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Modal and Harmonic Analysis using ANSYS

David Herrin, Ph.D.


University of Kentucky

Modal Analysis
Modal/Harmonic Analysis Using ANSYS

Used to determine the natural frequencies and


mode shapes of a continuous structure
g

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Review of Multi DOF Systems


Modal/Harmonic Analysis Using ANSYS

x1
K1

x2
K2

F1

F2

M1
C1
g

K3
M2

C2

C3

Expressed in matrix form as

[M ]{u&&}+ [C ]{u& }+ [K ]{u } = {F }


Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

Review of Multi DOF Systems


Modal/Harmonic Analysis Using ANSYS

[M ]{u&&}+ [C ]{u& }+ [K ]{u } = {F }


The mass, damping and stiffness matrices are
constant with time
g

The unknown nodal displacements vary with


time
g

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Modal Analysis
Modal/Harmonic Analysis Using ANSYS

A continuous structure has an infinite number of


degrees of freedom
g

The finite element method approximates the


real structure with a finite number of DOFs
g

N mode shapes can be found for a FEM having


N DOFs
g

Modal Analysis
Process for determining the N natural frequencies and
mode shapes

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Modal Analysis
Modal/Harmonic Analysis Using ANSYS

Given suitable initial conditions, the structure


will vibrate
g

at one of its natural frequencies

the shape of the vibration will be a scalar


multiple of a mode shape

Given arbitrary initial conditions, the resulting


vibration will be a
g

Superposition of mode shapes

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Modal Analysis
Modal/Harmonic Analysis Using ANSYS

Determines the vibration characteristics (natural


frequencies and mode shapes) of a structural
components
g

Natural frequencies and mode shapes are a


starting point for a transient or harmonic analysis
g

If using the mode superposition method

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Mode Shape of a Thin Plate (240 Hz)


Modal/Harmonic Analysis Using ANSYS

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Mode Extraction Methods


Modal/Harmonic Analysis Using ANSYS
g

Subspace

Block Lanczos

PowerDynamics

Reduced

Unsymmetric

Damped and QR damped (Include damping)

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Steps in Modal Analysis


Modal/Harmonic Analysis Using ANSYS
g

Build the model

Same as for static analysis

Use top-down or bottom-up techniques

Apply loads and obtain solution


Only valid loads are zero-value displacement
constraints

Other loads can be specified but are ignored

Expand the modes and review results

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

In-Class Exercise
Modal/Harmonic Analysis Using ANSYS

A = 3 in 2
IZZ = 450 in 4
H = 5 in

E = 30E6 psi
2
lb s
= 8.031E 4 3
in in

360 inches
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

In-Class Exercise
Modal/Harmonic Analysis Using ANSYS

Set element type to BEAM3

Set the appropriate real constants and material


constants
g

Create Keypoints at the start and end of the


beam and a Line between them
g

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Mesh the Line and Apply B.C.s


Modal/Harmonic Analysis Using ANSYS

Set the meshing size control of the line to 5

Fix the Keypoint at the right end of the beam

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Set Solution Options


Modal/Harmonic Analysis Using ANSYS
g

Change the analysis type to Modal

Solution > Analysis Type > New Analysis

<Modal>

Set the analysis options

Solution > Analysis Options

Extract 10 mode <OK>

Enter <1500> for the ending frequency

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Set Solution Options


Modal/Harmonic Analysis Using ANSYS

At this point, you have told ANSYS to find a


particular quantity of modes and to look within a
particular frequency range. If ANSYS finds that
quantity before it finishes the frequency range, it
will stop the search. If ANSYS does not find that
quantity before finishing the frequency range,
then it will stop the search.
g

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Set Solution Options


Modal/Harmonic Analysis Using ANSYS

Solve the load set

ANSYS generates a substep result for each


natural frequency and mode shape
g

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Postprocessing
Modal/Harmonic Analysis Using ANSYS
g

List results summary


General Postproc > List Results > Results
Summary

Read results for a substep

General Postproc > Read Results > First Set

Plot deformed geometry

General Postproc > Read Results > Next Set

Plot deformed geometry

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Theoretical Modal Analysis

David Herrin, Ph.D.


