TheMostImportantElementtoaGoodComedyAuditionSongisSurprise.

Ifyouvenevertalkedtoanotherhumanbefore,orlaughed,ortalkedtoanotherhumanbeingbeforeaboutlaughing,then
maybethisisbignews.Butifyouhave,thenyouhaveprobablycomeupwiththisideaalready:Themostimportantelementto
comedyissurprise.
Thisishardwired,right?WelaughatBusterKeatonslippingonabananapeelbecausewedontexpectit.Firstthelildudeis
upright,walkingdownthestreet.Weexpecthimtokeeponkeepingon.
ButwhenBtotheKgoesdownhardonalittlescrapofyellowfruitcasing,itjigglesthepicture.Thewheelsofourthinkingare
interrupted,andguesswhat?Welaugh.Itsthebestofallpossibleresponsestothesurprising,treacherouscrazymakerwecall
life.(Cryingishellonourmascara.)oesdownhardonalittlescrapofyellowfruitcasing,itjigglesthepicture.Thewheelsofour
thinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossibleresponsestothesurprising,treacherous
crazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetaboesdownhardonalittlescrapofyellowfruitcasing,itjigglesthepicture.The
wheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossibleresponsestothesurprising,
treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!
IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!


Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!
IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!
Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!

Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!
IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!
Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!

Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!
IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!
Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!

Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingoesdownhardonalittlescrapofyellowfruitcasing,itjigglesthe
picture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossibleresponsestothe
surprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!
IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!
Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!

Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!
IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!
Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!

Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!
IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!
Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!

Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.
Ifthesongisusuallysungbyawideeyedsooesdownhardonalittlescrapofyellowfruitcasing,itjigglesthepicture.The
wheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossibleresponsestothesurprising,
treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)

Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutoesdownhardonalittlescrapofyellowfruitcasing,itjigglesthepicture.Thewheelsofourthinking
areinterrupted,andguesswhat?Welaugh.Itsthebestofallpossibleresponsestothesurprising,treacherouscrazymakerwe
calllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

Ifyouareaprimmiddleagedwooesdownhardonalittlescrapofyellowfruitcasing,itjigglesthepicture.Thewheelsofour
thinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossibleresponsestothesurprising,treacherous
crazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinouraegawrf

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,orhoosingasonginthefirstplace.Sostartto
lookaroundforsongsthatareoutsideofyourcomfortzone,personawise.Youshouldstarttogetsomeprettyzanyideas
SuttonFosteronceprancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochoesdownhardona
littlescrapofyellowfruitcasing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Its
thebestofallpossibleresponsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
oesdownhardonalittlescrapofyellowfruitcasing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguess
what?Welaugh.Itsthebestofallpossibleresponsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellon
ourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!
IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!
Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!

Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!
IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!
Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!

Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!
IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!
Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!

Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruit
casing,itjigglesthepicture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossible
responsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!
IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!
Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!

Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,orThisisprettysimple:singasongyouwouldnt
normallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,orangethetempo.Youreallowedtotossin
sometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesamoment.Andinthe
contextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheetmusic,youreallowed
tohaveanarrangercreateanewgroovetoanoldtune,oroesdownhardonalittlescrapofyellowfruitcasing,itjigglesthe
picture.Thewheelsofourthinkingareinterrupted,andguesswhat?Welaugh.Itsthebestofallpossibleresponsestothe
surprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby

thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,ormanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,orthisiscontext.Inthecontextofanaudition,an
auditorwilldecideanumberofthingsaboutyoubetweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.
Pickingasongthatnormallywouldntbesungbythepersontheyvedecidedyouare,orchangingyourpersonaradically
throughthestoryofyourpiece,isgoingtosubverttheirexpectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,orprano,andyoureabeefycharacteractor:
surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,orareinterrupted,andguesswhat?Welaugh.Its
thebestofallpossibleresponsestothesurprising,treacherouscrazymakerwecalllife.(Cryingishellonourmascara.)
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.

Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,orle,whethertheyveheardyoursongslyrics
beforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!

IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,or
Soitfollowsthatwhenitcomestoanauditionsonginthecomedycategoryformusicaltheaterauditions,oneofyourgoals
shouldbetosurprisethepersonbehindthetable,whethertheyveheardyoursongslyricsbeforeornot.
Sohow?Okay.Weknowthatweshouldincludesurpriseinourauditions.ButhowthehellshouldweDOthatwithoutscaring
thebejeezusoutofallthenicepeopleintheroom?Hereareafewelementstoplaywithwhenyourelookingtouncoveran
elementofsurpriseandgiveyourcomedysongsanewtwist.
A)Persona
Thisisprettysimple:singasongyouwouldntnormallybecalledupontosing.

