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Contents
Acknowledgments

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Acknowledgments

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11

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he
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ha
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14

I
NT
R
ODUCT
I
ON

KANSAI

STANDARD

ENGLISH

ka

ka

m
o
s
q
u
I
t
o

k
i
i

k
i

t
r
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c
h
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c
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b
l
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t
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door

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p
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m
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.
EMPHASIZED

STANDARDKANSAI

ENGLISH

s
h
i
n
d
o

s
h
i
n
d
o
i

t
I
nng

omoro-
gottsu-

omoroi
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t
s
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i

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n
t
e
r
e
s
t
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g

a
t
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o
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i
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a
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k
u
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k
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s
m
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v
e
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y
p
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l

l
a
c
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el
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e
lo
ff
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m
a
l
i
t
ydependsont
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s
i
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T
y
p
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ip
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s
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d
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rt
h
i
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obemorea
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x
p
r
e
s
s
i
o
n

INTRODUCTION

15

o
fbadm
a
n
n
e
r
sanf
r
i
e
n
d
l
i
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e
s
s
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o
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r
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t
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r
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el
a
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r
a
d
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t
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f
o
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m
a
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yi
nK s
a
i
be
na
sw
e
l
la
si
ns
t
a
n
d
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r
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a
p
a
n
e
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e
a
n
di
ti
si
m
p
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r
t
a
n
t
t
os
p
e
a
kw
i
t
ht
h
ec
o
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c
tl
e
v
e
lo
ff
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a
l
i
t
yi
ne
a
c
hs
i
t
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a
t
i
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n
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t
e
n
dt
os
p
e
a
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l
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l
yandu
s
emores
t
a
n
d
a
r
dJ
a
p
a
n
e
s
et
h
a
nmen.
Kansai-bens
p
e
a
k
e
r
so
f
t
e
nr
e
p
e
a
tt
h
esamewordt
w
i
c
e
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h
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si
s
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p
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i
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l
l
ycommonwhenshowingsympathyo
rr
e
l
i
e
v
i
n
gs
o
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e
o
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e
'
s

a
n
x
I
e
t
y
.
kamahen
kamahen
chau
chau

Id
o
n
'
tminda
ta
l
l
.

t
h
a
t
'
sn
o
tr
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h
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t
No

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c
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u
a
t
i
o
no
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l
s
od
i
f
f
e
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b
u
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f
f
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og
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yr
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l
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s
o
t
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h
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i
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t
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n
i
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gt
oy
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a
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:
s
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c
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ds
y
l
l
a
b
l
ea-MEf

16

I
NTR
ODUCTI
ON

KANSAI

TOKYO

KANJI

ENGLISH

a-ME
me

A-me
a-ME

HA-shi
h
a
s
h
i
I
n
u
DE-n-sha
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aYOu

h
a
s
h
i
HA-shi
i-NU

d
e
n
s
h
a
o-HA-YOU

FU-ku

KU

KU-tsu
bu-SU
c
h
u
U
k
a
na-n-DE?

ku-TSU
BU-su
CHU-uka
NA-n-de?

r
a
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c
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h
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h
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e
s
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why?

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e
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i
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.
VOCABULARY

GRAMMATICAL EXPRESSIONS

1
.a
h6
aho
2
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k
a
n

11
.h
a
r
u

1
2
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e
n
3
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h
a
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1
3
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e
n
4
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4
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t
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5
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1
5
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6
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7
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t
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h
a

m
u
t
c
h
a
8
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a
n
b
o
9
.6
k
i
n
i
1
0
.o
r
u

17

18

KI
NKI
J
A
P
A
N
E
S
E

1
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aho f
ool

f
o
o
l
i
s
hs
t
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p
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s
i
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r
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dap
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r
to
fs
t
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n
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r
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p
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e
s
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i
su
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d
o
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t
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no
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l
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nKansa
i
.Whilei
ti
ssometimesw
r
i
t
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ni
nk
a
n
j
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s
p
r
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n
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n
c
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t
h
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a
lvowels
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t
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p
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f
fa
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di
ti
su
s
u
a
l
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y
w
r
i
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ni
nk
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t
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.Womena
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a
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s
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k
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a
.
?

Whyd
i
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ts
u
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has
t
u
p
i
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tt
h
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e
g
i
n
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go
ft
h
i
sbook?
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sa
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ep
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t
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.
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st
h
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r
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fomae(
s
e
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y4
3
)andi
su
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5
)
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g
r
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ssomewhatr
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a
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n
'
t
s
t
o
pr
e
a
d
i
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gnow.

SUZUKI:
HONDA:

Kondo
a
n
t
at
o
k
onoyome-hant
od
e
t
os
a
s
e
t
ey
a
.
Naniahonak
o
t
oy
i
i
t
e
nn
e
n
!

:
:!

F
I
F
T
E
E
NSURVIVALWORDS

19

Ah

n
o

lh

n
v

SUZUKI:
HONDA:

Doyoumindi
fIt
a
k
ey
o
u
rw
i
f
eo
u
tonad
a
t
e
?
D
o
n
'
ts
a
ys
u
c
hs
t
u
p
i
dt
h
i
n
g
s
!

T
e
y
a i
su
s
e
dwhenmakingr
e
q
u
e
s
t
si
nv
e
r
yc
a
s
u
a
ls
i
t
u
a
t
i
o
n
s
t
e- f
onno
ft
h
ev
e
r
b
.T
e
n
a- ha
st
h
e
andi
sc
o
n
j
u
g
a
t
e
dt
ot
h
esamem
e
a
n
i
n
g
.Toko i
st
h
eK
a
n
s
a
iv
e
r
s
i
o
no
ft
o
k
o
r
o.(
S
e
e5
3
)
HIRAKATA:
IBARAGI:

Kondonobnasus
a
n
j
u
p
p
i
i
s
e
n
t
ok
a
t
t
oy
a
t
e
!
Sonnaahon
a
.K
a
i
s
h
an
a
n
ik
a
n
g
a
e
t
e
nnen?

:
:

3
0%!

HIRAKATA:

W
e
'
r
eg
e
t
t
i
n
ga30%c
u
ti
no
u
rn
e
x
tb
o
n
u
s
!
es
os
t
u
p
i
d
?Wha
t
i
st
h
i
scompanyt
h
i
n
k
i
n
g
?
Howcaneyb

IBARAGI:

Kangaetenneni
se
q
u
i
v
a
l
e
n
tt
ok
a
n
g
a
e
t
ei
r
u .T
e
nn
e
ni
s
eK
a
n
s
a
iv
e
r
s
i
o
no
ft
ei
r
u

t
h
ep
r
o
g
r
e
s
s
i
v
ev
e
r
b(
i
n
gf
o
n
n
)c
o
n
j
u
g
a
t
i
o
n
.

(
S
e
e4
5
)

20

K
I
NK
I
J
A
P
A
N
E
S
E

2.akan ba
du
s
e
l
e
s
si
m
p
o
s
s
i
b
l
eno
Akani
sav
e
r
yd
i
s
t
i
n
c
t
i
v
eande
a
s
i
l
yr
e
c
o
g
n
i
z
a
b
l
ef
e
a
t
u
r
eo
f
t
h
el
a
n
g
u
a
g
e
s
p
o
k
e
ni
nKansa
i
.Althoughn
o
tv
u
l
g
a
rt
h
i
swordi
sc
o
n
s
i
d
e
r
e
dt
obe
somewhati
m
p
o
l
i
t
e
.Akani
sp
r
o
b
a
b
l
yam
o
d
i
f
i
e
dv
e
r
s
i
o
no
fi
k
a
nwhich
i
st
h
ec
l
i
p
p
e
dformo
fi
k
e
n
a
i
meaning
mus
tn
o
t
"o
r
c
a
nnot
."Akanh
a
s
manyu
s
e
s
b
o
t
hbyi
t
s
e
l
fanda
sap
a
r
to
fg
r
a
m
m
a
t
i
c
a
le
x
p
r
e
s
s
i
o
n
s
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t
s
ns
t
a
n
d
a
r
dJ
a
p
a
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e
s
e
v
a
r
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o
u
sm
e
a
n
i
n
g
ssomewhats
i
m
i
l
a
rt
odame i
a
r
ee
x
p
l
a
i
n
e
db
e
l
o
w
.
(
a
)n
o
!i
m
p
o
s
s
i
b
l
e
!
SUZUKI:
I
s
s
e
nmane
n
k
a
s
h
i
t
ek
u
r
e
h
e
n
?
HONDA:
Akan!
:?
:!
SUZUKI:
HONDA:

Canyoul
o
a
nme1
0m
i
l
l
i
o
ny
e
n
?
NO!

(
b
)e
x
p
l
e
t
i
v
e
MITSUI:
ITOH:

Antanokabu
h
anbunn
is
a
g
a
t
t
ad
e
.
A
k
a
n
.

:
:
MITSUI:
ITOH:

Thev
a
l
u
eo
fy
o
u
rs
t
o
c
kf
e
l
lbyh
a
l
f
.
#&%

I
nt
h
i
sc
a
s
ea
l
t
h
o
u
g
hakani
su
s
e
da
sane
x
p
l
e
t
i
v
ei
th
a
smoreo
fa
t
o
n
eo
fr
e
g
r
e
tt
h
a
na
n
g
e
r
.A
nta i
sa
ni
n
f
o
r
m
a
lwordf
o
r
you.
"I
ti
s
ac
o
n
t
r
a
c
t
e
dformo
fa
n
a
t
a b
u
ti
smuchmorei
n
f
o
r
m
a
.
lI
ti
su
s
e
d
so
p
p
o
s
e
dt
oomae whichi
sar
o
u
g
h
e
r
byb
o
t
hmenandwomena
you"u
s
e
do
n
l
ybymen.
wordf
o
r

F
I
F
T
E
E
NSURVIVALWORDS
ANNOUNCER:
TORAKICHI:

21

Hanshin
h
6muranu
t
a
r
e
m
a
s
h
i
t
a
.
A
k
a
n
.

:
:
ANNOUNCER:
TORAKICHI:

Ahomer
u
nwash
i
to
f
fo
fH
a
n
s
h
i
n
.
#&%

(
c
)nogood
bad
MIKA:
S
h
i
k
e
nd
o
n
a
iy
a
t
t
a
?
TOMOKO:
A
k
a
n
k
a
t
t
aw
a
.
:?
:
MIKA:
TOMOKO:

Howwast
h
et
e
s
t
?
M
i
s
e
r
a
b
l
e
.

Tomokoo
b
v
i
o
u
s
l
ys
h
o
u
l
dhaves
t
u
d
i
e
dh
a
r
d
e
r
.Donaiy
a
t
t

me
a
ns
howwasi
t
?
"A
k
a
n
k
a
t
t
ai
st
h
ep
a
s
tt
e
n
s
eo
fa
k
a
n
.

2
2

K
I
NK
I
J
A
P
A
N
E
S
E

(
d
)d
o
n
'
tdot
h
a
t
!
Rona
i
t
ek
u
r
uw
a
.
MOTHER:
Akany
O
.
DAUGHTER:

:
:
DAUGHTER:

I
'mg
o
i
n
go
u
tn
o
w
.

MOTHER:

Noy
o
u
'
r
enot
.

T
h
i
su
s
a
g
ei
sh
e
a
r
dq
u
i
t
eo
f
t
e
nwhenp
a
r
e
n
t
sa
r
et
e
l
l
i
n
gt
h
e
i
rc
h
i
l
d
r
e
n
whatt
h
e
ya
r
en
o
ta
l
l
o
w
e
dt
od
o
.
'
'
h
2

EU

ul

KENSUKE:
KYOTA:

Konobutaman
k
u
t
t
ee?
Akand
e
.
?

CanIe
a
tt
h
i
sp
o
r
kr
o
l
l
?
No!