University of Kentucky

Structural Vibration at a Single DOF


Modal/Harmonic Analysis Using ANSYS
g

At a single degree of freedom

u = cos(t )
u = displacement of a nodal DOF
= amplitude

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Structural Vibration for the Entire Structure


Modal/Harmonic Analysis Using ANSYS

{u} = {}cos(t )
{u} = Vector of nodal displacements
{} = vector of amplitudes for each DOF
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

Mode Shapes
Modal/Harmonic Analysis Using ANSYS
g

The vector of amplitudes is a mode shape


2

3 4

5 6

Use subscript i to differentiate mode shapes


and natural frequencies
g

{u} = {}i cos(it )


Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

Appropriate Initial Conditions


Modal/Harmonic Analysis Using ANSYS

If the I.C.s are a scalar (a) multiple of a specific


mode shape then the structure will vibrate in the
corresponding mode and natural frequency
g

ICs = a{ }i

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Determining Natural Frequencies


Modal/Harmonic Analysis Using ANSYS
g

Consider a multi DOF system

[M ]{u&&}+ [K ]{u} = {0}


g

Note that the system is

Undamped

Not excited by any external forces

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Modal Analysis
Modal/Harmonic Analysis Using ANSYS

If the system vibrates according to a particular


mode shape and frequency
g

{u} = {}i cos(it )


{}i = mode shape i
i = natural frequency i
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

Modal Analysis
Modal/Harmonic Analysis Using ANSYS

First derivative (Velocity)

{u&} = i { }i sin ( i t )
g

Second derivative (Acceleration)


2
&&
{u} = i {}i cos ( it )

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Modal Analysis
Modal/Harmonic Analysis Using ANSYS

Plug velocity and acceleration into the equation


of motion
g

( [ M ] + [ K ]) {} = {0}
2
i

Two possible solutions

{}i = {0}
det ( [ M ] + [ K ]) = 0
2
i

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

The Eigen Problem


Modal/Harmonic Analysis Using ANSYS

det ( [ M ] + [ K ]) = 0
2
i

The Eigen Problem

Eigenvalue

Eigenvector

{ x}

[A]{x} = [I ]{x}

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Modal Analysis An Eigen Problem


Modal/Harmonic Analysis Using ANSYS
2
i

( [ M ] + [ K ]) {} = [0]
[ K ]{} = [ M ]{}
2
i

[M ] [K ]{} = [I ]{}
1

2
i

Natural frequencies are eigenvalues

The mode shapes are eigenvectors

{}

Dept. of Mechanical Engineering


University of Kentucky

2
i

ME 599/699 VibroAcoustic Design

Modal Analysis An Eigen Problem


Modal/Harmonic Analysis Using ANSYS

[M ] [K ]{} = [I ]{}
[A]{x} = [I ]{x}
1

2
i

Solving the eigen problem

([ A] [ I ]) { x} = 0
det ([ A] [ I ] ) = 0
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

Example Eigen Problem


Modal/Harmonic Analysis Using ANSYS

x1
2 3 x1
3 2 x = i x

2
2
2 3
1 0
det
i
=0

0 1
3 2
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

Find Eigenvalues
Modal/Harmonic Analysis Using ANSYS

2
3
det
=0

2
3
2
( 2 )( 2 ) 9 = 4 5
g

Eigenvalues

1 = 1
2 = 5
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

For Eigenvector 1
Modal/Harmonic Analysis Using ANSYS

1 = 1

2 3
1 0 x1 0
( 1)

0 1 x2 1 0
3 2
2 + 1 3 x1 0

2 + 1 x2 1 0
3
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

For Eigenvector 1
Modal/Harmonic Analysis Using ANSYS

3 3 x1 0

3 3 x2 1 0
x2 = x1
g

x1 can be any value

x1 1 .7071
= =

x2 1 1 .7071
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

For Eigenvector 2
Modal/Harmonic Analysis Using ANSYS

2 = 5

2 3
1 0 x1 0
( 5)

0 1 x2 2 0
3 2
2 5
3 x1 0

2 5 x2 2 0
3
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

For Eigenvector 2
Modal/Harmonic Analysis Using ANSYS

3 3 x1 0

3 3 x2 2 0
x2 = x1
g

x2 can be any value

x1 1 .7071
= =

x2 2 1 .7071
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

Example
M 1 = 5 kg

Modal/Harmonic Analysis Using ANSYS

x1

M 2 = 10 kg

K1 = 800 N/m

x2
K1

M1

K2
M2

K 2 = 400 N/m
g

Equations of motions

M1 &&
x1 + K1 x1 K1 x2 = 0
M 2 &&
x2 + K 2 x2 + K1 x2 K1 x1 = 0
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

Matrix Form
Modal/Harmonic Analysis Using ANSYS

M1
0

0 x&&1 K1
K1 x1 0
+
=

M 2 &&
x 2 K1 K 1 + K 2 x 2 0

x1 800 800 x1 0
5 0 &&
+
=
0 10 &&

x2 800 1200 x2 0

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Set Up Eigen Problem


Modal/Harmonic Analysis Using ANSYS

[ M ] [ K ]{} = {}
1

[M ]

2
i

160 160
[ K ] = 80 120

160 160
1 0
det

=0

0 1
80 120
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

Solve Eigen Problem


Modal/Harmonic Analysis Using ANSYS

160 160
det
=0

80 120
1 = 1 = 5.011 rad/s
1 0.7645
=

5.011
2 1 0.6446
f =
= .7975 Hz
1

2 = 2 = 15.965 rad/s
15.965
f2 =
= 2.5409 Hz
2
Dept. of Mechanical Engineering
University of Kentucky

