SPIRAL VORTEX THEORY

Theodore J. Klouzal
And Dr. Janet Clark-Ktouzal
3d Edition, Revised 2001
 THE SPIRAL VORTEX THEORY
Theodore J. Klouzal
and Dr. Janet Clark-Klouzal
Cqyight 1988 (Revised 2001)

PREPARE YOURSELF FOR A JOURNEY BACK IN TIME

WHERE YOU WILL WITNESS THE AWAKENING OF CONSCIOUSNESS
AND THE CREATION OF ALL THAT IS.

When you understand this theory, you will understand:

. What the Dynamic Spiral Vortex is and

Why it is central to everything you experience.

. Why visible light is not what it seems.

. What the fourth dimension really is.

. Why the very existence of energy is b e i i questioned.

Why there are such things as past, present and future.

. How it is possible to travel through time and alter the course of event*

'Ihe nature and purpose of the Interchange Experiments.

i%is theoty tokes you behind the scenes amiktsyou experience,

first hand, the making of the patest illlusion of all time.
 THE NEW TECHNOLOGY
The formulation of the theory began in
1964as an exploration into the nature of
Consciousness and its creation, the
infinite universe. It has become the
foundation of a new type of electronic
technology (The Proteus Cell) which is
the key to unlocking the door to a
revolution in robotics. It is conceivable
that with the unfolding of this new
technology, computer-controlled robots
will be replaced by non-computerized
sentient androids which have had
Consciousness infused into them. The
age of sentient android technologies will
manifest as the rise of a new non-
biological life form on Planet Earth.
You are about to encounter some ideas
about Consciousness and how it
perceives realities into existence. This
is important because in order to
understand why Consciousness would
be interested in i n f U s i itself into an
android, it helps to understand certain
aspects of the nature of Consciousness.
As you think about the concepts in the
pages that follow, you may find them to
be reflections of your world and tools
with which you can expand your view
and understanding of the universe.
You may also find that you have gained
a much h e r appreciation of how you
continually create and perceive your
world.
THE AWAKENING OF
CONSCIOUSNESS
The universe did not begin with a bang. Even
if there was the Big Bang, it was not the
beginning of the universe. The reason is very
simple. Before there was something, there had
to have been nothing.
The universe began as a dimensionless void
containing no divisions and no boundaries.
Time had no purpose and consequently no
&.
Enter CONSCIOUSNESS ...
For the record, no attempt will be made to
&$ne exact& what Consciousness is
except to say that it is
that whkh perceives
Whenever there is a need for something, that
something which fldiik the need is given a
purpose. On the other hand, that something
also has a need. The need to is to have a
purpose. A reciprocating bond is created as
that which needs seeks fu@IIment and that
which fdfills seeks purpose. This condition
pervades the universe. It is referred to as
Mutual Accommodation.
Consciousness created the universe in order to
have something to perceive. In as much as the
universe was given a purpose, it needed
Consciousness to perceive it. Therefore,
Consciousness itself was given a purpose. In
this way, the primary condition of mutual
accommodation was established. Conscious-
ness creates something to perceive ... and the
universe is horn; its purpose is fidfihg that
need. pow and why Consciousnesscreates and
perceives the universe is the subject of this
theory. Please bear in mind that we claim no
monopoly of the truth. This theory is only one
of many working possibilities.
Let us imagine what it was like before the
universe was created with no reference points,
divisions or boundaries of any kind. Like an
artist, you create soinethiug to behold. You
begin your drawing by creating a line. It is the
6rst thread m the fabric of space. This line will
represent the F irst Dimensimn, ie., the
dimension of length.
(Rlustration 1) < -L
There are no units of measure or anything to
compare the line with so its length is
considered inlinite. It spans the entire universe
because it represents the universe as it
currently exists.
If you take that line, give it an arbitrary center
point and rotate it a full 180 degrees around
that point, you have created an infinitely vast
plane consisting of an infinite number of
straight lines. The idkite plane represents the
Second Dimension, ie., the dimension of
length and width. Although boundless, it can
be represented as a circle. Traversing the
plane are an inhite number of lines runningat
every conceivable angle.
(Illustration 2)
-
If you take the circle and
I\
rotateitafdl180degrees
mund its axis, you have
created an intinite &here. You have before
you, the Third Dimension, ie., the dimension
of length, width and depth Traversing this
sphere are an idkite number of lines and
planes running at every conceivable angle.
They form the fabric of space.
What is it that Consciousness
uses to create the fabric of K
svace? It. like Consciousness, is so
k
i that there is nothing s&ler with which to
define it. The only reasonable way to define it is
to descrii what it does within its own creation.
Just as Consciousnesswas previously described
as that whichperceives, the prime substance of
the universe can be d e s c n i as that which &!
M e r creating the fabric of space, and needing
to perceive W e r , you begm to establish
points of reference within the fabric of space
like buoys in the endless sea. These points of
refxence, to be useful must be stable in order
to maintain their recognizable form.They must
also be of a form that can be Mmguished h m
the surrounding points, lines and planes.
A single point will not do because it is of no
dimension and therefore, indistiihable from
the surrounding points. However, a set of
points will form a structure which you can
perceive by connecting the dots. S i
nce two
points determine a line, you create a line by
consciouslyperceiving two points in association
with each other. You begin to study this from
every angle.
(Rlustration 4) -
A B
What do you h d ? You discover that the line
is perceived as a line except when viewed from
either end where all points of the line overlap.
It then becomes a dimensionless point.
In other words, the din~ensionof length
becomes hidden when viewed from any point
within that dimension. (See Illustration 5.)

(Illustration5)
Line up the two end points A
and B by turning thispage and
looking straighi down the
arrow. You will see the line's
length disappear and become
a dimensionless point.
Noting this curiosity about lines, you proceed
to create a plane which is defined by three
points. This triangle is a plane except when
viewed from any point within the plane in
which it lies. It's width is no longer apparent
when viewed ftom within the dimension of
width. (See Illustration 6.)
(Illustration6)
Likewise, the triangleyou created could only be
perceived as a triangle when viewed ftom a
point which, when connected to the three
pints of the triangle, would raise it to the next
higher dimension. In other words, the triangle
would be made into a three-dimensional
structure, i.e., a tetrahedron.
STEPPING INTO THE
FOURTH DIMENSION
You take the next logical step in your
exploration by connecting a f o d point (not in
the same plane as the triangle) and creating a
tetrahedron To your surprise, the tetrahedron
stiU appears two-dimensional
At some angles it may
look like this.
At other angles it
may look like this:

or it could look like this:

A
or even like this:
You can create the same effect
as shown in this sequence by
viewing the top triangle and
The only real diierence between it and the two-
dimensional triangle is that it never loses its
gradually turning this page to
dimension of width. You notice that regadless
move your line of sight into
of the angle at which you view the tetrahedron,
the triangle's plane.
the structure as a whole has one congruent
center pint. With this in mind, you decide to
Reviewing what you have just experienced,
start over but on another level. You create a
you realize that the line could only be a line
single line de-d by the center points of
when perceived from a point which, when
two identicaltetrahedrons. (See Illustration 7.)
connected to the two end points, would form
a triangle.

