STAGE

MOVEMENT
AS TECHNIC AND ARTISTIC
COMPOSITION

1.

MOVING : Pattern of Technical position (6 areas)

Used for Leading Characters Position

2.

BLOCKING : Pattern of Artistical composition

Used for Choral Choreo Composition

3.

GROUPING : Pattern of Stage Balance

Used for Opening, Climax and Closing Scene

MOVING : Pattern of Technical position (6 areas)

Mostly used for Leading Characters position, to identify
THE ACTORS PSYCHOLOGICAL MOTIVES
KINDS OF MOVING :
1. FACING psychological motive BRAVENESS/ a CHALLENGE
2. CROSSING psychological motive an INTIMIDATION (crossing back)
to LOOK DOWN ON (crossing forward)
3. DISTANTING psychological motive FEAR (backward)
ANGER (forward)
4. CLOSE -- psychological motive ROMANTIC/SEDUCTION

MOVING : Pattern of Technical position (6 areas)

1. FACING psychological motive BRAVENESS/ a CHALLENGE

MOVING : Pattern of Technical position (6 areas)

2. CROSSING psychological motive an INTIMIDATION (crossing back)

Hey GUNDUL
...JANGAN MIMPI
LOE BISA JADI BOS
MUKE LOE JAUH.

MOVING : Pattern of Technical position (6 areas)

2. CROSSING psychological motive to LOOK DOWN ON (crossing forward)
HEY, LOE INGET YE,
JANGAN BELAGAK
BOSSY, MAN
LOE TETEP
BAWAHAN GUE !

MOVING : Pattern of Technical position (6 areas)

DISTANTING psychological motive FEAR (backward)

JANGAN PAKSA
AKU, JON
PLEASENGERI
AKU MELIHATNYA

MOVING : Pattern of Technical position (6 areas)

DISTANTING psychological motive ANGER (forward)

MOVING : Pattern of Technical position (6 areas)

4. CLOSE -- psychological motive ROMANTIC/SEDUCTION

MOVING : Pattern of Technical position (6 areas)

Mostly used for Leading Characters position, to identify
THE ACTORS PSYCHOLOGICAL MOTIVES
KINDS OF MOVING :
1. FACING psychological motive BRAVENESS/ a CHALLENGE
2. CROSSING psychological motive an INTIMIDATION (crossing back)
to LOOK DOWN ON (crossing forward)
3. DISTANTING psychological motive FEAR (backward)
ANGER (forward)
4. CLOSE -- psychological motive ROMANTIC/SEDUCTION

1.

MOVING : Pattern of Technical position (6 areas)

2.

BLOCKING : Pattern of Artistical composition

3.

GROUPING : Pattern of Stage Balance

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters, to compose
SOME VARIATION OF ARTISTICAL COMPOSITION AND ITS MEANING
KINDS OF BLOCKING :
1. LINE/TROOP/barisan meaning FORCE/DEFENCE
2. SPREAD/DIVERGENCE/menyebar meaning CHAOS/OFFENCE
3. FULL CIRCLE/CONVERGE /melingkar meaning RITUAL/SACREDNESS
4. HALF CIRCLE/HORSESHOE meaning HAPPINES/CELEBRATION
5. TRIANGLE/segitiga meaning LEAD (front side)/PROTECTION (inside)
6. DISSOLVE/melarut meaning UNITE/SYNERGY
7. FRONTAL/berhadapan meaning FIGHTING/OPPOSITE
8. CHAIN/rantai meaning BOUND/TOGETHERNESS

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters
1. LINE/TROOP/barisan meaning FORCE/DEFENCE

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters
2. SPREAD/DIVERGENCE/menyebar meaning CHAOS/OFFENCE

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters
3. FULL CIRCLE/CONVERGE /melingkar meaning RITUAL/SACREDNESS

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters
4. HALF CIRCLE/HORSESHOE meaning HAPPINES/CELEBRATION

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters
5. TRIANGLE/segitiga meaning LEAD (front side)/PROTECTION (inside)

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters
5. TRIANGLE/segitiga meaning LEAD (front side)/PROTECTION (inside)

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters
6. DISSOLVE/melarut meaning UNITE/SYNERGY

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters
7. FRONTAL/berhadapan meaning FIGHTING/OPPOSITE

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters
8. CHAIN/rantai meaning BOUND/TOGETHERNESS

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters, to compose
SOME VARIATION OF ARTISTICAL COMPOSITION AND ITS MEANING
KINDS OF BLOCKING :
1. LINE/TROOP/barisan meaning FORCE/DEFENCE
2. SPREAD/DIVERGENCE/menyebar meaning CHAOS/OFFENCE
3. FULL CIRCLE/CONVERGE /melingkar meaning RITUAL/SACREDNESS
4. HALF CIRCLE/HORSESHOE meaning HAPPINES/CELEBRATION
5. TRIANGLE/segitiga meaning LEAD (front side)/PROTECTION (inside)
6. DISSOLVE/melarut meaning UNITE/SYNERGY
7. FRONTAL/berhadapan meaning FIGHTING/OPPOSITE
8. CHAIN/rantai meaning BOUND/TOGETHERNESS

1.

MOVING : Pattern of Technical position (6 areas)

2.

BLOCKING : Pattern of Artistical composition

3.