Notet
h
a
tt
h
i
sexamplei
st
y
p
i
c
a
lo
fmales
p
e
e
c
ho
n
l
y
.Womenu
s
e
t
a
b
e
r
u i
ns
t
e
a
do
fkuu f
o
rt
h
ev
e
r
b
t
oe
a
t
."Akan
e
s
p
e
c
i
a
l
l
y
o
u
n
d
sr
o
u
g
ha
n
di
nf
e
m
a
l
es
p
e
e
c
hwould
f
o
l
l
o
w
e
dbyt
h
ep
a
r
t
i
c
l
edes
p
r
o
b
a
b
l
ybef
o
l
l
o
w
e
dbyyoi
n
s
t
e
a
d
.
Thesamec
o
n
v
e
r
s
a
t
i
o
nb
e
t
w
e
e
ntwowomenm
i
g
h
tb
ea
sf
o
l
l
o
w
s
:

TOMOKO:

Sonobutamant
a
b
e
t
emoe?
Akanyo.

MIKA:

Akannena
n
dakandea
r
ea
l
s
oo
f
t
e
nu
s
e
dt
omean
no"o
r
youc
a
n
't
."

F
I
F
T
E
E
NSURVIVALWORDS

23

(
e
)must(
u
s
e
da
sad
o
u
b
l
en
e
g
a
t
i
v
e
)
A
t
a
r
a
s
h
i
ikuruma
k
awanaa
k
a
n
.

I
'v
eg
o
tt
obuyanewc
a
r
.

S
h
i
n
b
u
nyomanaa
k
a
n
.

Ih
a
v
et
or
e
a
dt
h
en
e
w
s
p
a
p
e
r
.
I
nt
h
i
su
s
a
g
et
h
ev
e
r
bi
sc
o
n
ju
g
a
t
e
da
st
h
es
t
a
n
d
a
r
dn
e
g
a
t
i
v
eform
)w
i
t
ht
h
ef
i
n
a
lis
o
u
n
dc
l
i
p
p
e
do
f
fa
n
df
o
l
l
o
w
e
dbya
k
a
n
.T
h
i
s
(
i
.
e
.
n
ai
s
t
r
u
c
t
u
r
ei
si
d
e
n
t
i
c
a
li
nmeaningt
ot
h
en
a
k
e
r
e
b
an
a
r
a
n
a
iform
b
u
ti
s
muchmorec
o
l
l
o
q
u
i
a
l
.S
u
r
ui
su
s
u
a
l
l
yc
o
n
j
u
g
a
t
e
da
ss
e
n
aakan
.

S
h
i
g
o
t
os
e
n
aa
k
a
n
.

I
'v
eg
o
tt
ow
o
r
k
.

24

K
I
NK
I
J
A
P
A
N
E
S
E

3
.chau (
a
)no
d
i
f
f
e
r
e
n
t
w
r
o
n
g
;(
b
)i
s
n
'
tt
h
a
tr
i
g
h
t
?
(
a
)Chaui
st
h
ec
l
i
p
p
e
dformo
fc
h
i
g
a
u .T
h
i
sc
o
n
t
r
a
c
t
i
o
ni
sw
i
d
e
l
y
u
s
e
dt
h
r
o
u
g
h
o
u
tK
a
n
s
a
ii
np
l
a
c
eo
fc
h
i
g
a
u
.
V

n
u

Thet
r
a
i
nf
a
r
ei
s200yenr
i
g
h
t
?
No
i
t
'
s250y
e
n
.

KYOTA:

KENSUKE:

J +
t

KYOTA:

D
e
n
s
h
a
d
a
in
i
h
y
a
k
ue
ny
na.
Chau
c
h
a
u
.N
i
h
y
a
k
ug
o
j
ue
ny
a
d
e
.

KENSUKE:

uu

c
h
a
ud
e
c
h
a
u
.c
h
a
u

B
e
c
a
u
s
ec
h
a
ui
sav
e
r
be
n
d
i
n
gi
nu
i
tc
a
nb
ec
o
n
j
u
g
a
t
e
dt
oc
h
a
i
m
a
s
u
f
ors
l
i
g
h
t
l
ymoref
o
r
m
a
ls
i
t
u
a
t
i
o
n
s
.
KAKARICHO:
HIRASHAIN:

Omaenohappyo
d
a
i
s
e
i
k
oy
a
t
t
a
nchau?
Zannenn
a
g
a
r
a
c
h
a
i
m
a
s
uw.

BOSS:

Yourp
r
e
s
e
n
t
a
t
i
o
nwasab
i
gh
i
t
r
i
g
h
t
?
No
u
n
f
o
r
t
u
n
a
t
e
l
yno
t
.

EMPLOYEE:

Y
a
t
t
ai
st
h
eK
a
n
s
a
iv
e
r
s
i
o
no
fd
a
t
t
a .
(
b
)I
nt
h
ef
i
r
s
tl
i
n
eo
ft
h
ea
b
o
v
ed
i
a
l
o
g
u
eandi
nt
h
ef
o
l
l
o
w
i
n
ge
x
a
m
p
l
e
s
chaui
su
s
e
di
namanners
i
m
i
l
a
rt
oas
e
n
t
e
n
c
e
e
n
d
i
n
gp
a
r
t
i
c
l
emeaning

i
s
n'
tt
h
a
tr
i
g
h
t
?
"Thes
t
a
n
d
a
r
de
q
u
i
v
a
l
e
n
ti
s
j
a
n
a
i
? ? o
rs
o
j
a
na ?

F
I
F
T
E
E
NSURVIVALWORDS

25

Are
Nozomic
hau?
?

I
s
n
'
tt
h
a
tNozomi?

Mechau?
?

T
h
a
t
'
senougha
l
r
e
a
d
yd
o
n
'
tyout
h
i
n
k
?

S
o
r
edejubuny
a
t
t
a
nchau?
?

T
h
a
twasgoodenoughr
i
g
h
t
?

4
.
e

good
t
h
a
t
'
senough
Er
e
p
l
a
c
e
si whichu
s
u
a
l
l
ymeansgood
"b
u
tc
a
nmean
no"o
r

t
ha
t
'
senough"o
rj
u
s
:a
b
o
u
ta
n
y
t
h
i
n
ge
l
s
ed
e
p
e
n
d
i
n
gont
h
ec
o
n
t
e
xt
.
A
l
t
h
o
u
g
hu
s
u
a
l
l
yw
r
i
t
t
e
na
se

t
h
ep
r
o
n
u
n
c
i
a
t
i
o
ni
sa
c
t
u
a
l
l
yb
e
t
w
e
e
n
eande
i
.Ec
a
nb
eu
s
e
da
n
y
t
i
m
eii
su
s
e
di
ns
t
a
n
d
a
r
dJ
a
p
a
n
e
s
e
.I
ti
su
s
e
d
e
x
t
e
n
s
i
v
e
l
yi
nKan
s
a
ia
n
dt
h
r
o
u
@
o
u
tmucho
ft
h
es
o
u
t
h
e
r
nh
a
l
fo
fH
o
n
s
h
u
.But
d
o
n
'
tc
o
n
f
u
s
et
h
i
sw
i
t
ht
h
ee
t
h
a
tmeans
ye
s

"whichi
su
s
e
dt
h
r
o
u
g
h
o
u
t

J
a
p
a
n
.

Anokuruma
k
a
k
k
oen
a
.

T
h
a
t
'sap
r
e
t
t
yc
a
r
.

Kakko i
sac
o
n
t
r
a
c
t
i
o
nofkakk6 whichmeans

a
ppe
a
r
a
nc
e
"o
r
s
h
a
p
e
"andi
so
f
t
e
nu
s
e
dw
i
t
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t
od
e
n
o
t
es
o
m
e
t
h
i
n
g
t
h
a
tl
o
o
k
sgood
o
rw
i
t
hw
a
r
u
io
rwaruf
o
rs
o
m
e
t
h
i
n
gu
g
l
y
.Byc
h
a
n
g
i
n
g
t
h
eo
r
d
e
rhoweverweg
e
tt
h
eworde
k
a
k
k
o
s
h
i
i which
s
o
m
e
t
h
i
n
gv
e
r
ymuchd
i
s
l
i
k
e
di
nKansa
.
i
meansp
r
e
t
e
n
t
i
o
u
s

26

K
I
NK
I
J
A
P
A
N
E
S
E

L
i
k
ei
eprecedinganouni
sav
e
r
ycommonp
a
t
t
e
r
n
.
Et
e
n
k
iyan
a
.

N
i
c
ew
e
a
t
h
e
r

i
s
n'
ti
t
.
E
t
k
uy
a
r
o
.

N
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27

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FIFTEENSURVIVALWORDS

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3
2

K
I
NK
I
J
A
P
A
N
E
S
E

b
o
s
sd
o
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swhenhea
n
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.
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h
i
t
o
r
u
?
?

Wha
ta
r
eyoud
o
i
n
g
?

1
1
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a
r
u (
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r
i
f
i
cv
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bc
o
n
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h
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ksomewhatf
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t
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omakei
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nKyotoands
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r
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ss
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e-ab
a
s
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ft
h
ev
e
r
bi
smorecommon.

F
I
F
T
E
E
NSURVIVALWORDS

33

Wherea
r
eyoug
o
i
n
g
?
?
Dokoei
k
i
h
a
r
u
nd
e
s
uka?
?
Dokoei
k
i
h
a
r
i
m
a
s
uka?
Dokoei
k
a
h
a
r
u
nd
e
s
uka?(
K
y
o
t
o
) ? ()
Asi
ns
t
a
n
d
a
r
dJ
a
p
a
n
e
s
eas
e
n
t
e
n
c
ei
nt
h
ep
o
l
i
t
ef
o
r
mc
a
ne
n
di
ne
i
t
h
e
r
t
h
e-masuc
o
n
j
u
g
a
t
i
o
no
ft
h
ev
e
r
bhar
i
mas
u)o
rbya
f
f
i
x
i
n
gnd
e
s
u
har
und
e
s
u
)
.Themeaningo
fa
l
lt
h
r
e
es
e
n
t
e
n
c
e
sa
b
o
v
ei
se
s
s
e
n
t
i
a
l
l
y
t
h
es
a
m
e
.
Nanit
a
b
e
h
a
r
i
m
a
s
uka?
?

Whatwouldyoul
i
k
et
oe
a
t
?
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a
r
uf
ormc
a
na
l
s
ob
ea
t
t
a
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h
e
dt
ot
h
et
e f
o
rmo
ft
h
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e
r
bt
o
c
r
e
a
t
et
h
ei
n
gf
o
r
m
.
Dokoei
t
t
e
h
a
r
u
nd
e
s
uk
a
?
?

Wh
e
r
ei
sh
eg
o
i
n
g
?
S
e
n
s
e
i
n
a
n
iy
u
t
e
h
a
t
t
a
n
?
?