(Illustration 7)
The center point of each
tetrahedron becomes one of
the end points in your newly-
created line.
With the two tetrahedrons, you can begin to
move them with respect to each other. You
can position them specific d i c e s h m each
other and judge that distance by comparing it
to their relative size. For example, the
distance between the comer points in one of
the tetrahedrons could be considered one unit
of measure. Therefore, all measurements of
distance would be relative to that distance
between the corner points. (See Illustration
8.)
One Unit of Measure. u structures. By creating the two tetrahedrons
By using one of the tetrahedrons as a point of
reference and considering it to be a stationary
structure, you can rotate the other tetrahedron
around an arbitrary axis. By doing this you
establish a basis for measuring time. Each
complete rotation of the tetrahedron wuld be
considered as one time interval. (See
Illustration 9.)
...3 . ... (nlustration 9)
: One complete rotation equals
+.
....... one time interval.
You can now use the unit of measure and the
time interval concepts to interpret relative
velocity of the rotating tetrahedron as it moves
toward or away h m the stationary one. If the
rotating tetrahedron moves two units of
measure away &omthe stationary tetrahedron
and makes one complete rotation as it does so
then you can say that it has moved two units of
measure within one time interval. If the
tetrahedron continues to move away at the
same rate, its relative velocity in that direction
is two units of measure per time interval. (See
Illustration 10.)
-
-
.........
(Illustration 10)
Two units of measure
Stationary tetrahedron used as point of
reference.
You ljnd there to be a useful relationship
between structures and movement of those
.
and havine them interact.,vou have established
conditionsof dualiv whereby wmparisons can
be made between the two. Your interpretation
of this relationship is what your
perception of the tetrahedrons a sense of depth
and time. Even then, the depth and movement
of the structures is only an implied concept and
your interpretation is entirely subjective.
Nevertheless, for all practical purposes, by
establishing the conditions of duality within the
structureImovement relationship, you have
before you the fourth dimension
From the third-dimensional point of view, the
fourth di~nensionis not really a dimension as
are the other three. It is a means by which
distinctionsbetween structureswithin the third
dimension become observable and depth can
be interpreted. You could even say that ifthe
fourth dimension must be expressed in terms
of size and shape, it is dimensionless. It is the
point ofimterrelationbetween structureswithin
the third dimension.
Wiiout the conditions of duality, (or at least
two interacting 3-D objects), the fourth
dimension has no purpose nor do the
conditions exist for the tmnifkstation of the
fourth dimension. Between the concepts of
the fourth dimension and duality, we have
mutual accommodation...another form of
m.
Just as the line and triangle (which represent
the first and second dimensions respectively)
could not be perceived as a line and triangle
fiom within their own dimension, you lindthat
the tetrahedron has depth only when viewed
fiom the fourth dimension. In other words, if
the movement of the tetrahedrons were to
cease, the conditions of duality would vanish
and the tetrahedrons would be perceived as
being: two-dimensional.
How is movement perceived?
How does it relate to past,
present and fuhrre events?
THE CREATION OF PAST,
PRESENT AND FUTUlW
REALITIES
Creating Your Own Home Movies
Although we view the universe as though it is
in motion, in order to truly understand the
underlyingforces, we must stop the show and
step backstage to view the sets, props and to
read over the script.
As Pure Consciousness, you have no
conception of past or future. You exist in an
eternalpresent. Therefore, events are sustained
within your creation so that you can view them
and interpret them as past, present or future
events.
To better understand this, consider the case of
two interacting tetrahedrons. Every movement
is broken down into stationary arrangements
l i e images on a movie film strip. The two
tetrahedrons are duplicated for each sequential
movement and placed in order along a straight
line in the fabric of space. Even for the
slightest movement, these separate
arrangements are infinite in number.
(See Illustration 11.)
fllustration 11
Images of the rotating
tetrahedron as they are
arrangedalong the straight line
in the fabric of space.
Images of the stationary
tetrahedron as they are
arranged along the same line.
Viewing the interaction of the tetrahedrons is
similar to watching a movie film where you
interpret the changing arrangemnts as
movement. You are perceiving the sequence of
arrangements in its entirety so you can pick any
set of two tetrahedrons as a point of reference
and consider it to be the present. You can
then interpret the sets placed in one direction
along the straight line to be the past and the
sets in the other d i i t i o n to be the future.
(See Illustration 12.)
past
future >-<
-
Point of reference perceived as the Present
fume
part
What is Deja Vu?
With the ever present need to perceive, you set
about creating tetrahedrons of every
conceivable size, quality and arrangement. In
effect, you create the infiaite universe.
Everything that ever was or ever will be exists
somewhere in the present universe. Could this
be why many people experience Deja Vu?
THE GLOBAL GRID
Structure Placement
How is it that tetrahedrons can be the basic
structure of everything in the three
diinsional universe? We will get to that
soon enough. Fist, let's explore one of
several models for understanding how you as
Pure Consciousness would view this creation.
Bear in mind, this is only a model for
illustrating an abstract concept. It is not
necessarily the way the universe is set up.
A circle will represent the line on which all of
the conceivable arrangements of the first two
tetrahedrons are placed. This line forms the
equator of a globe with you as b e
Consciousness at the very center. The other
tetrahedrons and groups of tetrahedrons are
placed on their own circles of W t e variations
and stacked parallel to the original c k l e like
lines of latitude. (See Illustration 13.)
(nlustration 13)
Here are some
of the infinite circles
where the infinite
-
arrangement
tetrahedrons are placed.
The vertical lines of longitude in Illustration 14
are used to depict divisions in the time
continuum. All structural arrangements
intersected by any given vertical line are
considered to be happening concurrently.
Through this model you can compare entire
sections of the grid system with the rest of the
where or with other sections. The variations
&e infinite.
(nlustration 14)
Ex~eriencingThe Infinite
You decide to get completely involved in your
creation by using every tetrahedron as a point
of reference. This allows you to experience
your creation fiom all positions on every level.
It also means that you endow everything in the
universe with its own sense of individual
consciousness.
Stepping outside this scenario for a moment,
you could say that as a person, your own
individual consciousness is really Pure
Consciousness experiencingthe world through
your nervous system. You .experience
movement and a sense of time because Pure
Consciousnesskeeps moving along the i&&e
circle where your ever-changing structural
anangements are placed.
Pure Consciousness is experiencing every
conceivable pattern and rate of movement
along this circle. It is experiencing all of these
movements in one continuous and eternal
present.
Back in your role as creator of this miverse,
you notice something very interesting about
tetrahedrons. Even when they are grouped
together and the latticed structurethey form is
not tetrahedral in shape, the subst~ctureas a
whole has either a tetrahedron as its main
infrastructure or it forms a two-dimensional
image of a tetrahedron. An example is shown
in Illustration 15 where a four-pointed image
can become a tetrahedron or something
entirely difkrent. It all depends on how
Consciousness links the points together while
interpreting their meaning through the fourth
dimensioa
(Illustration 15)
Note: In order to simpl?a ~lustrationrand
explanations, all tetrahedronsshown here are
reaular tetrahedrons.
In other words, each of the four faces is an
equilateral triangle having all three sides of
equal length:
Structures in general do not always have
regular tetrahedrons as their main
idfastructure nor are the two-dimensional
images they form always those of regular
tetrahedrons. They are all tetrahedral
nonetheless. Logically, the tetrahedron would
be the basic hhstmcture of all three-
dimensional objects because it is the simplest
and most stable latticed structure in the third
dimension (See Illustration 16.)
Fourpoints not all in the sameplane determine
both a tetrahedron and a sphere.
ENTER THE SPIRAL
Recognition of the S ~ i r aPattern
l
While you study these groups of tetrahedrons,
you suddenly discover an amazing geometric
pattern! You also W that it plays a major role
in your creationhmthe DNA molecules to the
galaxies and everything in between! It is the
most stable mangement of tetrahedrans... the
dynamic spiral vortex. (See Illustrations 17 &
18.)

