Production Title SURVIVAL

Group Name PLAY ARD PRODUCTION

Date 2!"#!2"$%
PROPOSAL
Production Crew Names & Roles
Werth Nsombo Director & Scriptwriter & Camera-man & Lighting
Richard Foshola - Camera man & Scriptwriter & Lighting
Malcolm Shodeinde Prodcer & Scriptwriter & Camera-man
Production Title SURVIVAL
Prodction Length !" Mintes
Sb#ect Matter$%hemes&
Fate Sr'i'al is a short (ilm inspired b) Sha*espeare+s tragic pla), Romeo &
-liet, and (rom the 'er) beginning o( the short (ilm, the adience wold most
li*el) reali.e that the stor) o( Sr'i'al will conclde in a disaster and
mis(ortnes/ Ne'ertheless, this n(ortnate conclsion wold not be a prodct
(rom the two brother+s own (alt bt (ate, which the adience wold witness
that (ate has mar*ed the two brothers (or sadness and sorrow/ %his highlights
(ate+s dominion and control o'er their destinies/ Li*e Romeo & -liet, these
n(ortnate brothers are basicall) death mar*ed (rom the da) o( their birth/
From the beginning o( the (ilm, we can see that the two brothers will be
disciplined or pnished b) (ate/ %his is not (or an) reasonable reason bt
simpl) becase (ate seems to be against them/ Simpl) pt, onl) (ate wold
ma*e the two brothers+ (ather abandon them casing their mother more pain
and stress, leading to her death/ %hogh, at the start the) had di((erences
sch as when %)rone was ma*ing an ins((icient amont o( mone) bt legal,
whilst %ri(e was ma*ing more than enogh amont o( mone) bt illegal/ %he)
e'entall) too* the same path at the end when (ate made them cross each
other+s path dring the mone) robber)/ 0ow can %)rone e1pect %ri(e to
(orgi'e him a(ter *illing him2 %here(ore, (ate again pla)s an important role in
maniplating %)rone into *illing himsel( almost as a wa) o( a'enging his
brother+s death and as*ing him (or (orgi'eness/
Relationshis 3ne o( the themes in Sr'i'al is the awareness o( the
relationships between %ri(e and %)rone/ 4lthogh, not mch is shown o( their
Pa&e '' o( ''

