So! what are some examples of things that guys will say when they come up/ 8ou<re 7eautiful: What are ?ou drin6ing@ )an .<ll even pla? along and a/t li6e . told him: 8eah: So! in other words! guys will say stuff like! you"re so hot.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ((" of !"" that when some guy comes in and says something! they start laughing because he %ust played into whatever frame I already set up in advance. So! I might be talking to some girls and I say! isn"t it stupid when guys come up and say! you"re so hot.<m going to ta6e ?ou out to dinner tomorro. -ow! I"ve inoculated them.e ri .ts reserved$ includin t.y$ #nc. www. ?an I buy you a drink/ ' ())* +enusian Arts$ LLC.e<ll Dust 7e o6a?: .area"1lifestyle.night: What<s ?our phone num7er@ It"s like his confidence play.co& Pa e ((" of !"" All ri .<m a 7it/h: "nd .ole or in part in any for&. . (e"ll say you know what! I"m taking you out to dinner next week! like you"re going to be all impressed : .<m ta6ing ?ou out to dinner: What<s ?our phone num7er@ Is that something you get a lot/ 8es: "nd -hat do . 9or example! let"s say that guys always come up and say! you"re so hot.ilosop.<m totall? t?ping the -rong num7er: So! in other words! the guy will actually %ust say! it sounds to me like he"s trying to look confident.f /ourseA . So! now when some guy comes up and says oh! you"re so hot! the girls immediately start laughing at him.<m /ool: This gu? thin6s he<s ta6ing me out to dinner: . 7u? ?ou a drin6@ "nd thenA or the? -on<t even as6 the?<ll Dust tell me: This Dust happened at Ea/6<sA that dude: (u?s mine and Mi6e<s drin6sA o6a?: . 8eah: .ike! isn"t it lame when guys always do that shit/ See now the girls will laugh because they"ll remember all the times that"s happened.t of reproduction in w. told ?ouA . (e doesn"t understand why because I"ve already inoculated the set. .P. .<m li6e o6a? this is for meA and m? friendA Mi6e: "nd he<s li6e -here<s ?our posse: 8ou /an<t 7e here alone: 8ou<re o7viousl?A not here alone: "nd then -on<t even as6A 7ut Dust sa? . doA reDe/tion hot line: The? never get the phone num7erA ever: .e<s going to 7u? m? drin6s for the -hole rest of the night: SoA let<s Dust give him a num7er and ma6e him thin6 that<s -hat<s happening: Remem7er .

(e hasn"t even walked up yet! and I"ve already turned him into an insecure little pussy boy. I"m taking you out to dinner.ike! he"s trying to be confident! when he really doesn"t feel it.area"1lifestyle.r the?<re li6eA ?ou get a-a? -ith ever?thingA don<t ?ou.P.<m DustA are ?ou serious@ +kay! so this is how you inoculate.e ri .* Inoculation is where you set a frame with the girls up front! so that ' ())* +enusian Arts$ LLC. #ou"re talking to some girls. And you say! don"t you hate it when guys come up to you and they"re like! you"re so hot. $he guy may actually be confident. So! now even if he really is confident! I"ve already set the frame like! he"s pretending to be confident. As soon as he opens his mouth : 'oing to tell me what you"re gonna do! like I don"t think so. . I"m going to take you out to dinner next week. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ((0 of !"" . .t of reproduction in w. $hat he"s trying to front how confident he is when he"s really insecure! right. As soon as he opens his mouth -(e seems -(e %ust played into the frame that I"ve already set up.<ve heard that: 3robably hundreds of times -"nd . +kay. I bet you get away with everything! right -8ou 6no. (e might be a confident guy. 'ive me your number. www.ilosop.co& Pa e ((0 of !"" All ri .man? times . ?an I buy you a drink/ +r when a guy tries to act all confident! notice how I"m framing it.ole or in part in any for&.ho.y$ #nc.ts reserved$ includin t. >ight! right. So! now when the guy actually comes in! and says I"m going to take you out to dinner next week! they start laughing because I"ve already set the frame that he"s a )try hard. (ere"s the funny part. #eah. I"ve already made him! so in other words! we call this )inoculation. 5ither way! girls don"t like that. $hat"s so good. #ou"re in set. ut when I frame it a certain way and I say! you know isn"t it funny when guys try to pretend they"re all confident and they say! no way.* $hey he"s pretending.hA ?eah: .

And I also have to give credit to Style! who is a frame control master. $hey"re going to interpret it that way.ystery is the one who really sort of pushed the! befriend the guys! sort of thing. #ou know! he"s this Asian guy.y$ #nc.ts reserved$ includin t.ax. . I also want to give credit to .P. And >andy was like this. And immediately! in both of our minds! we said 3rotocol. A lot of what I"ve learned about frame control and Amogging is from Style. And if I set up the frame that he"s a try hard or that he"s insecure! they"re going to see him that way.area"1lifestyle. >eally quick! I %ust really want to give respect and props to the guys who have influenced me and taught me when it comes to Amog theory being dominate socially and being able to be dominant! over other men and over social groups. I"ve already set the frame.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ((* of !"" whenever some guy comes in and does something or acts a certain way! that they"re gonna interpret it through the frame that I set! instead of whatever frame they randomly come up with. (e was %ust an intern at >S7. (e absolutely! blew me away. I mean! we immediately looked at each other and we said! we"ve got to go talk to 3rotocol and get his wisdom on this and figure out where we went wrong. Instead of being hostile to the guys! to befriend them! to make the guys love you so much that they"re pushing their girls onto you! to win over the guys to where you"re the authority! but in a friendly way. I need to talk to someone who really understands Amogging. Sort of like I have to climb the mountain to find the guru and get the wisdom. (e basically! originated Amog theory! as documented in Styles" book. And that"s what we did. And you first show up and he"s %ust the intern guy. And I remember going out with 'eoff from >S7! '-e-o-f-f! 'eoff guy! not 8effy! who"s 8-. And I remember that 'eoff and I encountered some Amog situation and we"re sort of looking at each other and we said! you know what we need wisdom. And I was so impressed with him.ystery. . And also! 3rotocol! >andy from >S7! again! I"ll never forget being at 3ro%ect (ollywood and I was going out with >andy. ut! when I went out in the field with that guy! I mean he is absolutely a top player. And immediately he"s already stepped into a trap.co& Pa e ((* of !"" All ri .ystery is the one who really taught me that.e ri .ilosop. So! one person who has really influenced me in terms of Amogging is $yler! $7 from >S7! >eal Social 7ynamics. #ou know! this Asian kid! this intern with >S7 was the most! bad ass Amogger ever.ole or in part in any for&. www. 2tr$3 All right! continuing the Amogging theory. And he really helped me learn a lot about this stuff! so I have to give him credit for that. And . . ' ())* +enusian Arts$ LLC.t of reproduction in w.

t of reproduction in w.P. And we asked him our questions and he really gave us a lot of wisdom that still influences me to this day. And I"ll never forget that night.ts reserved$ includin t. . &e walked up the hill to 3ro%ect (ollywood and went and found 3rotocol. www. .e ri . And Style was there too. And I basically! got to get the full Amog speech from Style and from 3rotocol. And so! I %ust want to give respect and credit to those guys.ilosop. And %ust out of pure luck! Style was there as well. I can still picture it very clearly. ecause a lot of what I"m teaching here on this course is stuff that I learned because I had a chance to interact with them and access their wisdom while I was learning. !End of "udio# ' ())* +enusian Arts$ LLC.ole or in part in any for&.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1 6arrator Pa e ((1 of !"" &e went walking down Sunset.y$ #nc.co& Pa e ((1 of !"" All ri .area"1lifestyle.

At that point! you can play along with it and you can start going in an interview.ilosop. So I"m want to give a couple different scenarios as I give these examples. . It looks like you"re giving him props. So I have to go in be friendly guy and win him over and be part of the set and be friends with him.t of reproduction in w. Sometimes he"s a cool guy! so I"ll play with him. (e %ust opened the set before me. 'o ahead and tell me. So here"s how it goes.ook! bro.* And you %ust start talking with him using guy talk! okay! is by far the easiest way to open up a set Mcause it looks you"re giving him respect. (e"ll be like! )-o! no! not me! bro. I"ll be cool. &e"ll play the game the together. 8ust tell me. I recogni<e you. #ou"re on D(0.$D. +kay. +kay. I don"t where the fuck.* >ight.ts reserved$ includin t. In which case! I can go in %ust blow him out. www. I"m not gonna ask for your autograph.* #ou"ll be like! )-o! come on. So I got to blow him out.ole or in part in any for&. Another way you can use it is let"s say your friend is talking to a girl and you want to distract the guy! so you go up and! again! you use this opener on the guy.area"1lifestyle. #ou go up and you go! ) ro! I fuckin" recogni<e you. ut if he gets hostile or if he tries amog me! then I have to blow him out.P.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e ((2 of !"" Lovedrop: All right. So I"ll do it to open a set.* >ight. $here"s other situations where the guy that"s talking to those girls! %ust met them five minutes ago. . So I"m finally putting this out on a product. So you can say! )&here are you from! bro/ +h! awesomeP I"m from ?alifornia. +ne scenario is there"s a guy in the set. Seriously! dude. 8ust come on.co& Pa e ((2 of !"" All ri . So there"s different scenarios. $his is one of my favorite little tricks. I can"t go in there and %ust be a dick to him because then girls are gonna think I"m a dick.e ri . #ou go up to him and act like you recogni<e from . #ou"re treating him like he"s some ' ())* +enusian Arts$ LLC. $here"s also situations where I"m in the set and some guy tries to come in and steal my girls. I"m not a fuckin" dorky fan boy. #ou"re on $D! aren"t you/* (e"ll be like! )-o! no! no. (e"s friends with the girls. I don"t know what you"re talking about.* (e"ll deny it again. Seriously! %ust tell me. $hen you even play into it more and you say! ). I totally recogni<e you.$D or something.y$ #nc. I know I"ve seen you on . $his first scenario is where the guy is already in the set and he"s friends with the girls. $he easiest way to open any guy! even if he"s got girls with him! whatever! is you walk up to the guy and you pretend that recogni<ed in from $D! like you"re stars truck! like! )+h! my 'odP It"s himP* >ight. So what do you do/ +h! that"s so coolP* +r maybe he"s in college and you say! )&hat"s your ma%or/ >eallyP I was an engineering ma%or. So this works every single time consistently. I know you"re on $D.

#ou can tell me.e ri . . #ou say! )Ah! I said I needed a guy"s opinion. . So some opener may be where you say : I think this is from $7 where says! )#ou know! I went to Degas last weekend and I partied with this girl and we got all these great pages. I"m not gonna ask for you picture or whatever. . 0 thing is he"s gonna paranoid that you"re gonna try and take his girls. ?an you hold on a second please/* +r you might say! )5xcuse me! I"m talking to you friend. $he next piece! once in you"re in set with a guy! he"s got girls there! the -o. And most likely he"ll start interviewing : excuse me : most likely he"ll start introducing you around to his friends and to his girls and so on because you came up and gave the respect to him first. It makes him look good and it makes him look good to his girls! so he"ll be cool. So the first thing you have to do is disarm him by negging the girls.ts reserved$ includin t. $his is the easiest way to get in on a set with a guy.co& Pa e (!) of !"" All ri . I know I recogni<e you from somewhere. As soon as they do that! you neg the girls. ?ome oneP 8ust tell me.P. $he ones where we having fun are still there! but any picture where she was kissing me or sitting in my lap! the picture was erased. &hen you"re saying that stuff to him! the girls are gonna be so sucked in by the drama that the girls are gonna start : they"re gonna start cutting in.y$ #nc. 8ust a second. $hat"s the sort of thing that he"s expecting to happen.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (!) of !"" big $D star and you"re so grateful that you actually saw him and public and got to meet him. +kay.ilosop. $hey"ll be like! )#ou know! did you meet girl before/ &ere you guys using drugs/* $hey"re gonna start trying to give their opinion Mcause they"re interested in that kind of stuff. 'ee<. I swear I won"t be weird. +kay. So this is the easiest way to open a guy.area"1lifestyle. And also! if your bro! like the guy your with! your player! is talking to someone in that set and you want to distract the guy in set! you go up to him and do that! ) ro! I fuckin" recogni<e you. (e"s sitting there thinking it"s like a case of mistaken identity! but at the same time! he"s basking in the attention.et"s say that you asked him some dramatic question : what"s really good is to use like a chick crack opener! like one of Stahl"s openers. &hat the fuck is that! bro/* +kay.* +r you might sort of point at her with your ' ())* +enusian Arts$ LLC. And later on! I noticed that were pictures missing off my camera. (e"s gonna feel like you respected him! like you think he"s awesome and all this kind stuff.ole or in part in any for&.* $hen from there! you can go right into a normal interview type conversation and you can engage that guy forever. So he"s gonna be very sensitive to any attention you give the girls! to you suddenly talking to the girls and blocking him out.t of reproduction in w. www. (e"s gonna feel cool.

. I negged a girl again.P. I"m building tension between me and the girl. www. -otice I"m %ust using negs. 8ennifer"s boyfriend. +kay. I got to talk to her for second. $his is like me! first hand! experiencing this. ' ())* +enusian Arts$ LLC. #ou know! 8eremy! 8ennifer"s boyfriend. -ow this guy is gonna feel comfortable to let me sit here and talk to him! run 7(Ds. (e doesn"t feel like I"m trying to get something. -ow I take the girl and isolate her and go from there.area"1lifestyle. 5veryone else is disarmed. I can %ust kind of point and I"m like! )'od! where"s her off button/* >ight. +kay. "udien/e: Lovedrop: "udien/e: Lovedrop: ?an I give you an example/ #eah! for sure.eanwhile! I won"t even look at her. &ell! %ust listen.* And I point two or three feet away. #ou"re like! )+h! my 'odP It"s you. $his is standard group theory. -ow I can start having fun with the group and their guard is down. (is girls are listening to the 7(Ds. . (e"s disarmed.ts reserved$ includin t.* (ere"s another one! ) ro! does she have an off button/ &here is the off button on this girl/* So what I"m doing is she"s working for it. So when the time comes that I say! )#ou know what/ I"ve been kind of mean to this girl.e ri . So notice how when you go when you go into the set you give the guy respect! you act like you recogni<e him from somewhere! and you feel so grateful you got to meet him. I"m negging her! which makes her attracted to me. ?an I buy a drink/* . 5very other guy comes in! )#ou"re so hot. She"s getting more attracted. (e"s thinking it"s a case of mistaken identity. She"s trying to be involved. I"m negging the girls.y$ #nc.ole or in part in any for&. #ou guys mind if I talk to her for a second/ &e"ll be right there. I"m making them feel like I"m not trying to get that girl.* $hey"ll be like! )#eah! go ahead.ilosop. )So know you what/ I"ve been kind of mean to her. At the same time! I"m disarming the guy and any other obstacle in the group.* M?ause they"re already thinking he has no interest in her. +r I might say! )'od! this girl! you can dress her up! but you can"t take here anywhere.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (!1 of !"" thumb without looking at her and say! ) ro! is she always like this/* +kay.co& Pa e (!1 of !"" All ri . 5veryone"s disarmed. $hey have no idea that I"m actually targeting this girl.t of reproduction in w.* (e doesn"t know what you"re talking about. $hey"re disarmed by the negs. I"m not gonna take her out of sight because that"ll freak him out.

ts reserved$ includin t.ystery walk outside and there"s 8eremy.ilosop. ?ool guy! good looking! whatever. $hink about this for a second. $here"s no usefulness at all. I think he kind of knew that it was : Mcause you had interviewed her before to do all this stuff or whatever.* #eah! why not make him feel cool/ . #eah! and now he doesn"t and now he"ll introduce . $hen 5ric looks at me and he"s like! )7oesn"t he look like him/* And then I"m like! )#es! he does.area"1lifestyle. So then .t of reproduction in w. And that"s so smart.ystery talking to whoever is in the circle because right in front of everybody! even to me! he"s like! )7oesn"t he look exactly like ?hris ?ornell/* after I %ust went on this huge thing about how much I"m in love with ?hris ?ornell.ystery can talk to his girlfriend for five minutes and he"s not gonna Lovedrop: "udien/e: Lovedrop: "udien/e: Lovedrop: "udien/e: ' ())* +enusian Arts$ LLC. .y$ #nc. (e"s like : 8eremy"s talking to him and he"s talking. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (!( of !"" "udien/e: Lovedrop: "udien/e: 'ood-looking guy. www. And of course! I"m like! )+h! my 'odP ?hris ?ornell is so hot. . (e"s like! )'od! you look exactly like ?hris ?ornell.ole or in part in any for&.* I"m like! )And he"s so hot.e ri . I remember before like 8ennifer even came over to do the taping! we are at ?onfidential! and me and . ?ool guy.ike we %ust walk out the door and he sees him! and he says that to him.ake him feel disarmed.* And they keep talking.* So automatically! 8eremy"s like! )&owP* #ou"re even : you really believe that! that you"re even like this girl you"re with! you"re asking her! )7oesn"t he look like him/* 'iving him that hot guy look! even to me! when it"s obviously I"m there with him! why would he be doing that/ Lovedrop: "udien/e: ut what is the usefulness in making 8eremy feel threatened/ ut obviously! 8eremy"s totally comfortable with . #ou know what I mean/ So think about this for a second.co& Pa e (!( of !"" All ri .P. &hat is the usefulness in making 8eremy feel threatened/ 5xactly.ystery and be like! )$his is the coolest guy ever. Anyways! he"s sitting out there with a whole bunch of people and 8eremy doesn"t really know he is! but 5ric goes up to him.

AS and +S and they"ve got their students in there. So unless things go hostile! in which case! you"re probably being attacked in an provoked way and you have to defend yourself! I"m gonna : obviously! we"re gonna teach the techniques for doing that.e ri .area"1lifestyle.co& Pa e (!! of !"" All ri . #eah! yeah. So there"s 8ohnny Saviour and I had met him before in . So how can I give a dominant frame! but in a way that makes him like me! that makes him still want to hang out with me! that makes him respect him! and give his power and respect over to me in front his friends.ilosop. ' ())* +enusian Arts$ LLC. +ne way to do that is to show him cool stuff that he appreciates that you showed him. www. So there"s 8A#. "udien/e: Lovedrop: "udien/e: #eah! he comes over. So to start off with an example! again! I"m gonna give away something that I"ve never taught before on a product.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (!! of !"" come all protective and freaked out. So here"s a little bit of new knowledge.t of reproduction in w. y the way! really fucking cool guy! 8ohnny Saviour from 8ugglers ?rew. +kay. I was down in the 3iccadilly ?ircus area in one of those bars teaching a boot camp. She comes over. +ne time I was out in . [Beginning of 9tr2] Lovedrop: +kay.as Degas. . ut it"s not something you want to push. She invites her sister over. #ou want to always have that befriending mode unless you"re forced in the corner to be hostile. So let"s say that I"m being friendly with a guy : again! I still want to be dominant. . And %ust by pure coincidence! >S7 was in there teaching a boot camp as well.ondon teaching a boot camp and I had probably twelve students. +kay. I"m not trying to destroy the guy. And 8ugglers ?rew is in there teaching boot camp on the same night in the same bar. I"m not trying to create hostility with the guy. 9or whatever reason! there"s a guy there : for all I know! this guy could be my friend the next five years and I end up marrying his sister or something! or his sister invites me to a party and I meet her roommate and her roommate"s sister! whatever. >ight. So let"s say that we"re still in the situation where I"m friendly with a guy. I had four instructors or something like that.y$ #nc. If you"re listening to this! shout out! bro! we got to party some time. So you have to look at people as though they are valuable resources and look at the guy as though he"s a valuable resource.P.ts reserved$ includin t. And what happens/ $hey come to her house to party. All right. (er sister comes to hang out.ole or in part in any for&.

ts reserved$ includin t.ilosop. So that"s the normal handshake that men do. -ow here"s what"s cool about that. So I end up hanging out with this guy the time that I get to work with him and help in train. $he rest of his hand grasps and does the normal handshake. So I reach out my hand. "udien/e: Lovedrop: ' ())* +enusian Arts$ LLC. #ou know! when you shake hands with someone! you"re sort of : between your thumb and your pointy finger sort of interlock! so then the hands grasp and then you shake hands. -ow if you do this! practice it with a friend! you"ll notice that unless the guy"s really looking for it! he won"t even notice what you"re doing. (e reaches out his hand. 5very time I do a program I meet this one guy who"s one of the students and I think to myself like! )&hy are you hear/ &hy are you taking this class/* 9or these guys! for them! it"s cool.co& Pa e (!/ of !"" All ri . #ou can sort of smile at the guy and be like! )+h! cool! bro. &hen you"re pointing your finger out like that! it %ust won"t work.P. If you get one of those guys who wants to squee<e your hand and put you through some pain! it won"t work. And our students are trying to blow their students on a set. (e showed me this trick. (e"s got the money. I"m sort of letting it happen Mcause it"s good practice and everything.ondon! he worked out.ade a lot of money. >ight. (e can squee<e and squee<e and squee<e! and you feel nothing. 7ressed well. $hat"s the : Index finger. &e sort of interlock our thumbs. $he index finger! the first finger after the thumb.* And so it"s a great little trick. I noticed this on any normal boot camp with about twelve students! there"s always some : like one guy! who"s really cool! really alpha! really fun! really positive.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (!/ of !"" Anyway! it was really neat because I"m running into all of these guys in the same bar on the same night. +ne of my students was this really cool alpha guy. . +bviously! I"m still gonna find some social errors and clean him up. 9un! dominant! cool! rich.y$ #nc.area"1lifestyle. It"s like a novelty thing. (e points it out straight.y grandma squee<es harder than that. ut what he does is when he does this normal handshake! at the same time! he"s sticking out his pointy finger. (e"s got the time. It"s neat. Imagine that you"re shaking hands with someone. (e had a really nice body. $his guy! specifically in . (e stills get the value in everything. (e sticks it out straight in a straight perfect line.e ri . 3eople %ust don"t even notice that you"re doing it.ole or in part in any for&.t of reproduction in w. It looks completely like a normal handshake! except this one finger"s pointing out. ut he definitely taught me a few tricks. . It was really cool. #ou"re totally unaffected. www. Is that all you got/ . .

ilosop. I did it on Dincent too. .ystery does. ut in any case! I was in the mood to puff on a cigarette and there"s a half-burned cigarette right there ' ())* +enusian Arts$ LLC. #ou did it on me.area"1lifestyle. I use it socially. In fact! he"ll even appreciate that I did it. I was showing Dincent. #ou can test it on each other. So this is %ust another example of taking control and being alpha! but at the same time! people love you instead of feeling like you"re being hostile. ut notice what"s going on is I"m teaching him something that"s helpful to him that makes him happy.* -ow I don"t normally smoke cigarettes.* ut at the same time! because I"m the one teaching him! I"m the authority.t of reproduction in w. I consider him a good friend and everything. So I wanted to give another example of being a friendly authority to another guy. (e"s a really cool guy. . It"s something you can teach other men. So that"s the first trick is to be a friendly authority to the guy.ystery do it! he does his coin trick where! again! he"s showing the guy something cool. I"m the one who"s more alpha. -ow that"s a cool little trick. Another trick that we do is the coin snatch trick! which . I was hanging out with this guy! really cool guy.P. (e"s like! )&hat a cool trick. I did on : #ou did that to a girl and it didn"t even hurt. See that it works. y showing him this trick! he completely appreciates it. It"s a social trick. $he guy loves it! but . $his is actually another story from my own life. www. I said! )(ey! I want a puff on this cigarette.ystery still has the dominant frame. &hen you see that guy coming and you shake his hand! stick your finger out! stick out your pointy finger! and watch him try and squee<e himself out and you"re completed unaffected.e ri .co& Pa e (!" of !"" All ri .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (!" of !"" #ou always see that guy coming! that asshole who"s gonna squee<e and try and crunch your hand and show how tough he is or whatever.ts reserved$ includin t. So I come off like the dominant alpha guy without coming off like a %erk. (e loves it. And when you"re teaching him this trick! he"s gonna really appreciate it. $he guy appreciates it. #eah.ole or in part in any for&. "udien/e: Lovedrop: "udien/e: Lovedrop: #eah. [Beginning of 9tr3] All right.y$ #nc. It"s completely impossible for me to demonstrate this through audio! but if you take one of our programs or if you"ve every seen . I want to be the authority who"s teaching him something! showing him something. -ow think about this for a second! I want to be friendly with the guy! but I still want to be dominant.

P. $ake a good one.* #ou"re helping him and he"s even grateful for it! but at the same time! who"s dominant/ &ho"s alpha/ &ho"s beta/ >ight.ilosop. 5ven though he"s being friendly to me! he"s helping me out. $his is the kind of thing you want to do when you"re interacting with other guys. ut you know! you got your little 0@-year-old brother and you"re like 02 and he"s trying to smoke a cigarette. (ere! wait.ole or in part in any for&. (e says! )(ere! bro.t of reproduction in w. (e"s providing for me. . And he goes! ) ro! bro! come on. (e has : again! it"s another example of friendly dominance. $hat"s not how you smoke a cigarette.* >ight. [Beginning of 9tr4] Another way of retaining power in the frame! while at the same time being friendly! is to %ust give the guy respect! to give the guy props. #ou"re like! )-o. ?ome on. I look like the little 0@year-old brother where it"s like! )-o! bro. (ere.* So I reached over to pick it up like I was gonna light it and start smoking it. &hat if I got reactive to that/ &hat if I said! )I"ll smoke whatever the fuck I want to smoke*/ >ight. I was about to smoke this piece of dirt and he"s like! )(ere! bro. So I said something like! )+h! I"m gonna puff on a cigarette!* or )I"m gonna puff on this cigarette.* &hat"s going on here is I"m putting a frame on him that makes him look good! so why would he not want to accept it. ?ool. -ow think about it. .co& Pa e (!0 of !"" All ri . (ere. ' ())* +enusian Arts$ LLC.* +r maybe he says! )#ou know! I was a fighter pilot in the first 'ulf war.area"1lifestyle. $hat"s fuckin" cool. . >ight. (e"s actually being good to me. I look like a little bitch. (ere! smoke this.* (e pulls out a nice clean fresh cigarette and he hands it to me. (e goes! )(ere! smoke this! bro.* And he lights it up for me.e ri . I look reactive. 7o it like this.ike he"s looking out for you. (e"s giving me higher quality than I would have been stuck with.* And you say! )&ow! manP $hat"s awesome.ts reserved$ includin t. y being cool to me at the same time! he regains control and he"s the alpha male and look like the little brother. ut at the same time! he"s the one who set the frame that he"s the one : he"s the one giving me the cigarette. 7o it like this.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (!0 of !"" in the ashtray. (ere you go. $ake something good. Smoke a fresh one. #ou want them to like you! but you still want to retain control of the frame.* (e takes the bad one out of my hand6 the half smoked one! and puts it back in the ashtray.* "udien/e: Lovedrop: . 5xactly! exactly. www.et"s say the guy"s wearing a cool %acket or something! you say! ) ro! that is an awesome %acket.y$ #nc. (e"s retaining the dominance.

So what are some of the ways to do this/ (ow do we do this effectively/ &ell! one thing I want to point out right away is do not violate social norms.y$ #nc.t of reproduction in w.* >ight. Heep that yen energy going! Mcause the second that you get sucked into the negative vibe! you"re gonna lose. . It makes you look good.aybe he feels threatened by his girls or whatever. So in these sorts of situations! we have to be a little bit more aggressive or a little bit more mean than we would normally want to be if we"re trying to be friends with somebody. +kay.area"1lifestyle. So let"s say that the guy is getting a little bit more hostile. I"m the one who sets the frame. So definitely stay cool. [Beginning of 9tr5] +kay.co& Pa e (!* of !"" All ri . $hat"s the way you want to set up this dynamic. -ow why would you want to re%ect a frame that says you"re cool/ +kay. Stay calm! positive! happy! unaffected. &hen he starts getting mad! when he starts getting reactive! now! he"s the weird the one. >ather! it"s about keeping your cool and baiting him to do that to you.ts reserved$ includin t.ilosop. . (e"s the violator.aybe he"s not being a complete %erk! but I"m still a little bit more on guard. #ou want to bait him to start getting reactive to you. (ey! hey! this guy : this is a cool fuckin" guy. 7o not be openly rude or openly reactive Mcause all it"s gonna do is lower your own value and make it easier for him to tool you and make it easier for the girls to sort of turn away from you. [Beginning of 9tr6] ' ())* +enusian Arts$ LLC. So it"s %ust another example by giving someone respect or by deciding that someone"s cool! remember! doesn"t that mean that he"s cool because I said so and that I"m the authority here/ So again! it"s %ust setting up a dynamic to where I"m the one who has more value or more status in a friendly way.e ri . . (e"s the creepy one.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (!* of !"" If I set a frame like! )&owP $his guy is a really cool guy. If you really have to destroy a guy in front some girls! then this is the sort of way that we want to do it.P.ole or in part in any for&. www. So it"s not about you getting angry and yelling at him or getting reactive to him. I"m setting a frame that you"re cool! so you want to accept it Mcause it feels good. . ut at the same time! because I"m the one setting the frame! I"m the one who"s dominant. It"s not their fault you were clowning yourself. It"s not %ust a friendly situation. (e"s definitely not looking to make me look cool or to be buddies with me. I"m the one who"s alpha.