Shown here are the top and bottom
tetrahedrons of a spiral unit. Six more
tetrahedrons connect them in a spiral pattern
making a total of 8per un!.
Here again are the top and bottom
tetrahedrons with the other six tetrahedrons
shown as they connect in a spiralpattern.
The Musical Seiral
As you can see fiom the illustration, the height
of the spiral is twice that of the base
tetrahedron. It is interesting to note that in
music, every eighth tone increasesor decreases
its vibration kequency by a factor of 2. (See
Illustration 19.)
Eight tetrahedronsper spiral unit.
When a musician becomes totally immersed in
a musical experience, the spirals which d e h e
the music also define the musician. The height
of a spiral is directly proportional to the size of
its tetrahedrons. This means that if you have
two tetrahedrons and one is twice the size of
the other, its spiral will be twice as high (See
Illustration 20.) On the other hand, in order to
cover the same distance, the smaller
tetrahedron has to spiral twice for every single
spiral of the larger tetddron Therefore, the
structure/movement ftequency of the smaller
tetrahedron is twice that of the larger one.
Spirals are the clocks of the universe. Their
very structure maintains rhythm of movement
while their relative size determines the
frequency of vibration.
Soirals Within Seheres
If you place another twelve tetmhedrons
between the top and bottom of the spiral, you
end up with a sphere having twenty triangular
faces belonging to twenty tetrahedrons. These
allhave one point in common... the center point
of the sphere. Each tetrahedron is either the
top or bottom of its own spiral unit so the
sphere has ten distinct spirals within it. (See
Illustration 21.)
(Illustration21)
All lattices are shown comprising a spherical
structure.
This is one side of the Sphere with only outer
faces showing.
You can keep adding tetrahedrons to this
sphere and form larger tetrahedrons, spirals
and spheres building on into infinity. This is
what Pure Consciousness did when it created
the universe. By connecting every point in the
fabric of space with every other point,
tetrahedrons of every size in every position
imaginable were created.
Their measurements range from idnitely
smaller than atoms to infinitely larger than
galaxies. Four difhent stars or even galaxies
might be hundreds of trillions of light-years
away from each other but as far as Pure
Consciousness is concerned, their center points
are the corners of a vast tetrahedron. (See
Illustration 22.)
Four galaxies could easily be considered
the corner points of a tetrahedron
The model of the dobe with tetrahedrons
arranged along the c&les was a useful analogy
for showing how Consciousness might observe
its creation but it's not necessarily how the
structures are actually kmed for viewing.
Even though Pure Consciousness stillperceives
movement by traversing sequential
arrangementsoftetrahedrons,&te &iations
of intertwining tetrahedrons are a more likely
set-up.
Consider, for example, a tetrahedron whose
four corner points determine a sphere. If you
apply the concept of duality by introducing a
second tetrahedron, you have the two polarities
determining a spiral As we saw earlier, a spiral
determines a sphere as does a sphere determine
ten distinct spirals. (See Illustration 23.)
(Illustration 23) I (Illustration 24)