1 0.8601
=

2 1 0.5101
ME 599/699 VibroAcoustic Design

Weighted Orthogonality
Modal/Harmonic Analysis Using ANSYS
T

1
1
[M ] = 0
2 1
2 2
T

1
1
[K ] = 0
2 1
2 2

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Modal Vector Scaling


Modal/Harmonic Analysis Using ANSYS
g

Unity Modal Mass


T

1
1
[M ] = 1
2 1
2 1

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Modal Vector Scaling


Modal/Harmonic Analysis Using ANSYS
g

Unity Modal Mass


T

.7645 X 5 0 .7645 X

=1

.6446 X 1 0 10 .6446 X 1
X = .376
1 .287
=

2 1 .242
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

Mode 1
Modal/Harmonic Analysis Using ANSYS

0.7645

0.6446
K1

M1

Dept. of Mechanical Engineering


University of Kentucky

K2
M2

ME 599/699 VibroAcoustic Design

Mode 2
Modal/Harmonic Analysis Using ANSYS

-0.8601

0.5101
K1

M1

Dept. of Mechanical Engineering


University of Kentucky

K2
M2

ME 599/699 VibroAcoustic Design

Harmonic Response using ANSYS

David Herrin, Ph.D.


University of Kentucky

Harmonic Response Analysis


Modal/Harmonic Analysis Using ANSYS

Solves the time-dependent equations of motion


for linear structures undergoing steady-state
vibration
g

All loads and displacements vary sinusoidally at


the same frequency
g

Fi = F sin(t + 1 )

Fj = F sin(t + 2 )
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

Harmonic Response Analysis


Modal/Harmonic Analysis Using ANSYS

Analyses can generate plots of displacement


amplitudes at given points in the structure as a
function of forcing frequency
g

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

In-Class Exercise
Modal/Harmonic Analysis Using ANSYS

A = 3 in 2
IZZ = 450 in 4
H = 5 in

E = 30E6 psi
2
lb s
= 8.031E 4 3
in in

360 inches
Dept. of Mechanical Engineering
University of Kentucky

ME 599/699 VibroAcoustic Design

In-Class Exercise
Modal/Harmonic Analysis Using ANSYS

Set element type to BEAM3

Set the appropriate real constants and material


constants
g

Create Keypoints at the start and end of the


beam and a Line between them
g

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Mesh the Line and Apply B.C.s


Modal/Harmonic Analysis Using ANSYS

Set the meshing size control of the line to 5

Fix the Keypoint at the right end of the beam

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Set Solution Options


Modal/Harmonic Analysis Using ANSYS
g

Change the analysis type to Modal

Solution > Analysis Type > New Analysis

<Modal>

Set the analysis options

Solution > Analysis Options

Extract 10 mode <OK>

Enter <1500> for the ending frequency

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Set Solution Options


Modal/Harmonic Analysis Using ANSYS

At this point, you have told ANSYS to find a


particular quantity of modes and to look within a
particular frequency range. If ANSYS finds that
quantity before it finishes the frequency range, it
will stop the search. If ANSYS does not find that
quantity before finishing the frequency range,
then it will stop the search.
g

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Set Solution Options


Modal/Harmonic Analysis Using ANSYS

Solve the load set

ANSYS generates a substep result for each


natural frequency and mode shape
g

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Postprocessing
Modal/Harmonic Analysis Using ANSYS
g

List results summary


General Postproc > List Results > Results
Summary

Read results for a substep

General Postproc > Read Results > First Set

Plot deformed geometry

General Postproc > Read Results > Next Set

Plot deformed geometry

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Forced Response
Modal/Harmonic Analysis Using ANSYS
g

Apply a 1.0 N load at the left end of the beam

New Analysis > Harmonic

Set the Analysis Options

Set the solution method to Full

Set the DOF printout format to Amplitude


and phase <OK>

Set the tolerance to 1e-8 <OK>

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Forced Response
Modal/Harmonic Analysis Using ANSYS
g

Set the frequency substeps


Solution > Load Step Opts Time Frequency
> Freq and Substeps

Set the Harmonic Frequency Range to


between 0 and 50 Hz

Set the number of substeps to 100

Set to Stepped

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Forced Response
Modal/Harmonic Analysis Using ANSYS

Set the damping


Solution > Load Step Opts Time Frequency
> Damping

Set the Constant Damping Ratio to 0.01

Solve the model

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

Forced Response
Modal/Harmonic Analysis Using ANSYS
g

Enter time history postprocessor

Define a variable for UY at the leftmost node

List and graph the variable

Add a vertical truss member at the center of the


beam having an area of 10.
g

Dept. of Mechanical Engineering


University of Kentucky

ME 599/699 VibroAcoustic Design

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