Whatwast
h
et
e
a
c
h
e
rs
a
y
i
n
g
?
1
2
.h
e
n
(
ne
ga
t
i
vev
e
r
bc
o
n
j
u
g
a
t
i
o
n
)
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e
r
bc
o
n
j
u
g
a
t
i
o
nh
e
ni
ss
i
m
i
l
a
ri
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s
a
g
et
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a
.
i-Heni
sa
t
t
a
c
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o
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t
h
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rt
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a
s
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e
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b
si
no
r
d
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rt
oformt
h
en
e
g
a
t
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v
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f
a
s
et
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o
d
u
c
et
h
en
e
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a
t
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e
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b
s
.I
tc
a
na
l
s
obea
t
t
a
c
h
e
dt
ot
h
e-eb
c
a
nnot
"formo
fv
e
r
b
s
.F
o
rexamplet
h
ev
e
r
byomu (
t
or
e
a
d
)i
n

34

K
I
NKI
J
A
P
A
N
E
S
E

s
t
a
n
d
a
r
dJ
a
p
a
n
e
s
ei
sc
o
n
j
u
g
a
t
e
dyomanai m
e
a
n
i
n
gnot
r
e
a
d

"
o
ryomenai meaningca
n'
t
r
e
a
d
.
"I
nKansaiyomui
s
c
o
n
j
u
g
a
t
e
dyomahen meaningnotr
e
a
d

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ryomehen
e
a
n
i
n
ge
i
t
h
e
r
n
ot
r
e
a
d
"o
r
c
a
n
't
r
e
a
d
.
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i
c
ho
ft
h
etwom
e
a
n
i
n
g
s
m
i
si
n
t
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n
d
e
dc
a
no
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l
ybed
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t
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r
m
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h
ec
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xt
.Howeverwhen
i
n
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e
n
d
i
n
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os
a
yu
n
e
q
u
i
v
o
c
a
l
l
y
c
a
n
'
tr
e
a
d
"yomuc
a
na
l
s
ob
ec
o
n
j
u
g
a
t
e
d
yomarehen .
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h
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g
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t
i
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ep
a
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e
n
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e
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orexamplet
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ep
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tt
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k
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t
h
esamemannera
sdon'
tgo
"i
si
k
a
h
e
n
k
a
t
t
a di
dn'
tg
o
.
"

yomu
yomahen
yomehen
yomarehen
y
o
m
a
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e
n
k
a
t
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a

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or
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tgo

Herea
r
eafewmoree
x
a
m
p
l
e
s
.Becauset
h
eeb
a
s
ec
o
n
j
u
g
a
t
i
o
ni
s
morecommont
h
a
nt
h
e-ab
a
s
ef
o
r
m

o
n
l
yt
h
eef
ormi
sshown
b
u
tmost
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e
r
b
sc
a
nb
ec
o
n
j
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g
a
t
e
dt
oe
i
t
h
e
rb
a
s
e
.

FIFTEENSURVIVALWORDS

35

t
a
b
e
r
u

t
a
b
e
h
e
n

don'
te
a
t

d
e
k
i
r
u

d
e
k
e
h
e
n

c
a
n'
tdo

kamau

kamehen

don'
tmind

wakaru

wakarehen

don'
tu
n
d
e
r
s
t
a
n
d

Kuru a
nds
u
r
u ha
vetwof
o
r
m
s
onewhereh
e
ni
schanged
t
oh
i
n
.
k
u
r
u
k
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h
e
n
k
i
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h
i
n
k
o
r
a
r
e
h
e
n

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u
r
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e
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e
n
s
h
i
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ocome
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o
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c
a
n
'
tcome
t
odo
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o
n
'
tdo
d
o
n
'
tdo

13.nen (
ne
ut
r
a
ls
e
n
t
e
n
c
ee
n
d
i
n
g
)
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e
n
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s
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em
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no
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t
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e
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ep
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r
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o
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eo
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h
e
s
ewords
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a
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36

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38

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46

K
I
N
K
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47

o
fc
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48

K
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NKI
J
A
P
A
N
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S
E

e
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c
s

K
I
N
K
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49

r
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q
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Tokyo:

Whata
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k
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.

50

K
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NK
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J
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P
A
N
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KYOTO

KANSAI

TOKYO

ENGLISH

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K
I
N
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E
n
g
l
i
s
h
:
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y
o
t
o
:

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o
t
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k
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s
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nKawaramchiittanda.

51

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5
2

K
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NKI
J
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P
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S
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n
g
l
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K
I
N
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53

&
l
.
-

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n
g
l
i
s
h
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b
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K
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akan

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VOCABULARY

GRAMMATICAL EXPRESSIONS

1
6
.b
o
c
h
i
b
o
c
h
i
1
7
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o
t
t
s
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6
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8
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9
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n
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2
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l

2
3
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t
t
6
s
h
i
i
2
4
.yo
2
5
.yu ( )

55

56

K
I
NKI
J
A
P
A
N
E
S
E

1
6
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o
c
h
i
b
o
c
h
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)

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op
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s
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i
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ih
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MORESURVIVALWORDS

57

h
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58

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MORESURVIVALWORDS

59

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60

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J
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omoronal
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61

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h
i
n
k
?
R
e
a
l
l
y
?It
h
o
u
g
h
ti
twasc
o
m
p
l
e
t
e
l
yu
n
i
n
t
e
r
e
s
t
i
n
g
.

Omo i
st
h
es
h
o
r
t
e
n
e
dformo
fomou .

2
1
.s
h
i
n
d
o
i

t
i
r
e
d
t
i
r
i
n
g
d
i
f
f
i
c
u
l
t
S
h
i
n
d
o
ii
sa
na
l
l
p
u
r
p
o
s
ewordu
s
e
dt
oe
x
p
r
e
s
sb
e
i
n
gt
i
r
e
do
rt
oi
n
d
i
c
a
t
e
t
h
a
ts
o
m
e
t
h
i
n
gi
st
i
r
i
n
go
rd
i
f
f
i
c
u
lt
.I
ti
sp
r
o
b
a
b
l
yt
h
emosto
f
t
e
nu
s
e
d
wordi
nt
h
eo
f
f
i
c
eanda
tt
h
eh
e
a
l
t
hc
l
u
bandc
a
na
l
s
omeanb
e
i
n
g
somewhatu
n
d
e
rt
h
ew
e
a
t
h
e
r
.I
ti
sc
o
n
j
u
g
a
t
e
dt
h
esamewaya
so
t
h
e
r
a
d
j
e
c
t
i
v
e
s
.
Konnas
h
i
g
o
t
o
s
h
i
n
d
o
iw
a
.

T
h
i
st
y
p
eo
fworki
st
o
u
g
h
.
Kyo
s
h
i
n
d
o
k
a
t
t
aw
a
.

Ihadar
o
u
g
hd
a
yt
o
d
a
y
.

62

K
I
NK
I
J
A
P
A
N
E
S
E

E
r
a
i (
s
e
eworde
n
t
r
y4
6
)a
l
s
omeanst
i
r
i
n
gb
u
ti
sn
o
tu
s
e
d
n
e
a
r
l
ya
sw
i
d
e
l
ya
ss
h
i
n
d
o
i
.
2
2
.s
u
k
iyana l
ike
T
h
i
si
snod
i
f
f
e
r
e
n
tfromt
h
es
t
a
n
d
a
r
ds
u
k
i b
u
twei
n
c
l
u
d
ei
th
e
r
e
b
e
c
a
u
s
eo
ft
h
ef
r
e
q
u
e
n
c
yw
i
t
hwhichi
ti
sh
e
a
r
di
nt
h
i
sform

andb
e
c
a
u
s
e
o
ft
h
ed
i
f
f
e
r
e
n
c
ei
np
r
o
n
u
n
c
i
a
t
i
o
n
.I
ns
t
a
n
d
a
r
dJ
a
p
a
n
e
s
es
u
k
i i
s
pronouncedw
i
t
han
e
a
r
l
ys
i
l
e
n
tu
a
si
n
s
k
i
.
"I
nK
a
n
s
a
i
t
h
eui
sf
u
l
l
y
pronouncedandt
h
ef
i
r
s
ts
y
l
l
a
b
l
ei
sa
c
c
e
n
t
e
dS
U
k
i
.T
h
i
si
su
s
u
a
l
l
y
f
o
l
l
o
w
e
dbyyana oryan
e .
S
u
k
iyanac
a
nr
e
f
e
rt
ot
h
i
n
g
sandp
e
o
p
l
el
i
k
e
dbyo
t
h
e
rp
e
o
p
l
ea
sw
e
l
l
a
st
oy
o
u
rownp
e
r
s
o
n
a
lp
r
e
f
e
r
e
n
c
e
s
.
d
e
ns
t
a
n
d
:
Ata
no
SUZUKI:
K
a
n
t
o
d
a
k
ihonman
is
u
k
iyan
a
.
HONDA:
Soyan
e
n
.Metchas
u
k
iyan
e
n
. Tokun
ik
o
n
om
i
s
enoga
u
m
a
l
n
y
a
.
:
:
SUZUKI:
HONDA:

Your
e
a
l
l
yl
i
k
eK
antodaki
d
o
n
'
ty
o
u
.
Yup.Il
o
v
ei
t
.Andt
h
i
ss
t
a
n
di
se
s
p
e
c
i
a
l
l
yg
o
o
d
.

Kantodaki i
st
h
eK
a
n
s
a
iwordf
o
rwhati
sc
a
l
l
e
do
d
e
n
i
nT
o
k
y
o
.
Atak
a
r
a
o
k
eb
o
x
:
MIKA:
Konou
t
as
u
k
iyan
i
l
.
TOMOKO:
l
t
s
u
m
ok
o
r
eyan
e
n
.
:
:

MORESURVIVALWORDS

63

j
o
-k
ho~ h {

I
c
:

'y
t
'
n
~

MIKA:
TOMOKO:

Your
e
a
l
l
yl
i
k
et
h
i
ss
o
n
g
huh?
n
e
.
Ia
l
w
a
y
ss
i
n
giso

2
3
.u
t
t
o
s
h
i
i

gl
oomyd
r
e
a
r
y
(
e
s
p
e
c
i
a
l
l
yi
nr
e
f
e
r
e
n
c
et
ot
h
ew
e
a
t
h
e
r
)
u
t
t

shUi
sh
e
a
r
dmuchmoreo
f
t
e
ni
n
A
l
t
h
o
u
g
hp
a
r
to
fs
t
a
n
d
a
r
dJ
a
p
a
n
e
s
e
K
a
n
s
a
i
n
o
tb
e
c
a
u
s
et
h
ew
e
a
t
h
e
ri
sworsei
nK
a
n
s
a
i(
it
'sa
c
t
u
a
l
l
ys
l
i
g
h
t
l
y
l
t
h
o
u
g
hi
ts
t
i
l
lg
e
t
si
t
sf
u
l
ls
h
a
r
eo
fu
t
t
o
s
h
Uw
e
a
t
h
e
r
)
b
e
t
t
e
rt
h
a
nTokyoa
b
u
ts
i
m
p
l
ya
sam
a
t
t
e
ro
fwordc
h
o
i
c
e
.T
o
k
y
o
i
t
e
su
s
u
a
l
l
ys
a
yi
y
an
at
e
n
k
i
i
ns
t
e
a
d.
I
nK
a
n
s
a
iu
t
t

;
s
h
i
ii
sa
l
s
ou
s
e
dt
od
e
s
c
r
i
b
ep
e
r
s
i
s
t
e
n
t

s
l
i
m
yp
e
o
p
l
e
.

Ky
u
t
t

shUn
i
l.

I
t'
sp
r
e
t
t
yu
g
l
yo
u
tt
o
d
a
y
.

U
t
t

;
s
h
Uy
a
t
c
h
an
i
l.

T
h
a
tguyi
sr
e
a
l
l
ys
l
i
m
y
!

Y
a
t
c
h
a i
sac
o
n
t
r
a
c
t
i
o
no
fy
a
t
s
uy
ameaningap
e
r
s
o
n
o
rt
h
i
n
g
.

64

K
I
NKI
J
A
P
A
N
E
S
E

24.yo v
e
r
ymucho
f
t
e
nw
e
l
l
Yoi
sac
o
n
t
r
a
c
t
i
o
no
fyokut
h
ea
d
v
e
r
bformo
fy
o
i meaning

good.
"
Yok
u
t
t
a
.

Ia
t
eal
ot
.
Yow
a
k
a
t
t
o
r
u
.

Ic
o
m
p
l
e
t
e
l
yu
n
d
e
r
s
t
a
n
d
.

Yos
e
h
e
nw
a
.