Spiral

10 Spirals The rectangle of colored dots consists of four

different colors. (See Illustration 25.) You
have the ability to make the dots of any
particular color stand out by doing what you
These structures are so interrelated that they did with the dual tetrahedrons. The only
both determine and embody one another. dierence here is that you are dealing with
color instead of physical size.
SELECTIVE PERCEPTION
Look at the silhouettes of dual tetrahedrons in
Illustration 24. You will notice that there are
three dierent sizes. You can make all of the
silhouettes of one particular size stand out
fiom the others by focusing your m i d on that
size of silhouette. You can even look in
between them and focus your mind fiom one
size to another at will You can also look
directly at one of the silhouettes and still make
all of the dual tetrahedrons of any particular
size stand out. By considering all of the dual
tetrahedrons to be the same actual size and What you have been doing with the silhouettes
focusing on the entire picture, your mind and the colored dots is known as selective
perceives depth. perception. You use this a b i i all of the time
with every one of your senses. Without it, you
would not be able to function in this world.
You could say that Pure Consciousness is
selectivelyperceiving creationthrough you. By
perceiving the world selectively, you are
creating order and spxmtry out of chaos. You
are, in effect, a creator.
Everything in the universe is fkozen in place for
eternity. There is no movement of the fabric
or of the structures it embodies. The only
thing that moves is Pure Consciousness. It
traverses its creation and selects experiences as
you would pick flowers while walking through
a garden. Why does Pure Consciousness do
this? It does this because it needs to perceive
and it created the universe to accommodate
that need.
How does Pure Consciousness move? To
answer that, go back to either the silhouettes
or the colored dots and gaze at one spot on
one of the pictures. Focus your mind on one
color or one size. Hold your eyes to one spot
and relax. Atter a few moments, you will
notice that some of the dots or silhouettes will
hegin to fade out and reappear. You might
even see them form patterns and those patterns
will change as your mind scans the array.
Even though your mind scanned something
stationary, you experienced changes in your
perception of those patterns. Why? Because
your mind is constantly moving its point of
reference.
To better understand this, let's once again use
the model of the globe with the circles of
infinite structural variations. (See Illustration
26.)
(Illustration 26)
Remember that in
model, the vertical lines divide time intervals.
The horizontal circles are where structural
variations are arranged.
Your physical body is made up of structures
which combine to form one spiral unit. The
midpoint of this spiral is your seat of
consciousness. The structures which make up
this spiral are subject to change as
consciousness moves from one copy of you to
the next. When they change, your spiral
changes. It may shift position or change size.
When this happens, Consciousnessfinds itselfin
a ditferent spiral having a diierent relationship
with the other structures surrounding it.
Consciousness perceives this as change. It
doesn't just peer at the world without regard
for where it is viewing the world fkom It
considers its point of reference and compares
its state of being to the structures on the other
circles of the globe. (See Illustration 27.)
Lines A, B and C represent segments ofthree
different circles in the globe model.
i i 3
Three Time Intervals
The spirals on line A change with respect to
each other. The same can be said of the spirals
on line B. The relationship between the spirals
on line A and those on line B also changes fkom
one time interval to the next.
 Even though the spirals on line C do not
change, theii relationship with the spirals on
lines A and B change fiom one t i m interval to
the next. The spirals on line C represent the
colored dots or the silhouettes as they exist in
sequence. Those on lines A or B represent
your own spiral through\Imich Consciousness
perceives the dots or silhouettes.
THE COMBINING OF SPIRALS
Your Personal S~iral
What are these structureswhichmake up your
spiral? They are the center points of every
spiral structure within you. These are the
components of DNA molecules, the spiraled
DNA molecules themselves, the cells and
organs which they form and your entire
nervous system as well as the fields of
influence around your physical body.
As an entity, you are a great spiral vortex
formed by the fusion of center points. (See
Illustration 28.) You, m turn, can combine
your center point with the center points of
other spirals the same size as yours and form
an even larger spiral vortex. Pure
Consciousness selectively perceives these
structures of similar size and sees a pattern
with a congruent center point. It views
creation through that center point and a
conscious entity is born. (SeeIllustration 29.)
Two small spirals can combine to form a
larger spiral. Four small spirals can form a
tetrahedron (highlighted in green). The two
large spirals will combine to form an even
larger spiral (not shown). The small spirals are
not restricted to the ones they are paired with.
Any two can combine to form a larger entiry.
The growth potential is unlimited and the
combinations are endless.
Differences In Time Perce~tion
Spirals of similar size have the same
structure/movement fiequency. That is to say,
perception of time through each spiral is the
same. Where spirals differ in size, perception
of time through each one is different. An
example of this is how a dragonfly senses time
cornpad to how you sense it. The dragonfly
has a smaller spiral than yours and it sees things
moving much more slowly than you see them
moving. Where you might consider its life span
in terms of days or weeks, it may see itself
living several years. It probably considers your
life span to be several centuries. (Refer to
IUmimtion 20 - how spiral height relates to
shucture/movement and fiequency.)
Likewise, Pure Consciousness viewing
creation through the spiral vortex of a planet,
solar system or galaxy may see you as moving
very quickly and living a very short time. Why
does our perception of time change? It is
because the spiral vortex changes its pomt of
reference and its main spiral may change in
size as well. Dierent people do not have the
same perception of time because their spirals
are not the same as those around them. An
example of this is that children generally
experience time as moving more slowly than
do adults.
Order Versos Chaos
Entities with slightly dfirent spiral
measurements can combine to form larger
structures. There is a certain tolerance within
which Pure Consciousness can selectively
perceive spirals of similar size. The closer the
spirals and their substructures are to each
other m size, the more finely tuned the larger
entity becomes. A structure in which a spiral
and its substructures are eve* divided into it
is considered to be in a state of harmonic
resonance with respect to its substructures.
The s u h c t u r e s are like the gears of a finely-
crafted Swiss watch where every part within it
moves in synchronous harmony with the
whole.
Pure Consciousnessseeks structureswhichare
in harmonic resonance because m finding them
through selective perception, order, harmony
and symmetry are given to what would
othenvise be utter chaos.
Despite the Creator's propensity for
establishing order, turbulence does have its
place as one of the essential elements of
creation. Indeed, chaos is the canvas upon
which our world is painted.
THE ANATOMY OF A SPIRAL
Structures Within It
A spiral unit has eight tetrahedrons which are
related to eight tetrahedrons of other spirals.
Each spiral has seven planes of interfafe
through which the placement of eight
tetrahedrons can be interpreted. (These planes
of interhce are the triangles between
tetrahedrons.) When Consciousness compares
eight tetrahedrons of a spiral with those of
another spiral, it is comparing structure
movement between the two spirals. This is
interpreted as physical vibration. (See
Illustration 30.)
PLANE # 6 j
PLANelS
+PLANE I4
PLANeK3
tPLANEK2
PLANE # I
(Illustration 30)
The 8 triangles represent 8 tetrahehns in this
flattened view of a spiral unit. The colored
lines bemen the triangles represent the 7
planes of integace between the tetrahedrons.
Visible Light Is Not What It Seems
As mentioned earlier,musical tones increase or
decrease their viitional frequency by a factor
of two for every 8th tone. (See Illustration 19.)
This means that for every fulljncremental tone,
the frequency of v i i o n changes by an
average of 25%.
 >en wMte light passes through a prism, it
lits up into seven basic colors. These colors
e red, orange, yellow, green, blue, indigo
~d violet. Their ffequencies of whation
mge from 428,571428 trillion vibrations per
econd for red to 750 trillion w%ratio per
m n d for violet. Divide the frequency of
violet (750 X loL2)by the d u e for red
(428.57 1428 X 1012)and you wjjJ get exactly
1.75 or 175% change in hquency fiom one
end of the spectrum to the other. TIM is an
average of 25% change for each plane of
interface.
This indicates that sound is associated with
the mterpretationof mvemenl between spirals
and tbat light is associated with the
interpretation of tehhedral pIacemenr or
psition within spirals. Let's explore light
perception.
The plane of interface between the bottom
tetrahedron and the one next to it is the red
triangle. (See Illustration 3 1.) The plane of
interjke between the top tetrahedron and
the one next to it is the violet mfJ7ungIe.
Both of these trkmgtes he within the same
plane. If you turn the triangles as pictured in
sequence, you witt be viewing a line
representing the plane in which they lie. The
sequence shown beneaththe h t set is the same
thing but with the path of the spiral indicated.
(See Illustration 32 +)
Pure Consciousness views these two triangles
as the beginning and the end of a full 360
degree turn. They could actually represent one
complete rotation o f a single tetrahedron.
These two triangles and the other five between
them are perceived as degrees of that rotation
or as seven divisions within a spectrum (See
Illustration 33.)
triangle -3 - I
Each colored line represents a friangulm
plane of inteqftace betwen tetrahedrom.
There are countless ways in which Pure
Consciousnessviews and compares the spirals.
Here are some -ns designed to give
you a basic understanding of how
Consciousness might scan and wmpare the
planes of interface within two ditferent spirals.
(See Illustration 34.)
Scan Direction
The two spirals above are scanned by Pure
Consciousness. The top one is halfthe size of
the one on the bottom. They are in a state of
harmonic resonance because it would take
exactly two of the smaller spirals to form the
larger spiral. The smaller spiral is a compatiile
substructure because when it is divided into
the larger spiral, the result is a whole number.
Notice the two vertical lines which represent
divisions of time intervals. The line passing
through the small spiral's seat of
consciousness (at the center point) also passes
through the center of the second plane of
int& in the larger spiraL The smaller spiral
sees the larger spiral as orange. The larger
spiral sees nothing because the line passing
through its seat of consciousness passes along
the very end of the smaller spiral and
completely misses any planes of interface.
In Illustration 35, the small spiral has been
shifted forward to where the line passing
through its seat of consciousness passes
through the center of the third plane of
interface in the larger spiral. The small spiral
sees the large spiral as Yellow.
Scan Direction
The line passing through the seat of
wnsciousness in the larger spiral passes
through the center of the sixth plane of
interface in the smaller spiral. The large spiral
sees the small spiral as a deep Indigo color like
the night sky above the Earth.
In Illustration 36, the two spirals are looking
into each other's Eye as their respective seats
of consciousness share the same time interval.