* . If I say! ) ro! you got to take these girls off my hands. [Beginning of 9tr7] Another way to come off dominant relative to another guy is to touch him. #ou touch people.11 to take these girls off my hands right now. $his is the girls doing this.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (!1 of !"" +ne easy little trick to amog a guy is to push your girls towards him! to act like they"re a hassle and you"re trying to get rid of them anyway and you %ust dump them on this guy. ro! take these girls. >ight. www.ts reserved$ includin t. It"s so deflating to the guy. &e touch girls. I cannot handle their bullshit anymore!* immediately they"ll start giggling. $he same thing with a guy. -ow from his perspective! he"s standing there all alone. (e feels so deflated Mcause it looks like the girls are in on it. . I"m in the set. 0 is a massive value demonstrator Mcause it shows the girls that you"re willing to %ust push off girls and get rid of them any time. So you look really cool.co& Pa e (!1 of !"" All ri . I swear every time I use this line! the guy sort of : you can see the wind come out of his sails and he kind of : his head starts to sag down forward like he"s %ust like completely deflated! and he slinks away.* ' ())* +enusian Arts$ LLC. . If you touch the other guy! it makes you look alpha and it makes him look more beta. I put my hand on her shoulder for a second. I"m touching everybody. In the classic line which I got from $yler was! ) ro! bro! I will give you N@11. So as soon as you do something like this! what"ll immediately happen is the girls will start giggling and crawl back on you. $he other thing is it makes the guy look weak because now if he takes the girls or if he starts talking to the girls! he"s playing into my frame.ole or in part in any for&.aybe you"re %ust a touchy guy. >ight. I told him to.area"1lifestyle.ilosop. $his doesn"t have to be some obvious aggressive thing. It makes us more dominating in the interaction and girls find it attractive. $hese girls are crawling all over me.e ri . $hey"ll be like! )+h! ?hrisP* And they"ll %ump on me and crawl all over me.* So now whenever he does it! it looks like he"s my bitch Mcause he"s %ust doing what I %ust told him to do. It"s not like he"s having some battle with me. $his is a cool guy.t of reproduction in w. I"ll fuckin" pay you!* that sort of attitude.aybe you even compliment him when you clap him on the back. I say something to the girl. &e do this to girls too. It shows that you must have a lot of girls and you don"t really care. . (e"s playing it to my frame. . ) ro! talk to these girls.y$ #nc.P. (e tries to crawl away as quickly and quietly as he can! and is a very consistent effect. -o. ) ro! you"re fucking cool.ike! )3lease take these girls. (ere"s what this does.

If there"s a loud noise! everyone"s gonna look in that direction.area"1lifestyle. So the guys gonna feel very deflated and walk away. 'uys will come up and try and touch you! and when you do that : or excuse me : when they do that! you %ust got to take back over the frame.P. .* And I say! )#ou know what/ I"m sitting at the & and the waiter comes by and I said! (ey! can I get the check/ And he said! MIt"s already been taken care of. #ou can"t blame me.e ri .co& Pa e (!2 of !"" All ri .ilosop.ake sure that you"re the one touching more than him and it will make you look more dominant in front of the whole set. (e"s like! )(ey! you"re hot!* or )?an I buy you a drink or whatever. I continue my story. And guys will do this to you.* And the other hand is slapping him on the back! )$his is a cool fuckin" guy. So if I"m talking louder than this guy! then the girls are gonna look to me.ts reserved$ includin t.ole or in part in any for&. $he girls are the ones re%ecting him. [Beginning of 9tr8] Another easy trick is simply to talk louder. And if you look like a try-hard! then you"re reactive.* (ow can he complain without looking all reactive/ >ight. -ow you have to calibrate this Mcause if it looks like you"re talking really super loud! then you"ll look like a try-hard.aybe the guy puts his arm around you and then you reach your arm up around up the front and put you arm around behind his back! so that his arm pops off and now you"ve got your arm around him. . So it makes him look really low level. $he guy who"s talking louder will tend to come off as the more alpha guy in the set. #ou got to talk louder than them and start clapping them on the back. -ow he"s standing there sort of left out in the cold. And it"s also very deflating to him because if the girls are looking at me! then again! it looks like the girls are in on it. www. ut the fact that I"m touching him makes me look dominant to him. It"s a basic principle that people are gonna look at the loudest noise. $he girls are the ones re%ecting him! not me.t of reproduction in w. ' ())* +enusian Arts$ LLC. ut let"s say that the guy"s talking and then I"m talking and we"re in a bar! I"m gonna talk %ust a little bit louder and maybe I"m telling some interesting story.y$ #nc. #ou have low value! etcetera.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (!2 of !"" >ight when I say that! I"m pointing : one finger"s pointing at his face! )$his is a cool guy. ." )I mean! can you believe that/* (ey! if I even hook one girl and I"m talking louder! the fact that she"s looking at me! her friend"s gonna look at me! )&hat"s going on over here/* >ight. . If he keeps talking! it makes him look really bad because it looks like he"s reacting to us while we"re ignoring him. So use touching to show dominance.

. $hey"ll give me I+ eyes. (e sort of fades away and sei<es to really matter or sei<es to exist. +kay. +ne easy trick is if I turn my body so he"s facing me but I"m not facing him! I have higher value. &e"re %ust programmed that way. So I"m not seeking rapport with him.area"1lifestyle.y$ #nc. +kay. So %ust sometimes when that tool is useful! pop it out there and blow the guy out. And I"m certainly not gonna turn toward some guy who"s trying to amog me. [Beginning of 9tr9] A little bit more about amogging with regards go body language and body positioning. (e"s seeking rapport with me. (e"s facing me. $heir attention is gonna go towards the person who has the higher value. #ou should be able to talk (Tal6ing Loudl?) loud anyway while you"re in set. 8ust like a little robot! %ust automatically it looks over there instead of looking over there. . I"m gonna turn away so it looks he"s reacting to me. It"s almost like they lose the ability to even see them. #ou"re locked in and she"s got %ump around in front of me if she wants some face time. So %ust be aware of this.et"s say he reaches out and starts grabbing my arm and stuff! )(ey! bro! I"m talking to you. (e"s trying to make me look bad.e ri . So remember that the person reacting more is the one with lower value. So if he"s talking to me while I"m ignoring him! I will come off higher value and the girls will automatically be attracted to that.ilosop. I"m not facing him.P. I"m looking cooler and cooler and he"s looking weaker and weaker! and the girls will respond accordingly. www. 5motionally! they"re programmed to perceive it that way. So %ust accept that! right. $hey"ll touch me. I"m sort of looking away. (e"s trying harder than me. I"m talking to you. All the girls will feel emotionally that I"m a cooler guy than him! that he"s trying too hard and that I have higher value.ts reserved$ includin t. I"m not gonna turn towards him and put my power towards him. $hey"ll talk to me. &here do you position your body/ &ho do you face with your body/ 7o you give it away for free/ Is it %ust you being desperate and not reali<ing what you"re doing/ +r is something that you make people work for it.co& Pa e (/) of !"" All ri . So keep that in mind! the way you position your body.* (e"s %ust reacting more and more and more. +r if I turn towards her! it"s because she earned it. ' ())* +enusian Arts$ LLC. It"s like they almost can"t even tell that he"s there. .ole or in part in any for&.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (/) of !"" So it"s %ust another trick.t of reproduction in w. I have higher value and everyone will perceive it that way. $here"s a dirt clod on the corner and the disco ball on the ceiling! and we %ust always look at the disco ball on the ceiling and we never look at the dirt clod on the corner. $hey"ll look at me.

co& Pa e (/1 of !"" All ri .y$ #nc. $his is a kino routine where I take her hands and my hands. I"m %ust gonna blow you out. $he -o.P. And if he gets pissed about it or starts saying! )(ey! what about me/ (ey! helloP I"m back here. www. +kay. So you"re no longer trying to be buddies with this guy or befriend him or make him think you"re cool or any of that.* She gives me her hands. . #ou"re out. $hat"s the way people are programmed.* If he taps her on the shoulder! everything he does like that is %ust gonna drop his value lower and lower and lower. (e"s like a ghost that"s fading away.ole or in part in any for&.e ri . $hen she"s gonna not be able to hear him more and more and more. So let"s play the game and take advantage of it. ut the more he turns into a dirt clod in the corner6 suddenly she doesn"t notice him any more. +f course! he wants to get some attention towards him.et me see your hands. She"s not gonna be able to see him more and more and more. -ow I turn her so that her back is to they guy! and I start running the routine. (e"s gonna feel like she"s the one who turned her back to him. (e"s becoming more and more of an apparition because the lower his value goes6 the less she"s able to see him there! %ust like the dirt clod.* +kay. #ou %ust can"t hear him.t of reproduction in w. So I might be talking to a girl and there"s this other guy. If you"re in a situation where you definitely decided you"re %ust gonna blow this guy out like! )All right. 8ust keep looking at her. So he"ll say! )(ey!* and he might tap me on the shoulder or something and says! )(ey! by the way!* whatever. #ou"re %ust gonna blow him out.ilosop. (e"s gonna feel like she"s in on it. Heep talking to her. ?ompletely ignore him like he"s not even there! like you can"t even hear him.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (/1 of !"" Same thing. (e"s her orbiter or he %ust met her tonight or whatever! and I"m talking to her. 0 technique is to %ust completely ignore him! completely! as if he"s not even there. +kay. So I hold out my hands and I say! ). If he was a big shiny disco ball! she would be looking at him and seeing : it"s all she can see. 5ven if he"s right there trying to talk to her! she can"t hear it. . (e"s gonna feel deflated from that. 3eople are programmed to filter based on value. [Beginning of 9tr10] All right. ' ())* +enusian Arts$ LLC. .ts reserved$ includin t. It"s pretty fucked up Mcause when you do this and you see the way that women respond! the women will go right into with you.area"1lifestyle. See what"s going on. ?ontinue what you were saying as if you"re completed unaffected by him as if he"s actually not there.et"s say that I do the trust test on a girl.

So let"s say you have to give the guy some acknowledgement. +kay. . 0 thing is to not react to him at all. $he fact that you were able to destroy him like that will cause so much attraction in that girl. So don"t do it.area"1lifestyle. She will call back. If someone writes a big long email with ten paragraphs and they get a reply that"s like a one sentence reply! notice which person looks like they have more power! which person looks like ' ())* +enusian Arts$ LLC. &hen you completely shut the guy out like that! she"ll play along with it and then he"ll feel so deflated and he will eventually slink away and go disappear. $his is so powerful. #ou %ust kind of look at him for a second and you say! )?ool! man!* and then you look away. #ou"re not reacting to him at all! but he"s reacting to you.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (/( of !"" If you come off that way! she will do the same thing. So the -o. She"ll never even bring him up again. . I"m not here to %udge morals. And there he is like a dancing monkey on the sidelines reacting! reacting! reacting. $he -o. .* +kay. A lot of guys are like! )&hoa! that"s pretty hardcore that you would do that to somebody.ess is more.co& Pa e (/( of !"" All ri . [Beginning of 9tr11] +utside of completely ignoring someone! which admittedly is a very harsh thing to do and not always appropriate! let"s say that you : for whatever social formality! for whatever the reason is! you still have to give the guy at least some minimal acknowledgement! otherwise! you look like the violator.e ri . #ou"ve decided that you got to blow the guy out and this is the appropriate move. $hat"s how it works! and it works. Similar with emails.ts reserved$ includin t.P.y$ #nc. She"ll %ust look at you and talk to you and you"re talking to her. -either one of the two of you are reacting to him. 0 trick is to ignore. (e"ll %ust fade away and disappear. ecause any time you"re turning to him and reacting to him! giving him attention! you"re %ust giving him power and lowering your own value and raising his. +kay. She has massive attraction as a result of this. www.aybe he says! )(ey! bro! you know! blah! blah! blah! back in high school. It"s kind of a scary thing to say.t of reproduction in w. She will ignore him as if he"s completely not there.ole or in part in any for&. 9or some reason when you defeat a guy in an amog battle! the girls attracted. She wants to hang out.ilosop. &hat do you think about that/* (e"s %ust trying to get you to react to him. So the next step is if you"re gonna use some amog line or some acknowledgement! %ust give the least possible. . ut you will notice the phone number is solid. At some point! you"re there in that situation.

7id you get those ten years ago or something/* )?ool! man. Another thing! any time that he makes a thread! feel free to completely replace his thread or ignore it. #ou %ust give him the minimum social acknowledgement that"s necessary. . >ight. And if you really want to fuck with him a little bit! make it seem like your answer is related to what he"s saying! but it"s really not. 9or example! there"s a line from >atural (orn Cillers. I don"t have to accept that frame.co& Pa e (/! of !"" All ri . &hat I do is I %ust set a new frame! )$hat was weird. $he least possible face time! the least attention! the fewest number of words! etcetera. . So again! the least energy that you put into it! the more power you"ll have in an amog battle.P. #ou"re kind of creepy for saying that! bro. #ou simply shouldn"t care that much.et"s say that he says that! )(ey! bro! did you ever stop fucking sheep/* . ecause think about it! the more attention you give him! the : let"s say you have some great amog line all thought out! right! this perfect! great response! well! the fact that you put that energy into doing that lowers your value Mcause it looks like you care too much. 9eel free to replace his threads. It"s similar with the amog.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (/! of !"" they"re reacting more. I kind of look at him for a ' ())* +enusian Arts$ LLC. . $he person who puts all this energy into writing this big long email looks lower value than the person who writes back with one sentence.area"1lifestyle. $he guy might try and tool you in some way! )(ey! nice shoes! bro. .y$ #nc.y answer might be! )$hat was weird. $he second you throw out some amog line! turn away from him and don"t give any more attention. I could say no! whatever. Anyway! last week* : and see! I"d go to some other thread.ess is more.* #ou give him the bare minimum social acknowledgement so that you don"t look like a violator and then immediately turn your attention somewhere else! going to some other thread! make eye contact with some other person! like he"s not even there. www.ole or in part in any for&.et"s say the guy says to me! )(ey! bro! did you ever stop fucking sheep/* And now here comes this line from >atural (orn Cillers. .ilosop. In fact! if you listen to what he said and take it seriously! and give the response! it lowers your value.* -otice I didn"t buy into his frame. ut feel free to completely replace his thread with something nonsensical to what he %ust said. $he fact that I even accepted his frame and gave it an answer! lowers my value. I guess we already hit ignoring.e ri .t of reproduction in w. If he says! )(ey! man! did you ever stop fucking sheep/* And you say : actually! it doesn"t matter. I could say yes.ts reserved$ includin t. It shows that he"s the one setting the frame and I"m getting : I"m playing into it.

* +kay.area"1lifestyle. 7on"t you ever let someone tell you anything different. See what"s going on here. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (// of !"" second and then I look away and I go! )#ou know! man! sometimes you %ust got to hold that old shotgun in your hands. It all comes clear. I"ve replaced it with my own thread! turned it my own direction. -otice how it sounds like I"m giving him an answer to his question! but has nothing to do with what he %ust said. I"ve retained frame control. )(ey! bro! did you ever stop fucking sheep up at your mom"s farm/* )#ou know what! man! sometimes you %ust got to hold that old shotgun in your hand.* $hen I turn away from him and go to the next thing. +kay. #ou need to think about it like this. It all makes sense.* +kay.et"s see he complains about anything! anything at all.isten to that again.t of reproduction in w. $he fact that I even took it seriously! I lose. -o one can escape it. +kay. . #ou are a cool guy."* $hen I turn back to the girl and continue talking to her like he"s not there. (ere"s another one. . )(ey! ?hris! you"re trying to talk to that girl/ #ou trying to hook up with that girl or something/* )#ou know what/ I know you"ve always had a thing for her! but every man! and I mean every man! has to go through his personal hell to find his salvation.ilosop. I"m not gonna get sucked into his bullshit.ole or in part in any for&. I sort of put him in a position where he"s sort of looking up in the air trying to figure out what the fuck I"m saying to him.* ' ())* +enusian Arts$ LLC. So let"s say he came out and said that. I"m gonna look at him and! again! a complete nonsequator! my answer"s gonna be unrelated. I want you to know that! bro. So anyway! darling! blah! blah! blah! blah.ts reserved$ includin t. 5xcuse me for one second.et"s say that I"ve been talking to some girl and he says! )&ow! it seems like you"re talking to that girl quite a bit!* or something like that! which is : that"s really pathetic! but guys do that shit.y$ #nc. I"m not gonna take that shit seriously. -o one can escape it. I have not accepted his frame. $hink about it.co& Pa e (// of !"" All ri .e ri . &hat I"m doing is I"m saying! )#ou know what/ I"m gonna talk about it like this way and you"re not thinking about it! right. . So I"m gonna come back with something for him to chew on that"s completely weird and unrelated! but it makes me look cool Mcause it"s a cool sound bite. $hink about it. www. And you"ll find that girl. So I look at him and I say! )&ell! you know! the wise man once said! M5very man! and I mean every man! has to go through his personal hell to find his salvation. If I buy into his frame! whether I say yes or no! I lose either way.P. +kay. . I never believed all that shit they said about you.

$he funnier it is! everyone laughs.* >ight.* ecause obviously! everyone already thinks I"m cool! so he"s trying to put his own frame on it like! )-ow I"m cool Mcause he decided. ' ())* +enusian Arts$ LLC.t of reproduction in w. I look like I"m getting reactive.ts reserved$ includin t. #eah. (e goes! )+h! that"s a cool %acket!* or )$hat"s an interesting %acket! man. www.co& Pa e (/" of !"" All ri .e ri .* So he"s basically in damage control mode.P. I look at everyone else and point to the guy and I go! )$his guy! you can dress him up! but you can"t take him anywhere. I don"t wear anymore! but I wore it out every now and then! playing around with the responses I got and so on.* )-o. I can say! )-o! I didn"t. (e"s sort of an embarrassment to all his friends! but it"s okay. I got it on .ole or in part in any for&. And I %ust made it look like he was a big social violator. 5veryone in his whole group started laughing at him.elrose. I"m good humored about it.* 5veryone started laughing at him. >ight. And I was out gaming and at some point! I"m in this set and this guy decides he wants to make fun of me because of my %acket. (e immediately starts qualifying himself to me. . #ou"re cool! man. $his is a cool %acket! man.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (/" of !"" See what"s going on here/ I"m taking control of the frame. So here"s what I did instead. I was like! )$his guy! you can dress him up! but you can"t take him anywhere.ilosop. .* -ow I look all defensive. #eah.area"1lifestyle. &hat"d you get that from the circus/* I didn"t even look at him. $his guy"s cool now.ike he suddenly decided! )+h! okay.ike he"s sort of got me dancing like he"s teasing his little sister. +kay. In which case I %ust accept it as frame. I %ust pointed at him! but without looking.* >ight. $his guy"s pretty cool. >ight.y$ #nc. [Beginning of 9tr12] -ow along the same lines of this! of %ust replacing his thread with %ust your own thread and doing whatever you want! what works really good here is negs. -ow I can say! )+h! yeah! I got it from the circus. 5veryone starts laughing. (e immediately starts saying! )+h! this guy"s cool. >ight. 7id you get that from the circus/* +kay. . And so what he says is! he goes! )(ey! man! that"s an interesting %acket. So for example! I was out one time and I had this %acket that was red and black striped! vertical red and black stripes. 5veryone laughing implies that they all accepted the frame and it"ll %ust deflate him that much more. It was a cool %acket! sort of like a suit coat looking thing! but with red and black stripes.* . (e says something! some line to try and tool you! to try and amog you! and you %ust throw a neg at him.

And the reasons why is because he probably did that on the football and it"s his little : it"s his little way of socially looking dominant to other guys and he usually gets away with it. And once I"ve set that frame! I can call back to it. ut you can use these sorts of negs. And so unfortunately! he had to experience that.r.e ri . .y$ #nc.et"s say he curses a little bit too much. www. #ou got to keep your pimp pants strong. (e says! )I don"t have to deal with that shit. -ormally! he"ll find someone to pick on. >ight. . $he one who"s setting frame is the one with the more status! the one with more power! the one who"s more alpha. Any time you put a label on someone! then it sticks and you can always call back to it and reinforce that frame.* And right then I go! )&hoa! $ourette"s guy over here! $ourette"s syndrome. (ey! guy. #ou can say! )+h! man! is he always like this/* Again! I don"t even look at him. . I"ll be like! )9uckin" cunt! bitch! fuckin" shit! fuckP* like that! and everyone starts laughing. I never would have done that to him! but he had to fuck with me. +kay.P.* I was like! )+h! you don"t have to deal with any kind of shit! fuck! crap! fuck! bitchP #ou know! . So he goes! )$hat fuckin" cunt. 9ive or ten minutes later! he says something. Another thing you can do is you can label the guy.ole or in part in any for&.* #ou ever seen that/ )(ey! what can I do for you! chief/ (ey! no problem! buddy. I"ve decided I"ve got to get him. ut one day along comes love drop and : once you"re under attack! you got to take control.* >ight. I %ust point with my thumb. )+h! sorry. +kay. $hen I"ll do a little sort absurd impression of $ourette"s syndrome. (ey! buddy. .* >ight. 5veryone laughs at him.ook at you! guy! over here. )(ey! guy. So people do this a lot. (e"s normally pretty cool. +kay. (e"ll pick on him for whatever. .et"s say he"s complaining about some girl and he goes! )$hat fuckin" cunt. )Is he always like this/* Almost like his friends all feel like they have to apologi<e that they were hanging out with him.t of reproduction in w.area"1lifestyle. #ou may have ever seen those guys who call people )chief. It sets that frame. y putting a label on him! you"re the one who sets the frame.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (/0 of !"" I never would have attacked him. $ourette"s dude!* like that. . >ight.* And right then! let"s say I want to nail him Mcause he fucked with me or whatever. $hen he looks dominant and then he gets attention from girls and that"s his little trick he learned from high school.* $hey"ll use labels like that.co& Pa e (/0 of !"" All ri .ilosop. uddy! why don"t you come over here for a second/ (ey! chief! can you pick up that coke while ' ())* +enusian Arts$ LLC. (e had to go and make his little comment.ts reserved$ includin t.

* +h! now he"s qualifying himself to me. +kay.area"1lifestyle. &hat they"re doing is they"re putting a label on you and they can create whatever stereotype they want on that label. . $hey don"t even study it.* ' ())* +enusian Arts$ LLC. ) ro! are you sick/ 7ude! you don"t look so well.et"s say the guy says! )#ou know! I"ve always really cared about her. It"s natural human behavior. >ight.ilosop. &e don"t want the weirdo to come in. I"ll be like! )&hoa! it"s a San 7iego weirdo. #ou don"t have to explain yourself to me.ole or in part in any for&. . #ou can make up any label.aybe he says : I don.et"s say that a guy acts a little creepy! like maybe he said something that makes him come off like he"s into a girl a little too much.P.e ri . $his is a perfect example of where even though you may not study this stuff! other people are still doing it to you. www.y$ #nc. It looks like I care. .* +nce you set a label on someone like that! it"s very hard for them to get out from under it. As long as it"s funny! people go along with it. Something that makes him come off : not that he"s actually soft! but that now I have an excuse to misinterpret that he"s being soft and then I call him )?aptain Sensitive.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (/* of !"" you"re over there and bring it over here/ I need a sip. I feel great. So what are some other things you can do/ #ou can set frames on guys in such a way that make them look weak or tired or whatever.* In which case! my frame is correct and I %ust framed him. .ake sure your windows are closed.* )-o! man.* $hat kind of thing. (ere"s what"s great about this. And because he"s the one setting the label! then he"s the one who comes off more alpha. It looks like genuine concern. $hey"re attaching it to you.* >ight.co& Pa e (/* of !"" All ri . -ow I"ve got him trying to prove himself to me.et"s say I want to get him! so I"ll call him a weirdo.t know : )I think it"s horrible what they"re doing to those people in* : whatever.* )All right! ?aptain Sensitive! is it okay now/ 7o you mind if I talk about this/ I don"t want you to get all upset.t of reproduction in w.ts reserved$ includin t. +r he can deny it and say! )I"m not tired! man. So you can use almost anything. .* -ow what can he say/ (e can say! )#eah! I"m tired.aybe he says something that makes him sound a little soft. $he frame is set. I say! )(ey! man! are you okay/ #ou look a little tired. +kay. It"s %ust built in.* )It"s okay. . I feel great. +ne time I called her three times and left her three messages!* like he %ust crossed the line and came off a little too creepy. 5veryone! lock your doors. . 3eople laugh. $hank! chief. . #ou look a little sick. 9or example! I might say to the guy! ) ro! are you okay/ #ou look kind of tired. Are you tired! bro/* +kay.

-ow the way out! which I"ll give away now : this is what we do in the Denetian arts : is we act like it"s the funniest! most ridiculous stupid thing while we agree with it. www. It"s okay! man. #ou"re a cool guy.area"1lifestyle. #ou caught me. &hat can I say/ ' ())* +enusian Arts$ LLC. 9rame him like he cares too much. .* >ight. ?hill out. #ou cracked the caper there. 7on"t try so hard. So for example! another good amog line is : let"s say there"s a girl there and the guy says something and you go like this! you go! )Are you trying to impress her/ Is that what you"re doing/ Are you showing off for her/* >ight. . +kay.y response would be like! )(Spea6ing Dopil?) +kay! all right. $here"s almost no way out.* . $hat"s basically the only way out. #ou got me. 8ust be yourself. +kay. $hanks! bro.* -otice! I"m misinterpreting him as a tryhard. #ou got me. . I basically got him reacting. I"ve got him qualifying himself. (e"s getting defensive.ole or in part in any for&.* See! now I"ve got him explaining himself. (e can"t deny it Mcause then he looks like he"s trying to explain himself to me. -o.* #ou can even say that even if he hasn"t said anything. 9rame him like it"s too important to him.ts reserved$ includin t.y legs feel good.* )It"s okay! bro.e ri . ) ro! are you trying to show off to her/ Are you trying to impress her/ Is that what you"re doing/* )-o! I"m not trying to impress her. So for example! if you were to say to me! )(ey! ?hris! dude! you don"t have try so hard. #ou cracked the caper. 0 best frame to put on a guy if you want to amog him is frame him like he"s trying too hard. #ou don"t have to explain your legs to me! man. +kay.ilosop. 8ust be yourself. +kay.t of reproduction in w. I would have gotten away with it too if it weren"t for you meddling kids.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (/1 of !"" See how I"ve got him explaining himself to me/ -ow I can frame him like a try-hard! which is! by the way! the -o. (is only choice is to be like! )I"m not trying. I"m trying to impress her.y$ #nc. ut what if you did this/ &hat if I said! )(ey! man! are you trying to impress her/ Is that what you"re doing/* &hat if he did this/ &hat if he goes! )(Spea6ing Dopil?) +kay. I completely take the absurdity to the next level as if he"s %ust completely ridiculous.* )-o! I"m fine! man. 7on"t try so hard.co& Pa e (/1 of !"" All ri . ) ro! are you okay/ #ou look you"re walking with a little limp there. (e didn"t even do it! but I"m still pushing that frame on him and now his only choice is to deny it.P. $hat puts him in the same position where he can"t agree Mcause that makes him look like a showoff. &hat are you talking about/* -ow he looks like he"s reacting to me.* See how I take it like not seriously at all! like it"s %ust funny and ridiculous. 8ust be yourself. +kay. I won"t try so hard. I like you how you are. (e might say! )(ey! do you know these girls/* And I go! ) ro! you don"t have to try so hard! man.

7ude! it"s cool! whatever. &e"re trying to have a good time.ook! man! we"re here to have fun. Instead I want to bait him to become the social violator.* #ou say! )?alm down. .* See how I"m putting that frame on him like he"s getting reactive! like he"s getting excited. I got all this stuff from ten years of being in the community and learning from a million different people.* And he says! )I wasn"t gonna get you a drink.y$ #nc. #ou don"t have to explain yourself to me. ?alm down. I was trying* : )-o! whatever. It"s cool. &e don"t have time for this logical crap. And if he starts denying it! then he looks even more reactive! a typical trick.ook at these girls. +kay. &e"re %ust trying to have a good time here. y the way! this is stuff that : I have not invented all this stuff. It"s cool. .ole or in part in any for&. Immediately I"m gonna set a frame that! ). &e like you. . $hey want to dance.P. So these are all techniques that people who have studied really well have heard before. .* . &here let"s say that he starts getting all deep and technical and taking it too seriously! trying to give a serious response! immediately I"m gonna go like this! I"m gonna be like! ) ro! you don"t have to get all scientificky on me! man.* $hat"s another thing! no matter what he says! tell him to calm down.* Immediately it looks like he"s trying too hard. As soon as he starts trying to explain himself to me in any way or to try to deny something! I put a frame on him! ) ro! you know! I heard you ' ())* +enusian Arts$ LLC. ro! don"t get all technical! man.t of reproduction in w. 5ven though it"s not true! as long as I can put the frame on him! now it looks like its true. I don"t mind.* >ight. I ask him a question or I make an accusation. $he whole time he"s trying explain! )-o! listen. &ell! like for example! this line : I think this actually comes from . &hatever.ts reserved$ includin t.co& Pa e (/2 of !"" All ri .ike! )+kay! okay! bro. It"s okay. ?alm down. (e starts to answer. www.ystery originally! but I can"t say for sure.* +kay. #ou don"t have to fuckin" explain yourself to me.area"1lifestyle. I might say! ) ro! I really don"t need a drink.et"s say he takes it too seriously and he starts trying to give a technical answer or a deep answer. ?hill out! bro. ?alm down. It"s cool. M?ause I don"t want to be the social violator.ilosop. &e"re trying to party here. (e says! )-ow wait a second! ?hris! that"s not fair because if you really think about it! blah! blah! blah! blah!* like he"s really getting into some logical argument. &e"re baiting him to become reactive.e ri . And right there I say! ) ro! it"s okay.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (/2 of !"" [Beginning of 9tr13] So what are some other examples of framing a guy as a try-hard/ So maybe I"m gonna frame like he"s explaining himself too much. It"s okay.