Ic
a
n
'tdot
h
i
sw
e
l
l
.
25.yu (
) t
os
p
e
a
k
u i
nK
a
n
s
a
ii
su
s
u
a
l
l
yp
r
o
n
o
u
n
c
e
dyu.Wh
i
l
ei
nt
h
i
s
Thev
e
r
bi
t
h
e
d
i
c
t
i
o
n
a
r
yformi
ti
sd
i
f
f
i
c
u
l
tt
oh
e
a
rt
h
ed
i
f
f
e
r
e
n
c
ei
np
r
o
n
u
n
c
i
a
t
i
o
n
c
o
n
j
u
g
a
t
e
df
o
r
m
sa
r
ee
a
s
i
l
yd
i
s
t
i
n
g
u
i
s
h
a
b
l
e
.
a(
i
n
s
t
e
a
do
fi
t
t
)
yt
y
u
t
e
n(
i
t
)
y
u
t
e
r
u(
i
t
t
e
r
u
)
y
u
t
o
t
t
e
n(
i
t
t
e
t
a
)

()
()
()
()

Nan;y
u
t
e
nnen?
?
Whatt
h
eh
e
l
la
r
eyous
a
y
i
n
g
?

s
a
i
d
s
a
i
d
s
a
y
I
n
g
wass
a
y
I
n
g

MORESURVIVALWORDS

65

Sonok
o
t
o
a
nokon
iyU
t
o
i
t
e
.

P
l
e
a
s
et
e
l
lt
h
a
tt
oh
e
r
.

M6i
p
p
e
nyU
t
ek
u
r
e
r
u
?
?

Wouldyous
a
yt
h
a
ta
g
a
i
n
?

2
6
.
d
e

(
e
xc
l
a
ma
t
or
ys
e
n
t
e
n
c
e
e
n
d
i
n
gp
a
r
t
i
c
l
e
)
De
u
n
l
i
k
ena(
s
e
e2
8
)
i
su
s
e
do
n
l
ya
tt
h
eendo
fs
e
n
t
e
n
c
e
s
.I
t
smeaningi
s
t
r
e
n
g
t
h
e
n
i
n
gt
h
ee
f
f
e
c
to
ft
h
e
somewhatl
i
k
eane
x
c
l
a
m
a
t
i
o
np
o
i
n
ts
s
e
n
t
e
n
c
e
.I
ti
su
s
u
a
l
l
yu
s
e
dwheni
n
f
o
r
m
i
n
gsomeoneo
fs
o
m
e
t
h
i
n
gb
u
t
i
ti
ss
i
m
i
l
a
rt
oz
oi
ns
t
a
n
d
a
r
dJ
a
p
a
n
e
s
e
h
a
sar
o
u
g
ht
o
n
e
.I
nt
h
e
s
er
e
s
p
e
c
t
s
b
u
ti
su
s
e
df
r
e
q
u
e
n
t
l
ybywomena
sw
e
l
la
smen.

t
s
u
i
t
ade
a
t
s
u
id
e

e
d
e

i
k
ude

We'vea
r
r
i
v
e
d
!
t
's
h
o
t
!
I
T
h
i
si
sf
i
n
e
!
I
'ml
e
a
v
i
n
g
!/
L
e
t
'sg
o
!

a
n M r .Mrs.Ms.Miss
2
7
.h
S
a
n
t
h
es
t
a
n
d
a
r
dh
o
n
o
r
i
f
i
cs
u
f
f
i
xa
t
t
a
c
h
e
dt
op
e
o
p
l
e
'snames
i
sa
l
t
e
r
e
d
i
np
r
o
n
u
n
c
i
a
t
i
o
ni
nK
a
n
s
a
iandbecomesh
a
n
.T
h
i
sp
r
a
c
t
i
c
et
e
n
d
st
obe
morecommoni
n
s
i
d
eOsakaandamongo
l
d
e
rp
e
o
p
l
e
.I
ti
sn
o
th
e
a
r
dt
h
a
t
o
f
t
e
no
u
t
s
i
d
eo
fO
s
a
k
a
.
Miyazawa h a n
yome-han
o
b
a
h
a
n
a
n
t
a
h
a
n

M
r
.Miyazawa
w
i
f
e
o
l
dl
a
d
y
you

66

K
I
NK
I
J
A
P
A
N
E
S
E

28.na

n
i
i

(
s
e
nt
e
nc
e
e
nd
i
ngp
a
r
t
i
c
l
e
s
)d
o
n
'tyout
h
i
n
k
?
y'know?
I
ti
sn
e
a
r
l
yi
m
p
o
s
s
i
b
l
et
ot
r
a
n
s
l
a
t
et
h
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s
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n
t
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d
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n
g
si
n
t
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g
l
i
s
h
.
Thec
l
o
s
e
s
te
q
u
i
v
a
l
e
n
tt
onaandn
i
li
st
h
eh
a
b
i
to
fsomeyoungp
e
o
p
l
et
o
s
a
y
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know?
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r
e
h?
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tt
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fs
e
n
t
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n
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s
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p
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t
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h
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t
h
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tK
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r
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ou
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t
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n
e
de
a
r
s
.
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u
s
ta
snei
so
f
t
e
nl
e
n
g
t
h
e
n
e
dt
onenai
sv
e
r
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f
t
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e
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g
t
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dt
o
n
i
l

e
s
p
e
c
i
a
l
l
ywhenu
s
e
da
tt
h
ee
n
do
fs
e
n
t
e
n
c
e
so
rwhena
s
k
i
n
gf
o
rsome
s
o
r
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69

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72

KI
NK
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5 KAZUO:
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74

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76

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A
P
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N
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S
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3
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MOREKINKIWORDS

DAUGHTER:

91

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Whenc
a
nyouh
a
v
et
h
i
sr
e
p
o
r
tf
i
n
i
s
h
e
d
?

HIKARI:

P
r
o
b
a
b
l
ybynoont
o
m
o
r
r
o
w
.
T
h
a
t
'
sf
i
n
e
.I
'mc
o
u
n
t
i
n
gony
o
u
.

BOSS:

SUZUKI:

Kankumaden
o
s
h
i
t
a
r
oka?
Ahonman
i
?Honnaratanomuw
a
.

HONDA:

98

KI
NK
I
J
A
P
A
N
E
S
E
Doyouwantar
i
d
et
ot
h
ea
i
r
p
o
r
t
?
R
e
a
l
l
y
?Welli
f
y
o
u
'
r
eo
f
f
e
r
i
n
g
p
l
e
a
s
e
.

HONDA:
SUZUKI:

Kankai
ss
h
o
r
tf
o
rKansaiKokusaiKak6 t
h
e
i
n
t
e
r
n
a
t
i
o
n
a
la
i
r
p
o
r
ti
nOsakaB
a
y
.

3
9
.yoke

gyosan

yosan


al
o
t
many
d
e
n
t
i
c
a
li
nmeaningt
ot
a
k
u
s
a
n a
r
e
A
l
lt
h
r
e
eo
ft
h
e
s
ewordsi
c
o
m
p
l
e
t
e
l
yi
n
t
e
r
c
h
a
n
g
e
a
b
l
ea
n
du
s
e
dw
i
t
hr
o
u
g
h
l
yt
h
esamef
r
e
q
u
e
n
c
y
.
D
i
f
f
e
r
e
n
tp
e
o
p
l
eo
fc
o
u
r
s
et
e
n
dt
ou
s
eo
n
ewordmoret
h
a
nt
h
eo
t
h
e
r
s
a
n
dt
h
e
r
emayb
esomer
e
g
i
o
n
a
ld
i
f
f
e
r
e
n
c
e
si
nwordu
s
a
g
e
.

Gyosank
o
t
a
.

Ib
o
u
g
h
tal
o
t
.
Kota i
st
h
ep
a
s
tt
e
n
s
eo
fkau i
nK
a
n
s
a
ib
e
n
.
IBARAGI:

HIRAKATA:

A
s
h
i
t
a
k
a
i
g
idehappyos
e
n
aakann
e
n
.
Konyaway
kes
e
n
aakank
o
t
oa
r
uw
a
.
Ma
b
o
c
h
i
b
o
c
h
ig
a
n
b
a
r
i
!

:!
IBARAGI:

HIRAKATA:

YASUKO:
TAKAKO:

Ih
a
v
et
omakeap
r
e
s
e
n
t
a
t
i
o
na
tam
e
e
t
i
n
gt
o
m
o
r
r
o
w
.
I
'v
eg
o
tal
o
tt
odot
o
n
i
g
h
t
.
Well
hangi
nt
h
e
r
e
!
Hanshinh
y
a
k
k
a
t
e
ndekonnan
iy
o
s
a
nkaimons
h
i
t
e
n
.
As
ok
a
tHanshiny
u
s
hshitany
a
k
k
e
.

MOREKINKIWORDS

99

:
:

YASUKO:

LookhowmuchIb
o
u
g
h
ta
tH
a
n
s
h
i
nDep
tmentS
t
o
r
e
.
t
'sr
i
g
h
t
!H
a
n
s
h
i
nj
u
s
twon
d
i
d
n
'tt
h
e
y
.
Oh
t
h
a

TAKAKO:

I
ft
h
eH
a
n
s
h
i
nT
i
g
e
r
swint
h
eC
e
n
t
r
a
lLeaguep
e
n
n
a
n
to
rt
h
eNihon
S
e
r
i
e
sH
a
n
s
h
i
nD
e
p
a
r
t
m
e
n
tS
t
o
r
eh
o
l
d
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p
e
c
i
a
ls
a
l
et
oc
e
l
e
b
r
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t
et
h
e
o
c
c
a
s
i
o
n
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h
a
tt
i
m
e
n
o
to
n
l
yT
i
g
e
rp
a
r
a
p
h
e
r
n
a
l
i
ab
u
ta
l
lt
y
p
e
so
fg
o
o
d
s
'
eons
a
l
e
.
Kaimono i
so
f
t
e
ns
h
o
r
t
e
n
e
dt
okaimon dt
s
u
k
e
m
o
n
o
i
ss
h
o
r
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e
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e
dt
ot
s
u
k
e
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o
n i
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s
u
a
ls
p
e
e
c
h
.
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0
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z
u
k
k
o
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c
u
nni
ngs
n
e
a
k
y
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u
k
k
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imeanst
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sz
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r
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a
r
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s
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i
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i .T
h
i
s
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e
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e
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st
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r
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t
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o
rmethodt
h
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ti
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n
f
a
i
r
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i
n
a
l

voweli
so
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t
e
nl
e
n
g
t
h
e
n
e
dt
omakei
ts
o
u
n
dl
i
k
ezukko-
NOZOMI:

HIKARI:

M
i
t
s
u
i
s
a
n
u
maik
o
t
obuchon
it
o
r
i
i
t
t
e

s
h

s
h
i
ns
h
i
t
a
ny
a
t
e
.
Son
a
n
?
!Z
u
k
k
o
in
a
.

?!

NOZOMI:

HIKARI:

Ih
e
a
r
dM
r
.M
i
t
s
u
ig
o
th
i
m
s
e
l
fi
ngoodw
i
t
ht
h
eb
o
s
sa
n
d
g
o
tapromotIon.
Now
a
y
!H
e
'
sp
r
e
t
t
ys
n
e
a
k
y
.

Y
a
t
emeanss
oIh
e
a
r
d
.
"(
S
e
e6
0
)T
o
r
i
i
r
u me
a
nst
oc
u
r
r
y
br
ownnos
e.
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i
t
s
u
iseemst
ohaves
u
c
c
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e
d
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da
tg
a
i
n
i
n
ga
f
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r
r
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n
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a
v
o
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t
ht
h
eb
o
s
s
.
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o
t
oi
se
q
u
i
v
a
l
e
n
tt
oumaku meaningdonew
e
ll
."I
n
K
a
n
s
a
i
b
e
n
somea
d
v
e
r
b
sa
r
ec
r
e
a
t
e
df
r
o
mt
h
eif
ormo
fa
d
j
e
c
t
i
v
e
sby

100

KI
NK
I
J
A
P
A
N
E
S
E

a
d
d
i
n
gk
o
t
o .Commonlyusedexamplesa
r
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o
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o
h
a
y
a
ik
o
t
o andn
a
g
a
ik
o
t
o whichi
ns
t
a
n
d
a
r
d
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y
a
k
u andnagaku
J
a
p
a
n
e
s
ewouldbee
x
p
r
e
s
s
e
da
sumaku h
.