Production Title SURVIVAL
Group Name PLAY ARD PRODUCTION
Date 2!"#!2"$%
warm relationship, we learn that %)rone will clearl) do an)thing necessar) to
help ot his brother/ 4lso, despite %ri(e+s disrespect(l attitde, he
ndobtedl) has some respect (or %)rone de to the (act that he wold
willingl) deal with his own trobles instead o( letting his brother get in'ol'ed in
the sitation/ %his ma) impl) that he can be a considerate and thoght(l
indi'idal/ %)rone+s lo'e (or his brother is nparallel as althogh his dreams o(
getting mone) to help his brother was blinded and shattered his brother+s
chance to li'e, the adience shold relati'el) notice that he perhaps simpl)
longed to retrn happiness to his brother+s (ace/ Frthermore, althogh not
the smartest wa) o( handling sch dire sitation bt %)rone made a 5ic*
decision that he cannot retrn his brother+s wasted breath, conse5entl) he
chooses to die with his brother, emphasi.ing the strong lo'e and bond
between them/
!one" Whether mone) is the root to all e'il or the lo'e o( mone) is the root
to all e'il is something common in 6ritish (ilms and it is what Sr'i'al e1plores
throghot the (ilm/ While mone) seems to be a repetiti'e theme in 6ritish
crime drama (ilms, it is still a strong aspect in (ilm which in Sr'i'al has pt p
a goal (or or main characters/ Mone) is seen to be the sole moti'ator (or or
main characters that ltimatel) lead to n(ortnate e'ents& %)rone led %ri(e a
hopeless dream (or in(orming him that he wold get the mone) in his stead
bt which led to their death/ Possibl) i( he wasn+t concerned with %ri(e+s
mone) trobles, none o( this wold ha'e possibl) ta*en place/ %ri(e cold also
be blamed (or his own death since he *new the laws o( robberies and illegal
mone) in which he pa)ed no heed/ %hs, when he was meant to ta*e heed,
he didn+t, which has cost him dear (or there is no cre (or death/
Tar#et Audience
A#e %his short (ilm is mainl) aimed at !7-89 becase )onger orphans
wold sall) be ta*en care o( hence the reason wh) it woldn+t appeal to
them/ 0owe'er, this wold appeal to the said target adience becase the
ma#orit) can ta*e care o( themsel'es, especiall) i( the) are li'ing with
someone !:; o( age <which is not the case (or Sr'i'al=, and the) are most
li*el) to relate to the plot/ %here+s also a small o( amont o( 'iolence at the
end which wold not be appropriate (or children nder !7 since also the
certi(icate isn+t sitable (or them/
$ender aimed at mostl) males becase it has main characters that are
e'identl) bo)s, it has some strong langage and 'iolence/ >t also represents
normal li(e o( orphans who are nemplo)ed , while the ma#orit) o( the (emales
wold do something constrcti'e, most males wold rather se
?nemplo)ment+ and ?orphan+ as an e1cse to go ma*e mone) on their own,
and so the) tend to (ollow the 5ic*er wa) o( getting mone) which can lead to
se'ere conse5ences/
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Production Title SURVIVAL
Group Name PLAY ARD PRODUCTION
Date 2!"#!2"$%
%thnicit" %his is aimed (or both 6lac* 6ritish and White 6ritish that li*e to
watch (ilms that mirror e'er)da) li(e and since it is a short (ilm based in
London, it+s more relatable to its inhabitants and since London as high rate o(
nemplo)ment and orphanage/ %hat is wh) the (eelings are mtal between a
lot o( 6lac* 6ritish and White 6ritish citi.ens/
Production Content & 'rea(down
%)uili'rium
%his act sets the scene and dramati.es the scene that will lead to a crisis, and
the (irst time or main character, %)rone, is introdced/ 0ere, we learn o(
%)rone+s di((iclties and a bit o( his character and how he de'elops as a
character in a short amont o( time/ 3ne da), %)rone is seen coming bac*
(rom wor* and gets a phone call (rom his (riend telling him that there+s
apparentl) mone) at a certain place and its inhabited bt the owner o( the
hose is ne'er in/ Despite ha'ing mone) problems, %)rone re(ses the o((er
stating e'entall) he will get mone)/ 3n his wa) home (rom wor*, he arri'es
home onl) to (ind ot that %ri(e isn+t at home so he searches the hose and
%ri(e+s room and (inds something that begins the two brother+s harsh (ate/
*ise)uili'rium
%his begins the argment between the two brothers and the (irst time %ri(e is
introdced in the scene/ We learn o( %ri(e+s pain and sorrow, and %)rone+s
disappointment with him/ %his act is set to test %)rone+s compassion and
*indness to his brother/ %)rone 'ows to help him ot bt %ri(e re(ses/ %his
act also is seen to test %)rone+s patience to how long it will ta*e him to ta*e
the wrong path/ %his con(lict between the brothers leads to a crisis when
%)rone loses his patience and calls the person that in(ormed him abot this
great deal o( mone) residing in speci(ic place/ 4lthogh the person that
in(ormed %)rone abot the mone) warned him that a lot more people cold be
a(ter the same mone), %)rone still decided to get mone) (rom this speci(ic
place in order to help his brother/
Pa&e '' o( ''

Production Title SURVIVAL
Group Name PLAY ARD PRODUCTION
Date 2!"#!2"$%
Resolution
%his act dramati.es the (inal con(lict and resoltion where (or the (irst time we
see the theme and the inspiration o( the (ilm come in to stage/ We learn that
the warning (rom %)rone+s (riend was indeed tre and that he isn+t the onl)
person a(ter the mone)/ We learn o( the identit) o( the other person who
alread) has his hand on the mone)/ %his is the scene where the robber)
occrs and two separate people go to a hose intending to get the mone),
howe'er both people did not intend to meet one another and this gets into a
battle that onl) two will die or onl) one sr'i'es/ %he twist begins when the
(ace o( this person with the white coat and (a*e tre religios #eans+ (ace is
shown to be %ri(e/
Pa&e '' o( ''