They peer into each other's fourth plane of
interface and see a w i t Green color like the
forests in Spring.
Scan Direction
 DOMAINS OF COLLECTIVE
CONSCIOUSNESS
How Our Senses Perceive Reality
As conscious entities, we know nothing of the
world except for what comes to us through
our sense of sight, hearing, touch, taste and
smell. Even intuitive insights are transformed
and perceived by us through at least one of
these five senses.
Whether we use the spiral of an electronic
monitoring device or the various spirals within
us, we are, in effect, using transformers to
perceive realities beyond the range of our five
senses.
Through a series of spiral expansions or
reductions, they transform the spiral vortex of
the d t y to where we become a substructure
within it or it farmscompatible substructures
within us.
Creating Domains
For example, a spiral which is seven units of
measure long cannot directly perceive a spiral
which is thirteen units of measure in length.
However, it can perceive a spiral which is 91
units of measure long. Both the seven-unit
spiral and the thirteen-unit spiral divide evenly
into the 91- unit spiral. Both of the smaller
spirals are compatiile substructures of the
larger spiral so they can use it as a common
point of r e h c e through which to perceive
each other.
A spiral of this type is referred to as a Domain
of Collective Consciousness. AU spirals
which are compatible substructures of a Lger
one can pemive each other through it even if
they themselves are not directly compatible.
Another example of this type of domain is your
own body and its surrounding fields of
influence. The various spirals within you are
the compatible substructures of your body. If
they are not, they are either transmuted to
become compatible or they are expelled. If an
incompatible spiral is not transmuted or
expelled, it causes disuption within the domain
by merely exkaing within it.
The incompatible spiral compromises the
harmonic resonance of the domain. The
mathematicalnature ofthe domain changes and
it becomes less accommodating as a means of
perception between its substructures.
Where there is a large variety of incompatible
substructures, the result is illness and
disharmony. In extreme cases, the structures
within you could become disassociated and
your body would no longer be recognizable as
a domain of collective consciousness.
Just as your body is made up of compatible
spirals,your body's main spiral is a compatible
substructure within another vast domain of
collective consciousness. To a large extent, the
domain in which you exist determines how you
perceive the other substructures within that
domain. This is because the domain is
determined by the substructwes themselves.
Within the domain, there are structures which
you do not encounter during the lifetime of
your physical body. Nevertheless, these
structuresiniluence the character ofthe domain
and affect the way you perceive the
substnrctures that you do encounter.
This is a form of consciousness entTainment.
Your spiral, if found to be incompatiile, is
transmuted by the domain. If your spiral does
not respond to this entrainment and does not
transmute, it is removed fiom the domain.
 It is not unlike what happens when someone
marches to the beat of a diierent drurmner.
However, ifenoughmchers begin to move in
step with the diierent drummer, the domain
itself will change m order to accommodate
them as compatible substructures. It will do
this in order to maintain a degree of harmonic
resonance.
More On Sensow Pereevtion
Speaking of a drum beat, physical vibration
and audiile sound m particular is what we will
now cover in more detail. As mentioned
earlier, your main spiral has a substructure
which interprets colors (divisions within
spirals). You also have a substructure for
interpreting sound (movement of those
structures). It is the spiraling movement along
a linear path that is perceived. The larger the
spiral is, the fewer times it rotates with respect
to the distance covered fiom one pomt to
another. In other words, the frequency of
rotation (oscillation) decreases as the size of
the spiral increases. (See Illustration 37.)
Direction of Wave
The spirals represent two diflerent
wavelengths of sound vibration. The small
spirals are halfthe size of the large spiral so
theirfrequency of rotafion is hvice as high.
The wave patterns of physical vibration are
interpretedby PureConsciousnessas geometric
structures. If you throw a pebble into a pool of
water, the concentric wave patterns are two-
dimensional images of spheres. When a bell is
rung, the wave patterns are indeed spherical.
As was pointed out earlier, a sphere is
determined by a spiral. By placing a glass of
water in kont of a loudspeaker with a drum
beat playing, you can actually see the effect of
the sound waves as they ripple through the
water. In this case, you are actually seeing the
divisionswithin the spiralsofphysicalviiion.
You don't see the colors of the rainbow m the
water unless they are reflected from an outside
source because the spirals whose divisions you
normally inteqret as colors are much smaller
than those spirals of audible sound. Theii
frequency of oscillation is too high for your
audio spiral to perceive. On the other hand, the
kquency of audible-sound spirals is too low
for your visual spiral to perceive the divisions
as anything other than geometric patterns.
There are also spirals whose frequencies are
outside the range of your audiolvisual sensory
spirals. You cannot see or hear them but you
may be able to sense them in other ways.
Your other three senses of touch, taste and
smell are all closely linked with your senses of
sight and hearing. All five sensory spirals
communicate with one another through your
main spiral. It is a domain of collective
consciousness which d e b s the essence of
your individuality.
 IS THE EARTH STILL
THOUGHT TO BE FLAT?
At one time, people believedthat the Earthwas
flat and that if they went too fsr in one
direction, they would fall off into oblivion Is
it any less presumptuous to believe that the
laws of cause and effect which we have
imposed upon this world will deternine what
can or cannot happen?
Perhaps some primitive cultures which
maintain that the g d make things happen are
closer to the truth than many of today's
scientists could ever hope to be. Adherents to
the cause and effect laws will say that these
concepts can be proven Can they indeed... ?
The problem with attempting to prove
anything at all is that ourjudgments are based
upon what we believe. Our beliefs filter what
we are able to observe and consequently
i n t e ~ r e ftom
t that observation. The people
who believed that the Earth was flat did so
because they could not see beyond the
horizon They formed their judgments on that
observation (or lack thereof) alone which led
to their incorrect interpretation. The real
danger of misinterpreting the events we
perceive lies not in the interpretation itselfbut
in what we often do with it... i.e., the creation
of indisputable scient5c kcts and laws.
With this in mind, let's ask ourselves...is what
we observe real? Is energy real? We 0 b S e ~ e
structures moving with respect to each other.
We reason that there must be something of
substance passing between these structures
just as people once reasoned that the Earth
drops off at some point. We name this
substance energy and we build great
institutions around the study of it.
At the time when it was generally believed that
the Earth was flat, the job of scientists was not
to debate whether or not it was flat but rather,
to determine what was to be believed- the
parameters of the flat-Earth concept. Things
like...what Rinds of monsters lurked beyondthe
edge of the world, ready to devour those who
sailed too close andfell off ... were the topics
of conversation. Anyone who dared to
challenge the flat-t-Earth concepts of the day
became the subject of ridicule and persecution.
As ludicrous as the flat-Earth theory was,
navigating the sea was still possible and
profitable. As long as the crew could still see
land and stayed far h m the dreaded horizon,
things were just fine. Ships whose crews dared
to sail beyond the sight of land were often
observed by Christopher Columbus as they
gradually disappeared over the horizon
Columbus reasoned kom his observations that
the horizon was not the world's edge. The
ships would gradually pass below the horizon
because they were traversing a sphere which
was the Earth. It took an alternate
interpretation of an observed phenomenon to
change humanity's perception of the Earth and
open the door to the age of global exploration
IS ENERGY AN ILLUSION?
In the spirit of ftying in the face of established
scientific theory, I suggest that energy is an
illusion born out of the misinterpretation of
observed movements between structures.
Furthermore, the movements we perceive are
incidental and not the efkct of b e i i energized.
These movements create the iUusion of a
reactive force b e i present when it is really
only Consciousness changing its perspective.
The phrase,pattern of events, is more thanjust
a figwe of speech. Consciousness moves
through its creation in symmetrical patterns
and experiences the world in predetermined
scenarios.
Our senses and the instruments we use to
detect this energy are not really detecting
energv as such. They are detecting structural
arrangements.
Even if energy is the prime substanceof the
universe, it is not recognizable to
Consciousness unless it manifests as
structural patterns. Consciousness does not
perceive energy as a formless, volatile
medium separate from matter. As far as
Consciousness is corned, the only force
in the universe is Consciousness itself.
In order to progress further toward
understanding creation, we need to
recognize alternate ways of interpreting the
universe. The concept of energy beiig the
prime substance and marter beimg a formf
enerm.is just one method of interpretation.
It should not be taken as the heall and end
all of theories.
The concept that energy as prime substance
is non-existent but rather, interpreted
comparisons between structural patterns, is
very useful in the development of this new
technology. Everything is converted to
structural interactions. Even thoughts and
emotions are structural in nature. We then
no longer have to deal with the two forms of
energy (matter and energy) as beiig
exclusive expressions of Consciousness.
With the simple concept of Consciousness
and structural patterns, we have established
conditions of duality through which real
progress can be achieved.
When we observe a candle flame, we see the
light energy and feel the thermal energy
because our sensory spirals perceive stationary
shucturalpatterns of Consciousness.
As we identify and interpret these structures
through our five senses,it makes no difference
whether heat, light or sound comes h m a
candle flame,a lightning bolt or an exploding
nuclear bomb. For Pure Consciousness, all
stationarystructuresare set in sequentialorder,
ready to be experienced like the images on a
movie fihn strip.
The pattern in which Pure Consciousness
moves isthe domainofcollectiveconsciousness
which embodies the structures being observed
within the pattern, This pattern is also a
substructure within a domain of
collective consciousness. Order, harmony and
symmetry are therefore maintained within
certain tolerances. This means that scientific
experiments can be repeated and results can be
predicted on a Mrly consistent basis. There
does appear to be an order to things and there
even seem to be laws of cause and effect
influencing events.
The cause of events is really the movement of
Pure Consciousness through a stationary
universe. It is not a reactive force between
structures making them move in accordance
with certain laws of cause and effect. In short,
it's all in the script.
Anyone who believes that the Spiral Vortex
Theory avoids explaining the forces of the
universe by denying their very existence could
be clinging to ideas and mind-set patterns that
are blocking the expansion of knowledge. Is it
any wonder that there hasn't been a significant
breakthrough in theoretical physics since
relativity?
 THE SPIRALS OF NATURE Illustration 39