Ifthesongisusuallysungbyawideeyedsoprano,andyoureabeefycharacteractor:surprise!


IfyouareaprimmiddleagedwomanandyoubustoutaLudacrisrap:surprise!

Ifthecharacteryoubeginwithtransformsthroughoutthesongintosomeoneradicallydifferentbytheend:surprise!
Thinkingaboutpersonaissomethingthatyouusuallydobeforechoosingasonginthefirstplace.Sostarttolookaroundfor
songsthatareoutsideofyourcomfortzone,personawise.YoushouldstarttogetsomeprettyzanyideasSuttonFosteronce
prancedaroundNewYorkauditionhallssingingOklahoma,atunemeantforawholedangchorus.
Anotherwaytothinkaboutthisiscontext.Inthecontextofanaudition,anauditorwilldecideanumberofthingsaboutyou
betweenthetimeyouopenthedoorupuntilthetimeyouopenyourmouth.Pickingasongthatnormallywouldntbesungby
thepersontheyvedecidedyouare,orchangingyourpersonaradicallythroughthestoryofyourpiece,isgoingtosubverttheir
expectations.Andthatsexactlywhatyouwant.
B)ChangesinTempo,RhythmandStyle
Whenyouremakingasongyourownandplease,please,
makeasongyourown
youareallowedtochangethetempo.Youre
allowedtotossinsometraintracks(musicallyknownasacaesura)tohaltamelodywhileyourcharacterexperiencesa
moment.Andinthecontextofanaudition,wherenoperformancerightsareinvolvedandyouveproperlyobtainedyoursheet
music,youreallowedtohaveanarrangercreateanewgroovetoanoldtune,oranoldtunetoanewgroove.
Considerallofthese,alongwithanyotherwaystochangethetempo,rhythmorstyleofasong,aswaytotellyourstoryanew.
Andofcourse,makesureyouknowexactlywhyyouredoingit,orwhatyourcharactersemotionsarethatmakehimorher
wantorneedtoexpresstheirstoryinthisparticularway.
IdontknowofanyonepersonallywhoisusingthisawesomeDuckTalesSaturdayMorningSlowJamasanauditionsongyet,
butIcantimaginewhynot.Itsbadass.
Pleasenote:Idontsuggestdoingthiswithneworlessfamiliarwork,orworkwherethecomposershavemeticulouslycrafteda
songtoincludecomictimingwithinit.Thisworksbestwithstandards,popsongs,orotherextremelywellknownpieces,where
thelistenerscanbelulledintoafalsesenseofsecurity.Oh,Iknowthisone.Iknowwhatscomingnext.BAM!Bananapeel.
Laughter.Likeahorseandcarriage,thosetwothings.Ahorse.(Caesura.Longercaesurathanexpected.Perhapswithavamp,
andaraisedfinger.)Andacarriage.
C)ActingtheShitOutofIt
Finally,considerthisoldchestnut:ActtheSHIToutofyoursong.
Youmostlikelyhavesomecomedysongsinyourbookalreadythatareperfectforyou.Theyvegotnewcontexts,and
surprisingrhythms.Thewritershavealreadyputthejokesin,oryouvefoundjokesbetweenthewords.
Butforsomereason,theydontworkanymore.Yourekindofboredwiththem,andyouwalkoutofaroomknowingyoudidnt
lightafireunderanybodyelsesasseither.
Heressomethingthatcanchangeyourrelationshiptothoseoranysongs,anditsthebiggestsurpriseofall,whenitcomesto
musicaltheatrecomedysongauditions.
Considerjustactingthecrapoutofthem.
Forgetthejokesyouvedecidedon.Lookatthebasiccircumstancesofthesong.Whatishappening?Whoareyoutalkingto?
Whydoesyourcharactersaytheveryfirstphrasetheysay?Whydonttheystoptalkingatthatpoint,isthereareasontheygo
ontothesecondphrase?Aretherechangesinthetacticstheyusethataresimilartothewayareal,actualhumanbeing
changestacticsintheirspeakingorthinking?Aretherefearsthatyoucanregisterwhilesinging,orrealizationsyoucanmakein
realtime?
IgiveyouChristinePedisingingBockandHarnicksATriptotheLibrary,asongwithmanystrikesagainstitwhenitcomesto
auditions.Theauditorshavemostlikelyhearditbefore.Itsacharactersong.Itcaninviteshmacting.Butitsabrilliantlyricwith
abeautifuljourney,andIcouldputChristineonrepeatasshelivessimplythroughthestory.
Thatwomanshouldbehiredforeverything.
So,friends,pleaseremember:Sometimesthemostunexpectedthingthatcanhappentothepersonbehindthetableduringa
comedicmusicalsauditiondayistohaveanactorcomeinandexpresseverywordandnotetheysaysimply,withoutmugging,
puttingonashow,orglossingoverspecifics.
Bethatactor.Betheverybestactoryoucanbe.Especiallyincomedy.
Theresponsemaysurpriseyou.