Nagaik
o
t
om
a
t
a
s
e
t
egomenn
a
.

S
o
r
r
yIk
e
p
tyouw
a
i
t
i
n
gs
ol
o
n
g
.
4
1
.k
a
i
n
a

s
e
nt
e
nc
ee
n
d
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n
ge
x
p
r
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s
s
i
n
gs
a
r
c
a
s
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e
r
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o
u
s

o
rademand
d
o
u
b
t
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s
T
h
i
si
sa
n
o
t
h
e
rs
e
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t
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n
c
ee
n
d
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n
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n
i
q
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et
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n
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ct
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n
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a i
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o
n
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a
s
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c
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d
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ga
st
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th
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g
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d
2
8
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h
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s
ea
r
ef
r
e
q
u
e
n
t
l
ycombinedt
obecomek
andi
st
h
e
r
e
f
o
r
eu
s
e
dp
r
i
m
a
r
i
l
yamongf
r
i
e
n
d
so
rf
a
m
i
l
y
.

(
a
)e
x
p
r
e
s
s
i
n
gs
a
r
c
a
s
m
Kainai
susedmosto
f
t
e
nt
oe
x
p
r
e
s
ss
a
r
c
a
s
m
.Howevert
h
i
sformi
s

!
?((
~

MOREKINKIWORDS

101

s
o
m
e
t
i
m
e
su
s
e
dt
oe
x
p
r
e
s
sa
n
g
e
r
.I
ti
sf
r
e
q
u
e
n
t
l
yh
e
a
r
da
f
t
e
rhonma

b
u
tc
a
nf
o
l
l
o
wav
e
r
bi
nd
i
c
t
i
o
n
a
r
yf
o
r
m
.
Konnay
o
s
a
nnos
h
i
g
o
t
od
e
k
i
r
uk
a
i
n
a
.

Howc
a
nIp
o
s
s
i
b
l
ydoa
l
lt
h
i
swork?
Daregaannak
a
i
s
h
ai
k
uk
a
i
n
a
.

Whowouldwantt
oworkf
o
rs
u
c
hacompany?
KAZUO:
HIROSHI:
KAZUO:

Kinonos
h
i
k
e
no
r
emantent
o
U
ad
e
.
Honmak
a
i
n
a
?
Honmay
a
d
e
.Hora
m
i
t
em
i
l

:
:

KAZUO:

Ig
o
t100%ony
e
s
t
e
r
d
a
y
'
se
x
a
m
.
Yeah
r
i
g
h
t
!
R
e
a
l
l
y
.L
o
o
k
!

HIROSHI:
KAZUO:

SHIGERU:

TADASHI:

Shachoga

j
i
k
y
ua
g
e
t
ek
u
r
e
r
ur
a
s
h
i
id
e
.
Honmak
a
i
n
a
?Shachog
o
t
t
s
u
ik
e
c
h
iyanon.
i

SHIGERU:
TADASHI:

Ih
e
a
rt
h
eb
o
s
si
sg
o
i
n
gt
or
a
i
s
eo
u
rh
o
u
r
l
yw
a
g
e
s
.
Yeah
r
i
g
h
t
!T
h
a
ts
t
i
n
g
yp
e
r
s
o
n
?

a
i
n
ai
su
s
e
da
sav
e
r
ys
a
r
c
a
s
t
i
c
I
nt
h
e
s
el
a
s
ttwoe
x
a
m
p
l
e
shonmak
wayt
oq
u
e
s
t
i
o
nt
h
ep
e
r
s
o
n
'ss
t
a
t
e
m
e
n
t
.

102

K
I
NKI
J
A
P
A
N
E
S
E

(
b
)e
x
p
r
e
s
s
i
n
gv
e
r
ys
t
r
o
n
gd
o
u
b
t
I
nt
h
i
sc
a
s
ek
a
i
n
aa
l
s
of
o
l
l
o
w
st
h
ed
i
c
t
i
o
n
a
r
yformo
fav
e
r
bw
i
t
hn
a
t
t
a
c
h
e
d
.

Annat
a
y
o
r
i
n
a
ik
on
im
i
s
em
a
k
a
s
h
i
t
ed
a
i
j
o
b
uk
a
i
n
a
?
?

Ar
eyous
u
r
ei
t
'
ss
a
f
et
ol
e
a
v
et
h
es
t
o
r
ei
nt
h
a
tk
i
d
'
sh
a
n
d
s
?
D
e
k
i
r
u
nk
a
i
n
a
?
?

Areyour
e
a
l
l
ya
b
l
et
odoi
t
?

K
a
i
s
h
ai
k
u
nk
a
i
n
a
?
?

Areyour
e
a
l
l
yg
o
i
n
gi
n
t
ot
h
eo
f
f
i
c
e
?
(
c
)e
x
p
r
e
s
s
i
n
gademand
Kainawhenusedt
oe
x
p
r
e
s
sas
t
r
o
n
gdemandf
o
l
l
o
w
sav
e
r
bi
nt
h
e
n
e
g
a
t
i
v
en
a
i f
ormw
i
t
ht
h
ea
i r
e
move
d.

Bayot
a
b
e
nk
a
i
n
a
!
!

E
a
tf
a
s
t
e
r
!

S
a
s
s
a
t
oy
a
r
a
nk
a
i
n
a
!
!

Doi
tnow!

S
h
i
k
k
a
r
is
e
nk
a
i
n
a
!
!

Getah
o
l
do
fy
o
u
r
s
e
l
f
!

MOREKINKIWORDS

103

4
2
.
n - (
ne
ga
t
i
v
ev
e
r
bc
o
n
j
u
g
a
t
i
o
n
)
Then
e
g
a
t
i
v
ev
e
r
bc
o
n
j
u
g
a
t
i
o
nh
e
n orn
a
i i
so
f
t
e
n
actedt
oj
u
s
tn- .
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sv
e
r
yc
l
i
p
p
e
dfonno
fs
p
e
e
c
hi
su
s
e
de
q
u
a
l
l
y
c
o
s
u
c
ha
s
bymenandwomenb
u
tu
s
u
a
l
l
yo
n
l
yi
nv
e
r
yi
n
f
o
r
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a
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t
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t
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n
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n
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tknow

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o
n
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e
e
di
t

not
h
a
n
k
s

104

KI
NKI
J
A
P
A
N
E
S
E

lwan

d
o
n
'
ts
a
y

tsukawan

d
o
n
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tu
s
e

kanawan

c
a
n
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e
a
t

d
e
k
i
n

c
a
n
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tdo

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i
s
i
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o
n
a
t
i
o
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tt
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eendt
u
r
n
st
h
i
sformi
n
t
oaq
u
e
s
t
i
o
n
.
MIYAZAWA:

S
h
i
r
a
n
?

TAKESHITA:

S
h
i
r
a
n
.

MIYAZAWA:

Doyouknow?

TAKESHITA:

Id
o
n
'
tknow.

4
3
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a ( ) (
p
l
u
r
a
lf
o
r
m
)
R
aaddedt
oanouni
n
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a
t
e
st
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si
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ti
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r
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et
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h
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as
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r
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u
s(women)

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anokora

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h
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h
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eword

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it
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c
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r
a
me
a
ns
us
"andu
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h
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r
ano me
a
ns
our
.
"

MOREKINKIWORDS

105

4
4
.t
ar
u I
'
l
ld
oi
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o
rh
im/her/you
Thev
e
r
bc
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o
no
ft
ey
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u-meaning

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ldoi
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o
ryou"o
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ldoi
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formedbya
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ot
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et
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u
.

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9

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gt
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t
.
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tguyo
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!

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.

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st
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t
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n
c
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.

106

K
I
NKI
J
A
P
A
N
E
S
E

Kane
k
a
s
h
i
t
a
r
ok
a
.
?

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ol
e
n
dyousomemoney?

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i
t
e
n
s
h
an
a
o
s
h
i
t
a
r
o
.

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xt
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c
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c
l
ef
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ry
o
u
.

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i
t
s
u
n
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k
a
s
h
i
t
a
r
ok
a
?
?

I
'1t
e
a
c
hhimal
e
s
s
o
n
!

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ip
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et
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ymeans
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'm
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.
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emanywomenp
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e
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a
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ous
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.

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nhimsomemoney.

(
m
a
l
e
)
(
f
e
m
a
l
e
)

MOREKINKIWORDS

107

A
n
o
t
h
e
rv
e
r
bc
o
n
j
u
g
a
t
i
o
ni
sc
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a
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n
t
r
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c
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gt
ey
a
r
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t
ot
ar
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a
r
e t
otare .Bothf
o
r
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shave
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ryous
h
o
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l
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s
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f
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rt
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nt
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r
iandi
su
s
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dp
r
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l
ybymen.

L
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thimborrowt
h
a
t
.
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a
s
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a
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. o
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s
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a
r
i
.

(
m
a
l
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)
(
f
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m
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l
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)

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h
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t
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.
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c
h
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ly
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h
i
t
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n
.

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o
tm
a
r
r
i
e
d
.

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i
m
o
t
on
ia
g
e
t
e
n
.

108

K
I
NK
I
J
A
P
A
N
E
S
E

Ig
a
v
et
h
o
s
ec
l
o
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st
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o
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r
.
tbecomest
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l
fi
sap
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s
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r
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p
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r
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)formwhencombinedw
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hnena
si
nt
e
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n-
.T
h
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sformi
se
q
u
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tt
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u i
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r
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p
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.
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s
.
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h
ed
i
f
f
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r
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n
c
ei
nt
h
ef
o
l
l
o
w
i
n
ge
x
a
m
p
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e
s
:
Nanis
h
i
t
e
n
?
?

Whatd
i
dyoudo?
Nanis
h
i
t
e
nnen?
?

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r
eyoud
o
i
n
g
?
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r
esomemoree
x
a
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p
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h
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:
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c
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.

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k u n

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109

1
8
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m
p
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t
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sI
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s
a
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n1
:Attheofficethebossaskstheofficeladiest
odo
a
l
lt
h
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r
u
d
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.

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e
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nka?
2 HIKARI
NOZOMI:Ha.
i
3 KAKARICHO: Tanomuw
a
.(
h
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a0 d
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)
4 HIKARI:
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t
o
kanawann
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l
.
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h
onma.Konnay
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9 NOZOMI:
1 KAKARICHO:

1 :

2 :


()

3 :

110

EXAMPLECONVERSATIONSI
I
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111

4 :

5 :

6 :

9 :

1 BOSS:

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twouldyoumindg
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3 BOSS:
4 HIKARI:
5 NOZOMI:

6 HIKARI:
7
8
9 NOZOMI:

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112

K
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NKI
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EXAMPLECONVERSATIONSI
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114

KI
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EXAMPLECONVERSATIONSI
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115

1 :

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116

KI
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EXAMPLECONVERSATIONSI
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5 :

117

8 :

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118

K
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119

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K
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124

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127

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128

K
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NKI
J
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P
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K
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WORDSTOMASTERK
I
N
K
ISPEECH

129

E
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in
a
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a
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130

KI
NKI
J
A
P
A
N
E
S
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WORDSTOMASTERK
I
N
K
ISPEECH

131

c
o
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132

K
I
NK
I
J
A
P
A
N
E
S
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p
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:
:
HIRAKATA:
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WORDSTOMASTERK
I
N
K
ISPEECH

ANNOUNCER:
TORAKICHI:

133

Hanshin
m
anruih6muran!
Y
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a
!Y
a
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!