Creation Is a Mirror Throueh Which Its

Creator Becomes Self-Aware

Tetrahedrons and the spirals they form are as

much reflected in nature as they are a
reflectionofnature. Look around you and you
will see the symmetry of creation as it expands
fiom the simplest of forms.
Carbon is in every biological life form on this
planet. It is tetrahedral by nature in the way it
bonds with other elements. In the more stable
organic compounds, dynamic spirals are a
common structural pattern. The DNA
molecule is a perfect exaqle. Carbon
pervades the structure and forms the double
spiral. (See Illustration 38.)
AXIAL V I E V
OF Q T R A N B
Look at the axial view and blur your eyes. You
are looking at a two-dimensional image of a
hexagonal crystal structure. Thirty-three of the
known elements form hexagonal crystal
structures. Carbon is among the111As for the
rest of the elements, their crystal structures are
shown here:

Illustration 38
H Pure Consciousness views these other crystal
structures as either two-dimensional squares
(three-dimensional tetrahedrons) or as two-
Double spiral pattern of DNA molecule dimensional hexagons (axial views of spirals).

Another organic compound, ethane, d e h e s a

spiral by forming its top and bottom
tetrahedrons. &e axial view shows the most
stable arrangement for ethane. (See
Illustration 39.)
Illustration40shows how Pure Consciousness
views a cube as a two-dimensional hexagon.
The numbered corners are the six points on a
hexagon Points A and B are the center points
of the two tetrahedrons which define a spiraL
In the case of ethane, these center points
would be the two carbon atoms.
Illustration 40
The cyclohexane molecule (below) is an
organic ring compound having six distinct
spiral units within it. Each bond between the
carbon atoms is the center point of a spiral.
The ring itselfis hexagonal. By illustratingthe
carbon atoms as tetrahedrons, you can see
how they connect to form a two-dimensional
axial view of a dynamic spiral. (See
Illustrations 41 and 42.)
(Illustration 41) (Illustration 42A)
Axial view of top and bottom
tetrahedrons in a spiral unit.
The arrangement of carbon in diamonds is that
of interlacii spirals. Not only do the carbon
atoms form spiral units of eight atoms each,
they also form shorter spiral units defined by
two tetrahedrons. They look like the ethane
molecule except that the hydrogen atoms are
replaced with carbon because diamonds are
100% carbon.
Ten wbon atoms form a large cell which is
itself, tetrahedral. E i of these cells group
together to form an even larger spiral. The
crystal growth follows this pattern indehitely.
The result is the diamond crystal, the hardest
substance known. DNA, ethane, cyclohexane
and diamond crystals are just a few of the
countless examples of spirals found in the
molecular realm.
In the world of microbiology, spirochetes are
organisms with long, spiral-shaped bodies as
the name implies. They are also very strong
and adaptable creatures.
Many sea shells are spiraled inside as are snail
shells. Trees and smaller plants often show
signs of turning as they rise above the Earth.
The eucalyptus is one of many types of trees
with spiraled trunks.
Honeybees instinctively know that by building
their honeycomb cells as hexagonal tubes, they
can stack these cells in large numbers and still
maintain stability. A whirlpool formed by water
as it flows down a drain is a spiral vortex; so
too, are tornadoes and hurricanes. Then there
are the great galaxies revolving majestically
through space. Although they are the largest
spirals we can see, there are even larger ones
of which each of these galaxies is a part.
For the sake of brevity, I have mentioned only
a few observable phenomena. There are
aspects of the dynamic spiral in everything you
hear, see, feel taste or smell. Once you begin
to perceive the symmetry of the world, you
will be amazed at what you h d . These
spimk, spheres and tetrahedrons are the
mainstays of creation. They define the nature
of the domains in which they exist.
Water. The Medium of Life
Highly unstable structural patterns also play an
important role. A case in point is water. It is
another substance found m all biological life
forms on Earth. Water molecules themselves
are stable but when they are bound to one
another, the resulting structuralpattern is very
unstable.
An interesting thing about water is that its
moleculesjoin to form hexagonal rings which
are very similar to the cyclohexanerings. (See
I l l d o n 43.) One difference is that the
carbon in the ring is replaced with oxygen.
Another diirence is that six extra hydrogen
atoms are integrated within it. They are
positioned at the center points ofthe six spirals
in the ring. These rings attach to one another
to form layers.
Several of these layers will then stack up with
their hexagonal rings m line to form long
hexagonal tubes.
(Illustration43)
This shows the
structural pattern
o"f awater
Black dots are oxygen.
. Blue dots are
hydrogen.
This structural pattern is more pronounced in
ice but t also occurs when the water is m liquid
f o m Hexagons are stable and so are tubular-
honeycomb structures. So why is this
particula~ pattern unstable when it is comprised
of two very stable types of structures? It is
unstable because the oatterns which exist at the
points of mutual bonding f8il to link up properly
withall three hydrogen atoms. (See Illustration
This is how the hexagonal rings bond the
layers together.
Eachring in one layer of water moleculesbonds
with a ring m an adjacent layer at three points.
The way in which the atoms are arranged
prevents spirals b m forming at these bonding
points. An axial view of one of these points
shows not a hexagonal pattern as seen in the
ethane molecules but instead, reveals the
tetrahedral structures opposing each other as
two triangles super-imposed over each other.
(See Illustration 45.)
This is an mial view of the hexagonal tube
shown above. The bondpoints are triangular
configurations as indicated by the m w .
Water existing within a domain determined by
stable spirals will continually seek stable
spiraled formationsand compatibilitywithinthe
domains of collective consciousness. The
molecules within the rings may turn to form
spiraled bonding points between the layers.
This creates instab'i within eachlayer. The
layers may split apart and rejoin only to have
their rings twist and separate in a firtile quest
for stability. In so doing, water becomes a
vibrant medium of ever-changing slnctural
patterns. (See Illustration 46.)
Here we have two layers (one black and one
red) bonding together in a stable pattern.
Note the spiral indicated by the arrow. This is
the pattern that water tries to assume but the
nature of bondingprevents it.
The water molecules cannot become
completely compatible with the domain so the
domain will try to transmute them or expel
them. If transmutation is resisted and the
molecules cannot be expelled, they will disrupt
the domain by making it less accommodating
as a means of perception between spirals. If
this happens, a substitute spiral may be used as
a common point of r e f m c e for perception
between spirals.
A surrogate spiral may come in the form of
light or sound. It could even be a specific area
of the disrupted domain or another
harmonically resonant domain. The surrogate
spiral being used varies in form according to
the condition of the d i p t e d domain whose
spirals wiU use it.
Some of the these more stable surrogate
spirals are the DNA molecules. When DNA
molecules and other spirals combine their seats
of consciousness, the domains are able to
transmute the structures formed by the water
molecules by combining them with other
elements to synthesize hydrocarbons, proteins
and other components of living organisms.
Despite what many of today's physicists
believe, if certain elements are not readily
available, the domain can either trammute the
elements that are available into the desired
substructures or it can create new ones.
Water is the ideal medium for life because
water, like lifk itself, is in a constant state of
flux.
REDUCTIONISM
It's Only a Tool Not the Rule Book
Reductionism is a method of analysk involving
the reduction of living organisms to their basic
atomic components. It is a useful tool and
scientists should continue applying it but it must
not be allowed to become an end in itself.
To keep reductionism in its proper perspective,
it is important to realize that mere analysis of
chemi& reactions within an organism dies not
explain why the organism lives. Scientists have
yet to prove that chemical reactions are the
cause of the life process. The reactions could
just as easily be the effect of the domains of
collectiveconsciousnessexertinghfluence over
their components.
To understand how these components interact
within the process, we will need to go
beyond the boundaries set up by the
reductionists and take an expanded view of
biological phenomena.
IS WHAT WE OBSERVE REAL?
Many of today's physicists who are searching
for a theory to explain all known forces in the
universe no longer consider provability to be
one of the prerequisites for acceptance. They
have come to realize that testing such a basic