She was really working on it.* +kay. #ou don"t have to explain yourself to me. And as soon as he starts explaining that it"s not true! he looks like a try-hard and he loses. . $his is some pretty brutal stuff. ?hill out.* See I"m getting pretty nasty here. -ow he"s gonna deny it. I don"t care what people said about the way she looked.ilosop.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e (") of !"" hooked up with a guy one time in high school! but you didn"t like it. (e"s gonna be like! )&hat/ I never fuckin" whatever. I"m not %udging you here. I mean! she was %ogging every day.* I"ll be like! )+h! bro! calm down. &e"re %ust trying to have fun. . 9eel sensitive about it or whatever! ?aptain Sensitive over here.ts reserved$ includin t. #ou"re cool. )(ey! man! your wife and kids called. Anytime you make a presumption that"s negative! you"re! again! putting him in a position where he either has to accept it or he has to explain that it"s not true.* #ou can really nail people like this! even if he"s a complete stranger.* )&hoaP ?alm down! bro.co& Pa e (") of !"" All ri . It wasn"t your thing. I like you. $hey want to know when the heat"s gonna be back on. www.y$ #nc.* +kay. I fuckin" like you! man. +kay.area"1lifestyle. 7on"t sweat it. So what are some other negative presumptions/ ) ro! did you every stop seeing that one girl/ I mean! I thought she was cute.* And right at that moment! you can say! )It"s okay! ro.e ri . Are they really gonna believe! are these girls really gonna believe that this guy"s wife and kids called me complaining that their heat was turned off Mcause their heating bill wasn"t paid/ It"s obviously bullshit and it still works. ' ())* +enusian Arts$ LLC.* &hat"s he gonna say/ $his one is so ridiculous that it couldn"t even possibly be true.t of reproduction in w. It doesn"t really matter whatever happened in the : past is past! by-gones. She was loyal. $hat was a cool girl. So you might stuff like! ) ro! how old are you gonna be when your mother finally stops dressing you/* -ow what"s he gonna say to that/ ) ro! did your mother ever stop dressing you/* (e"ll be like! ). #ou %ust make it up and hit him with it and then watch them trying to explain themselves out of it and then you frame them as a try-hard and as a guy who"s being too explainy and too technical and! )8ust chill out! man.an! my mother hasn"t dressed me since I was ten years old. -otice how I"m using negative presumptions.ike I might say! ) ro! you got to tell me. . &ere you like really desperate for a girl when you first got out of %ail/* (e goes! )I never went to %ail.* See how that works/ All right. It"s okay. I"m setting that frame. I mean! I don"t care what people said about her weight. Another thing you can do is any kind of negative presumption.P. It doesn"t matter! man.ole or in part in any for&. She cared about you.* >ight. #ou can make up complete random bullshit and get people qualifying themselves to you.

* >ight. #ou might say! ) ro! I don"t care what they say! man.* +kay.ilosop. ) ro! without my fans!* then he %ust turns around and continues on his thing. >ight. (ere"s another negative presumption.ole or in part in any for&. 5very move like that makes him look reactive! drops his value! and %ust makes me more of a winner in comparison. -ow what if the guy goes and says! )(ey! what/ &ithout your fans! what/ (ey! I"m talking to you. +kay.P. $hat"ll happen with girls to by the way. If you"re in some little witty battle with a girl and suddenly you can"t think of a good response to what she %ust said! you will lose value in her eyes. (old on! %ust a second!* I turn : %ust turn away. ' ())* +enusian Arts$ LLC. ut if you want to treat someone like they"re lower value! it"s like you don"t even bother to finish your sentence because what that conveys is that it"s %ust that important to you. 5ven if whatever she said was wrong! %ust the fact that you weren"t quick enough with a comeback! you lose. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e ("1 of !"" )(ey! man! your wife and kids called. I"m not even finishing what I say. Again! negative presumptions. I mean! I do not care what they say. 7o not ever let anyone tell you anything different. Socrates was always gonna : wait.co& Pa e ("1 of !"" All ri .ts reserved$ includin t. $he example I got from $7 was where he says! he goes! ) ro! bro! without my fans!* and there"s like this dot! dot! dot where he %ust doesn"t finish what he"s saying! %ust doesn"t finish it.y$ #nc. www.* It doesn"t even matter if it"s true. #ou show respect. And if he can"t think of a good response within the next couple seconds! then he"s gonna lose by default because %ust based on that alone! he couldn"t even come up with a good response. A funny little social rule there. (e says! )(ey! man! where"d you get that %acket/ Are you like part of the circus or something/* I"d be like! M(ey! bro! you know how it goes when someone!* and then I %ust turn my back and start talking to someone else. Imagine this. . $hey want to know when the heat"s gonna back on. I still tooled him.e ri . I say! ) ro! you know! bro! think about this for a second. #ou say it clearly. [Beginning of 9tr14] So another thing that you do is you don"t finish your sentences. So imagine if a guy runs some amog line. #ou are not important enough to me to even finish what I"m saying. +kay.t of reproduction in w. If you"re talking to the president of the Gnited States! you very clearly finish your sentences. #ou are an awesome guy. #ou think through what you"re going to say. #ou are a fuckin" cool guy. +kay.area"1lifestyle.

#ou come off like you"ve been practicing too hard! but you haven"t got it smooth yet. . www.ts reserved$ includin t. . So the guy holds up his hand to say high-five! and then . I used to have one %ust like that in high school. &hat this does : it"s like a pattern interrupt. (e says to high-five and! boom! you high-five.ole or in part in any for&. .ilosop. -ow I"m gonna correct him.P.et"s say he says! )(ey! man! nice shirt.* +kay. &atch. .ystery. So he holds up his hand like! )(igh-five. $his is . . . -o! no! no. (ere"s another example.area"1lifestyle." #ou see how you"re delivery was a little off/* See how I"m correcting him/ .ystery"s little trick.aryland. Anytime he does something and you say! )-o! no! no! no! you did that wrong.t of reproduction in w. )-o! bro! like this. I didn"t feel that one.* -ow if you high-five him back! then you %ust played into his lead.aryland. #ou take his drink.aybe he runs some amog line on me and I look at him for a second and I go! )-o! no! sorry.ystery does this. I got this one straight from .et"s say he says : what"s a good one. $hat"s all wrong. I"m cool about it. #ou can"t hold your drink like that in . #ou"re supposed to say! M(ey! where"d you get that shirt! dude/ $hat"s a cool shirt.co& Pa e ("( of !"" All ri . (ere! let me show you. #ou can also say that about his lines.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e ("( of !"" Another thing you can do is you can correct him.* $hen you take his hand. $his is embarrassing.et"s say he runs some amog line on you. (e"s leading you. #ou"re not supposed to hold your drink like that. . #ou"re not supposed to say it like that. It doesn"t really matter if you"re showing him something real. -ow sometimes you"ll sort of lower yourself and you"ll do it for your friends. #ou delivered it wrong! man. 8ust the fact that you"re like correcting him on anything! the more correct him! the more beta he looks! the more alpha he looks.ystery holds out his hand like he"s gonna shake his hand like a normal handshake. $hat"s all wrong.et"s say someone goes to high-five you. Again! correcting him.y friend says! )(igh-five!* well! )(igh-five! bro!* and I"ll give him a high-five. #ou"re being led. 7o it more like this!* he picks up his drink and you say! )-o! dude. &hat"d you get that in high school/* +kay.* #ou need to put a little bit more genuineness into it. +kay. +kay. $his is . It causes confusion in the guy"s mind and because the guy : he"s shaking someone"s hand so many in the past! his mind sort of goes into autopilot mode and he reaches down ' ())* +enusian Arts$ LLC. (ere! do it like this.y$ #nc. .e ri . I"m gonna say! )+h! man! you totally slaughtered it. ut if it"s some guy who"s %ust trying to tool me! he"s %ust trying to show that he"s leading and I"m the follower! then here"s the trick.

ilosop. It"s not all about all that stuff! you know. #es! I have a girlfriend!* then you can get him and you say! ) ro! you are a fuckin" pimp. . .y$ #nc. $hat"s got to get the ladies.ystery"s the one deciding! )-o! we"re gonna do it this way instead!* and the guy goes along with it. I"m sure you"ve got some hot chick somewhere.* +kay.ole or in part in any for&. M?ause if he says! )#es. -ow you"re the one with the authority role. I think this comes from ad oy! but I can"t give him credit for sure Mcause I don"t know for sure. ut ' ())* +enusian Arts$ LLC. #ou know what I"m saying/ It"s like automatic. 7on"t try to impress. ut the trick is you %ust ask the guy if he has a girlfriend. (e"s trapped. It"s going to happen. 8ust be yourself. #ou must have a hot girlfriend. I bet you got a hot girlfriend! right/* +kay. (e"s sort of activating this automatic programming in the guys mind. -ow the guy looks like a slea<y player cheating on his girlfriend. $hat is awesome. -ow I"m exaggerating. So the guy says! )(ey! high-five! bro.* (olds up his hand. Another example! )(ey! man! that is a cool shirt. ?hanging his behavior. Another trick and this is an old trick. And then . (e takes the hand! does the handshake.area"1lifestyle.ystery is now the leader.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e ("! of !"" and shakes the hand because it"s sort of auto. And you say! )It"s okay! man. (e says! )#eah! cool.ystery! meanwhile! holds out his hand like a handshake.* +kay.co& Pa e ("! of !"" All ri . I mean! she"s out there. &here"s your girlfriend! man/ #ou have a girlfriend/* (e goes! )-ah! I don"t have a girlfriend.ts reserved$ includin t.ystery has taken the frame back. -ow he"s in a double bind. #ou got some girlfriend sitting at home and here you are out at the bar talking to other girls.t of reproduction in w. So what happens is . I bet you that gets all the girls.P.e ri . .ystery shakes his hand. 7on"t ever let anyone tell you anything different. ro! I"m telling you! don"t try too hard. Someday it will happen! man. It"s gonna happen. +ne way you can do that : it"s kind of creepy %ust to say that : but you can %ustify it based on his muscles or his shirt or whatever! and say! ) ro! look at those muscles! man. . #ou must get a lot of girls with those. 8ust be the person that you really are and you"re gonna find a girl who really appreciates you for who you are. +kay. -ow . -ow if he says! )-o! I don"t have a girlfriend!* if you say! ) ro! look at that shirt.ystery"s handshake and .an! you got it all lined up! man.* $hen immediately you go into sympathy mode.* >ight. As I record this! I"m sort of doing it too long to get the point across! to show you the different lines you can use.* -ow this guy with his hand up in the air lowers his hand down and takes . So it"s %ust another example of correcting the guy! )-o! no! no! do it more like this!* whatever. #ou"re the one who"s alpha and he"s beta to you. +kay. www.

"udien/e: Lovedrop: "udien/e: Lovedrop: 7o you literally pick her up/ #es. $hen he gets all the females. >ight. $he bottom line is whoever wins the amog battle is the guy who"s there with the chick at the end of the night. $he bottom line is the worst case! %ust pick her up and leave. .e ri . She"ll go! ) ye! bye!* and the both of you kind of wave at the guy as you carry her off physically to another location. #ou"ve tried giving him the one-word response.ole or in part in any for&.ts reserved$ includin t. She"ll play into it. ro! wait right here. 3ick her up and kind of wave bye-bye to the guy.* 3ick the girl up. 8ust like say! )#ou know what/* 8ust grab her around the waist. www. +kay. I"m gonna get you a 8ack and ?oke. I"m not like Arnold Schwarchenegger or anything! but I would definitely pick her up around the waist and %ust pick her up and walk off.* #ou can even whisper to the girl and say! )&ave goodbye!* and she"ll do it too. &omen are basically %ust gonna be attracted to the one who wins the amog battle! %ust like a female goat sticking her ass up in the air for the male goat that had the horns and rammed the other male got and hit him harder. &hat do you like to drink/ &hat"s your favorite drink! bro/ +h! 8ack and ?oke! all right.co& Pa e ("/ of !"" All ri . 3ick her ' ())* +enusian Arts$ LLC. #ou"re sitting there talking to : start talking to the guy! amogging each other.area"1lifestyle. Say! )#ou know what/ &e"re gonna go get a drink. So let"s say that all of the various different amog tricks haven"t worked or don"t seem appropriate at the time. #ou"ve tried running a hardcore amog line on him! framing him somehow or whatever. Same thing. #ou"ve tried ignoring him.ilosop. She"s basically %ust gonna go with whoever wins. #ou get in some great line! good for you! but if that chick"s not there at the end of it! then you lose. $hat"s it. &e"re gonna go off and do our thing. $oss her over your shoulder or anything/ I don"t know if I"d push it that far! but yeah! I think a lot of girls would be into that. +kay.t of reproduction in w. 3ick her up! Mcause she"s %ust gonna go with the winner anyway. &hen there"s two guys sort of amogging each other! the one who loses crawls away and the one who wins gets the girl. $hat"s it.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e ("/ of !"" obviously! in reality when you do this on a guy! you want to use the fewest number of words possible because the fewer number of words! the harder it will hit and the less it looks like you"re reacting to him. &alk off. So it"s sort of a cold! hard world. .y$ #nc.P. Say! )All right! all right! man! enough of this. Gltimately! if nothing else works! one definite thing that will work is %ust pick the girl up and carry her away. &ait right here.

If a guy does it to you! he"s using this trick to show dominance to you.ts reserved$ includin t. So if he"s the touchy guy! touches other guys and makes him look alpha! now he comes to try to do that on me! I say! )&hoa! calm down there! rokeback . 7ude! you"re like Santa"s elf. So right at the moment when he tries to show value! he says! )+h! I"ve done this or I have this!* basically I frame it like he"s trying to impress me. www.* $his is actually a trick that I teach.ole or in part in any for&. 9or example! let"s say that the guy normally touches people in order to show dominance. She"ll really get a kick out of it. . #ou"re like my personal assistant. $hey"ll say! )+h! do it like this!* or )-o! bro! do it like that.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e ("" of !"" up. I"m gonna cut the 'ordian Hnot. So what you want to do! again! is you want to put a frame on that behavior so that whenever he does it! he"s playing into your frame. I like you how you are. And what"s the guy gonna do/ >un over and try and rescue her! like grab at you and stuff/ Anything he does like that will make him look more creepy! more reactive! lower value! etcetera.ountain. -o! that"s not good enough. So now if he touches me again! he plays more into that frame and he becomes even more my bitch Mcause he"s playing into my frame now more and more. 'uys will naturally try and dominate you and show that they"re alpha and you"re beta to them.y$ #nc.* See! now every time he says something to try and demonstrate value! it comes off like he"s trying to impress me.e ri . [Beginning of 9tr16] Another example of this is that guys will try to show their dominance by giving you advice.* I"m gonna reply and say! )+h! bro! that"s some useful info.area"1lifestyle.* See what I"ve done is I %ust set a frame that he"s gay and that he"s coming on to me.* 3ick her up and walk off with her. #ou should do it like this.t of reproduction in w. 5very time he touches me he becomes more and more my bitch Mcause he"s playing more and more into my frame. #ou should do that to guys. [Beginning of 9tr15] Another point I wanted to make about amogging is that guys will try these amog tricks on you. So I"ll say! ) ro! bro! you don"t have to impress me.P. I"m ' ())* +enusian Arts$ LLC.ilosop.co& Pa e ("" of !"" All ri . 8ust be dominant and say! )All right. &hat are some other examples of this/ Another example is let"s say that he says something to try and 7(D himself! to try and show value. . And so a useful thing is to set a frame on their amogging behavior so that whatever normally works for that guy! when he does it to you! he plays into your frame and becomes more and more your bitch. 9or example! let"s say the guy starts giving me advice and he says! )+h! try this or you should do it like this! man.

e ri .an! you are useful. (e walks up! )(ey! blah! blah! blah!* whatever his little line is. And then in the movie you"ll see she kind of smiles or he winks at her. And if you do see a girl by herself! it"s because she"s out trying to get laid! so it shouldn"t be too hard to hook up with her if you see a girl sitting there by herself.ts reserved$ includin t.ole or in part in any for&. If he"s not smart! then he"ll %ust do it and play into my frame! which is even worse for him. &hat it was is something that he vibed to her subconsciously or some kind of energy he put out that he %ust got her and it"s %ust magic. . $he guy goes up and said some line or makes some play for her and she sort of approves of him or not! but he"s basically conveyed his interest immediately. $his obvious interest has been conveyed right up front immediately. It"s usually not how it happens. 9irs of all! women are not usually alone.co& Pa e ("0 of !"" All ri . $hat"s if he"s smart. $hen somehow he %ust gets her and sort of left with this impression that! well! some guys have it and some guys don"t.* And if you look at any (ollywood depiction of a pickup! it always shows some hot chick sitting by herself. It always shows some hot chick in a sexy red dress sitting up at the bar by herself! maybe with one other girl! but usually by herself. &omen are found in groups. So he"s got some kind of magic and! meanwhile! there"s something wrong with me or I"m %ust not as attractive or whatever.ilosop. I wish we could take what this guy had and bottle it somehow.area"1lifestyle. $his sort of thing is %ust completely unrealistic. www. Heep that advice coming. $he guy in the movie walked up and got accepted! but meanwhile! I got re%ected.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e ("0 of !"" learning from you! bro.ystery was really the guy who introduced this idea to the community! this idea that! )(ey! wait a second! women are not found alone. Gnfortunately! because (ollywood shows us that we should convey interest as an opener! a lot of guys do this. Gsually! the worst way to pick up a girl is to convey interest in her right away. . It"s actually quite rare to see a girl who goes out by ' ())* +enusian Arts$ LLC.* +kay.y$ #nc. $each me. .P. [Beginning of 9tr17] All right. So what is )'roup $heory*/ &ell! . And so what"s gonna happen is his little trick that he might normally pull! he thinks to do it and then he holds back because he reali<es he"s gonna play into my frame.t of reproduction in w. $hey"ll go up and convey interest to a girl and she! of course! turns him down and then he figures there"s something wrong with him. #ou"re useful. -ow the next time he gives me advice! it looks like he"s playing into that frame where he"s my personal assistant and he"s my little elf! my little bitch boy.

area"1lifestyle. $his guy"s fun. $hat! )(ey! you know! we need to be able to handle groups of people. 'et the group to want me to stay instead of wanting me to leave. &ho is this guy/ (ow do we get rid of this guy/* $hat sort of thing. . I want to keep talking to this guy!* as opposed to what most groups are thinking! which is! )+h! great.y$ #nc. $hey tend to have an active social scene. And over there there"s three girls. www. And over there there"s four girls and three guys or something like that. [Beginning of 9tr18] So the idea is to get into the group without conveying interest! %ust enough to hook the set. &e call this the )hook point. 'irls tend to go out in groups.ole or in part in any for&.e ri . $he most attractive women! especially! tend to be found in groups. I see all these girls out here and they"re not standing by them self.t of reproduction in w. Start conveying value to the group.ystery was the one who said! )(ey! wait a second. $here"s two girls and a guy over there. And so . It"s actually pretty obvious in retrospect.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 2 Male$ Audience Pa e ("* of !"" herself. $hey"re in a group. 'et the group accepting us. .* $here"s always some group of people. Start running game on the group. So this was an insight that . So we have to get in without conveying interest.ystery brought to the community.* So the idea is to get into the group without conveying interest right away! but rather %ust start a conversation to the point where they feel interested in talking to you! %ust having a fun conversation with you. $his is the basic idea behind 'roup $heory. !End of "udio# ' ())* +enusian Arts$ LLC. So I"m not trying to create attraction. 'irls like to have fun! so they"re gonna go out with their girlfriends usually Mcause they want to go dancing. -ot too many girls go out dancing alone. $hey tend to have girls who want to hang out with them! guys who want to hang out with them. $hey tend to have friends. I"m not trying to show! )(ey! I"m trying to pick you up. $hey tend to go out in groups because they get hit on all the time and it makes them feel more protected to have their friends around.P. And only then later can we convey interest in the target when she has earned it.ilosop. If you want to meet these women and attract these women! you have to be able to not %ust work the woman! but work the entire the group. So let"s get a little bit deeper into the various components of 'roup $heory.* &hen you"ve hooked a set! is the point where they"ve decided! )+h! I hope this guy stays.ts reserved$ includin t.* All I want to do is start a fun conversation and get the group to like me.co& Pa e ("* of !"" All ri .

If the people in the group believe that I"m trying to get her! then remember! if she"s the hot girl in the group! usually they have guys coming up trying to get the girl. And so they"re on guard about it a little bit! and she"s on guard about it a little bit.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e ("1 of !"" Lovedrop: asic 'roup $heory for creating attraction is it"s fundamentally a combination of two principles. $he neg! as I"ve described previously! is a little trick that conveys disinterest! or not disinterest! but rather that I didn"t notice to have interest. . $he idea of holding court combined with the idea of negging the target. $hen we have to add in the neg. .P. Somehow! by the way he talks or the way he moves! he"s created this impression that he"s not trying to get with her! and that makes her sort of let her guard down. #ou"re sort of the center of attention of the group.ilosop.area"1lifestyle. $hat you would expect that in a group composed like that that people are gonna be looking at the girl. &e"ve sort of taken that whole thing and turned it on its head by negging.ts reserved$ includin t. So here comes this one guy who creates the opposite impression. So this is important because it"s very disarming. $hat is fundamentally attractive. +ut of the three or four guys! they"re probably gonna be looking at that girl more than they look at the other three or four guys in the set. $hey"re all examples of ' ())* +enusian Arts$ LLC. So holding court is when you"re the person that everyone"s look at! that everyone"s talking to! that everyone"s listening to. So her shield goes down! and that also disarms all of her friends! who are normally trying to run in her interference or getting %ealous and angry that they"re not getting the same attention that she got or whatever.co& Pa e ("1 of !"" All ri .ole or in part in any for&. Imagine that there"s a group of people! say! three or four guys and one hot girl. [Beginning of 10tr2] -ow the fact that they"re facing her with their bodies! the fact that they"re listening to her more than they"re listening to other people! the fact that they"re trying to talk to her more than they"re trying to talk to other people! these are all expressions of reactiveness. So let"s talk about holding court a little bit.y$ #nc.e ri . 9or whatever reason! women in the ancestral derived some evolutionary benefit from being attracted to that! and so they are.t of reproduction in w. www. If there"s three or four guys in a group and one of the guys is holding court! that"s the guy that the women are gonna be attracted to. $he person who is the center of attention of the group is referred to as the )person who holds court!* the person who"s holding court in the group. If I neg a girl! it makes everyone around her believe that I"m not trying to get her or that it didn"t even occur to me to try to get her.

&hen I first walk up and open them! they"re gonna be a little interested %ust because I have the balls to do it. Imagine that there"s two girls standing up against the wall and I go by and start talking to them. +nce you"ve opened the set! spin one of the girls out and steal her spot or steal her chair. +r go lean on the wall next to them and bring the girls sort of around to where they"re leaning up on you. So we want to arrange ourselves to be in this position. >emember! these girls can also look over my shoulders and they can see everything going on in the room behind me! but meanwhile! I can"t see anything except for these girls" faces. It"s going to make everyone in the surrounding area feel that she"s the one with the highest value. ut what"s gonna happen is over time my value is going to slowly drop and I"m gonna get less and less attraction from this girls because they"re the ones locked in. So they really have the power position. $he next weigh point is to get locked in.P. So this is sort of a situation where we teach students you need to get locked in as soon as possible. Gnderstand preselection for a second. $his is the first weight point : actually! no! it"s not the first weigh point.yself as a pickup artist! the first thing that I can do to make it look like I"m holding court is to be locked into the set. So this sort of creates a dynamic where I"ve allowed myself to be less comfortable than they are in order to talk to them. $he next weigh point is to reach the hook and to hook the set. It feels like they"re reacting less and I"m reacting more! so they"re gonna find me less attractive. So what do I do to lock in/ &hat does this mean to be locked in/ &ell! we explain these better on the videos! but I"ll %ust go over it really briefly. . www. . And when I"m talking to them! remember! they"re leaning against the wall! so they"re more comfortable than I am. 3reselection doesn"t occur from being around women. 3reselection occurs when women show interest in ' ())* +enusian Arts$ LLC. .e ri . It"s also gonna make her feel like she"s the one with the highest value.ts reserved$ includin t. And it"s also gonna make all the guys around her feel like she"s the one with the highest value! even if she wasn"t previously.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e ("2 of !"" where three or four guys in the set are reacting to the girl more than she"s reacting to them. $his shows that it"s more important to me to talk to them and it"s less important to them to talk to me.area"1lifestyle.y$ #nc. It sort of gives away : the value differential is betrayed.ole or in part in any for&.co& Pa e ("2 of !"" All ri . $he first weigh point is to open the set.ilosop. $his sort of gives away the power.t of reproduction in w.

t of reproduction in w.ike I"m the life of the party for that group. I"m getting preselection. &here as if the girls are leaning against the wall and I"m up trying to get with them! then it doesn"t give me any preselection. $he next ma%or step to holding court is to sort of control the group dynamics that are going on all around.ole or in part in any for&. $herefore! I"m gonna become more attractive. 3eople are laughing.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (0) of !"" you.ts reserved$ includin t. If I"m the one locked in and they"re the ones facing me! talking to me! listening to me! I"m the one getting the benefit of all the body language facing towards me! then it looks like I"m the one holding court in the group.y$ #nc. .co& Pa e (0) of !"" All ri . $he bottom line is that you have to add value to the interaction.ilosop. $hen also! another important piece surrounding the group is actually having interesting things to say or at least acting interested in what I"m saying. In fact! I am the one holding court in the group. It looks like they"re getting interest from me. 5veryone"s listening to you. $his gets back to the ying-yang attitudes that I described earlier on in this recording. $he basic principle is that you"re adding value to the interaction! so that you"re ' ())* +enusian Arts$ LLC. +kay. It"s an important distinction. >emember! if you"re holding court! there"s a fundamental necessity that you"re actually adding value without any expectation of outcome. 5veryone"s facing you. And people in surrounding groups are gonna perceive it that way. 5veryone else in the area around will perceive it as if these women are attracted to me and is if I have high value. .area"1lifestyle. It doesn"t look like I"m getting interest from these girls.e ri . I want to be adding a positive energy! a happy sort of fun! cra<y vibe! smiling! laughing! dancing! telling funny stories. www. If I"m leaning back against the wall and there"s two girls up trying to talk to me! it looks like they"re showing interest in me. 3eople are hanging on my every word. So it"s very important as soon as you open a set to get locked in because now you"ve sort of got it physically arranged! that everyone"s around you.P. So for example! if an interruption comes in! if an obstacle tries to cause trouble : let"s say that I want to merge the group into another group! maybe to a group that I"ve already met before or a group that I haven"t met before! these are all different sort of logistical concerns with managing groups! which I"m gonna discuss in a little bit. . I should be a good storyteller. $his is the first ma%or step to holding court. [Beginning of 10tr3] So as you can see! locking in is actually one way of making it look like you"re the one holding court.

8ust like if you shine a bright light and all the bugs come and fly in circles all around the bright light! it"s the same thing. I"m interesting.* So whether the material is canned or whether it"s spontaneous! it still has the basic same goal! is to be fun! interesting material that conveys higher value and doesn"t convey lower value. www. I"m funny. )?an* material that should be fun and funny! and that should include embedded communications or sub-communications of higher value.e ri . #ou should naturally be able to put embedded 7(Ds %ust into your normal speech. So I"m gonna be doing kino-escalation-type routines in order to get more and more compliance! both physical compliance and emotional compliance out of the target and! in fact! out of everyone around me. If you"re adding a positive! fun! happy vibe! and you"re saying cool things! and telling fun! great stories! then people will naturally be attracted to that.ole or in part in any for&. I"m conveying higher value and I"m negging target. #ou"re not manipulating people to face you with their body! but you"re actually attracting them to listen to you. Also! %ust the ability to speak spontaneously in this way! that I should be able to have a natural! spontaneous conversation with someone and still slip in embedded demonstrations of higher value or embedded 7(Ds! even I"ve never told that story before.y$ #nc.D pits! those little demonstrations of lower value! are %ust removed out of your communication because you should be aware! )+h! wait! if say that! that"ll lower my value. &hat else/ $hat"s about it.ts reserved$ includin t.co& Pa e (01 of !"" All ri . &ell! of course! I"m also gonna be doing compliance testing. .t of reproduction in w. . I"m fine. I"m not going to say that. If I get more and more compliance out of a guy! it"s gonna make him look beta and it"s ' ())* +enusian Arts$ LLC. .P. It"s not like I"ve manipulated them and force them to turn their body towards me! but rather! of their own volition! they"re turning their body towards me and listening to me and looking at me because they"re attracted to do that! because what I"m doing and what I"m saying is attractive. #ou should practice that.eanwhile! those little 7. [Beginning of 10tr4] So what sort of things should I be saying while I"m holding court in the group/ &ell! obviously there"s )can* material! which we"ve discussed previously. &hat else am I doing while I"m holding court/ &ell! I"m gonna be negging the target.ilosop.area"1lifestyle.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (01 of !"" not sort of forcing people to listen to you. As you"re talking! you"re always conveying higher value.

Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience

Pa e (0( of !""

gonna make me look alpha to him and therefore the girls are gonna be more attracted to me. It"s the same as if two goats butt heads and all females want to fuck the winner. It"s the exact same thing. If you come off alpha to a guy! then you"ll be more attracted to all of those surrounding women. $his is what amogs do. Amogs %ust constantly amog other guys because they get women off it! something they learned in high school or whatever. [Beginning of 10tr5] Another weigh point once you"re locked into the set is at some point to actually say and quote! )So how do you all know each other/* I"m gonna say it again. )So how do you all know each other/* $his is a great line. It"s a socially normal line. It"s a normal thing that people would ask in a conversation. If I"m in a conversation with two or three people! almost any time! you"re gonna be asked that question or someone"s gonna ask you that question in a social setting. It"s a very reasonable thing. I have plausible deniability to ask it. #ou get a lot of useful information out of this one question. $his one question should be considered a weigh point in the set! which means that it happens in every set. So for example! let"s say that I"m talking to two girls and I"ve chosen a target! and at some point in the set I say! )So how do you all know each other/* And she says! )+h! that"s my boyfriend"s sister.* &ell! it"s very useful to me to know that my target is sitting with her boyfriend"s sister because that means there are certain things she"s not going to do if her boyfriend"s sister is watching that normally she would do. And there"s gonna be some extra discretionary concerns there that I have to take into account. I would not have known if I hadn"t asked. Another common thing is you"ll see a girl with maybe a couple guys and the truth is they all know each other from work! but I don"t know that. ;aybe one of them is her boyfriend or something like that. And I"m sure one of them wants to fuck her and he would like for me to believe he"s her boyfriend so that I won"t hit on her! so that he still has his chance or whatever. (e"s still holding a torch for her. So at the moment that I say! )+h! so how do you guys all know each other/* and she says! )+h! we"re all from work. &e"re all work friends. &e all work together.* &ell! at that point! this guy loses any degree of plausible deniability that he may have had to sort of pretend that they were a couple.
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience

Pa e (0! of !""

And so now! I can say! )+h! cool. #ou guys all work together. 'reat. #ou mind if I talk to her for a second/* and pull her away and talk to her. It"s not like I suddenly pulled her away from her boyfriend. ut if she said! )+h! well! that"s my brother and I"m dating this guy!* well! I certainly can"t say! )+h! well! come here! I want to talk to you in private for a second!* or at least it"s gonna be a lot more difficult. ecause now she"s openly said! )$his is my boyfriend!* so what kind of weirdo am I trying to pull her away from her boyfriend. So this is a very useful question. It gives you a lot of logistical information. It"ll help you figure out who drove! who"s leaving with whom! who"s dating whom! who"s related to whom! and so on. ?onsider this question! )So how do you all know each other!* a basic requirement in any group. [Beginning of 10tr6] So we know that the best way to keep obstacles disarmed is to use negging on the target. &henever the perception is that you"re really not trying to get the target! then no one"s trying to protect her from you. -o one"s worried about keeping their shields up or cutting you a bad attitude or whatever because they don"t : they honestly don"t believe that you have any intentions. So this usually keeps obstacles under wrap. ut one problem that will occur is that interruptions will happen. +bstacles will come in that were not in the set previously. 9or example! let"s say that I"m talking to a couple girls and as I"m talking to them! maybe I"m in the middle of some story and suddenly a third girl comes back from the bar. ;aybe she went to the bathroom or she went to the bar or whatever and she comes back. -ow here I am talking to two girls and I"m in the middle of some story and a third girl shows up. &hat do I do/ M?ause a new obstacle has been introduced. She hasn"t heard any of the negs. She doesn"t know how attractive or fun I am Mcause she hasn"t met me before. So what do you do/ &ell! we know that if I continue my story and finish what I"m saying! it won"t make any sense to her because she hasn"t heard the beginning part of the story. So she"ll be sitting there bored! rolling her eyes! trying to pull her friends away and so on and so forth. ut if I go back and repeat the story and start at the beginning! then what will happen is the first two girls will get bored because they"ve already
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience

Pa e (0/ of !""

heard this shit before. 'irls have a very low attention span. So if I"m telling them some story and they"ve already heard it before! again! they"re gonna be rolling their eyes! bored! ).et"s go dance. $here"s my favorite song!* all this kind of crap. So the first understanding that we have when an interruption comes into the set is whatever your thread is! whatever you"re talking about! %ust cut it. ?ut your thread immediately. 7rop your story. It should never be too important to you to finish your own story. &hatever a little laugh I was gonna give at the end of the story! whatever! %ust drop it. And unless they"re begging me to come back and tell them again! then fine! if she begs me and says! )?ome on. 3lease tell me. 3lease tell me!* fine. $hen I"ll come back and I"ll tell her. +therwise! you should be completely willing to walk away from your own threads. Anything that you"re about to say should not be that important to you. In fact! you should have actually! legitimately have forgot what you were saying Mcause you really shouldn"t care. So the first thing that you do when an interruption comes in is you cut your own thread. +kay. -ow here"s the next thing that will happen. $he next thing that will happen is that the girls will turn and give each other their body language. $hey"ll give each other their attention. So the girl that you"re talking to will turn to face the girl who %ust came in and! likewise! she"ll turn to that girl! and they"ll both sit there and talk to each other and they"ll leave you hanging as if you"re not even there. $hey"ll %ust leave you standing there like a chump. +kay. If you let them get away with this! then it"s your fault. So here"s what you have to do! is you have to point out that it"s rude. +kay. $his is similar to with moving sets. &hen a moving set walks by and you say! )(ey! guys!* and you start using your opener! if they can pretend they didn"t hear you! then they will! and then it"s not their fault. $hey have plausible deniability. )&ell! I didn"t hear him.* $hey %ust keep walking. +kay. $hat"s why with moving sets you have to be really loud. #ou say! )+h! hey! guysP* And you talk really loud when you run your opener. &hat that does is that puts them in a position where they can"t pretend they didn"t hear you. $hey can"t pretend they"re not being rude. So because it"s obvious that they"re being rude! then social convention sort of forces them to stop and turn to you and listen to your opener. [Beginning of 10tr7]

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience

Pa e (0" of !""

$his is the same with interruptions. &hen an interruption comes in and the girls turn to face each other! they"re %ust gonna pretend they didn"t notice that they left you hanging there like a chump. As long as they didn"t notice! well! they"re not being rude! )+h! I"m sorry. I didn"t notice.* So she"s not rude. She didn"t notice what she was doing. So that"s why you have to explicitly point out what"s happening so that she can"t pretend she"s not being rude. So what you do is you lean over to the girl you"ve already been talking to and you say! )Introduce me to your friend. It"s the polite thing to do. I"m ?hris.* +kay. -otice how I put in! )I"m ?hris!* because I have not introduced myself to these girls before because we don"t introduce ourselves to sets. So normally! I wouldn"t go up and introduce myself to a set Mcause all I"m doing is conveying interest. It"s like! )(i! I"m interested in you.* >ight. &e don"t do that. So instead what we do is we %ust run the set and then whenever the girls are interested! then they"ll introduce. $hey"ll say! )+h! what"s your name. I"m Hasey!* or whatever. $hen I says! )+kay. I"m ?hris.* +kay. So it"s actually important not to do an introduction because you want to wait and see when that moment happens when the girl actually says! )&ell! what"s your name anyway/* #ou see that indicator of interest %ust occurred and it"s important to see when that happens. So when I go into the set! I haven"t introduced myself. She doesn"t know my name. &hen the interruption comes in! I immediately cut my thread. I lean over to the target and I say! )Introduce me to you friend. It"s the polite thing to do.* -otice how I"ve pointed out social convention that she would be rude not to. It would be rude not to do this. -ow she sort of has to. She can"t pretend she"s not being rude. So say! )Introduce me to your friend. It"s the polite thing to do. I"m ?hris.* +kay. $hen she will say! )+h! ?hris! this is Sarah. Sarah this is ?hris.* And I say! )(i! nice to meet you.* I shake her hand. -otice how I"m taking control of the set. +kay. -ow at this point! I negged the target. I"ll point back at the target and I"ll say! )Sorry about that. $his girl! you can dress her up! but you can"t take her anywhere.* +kay. &hat I"ve done is I"ve negged the target because how rude she was for not introducing us. So I put her in a situation where I"ve sort of acted like! )+h! she didn"t notice.* I"m not trying to set it up like she"s being a deliberate bitch! but rather I"m setting it up like! )+h! this girl! she was born in a barn. She
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience

Pa e (00 of !""

doesn"t have any manners. Sorry about that. Sorry about her behavior.* It"s that sort of neg. It"s important to get in that neg because! remember! this interruption has %ust entered the set. She hasn"t been disarmed. 9or all she knows! I"m trying to get this girl! which! of course! I really am. ut at that moment when I need to disarm her! I throw in the neg! )+h! sorry. $his girl! you know! is she always like this/ &hat can I say/* So we"re in that moment. -ow I"ve cut my thread. I"ve caused the introduction. I"ve taken control. I"m holding court in the set once again. I"ve negged the target! which disarms the new interruption! and then I introduce a thread and start a new story. +kay. At that point! I"ve taken control of the set again. So I"ll go into another story! and now all three of them are hearing a new story from the beginning and then I go in from there. So again! here"s the formula. An interruption enters the setE 0T ?ut your thread immediately. @T )Introduce me to your friend. It"s the polite thing to do. I"m ?hris.* And then she"ll say! )+h! ?hris! this is Sarah. Sarah! this is ?hris.* +kay. IT -eg the target. )Sorry about that. $his girl! you can dress her up! but you can"t take her anywhere.* OT Introduce a new thread. )So anyway! last week! I was hanging out in -ew #ork and I see this guy on the side of the road! blah! blah! blah! fuckin" blah! blah!* whatever. $he point is : what"s so funny/ "udien/e: Lovedrop: #ou. (Laughter) )9uckin" blah! blah! whatever.* 'ive me a kiss. All right. So here"s the point. $he point is that I"m still holding court in the set. I"m still in control. All three of them or however many are still looking at me. I"ve introduced a new thread. I"ve negged the target! so I"ve disarmed the interruption and we continue forward as if the interruption had never happened. So let"s say another interruption comes in. I"m gonna cut that thread and start another thread. Another interruption happens. #ou might have to have four or five things ready to go or ready to say %ust in order to be able

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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience

Pa e (0* of !""

to handle four or five interruptions in a row. ut of course! that sort of thing rarely! if ever! happens! and so it"s not really much of a concern. [Beginning of 10tr8] All right. +ne concept of I want to talk about for minute is isolation. $his is where you"re talking to a group of people and you take the girl and separate her from her group! so you can get a little one-on-one time. $his is actually something that I don"t do so much anymore! if at all. And the reason is because I don"t look at pickup as a one-on-one game. So for example! if I went into a set and there"s two or three girls! my goal is not to pick a target and isolate her and pull her away from her friends in order to kiss close her or whatever. >ather! my goal is to pull all three of them back to my house for a big party with all my friends. It"s sort of a big random soup of fun! social interaction that should occur every night in your life. So I show up back at the house and here"s these two or three girls that I met or me and my buddies met and brought back to the house to party. So for me! it"s not about getting the girl! per se. It"s about getting the whole group and adding them to my social circle and getting them to my party! getting them back to my house. And from there! I might be able to isolate one girl! bring her back to my room! or whatever! at that time. ut isolation isn"t something that I"m really trying to do up front in the first @1 minutes. It %ust doesn"t : it doesn"t make that much sense to me anymore. I would rather stay with her friends. I would rather escalate her right there with her friends. I would rather get all of them loving me! get all of them wanting to %ump in the car and come back to the house with us tonight. +r worst case! get her phone number and meet her out tomorrow or have her out to a party tomorrow or have her bring her friends tomorrow! whatever. I want her friends to be there. I want to grow my social circle and grow my lifestyle in that way. So I don"t really look at pickup anymore as this one-on-one thing where I want to pick this one girl and pull her out and get her away from her friends or anything like that. It"s %ust not the sort of thing that I"m trying to do. ut in any case! this is a useful skill set to understand. .et"s say that I want to pull the girl away for ten minutes %ust to get a little one-on-one time! maybe run some comfort game on her! and then bring her back to her friends.
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience

Pa e (01 of !""

>emember! %ust the act of moving a girl is useful to gain. I"m gonna get into this a lot more in the comfort section of the seminar. ut it"s actually useful to move a girl for no other reason than %ust to move her around. $o move her over to this part of the bar and then move her over to that part of the bar! and then bring her back to her friends! that in and of itself is a useful thing to do. So what you do is when you"ve been negging the girl! maybe she"s had a couple negs. #ou"re this fun! great guy! but you"ve created a little bit of tension! sort of a tension plot line between you and the girl. At this point! it"s very easy to say! )#ou know what/ I"ve been sort of mean to your friend. 7o you guys mind if I talk to her for a second/* And they"ll say! )Gh! okay! I guess! if it"s okay with her.* I"ll say! )'reat. &e"ll be right over here.* $he important point is when you isolate her is don"t take her out of sight from her friends. 7on"t try and take her out of the bar or somewhere that she can"t see them and they can"t see her. All you"re gonna do is freak them out. If all you really want is some one-on-one time with her! then it should be no big deal %ust to pull her three or feet away. So for example! I"m talking to three girls. I say! )#ou know what/ I"ve sort of been ignoring your friend. #ou guys mind if I talk to her for a second/* )Gh! I guess! if it"s okay with her.* )'reat. &e"ll be sitting right here.* And I literally point to a spot five feet away where there"s some seats or wherever there"s a bar we can lean against. [Beginning of 10tr9] So everyone knows up front I"m not taking her away. +kay. I didn"t say! )7o you guys mind if I take your friend away where you can"t see each other and you"re gonna freak out/* I didn"t say that. All I said was! )7o you guys mind if I talk to her for a second/* So that that point! I point to the spot. It"s five feet away. I take her by the hand and lead her three or four feet away! five feet away! ten feet away! in full view of her group! that way I can sit there and talk to her one-on-one and have her isolated away from the group. ut at the same time! she"s not gonna freak out. $hey"re not gonna freak out. And I"m also much more likely to get the compliance. If I say! )(ey! I want to take your friend to ?hina right now on my .ear%et and you"re gonna be completely separated from her and you won"t be able to call her on the phone!* then of course they"re gonna freak out. ut if I say! )(ey! I"m %ust gonna go talk to her right over here! five feet
' ())* +enusian Arts$ LLC, - P.ilosop.y$ #nc, www,area"1lifestyle,co& Pa e (01 of !"" All ri .ts reserved$ includin t.e ri .t of reproduction in w.ole or in part in any for&,

et"s go back to our friends. +nce you get it! you now have more compliance momentum and you"re more likely to get the next piece of compliance and the next piece of compliance.* And what we"ve noticed is in any situation where a woman feels like a slut or feels like other people would see her as a slut! she immediately gets shut down.* &hat"s happened is now because she"s gone along with this frame and her friends have now implicitly agreed to it as well! that there"s now this official frame set with you and her friends and her! and between her and her friends! that you guys are together! that you guys are an item. Are you guys cool with that/* So there"s a lot of social pressure on her at that point! especially if you"ve been qualifying her properly that she"s gonna go along with what you %ust said.y$ #nc. So you would say something like! )#ou know what/ .t of reproduction in w. It"s better to be talking to her for a little bit and then you drag her back to her friends.ilosop. [Beginning of 10tr11] I want to talk for a little bit about plausible deniability. &e"ll be right back. And so at this point! for them to start cock blocking in any way! makes them much more of a social violator than they would have been before. .e ri .ole or in part in any for&.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (02 of !"" away!* or )(ey! we"re gonna go get a drink. $hat means you pushed it too far. $his is a lesson that"s important in many areas of the pickup is when you ask for a very small amount of compliance! you"re more likely to get it.* $ake her by the hand and lead her back to the group. And her friends are basically : they"re gonna come out with attitude of! )Gh! I guess it"s okay as long as it"s cool with her.area"1lifestyle. ' ())* +enusian Arts$ LLC. #ou don"t want to push it too far to where she"s saying! )Gm! let"s go back to my friends now.* +kay.co& Pa e (02 of !"" All ri . +nce you isolate a girl! it"s a good time to go into some AI! go into some comfort game! and then some time within the next few minutes! bring her back to her friends and you be the one to do that. $here"s this concept in the community called )AS7* or )anti-slut defense. . She loses her state. www.P. [Beginning of 10tr10] >ight at the point when you bring her back to her friends a great line to use is! )#our friend and I like each other. It basically halts the surge or halts or halt the set. And by asking for compliance in this way step by step by step! you"re more likely to get the whole kit and kaboodle.* It becomes very difficult to say no because I"m not asking for much compliance. She starts interrupting everything.ts reserved$ includin t.

If she"s even in a position where it"s obvious to those around that she"s aware of what"s happening! then she still becomes responsible even though she"s not doing anything.ts reserved$ includin t.P.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (*) of !"" So what"s going on here/ $he core concept is plausible deniability. It can be my fault some of the times! never her fault. 9or a woman! plausible deniability must always be conserved.ole or in part in any for&. . Sometimes the guy pushes a little bit too much and it"s not her fault and you can get away with that.e ri . So to that end! it"s absolutely important that you always set things up so that it"s not her fault and preferably not your fault either. #ou"re the boy. She has to be able to maintain the ability to plausibly claim! at any point! that! )(ey! I"m %ust hanging out with a cool guy and one thing led to another. ut most of the time! neither one of us.* She should be basically be able to play dumb about the entire pickup process. Sometimes it"s okay if it"s your fault.* +kay.ore specifically! if she feels responsible for what is happening or if it looks like she"s responsible for what"s happening! then she has to put up resistance in order to maintain plausible deniability. 8ust the fact that she"s aware that it"s happening! makes her responsible for it! which means she has to interrupt it. . So at any point that she begins to lose that! that she becomes responsible in some way! she has to step back. $hat makes me look rude in front of other women.* +r she asks you : she has to make statements like! ).area"1lifestyle. All these interruption feelings start popping up to whatever degree that she feels responsible for what"s happening. So how else would I put this/ I would always frame things that I"m only doing what"s within the social norms.* ' ())* +enusian Arts$ LLC. www. It %ust happened.co& Pa e (*) of !"" All ri .t of reproduction in w. She needs to be able to pretend that nothing is going on.ook! I"m not a slut!* or )#ou know I"m not getting in that car with you! right/ I"m not that kind of girl!* this sort of thing. Instead I would say! ) ro! I don"t rate women. She was like an eight. So one way of looking at this is look at it as the law of the conservation of plausible deniability. . oys will be boys.y$ #nc. She has to have plausible deniability at all times for what is happening as though it"s not her fault. ut it certainly can never be her fault. I"m never a violator of social norms.ilosop. So if I"m talking about some girl and someone says! )&as she hot/* I"m not gonna say! )#eah! man. She has to act like! )I don"t know what"s going on here. Sort of like the law of the conservation of energy or something.

y$ #nc. So the point is to train yourself to talk this way. She"ll start getting interrupting.ts reserved$ includin t. She can"t be responsible. So she was pretty stupid if she slept with me. $here was the open loop there that peaked her interest and provoked her investment. $o whatever degree she feels like it"s her fault! she"ll start feeling anti-slut defense.* )+h! I %ust got back from traveling. -ow notice how she was curious enough. I might be talking and I say! )#ou know what/ I %ust got back from traveling.t of reproduction in w. $hey also increase sexual tension.ole or in part in any for&.ilosop. www.* )If I were to rate women on a scale of one to ten! which I would not do because it"s rude or because it"s uncouth!* so that"s how he"ll talk.ystery put this/ (e says! )#ou know what/ If I was to rate women! which I do not do! she would be an eight. -either one of us can be interpreted as being responsible for any sort of sexual escalation.P. She"ll start basically putting the brakes on everything that"s happening. She has to rely on me to have the social discretion! to make it look like it"s %ust happening on accident! and to move things forward without it ever becoming her fault. So what open loops is do is they provoke investment. &hat is an open loop/ An open loop is anything in your conversation that leaves something unspoken that begs the question! so that the person listening %ust has to know. $he social perception of me as well as the social perception of the girl should always remain such that neither one of us has ever violated any social norms.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (*1 of !"" And how does . -either one of us has done anything wrong. +r at the minimum! like I said before! I have a little bit of leeway since boys will boys! but she does not have that same leeway. It"s like a law of physics.area"1lifestyle. Another example of that is if someone says! )(ey! did you sleep with her/* immediately! )I don"t kiss and tell.* If I slept with her and I"m out bragging about it! there goes all her plausible deniability. $hey get her working for it.e ri .* +kay. . [Beginning of 10tr12] So let"s talk for a minute about open loops.* And then she goes! )&here did you travel to/* +kay.co& Pa e (*1 of !"" All ri . . ecause when there"s something left unsaid and the person becomes curious! it builds sexual tension to the interaction.* )&ell! where did you ' ())* +enusian Arts$ LLC. I want to have the intelligence to say myself! )&ait! I can leave an open loop here. So when I"m talking! I don"t %ust want to say! )+h! I %ust recently got back from 5urope.

#ou make this face like this and it"s so cute. $hey definitely work. So what are some examples of open loops that we can throw out to get a response out of girls/ I might be talking and then I look at her like I"m about to say something and I say this! I say : [Beginning of 10tr13] So I say! )#ou know what/ Actually! never mind! I"m not gonna say it.y$ #nc. She"s got to be wondering was I about to say. And the second thing I really love about you is whenever you x!y!<! there"s this cute thing you do with your legs!* whatever it is! %ust some behavioral mannerism.ole or in part in any for&.ater on! she says! )7o you have a surprise for me/* I said! )&hoaP* I said I might have a surprise for you.* )-o! tell meP* See how a woman hates not to know/ &hat"s another example of this/ >ight when I"m hanging out with a girl towards the beginning of the night! I say! )#ou know what/ I might have a surprise for you later. So I might say! )$he first is that look on your face whenever you"re really shocked by something. . She keeps thinking about it and every time she thinks about it! she thinks of me.t of reproduction in w. It"s no big deal. Instead! I"m always leaving it open to where she"s the one asking for more information.co& Pa e (*( of !"" All ri .* . It keeps popping up.* 9ive minutes later! )So what"s the surprise anyway/* She"s gonna continually be thinking about it because the loop is open in her mind.* >ight in that moment! I"ve left that open loop hanging out there.P.e ri .* )A speech on what/* And so on and so forth. . I"m %ust saying that"s how you do open loops and you should definitely play with them and use them. She keeps associating me with curiosity! which is the whole point.ts reserved$ includin t. +kay. -ow I"m not saying that you should always be this way @OLA.* )&ell! why did you go/* )&ell! I had to give a speech. www.ilosop. And believe me! she"s gonna ask! )&hat/ &hat/ 8ust tell meP 8ust tell meP Seriously! you could tell meP* )-o! forget about it. )$hen the third thing! I don"t want to tell you what it is Mcause I"m afraid you"ll start doing it.* >ight in that moment she"s gonna ' ())* +enusian Arts$ LLC. I"m never pushing more information at her. So that picture of me %ust keeps popping into her mind! that curiosity %ust keeps popping into her mind.* And she says! )&hat/* And then I basically list off two qualities! one thing about how she looks and one thing about how she acts. &hat"s another example of open loops/ $here"s a old routine in the community where you say! )#ou know what/ $here"s three things I like about you. ?alm down.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (*( of !"" go/* )&ell! I was actually in 5urope.area"1lifestyle.

&hat"s the third thing/* She will bother you all night.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (*! of !"" go nuts. [Beginning of 10tr14] . #ou can tell me. Instead! spend more time setting your own frame. 'o out in the field and play around with these open loops and you"ll see that they get dynamite responses. So it"s important to see this happening! see that people are playing little frame games with each other! even unaware that they"re doing it.P.co& Pa e (*! of !"" All ri .ole or in part in any for&. &hereas if I"m walking out of the office building and someone says! )7id you %ust get off/* then! again! the frame there is that I %ust got off work.ilosop. It"s the unspoken assumption in what was said! that supplies the meaning. )&hat"s the third thing/ 8ust tell me/ It"s okay. -othing more needs to be said. $his isn"t about using these memori<ed open loops that I"ve given you! but rather it"s about training yourself to talk this way. &hat is a frame/ $he frame is the context. 3eople will often waste time thinking of a good response to something when they should have reali<ed not to even accept the frame in the first place. It"s important to spend less time thinking of a good answer to someone else"s frame. 3lay around with this. $hat"s how you interpret the meaning of what actually was said. &hat if someone asks you! )&hen did you ever stop fucking goats/* If you were to actually sit there and try and come up with a good response to that instead of disregarding it out of hand! then it looks pathetic. . So if someone asks you! )7id you get off/* what does that really mean/ 7oes that mean : did you get off work/ +r does that mean were you being charged with a crime and you beat the rap/ +r does it mean you %ust had an orgasm/ $here"s a completely different meaning associated with that phrase all depending on the context in which it was said.e ri . www. $he frame determines the meaning.y$ #nc. If ' ())* +enusian Arts$ LLC.area"1lifestyle.ts reserved$ includin t.et"s talk for a minute about frame control. . $he person who controls the frame controls the communication. $he frame sets the context for the interpretation of the meaning that I %ust got off work! versus if I"m laying naked next to a woman in bed and I"m breathing heavy! and she says! )7id you get off/* Again! the context determines the frame.t of reproduction in w. If I"m %ust walking out of courthouse and someone says! )(ey! did you get off/* then that frame implies the meaning that I beat the rap.

.area"1lifestyle.ts reserved$ includin t. $he important point here is that when two frames come into interaction with each other! the stronger one always absorbs the weaker one.ilosop. &hat girls will do is they"ll throw out a bullshit thread that"s slightly insulting to see if you"ll bite."* )&hereas if you put that same kid with a pimp for a couple weeks! he might come home talking about how you can"t make a ho into a housewife. +ften! girls are %ust testing you for strength.* )&hereas if you put that same kid with the 7alai .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (*/ of !"" someone says! )&hen did you ever stop fucking goats/* and I say! )&ell! you know! I don"t think I ever fucked goats. $hey"re testing to see if you"ll take the thread seriously.* So what"s going on here/ $his has nothing to do with whether any of these belief systems are logically true or false. ' ())* +enusian Arts$ LLC.* . So they have to test for it. Some people have a very weak frame that very easily shift in change to match other people! where some people have such a strong frame that they never change their frame.t of reproduction in w. (e said! )Imagine if you took a 0@-year-old kid and put him with $upac Shakur for a week or two. .ole or in part in any for&. It %ust has to do with whether you"re weak or strong. $hey"re literally testing you to see if you"re stupid enough to take them seriously. 'irls obviously select for strength because it gives them an evolutionary benefit. &hat happens is some people have a stronger frame than others.ama for a couple weeks! he"s gonna come back talking about meditation and world peace or whatever. $his is an old example from $7! which still applies. If you were to take that same kid and put him with a married man! he might come back after a few weeks and say! M&ell! you got to live up to your commitments and you got to put bread on the table and take care of business.y$ #nc. It has nothing to do with whether you"re right or wrong. $he person with the weaker frame will always be absorbed into the frame of someone who"s more dominant and more solid in their frame. www. So if she throws out some bullshit! it doesn"t really matter what your answer is because the fact that you answered at all makes you lose.co& Pa e (*/ of !"" All ri . $he kid"s probably gonna come out talking more like a rapper! talking more like a gangster! saying things a certain way. >ather! it has to do with the fact that someone with a stronger frame will psychologically overcome someone with a weaker frame.ike why am I answering that/ &hy am I even accepting that frame/ It"s like people are testing for weakness.e ri .P.

r. Interrupting guy who"s constantly cutting every thread. She"s having fewer boring conversations and more exciting conversations with him. So she"s right to want to hang out with him instead of you.area"1lifestyle. . #ou will get the conversation back on track to where you need it to be and she will find you more attractive as a result because you were more dominant and took control of things. [Beginning of 10tr15] +ne thing that women will do! and I"ve said this before! is they will deliberately bring up boring topics of conversation and then they"ll get bored and they"ll blame you for it. ut the truth is that women are actually attracted when they see this! as long as it"s not your thing! as long as you"re not constantly doing it. $his doesn"t mean that you need to become . .ilosop.ts reserved$ includin t.ole or in part in any for&. &hat does this mean is recogni<e that in case where it"s useful to you! in cases where she"s talking about something boring or you have some pressing need to say something! feel free to go ahead and cut her thread and introduce a new thread of your own and lead the conversation in direction that you want to take it. And he %ust cuts her off. .co& Pa e (*" of !"" All ri . .et"s get back to me.e ri . (e says! )#eah! whatever.* -ow a part of you may say! )&ell! this is unfair. She"s the one who was talking about boring things and now she"s blaming me Mcause she"s bored. www. &hat does this mean/ $he implication becomes clear that it"s actually necessary and important to cut women"s threads.t of reproduction in w.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (*" of !"" -ow of course! not everything that a women says falls into this category.y$ #nc. 7on"t talk about boring things and then maybe you won"t be bored. ' ())* +enusian Arts$ LLC.* ut here"s the thing! if she"s hanging out with a guy who"s more exciting and he interrupts her with stuff that"s more exciting! maybe she introduces some boring thread and starts talking about something boring. . -ow as unfair as it may seem! the bottom line is she is having more fun with him. ut in the places where it"s appropriate! if you disacknowledge her thread as if you don"t take it that seriously and %ust introduce a new thread of your own! it will work. -ot everything is a shit test! but this is definitely something that"s used from time to time.P.ast week! I was blah! blah!* and he goes into something else that"s more fun and more exciting than what she was talking about.ike! )+h! I was bored. 9or a long time I didn"t do this because I thought! )&ell! this is gonna come off as rude or she"s gonna think I"m a %erk!* or whatever.