:!
:!!
ANNOUNCER:

H
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tag
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TORAKICHI:

Y
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134

K
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WORDSTOMASTERK
I
N
K
ISPEECH

135

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136

KI
NK
I
J
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P
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m
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WORDSTOMASTERK
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N
K
ISPEECH

a
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137

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138

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WORDSTOMASTERK
I
N
K
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139

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144

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C
o
n
v
e
r
s
a
t
i
o
n4
:Twoauthorsa
tt
h
eendo
f
t
h
ed
a
y
.Wehopet
oh
e
a
r
s
ow
e
'
l
l
l
e
a
v
eyouw
i
t
ht
h
i
sl
a
s
t
fromyoua
g
a
i
n
e
x
a
m
p
l
e
.
1PALTER:

2 HORIUCHI:
3 PALTER:
4 HORIUCHI:

Konohonk
a
k
unon
d
l
yatta?
Nnn
s
h
i
n
d
o
k
a
t
t
ak
e
d
o
i
f

a
i
r
ot
a
n
o
s
h
i
k
a
t
t
aw
a
.
H
o
r
i
c
h
a
nyganbattan
a
.
P
a
t
a
h
a
nk
a
t
e
.Demomao
w
a
r
iyanenn
a
.

146

KI
NKI
J
A
P
A
N
E
S
E

6 PALTER:

7 HORIUCHI:
8 PALTER:
9 HORIUCHI:

1
0 PALTER:

Korek
a
r
a
d
o
n
a
is
u
r
u
?
S
e
y
an
i
l
.Doy
a
!
?T
s
u
g
inohondemok
a
k
oka?
s
o
r
e
.
En
i
l
a
s
h
i
t
ak
a
r
amatag
a
n
b
a
r
o
!
Y
o
s
s
h
a
a
s
h
i
t
an
e
.
U
n
.Hona
H
o
n
j
a
.

1 ?
2 :

3
4 :

?
5
6 : !??

7 :
8 !

9 :

1
0 :

1PALTER:
2 HORIUCHI:

3PALTER:
4 HORIUCHI:

5
6 PALTER:
7 HORIUCHI:
8 PALTER:
9 HORIUCHI:

1
0 PALTER:

Wh
a
td
i
dyout
h
i
n
ko
fw
r
i
t
i
n
gt
h
i
sbook?
Well
i
twasal
o
to
fwork
b
u
tIe
oyedi
t

t
o
o
.
Your
e
a
l
l
yworkedh
a
r
d
.
Sod
i
dy
o
u
.Butnoww
e
'
r
ed
o
n
e
.
Wha
tw
i
l
lwedoa
f
t
e
rt
h
i
s
?
Hmm.I
'v
eg
o
ti
t
!Howa
b
o
u
tw
r
i
t
i
n
ga
n
o
t
h
e
rbook?
T
h
a
t
'
sagoodi
d
e
a
.
Okay!W
e
'
l
ls
t
a
r
tr
i
g
h
ti
noni
tt
o
m
o
r
r
o
w
!
Wellt
h
e
n
I
'ls
e
eyout
o
m
o
r
r
o
w
.
S
e
eyout
h
e
n
.

D
i
c
t
i
o
n
a
r
y
N
o
t
e
:Samples
e
n
t
e
n
c
e
sa
p
p
e
a
rwhent
h
ee
n
t
r
ywordi
sn
o
td
e
a
l
tw
i
t
h
.S
t
a
n
d
a
r
dJ
a
p
a
n
e
s
ee
q
u
i
v
a
l
e
n
t
sa
p
p
e
a
ri
n
e
x
t
e
n
s
i
v
e
l
yi
nt
h
emaint
e
xt
p
a
r
e
n
t
h
e
s
e
sw
i
t
he
a
c
he
n
t
r
y
.

ahokusa s
t
upi
dt
h
i
n
g(
b
a
k
a
r
a
s
h
i
i )
A
h
o
k
u
s
a
!A
s
h
i
t
a
a
s
as
h
i
c
h
i
j
ik
a
r
ak
a
i
g
iy
a
t
e
.
!7

Tha
t
'
ss
os
t
u
p
i
d
!H
o
l
d
i
n
gam
e
e
t
i
n
ga
t7i
nt
h
emorningt
o
m
o
r
r
o
w
!

aho

aho (
Se
e1
)f
o
o
ls
t
u
p
i
d
f
o
o
l
i
s
h(
b
a
k
a )
akan (
Se
e2
)no
nogood
bad
u
s
e
l
e
s
s
i
m
p
o
s
s
i
b
l
e
e
x
p
l
e
t
i
v
e
(dame )
akko ove
rt
h
e
r
e(
a
s
o
k
o )
U
c
h
it
o
k
o
a
k
k
oyan
e
n
.

Myp
l
a
c
ei
so
v
e
rt
h
e
r
e
.

147

148

DI
CTI
ONAR
Y

a
n
t
a

ansan

antahan you;c
o
n
t
r
a
c
t
i
o
n
n
a
t
a(kimi )
o
fa
A
n
t
an
iwak
a
n
k
e
in
a
iw
a
.

T
h
a
t
'snoneo
fy
o
u
rb
u
s
i
n
e
s
s
.

arahen does
n'
te
x
i
s
t
n
o
th
e
r
e(
n
a
i )
Gohanmoa
r
a
h
e
nw
a
.

T
h
e
r
ei
snomorer
i
c
el
e
f
t
.
od
i
s
c
o
u
n
tap
r
i
c
e(
m
a
k
e
r
u )
benkyos
u
r
u t

b
o
c
h
i
b
o
c
h
i (
Se
e1
6
)s
o
s
o
n
o
tbad
n
o
tgood
chau (
Se
e3
)no
wrong
d
i
f
f
e
r
e
n
t(
c
h
i
g
a
u )
;s
e
n
t
e
n
c
ee
n
d
i
n
g
meaning
i
s
n'
tt
h
a
tr
i
g
h
t
?
"(
j
an
a
i
? ?)
c
h
o
i

cho

cho (chotto )
C
h
o
im
a
t
t
e
.

Holdonas
e
c
o
n
d
.

dabo a
s
s
hol
e(
f
i
g
h
t
i
n
gw
o
r
d
)
;c
o
n
t
r
a
c
t
i
o
no
fdo a h o
de (
Se
e2
6
)e
x
c
l
a
m
a
t
o
r
ys
e
n
t
e
n
c
ee
n
d
i
n
g(
y
o
z
o )
dekka c
ont
r
a
c
t
i
ono
fd
e
s
uk
a
denna c
ont
r
a
c
t
i
ono
fd
e
s
una (desun
e )
Kyo
honman
ia
t
s
u
id
e
n
n
a
.

I
ti
sr
e
a
l
l
yh
o
to
u
tt
o
d
a
y
.

do
(
Se
e5
6
)p
r
e
f
i
xt
oadde
m
p
h
a
s
i
st
on
o
u
n
sanda
d
j
e
c
t
i
v
e
s

DICTIONARY

149

d
o
n
a
i howi
si
t
?(
d
l
)
Konok
u
t
s
u
d
o
n
a
i
?
?

HowdoIl
o
o
ki
nt
h
e
s
es
h
o
e
s
?

d
o
n
a
is
h
i
t
a
n wha
t
'sw
rong?whath
a
p
p
e
n
e
d
?(
d
o
s
h
i
t
ano
)

Kin
donais
h
i
t
a
n
?
?

Wha
thappenedt
oyouy
e
s
t
e
r
d
a
y
?
d
on
a
isho wha
ts
h
o
u
l
dI
/
wedo?(
d
os
h
i
y
o)
S
h
i
m
e
k
i
r
imademikkas
h
i
k
aa
r
e
h
e
n
.Donaisho?
3
I
'v
eo
n
l
yg
o
tt
h
r
e
ed
a
y
su
n
t
i
lt
h
ed
e
a
d
l
i
n
e
.WhatamIg
o
i
n
gt
odo?
donaisuru wha
ta
r
eyou/weg
o
i
n
gt
odo?(s
ur
u
)

Karenok
o
t
o
d
o
n
a
is
u
r
u
n
?
?

Whata
r
eyoug
o
i
n
gt
odoa
b
o
u
ty
o
u
rb
o
y
f
r
i
e
n
d
?

d
o
n
a
i
y
a
t
t
a howwasi
t
?
E
i
g
ad
o
n
a
iy
a
t
t
a
?
?

Howwast
h
emovie?

d
o
n
k
u
s
a
i (
Se
e3
1
)d
i
m
w
i
t
t
e
d
s
t
u
p
i
d(
n
i
b
u
i )
d
o
s
h
i
t
a
n c
ont
r
a
c
t
i
ono
fd
o
s
h
i
t
ano(
d
o
s
h
i
t
a )
Konnas
u
g
o
ikuruma
d
o
s
h
i
t
a
n
?
?

Howd
i
dyoug
e
ts
u
c
han
i
c
ec
a
r
?

150

DI
CTI
ONAR
Y

d
o
t
s
u
k
u t
opunch
t
oh
i
t(
n
a
g
u
r
u )
A
i
t
s
ud
o
t
s
u
i
t
a
r
ok
a
!
!

Iwantt
opuncht
h
a
tguyo
u
t
!

doshomon
a
i hope
l
e
s
s

i
m
p
o
s
s
i
b
l
e
g
i
v
eup(
s
h
6ga
n
a
i )
Amey
a
k
a
r
a
dos
h
6mon
a
i
.

I
t
'sr
a
i
n
i
n
g
s
ot
h
e
r
e
'sn
o
t
h
i
n
gwec
a
nd
o
.

doya wha
tdoyout
h
i
n
k
?howi
st
h
a
t
?c
o
n
t
r
a
c
t
i
o
no
fd
l
ya
O
m
o
i
k
k
i
r
im
a
k
e
t
e
3
8
0
0e
nd
edoya?
?

Howa
b
o
u
ti
fIg
i
v
eyoumyb
e
s
to
f
f
e
ro
f3
8
0
0yen?

e (
Se
e4
)goOd
t
h
a
t
'
se
nough(
i
i
y
o
i )
e
k
a
k
k
o
s
h
i
i pe
r
s
onwhop
u
t
sona
i
r
s
p
r
e
t
e
n
t
i
o
u
s
e
g
u
i di
s
gus
t
i
ng
n
a
u
s
e
a
t
i
n
g
Konoa
i
s
uk
u
r
i
i
m
unoi
r
o
e
g
u
in
i
l
.

Thec
o
l
o
ro
ft
h
i
si
c
ecreami
sn
a
u
s
e
a
t
i
n
g
.

e
r
a
i (
Se
e4
6
)v
e
r
y(
h
i
j
6n
i
t
o
t
e
m
o );t
i
r
i
n
g(
t
a
i
h
e
n
;s
h
i
n
d
o
i )
;m
a
g
n
i
f
i
c
e
n
t(
r
i
p
p
a )
g
a
m
e
t
s
u
i gr
e
e
dy(
y
o
k
u
bar
i )
gana s
e
nt
e
nc
ee
n
d
i
n
gu
s
e
da
si
n
t
e
n
s
i
f
i
e
r
Gakkoi
k
a
nt
oakang
a
n
a
.

Youa
b
s
o
l
u
t
e
l
yhavet
ogot
os
c
h
o
ol
.

DICTIONARY

151

g
e
i
k
o e
xc
l
us
i
veKyotog
e
i
s
h
a

o
rg
e
i
s
h
a(
ing
e
n
e
r
a
l
)
g
e
i
n
i
n pr
of
e
s
s
i
ona
le
n
t
e
r
t
a
i
n
e
ro
rp
e
r
s
o
nw
i
t
hat
a
l
e
n
tf
o
rmaking
p
e
o
p
l
el
a
u
g
h
g
e
r
a ap
e
r
s
o
nwhol
a
u
g
h
sh
a
r
d(
w
a
r
a
i
j
o
g
o )
Gion t
r
a
di
t
i
ona
ld
i
s
t
r
i
c
tn
e
a
rKawaramachii
nKyotofamousf
o
r
g
e
i
k
o
goneru t
owhine
t
oc
o
m
p
l
a
i
n
Nanbog
o
n
e
t
emoamea
g
e
h
e
nd
e
.