GROUPING : Pattern of Stage Balance

GROUPING : Pattern of Stage Balance

Mostly used in Opening, Climax and Closing for Effective Picturization
KINDS OF GROUPING :
1. BALANCE EFFECT : Symmetrical and Asyimmertical
2. ACCENTUATION EFFECT : Position and Proportion
3. PICTURAL EFFECT : Alienation and Surrealistic

GROUPING : Pattern of Stage Balance

Mostly used in Opening, Climax and Closing for Effective Picturization
1. BALANCE EFFECT : Symmetrical and Asyimmertical

Used in Closing Scene

GROUPING : Pattern of Stage Balance

Mostly used in Opening, Climax and Closing for Effective Picturization
1. BALANCE EFFECT : Symmetrical and Asyimmertical
Used in Opening Scene

GROUPING : Pattern of Stage Balance

Mostly used in Opening, Climax and Closing for Effective Picturization
1. BALANCE EFFECT : Symmetrical and Asyimmertical

Used in Climax

GROUPING : Pattern of Stage Balance

Mostly used in Opening, Climax and Closing for Effective Picturization
2. ACCENTUATION EFFECT : Position and Proportion

GROUPING : Pattern of Stage Balance

Mostly used in Opening, Climax and Closing for Effective Picturization
2. ACCENTUATION EFFECT : Position and Proportion

GROUPING : Pattern of Stage Balance

Mostly used in Opening, Climax and Closing for Effective Picturization
3. PICTURAL EFFECT : Alienation and Surrealistic

GROUPING : Pattern of Stage Balance

Mostly used in Opening, Climax and Closing for Effective Picturization
3. PICTURAL EFFECT : Alienation and Surrealistic

BACK TO TOPIC SUMMARY

1.

MOVING : Pattern of Technical position (6 areas)

Used for Leading Characters Position

2.

BLOCKING : Pattern of Artistical composition

Used for Choral Choreo Composition

3.

GROUPING : Pattern of Stage Balance

Used for Opening, Climax and Closing Scene

MOVING : Pattern of Technical position (6 areas)

Mostly used for Leading Characters position, to identify
THE ACTORS PSYCHOLOGICAL MOTIVES
KINDS OF MOVING :
1. FACING psychological motive BRAVENESS/ a CHALLENGE
2. CROSSING psychological motive an INTIMIDATION (crossing back)
to LOOK DOWN ON (crossing forward)
3. DISTANTING psychological motive FEAR (backward)
ANGER (forward)
4. CLOSE -- psychological motive ROMANTIC/SEDUCTION

BLOCKING : Pattern of Artistical composition

Mostly used for Choral Characters, to compose
SOME VARIATION OF ARTISTICAL COMPOSITION AND ITS MEANING
KINDS OF BLOCKING :
1. LINE/TROOP/barisan meaning FORCE/DEFENCE
2. SPREAD/DIVERGENCE/menyebar meaning CHAOS/OFFENCE
3. FULL CIRCLE/CONVERGE /melingkar meaning RITUAL/SACREDNESS
4. HALF CIRCLE/HORSESHOE meaning HAPPINES/CELEBRATION
5. TRIANGLE/segitiga meaning LEAD (front side)/PROTECTION (inside)
6. DISSOLVE/melarut meaning UNITE/SYNERGY
7. FRONTAL/berhadapan meaning FIGHTING/OPPOSITE
8. CHAIN/rantai meaning BOUND/TOGETHERNESS

GROUPING : Pattern of Stage Balance

Mostly used in Opening, Climax and Closing for Effective Picturization
KINDS OF GROUPING :
1. BALANCE EFFECT : Symmetrical and Asyimmertical
2. ACCENTUATION EFFECT : Position and Proportion
3. PICTURAL EFFECT : Alienation and Surrealistic

WHEN STARTING A SCENE :

1.STAGE MANAGER : POSITION! ( 5 SECONDS)
2. SCENERY/PROPS CREW : ( PREPARING PROPS RIGHT ON POSITION, IN 5 SECONDS )
3. STAGE MANAGER : READY! (2 SECONDS, ACTORS POSITION ARE READY)
2.LIGHTING MAN : LIGHTS ON ! ( LIGHTS FADE IN, MUSIC PLAYER BEGIN, IF ANY)
3.DIRECTOR : ACTION ! (SCENE BEGIN)
WHEN ENDING THE SCENE :
1.LIGHTING MAN : BLACK OUT! (LIGHTS FADE OUT, MUSIC FADE OUT, 3 SECONDS, ACTORS EXIT)
2.SCENERY/PROPS CREW : (AFTER ACTORS EXIT, OUTING PREVIOUS PROPS, CHANGE WITH THE
NEW PROPS, IN 5 SECONDS)
STARTING NEXT SCENE :
1.STAGE MANAGER : POSITION! (5 SECONDS)
2.SCENERY/PROS CREW : ( NEW PROPS READY IN NEW POSITION)
3.STAGE MANAGER : READY! ( 2 SECONDS, ACTORS POSITION ARE READY)
4.LIGHTING MAN : LIGHTS ON ! (LIGHTS FADE IN, MUSIC PLAYER BEGIN, IF ANY)
5.DIRECTOR : ACTION ! ( NEW SCENE BEGIN)