$he best way to do that! of course! is to not even be looking at the person who said it. -ow the fact that he"s looking at me and talking to me and I"m ignoring him shows that he"s reacting to me more than I"m reacting to him.* And right when he says! ) ack to me!* he points that finger right at his face. I said do you ever have sex with guys/* All right.y$ #nc. $his is one of those things that you might think it would come off rude or how can he behave that way! but in the field when you actually do this! what you see is that girls start giggling. 5very time he does it! it looks like he"s reacting more and more and more.area"1lifestyle. So I"m actually using him to pump my value up and to destroy his value in the process. -ow let"s say he didn"t get an answer so he asked again! )(ey! bro! I"m talking to you. 5veryone"s looking at him! but pretty soon they start talking to each other and he"s lost the attention.ilosop. Again! in that moment! I ignore him.co& Pa e (*0 of !"" All ri . So for example! let"s say that I"m talking to a girl and this guy is standing nearby and he says! )(ey! bro! you have sex with guys/* -ow I"m not gonna look at him and give him my power. I keep talking like he"s not even there. I"m gonna continue talking to her as if he"s not even there! completely disacknowledge and ignore what he %ust said. It looks like he"s more and more of a try-hard.ole or in part in any for&.* So as he"s sitting there talking to the girls and maybe the conversation! the focus starts to move away from him. www.t of reproduction in w. I look at the girl. So what he"ll do is he"ll stick his finger out in the middle of the group and turn it in a circle so everyone sees the finger moving! and they turn and look at his finger and he says! )And back to me. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (*0 of !"" So anytime! again! anytime that it"s useful to you! for your game! feel free to go ahead and cut a thread and replace it with your own. . #ou end up in control of the conversation again.e ri .P. [Beginning of 10tr16] Another thing you can do instead of cutting a thread is %ust completely ignore it! %ust completely disacknowledge it as if you didn"t even hear it.ts reserved$ includin t. $hen at that point! he"ll continue his thread or introduce a new thread at that point and completely reassert control of the conversation. It destroys his value more ' ())* +enusian Arts$ LLC.ystery uses this line where he"ll say! )And back to me. . 'irls open their mouth in shock! but then they like it.

So if I say! )(ey! man! do you have sex with guys/* it"s like what I"m doing is I"m putting a hoop in front of someone trying to get him to %ump into that hoop. So what are some rules about hoops/ 9irst of all! other people will try to get you to %ump into their hoops. If he even answers that question! which is a ridiculous and insulting question! if he even bites and gives it a funny answer or tries to come up with a clever answer! no matter what his answer is! he %ust %umped into my hoop. -ow there"s a lot of social pressure on that person not to ask again Mcause every time he asks it again! it makes him look worse and worse and worse. Are you the one %umping in the hoops/ +r are you the one getting other people to %ump into your hoops/ So what are some rules about this/ 9irst of all! the more obvious it is that it"s a hoop! the less likely someone will %ump into it. 7on"t get suckered by it. (e might even grab my arm and start shaking and say! )(ey! man! I"m talking to you. So usually what"ll happen is someone will ask you a question or make some statement. . Second of all! you should be trying to get other people to %ump into your hoops Mcause the idea is to get more and more compliance out of other people and have them get less compliance out of you. So he might ask once! twice! even maybe three times! but every time he does it! he %ust looks worse and worse! and eventually he"ll shut up.ilosop.ole or in part in any for&. 7isacknowledging threads is extremely powerful and I recommend experimenting with it.area"1lifestyle.ts reserved$ includin t. #ou disacknowledge it. 8ust to save face! ' ())* +enusian Arts$ LLC.co& Pa e (** of !"" All ri .y$ #nc. (e %ust became a little bit more compliant to me and fell into my frame. www.t of reproduction in w. [Beginning of 10tr17] It can be useful to look at frames as if they"re hoops! like a hoop that you"re trying to get someone else to %ump into your hoop.P. 7isacknowledgement works.* And that moment! the fact that I"m completely ignoring him is the secret. So I"m %ust gonna continue to disacknowledge that thread.e ri .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (** of !"" and more and raises mine more and more. $he pressure builds and builds on the other person because every time he asks! he looks like more and more of a fool. (ey! bro. At least be aware of when it"s happening. .

So pretty soon she"s rubbing your back and she"s cooking your dinner and she"s sucking your dick or whatever.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (*1 of !"" they"re not gonna %ump into something that"s obviously a hoop.* See! the hoop that I gave him was so small and so reasonable that he looks like a big asshole if he doesn"t do it.ilosop. So the example that I use in my book to illustrate this is I said imagine if you"re trying to get someone to bring you a cup of water! and the guy gets up. Another little interesting side comment about hoops that I got from Style! is that it"s actually okay to %ump into people"s hoops as long as you get them to %ump first. 'ive them a little hoop. #ou now have compliance! but not because you asked her to suck your dick up front because that"s asking for too much too fast. 'et them to %ump into it. &hereas if it"s really overly obvious that it"s a hoop! people will feel social pressure not to comply because they have to save face. #ou"re forcing the person to say no.* So again! I"m illustrating the principle that the less obvious it is that it"s a hoop! the more reasonable it comes off and people will feel social pressure to comply. +ver time! the hoops become more numerous and larger in si<e.* -ow see what"s happened is the hoop is so big and so obvious! that he looks like a total bitch if he %umps into it.y$ #nc. 'o in the kitchen and get me some fuckin" water like the little bitch that you are.ole or in part in any for&. (e"s walking to the kitchen to get some water! to get some chips and dip or whatever! and I say! )(ey! man! while you"re in there can you please give me a glass a water/* And he says! )Sure! no problem! bro. 3ush them away to increase comfort and safety so you can go and bait them again. .e ri .co& Pa e (*1 of !"" All ri .P.area"1lifestyle.ts reserved$ includin t. >eward that behavior. So we want to build this compliance momentum over time by baiting the person to %ump into your hoop! and then when they do! rewarding them for that behavior. So that having been said! the next question is! well! how do I get a lot of compliance out of people if I"m %ust giving them little hoops/ And the answer is that you want to build compliance momentum over time. 'et them to %ump into it. $hen you use a disqualifier. . ut if you can make it a really small hoop to where they almost can"t really tell that it"s a hoop! then they"re more likely to %ump into it and they"re more likely to feel social pressure to %ump into it almost as if he"s a %erk if he doesn"t.t of reproduction in w. >eward that behavior and give them another little hoop. -ow contrast that where instead if I had said something like this! what if I said! )(ey! bro! why don"t you get up. www. So now he"s forced to save face and say! )9uck you! bro! get your own water. And the example that Style uses is : ' ())* +enusian Arts$ LLC.

>emember! the principle is if he can get her to %ump into his hoop first! then it"s okay for him to go and %ump into hers.P. Actually I"m I=.ole or in part in any for&. #ou"re no good to her.aybe it"s okay to let people win from time to time! even if you didn"t make them %ump first. $his is a primary attraction switch from evolutionary psychology.e ri .aybe even that"s a little bit too much.* And then she %umps and she says! )Gm! O@/* And he says! )-o. .ystery likes to describe the pair bonding process as an escalation of mutual compliance. Instead of %ust %umping into her hoop and saying! )&ell! I"m I=!* instead he gives her a hoop of his own.* -ow he %umps into her hoop after he got her to %ump into his first. ut notice that she"s put out a little hoop there! )(ow old are you/* And he"s %umping into the hoop! )Ah! I"m I=. As you become more and more pair bonded to her! she"s gonna get more and more compliance out of you.y$ #nc. . (e could say! )&ell! I"m I=!* or however old Style actually is. $he girl has to feel that as you"re becoming more and more interested in her and more and more attracted to her! that she"s going to get more and more compliance out of you. So he puts up a hoop of his own and he says! )'uess. #ou could be the richest man in the world! but if she doesn"t have access to those resources! it does her no good.ilosop. ' ())* +enusian Arts$ LLC.ts reserved$ includin t. She has to feel like she can sink her hooks into you.t of reproduction in w. So this is one of the principles of frame control that I learned from Style! that it"s okay to give a little bit as long as you"re retaining control of the frame.* And she says! )Gm! I don"t know! O@/* And he says! )-o. www. Actually I"m I=.* It"s not that big of a hoop.et"s say that a girl asks him! )(ey! how old are you/* -ow he could %ust answer. . $his is important.co& Pa e (*2 of !"" All ri . So what if he didn"t want to %ump into it/ &hat if he wanted to make her %ump first/ [Beginning of 10tr19] So she says! )(ow old are you/* And he says! )'uess. If she feels like no matter how things are going! that she %ust can"t get any compliance out of you at all! then from an evolutionary perspective! you"re dangerous to her.area"1lifestyle.* -ow notice what happened here. . .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (*2 of !"" [Beginning of 10tr18] . It"s not that big of a deal! but still is a hoop and he"s still %umping into her hoop. All the resources in the world that you have are no good to her unless she has access to them! unless your emotions are programming you to give her more and more compliance.

It"s interesting what goes unsaid tends to be the most powerful communication in the whole interaction. &ait a second! maybe only a loser guy would say that.y$ #nc. $hat frame is what"s really being communicated that"s gonna result in you getting laid or you not getting laid. ' ())* +enusian Arts$ LLC.P.et"s talk a little bit more about the frame and setting the right frame with a woman.ilosop.area"1lifestyle. www.e ri .ts reserved$ includin t. +h! you"re so beautiful. [Beginning of 10tr20] . I"m not sure if I qualify for you! but I"m hoping I do. If I say to a girl! )So do you have a boyfriend/* or )(ey! can I buy you a drink/* is that really the most important information that has %ust been transferred/ -o. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (1) of !"" So girls need to see as your interest is escalating! as your pair bond towards her is escalating! that she can get more and more compliance out of you. Am I gonna say things like! )Ah! please %ust give me five minutes.co& Pa e (1) of !"" All ri . If I could %ust take you on one date!* or )I hope you know I can bench press my own weight. And that frame itself is what"s really important.* +f course! I haven"t said this. &ill you give me a date/* 7o people talk like that to someone that they view as lower value or someone that they view as higher value/ $hat"s how you talk to someone that you"re begging from.t of reproduction in w. I view you as the pri<e. I"m trying to get with you. So remember that whenever you say something! you"re also communicating an unspoken frame that implies much! much more. $he most important thing I %ust told her was! )I view you as higher value than myself.ole or in part in any for&. All I said was! )(ey! can I get you a drink/* or )7o you have a boyfriend/* ut by saying those things! it communicates the unspoken meaning that I must view her as the pri<e in this interaction. So let"s assume for a second that I am the pri<e! let"s assume that I really am the one with the value in this interaction and that I do have a lot of options and that she would be lucky to get with a guy like with me. . ut what I am saying is that you need to give her that feeling that she"s getting more and more compliance out of you! not because you"re calculatively doing it! not because you"re trying to trick her! but rather because your emotions are compelling you to want to do that for her. So you have to ask yourself! when I say this or when I say that! what does that mean/ &hat does that imply to her/ &ould a guy say that if he was rad 3itt/ -o. I"m not saying that you don"t need to keep your pimp pants strong.

www. >emember! if you"re not setting the frame! she will. [Beginning of 10tr21] ' ())* +enusian Arts$ LLC.ook! I don"t want to rush things.ilosop. I can be the one who escalated and then I push away and say! )&ait! I don"t want to rush things. 5ven though it"s completely logically inconsistent! as long as it"s a strong frame! she"ll buy it. So here"s some other lines you might use.e ri . Instead! it %ust has to do with how well I set the frame! how strong my frame is. And believe me! she"s going to set it in her own favor. I might say! ). #ou"re the one who escalated her.ook! I don"t want to rush things.ole or in part in any for&. $he fact that I set that frame! again! has nothing to do with whether it"s logically true or false.t of reproduction in w.area"1lifestyle. So I can go up to her and escalate on her. &hen I say! )Are you always this forward/* I"ve implied the frame that I think she"s trying too hard.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (11 of !"" So what kind of things would you say if you were rad 3itt and if she was hoping to get with you/ #ou might say! well! basically a lot of lines that girls say.P. -ormally! girls have that power so you reverse the roles. -ow the funny part is I can escalate her physically.* See again how I"m assuming that she"s the one trying to get something out of me/ I"m setting the frame that I"m the one with value and she"s the one who"s trying to get it. #ou might say! ). #ou might say something like this! )'ee<! are you always this forward/* +kay.ook! don"t think you"re gonna get something %ust Mcause you"re buying me this drink. $his is always the kind of frame that you want to set.ts reserved$ includin t. So you need to set it in your favor and have the strong frame so that she gets absorbed.* $hat"s true! but it doesn"t have to be logical. . . $he weaker frame should get absorbed into the stronger frame! which hopefully is yours. $hese are emotional forms of communication.co& Pa e (11 of !"" All ri .* 5ven though I"m the one who escalated in the first place! I can still frame it like she was the one trying to get something and I can"t be pushed too quickly.y$ #nc. -otice I"ve misinterpreted her behavior! whatever it was! as if she"s being forward! as if she"s trying to get me and she"s coming off like she"s trying a little bit too hard. I"m the one making the move and then I push her away and I say! ).* ut wait a second! you might say! )$hat"s not logical! ?hris.* +kay. +f course! I haven"t said this explicitly! but it makes sense based on the frame. &e call this role reversal! but really this is %ust about setting a strong frame that you"re the one with the power.

* I love that line.* -ow you might ask! )7o what/* It doesn"t matter.P. $his is %ust from my cheat sheet.ook! I"ll be the %udge of that!* as if! ' ())* +enusian Arts$ LLC. . I"ll throw that out at any point that she makes some pronouncement. -ormally! guys love it when a girl touches them! )+h! my 'od. Gm! look! I don"t that on the first date.ook! I don"t want to get hurt. .ook! I"ll be the %udge of that. &hat are some other phrase that you can use that make it clear that you"re the one determining : you"re the one with the power. (old on. >emember! I"m the one who escalated her in the first place. I need lots of comfort and trust before I get with someone.* I"m gonna say! ).co& Pa e (1( of !"" All ri .t of reproduction in w.ook! I don"t do that on the first date. $he point is that I"m setting the frame that she"s the one trying to do something and I"m the one slowing her down.ook! we"re not gonna have any more than two more drinks tonight before we leave. www.et"s say that I do something attractive and she gives me an I+I. I might say! ). I can still say a line like this and then walk away.area"1lifestyle.ost guys view it like they"re getting value! )She"s touching meP +h! my 'odP $hat feels so goodP +h! my 'odP* (e"s the one getting the value. And I say! )&hoa! whoa! whoa! hands off of that! girlP -ot so fastP* I"m setting the frame like I"m the one with value and she"s trying to take it. #ou"re the one determining if she qualifies for you or not. . She"ll giggle. . I"m leaving it vague and ambiguous on purpose. I might say! ). If she says! ). She"s touching meP &hat if she likes me/ &hat do I do/ &hat do I say/* ut here comes this one guy who says! )&hoa! whoa! whoa! hands off thatP* +kay.* She touches me.* And a I turn my back on her and walk off for a second. She"s trying to take value from me. She"ll accept the frame and so on.ole or in part in any for&.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (1( of !"" (ere"s some other lines.* .ilosop.ts reserved$ includin t.y$ #nc. I think we"re moving this a little bit too fast. I might say! )#ou know what/ I need to get to know you a little bit better first.et"s slow this down.e ri . She"s not accustomed to this. . $hen there"s the classic line in the community! )(ey! whoa! hands off the merchandise. ut when she touches me! I have to frame it like she"s the one trying to take value.aybe she : okay. She puts her hand on my chest for a second. I look down with my eyes and look at her hand and then I look at her and say! ).

?hill out! girl. (ere"s another example.ole or in part in any for&.ook! you"re a really nice girl. 5ven though it makes no sense logically! I can still enforce it emotionally and because my frame is stronger! that"s the frame that gets set.e ri .co& Pa e (1! of !"" All ri . )#ou %ust want me for my body.ike! )Gm! she"s definitely not my type! but I don"t want her to feel bad about it. A lot times girls will touch you right before the ditch you. $his is something I can do.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (1! of !"" )#ou got to be kidding me.* If she touches me or dances up on me or gets sexual on me! I"m not always gonna say that! but have the option to throw that out and say! )&hoa! I think you %ust want me for my body.* +kay. .* So I say! ). I"m not ready to be in a relationship right now.ilosop. . )#ou know what/ #ou"re a really nice girl. [Beginning of 10tr22] (ere"s another line that"s really good. www. #ou"re gonna decide to make decisions now/* +kay. $hey feel bad about it.* -otice again that I was the one who took her hand! but when she reciprocated! then I could throw her hand away and say! )-ot so fast!* as if she was the one who did it. (ere"s another line I might use.* It sounds like I"m disqualifying her! but I"m doing it in a way that I"m trying not to hurt her feelings.t of reproduction in w.P. I want to make sure absolutely nothing happens tonight! so I wore my old briefs.area"1lifestyle. I"m pumping her body temperature. . ' ())* +enusian Arts$ LLC. I do a back turn and then I turn back and throw in another demonstration of value. She takes my hand back. $hey know they"re ditching you.aybe she touches my arm. . $hen I throw her hand away and say! )&hoa! not so fast. So they touch you to make up for it a little bit as if they"re giving you value.* $he reason she"ll interpret it that way is because that"s the same way that girls talk to guys. And suddenly! she doesn"t have to go to the bathroom anymore.y$ #nc.ts reserved$ includin t. I take her hand.ook! I wore my old underwear tonight to make sure nothing happens.* +h! here"s one I like! ). I might ask her! )7o always move this fast/ Slow down a little bit. &e"ll be right back. I swear! all you girls do is think about one thing. ?an"t we %ust chill out and have a good time/ +h! my 'odP Are you groping me/* +kay. $his is a neg.* ut right when she touches her hand on my arm! I say! )&hoa! are you groping me/* -ow she starts giggling. So they"ll say! )+h!* and they walk up! puts her hand on my arm and %ust waiting for her to say! )+h! well! we"re gonna go to the bathroom.

+kay. >ight in that moment! I"m the guy who"s saying! ). ut the fact that I got the girl working for it and saying! )&ait! wait! wait! I didn"t mean it that way!* in a way that most higher value girls wouldn"t care. -ow she"s qualifying herself to me. .P.* As soon as she gives him an inch! he takes a mile.* $he fact that you"re pushing the girl off of you! raises your value so much because! again! any other guy gets a chance that she"s even touching him! and he starts clinging. $hat"s nice. +kay. I bet he"ll do everything you say. I might have a chance with this girl.ilosop. I"m interpreting it. 'irls are constantly complaining about this. ' ())* +enusian Arts$ LLC.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (1/ of !"" Another really good way to role reverse on a girl and neg her is to point out other guys. (e"ll buy you flowers. $hat guy looks perfect for you.ole or in part in any for&.* +kay. I"m not trying to do that. (e"d be perfect for you.et"s say that she does something or says something that I can misinterpret as if she"s showing interest in me or making a move on me! I"ll look at her and I say! )I don"t even know you.ook at the guy over there.ook at that guy over there. &hy are you telling me that/* +kay.y$ #nc.* +kay.* +kay. www.ts reserved$ includin t. . .co& Pa e (1/ of !"" All ri .* +kay. 9or example! she says! )(ey! let"s go to the bar and get a drink for our friends. I"m misinterpreting it as if she was trying to get with me or as though she had kind of pushed me a little bit too far outside of my comfort <one. Any time that you push girls away! they will crawl back all over you as fast as they can. $hey"ll talk to some guy and it"ll seem fun and funny at first! and the next thing you know! the guy"s clingy. $his is a level of emotional investment.* She would look at me and say! )'ood for you! boy. #ou know what/ If you want! I"ll go over and open him and start a conversation and I"ll get you talking to him and it won"t look like it was your fault. (e starts humping her leg like a dog Mcause he"s so happy and so hopeful that! )+h! my 'od. (e has nothing really funny to say! but he"s %ust desperately trying to keep it going.ook! Angelina! I don"t even know you.area"1lifestyle. $hen she says! )+h! wait! no! no! no! no.* I look at her and say! )I don"t even know you. (ere she is! )&ait a second! I didn"t mean it that way. (e"ll take you out to dinner.* (ere she is explaining herself to me! investing in the interaction! trying to get the frame back! trying to clear up the misinterpretation. $he guy"s trying to keep the conversation going. &ould Angelina 8olie do that/ If I said! ). Say! ). I didn"t mean it like that.t of reproduction in w. $he guy"s hovering.e ri .

P.* So it"s perfectly within the realm of reason for you to use the same sorts of terminology when you talk to a girl. I"m so attracted to this guy and I"m feeling such a special thing growing with this guy and he"s kind of like trying to push me away and not hurt my feelings and he %ust doesn"t think of me that way. . She"s starting to feel like a pair bond is growing. I"m getting her trying to explain herself to me and apologi<e to me.* &hat"s happening is she reali<es or she starts to get a feeling like! )+h! my 'od.* $his is gonna keep her balancing between hope and doubt! making her feel that sense of hesitancy! that sense of uncertainty! that sense of fear of loss! so that she"ll value this interaction %ust that much more.area"1lifestyle. It"s her getting more and more invested and more and more interested in what"s going on between the two of us. So they say! )I still like you! but you"re %ust not my type. I"m %ust grateful to have anything at all. . $his is : every one of these things is an indicator of interest.co& Pa e (1" of !"" All ri .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (1" of !"" &hat I"m doing is I"m getting her invested. ut it"s actually quite damaging if you don"t.et"s %ust be friends. . #ou have to have that frame.ole or in part in any for&. .e ri .y$ #nc.et"s make promise that we"ll always be friends no matter what! that we"ll always be friends.t of reproduction in w. I"m getting her working for it.aybe Mcause I"m hanging out with her! I"ve run my attraction material %ust right and she"s getting really attracted. . I feel like I have a really special connection with you that I don"t normally get with most girls.* 'irls say this to guys when they"re not interested sexually! but they don"t want it to be all weird and uncomfortable when they re%ect the guy. www.ilosop. [Beginning of 10tr23] It"s not only that it"s useful to have the frame that you"re the one with high value! you"re the one who"s the pri<e. &e should be friends. I don"t want to ruin this. &e really shouldn"t ruin this. And then at some point! I say! )#ou know what/ &ow.ts reserved$ includin t. &hat if you don"t have standards for women/ &hat does that mean/ &hat does that say about you/ &ell! first of all! it says! )I"ll take whatever I can get. And I"ve started to qualify her.et"s %ust be friends and we"ll keep it on the friendship level Mcause I don"t want to ruin what we have. &hereas if I"m someone with a lot of choice! if I really am this rad 3itt! this 3rince ?harming guy! who has access to all these different women! ' ())* +enusian Arts$ LLC.* $his also implies that there"s nothing special about her. A really good line to use is the famous ). I mean! if I"ll take whatever I can get! then she doesn"t have to be anything special.

www.ook! I had no sexual choice. She must be special. If I do like you! it"s not %ust because you"re good looking.ts reserved$ includin t. She must be unique. . $here must be something about her that makes her different than other women.* $hat"s %ust gonna make her feel common and used. She"s not %ust something that I took Mcause I was desperate. $hat"s why I"m with you!* or )I"m grateful %ust to find someone who"ll fuck a loser like me.ole or in part in any for&. It"s because there"s something special and unique about you! that you live up to my high standards. And I"m only gonna be with a quality woman and that"s exactly what you are.co& Pa e (10 of !"" All ri .ilosop. I don"t want her to feel like! ).e ri . So it"s important to have standards! not %ust because it raises your own value! but because it raises her values and it doesn"t make her have to compromise her own self-esteem to get with you.y$ #nc. . I"m accustomed to success with women.* !End of "udio# ' ())* +enusian Arts$ LLC.P.t of reproduction in w.area"1lifestyle. Apparently! that"s you. If I demonstrate to a woman that I have standards! here"s what is says to her! it says! )I have a lot of choice when it comes to women.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 1) Male$ Audience Pa e (10 of !"" and I chose her! that means she must be special.

She doesn"t have to be conscious of what"s going on.ole or in part in any for&.co& Pa e (1* of !"" All ri . &hat this means is that she"s looking for a picky guy. She immediately turned around and left. And when that happened she reached out her hand and put it on my back and she started stroking her finger up and down my back! very slowly! as we were talking. $his guy"s eager. &hat do I do/ And I said to myself! okay I"ll touch her back. $hat"s it"s not going to be easy for her to get your interest in comparison to her sexual rivals. (e doesn"t get that many women. And then I reali<ed! okay I conveyed value to her. So! I did the same thing. It was ah-ha. And I was gaming some girls. And that caused her to be attracted. www. She"s touching my back. And what that did was betray to her! oh! this guy doesn"t really have that much choice with women. She"s stroking me.y$ #nc. And I was too eager. I"ve lost attraction. She"s talking to some guy. ut! what value did she convey to make me attracted/ She didn"t do anything.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (1* of !"" $$tr$ 3eople don"t value things that come too easily. I was too easy. ut! is he really/ Is he really a loser or a guy who has a lot of options/ So! she does a test. ' ())* +enusian Arts$ LLC.ts reserved$ includin t. I was too obvious. She"s looking for a guy who is selective about women. It was %ust sort of a subtext to our conversation. I mean! all I know about her is basically! her tits and her ass. (e must not have any other options and that"s why he"s acting so desperate. She strokes her finger up and down my back. So! all these calculations happen at an emotional level. . ut! meanwhile on the inside I"m thinking oh! my 'od. I haven"t made her really value me. She may not necessarily be thinking this consciously! but her emotions are programming this. +h! I don"t find him that attractive. And I was running some attraction game on her and she started to get attracted to me. A woman"s going to assume that if you"re a high value guy that other women want to get with you.ilosop.area"1lifestyle. (e seems attractive. I reached out and put my finger on her back and I stroked my finger up and down her back.t of reproduction in w.P. &ell! and good. If the guy"s too easy and too eager! then that tells her he must be a loser. So! this is a very useful test for her from an evolutionary perspective. So! the test was failed. I first learned this lesson I was on the rooftop of the & (otel in San 7iego. . (er emotions say! oh! stroke his back. &hat does this mean/ She must like me. &hat happened/ She left. (e seems interesting. I haven"t made her work for it. So! if I"m interested in her that must be all I"m interested in.e ri . $hey have options. (e"s desperate. She was a little drunk.

&hat"s happening is I"m finding things about her that my interest can slowly grow and grow and grow.area"1lifestyle. And it"s not %ust about her tits and ass. . As she 7(Ds to me! as she demonstrates value to me! as I grow more and more of a connection to her and I qualify her and say! oh! wow you"re like this. .aybe I turn my body towards ' ())* +enusian Arts$ LLC. $$tr% So! this brings me to a metaphor that .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (11 of !"" $he lesson learned is it"s not enough to be attractive to women. I"m giving it a reward for its behavior. And does she bite/ And if she does! that"s the hood. And this is a fishing metaphor! bait! hook! reel! release. $hat"s awesome. 5very little thing has meaning. I can"t %ust say! whoa. .t of reproduction in w. #ou have to place a high price on yourself! so that if a woman"s attracted to me! I can"t %ust %ump on her. 9or example! let"s say! that I baited a girl. So! that"s the reel.co& Pa e (11 of !"" All ri . At this point! she"ll now value my investment. +kay! the fact that she hooked needs to be rewarded. So! now I show her a little bit of growing interest. +r! oh cool! you"re from 'ermany originally. So! what"s an example of this/ ait! is where you"re baiting the woman to invest! to put in some effort! to try harder. #ou"re attracted to me/ #ou like me/ +kay! let"s go. If she hooked then I want to reward her for that. +r! you"re a singer.et"s say she says! yeah there is a lot more to me than meets the eye! you should ask my friends. ut! let"s say she does hook. www. >eally. I love 'erman girls.ystery introduced to the game that is really applicable to the entire structure of the game. And at this point! when she has to work for it and invest her time and energy! and then I start to reward this with my growing interest. And I say! so is there more to you than meets the eye/ -ow! she may not hook.ts reserved$ includin t. +kay! she hooked.ole or in part in any for&. I didn"t know that about you.P. I love music. It"s too eager.e ri . And the reason we do this is actually to create comfort. ait! hook! reel! release. She may say! I don"t know! whatever. #ou have to value yourself. &hat does that tell me/ It tells me I don"t have enough attraction.y$ #nc. I slowly become more and more interested in her and more and more attracted to her as I learn more and more about her. ?heck! please. . $he meaning that you think it has is probably true.ilosop. I"m reeling in the fish. #ou have to use that attraction to get her working for it. +nce I have her attracted! then I have to get her working for it and get her invested in the interaction and then I slowly show interest to her. And then the release is where I have to push her away again. $hat"s too obvious.