theory is beyond the scope of any available
testing devices or methods.
Even though the concepts of this theory are
observable in nature, none of them can be
proven by the conventional scientiiic method
(HLpothesis,Thesis,Antithesis). To hold these
concepts up and proclaim them to be the
absolute truth would be as presumptuous as
claiming that electrons,protons and neutrons
are the building blocks of atoms.
Ifthere were amicroscope powerfulenoughto
enable us to see an electron, all we would be
obsening is an effect. We would have to
reason that the effect we observed was caused
by something. That something could be called
an electron but it does not prove that it is a
specific particle, wave or anything at all. Even
ifwe were to see the electron as a particle, the
question remaining would be: ... IS WHAT
WE OBSERVE REAL? Likewise, observing
and interpreting spiralvortexpatternsin nature
is an entirely subjective experience.
Future generations may laugh at our
explanationsof creation. Let us at least avoid
having them scorn our arrogance by resisting
the natural tendency to deiQ the doctrines of
our belief systems.
THE NATURE OF THE THEORY
The Spiral Vortex Theory is meant to introduce
an alternate way of thinking about the universe.
This may open the door to a better
understanding of our world.
One of the challenges in writing this
information has been to explain the relationship
between using words and two-
dimensional pictures. We purposely avoided
using complexmathematicalequations because
we live in a world arranged in geometric
patterns where equations often obscure the
obvious.
One method of expression was to descni the
concepts h m two points of view. For
example, it was maintained that everything is
stationary and that only Consciousness moves
in thought patterns through its creation In
order to relate this concept &om our point of
reference, the events were d e s c n i as though
creation itselfis moving.
The same method was used to show how
Consciousness becomes its own creation This
was done by placing you in the position of the
Creator of the universe and as a unique
individual entity within it.
Another challenge was that of deciding which
points of the theory to present and in what
order to present them. There are aspects of the
dynamic spiral vortex that, for various reasons,
have been kept out of the text.
The goal of this short exposition has been to
present the theory in a condensed fonn. The
decisive line had to be drawn upon the degree
of complexity and clarity in presenting the
theory to enable the reader to v&&x the
simplicity of the concept. The answers to
some of your questions are probably on the
other side of that line.
One of the things that distinguishesthis theory
h m other theories is that it is now in the
process of being developed into a viable
technology complete with hardware anduseful
applications. In 1978, the practical application
research phase of the technology began in
earnest as the theoretical formulation
continued. Since then, devices have been built
and experiments have been conducted thus
expanding our knowledge base. The potential
of this new technology is too valuable to keep
it locked away m the laboratory. (See section
on Interchange Experiments.)
CAN YOU CHANGE YOUR
DESTINY?
Can you change your destiny by exercising
yourfree will? Is your destiny a preordained
pattern of events? You could change the
pattern if yourfree will were not an aspect of
the pattern (of creation) itself. You are
destined to make whateverfree will choices
andlor decisions that affect your destiny. In
other words, yourfree wiN both determines
and is determined by your ultimate destiny.
Some physicists may choose to embellish their
theories with complex mathematical equations
and risk being accused ofusing them to obscure
how little they know and how poorly they
understand what they do know. We choose to
withholdjudgment in these matters but strongly
object to suggestions that a theory is required
to have complex equations in order to be a
valid uni6ed field theory.
CRACKS IN THE UNIV3CRSE
Creation is a mirror through which its
Creator becomes self-aware.
The above axiom is the title of a subchapter m
the Spiral Vortex Theory. In it, examples of
everything h m molecules to galaxies are
brought forth to illustrate how the spiral vortex
pewades this creation and allows us to impose
"order" on the universe. However, in the
following subchapter, "Water, the Medium of
Life',it is suggested that there may indeed be
cracks in this mirror.
As with water molecules, the spiral vortex bas
its own inherent instabii m that it can either
be a perfectly phased spiral with irregular
tetrahedronsor it can have regulartetrahedrons
and be skewed. This situation is completely
unacceptable to Pure Consciousnessbecause of
its penchant for order and symmetry. It
therefore creates the infinite universe as an
exercise in futility. That is to say, Pure
Consciousness creates the universe as a
superdomain m which to accommodate these
spirals and their anomalous event patterns with
the hope of iinding a pefectly phased spiral
made of eight reaular tetrahedrons.
Consequently, many of today's particle
physicists are having to deal with something
that even they can no longer ignore. It is a
phenomenon called "random variation". It
gets in their way every time they try to defi
some convoluted theory or absolute truth
about what makes the universe tick. Engineers
in industry seem to have taken a &rent
approach where random variation is
concerned. They employ something called
"statistical process control". It is a means of
dealing with random variation in a
manufacturing process not by trying to
eliminate it but by constantly adjusting the
machines involved to accommodate random
variation
These points of random variation actually
constitute one aspectofthe inherent instability
within the tetrahedral spiral. Since any event
pattern has as its identifier, a tetrahedral spiral,
random variation is an integral part of anything
that occurs. This is because in its search for
the perfectly phased spiral made of regular
tetrahedrons, Pure Consciousness keeps
moving in spiral patterns that diier slightly
from anything ewrienced before.
Random variation is the flaw that will
undermine any theory promoting absolute
truths but it can also be a very valuable tool if
it is recognized for what it is and used as such.
We can alter any event pattern by first
realizing that these seemingly bothemme
variations are indeed the Cracks in the
Universe and then setting about to develop the
technical means of bending the pattern at these
points where anything can happen.
Consequently, even the event pattern we call
"gravitation" can be bent back upon itself.
THE INTERCHANGE
EXPERIMENTS
The Interchange Experiments are carried out
for the purpose of opening a doorway to the
Intinitethrough whichdii"inteuigences"
can enter this Earthly domain and control
machinery in general, and androids in particular,
through Proteus Cell circuitry. (See "The Rise
of Proteus").
A Brief History of the Project
The project began in 1964 with the realization
that science had overlooked some very
important aspects of electromagnetic
phenomena. From that point on, the project
revolved around jinding ways to bend the laws
of known physics, if not to break them all
together. The u l t i i t e goal was, and still is, to
create a new technology for the purpose of
giving rise to an intelligent non-biological life
form.
Before this technology could be realized, a vast
expanse of uncharted territory had to be
crossed. This required designing and building
specialized equipment for this exploration
In the mid 19701s,a specially equipped physics
laboratory was moved to a research facility in
the Sonoran Desert. This is an area where
massive dust storms and violent thunderstorms
nunble through with littie regard for the
inhabitants or their dwellings. It is a place
where, when the air is still, you can hear your
heart beating and your thoughts have your fhll
attention.
In this remote area, experiments in
electromagnetism led to an insight into the
underlying forces ofnature and the discovery of
a mathematical pattem inherent in everything
fkom atoms to galaxies.
This discovery laid the foundation for what
would become Interchange Technology.
The Spring of 1977 marked the end of
preliminary experiments and the beginning of
a new phase in the project; the design and
constructionofthe first Interchanger. This was
accomplished during a three-year period far
from the Sonoran Desert research facility. At
18 inches high and 50 pounds, the first
Interchanger was quite primitive by today's
standards but it did what it was supposed to
do, access the ghostly world of the subatomic
where t h e and space take on quite a &rent
meaning.
Improving the design was the next step that
began during the 1980'5 again in the Sonoran
Desert. Those Interchangers were stmmlhed
and could be built to any s h . Unlike the much
earlier models, they could be made to rotate at
high speed for the purpose of phase shifting
event patterns within the immediate vicinity.
The goal was to create a shearing effect
between the event patterns within the