Nom
a
t
t
e
rhowmuchyouc
o
m
p
l
a
i
n
I'mn
o
tg
o
i
n
gt
og
i
v
eyouany
c
a
n
d
y
.

g
o
s
s
a
n gottsuosan
g
o
s
s
o
s
a
n gottsuosan
g
o
t
t
s
u
o
s
a
n

g
o
s
s
o
s
a
n

g
o
s
s
a
n

t
h
a
n
k
sf
o
rt
h
ef
o
o
d(
g
o
c
h
i
s
o
s
a
m
ad
e
s
h
i
t
a )
g
o
t
t
s
u
i (
Se
e1
7
)v
e
r
y
b
i
g
gyosan (
Se
e3
9
)al
o
t

many (
t
a
k
u
s
a
n )
h
a
g
a
i
i )(
S
e
e3
2
)f
r
u
s
t
r
a
t
i
n
g
h
a
n (
Se
e2
7
)Mr.l
M
s
.(
s
a
n )
Hanshin Ha
ns
hi
nT
i
g
e
r
sb
a
s
e
b
a
l
lt
e
n
;
H
a
n
s
h
i
nR
a
i
l
w
a
y
;H
a
n
s
h
i
n
tmentS
t
o
r
e
;Osaka
Kober
e
g
i
o
n
;H
a
n
s
h
i
nh
o
r
s
er
a
c
i
n
gt
r
a
c
k
Dep
i
nT
a
k
a
r
a
z
u
k
a
h
a
r
u (
Se
e1
1
)h
o
n
o
r
i
f
i
cv
e
r
bc
o
n
j
u
g
a
t
i
o
n(
n
a
s
a
r
u )

152

DI
CTI
ONAR
Y

hayo ea
r
l
y
q
u
i
c
k
l
y(
h
a
y
a
k
u )
Konos
h
i
g
o
t
o
h
a
y
os
e
n
aa
k
a
nn
e
n
.

Wehavet
odot
h
i
s
j
o
bq
u
i
c
k
l
y
.

h
e
n (
Se
e1
2
)n
e
g
a
t
i
v
ev
e
r
bc
o
n
j
u
g
a
t
i
o
nn
ai )
hokasu (
Se
e3
3
)t
othrowaway(
s
u
t
e
r
u)
hona

honara (
Se
e1
8
)i
nt
h
a
tc
a
s
e
i
fs
o
t
h
e
n
s
e
eyou
l
a
t
e
r

honde t
he
n
a
f
t
e
rt
h
a
t
and(
s
o
r
e
d
e
s
o
r
e
k
a
r
a)
Osakai
t
t
e
Ky

t
oi
t
t
e
S
h
i
g
ai
t
t
e
h
ondek
a
e
t
t
ek
i
t
e
n
.

Iwentt
oOsaka
Kyoto
S
h
i
g
a

t
h
e
ncameb
a
c
k
.

hondemo but

n
e
v
e
r
t
h
e
l
e
s
s(
s
o
r
edemo )
Hondemos
u
k
iy
an
e
n
.

i
k
ei
t
.
ButIl

honja (
See6
1
)s
e
eyoul
a
t
e
rgoodbyei
nt
h
a
tc
a
s
e(
s
o
r
e
j
a
)

honma (
Se
e5
)r
e
a
l
l
y(
h
o
n
t
6 )
honnara i
nt
h
a
tc
a
s
e
i
fs
o
t
h
e
n(
s
o
r
en
a
r
a)
horu (
Se
e3
3
)throwaway(
s
u
t
e
r
u)
Anop
i
t
c
h
ag
o
t
t
s
uh
a
y
a
itamah
o
r
ud
e
.

.
Thatp
i
t
c
h
e
rt
h
r
o
w
sr
e
a
l
l
yf
a
st

ichamon compl
a
i
nt

whine(
monku )

DICTIONARY

153

l
c
h
i
i
c
h
i
ichamont
s
u
k
e
n
t
o
t
t
e
.

S
t
o
pb
e
i
n
gs
oc
o
n
t
r
a
r
y
.

i
c
h
i
b
i
r
i (
Se
e4
7
)d
o
l
t
clown (
o
c
h
o
s
h
imono)
i
c
h
i
b
i
r
u (
Se
e4
7
)t
oclown o u n d
t
oa
c
ts
t
u
p
i
d
i
k
e
z
u (
Se
e4
8
)mean
n
a
s
t
y(
i
j
i
w
a
r
u)
ikkomo notevenal
i
t
t
l
eb
i
t
n
o
ta
ta
l
l
;p
r
e
c
e
d
i
n
gn
e
g
a
t
i
v
e
v
e
r
bo
ra
d
j
e
c
t
i
v
e(
z
e
n
z
e
n )
Konomanga
i
k
k
o
m
oo
m
o
r
o
n
a
i
.

T
h
i
scomici
s
n
'tevent
h
el
e
a
s
tb
i
ti
n
t
e
r
e
s
t
i
n
g
.

i
k
o l
e
t
'sgo(
i
k
6 )
A
s
h
i
t
aNanbai
k
o
.

L
e
t
'
sgot
oNanbat
o
m
o
r
r
o
w
.

i
r
a
u (
Se
e4
9
)t
ot
o
u
c
ht
omeddlew
i
t
h(
i
j
i
r
u
s
iJaru
)

i
r
a
c
h
i i
r
r
i
t
a
bl
ep
e
r
s
o
n
i
t
c
h
a
n numbe
r1

most(
i
c
h
i
b
a
n )
i
t
c
h
a
naho

s
t
u
p
i
d
e
s
t

i
t
c
h
o
m
a
e s
e
l
f
i
mpor
t
a
nt(
i
c
h
i
n
i
n
m
a
e )
Anokoi
t
c
h
o
m
a
en
is
e
b
i
r
ok
i
t
e
r
uw
a
.

T
h
a
tk
i
dl
o
o
k
sf
u
l
lo
fh
i
m
s
e
l
fi
nt
h
a
ts
u
it
.

154

DI
CT
I
ONAR
Y

j
i
b
u
n you(
a
n
a
t
a )
J
i
b
u
n
k
a
n
t
o
d
a
k
is
u
k
i
?
?

Doyoul
i
k
eo
d
e
n
?

k
a
i
n
a (
Se
e4
1
)s
a
r
c
a
s
t
i
cs
e
n
t
e
n
c
ee
n
d
i
n
g
;s
e
n
t
e
n
c
ee
n
d
i
n
g
e
x
p
r
e
s
s
i
n
gd
o
u
b
t
;demand
kakko appearance
s
h
a
p
e
(
k
a
k
k
6 )
Kyok
i
r
e
inak
a
k
k
os
h
i
t
e
r
uy
a
n
.

Youl
o
o
kn
i
c
et
o
d
a
y
.

kamahen

kamehen don'
tmind(kamawanai
)

K
a
r
i
t
ee
k
an
i
l
?
?

Doyoumindi
fIborrowt
h
i
s
?

Kamahen
k
a
m
a
h
e
n
.

Id
o
n
'
tm
i
n
d
.

kanawan (
Se
e3
4
)t
r
o
u
b
l
e
ds
t
u
c
k
;c
a
n
'
twina
g
a
i
n
s
tsomeone
o
rs
o
m
e
t
h
i
n
g(
k
a
n
a
w
a
n
a
i )
kannins
u
r
u

k
a
n
is
u
r
u (
Se
e3
5
)e
x
c
u
s
emeh
a
v
e
p
a
t
i
e
n
c
ew
i
t
hme(
k
a
n
b
e
ns
u
r
u )
Kansai s
a
mea
sK
i
n
k
i
;samea
sK
e
i
Han-Shin
k
a
t
e (
Se
e5
7
)(motemo demo ordesae )
k
a
t
s
u
k
a
t
s
u ba
r
e
l
ys
u
r
v
i
v
i
n
g
b
a
r
e
l
yi
nt
i
m
e(
g
i
r
i
g
i
r
i
)

DICTIONARY

155

K
o
n
g
e
t
s
unos
e
i
k
a
t
s
u
k
a
t
s
u
k
a
t
s
uy
a
.

Ihaveb
a
r
e
l
yenoughmoneyt
os
u
r
v
i
v
et
h
i
sm
o
n
t
h
.

Kawaramachi ma
i
ns
h
o
p
p
i
n
gande
n
t
e
r
t
a
i
n
m
e
n
td
i
s
ictofcen
a1
Kyoto
K
ei
Han-Shin t
r
ic
i
t
yr
e
g
i
o
no
fKyoto
Osaka
andKobe
kehen

k
i
i
h
e
n

k
i
i
h
i
n don'
tcome(
k
o
n
a
i
)

Konban
k
o
t
c
h
ik
e
h
e
nka?
?

Whyd
o
n
'
tyoucomeo
v
e
rh
e
r
et
o
n
i
g
h
t
?

k
e
t
t
a
i s
t
r
a
nge
u
n
u
s
u
a
l
c
o
m
i
c
a
l(
h
e
n my6 )
Soak
e
t
t
a
inak
o
t
c
h
an
i
l
.

T
h
a
t
'sr
e
a
l
l
ys
ange.

K
i
n
k
i s
out
he
r
nh
a
l
fo
fHonshu
i
n
c
l
u
d
i
n
gO
s
a
k
a
f
uK
y
o
t
o
f
u
Mie-ken
S
h
i
g
a
k
e
n
Hyogo-ken
N
a
r
a
k
e
n
andWakayama-ken
K
i
t
a Os
ak
ar
e
g
i
o
na
r
o
u
n
dUmedaandOsakaS
t
a
t
i
o
n
s
ko
e
r
u ga
i
nw
e
i
g
h
t
ut
or
u )
S
a
i
k
i
n
matak
o
e
t
e
n
.

ep
u
tonw
e
i
g
h
ta
g
a
i
nr
e
c
e
n
t
l
y
.
I
'v

k
o
e
t
e
r
u f
a
t

o
v
e
r
w
e
i
g
h
t(
t
ot
t
ei
r
u )
Anok
o
e
t
e
r
uh6ga
u
c
h
inobuch6y
a
.

T
h
a
tf
a
tguyo
v
e
rt
h
e
r
ei
so
u
rb
o
s
s
.

156

DI
CTI
ONAR
Y

k
o
keru f
a
ldown
f
a
l
lo
v
e
r

t
r
i
p(
t
a
o
r
e
r
u
k
o
r
o
b
u )
U
c
h
inoko
k
o
k
e
t
ea
k
e
g
as
h
i
t
a
ny
o
.

Myd
a
u
g
h
t
e
rf
e
l
ldownandh
u
r
th
e
r
s
e
l
fp
r
e
t
t
yb
a
d
l
y
.

k
o
r
a

k
o
r
y
a c
ont
r
a
c
t
i
ono
fk
o
r
ewa
Kora
akand
e
.

T
h
i
si
snog
o
o
d
.

k
o
s
o
b
a
i t
ic
k
li
s
h(
k
u
s
u
g
u
t
t
a
i )
k
o
t
c
h
a t
hi
ngo
re
v
e
n
t
;c
o
n
t
r
a
c
t
i
o
no
fk
o
t
oya(kotoda
)

Nannok
o
t
c
h
a
.

Whatt
h
e&%$i
st
h
a
t
?