#ou know! you"ve got to get to that goal post.ole or in part in any for&. www. And then release! again. ait! hook! reel! release. If I come off like the guy who"s always trying to get something! you know like the guys who are trying to get more yards on a football field. >eel her in again! that"s the reward.ean are very goal oriented and they look at things this way.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (12 of !"" her more or I cock my head or say interesting or whatever it is that indicates a little interest to reward her for her investment.y$ #nc. It"s enough for him. &hat does this mean/ . So! this process is something that repeats forever in circles. So! the release! the disqualifier! the push away creates comfort and safety. If I"m the guy with the agenda! then my value %ust went through the floor. She looses all plausible deniability.ts reserved$ includin t. (er anti-slut defense gets activated. ut! what if it comes off like! I"m not trying to get something! what if I push her away/ &hat if I say! )Ah! it"s too bad you"re totally not my type/* -ow! at this point! because she doesn"t feel like I"m trying to get something! now I have! I have a space to come back and bait her again. $he problem is I don"t want it to come off to her like I"m trying to get something.ilosop. +h! she"s attractive. So! for a man it"s often enough %ust to be attracted to a woman. $hey have different behaviors that result from different emotional processes. $$tr& It"s an important understanding that attraction is only a tool.P. &hy/ ecause it creates comfort.area"1lifestyle. $he release makes her comfortable for me to bait! and hook again.* $he men only need attraction. And at that point! I have to release and push her away. $hey have different mating strategies. It let"s her relax and allow me to repeat the process.t of reproduction in w. . . She goes into interruption mode trying to protect herself! so on and so forth. . And they did a study and I"m sure everyone hearing this has read about studies where they have a random girl! go up to a man on college campuses and say! hey would you like to go back to my place and hook up/ And almost all the men always said )yes.en and women have different preferences. I"m always trying to get something more! get something more! get something more! get something more to get to that goal. +kay! well let"s go have sex.e ri . ' ())* +enusian Arts$ LLC. So! I"ve got to get ten more yards! and then five more yards! and then ten more yards.co& Pa e (12 of !"" All ri . And it tends to be enough for them to have sex.

co& Pa e (2) of !"" All ri . 9or women! attraction is not enough. It wasn"t enough that he was attractive to her.ilosop. It"s good if you have women attracted to you. -otice! when I"m doing something with her hands! maybe! I"m moving them back and forth or lifting them up and down! I"m %ust rewarding her for compliance.aybe I"ve demonstrated some value to her and then I hold out my hands and say! let me see your hands. +kay! she"s hooked. $hat"s good. And then I throw her hands! not hard! %ust a soft hand throw. www. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (2) of !"" ut! for women attraction is not enough. . Another example of bait is a compliance test. -ow! I can go reward her for that. $hat gets her working for it. If she does comply! maybe she hands me her hands. I"m giving her a little bit of interaction with a little bit of playful touch. 7oes she comply/ If she doesn"t comply! then she didn"t hook. &e have trouble understanding that women don"t feel that way because they feel differently than we do. 8ust because she finds him attractive! that"s not enough. .ole or in part in any for&. So! you create attraction inside of her. If I"m demonstrating value and she"s attracted to me! she"s going to start working for it. And she may find him very attractive. (e"s formed an attachment to her! more than %ust finding her sexually attractive. $hat allows me to go back and bait her again and get her more and more invested. 9or a woman to have sex! she has to feel like you"re becoming pair-bonded to her. $hat"s the release that puts her off guard a little bit and makes her feel like she"s not sure maybe if she really has me. I"m trying to bait her. ' ())* +enusian Arts$ LLC. $hen you reward that effort with growing interest. She sees over time! as she"s working and investing more and more! that meanwhile you"re become more and more interested in her! more and more pair-bonded to her.y$ #nc.P. And here comes the high value cave man! rad 3itt guy. She wasn"t attracted enough to hook. She might be! imagine the ancestral woman! the cave woman. (e could have sex with her! and then leave.t of reproduction in w. And because men! don"t feel that way! we pro%ect our own feelings onto women. $$tr* So! let"s say that I"m trying to get a woman to hook. $hat"s the bait. ut! she"s still very much at risk. And now here she is alone! pregnant! in the cave with no one to fight off the wolves or bring home the antelope or whatever it is.e ri . $his perception will make her feel safe enough to have sex with you. She also has to feel like he"s become pair-bonded to her. ut that"s not enough for a woman to have sex. I do a little routine with her hands and then let them go.ts reserved$ includin t. So! from the player"s standpoint it"s important to understand that attraction is only a tool. She"s working for it. &hat are some examples of bait/ &ell! one clear example is %ust being attractive.area"1lifestyle.

#ou know! maybe she says! actually! I"m a great cook. -ow! I disqualify her! I say oh! my 'od. Again! ask yourself! is she investing/ 7oes she care/ If she doesn"t! there"s not enough attraction. 'o back ' ())* +enusian Arts$ LLC. www.P.ts reserved$ includin t.y$ #nc. &hat are some other examples of bait lines/ I might say who are you/ -ow she can interpret that however she wants. She"s trying to demonstrate value. $hat"s why I put the disqualifier at the end. So! do you like animals/ (ow old are you/ #ou know! maybe she says I"m @0. Style"s eliciting values routine! where he says! let me ask you. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (21 of !"" Another example of baiting a woman is to challenge her or to screen her. &hat are some things about you that would make me want to get to know you better/ (ere"s another good question.aybe I say! you know what you"re so cool! give me a hug. (e wants to see if I"m up to his standards. (ere"s another good line. So! now I need to do an indicator of disinterest and demonstrate more value.aybe I look at her and say! so are you a very good cook/ Some part of her! she reali<ed hey you know! he"s testing me out. +r! maybe she does cook. .co& Pa e (21 of !"" All ri .ilosop. +r! does she say well I"m loyal. And I push her off. . I"m fun. So! does she qualify/ If I say hey! can you cook/ 7oes she say! I don"t know! whatever/ In which case! obviously! I don"t have enough attraction.e ri . $hat means you"re not ready to qualify her yet.area"1lifestyle. And I pull her in and give her a hug.ole or in part in any for&. >eward her for that. She"s not investing. I"m not interested in the factual answer. I"ve been cooking for years. $hat"s the release. So! I want to balance that out with a little bit of disinterest! so it doesn"t freak her out.t of reproduction in w. I say! now slow down that"s all you get. So! what are some examples of lines that are used for baiting/ I might say! so is there more to you than meets the eye/ So! what do you want to be when you grow up/ #ou know there"s a lot of beautiful women here! but what"s really important to me is energy! intelligence! the little things about a person that make her unique.et me ask you. . So! it doesn"t look like too much. 'ive her more indicators of disinterest! demonstrate more value! and then come back with another compliance test. Attraction is only a tool to get her invested. If you had to pick one thing that makes life worth living! what would it be/ See now you"re testing to see what kind of investment you"re going to get in response. If a magician came along and poof! you could be anything you wanted to be! what would you choose/ And don"t say princess. -otice by asking how old are you! it"s inherent that I"m demonstrating a little bit of interest. Another good bait line is the beginning of Styles" 5D routine. She"s not attracted. . #ou"re %ust a baby. &hat if! she can tell! that I"m actually screening her as a potential romantic option. I"m interested in her level of interest! her level of investment. $hat creates comfort so I can go back and bait her again. If she doesn"t invest! she"s not attracted enough. So! tell me! what are your three best qualities/ &hat does she say/ Ah! you wouldn"t like me you know there"s nothing that great about me. $hat says to me! okay she"s hooked.

Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (2( of !"" and build more attraction. I wanted someone to like me more. I said I don"t understand.co& Pa e (2( of !"" All ri . ut! these are the sorts of questions that I will use at the appropriate time. (e said look! if he does you a favor! he"s more invested in you. +r! is she going to say oh! who cares! whatever/ I"m sending out pings and I"m getting pongs back. $hat means gives her lots of barriers! indicators of disinterest! pump buying temperature! 7(D value spike! such as preselection! protector of loved ones and so on. . So! I asked this attorney! he seemed to have a lot of insight on interpersonal relations. So! you really want to bait people to invest. I wanted to get this friend of mine to like me more. I should be able to tell from my calibration and my intuition that she"s interested enough that it"s going to work. Is she going to try and qualify herself to me/ Is she going to say )no/* I"m not like that! I swear! I"m totally not like that at all. 3eople tend to like you more when they"re invested in you. So! I asked him.ts reserved$ includin t. ' ())* +enusian Arts$ LLC. Some other questions. 7id you go to school/ &hat"s your degree/ Are you smart/ 7o you have lots of friends/ -otice! I"m not actually going to pepper her with these sorts of questions! one after the other because that would be weird.e ri . Are you like that/ +kay! sort of put her on the spot there. 5very response that I get from her! every movement in her body language! facing me more or less! leaning in more or less! investing with her verbal communication more or less! this tells me where I am in the set. And I was asking his advice.ilosop.t of reproduction in w. I remember one time I was talking to a friend who"s an attorney. I said what do you think I should do to make this other guy like me more/ And he said get him to do you a favor. ut they actually don"t. So! are you adventurous/ 7o you give good back rubs/ Are you a passionate person/ . I mean I should know beforehand that she"s going to hook before I bait her.P. Any time that you bait someone to hook and they don"t! that was a fuck up. www.et"s talk a little bit about hooking.et me ask you something! what are you most passionate about/ #ou know there"s some people! they think they"re open-minded and adventurous and they make all these plans and they talk about meeting new people or going on a diet or taking some trip! or whatever.area"1lifestyle. If he"s had to pay a cost or make any kind of investment for you! then he"s going to tend to like you more and in the case of women! they"re going to be more attracted to you.y$ #nc. $$tr+ . $hey %ust sit around doing the same old boring shit! over and over again. #ou really want to get those hooks. .ole or in part in any for&.

aybe I"m telling some story and pumping her emotions and right when she feels the emotional climax! I lean back and turn away a little bit. She tries to demonstrate value about herself. Another example of hooking is chasing behavior! anytime she chases me. .aybe she"s trying to impress me because she wants some business alignment with me.ilosop. At this point! I need to do a back turn or some sort of I+7! I need to lean away from her! turn away from her because otherwise! I"m rewarding bad behavior. -ot! like I"m doing it on purpose but %ust like I got a little distracted.ts reserved$ includin t. >eward good behavior.aybe she says! you know I know a lot of people downtown! so if you ever come out with us again! I"ll be able to get into the good clubs. . 9or example! let"s say I bait her by doing a take away. . .e ri . $hat tells me that she"s investing in this relationship. I"m %ust gonna create more bad behavior in my future.area"1lifestyle.aybe I"m someone that"s important to her for business. So! the fact that she"s willing to risk that social currency to build me up to her friends! shows that she"s investing. $he fact that she even took my thread and answered it and gave it the thought and care to try and explain ' ())* +enusian Arts$ LLC.et"s say that she 7(Ds herself. &ell! she wouldn"t do that for a weirdo because it would make her look stupid. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (2! of !"" &hat are some examples of women hooking/ 9irst of all! any kind of investment on her part in terms of time! energy! money! social currency! you know! let"s say that she tries to convince her friend that I"m really cool. . Another example of hooking is anytime she starts explaining herself or apologi<ing about something. She"s interested and she"s investing. $hat"s bad. If I hold out my hand and I say let me see your hand for a second! if she doesn"t! she didn"t hook.co& Pa e (2! of !"" All ri .y$ #nc. She"s taking a risk. etween a man and a woman! usually it means some sort of romantic interest or sexual interest! but not necessarily. It doesn"t really matter what she"s saying. >eward her for it. Another example of hooking is if she complies with the compliance test. ut! in the world of seduction when you"re creating sexual! romantic attraction and then you start getting a woman trying to qualify herself to you! you can basically bet this isn"t about business. www. &ell! why is she saying this/ #ou know! it may be logically true or not! but the bottom line is she"s trying to demonstrate value. .t of reproduction in w. If I say! so why did you wear that/ +r! why do you have your hair up/ And she says! well actually blah! blah! blah. And right in that moment! she reaches out and she grabs my arm and she says! wait! wait! what were you saying about that little dog again/ -otice! that right in that moment! by timing the take away to cause her to chase! she"s now become a little bit more invested in the interaction.ole or in part in any for&.P. Anytime she invests money! anytime that she spends time with me! or energy trying to get with me! these are opportunities costs that could have spent somewhere else.

She"s investing. &hat he"s looking for is any little crack! anything! a crack of smile! anything besides total avoidance.t of reproduction in w. +r maybe even! something more subtle! maybe I %ust lean in a little bit.area"1lifestyle. .y$ #nc.atador do this where we"ll be in a set or excuse me! we"ll be in the venue walking around.aybe I"m using an emotional qualifier. $hat"s a hook. So! if he sees her crack! she does something besides that! maybe she looks him in the eye and smiles! maybe she starts blushing. It"s time to reward her for her investment. #ou know we have some cra<y openers. I would say wow! when I first met you! you didn"t make the best impression on me! but now I reali<e %ust from talking to you! that you"re really an ama<ing person. I might say something like! you know I"ve always wanted to find a girl who wore red shoes or who feels passionate about the environment or whatever it is. At that point! maybe I"ll turn to her and I"ll say! wow! you know what you are really cool.aybe she starts talking in such a way that it would hook him into conversation! whatever it is! it doesn"t really matter. She"s interested. >emember for a woman! an emotion is a reason. . I lean in more. (e walks right up to her and kisses her on the shoulder and then steps back! leans back and watcher her response. And he"ll see some girl. So! now it"s time to reel her in. . She"s hooking. -otice I"m qualifying her.co& Pa e (2/ of !"" All ri . 5ven if she"s negative! even if she says! who do you think you are! kissing me on the shoulder like that/ $he fact is! she addressed the frame. Derbally I could give her qualifiers.ole or in part in any for&.ts reserved$ includin t. www. So! reward her.aybe I %ust smile! any other investment or I+Is! even if she cracks %ust a little bit. She"ll try to turn away. . $$tr0 All right! so! let"s say that she hooks and it"s time to reel her in. . I"m giving her a verbal qualifier.e ri . +r hey! give me a hug. &hat are some different ways of doing this/ &ell! one way is to %ust show any indicator of interest. She"s complying. She put effort into it. She"ll try to get away.ilosop. I"ve seen .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (2/ of !"" something to me as if she was concerned with my opinion! shows that she"s reacting to me emotionally. I smile. So! if I were to say to her! you know I don"t know ' ())* +enusian Arts$ LLC. I cock my head! anything that conveys growing interest! giving her attention. And this is how he opens her. She"ll try to reduce the interaction! she"ll avoid answering questions! avoid talking! etc! etc. If she"s disinterested! she will convey avoidance. -on-verbally I turn my body towards her.P.

co& Pa e (2" of !"" All ri . +r! you know this is a fun conversation or you know I feel good when I talk to you. #ou know five minutes go by and I haven"t seen you and suddenly I"m looking around! where did she go/ &here did she go/ &hat"s he"s going is conveying that the words and behaviors of someone who"s feeling a pair-bond. +r! I %ust love girls with curly hair or whatever it is. ut at the same time! I still want to treat you that way because I feel my emotions %ust feel that way. #ou could say something like! I don"t know what it is! but I love 'erman girls. #ou can take some arbitrary qualifier and for whatever reason! you have some attachment from your past and it makes you really like that.e ri . . . www. +ne! phrase he"ll use is you"ve hi%acked my brain. +kay.ole or in part in any for&.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (2" of !"" what it is! but when we"re hanging out! I %ust feel this genuine vibe. .t of reproduction in w. I don"t know what it is! but I %ust can"t stop thinking about you.aybe I say something like you know what! can I buy you a drink/ -ow! this is normally a loser ' ())* +enusian Arts$ LLC. Another way to reward her is to give her explicit statements of intent! S+I. +r when I"m with you! it %ust feels so genuine. -otice the principle of the healthy emotions attractions switch! that my emotions are making me do it. I know that you can be a dork.ilosop. &hen I"m with you! it %ust feels so good.y$ #nc. Another way to reward her is to give her compliments.y emotions are becoming attached to her and causing me to want to treat her better! even though I know maybe she"s a dork or whatever! that"s okay. I always have.P. It"s not %ust saying! wow you"re a pretty cool person. -otice the disqualifier is basically %ust on the emotion. +bviously! the more genuine a qualifier is or the more difficult it is to fake! then the more it will impact her emotionally. So! what"s an example of a statement of intent/ . #et whatever it is! you"re not some princess. . $his is very important for a woman that she sees that you know who she really is! warts and all and you accept her that way! and you feel those emotions anyway.area"1lifestyle. It"s so genuine between us that it makes me want to treat you like a princess! even though I know you don"t deserve it. I love brunettes. I love girls who dance. And I"m going to talk about how to compliment a woman properly.ystery has referred to this in the past as pair-bond faking! faking that you"re growing a pair bond for her. Instead! it"s a much more of a clear! direct statement of interest and intent that you"re becoming romantically interested in her and you want to pursue it in the future. $hese qualifiers work. So! I know that you"re %ust a girl or I know that you can be a brat sometimes. #ou can also use arbitrary qualifiers. I accept her anyway! and I treat her good anyway. A statement of intent is more than a compliment or qualifier. And it makes me want to treat you really good! even though I know logically you don"t deserve it.ts reserved$ includin t. I don"t know what it is.

-ow turn off the food. www. $hat"s when I say! you know what! can I buy you a drink/ &hat I"m doing is I"m showing her that she"s winning me over.e ri .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (20 of !"" thing to do. 9ood. $he bird very quickly learns that when he pushes the button he gets food. ?lick. #ou actually make me feel nervous. ?lick. +f course! immediately followed by pushing her off again! and that"s the release. ?lick. She put in some effort in the conversation and she described something cool about herself! maybe the time she went to 3eru or whatever. Another example of rewarding a woman when she hooks is physical escalation. ?lick. 9ood. ?lick. +kay. -ow! something else I want to say about rewarding is it"s important to use intermittent rewarding. Ah! it doesn"t work anymore.area"1lifestyle. +h! my 'od! that is so cool. See how I"m not %ust showing a little interest! but I"m showing future intent. She hooked.ole or in part in any for&. So! a statement of intent is a little bit more out there.ts reserved$ includin t. 'ive me a hug. . And it"s something that you don"t do right away. ?an you believe that we met at a bar/ +kay. ' ())* +enusian Arts$ LLC. $here could be something here. (ere"s another example. #ou"re putting yourself out there a little bit more. $hat"s consistent rewarding. &hat is intermittent rewarding/ $his is a concept that comes from psychology and from animal training. And every time the pigeon pushes the button! he gets a little piece of food. She invests a little or she works for it a little. I"m showing that there"s something about her that I"m like! wow. And I reward her by touching her or by hugging her. So! that the classic example is the old experiment with the pigeon in the cage. &omen will reward a man by giving him a touch or giving him a hug. I have an intent to see this girl in the future. #ou make a statement of intent at the right time it"ll really have a powerful romantic interest on her emotionally. And he"s got a button. ?lick. . ut! now I actually feel nervous around you. Another example of a statement of intent! is you know what! when we first met you seemed %ust like another one of these blondie! ?alifornia girls. #ou"re making your interest a little bit more explicit! which takes a little bit more balls to do. I wouldn"t open with this.t of reproduction in w. $he bird very quickly learns not to touch the button.ilosop. ?an I buy you a drink/ ut let"s say that I"m talking to her and she"s done some investment.y$ #nc.aybe she does something. And that"s when I show my interest. And so what! I"m doing is I"m %ust taking that high value perspective for myself and I"m rewarding her with my touch and with my hug. -ow this may sound weird and egotistical! but if you think about this! women do it all the time. 9ood. So! what I"ve done is I"ve framed any touch with me is a reward to her. #ou do it when she"s earned it and then she"ll really appreciate it because she needs to feel that comfort and safety that you really are interested in her. -othing. ?ome here. +h! my 'od! I can"t believe this.co& Pa e (20 of !"" All ri . . I wouldn"t say! hey what are you guys doing/ I"m ?hris.P.

Sometimes they don"t. $he bird will sit there pushing that button forever. It"s unpredictable. &hen they hook! the basic concept is okay! reward her for that. It"s intermittent. As soon as she can predict your behavior! then you become boring to her and you"ll lose her. $his is the same reason that people become addicted to gambling.area"1lifestyle.aybe I say! you know what you can be pretty interesting sometimes. -otice how I show interest followed by disinterest to balance it out. #ou"re supposed to use intermittent rewarding. $he disinterest allows me to get away with more interest.ts reserved$ includin t. So! intermittent rewarding is well known by animal trainers as the way that you reward.aybe he has a 21U chance of getting food. #ou"re not supposed to use consistent rewarding. #ou drop it down to 0U. And man! suddenly you walk away. (ow is she going to interpret that/ ' ())* +enusian Arts$ LLC. It doesn"t learn to stop pushing the button because intermittent rewarding is addictive.ilosop. Again! no food. Sometimes they get the reward. So! the bird pushes the button. #ou are so adorable it"s sickening.co& Pa e (2* of !"" All ri .y$ #nc. And maybe you give her a whole bunch of interest. #ou know! maybe you turn towards her! give her a hug. It"s unpredictable. Again! food. Show interest but push it away. ut the more complicated concept is reward her in an intermittent way. Again! no food. And you drop it to 01U. And you drop it to I1U. &hat you can do is once the bird is trained that way! is you can reduce the percentage chance. ut then you push her away. +kay! here"s some food.aybe sometimes she works and she doesn"t get interest. Heeps them on an emotional roller coaster and it"s very addictive. $hat bird keeps pushing that button. . And what does that mean/ It"s bait. And she works a little more. $hen she does get interest.t of reproduction in w. I might say you know what. 3ushes the button again! no food. . Again! food.ole or in part in any for&. . . . $$tr1 So! what are some examples of qualifying her and then disqualifying her/ >eeling her in and then releasing! rewarding her but intermittently! keeping her suspended between hope and doubt. It keeps them swinging between hope and doubt. $his is called intermittent rewarding where you! instead of giving it a consistent reward you give it some percentage change of a reward.P. #ou ask her to sit down with you! and then you get distracted and say! oh I have to go say hi to my friend. It"s unpredictable. $his keeps her own her toes. So! this is the same with women. -ow turn it off. It creates a sense of uncertainty.e ri . $hey"re in there using the slot machine! ding! ding! ding! ding. www.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (2* of !"" -ow! intermittent rewarding is where you only sometimes reward it.

If it looks calculated or like you"re trying to get something! bad! bad! bad. (ook! reel! release. #ou know what you are the coolest girl I"ve met tonight. It"s weird! you know when I"m talking to you I feel like we have such a great conversation. (ook and it %ust! it escalates in a cycle. A good way to compliment her is to say! you know what! I love the way you talk! you have that voice %ust like they do on $D.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e (21 of !"" . +kay! now here I"m going to do a false qualifier and emotional qualifier.e ri .ole or in part in any for&. #ou can do this reel! release.ts reserved$ includin t.ilosop. #ou"re feeling inside! you are feeling genuine appreciation! so much that you can"t help but express it to her and share that feeling with her. A good disqualifier is oh! I can"t even talk to you right now.t of reproduction in w. #ou know! maybe I have this thing for 9rench girls. So for example! let"s say she wants to be a newscaster. &hy not/ &hy not/ (ere she is qualifying herself! hooking again. And I can turn a reward again. $$tr2 +ne way to indicate interest or reward a woman for good behavior is to give her a compliment. -otice this contrast! this qualification! disqualification! this emotional roller coaster that stays unpredictable.area"1lifestyle. I"m going to go leave. And that"s why I can never talk to you again. . As if the thing! that made you so interested in her is exactly! why you can"t continue the interaction. (ook! reel! release.y$ #nc. ut! we have to be careful here because a lot of guys give bad compliments or try hard compliments! compliments that come off like he"s trying to get something or like he"s %ust trying to flatter her. I say! you know it"s weird I %ust feel so good around you. Actually! you"re probably the second or third coolest girl named Sarah. I"ve fallen completely and totally in love with you. www. It should come off as if you"re genuinely appreciating something about her. +h! I can"t even talk to you right now.P. $hen I put in a false disqualifier and say! ah it"s too bad you"re not my type.aybe I say you know what! you are awesome! well sort of. . I met a few other Sarahs tonight. $his is what we"re doing here. So! it"s very important that the compliment come up genuine. &ell! you"re the coolest girl named Sarah. #ou want to compliment her for something that she wants to be appreciated for! something that she believes about herself or that feeds into a role that she aspires to play. It"s too bad you and I are not gonna get along. -otice how I"m complimenting her in a way that gives her appreciation where she wants it ' ())* +enusian Arts$ LLC. $he same as when a man goes to a woman"s door and says! you know what! I can"t help it anymore.co& Pa e (21 of !"" All ri . And I say! well you"re 9rench.

Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator

Pa e (22 of !""

or where she believes she deserves it. $his is a trick from )(ow to &in 9riends and Influence 3eople!* by 7ale ?arnegie. #ou know I"ve said this before the guy who shows up at the party carrying the guitar. Appreciate him for that instead of saying oh! here come ;r. 'uitar 'uy! or whatever. ;aybe you come up to him later on in the night and you say! bro that"s really cool stuff that you were doing there. I %ust want to let you know that I really appreciated it. $hat guy is gonna become your bitch. (e will love you so much. (e"ll invest in you. (e"ll like you. All because you gave him some genuine appreciation where he felt like he deserved it. And this is the same way to compliment a woman. If you don"t have a compliment that"s going to come off that way! then don"t say it. Another interesting thing about compliments is that it"s good to add a little teasing indicator or disinterest at the end! so you don"t look like you"re kissing her ass. If I say! wow! that was so ama<ing. I want to throw something out at the end and say! but don"t get your head too big. 7on"t get a big head about it. I do not want to make any kind of statements or compliments that denigrate her ability to play into desired roles. 9or example! let"s say she wants to be a $D newscaster. $he last thing! I ever want to say is! oh! look don"t quit your day %ob! okay. I mean you"re never gonna be a newscaster. #ou need to be more realistic. $hat"s exactly the wrong thing to say. If she has this dream! she has this fantasy give her compliments that feed into that and make her feel as if she"s getting validation for that from you. And you become a source of validation. Another thing to do is give her compliments that cause her to play roles that are useful to you. 9or example! if I say! oh my 'od! you are such a brat. $hen I"m encouraging her to exhibit more bratty behavior. &hereas! if I"m in a bar and I see some girl and I"m talking to her and I say! you know what you are so classy. I can"t believe I even met you in a place like this. +f course! she wants to view herself as classy! so now she"s going to play into that role. ;ake sense. See how this compliment encourages her to act classy around me! so that she can feed into that image of herself. She"s now going to avoid ghetto behavior in front of me because she believes that I admire her for class. She doesn"t want to ruin that admiration. 9ind out her inner values and dreams and compliment her accordingly. $hese will be the best compliments she"s ever heard. $he worse thing you can do is compliment her for her tits and ass. $his is the same stuff she gets from every guy. +h! my 'od you are so hot. #ou are my dream girl. +kay. 7o not compliment from a begging frame. $hat"s a begging frame.
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator

Pa e !)) of !""

#ou"re so hot. I with I could have a girl like you. (e"s complimenting from a place of lower value. Instead! you want to compliment from a place of higher value! as if you"re the one %udging the value! as if you"re the one who"s the pri<e and you"re giving her a bone. .ike! wow! cool. #ou qualified for me a little bit. &ow! I like the way you carry yourself. I like the energy that you put into interaction. As if! I"m the one %udging instead of I"m the one begging. All you"re compliments should come from the screening frame. $ry to compliment something about her that she has control over! like her style! her energy! the way she carries herself! something unique about her outfit. 7on"t be the guy who"s complimenting girls on their necklace! by the way. $his is what every guy does when he can"t think of something to say. (e"s talking to some girl. (e"s desperate to keep the conversation going. (e can"t think of something to say and he goes! oh! that"s a cool necklace. &here"d you get that/ $rust me. She has heard that like I1 times tonight. 7o not do the necklace compliments. $hey"re pathetic. $ry doing this. $ry giving her a compliment! followed by a screening question! which is bait. #ou know! you"re screening her a little bit to see if she lives up to your standards. ut! notice how you put a compliment right before. So! for example! I might say! you know what I was %ust sitting here talking with a group of people and I noticed you a little bit more. And you really carry yourself with real class. #ou have this poise and style about you and I %ust wanted to say that I really appreciate that. I couldn"t help but notice it about you. .et me ask you something. ?an you cook/ -otice how I up a screening question right after a genuine compliment. -ow! she"s more likely to comply because she looks like a total bitch if she doesn"t. And she"ll feel like one. So! I say can you cook/ And she says! actually yeah! I can cook really well. I maybe %ust got a little more investment that I wouldn"t have got otherwise. -ow! I can reward her! release! push her away! come back! and compliment her again. ?ome back and bait her again. Another good thing to do and this is very useful in the field to convey high value! is try giving her constructive criticism right after you compliment her. +kay. So! for example! maybe I say! you know what I %ust noticed that you really carry yourself with style and poise. #ou have this classiness to you. #ou have this positive energy that you put out. And I really respect that. #ou know! but one thing I noticed about you is that I think your hair would look a lot better up. I think you should try putting your hair up or maybe her hair is already up! in which case I say! I think you should try putting your hair down. I think it would look a lot better that way. -otice how I put a constructive criticism right after the compliment. +kay. 9irst of all the compliment is gonna be taken a lot more genuinely and sincerely now because I"ve used an I+7! I"ve used
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator

Pa e !)1 of !""

this indicator of disinterest or %udgment afterwards. .ike! if the guy"s %ust trying to kiss her ass! oh you look great. #ou look cool. I like this. I like that. (e"s never gonna say anything negative. And so! she"s not going to put much credence into what he"s saying. (e"s not going to be taken too seriously. ut! if he says things like! ah! I think your hair would look better down. +kay. &hat guy would say that who"s trying to get into her pants/ &hat guy would say that who"s trying to stay on her good side/ +bviously! he"s willing to say something a little negative and it comes off like! he"s being honest and genuine. So! when he does give her this compliment! she adds more weight to it. $he compliment means more to her because she knows! hey if he has something negative to say! he"ll say it. $herefore! when he says something positive! he must really mean it. So! she"ll take the compliment a lot better that way. So! again! this is something to experiment with. $ry doing constructive criticism right after a compliment. It"ll really put her off balance a little bit. #ou were %ust nice to her and she feels complimented! but then you want to change one little thing about her appearance. She probably! on the inside! she probably agrees with it. She says to herself! yeah my hair probably does look better down. >ight. $hat"s a perfect -5' because it"s gonna be taken sincerely. 7o not compliment her on her looks. 7on"t say she"s hot. 7on"t talk about her tits. 7on"t tell her she has a nice ass. $hese are things you can play with! but they"re not the best compliments. $hey"re not the most effective compliments. And they"re certainly not something I would use in the first 01! @1! I1 minutes of this set. ;aybe after I"ve been with a girl for a few weeks! I might say baby you have such a nice ass. +h! man I %ust want to bite that thing. ut! I"m certainly not going to say that in the first ten minutes. $$tr3 So! complimenting aside! let"s say that I want to show a girl even more intense interest. I want to give her a statement of intent. &e talked about statements of intent previously in this recording. I %ust want to give a few more examples. If I"m talking to a girl and I say! you know what you do this cute thing with your nose. It"s very cute. +r! I really like how you carry yourself. $hat"s a compliment. I could say that to anybody. It doesn"t necessarily mean that I definitely want to see her again in the future! that I"ve definitely got romantic interest. ut! what if it"s time to put myself out there and make a clear statement of interest. >emember women are interested in men! who are interested in them.
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator

Pa e !)( of !""