eressomethingthatcanchangeyourrelationshiptothoseoranysongs,anditsthebiggestsurpriseofall,whenitcomesto
musicaltheatrecomedysongauditions.
Considerjustactingthecrapoutofthem.
Forgetthejokesyouvedecidedon.Lookatthebasiccircumstancesofthesong.Whatishappening?Whoareyoutalkingto?
Whydoesyourcharactersaytheveryfirstphrasetheysay?Whydonttheystoptalkingatthatpoint,isthereareasontheygo
ontothesecondphrase?Aretherechangesinthetacticstheyusethataresimilartothewayareal,actualhumanbeing
changestacticsintheirspeakingorthinking?Aretherefearsthatyoucanregisterwhilesinging,orrealizationsyoucanmakein
realtime?
IgiveyouChristinePedisingingBockandHarnicksATriptotheLibrary,asongwithmanystrikesagainstitwhenitcomesto
auditions.Theauditorshavemostlikelyhearditbefore.Itsacharactersong.Itcaninviteshmacting.Butitsabrilliantlyricwith
abeautifuljourney,andIcouldputChristineonrepeatasshelivessimplythroughthestory.
Thatwomanshouldbehiredforeverything.
So,friends,pleaseremember:Sometimesthemostunexpectedthingthatcanhappentothepersonbehindthetableduringa
comedicmusicalsauditiondayistohaveanactorcomeinandexpresseverywordandnotetheysaysimply,withoutmugging,
puttingonashow,orglossingoverspecifics.
Bethatactor.Betheverybestactoryoucanbe.Especiallyincomedy.
Theresponsemaysurpriseyou.
eressomethingthatcanchangeyourrelationshiptothoseoranysongs,anditsthebiggestsurpriseofall,whenitcomesto
musicaltheatrecomedysongauditions.
Considerjustactingthecrapoutofthem.
Forgetthejokesyouvedecidedon.Lookatthebasiccircumstancesofthesong.Whatishappening?Whoareyoutalkingto?
Whydoesyourcharactersaytheveryfirstphrasetheysay?Whydonttheystoptalkingatthatpoint,isthereareasontheygo
ontothesecondphrase?Aretherechangesinthetacticstheyusethataresimilartothewayareal,actualhumanbeing
changestacticsintheirspeakingorthinking?Aretherefearsthatyoucanregisterwhilesinging,orrealizationsyoucanmakein
realtime?
IgiveyouChristinePedisingingBockandHarnicksATriptotheLibrary,asongwithmanystrikesagainstitwhenitcomesto
auditions.Theauditorshavemostlikelyhearditbefore.Itsacharactersong.Itcaninviteshmacting.Butitsabrilliantlyricwith
abeautifuljourney,andIcouldputChristineonrepeatasshelivessimplythroughthestory.
Thatwomanshouldbehiredforeverything.
So,friends,pleaseremember:Sometimesthemostunexpectedthingthatcanhappentothepersonbehindthetableduringa
comedicmusicalsauditiondayistohaveanactorcomeinandexpresseverywordandnotetheysaysimply,withoutmugging,
puttingonashow,orglossingoverspecifics.
Bethatactor.Betheverybestactoryoucanbe.Especiallyincomedy.
Theresponsemaysurprise
BrBroadway,HereICome!Broadway,HereICome!Broadway,HereICome!Broadway,

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Come!Broadway,HereICome!Broadway,HereICome!
you.
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Come!Broadway,HereICome!Broadway,HereICome!Broadway,HereICome!Broadway,HereICome!Broadway,
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HereICome!Broadway,HereICBroadway,HereICome!Broadway,HereICome!Broadway,HereI
Come!ome!Broadway,HereICome!Broadway,HereICome!
frm

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Am
BroadwBroadway,HereICome!Broadway,HereICome!Broadway,HereICome!Broadway,HereI
Come!ayBroadway,HereICome!Broadway,HereICome!Broadway,HereICome!BrBroadway,HereI

Come!Broadway,HereICome!Broadway,HereICome!Broadway,HereICome!oadway,HereICome!Broadway,
HereICome!Broadway,HereICome!Broadway,HereICome!Broadway,HereICome!,HBroadwBroadway,HereI
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HereICome!Broadway,HereICome!Broadway,HereICome!Broadway,HereICome!ay,Broadway,HereI
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Come!Broadway,HereICome!Broadway,HereICome!ereICome!Broadway,HereICome!Broadway,HereI
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