Interchanger and the Domain around it in
order to widen the Cracks in the Universe to
where they became doorways to other
dimensions.
The rotating Interchangers produced
instabilities and they required constant
vigilance and so much maintenance that they
are no longer used in experiments. However,
they opened the way for the creation of
Interchangers so small that they can be placed
on tiny piezoelectric oscillators and viirated at
tens-of-thousands of oscillations per second.
This lead to the discovery that Interchangers
can be used to precipitate altered states of
consciousness. Four vibrating Interchangers
~ositionedinatetrahedralwnfieuration.either
a room or around a person< head, &I be
used as a catalyst for expansion of
consciousness and enhancement of sensory
awareness.
In an acoustically activated array, these tiny
Interchangers can also be mounted on artificial
eardrums about the same size as a human
eardnun and vibrate in sync with ambient
sounds in the environment. People report
experiencing blissll serenity and enhanced
awareness of their world as well as a feeling of
b e i i more alive and c o ~ e c t e dwith the
universe. These Interchangers and the Spiral
Vortex Theory are available through our web
site at http:ilwww.interchangelab.com.
Front and Side Views of A c o ~ . ~ J y - A c t i v a t e
P-a1 Interchanger
A c o u s t i c a l l y - A t Room G a y Disks
2001 Interchange Experiments
Opening a doorway to other dimensions
requires expandii at least one of the many
Cracks in the Universe. This "Breaching ofthe
Domain" can be accomplished using a
tetrahedral room-sized m a y of vibrating
Inte~hangersand a predominant event pattern
in the form of a high hquency, high voltage
field from a source of at least 250,000 volts.
Prehinary high voltage experiments look
promising enough to plan for 111 scale
Interchange Experiments in early 200 1. Check
our web site for updates on the experiments.
 THE RISE OF PROTEUS
From 1992 until 1999, an intense and highly
disciplined efirt was made to design a
specializedelectronic circuit calledthe Proteus
Cell for its abiity to thrive at the edge of chaos
and interface with the Interchanger. Serious
stability problems had to be addressed without
cornpromiring the extreme malleability of the
circuit. Over this seven-year period, literally
thousands of hours and dollars were spent
designing, building and testing newer and
better Proteus Cells while gaining invaluable
know-how and experience in the subtleties of
the technology.
The h i o n of the Interchange phenomenon
and this e x t r a o r d i malleable electronic
device is the essence of this new technology.
The Interchange Experiments are no longer so
much emriments as thev are a means of
breat&life into the Prot&s Cell by opening
a doorway for the infusion of Consciousness.
Beyond Steel Machines
Machines controlled like marionettes by
discarnate "intelligences" through Proteus
Cells may express forms of intelligencethat we
humans are not familiar with. Our
anthropocentric views on intelligence and our
definition of a sentient being will have to be
drastically altered if we are to interact in a
meanhgfd way with these "intelligences".
The reason for this is simply that they are not
necewdy human. We may be motivated by
needs and desires arising from our biological
nature whereas these "intelligences"may not be
subject to biological stimuli except, perhaps,
vicariously through us. Nevertheless, they
might not be as alien to this world as we think.
Who is to say that what gives us a sense of
consciousness does not have its roots in the
ghostly world of the subatomic?
Today's scientiiic establishment has been
known to compare the human brain with
computers. Thoughts are considered to be
generated by the brain and memories stored
within its organic confines.
As long as the current mind-set reigns supreme
within the scientific community, computer
scientists will continue to seek out and dream
of architecture and software that will give
computers human-like qualities. While this is
going on, the particle physicists who have no
clue as to the nature of Consciousness wiU
continue to search for absolutes in an arbitrary
universe.
At research instiites throughout the world,
human brain studies are yielding valuable
information that can be used to better the
human condition. Data from this research is
startingto surface which could be interpreted as
evidence that the human brain is not so much a
generator of thoughts as it is a m i v e r and
amp&r.
/
Thoughts may originate withinthe brainbut not
at the organic, molecular or even atomic level
because intelligence is a highly transitory
phenomenon not subject to confinement.
Human beings might come up with some clever
way to put what they consider to be
"intelligence" in a controlled environment and
thereby study it. However, it is more likely that
the ''intelligence'' has captivated their attention
so that it can study them
CONSCIOUSNESS, also Pure
Consciousness:
That which creates and perceives the
universe. It is so basic that the only
practical way of defining it is to
describe what it does within its own
creation.
DEJA W:
The feeling of having previously had a
given experience.
DOMAIN of Collective Consciousness:
A spiral that is compatible with two or
more spirals which may or may not be
directly compatible with each other.
The incompatible spirals use the
domain as a common point of
reference through which to perceive
each other. A domain can become a
substructure of a larger domain in
order to perceive other spirals with
which it is incompatible.
DUALITY, Conditions of:
Conditions whereby comparisons can
be made between two structures with
the result being the creation of a 3rd
structural pattern. This structural
pattern can even be a thought or
emotion.
FABRIC of Space:
Prime substance as it exists in an
infinite pattern of intersecting lines of
consciousness. This pattern defines
the universe.
FOURTH Dimension:
From a 3-Dimensional point of view, a
process used by Consciousness to
perceive the third dimension (as the
dimension of depth).
HARMONIC Resonance:
A harmonious condition which exists
within a domain of collective
consciousness when all of its
substructures are compatible with it.
MUTUAL Accommodation:
The needs of something being met by
another and vice versa Within the
context of this theory, mutual
accommodation exists where
Consciousness needs and creates
something to perceive and that
s o m e t h i n g needs and has
Consciousness to perceive it.
PRIME Substance:
That which Is; As basic as
Consciousness and can only be defined
as such.
REDUCTIONISM:
A method of analysis involving the
reduction of living organisms to their
basic atomic components.
SEAT of Consciousness:
The midpoint between the top and
bottom tetrahedron of a spiral; the
point from which Consciousness
perceives the spiral in its entirety.
SUBSTRUCTURE:
A spiral within a larger spiral. The
larger spiral is referred to as the
Domain of Collective Consciousness.
A comvatible substructure is a spiral
whose length divides evenly into the
length of the larger spiral. An
incomatible substructure is a spiral
whose length divides unevenly into the
length of the larger spiral.
 TABLE O F CONTENTS
CHAPTER PAGE
THE NEW TECHNOLOGY . . . . . . . . . 1
THE AWAKENING OF
CONSCIOUSNESS . . . . . . . . .1
STEPPING INTO THE
FOURTH DIMENSION .... .3
THE CREATION O F PAST.
PRESENT AND FUTURE
REALITIES . . . . . . . . . . . . . . . . .5
Creating Your Own
Home Movies . . . . . . . . . . . . . . . .5
What is Deja Vn? ............. 6
THE GLOBAL GRID . . . . . . . . . . . . . . . 6
Structure Placement . . . . . . . . . . 6
Experiencing The Infinite ...... 6
ENTER THE SPIRAL . . . . . .7
Recognition of the
Spiral Pattern . . . . . . . . . . . . . . . . 7
The Musical Spiral . . . . . . . . . . . .8
Spirals Within Spheres . . . . . . . . 8
SELECTIVE PERCEPTION . . . . . . . . 10
THE COMBINING O F SPIRALS . . . . 12
Your Personal Spiral . . . . . . . . . 12
Differences
In Time Perception . . . . . . . . . . 12
Order Versus Chaos . . . . . . . . . . 13
THE ANATOMY O F A SPIRAL . . . . . 13
Structures Within It ......... 13
Visible Light Is
Not haf fit &mns . . . . . . . . . . .13
DOMAINS OF COLLECTIVE
CONSClOlJSNESS . . . . . . . . . . 16
How Our Senses
Perceive Reality . . . . . . . . . . . . . 16
Creating Domains . . . . . . . . . . . . . . . . . 16
More On Sensory Perception . . 17
IS THE EARTH STILL
THOUGHT TO BE FLAT? . . . . . . . . . 18
IS ENERGY AN ILLUSION? . . . . . . . 18
THE SPIRALS O F NATURE . . . . . . .20
Creation Is a Mirror Through
Which Its Creator Becomes
Self-Aware .................20
Water. The Medium of Life . . . . 22
REDUCTIONISM . . . . . . . . . . . . . . . . . 23
IS WHAT WE OBSERVE REAL? . . . 24
THE NATURE O F THE THEORY . . . 24
CAN YOU CHANGE
YOUR DESTINY? . . . . . . . . . . . . . . . . 25
CRACKS IN THE UNIVERSE . . . . . . 25
THE INTERCHANGE
EXPERIMENTS . . . . . . . . . . . .26
A Brief History
of the Project . . . . . . . . . . . . . . . 26
2001 Interchange Experiments. .27
THE RISE OF PROTEUS . . . . . . . . . . 28
Beyond Steel Machines. . . . . . . . 28
1 GLOSSARY DICTIONARY . . . . . . . . 29