So! when you make a good strong statement of intent at the right time! and show that you have clear interest for her! it"s gonna make her more interested in you. ecause she needs to hook up with a guy who"s interested in her! not who %ust wants to fuck her. So! what are some statements that qualify her and show interest but in a way! that"s a lot more explicit/ I"ve given some examples previously like! I said you know your first impression was okay! but now that I get to know you know you are so incredible. -otice that ;ystery style delivery! that slow and emphatic delivery. #ou know what can I buy you a drink/ $$tr$4 #ou know what! now that I get to know you! you are actually pretty cool. I mean! you"re a cool person. I"m curious about you. +kay. I have to hang out with you again sometime. ?an you cook/ +kay. -otice I have to hang out with you again sometime! a clear statement of intent! followed by a compliance test. ?an you cook/ I"m %ust experimenting here. $hrow out compliance test mixed with compliments! mixed with statements of intent! mixed with qualifiers! mixed with disqualifiers. 3lay around with these pieces and get an intuitive sense for how they work in the field. (ere"s another clear statement of intent. (ey! my friends and I are going to go sit down over there. &ould you guys like to %oin us/ +kay. $he best place to put this is right after she"s hooked. I don"t want to say this out of the blue. ;aybe I say something to bait her! so what do you guys do/ And she says! actually we"re dancers. &e do ballet. -ow! I have an excuse to reel her in and say! wow! you guys are ballet dancers. #ou guys are the coolest girls we"ve met in her all night. #ou know what we"re going to sit down over there. &ould you guys like to %oin us/ -otice how my growing interest in her is tied to her investment! to her hooking so that she feels like she"s earning my growing interest. So! she feels like she as a unique person! is winning me over and it"s not %ust! because I want to fuck her. +kay. -ow at this point! I release. I push away. $his creates comfort. She doesn"t feel like I"m trying to get something. Allowing me to come around and beg her again. So! maybe I say! it"s too bad we"d never get along. +r! maybe it"s not verbal. ;aybe I hold out my hands! that"s the bait. &hat"s she gonna do/ +kay! she puts her hands in mine! okay. She hooked. I squee<e them a little bit. See if she squee<es back. I"m testing for response. y squee<ing them and pulling her in! I"m rewarding her for her hooking. $hen I throw her hands. -ot hard! but %ust enough to where she feels little discarded. $hat"s the release. $hat makes her feel like I"m
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator

Pa e !)! of !""

not trying to get something! so now I can reach out to give her a hug and go for the next step. And because I pushed her away! I"m more likely to get compliance on the next piece. $hat"s the basic idea behind bait! hook! reel! release. And if you think about it! it"s not %ust the qualification phase you know you have the opening! and then attracting the woman and then qualifying her! which we sometimes call AI. It"s not %ust that phase! although that"s where we teach it! but it"s actually a metaphor for the entire game! from the very beginning all the way up through sex! itself. Sex is %ust another form of compliance and investment. And now this brings us to micro-calibration. $$tr$$ $he idea behind micro-calibration is that people are constantly sending little emotional signals to each other! usually below their conscious awareness. At the point that I say something really stimulating! I tell some funny story! and right at that moment! I lean back a little. 7oes the girl lean in/ If she"s attracted! she will. >ight! when I"m leaning back! she"ll lean in. She doesn"t notice that she"s doing this. It"s happening unconsciously. ut some part of her is attracted. She feels the emotion. She feels this pull towards me as I"m leaning back and she leans in. So! now I see this cue. I see this indicator from her that she"s %ust leaned into me. (ow do I interpret this/ $he idea is you interpret it based on your first feeling. $he first feeling says! I think she"s a little interested. She"s leaning in. +kay! it"s correct. 5very little thing has meaning! no matter how subtle or how nuanced! it has meaning. Interpret it that way. So! imagine that I feel a little desperate to connect with a certain woman. And this feeling of desperation is telegraphing out from me in my behavior. #ou know! maybe when she steps back! I step a little closer. $his is pure reaction. I may not even know notice that I did it. ut! she feels it. -ow! understand she may not consciously notice either that I stepped towards her! but instead! she"ll notice emotionally that I feel a little needy. She"ll feel a little ping of neediness coming from me. So! these pings are these emotional feelings that we send out to other people. ;aybe I"m sending a ping out that says! I"m a little needy. +r I"m sending out a ping that says I"m higher value. +r I"m sending out a ping that says! I don"t have time for this right now. Some emotion that I"m sending out! she"ll feel it. $hat"s what ;ystery calls a pang. She"ll feel that pang! whatever that emotion is. And then she"ll respond and I"ll get a pong. It comes back. It"s like ping-pong. I send a feeling over to her.
' ())* +enusian Arts$ LLC, - P.ilosop.y$ #nc, www,area"1lifestyle,co& Pa e !)! of !"" All ri .ts reserved$ includin t.e ri .t of reproduction in w.ole or in part in any for&,

Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator

Pa e !)/ of !""

;aybe I act a little needy. She feels that I"m acting needy! so that causes her to lean back. And then I feel the pong come back! emotionally I feel that she"s leaning back from me. I feel like I"m losing it! which if I"m a loser guy that"ll %ust make me more desperate and make me telegraph more neediness! which will make her back off even more. -ow! what if she leans back and instead of chasing! I lean back as well. ;aybe I lean back against! a wall. >emember this is all happening as if I don"t notice this is going on. &e have some conversation going on. ;eanwhile I notice she takes a step back. So! I lean back. -ow! instead of sending her a message that says I"m needy. I"ve sent a ping of higher value. And instead! now! she feels that I have higher value. She feels the emotion that a woman feels around a higher value guy and that causes her to lean into me more. -ow! I"m getting good pongs back! instead of bad pongs. So! it"s important to understand that everything that we say or do is gonna communicate something to the people around us. It"s gonna communicate higher or lower value. And it"s going to indicate interest or disinterest. If I lean back! it indicates higher value and it indicates disinterest. If I lean in! it indicates lower value and it indicates interest. And of course! these aren"t rules written in stone. It all depends on the actual situation. ;aybe she %ust qualified herself a little bit! so I lean in to reward that! where normally I don"t lean in. So! she values it when I do. 5verything we say or do communicates higher or lower value and indicates interest or disinterest. 5very little thing that people do! no matter how subtle or nuanced carries meaning. If you interpret that meaning based on your first impression! then you"re probably right. If you lean back and she moves towards you a little. $hen you can interpret that as an indicator of interest and you"re probably right. She"s moving towards me! it"s probably interest. Interpret it that way because it"s probably correct. So! what are some examples of little pings that have meaning/ I take her hand and drop it. 7oes she grab for my hand again/ I take her hand and squee<e it. 7oes she squee<e back/ 7oes she have a loose grip or does she grip hard/ I touch her. 7oes she touch me back/ I push her on the shoulder. 7oes she touch my shoulder back/ I do a hip-check you know I pump her hip with my hip. 7oes she do it back/ I put her hand on my knee. I say now look that"s all you get. 7oes she leave it there/ +r! does she pull it away/ 5very little thing has meaning. Interpret it that way. I put her arm in mine. And say! okay now don"t get any funny ideas. $hat"s all you get. I"m going to put her arm in mind and walk around the venue. 7oes she feel stiff/ 7oes she feel like she"s pulling away/ +kay! do a hand-throw. 7oes she feel like she"s squee<ing closer and she wants
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Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator

Pa e !)" of !""

more. +kay! fine. 3ull her in! give her a little reward! then brush her off. $hat"s the release. And then I come back and do it again. 3ull her into your lap. 7oes she sit down on your lap/ 7oes she resist/ .et"s say that I"m locked in. I"m leaning against the wall. I take her hand and pull her a little closer. +f course! I"m talking at the same time. So! I might say you know what when I was a kid! blah! blah! meanwhile I"m reaching out with my hand and pulling her in towards me. +kay. Is she coming or is she resisting/ If she resists! do a hand throw. Heep talking as if I didn"t notice. See the idea! here. -ow! another idea behind micro-calibration is that you can get away with a lot more! I+# if you calibrate it with a little bit of I+7 and vice versa. #ou can get away with a lot more I+7! if you calibrate it with a little bit of I+#. So! every! of course this isn"t every! but most! most I+#s should be calibrated with a little I+7 calibrator at the end. And most I+7s should be calibrated with a little I+# calibrator at the end. So! maybe I take her hand and I put her in my arm! arm-in-arm! and I say! okay notice by the way! notice once I do the arm-in-arm! that"s an indicator of interest. So! now I have to calibrate that with an indicator of disinterest. So! I say look that"s all you get. +kay. $he indicator of disinterest there! that"s all you get! actually allows me to get away with the interest of putting her arm-in-arm. -ormally! if you take a girl and put her arm-in-arm with you! it looks like a little too much. It looks like you"re trying to get something. It"s too obvious. It telegraphs interest. So! you have to cushion that. #ou have to put that I+7 at the end and say! okay now don"t get any funny ideas! that"s what allows me to get away with the I+I. So! now I give her the I+7! don"t get any funny ideas. ut! then I calibrate that with a little smile at the end. So! that I+7 has a little I+I calibrator at the end so it doesn"t come off too harsh. 5verything that I do is like a compliance test. Anytime I lean forward or lean back or say this or say that! I"m testing for some response from her. I"m either going to get more compliance or more defiance. I"m either going to get more interest or more disinterest. And either way! I have to respond appropriately. 9or example! let"s say that her pong comes back to me and it signals that she"s defying my compliance test. She"s disinterested and so on. If I"m getting that attitude from her! then I obviously have not built enough attraction. ;y value is too low. So! what do I do to raise my value/ I have to start giving her a lot more I+7s and demonstrations of value. So! I hold court in the group. I take control of the frame. I demonstrate preselection. I tell some stories about protector of loved ones. I make
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. She has to feel like she"s getting her hooks in. -ow she trusts that this pair-bond is gonna be a valuable investment to her and she"s going to allow you to have sex with her. -otice that you"re so classy! is the I+I. I"m getting more and more compliance momentum. &hat"s her response/ 7o I get more defiance/ 7o I get more disinterest/ +kay. -ow! occasionally! I want to give her compliance as well. ut I"m not sure about you yet! I put a little I+7 on there so the I+I doesn"t come off to strong because if it does It"s %ust gonna scare her away. So! her value is going down relative to mine and my value is going up relative to ' ())* +enusian Arts$ LLC.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e !)0 of !"" everyone laugh. So! I give her an I+I! but I"ll follow it by a little bit of an I+7. So! she has to feel like she"s winning you over. I need to give it to her a little more and little more as she works for it otherwise! again whatever resources you have are no good to her unless she has access to them. -ow I give her another compliance test. She complies. And this point! or excuse me! in this case! I"m getting good responses out of her. ut! I"m not sure about you yet. And then I go demonstrate more value. So! I turn my attention away from her but I continue talking on the same thread.aybe I did a compliance test. www. I reach out my hands.ole or in part in any for&. I"m getting good behavior. . -ow what"s happening is the longer that I"m not looking at her and she is looking at me! I"m not reacting to her and she is reacting to me. $$tr$% Another principle in micro-calibration that I find interesting is the idea of using the least amount of reward necessary to get the investment. I want to be unpredictable! but I don"t want to be completely uncontrollable.y$ #nc. +kay. So! I reward it using intermittent I+Is.co& Pa e !)0 of !"" All ri . .P. . ut! I"m not looking at her. And as I start talking about it! I turn my head away like I"m being distracted by something visually! maybe I see a bird fly by or I see some guy walk by that maybe I know this guy. So! she continues looking at me. $hen I return with more disinterest.area"1lifestyle. And I start saying something and I start going into whatever I"m talking about. 5very now and then! when she asks for some compliance! I need to give it to her. So! for example! let"s say that I"m talking to a girl and I look her in the eyes.ts reserved$ includin t.e ri . .aybe I asked her a question and she put in the effort to actually answer it and take it seriously.aybe I turn towards her and smiled and she reached out and touched my hand! whatever it is. (owever! let"s say that when I do something! whatever it is her response comes back positive. She continues listening to me. I want to reward this. She takes them. I continue whatever I was talking about. I say you know what you"re so classy.t of reproduction in w.ilosop. So! over time as she earns it! you give her a little bit more compliance! a little bit more compliance.

co& Pa e !)* of !"" All ri . .ystery does instead is as he"s talking he holds up the cigarette to her! but he also turns his head away and continues talking. . And again! right when I feel like I"m about to lose her! I look back again! and hook her back in. It doesn"t look like he"s reacting because he was already not looking. +h! she didn"t take the cigarette! so he turns away. And he wants to do a compliance test where he hands her the cigarette to see if she"s going to take it and put it in her mouth and do a puff on it. I give her that little bit of reward %ust enough to hook her back in! keep her looking at me longer and then I look away again! and continue what I"m talking about. And he"s smoking a cigarette. And it doesn"t look like he"s trying to punish her. So! look at the subtlety here. .area"1lifestyle. . #ou practice in the field. So! imagine this for a second. And that"s %ust gonna lower his value.ystery"s in the field! he"s talking to a girl.P. &hat . (e"s testing for that degree of compliance. &ell! guess what! he"s already not looking at her.ts reserved$ includin t. And at that point! he could punish that by turning away. ut the problem is that makes him look reactive.et"s say she doesn"t take the cigarette. . 7oes she feel comfortable to take my cigarette and take a drag/ -ow! one thing he could do is look at her and holds out the cigarette! as if he"s waiting for her response and she could defy him.t of reproduction in w.ilosop. ut if she does take his cigarette! now he can turn back towards her and reward her for this compliance.e ri . It"s going to make him look like he"s reacting to her. >ight at that moment where she"s about to look away! I look back again.ystery. So! now he"s created a situation where if she complies he can reward her. ' ())* +enusian Arts$ LLC. -ow! right at that moment! where I"m about to lose her and you get a feel for this.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e !)* of !"" hers. I capture in the eyes. $$tr$& $here"s another example of this! similar to this principle that I learned from . (e"s already taken his attention away from her.y$ #nc. #ou"ll get a feel for it. -ow at this point! he"s not looking at her! but he"s continuing to talk to her. And he"s holding that cigarette out for her to take it. If she defies! he doesn"t look reactive on the punishment because he was already looking away. -otice how I"m giving her the minimal amount of attention to continue to get her invested.et"s say she defies. (e"s lower value than her. www. Instead! he can %ust get more and more distracted and she %ust loses access to him. $his is one of the aspects of micro-calibration that you"ll understand at a deeper level if you practice with it in the field. I"m pulling my value up and up and up. And making her more and more try-hard relative to me where I"m sort of getting distracted. It makes him look like he"s trying to punish her.ole or in part in any for&.

$hen what that says to him is to be confrontational! to put his foot down to say look bitch! I"m not gonna put up with this crap anymore. She"s gonna avoid him more. &omen don"t put their foot down and say! I"m not gonna take this shit anymore. (e says! ah you"re losing me. -ow! recently I was talking to a girl and she said! oh this guy gave me some shit and I"m not gonna put up with that shit. &hen a woman says I"m not gonna put up with his shit anymore! what that means is that she"s gonna %ust not waste her time on him anymore. 9or example! when a man hears the statement! oh! I"m not gonna put up with that shit anymore. She knows that she"s pulling some bullshit and that you shouldn"t put up with it. And also! if you"re telling a woman look! I"m not put up with this shit! it looks like you"re reacting! which lowers your value. $hey %ust don"t care enough. +kay. . So! now you"re even less attractive to her.e ri . $hey start avoiding that negative feeling.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e !)1 of !"" . +h! here comes that guy calling me.ystery uses this line. .y$ #nc. #eah! he"s right and avoidance! avoidance.area"1lifestyle.ike! you might say to yourself! oh! I"m going to confront her. . So! if you get bullshit from a woman! you don"t want to come off like you"re trying to get back at her or like you"re trying to punish her. Instead! a high value person punishes by withdrawing! %ust by leaving. $hat"s the closest that a high value person gets to punishment.ystery needs to punish a girl! he doesn"t try to give her bad feelings! instead he %ust gets distracted and wanders off and talks to some other girl. $hey %ust leave. +kay. I"m going to tell her I won"t put up with this shit. #ou know as if! ah! this was cool and interesting! but I"m getting bored now. www.ilosop. #ou need to come off the same way. $hey don"t try to give you bad feelings and make you feel bad for what you did. $he thing is she knows you"re right. -ow! this is one of the dangers of listening to female romantic advice. +h! he wants to do something! I"ve already got other plans.ts reserved$ includin t. +h! he"s texting me! no text in return. ut the fact that she knows you"re right! %ust makes her avoid you because it"s a negative feeling.t of reproduction in w. ecause if a girl gives you bad advice and she says look don"t put up with that girl"s shit! a man will interpret that much differently than a woman meant it when she said it. +h! he"s calling me! I"m not here to pick up the phone right now.co& Pa e !)1 of !"" All ri . $he idea is high value people don"t punish by trying to get back at you.ole or in part in any for&. $hey"re the ones with higher value usually and they %ust withdraw that value and get distracted by someone else. I was a bitch to him. ut that"s not how a woman interprets that statement. +r! I"m not gonna take that shit.P. If . +kay. ' ())* +enusian Arts$ LLC. $hese are avoidance behaviors.

P. esides! I have a chick coming over and I"ve got to go right now.e ri .ole or in part in any for&. I didn"t notice.ts reserved$ includin t. I don"t know.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – CD 11 6arrator Pa e !)2 of !"" So! what"s the proper attitude/ . www. I didn"t even notice her bullshit! so why would I care about it. I don"t know did she pull something. So remember! high value people do not punish to cause bad feelings because they simply don"t care enough to do that. 3unishment is reactive.y$ #nc.t of reproduction in w. And we"ll figure this out later.et"s say you"re getting some attitude or some bullshit! something that"s )unacceptable. . I mean later on if you go to apologi<e to some high value guy! he literally doesn"t remember what you"re talking about! he was fucking some chick anyway! so what does he care/ !End of "udio# ' ())* +enusian Arts$ LLC. And you lose the benefit of their presence by default because they got distracted. .ilosop.co& Pa e !)2 of !"" All ri . Instead! high value people merely get distracted by all the other high value offerings that come to them. (ey bro! have you heard this new song from whoever/ It"s like already distracted! already on to the next thing. +kay! cool.area"1lifestyle.* $he attitude should be more along these lines.

So for example! leaning up against a wall ' ())* +enusian Arts$ LLC.s interesting because it has three phasesE Attract! comfort and seduce. And the Attract phases are different emotions that you. So the attraction location is also the ?0 location.re taking her through an emotional process. So we open her! that.area"1lifestyle. ?0! the first location of comfort! is the same place where I met the girl. Tra/6 % So what are these locations/ &ell! ?0! ?@ and ?I.s original model! the .s important to understand what.y$ #nc. +nce you move into midgame! then you have to run the sort of — we used to call this the comfort phase. $hen we go into the ?omfort phase! which has three steps. In the Attraction phase! each different phase is a different emotional process6 but in the ?omfort phase — again! A0! A@! AI. So now it. At that point! you move into the mid-game. www.e ri .co& Pa e !1) of !"" All ri .ve focused on the pickup.t of reproduction in w.s the mid-game! and then the endgame.ts reserved$ includin t.s A0. -ow! . And eventually! once you.I model! it. #ou open her! A0! A@! AI.ystery.re %ust building more and more comfort over different locations over time as we lead up towards the bedroom eventually.s interesting that the steps in the ?omfort phase are basically only separated by location.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !1) of !"" Tra/6 $ Lovedrop: All right! so there are three main phases to the game. So we.s time to really focus in on the mid-game section! and really the game is played here in mid-game! so it. #ou build comfort! and trust! and connection! and qualify her better.P.ole or in part in any for&. 5ach one is a different emotional process. A@! we generate attraction! which is an emotional state! AI! we then get her working for it and reward her for that! so this is the qualification phase. $hese are the three main phases of the game! and up until now in this seminar we.ve built enough comfort. Start moving her back to my house! to my couch! to my bed! and escalating more sexually once I.ilosop.re putting the girl through.s the same emotional process! but it occurs in different locations. ut it. . . So the pickup is when you go out to the bar! and you first meet the girl and run the attraction and build the initial comfort6 and that way you can bounce her to the next location or get her phone number and meet her for a date.s going on. Again! we.s the pickup! there. $here.ve gone through this phase! then you go to the endgame phase! which is where we start moving her towards the bedroom. ut in the ?omfort phase — ?0! ?@! ?I — it.

So what is the emotional process/ $he basic elements of midgame are comfort and trust! conversational rapport! and connection. And then the ?I location is the same place as the Seduction location! so usually my living room.re going from one comfort location to another or in some new comfort location! we.s house! maybe window shopping! walking through the mall! any place where we. $o whatever degree that she feels more comfortable with you! more trusting of you! to whatever degree that the two of you have a better conversation together! more of a fun conversation! or to whatever degree that the both of you feel connected together! you are building your mid-game and you.ve gone to ?@. ' ())* +enusian Arts$ LLC.m building comfort with her in the same place! at the same time that I met her.ve met! we.ts reserved$ includin t.et.ole or in part in any for&.t of reproduction in w.s go have dinner.ve gone through that process! now we.m gonna probably have sex with her in my bedroom! then ?I is the living room. $he emotional process is the same.re meeting for a date.ilosop.Q She comes out6 we meet up. So what. .y$ #nc. If I.co& Pa e !11 of !"" All ri .re in my living room! sitting on my couch! talking.re getting closer to results.area"1lifestyle.s why it. $he game itself is basically the same. Again! we. So again! these phases of mid-game are completely separated only by location. +r maybe we leave the bar that same night! and I say! Q(ey! let.re either leaving and bouncing to some other place to build comfort again — or to build more comfort — or we. So this is another comfort location that. . So let. &e could potentially go back to my bedroom and have sex! and that.re in ?@.re still building comfort! but we.ll get to — and then at some point we end up back at my place! and we.ve already established that the three phases of comfort in the .s drill down a little bit deeper. www.s a ?I location now instead of a ?@ location.Q She leaves with me.s next after the attract location.P.s go get some pi<<a next door. Tra/6 & All right! so we. 9or example! sitting in a bar or a coffee shop! sitting over at some friend. +nce we bounce! we.I model are only separated by location.re in a place where we could potentially have sex. . &hereas ?@ is okay! we.s go have dinner! or let.s the complete picture here/ I meet her! attract her! go into comfort! then we meet for the next day! go into ?@! and we build more comfort — comfort takes about seven hours! which we.aybe I call her the next day and say! Q.e ri .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !11 of !"" in a bar! sitting on a stool in a bar! locked in with a girl standing between your legs! sitting with a girl in the quiet area of a coffee shop! somewhere where I.

It.co& Pa e !1( of !"" All ri . And that. .t get it.s why they have — certain states! they have laws that you can go return the car within a certain amount of time to protect people against buyer. &hat. www.m in the bar with a girl and I start — I.y$ #nc. 9or example! let. It.ve built enough comfort and trust! you will cause buyer. &e all know that comfort and trust is one of the necessary elements of mid-game.s very important to build enough comfort and trust before you escalate sexually! and it. Same thing happens with women.t return your phone calls. Tra/6 + 5arlier in this course! I talked about how men tend to be attracted to visual cues and women tend to be attracted to behavioral cues. #ou send her a text message! she doesn.re gonna cause buyer.ll happen is when you. &hat.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !1( of !"" Tra/6 * So I %ust wanted to give a quick note on buyer.ole or in part in any for&. I mean when I was hanging out with her! she was all into it! she was getting all turned on.s say that I.s getting turned on! but then what happens is later on! you call her up! she doesn. So why did I do it/ It was a mistake.area"1lifestyle.s remorse.t respond.s remorse.s en%oying it! she. Straight up! it was a mistake.s the problem/Q $he problem was you did not have enough comfort and trust when you escalated her.s gonna happen is! again! you.t have a bedroom that I can take her too6 I.t of reproduction in w.ilosop.ts reserved$ includin t.e ri . So later on! as she looked back and remembered what happened! even though she en%oyed it at the time! now she feels buyer.s %ust like when you buy a car and you feel like you got pushed a little bit too hard into the sell! then the next day you regret buying the car.t escalate her sexually until you actually have a place where you can have sex with her because otherwise! what. etween you meet a woman and when you begin a sexual relationship with her! you have to have some degree of comfort and trust.s also very important to have a seduction location ready before you escalate sexually. She gets all hot and bothered! but I don. 7on. . And because of this! women tend to need more time around a man to accurately assess ' ())* +enusian Arts$ LLC.re escalating! she.m in a bar.s remorse.s remorse.s appreciating it and she. $he problem is if you escalate too quickly before you.m not %ust kissing her like comfort kisses! but I start actually turning her on and escalating sexually. QI don.P.s remorse and she starts exhibiting avoidance behaviorsE Avoiding your calls! avoiding any contact with you and so on because she regrets what happened.

m getting from the girl! I know if she.s the real deal. It %ust means that as a good rule of thumb! it.t of reproduction in w.m getting from the vibe I. >eally! this is useful %ust as a good rule of thumb.ve ' ())* +enusian Arts$ LLC.ll become a lot more secure and trusting that it.s probably too early.Q +kay/ -ow! this doesn.t mean that some expert player couldn. And so because of that! %ust spending time with a woman by itself will make her more and more certain that it was the right choice6 as long as your attractive subcommunications continue to be the right attractive subcommunications over time! then she.ilosop. 8ust from the vibe I. In pickup! we call this the seven hour rule. $he idea is! as . ut for someone who.ve hung out with this girl for more than ten hours! maybe 02 or @1 hours or — who knows/ — maybe you. And what does this mean/ $his means seven hours cumulatively.s always about seven hours. Similarly! if you.t escalate the girl and have sex with her in less than two hours.area"1lifestyle.ole or in part in any for&. $his means maybe the first hour or so! I meet her and hang out with her at the bar! maybe we bounce next door for some food for an hour! I get her phone number! talk to her on the phone for half an hour! go meet her for a date the next day for an hour or two! then we meet her out at the club that Saturday night! hang out for a couple of hours! end up back at the after party and blah! blah! blah6 it ends up being an average of about seven hours every time. It.s ready to have sex6 I know if she needs a little more time.ve only spent about two hours with this girl! so it.ts reserved$ includin t.P. And so because of that! one of the main elements in comfort and trust is merely %ust spending time with the girl.s accumulatively about seven hours.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !1! of !"" their compatibility and attraction levels and so on! because she has to watch his behavior over time.co& Pa e !1! of !"" All ri . .ystery started to look back over all the different women he had been with! a pattern starts to emerge.s really advanced in the game! you already know. etween the time that I first meet the girl and the time that we end up in bed! it was always an average of about seven hours — usually somewhere between four and ten hours! with an average of seven. . I mean! I. 9or someone who.ve done it6 other people have done it.t mean it.s %ust starting out or %ust practicing this stuff and hasn. And so this is a natural process! but this is something that most people do6 and if you think about it! two or three dates! which is usually how long it takes before people start having sex! it. www.re probably securely in the friend <one.ve known the girl for a couple of years6 you.s %ust obvious to me. It doesn.e ri . #ou.t really developed his calibration and intuition! then he can sort of look at this rule of thumb and ask himself! Q&ell! where am I in the seven hour rule/ See! I.y$ #nc. (ey! it.s impossible.s probably way too soon to start escalating sexually.

Q ring her over to ' ())* +enusian Arts$ LLC.s been through a lot more with you than if you %ust sat in one location.y$ #nc.s %ust one picture that pops up in her mind.re sitting in your bedroom for seven hours! %ust sitting there! looking around. www. &hat. And this is why we teach that it. . . . $here.s important to moves girls around — for no other reason than %ust to move them around. If I meet a girl in the bar and I talk to her for a few minutes! I start to feel like that location has become stale.s the walls! there. .s gonna happen later on the next day when she looks back and remembers that seven hours/ She.ilosop. Also! it. -ow! what happens the next day when she looks back and remembers that seven hours/ She has all these different pictures in her head.area"1lifestyle. .ll say! Q+h! let me show you something over here!Q and I. So imagine this for a secondE Imagine you. -ow instead! imagine that for that seven hours! she came over! sat in your living room! talked to you! moved back to the bedroom! showed her something on your computer! then you guys went out for a taco! then you went walking down the boardwalk! stopped in at the aquarium! looked at some fish! gawked at the shark tank! drove her back to her place! whatever. 7on.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !1/ of !"" probably waited way too long and did not escalate when the window of opportunity presented itself.aybe I.s the bed.s gonna see the two of you sitting in your room! it.re sitting there with a girl! hanging out.s go get a drink.s gonna picture your room! she.ts reserved$ includin t. Tra/6 0 Another factor that really builds comfort and trust is changing location.ll say! Q(ey! let.t have the balls to do it — whatever. It.Q +r! Q+h! I.s good to build in that compliance! get her accustomed to following your lead and moving around to different places with you and feeling comfortable with that.s %ust a good rule of thumb to sort of gauge that you should be having sex at around seven hours.t of reproduction in w.t embarrass me! check this out. She has a picture of you two in your living room! you two sitting in front of the computer! you guys eating tacos together! you guys walking down the boardwalk together! you guys at the park or the aquarium or whatever. In the same sevenhour period of time! you can make her feel like she.aybe you.co& Pa e !1/ of !"" All ri .e ri .ve got to introduce you to my friends.aybe you didn. And I. And we think this is due to a psychological trick! the time distortion effect.ll move her even %ust five or ten feet away! %ust to move her. All these different pictures in her mind.t recogni<e it was there or didn.s the ceiling! there.ole or in part in any for&. 8ust the act of moving you and the girl from one location to another location will cause her to feel more comfort and trust in you.P.

So I might pull her in! introduce her to my friends.ve moved her ten feet! which is again! %ust moving girls in and of itself is a good move to do.ve had my eye on this shirt6 I.Q -otice how these all look very spontaneous also.t want to %oin you! then they.ts reserved$ includin t.ll feel like she. Q+h! you know what/ I.Q Q#ou know what! we. $he point is I.cause you obviously didn. Anything that. Q+h! come on! girls! let.aybe we. . #ou and your friends should come %oin us6 we.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !1" of !"" my friends! introduce her to . I.ve got to show you something.ll have fun. $his will escalate — excuse me! this will quicken the seven hours.ve gotta run down to . And also! I.ole or in part in any for&.area"1lifestyle. &hat are some other examples/ Q+h! I.re on the guest look at Set. .m gonna go buy it today. $his is giving me massive social proof and pre-selection all around.ll make an excuse not to %oin you! but it.t be doing that one in a bar.aybe I put my hat on her head! or I put my boa around her neck6 then I say! Q&ell! I.t you come with me and keep me company/Q -ow! obviously I wouldn.s go.Q +r I might say! Q(ey! let. Q+h! my 'od! you.et.Q If they don. www.s go get a drink.t of reproduction in w.ve got to go to the 3ost +ffice.elrose and grab this one shirt.aybe I say! Q+h! I.re in the bar! and I say! Q#ou know what/ &e.ystery6 that way he can give me an accomplishment intro! talk about how cool I am and then pass her back to me.Q &hat are some other examples of location changes/ .ve got to meet my friends! but don.s spent more time with me than she actually did.aybe I walk ten feet away and lock in against a pillar somewhere! and she walks up to me wearing my hat.et. ' ())* +enusian Arts$ LLC.s go next door and have some pi<<a.s say for example that I.y$ #nc.aybe I. .Q Q+h! you know what/ I. If they want to %oin you! they will.Q +r in .P.re on a date or she.s got to follow me. ?ome on! these guys are really cool.Q -ow let. ?ome with me! and we.t embarrass me. &hy don.re gonna go next door and get some pi<<a. ecause she.aybe we.s locked in — she.ve gotta show you something!Q then I turn and %ust start walking away.m moving her around.s got my hat on — then she.s go get a bagel!Q or! Qlet. I say! Q(ey! I gotta run out and grab a burrito and run by the 3ost +ffice6 come with.t build enough attraction for her to be having her excuses get generated in your favor.A! Q&e. It.re on the guest list at this other club.s really your fault .s go next door and get some coffee.Q +r! Q.re on the guest list at Sky ar!Q whatever it is. &ould you and your friends like to %oin us/Q -ow again! girls make up excuses to do what they want to do.m starting.ve locked her in.ll take seven hours and compress it6 because of the time distortion effect! she. . .co& Pa e !1" of !"" All ri .iami each! I might say! Q+h! we.s planned out is %ust not as cool. . Q?ome along.Q In . .Q .m gonna take her next door for pi<<a! whatever.ll do some window shopping. It.ilosop.e ri .s a cooler club.s over at my house handing out.

t have enough comfort to kiss yet. She. $his is extremely powerful. .P.ve gotta make her like me more. She. .m unaffected! and five minutes later I go back and go for the kiss again.co& Pa e !10 of !"" All ri .s interested! and she. ut with me! I tried to kiss her! she turned the cheek! I.s reacting6 but we all know from the yin! the set of attitudes that we teach in the beginning of this course! that you should not be reacting.t react. ' ())* +enusian Arts$ LLC.t feel comfortable around him.s saying is that she.ole or in part in any for&.t even notice it. 8ust don. $his builds a lot of comfort and trust. So she hasn.m not gonna react to that. &hat happens is a lot of guys are very socially not intelligent! and they mistake this! and they react poorly.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !10 of !"" Tra/6 1 -ow let. If I go and try to kiss a girl and she sort of turns a cheek or avoids the kiss! I.t think of me that way.s not attracted to me or that she doesn.ilosop.m not affected.t even cut me off from the escalation! and again! she can push me away again. www. She feels more comfortable that — this one guy tried to kiss her! she turned him down and he freaked out.t have enough comfort yet to make out with me.s not saying that she.Q So they start trying to buy her drinks or tell her how hot she is.s no big deal.s say that I.s not re%ecting me6 she. So I go for the kiss! and she.t comfortable enough yet! I back off! I. I. So what.ll escalate again. All she.aybe the guy gets sulky.s not ready to kiss yet6 she doesn. -ow think about the difference hereE -ext time when I go and kiss her! she feels more comfortable now.m trying to illustrate that you should always have this behavior pattern.e ri .aybe they get angry! the guy yells at her! guy gives sort of a negative response — Q&ell! fuck you! thenPQ .y$ #nc.s not ready for the big kiss.ts reserved$ includin t. . #ou know/ And I.et.m unaffected! no big deal! almost like I didn. I.t of reproduction in w.m with a girl! and she.s an example/ .area"1lifestyle. $he act needy! they start begging for the kiss! or they get insecure! they start trying to compensate for the fact that! Q+h! she doesn.s hanging out! but she doesn. +kay! again! I.t like me6 I. $his is a behavior pattern that I.m gonna be completely unaffected to that like it. In all these cases! the guy.t feel safe around him6 she doesn. She turns the cheek again! I back off again. So what are the implications here of the fact that I use the yinLyang attitudes when escalating/ (ow does this create comfort and trust in the girl/ So I go and try to kiss her! she turns a cheek! she turns me down for the kiss! she wasn. -ow she doesn.s not ready for it yet! and she sort of turns me down.ll even turn around five minutes later and go to try and kiss her again.s talk a little bit about the power of our yinLyang principle to create comfort and trust.

t have to feel unsafe or untrusting about that because she knows from my behavior patterns in the past that I.s safe with that.ike that.s gone. .e ri . I. I have so much trust now that she. She doesn. $his also enables her to feel comfortable and trusting in the fact that I. I know that when that happens! he.t resist.t try and kiss her again. She wants it to happen . Q+kay! this guy.re in bed/ &hat if he tries to fuck her in the ass and she re%ects that/ Is he gonna freak out/ Is he gonna start yelling at her/ Is he gonna try and force it/ >ight/ So the fact that I went to kiss her and got re%ected and I backed off! I. -ow she.Q So he gives up. #ou know/ So much for that6 it.co& Pa e !1* of !"" All ri .ole or in part in any for&.m going to back off.ll stop. (e. $hen she starts to resist when I reach her comfort level! then I back off unaffected! and come back and escalate again.m cool.s like! Q+h! well! she doesn.P.m the man6 my %ob is to come and do the escalation part.t like me. At some point! when I go to escalate! she doesn.s say that a guy tries to kiss her and she isn.ll try it again.m creating inside of her more feelings of trust! more feelings of comfort and safety! and more feelings of attraction.ts reserved$ includin t.Q At that point! she feels so comfortable with that and so secure in that! that she %ust allows any escalation to happen at this point.s cool. So anytime I push her up to her comfort boundary and then she starts resisting! I back off! unreactive! no big deal! like almost didn.s my %ob. I come back and escalate again6 that. $his is a very important test for a woman. I know — I know — that if I ever feel unsafe and put up some resistance! that he.s gonna be cool.area"1lifestyle. .m unaffected by that! no big deal! that makes her feel a lot more safe around me because now she knows for sure that if she resists any escalation! that I. .s gonna let me do ' ())* +enusian Arts$ LLC. .aybe I push the boundary a little bit further this time.t even notice it.s gonna happen when they.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !1* of !"" &hat are the implications of this/ &ell! first of all! when she resisted and I backed off! now she. If a man goes to kiss her and she re%ects that! and he freaks out! well! now what.s able to feel a lot more trust that in the future! if she.ll come back and escalate again. And I know that whenever — that a little bit of time passes! he. $hen I come back and escalate again.s gonna be cool about it. $his process will continually push her comfort boundary farther and farther and farther until she feels comfortable enough to have sex with me. 5very time this happens! every time I back off and come back and escalate again! I. So now she can relax and allow the escalation because she knows it. A few minutes later! I.t comfortable yet for the kiss6 and because of that! he feels re%ected! so now he won. +kay! for example! let. She re%ects me! fine! it.cause now she feels cool about it.m going to escalate again.t of reproduction in w.s it.ilosop.m gonna back off and that she.y$ #nc.s gonna feel confident that she always has the power to stop it whenever she needs to. ut with me! when she resists me and I back off! I come back — unaffected! but I still come back and escalate again. www.s gonna feel a lot more safe to allow me to escalate in the future because she.t even — like I didn.s going to resist! I.ll be cool about it.

As you become more and more intuitive! more and more calibrated in the game! you.s been. #ou know! you may in your childhood have witnessed some weird event ' ())* +enusian Arts$ LLC.ilosop.area"1lifestyle.co& Pa e !11 of !"" All ri .s very important that you and the girl be able to have a really good conversation together.re actually doing the process moment-by-moment properly instead of %ust sort of waiting out the seven hours.y$ #nc. +ne thing you never want to do in a conversation with a girl is talk about anything that. It.e ri . And once you can do this right! you.ike the next day! if she sees your phone number ringing her phone and she. . She feels comfortable with me. $he seven hour rule is %ust a historical approximation and a rule of thumb! but this understanding here of pushing that comfort boundary properly is the more accurate and specific model of what. .t of reproduction in w.s talk about a few things not to do in a conversation.ts reserved$ includin t.aybe he took the squirrel and like pulled off its tail and nailed it to a tree or something weird like that. &hat are we gonna talk about now/Q Instead! she should be thinking to herself about what a great phone conversation you guys had! how you were constantly saying! Q+h! oh! oh! yeahP +h! yeahPQ And always something the other person said made her come up with something! and then she would say something and that would make him come up with something and they had this sort of fun! exciting time talking to each other! such that she can. #ou can get a lot more comfort and trust very quickly with a girl because you.ole or in part in any for&. Tra/6 3 So let.t really have anything to talk about. 9or example! let. Tra/6 2 Another very important aspect mid-game is conversational rapport.P. $his is the whole point of this process6 this understanding is more accurate than the seven hour rule.t believe I even have to say this! but I see people make these mistakes all the time. www.ll be more and more able to do this and see exactly where you are with this girl instead of %ust sort of guessing based on how many hours it.s say when you were ten years old! you went out with some friends with a gun and shot some squirrels6 and one of the squirrels lived! and your friend tortured the thing. .t wait for the next opportunity to have a conversation with you again.s gross! violent! weird! creepy! or overly logical. .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !11 of !"" whatever I want because she feels safe with me. I can.s trying to decide whether or not she should answer the call! she should not be thinking to herself! Q5h! we didn.ll really be a lot less affected by the seven hour rule.s really going on.

$he more you describe it! the more she.area"1lifestyle.s still gonna associate those feelings with you and your presence. &hen she goes home! she.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !12 of !"" like this.t of reproduction in w. .re opposed to someone doing that! but you.re still telling that story! and she.aybe you.ike! Q?an you believe he would do that/ (e would rub a diaper on his head/ (e didn. &e.t check properly to make sure it was the right towel.P.re telling a story about when you.re causing in the people around you! why would you ever do that on purpose/ It. So %ust don.re talking about it! she.re getting a reaction from people! it feels good.s going to be.s still sitting there listening to it! being grossed out. I felt so bad.s %ust stupid.s kind of gross.re doing! if you know what kind of feelings you.s gonna feel it! the more weirded out she.s sitting there thinking! QGgh! gross! weird creepyPQ >ight/ And then you say! Q+h! then he nailed the thing to a treeP I mean could you believe someone would do that to a poor little squirrel/Q And even though you. So some people! they tell a gross story! they get reactions! that feels good! so now they. ' ())* +enusian Arts$ LLC.s disgustingPQ and so because you.s still gonna feel creeped out! and she.t believe this kid6 he was so mean! you know/ $hen he pulled the tail off the poor thing.s kind of weird! and ugh. . $hat guy always tells gross stories! and he. If you know what you. .re eating a burrito and you accidentally bit into a cockroach and started crunching it around in your mouth. www. So why are you doing that/ &hy are you giving her those feelings and making her associate them with you/ Some guys fall into this trap because they get reactions. .re not the one who did it! or even if you come off like the sort of person who would never do that! the fact that you.s %ust ignorant.y$ #nc.t ever talk about it in front of girls.s %ust a complete lack of social intelligence. .Q She.ilosop.t tell stories like that.ts reserved$ includin t.s a mistake.s still gonna feel weird! she.ole or in part in any for&.Q And logically! you. .Q And like the thought of inviting him to the next dinner party is not the first thing in her mind.co& Pa e !12 of !"" All ri . And all the people around you! they go! Q+h! ugh! 'od! that. And he. I know another guy who would — he had this story about how one time he knew this guy who came out of the shower and reached for the towel! and he accidentally picked up the baby.m thinking to myself! Q(ow can he tell this story/Q It.ogically! you might even tell the story as if you believe it.ike say! QI couldn.s cloth diaper and was rubbing it all over his head6 and it was a used diaper and all this baby poop is getting rubbed into his hair and all this stuff.s really describing this thing! describing bits of corn falling and so on6 and everyone around is like! Q+h! 'odPQ and I. 7on.re programmed to feel good when we get reactions from people. ut trust me! those are not the kind of reactions that you want.s gonna think about that one guy who! Q+h! that guy.e ri . It.re reinforced to tell another gross story.

ole or in part in any for&.s an interesting scientific fact! but why the hell would you say something like that! especially when people are sitting around eating/ Sit there any make everyone think about urine! and going pee! and using the toilet.re trying to impress people. It. $hey don.s putting into people. #ou should be focusing on good feelings! and you want people to associate fun and laughter! carefree conversation with your presence. $hat. And this is again! also I mentioned don.y$ #nc.area"1lifestyle. 5veryone should be feeling a good vibe! sort of vibing together. If you. 5ven a bunch of monkeys will get together and chatter and laugh together.t want to have some logical description laid out for them6 it.ts reserved$ includin t.Q +kay! maybe it. $he point of conversation is not to be logical or logically interesting6 the point is to have a good vibe.s walking around the bar trying to look tough or trying to look deep! like ' ())* +enusian Arts$ LLC. $his is the same thing that we teach in terms of walking around the bar.s all that needs to go on here6 there doesn.re all eating asparagus! and this guy sitting nearby mentions! Q(ey! you know! I read some study that says that when you start eating asparagus! the smell hits your urine within the first two minutes or something like that.e ri .t of reproduction in w.s not a vibe. Again! it. So anyway! we.co& Pa e !() of !"" All ri . www. . I can sit here and give some great description about how an engine works or how a computer works or whatever! and it may be interesting if you.t be overly logical. And so from his perspective he wasn.s asparagus on my plate6 that reminds me of — did you know this about this little study/Q And he.s minds about the feelings that people are now — the pictures that people are now having in their minds and associating those feelings and those pictures with him. .re %ust trying to vibe with people! they don. &e. Tra/6 $4 Along the lines of things to avoid in conversation! I also want to mention trying to look tough or trying to come off like the deep guy. (e read some interesting factoid! some interesting little piece of data! and! Q+h! there. 3eople %ust want to feel a good vibe.re being overly logical or technical! what it sound like is it sounds like you.s %ust throwing out some interesting conversation as far as he can tell! but he.s a lack of social intelligence. 5very guy.t have to be some ama<ing! interesting! logical facts or logical argument laid out in order for the conversation to be worthwhile.t! but when you eat asparagus! it causes your urine to have a funny smell to it.P.re all at this business lunch! and this guy mentions that.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !() of !"" In my own experience I remember one time I was at a business lunch6 and some people know this! some people don.s not a good feeling.t find it so interesting.ilosop.s not thinking about the feelings that he.t thinking emotionally6 he was thinking logically.re a mechanic or a computer programmer! but if you.

Anytime that you come off ' ())* +enusian Arts$ LLC. And what we.Ds to avoid are whining about romantic failures! whining about how you. +f course! we teach 7(D stories about protecting your loved ones.co& Pa e !(1 of !"" All ri .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !(1 of !"" he. $hese are demonstrations of lower value.P.t of reproduction in w.re having a great time. www. .s a 7(D! or how their emotions took over and caused them to save a loved one! which is a protector of loved ones 7(D.re having a fun! carefree conversation. So when you.y$ #nc. $hat. 5ven though it may seem incidental or not that big a deal to you! %ust the fact that that little clue is there conveys that you have lower social alignments! or lower preselection! or lower social status! or lower amount of resources.ve been cheated on or dumped — which of course is a signal to girls that other girls found you less worthy of investment — whining about health problems! whining about business problems or financial or money problems. $hat.s gonna activate and take over and cause us to protect that person. $his is reactive! it makes you look low value! makes you look like a loser! and it makes people scared to spend time with you.e ri .ole or in part in any for&.ts reserved$ includin t.re gonna kick his ass if he talks to you like that! or something like that. +bviously we want students to come off fun and carefree! laughing and smiling like they. And why are you trying to impress this person unless you view her as higher value than yourself/ Still on the topic of things to avoid in conversation are 7. 9or example! I see my niece getting beaten up! and all of a sudden my body fills with rage and emotion6 and before I even know it I was running over there to do something about it. . It certainly doesn. Instead it! again! comes off like trying to explain something logically or intelligently6 similarly! talking tough comes off like you.s a lot different than trying to talk tough all the time! trying to act like people don.re trying to be too deep! or too philosophical! or too overly logical! or too tough. Similarly! this is the way you should come off during conversation.ing.re conveying that we have healthy emotional programming! that in that moment! when it counts and our loved ones are in danger! our emotional program .t fuck with you! or you.Ds.s the big tough guy6 and we teach not to do this. So of course! in the Attraction phase we teach students to add higher value demonstrations to their stories — 7(Ds — we teach students to add incidental details about how they had a girl with them to add the preselection 7(D! or maybe how they have a lot of social alignments! because that. +ther common 7.re doing is we.ilosop.s the way you should come off in the bar.t make people feel like they.re trying to impress.re having a conversation with someone! or anyone! or a group of people! you don.area"1lifestyle.s deep in thought or like he. And so similarly! there are also things you can say that will lower your value.t want to come off like you.

t know what. $hey %ust ask questions.e ri .t practiced %ust adding value! making statements! going out on a limb! making a stand! being willing to be wrong and be okay with that! making stronger statements and stronger commitments when they.Q And so one time I had an opportunity to have breakfast with him in style! and I asked him about it.t practiced that way of adding value to a conversation! they. I may have actually gone over this in the attraction part of the seminar! but I want to make sure I hit this story.y$ #nc.s going on when you talk about how you haven.ook! ?hris! I.re adding value to the interaction.t think to do it. >ather! what I.re trying to lead the conversation along and keep it going6 and when you. #ou can.t have social status! your emotions are wired incorrectly — these are demonstrations of lower value.re not accustomed to doing it6 they don.m saying is that questions have a different energy to them than statements.s very hard once you understand how this works6 it.P.re making statements! it has more of an energy like you.ole or in part in any for&.t of reproduction in w.re asking questions! that has an energy sort of like you.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !(( of !"" negative or bitter about anything related to health! wealth! or relationships! or you come off like you don. thing/ &hat.t I have a normal conversation with someone and ask them a question/Q And he said! Q.s this whole deal with not asking questions/ ?an. I first heard about this from 8uggler! who used to say! Q7on.re not connected! you don. $hey. So I asked him about it! and I said! Q&hat.re not conscious that these communication strategies are conveying value differential to those around you6 and so because they %ust always talk that way! they %ust grew up that way! they do it on autopilot without thinking about it.co& Pa e !(( of !"" All ri .Q ?onversationally! when you. ut it. And so a lot of guys! they haven. Tra/6 $$ So a little bit here on avoiding questions and making statements.Ds into your conversation! it causes people to perceive you via their emotions as someone with lower and lower value. .t pretend you don.s very hard to continue doing it because now you.ts reserved$ includin t.no questions. ' ())* +enusian Arts$ LLC.m not saying that you can never ask a question or that you should never be able to ask another question in some conversation for the rest of your life. And because people haven.t ask questions6 make statements. &hen you put these 7.t stretched those muscles. www. $hey haven.re sort of — you.t know enough people! you.t been laid in a year or how your last girlfriend cheated on you with three guys and then became a lesbian.ilosop.re speaking.area"1lifestyle.re doing this.t reali<e they.re doing it on purpose.s this . . A lot of people! they %ust don.

ook.m wrong . And you get a feel for that statement energy so that later on! when you do ask questions as part of your normal conversation! you. www. prove it to youPQ &hy do I care/ I.s not gonna like them or not gonna align with them or spend time with them! and so they try and kowtow to the person! walk on eggshells around them and agree with everything they say.m rad 3itt! and he says! Q#ou know! 3aris is in Spain.s desperate %ust to keep talking6 and he.t care about these things.re asking questions in the appropriate place where that energy is appropriate. All I.P. #ou feel like you have to be right.s like they.m from or what I do or whatever! whether I like dogs or cats.m rad 3itt6 do I really care what this guy thinks! or if he. 5ven if people think that I. (e really doesn.re too scared to fuck it up. If you have a need to argue with whatever people say! you care too much.y$ #nc. So the way 8uggler described it to me was he said! Q. (e %ust wants to keep talking6 he.re afraid the other person.Q I say! Q-o! man! it.t really care what the answer is. .ll ask a question almost about anything! and you begin to get a feeling like he doesn.m hanging out with someone and I.e ri .Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !(! of !"" #ou know! when someone %ust keeps asking questions! it.t care.re having.s desperate to keep the conversation6 and so he keeps asking these stupid questions.t of reproduction in w.cause it shows that it.ole or in part in any for&. So think about this for a second.area"1lifestyle. &e call this the interview.s like they.Q Am I gonna get in some big argument and say! Q-o! 3aris is in 9rancePQ And he says! Q-o! I think it. It shows that I care too much.re trying to prove their relevance6 and the people who agree with everything! it.t have the need to argue about it .ts reserved$ includin t.s in 9ranceP I can fuckin.re putting into the conversation that you.s in Spain.s in 9rance! I shouldn. ' ())* +enusian Arts$ LLC.re %ust desperate to keep the conversation going! but rather you.cause I said it.s very obvious that this guy doesn.Q Tra/6 $% Another mistake that people make conversationally is feeling the need to argue with everything or to agree with everything.m right or wrong/ I don. $hey. >eally! he %ust wants to fuck me! and he.t care where I.m saying is stop asking questions for like a week or a month and force yourself to only make statements6 and when you do that! you start to become accustomed to the new form of energy that you.s right or wrong! or if I.s desperate to keep talking with me.s like he.m right or not/ If I. And this is pretty obvious to women6 when this happens! it.ilosop. &ho cares if I. . Gsually! people who argue with everything! it.s %ust too important to me.co& Pa e !(! of !"" All ri .

s good or bad! and the truth is that there really is no absolutely good or absolutely standard here other than the vibe that you. (e.re putting out. Q&ell! a guy like me! I don. And he.s self-deprecating to some degree. A really easy way to test this is to deliberately hit on someone or game someone who.re rich guys! good looking! connected! whatever6 and if you ask them! Q(ey! what do you do/Q he.ts reserved$ includin t.s changing their opinion to match mine because they. Tra/6 $& So often I. And this really makes it clear6 this really brings it into focus. www.ll make you remember all the times that you changed your opinion to match some girls! that you tried to cater to her opinion or accommodate her mindset or her world view.s — I don.ll happen is once you try this on a couple unattractive people and see how quickly some of these people will change their opinions to match yours! it.aybe they say! Q+h! I like 'eorge ush!Q and you say! Q+h! well I hate 'eorge ush.ll say! Q+h! I %ust like to surf! or I do this and that.re agreeing with what someone says! what it shows is that you.re concerned or scared about losing your connection with that person.s much less attractive than yourself.y$ #nc.Q Suddenly the person.ve been asked about self-deprecating humor and whether it.s not much to me! I.Q >ight/ -ow! ask a guy who. And once you see this person doing it to you! you reali<e %ust how pathetically obvious it really is! and how obvious it must have been when you did it to some other girl.re agreeing with someone — if you.Q And suddenly they say! Q&ell! he.ll very quickly and very — almost in a supplicating sort of way — will change their opinion to match yours. It.s so obvious.t of reproduction in w.s keeping it on the down low.m a %anitor.e ri . $hey.re afraid of offending me! and it.s much lower value than yourself! someone who.ll sort of pooh-pooh it a little bit. And what.Q ' ())* +enusian Arts$ LLC. . .t do too well! but I try and do okay. If you go up to someone who is very unattractive and start gaming them! giving them good emotions! giving them good feelings! watch how they.P.area"1lifestyle. Gltimately! the meaning of any communication is the response that you get. (e.co& Pa e !(/ of !"" All ri .s sort of not trumpeting his value6 he.s at OE11 am! or whatever6 and the same guy may — that guy may do some sort of selfdeprecating humor where he says! Q&ell! I don. . $he question you have to ask yourself is! Q&hen I said what I said! what did that person feel/ 7id they feel that I was higher value or lower value/Q I know a lot of guys that are very high value.ilosop. I try and make my way!Q or whatever.t know — a %anitor at 7enny.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !(/ of !"" Similarly! if you.ole or in part in any for&.t see what you see in me! there. (e may even make a %oke about it.s not all that great.s so obvious that this person is scared of fucking it up.

ecause a low value guy would be too scared to give up whatever value he has.m willing to %ust %oke around — and she can tell I.s not whether you hold yourself back and act modest or talk about yourself in a lowly way. Tra/6 $* So one lesson that was really important for me in terms of my game was learning about cutting threads.s playful in this way! and low value guys aren. I.m putting out that I don.t of reproduction in w.ts reserved$ includin t.t know what. 3eriod.re talking in a discussion with other people! different conversational threads will come up.re a cool guy! %ust modest — yeah! %ust being modest! not pushing it too hard! not really caring enough to bother! then that.re a %anitor or whatever it is compared to the vibe that you.aybe I. . $he real question is what is the vibe that you get.re higher value or lower value! and it. .s not gonna risk that with this girl.m fucking with her — the fact that I.t care! none of this is even true probably.m willing to say those sorts of things! it sub communicates that I don.Ds/ Q#ou know! I.m talking about my dog! and then I get distracted and I start talking about when I was going to school this one thing happened! and then I go back to ' ())* +enusian Arts$ LLC.t really care.Q &hat are some other examples of 7.s the vibe I.D routines — routines that lower your value — but what they really communicate is that you have high value because you never would have said that if you were insecure about it.an! I don.re a loser or you. And the fact that I. So for example! if I say! Q. It.m %ust having fun! I.s the clear different.s a generic high value guy example that he has so many options that he.m willing to talk to her this way sort of proves that I. &hen you.P. I.m willing to lose her! and if she gets all freaked out over it! then I really don. If I get the vibe that you.ole or in part in any for&.e ri .y$ #nc. pretty big there!Q or if I said! Q.ilosop. (e.m not a low value guy. &hat really matters is the vibe that people get.m %ust fucking around6 and the fact that I.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !(" of !"" Gltimately the real question isn.s what rad 3itt does6 that.m really able to perform well if I do it once a week.t what is the person saying logically.s not gonna say those sorts of things. 3eople either get a vibe that you.area"1lifestyle. .m %ust %oking! she can tell I. I.t even think I could cope without my therapist!Q or! Q#ou know what/ I hope my mother likes you because my mother has to approve of every woman that I see because I live with my mother. If he thinks maybe he. www.s gettin.t — whatever! you know/ $hat. (e.t.t hold down a %ob!Q or if I were to say! Q#ou know! I can make love up to one time a night.m saying logically! which is low value! but rather it.s — any high value guy.co& Pa e !(" of !"" All ri .ve been in therapy for so long! I don.s wrong with me6 I %ust can.Q It. So this brings me to the idea of 7.s not what I.an! my belly.s got this little bit of value! he still might have a chance! but then he makes some comment about living with his mother.

.s always some other thread they can go back to and resume.m not getting laughs! I.t interested in this thread anyway! and the more I keep pushing it! the more pathetic it gets! the more try-hard it looks.t know you that well. I get that vibe.ve known you for a long time because that. +r what if it. And Q+h! that reminds me of this one thing that happened last week. So you.Mind of Mystery – Audio Brain Transplant Transcription (w/Lovedrop) – Co&fort 1 +arious 3pea4ers Pa e !(0 of !"" my dog. 3eople who don. 7on.ll be interesting! and I. 7on.re never left with nothing to say.s say that ' ())* +enusian Arts$ LLC.?ause that.ll hit this thread! and go to that thread! and go back to the first thread! and introduce a third thread6 and there.s happened is I.m not getting interest6 I.t know each other very well. .t matter to you that much. 3eople tend to have multiple conversational threads when they speak with other people! especially those they know very well. .ve introduced one thread about my dog! and then I went off and introduced another thread about school! then I went back to the dog thread! and so on.s how people talk with their good friends. And it starts to become very clear that these people don. I didn. .ilosop. So what if a thread sucks/ As you.P.til it reaches its conclusion.m reali<ing look! these people aren. It seems a pattern to us that people who know each other very well tend to use multiple conversational threads. QSo! how.t know very well6 whereas when you use multiple conversational threads in conversation with people! it creates that feeling like they.t tell one story to its completion6 instead! get halfway into that story and introduce the