Koshien ba
s
e
ba
ls
t
a
d
i
u
mwheret
h
eT
i
g
e
r
sp
l
a
y
;n
a
t
i
o
n
a
lh
i
g
h
s
c
h
o
o
lb
a
s
e
b
a
l
lt
o
u
r
n
a
m
e
n
t
;towni
nN
i
s
h
i
n
o
m
i
y
awhereKoshien
s
t
a
d
i
u
mi
sl
o
c
a
t
e
d
k
o
t
e buy;v
e
r
bt
eform(
k
a
t
t
e )
Gyasank
a
t
es
h
i
m
o
t
a
.

Ib
o
u
g
h
tmoret
h
a
nIp
l
a
n
n
e
dt
o
.

k
O
I
bo
ught(
k
a
t
t
a )
Kuruma
k
tan?
?

Didyoubuyac
a
r
?

-mahen s
e
mi
pol
i
t
en
e
g
a
t
i
v
ev
e
r
bc
o
n
j
u
g
a
t
i
o
n(
m
a
s
e
n
)

DICTIONARY

157

Konban
m
i
i
j
a
ns
h
i
m
a
h
e
nka?
?
Doyouwantt
op
l
a
ymahjongt
o
n
i
g
h
t
?
maido (
Se
e6
)h
e
l
l
o
maiko gi
r
lt
r
a
i
n
i
n
gt
obecomeag
e
i
k
o
makashi

m
a
k
a
s
h
i
t
o
k
i l
e
a
vei
tt
oh
i
m
;I
'lt
a
k
ec
a
r
e
o
f
i
t
Sonos
h
i
g
o
t
o
k
i
5
h
a
in
im
a
k
a
s
h
i
.

L
e
ty
o
u
rt
r
a
i
n
e
et
a
k
ec
a
r
eo
ft
h
a
tj
o
b
.
makeru (
Se
e3
6
)t
od
i
s
c
o
u
n
tap
r
i
c
e
-makka c
ont
r
a
c
t
i
ono
fm
a
s
uk
a
O
k
i
i
s
a
ni
t
e
h
a
r
imakka?
?
I
sy
o
u
rmotherhome?
manzai s
t
d
upcomedy
m
a
n
z
a
i
s
h
i s
t
a
ndupcomedian
massara br
a
ndne
w
Sono
k
u
massarac
h
a
u
?
?
Thosea
r
ebrand-newc
l
o
t
h
e
s
a
r
e
n
'
tt
h
e
y
?
m
a
s
s
e (-masuyo)
Hayoi
k
a
nt
o
o
k
u
r
e
m
a
s
s
e
.

You'db
e
t
t
e
rh
u
r
r
yo
ryou'
1
1bel
a
t
e
.

158

DI
CTI
ONAR
Y

mecha (
Se
e7
)v
e
r
y(
s
u
g
o
k
u )
;r
e
c
k
l
e
s
s
d
i
s
o
r
g
a
n
i
z
e
d
(
m
e
c
h
a
k
u
c
h
a)
megeru t
ob
r
e
a
k(
k
o
w
a
r
e
r
u )
Konoj
i
t
e
n
s
h
amege

r
u
.

T
h
i
sb
i
c
y
c
l
ei
sb
r
o
k
e
n
.

metcha (
Se
e7
)v
e
r
y(
s
u
g
o
k
u )
m
i
i

mi- (
Se
e5
8
) Yi
t
doi
t(
m
i
t
e )
Minami r
e
gi
ono
fOsakan
e
a
rNanbaS
t
a
t
i
o
n
mokkai onc
emore
a
g
a
i
n
;c
o
n
t
r
a
c
t
i
o
no
fmikkai
Mokkaij
i
i
s
h
oo
s
h
i
e
t
e
.

T
e
l
lmey
o
u
ra
d
d
r
e
s
sa
g
a
i
n
.

-mon c
ont
r
a
c
t
i
ono
fmono
Tsukemon
k
u
uk
a
?
?

Doyouwantsomet
s
u
k
e
m
o
n
o(
p
i
c
k
l
e
dv
e
g
e
t
a
b
l
e
s
)
?

m
o
t
a (
Se
e1
4
)c
o
n
t
r
a
c
t
i
o
no
fs
h
i
m
o
t
a(
s
h
i
m
a
t
t
a)
moro
r
e
c
e
i
ve
d(
m
o
r
a
t
t
a )
Sonoame
d
a
r
ek
a
r
amorotan?
?

Whod
i
dyoug
e
tt
h
a
tcandyfrom?

mokarimakka

mokattema
k
.

(
S
e
e1
9
)howa
r
eyou?how'sb
u
s
i
n
e
s
s
?
mota r
e
c
e
i
ve
d(
m
o
r
a
t
t
a )

DICTIONARY

159

mucha (
Se
e7
)samea
smutcha

mecha;r
e
c
k
l
e
s
s
d
i
s
o
r
g
a
n
i
z
e
d
(
m
u
c
h
a
k
u
c
h
a)
mutcha (
Se
e7
)v
e
r
y(
s
u
g
o
k
u )
n - (
Se
e4
2
)n
e
g
a
t
i
v
ev
e
r
bc
o
n
j
u
g
a
t
i
o
n(
n
a
i )
n - s
e
nt
e
nc
ee
n
d
i
n
gf
o
rq
u
e
s
t
i
o
n
s
;c
o
n
t
r
a
c
t
i
o
no
fno
A
s
h
i
t
a
g
or
ikun?
?

Areyoug
o
i
n
gg
o
l
f
i
n
gtomorrow?

na

n
d (See28)sentenceending(ne )
nan s
e
nt
e
nc
ee
n
d
i
n
g
;c
o
n
t
r
a
c
t
i
o
no
fnano
S
o
r
enannan?
?

Wha
ti
st
h
a
t
?
nanbo (
Se
e8
)howmuch(
i
k
u
r
a )
nangi (
Se
e5
0
)d
i
f
f
i
c
u
l
t
no(
m
u
z
u
k
a
s
h
i
i
m
e
n
d
6
k
u
s
a
i
)

Naniwa ol
dnamef
o
rOsaka
nanmo noi
ng;
con
actiono
fn
a
n
imo f
o
lowe
dbyn
e
g
a
t
i
v
e
v
e
r
bo
ra
d
j
e
c
t
i
v
e
ReZ6konnaka
nanmon
o
k
o
t
t
e
h
e
n
.

T
h
e
r
e
'
sn
o
t
h
i
n
gl
e
f
ti
nt
h
er
e
f
r
i
g
e
r
a
t
o
r
.

nanya (nanka )
Nanyawakarank
e
d
o
k
a
k
a
r
i
c
h
6e
r
a
i
l
k
i
g
e
nyawa.

160

DI
CTI
ONARY

Id
o
n
'
tknoww
h
a
t
'
swrong
b
u
tt
h
emanageri
si
nar
e
a
l
l
ybadmood.

naosu c
l
e
a
nup
p
u
taway(
k
a
t
a
z
u
k
e
r
u)
Konoz
a
s
s
h
i
h
ondanan
in
a
o
s
h
i
t
o
i
t
e
.

P
l
e
a
s
ep
u
tawayt
h
e
s
em
a
g
a
z
i
n
e
si
nt
h
eb
o
o
k
c
a
s
e
.

nen (
Se
e1
3
)n
e
u
t
r
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e
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a
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e
m
e
n
t(
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oda
no)
Nanis
h
i
t
e
nn
e
y
a
?
?

Wh
a
ta
r
eyoud
o
i
n
g
?
non (
Se
e5
9
)p
o
s
s
e
s
s
i
v
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n
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n
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i
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n(
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a
r
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i
c
l
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d
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c
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t
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r
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h
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t
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n
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?

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a
tk
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n
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t
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r
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a
y
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a
t
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t
a
k
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e
y
a
n
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u
in
a
.

T
h
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sr
o
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m
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swarm.

obahan middl
e
a
g
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d
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b
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s
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n )
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e
a
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e

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f(
k
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r
a
k
a
u )
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i
t
s
u
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t
s
u
m
oh
i
t
onok
o
t
oo
c
h
o
k
u
n
n
e
n
.

DICTIONARY

161

Hea
l
w
a
y
smakesf
u
no
fme.

o
k
i
n
i (
Se
e9
)t
h
a
n
kyou(
a
r
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g
a
t
)
l

omoroi (
Se
e2
0
)i
n
t
e
r
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s
t
i
n
g(
o
m
o
s
h
i
r
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r
u (
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e1
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s
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s
t
s(
i
r
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s
s
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n mi
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j
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s
a
n )
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s
a
n
y
o
p
p
a
r
a
t
t
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r
uw
a
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T
h
a
tg
u
y
'
sd
r
u
n
k
.

o
t
c
h
a
n mi
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ge
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j
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s
a
n )
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t
c
h
a
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t
s
u
m
om
a
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a

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at
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i
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m
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a
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u

pakuru t
os
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a
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r
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s
a
k
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k
ar
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matak
u
r
us
a
k
a
i
n.
i

162

DI
CTI
ONARY

Wellt
h
e
n
I
'
l
lb
eb
a
c
k
.

s
a
n (
Se
e2
9
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u
f
f
i
xu
s
e
di
ng
r
e
e
t
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g
s(
s
a
m
a
g
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z
a
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m
a
s
u
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a
r
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e
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ar
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a
r
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p
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s
a
r
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p
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u
r
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a
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t
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r
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p
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t
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t

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e
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h
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t
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h
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gy
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t
e
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d
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e
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h
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h
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a
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o
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e
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s
e
s
s
h
o
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h
a
v
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a
s
h
i
t
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a
s
h
i
t
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e
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h
i
t
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a
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3
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a
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tyouy
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s
t
e
r
d
a
y
.
Sonnas
e
s
s
h
o
n
a
!
!

Havemercyonme!

DICTIONARY

163

s
e
y
a(so )
S
e
y
as
e
y
a
.

Tha
t
'sr
i
g
h
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e
y
a
k
a
r
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e
y
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k
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a
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o
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t
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o
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T
h
a
t
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h
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h
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am
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o
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t
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r
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h
a
n
a
i (
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e3
7
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tc
a
n
'
tb
eh
e
l
p
e
d
h
o
p
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l
e
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s(
s
h
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k
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h
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h
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s
h
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)(
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h
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m
a
t
t
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h
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m
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t
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s
h
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h
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h
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a
p
p
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t
r
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t
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h
i
t
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hi
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t
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h
i
h
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h
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s
h
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k
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h
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r
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r
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o
s
h
i
h
a
r
af
o
u
n
danewj
o
b
.

164

DI
CTI
ONARY

s
h
i
t
a
t
t
e p
l
e
a
s
edoi
tf
o
rh
i
m/her(
s
h
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t
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g
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h
i
t
a
t
t
e
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l
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l
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sho

s
h
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h
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L
e
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a
t
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Se
e5
2
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n
i
n
t
e
r
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s
t
i
n
g
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t
r
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f
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s
o
n
a
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o
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o
n
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an
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(
s
o
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o
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a
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a
n
k
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r
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t
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c
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u
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o
n
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h
i
t
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k
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tt
h
a
tw
a
y
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nt
h
a
tc
a
s
e
i
fs
o
t
h
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s
o
r
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a
r
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h
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n
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ano
s
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u
k
k
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T
h
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t
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r
e
t
t
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a
k
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s
o
r
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s
o
r
y
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r
a
c
t
i
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fs
o
r
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S
o
r
a
akanw
a
.

T
h
a
t
'
snog
o
o
d
.

DICTIONARY

165

s
o
y
a

s
o
y
a (soda )
S
o
r
as
o
y
a
.

T
h
a
t
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g
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t
.

s
o
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t
t
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r
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t
t
a
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yat
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ar
ayameruw
a
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natc
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s
e
Ig
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p
.

s
u
k
iyani
l
s
u
k
k
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an
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s
u
k
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s
u
k
k
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e2
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k
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sumahen

sunmasen

suman
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s
u
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s
h
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t
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u
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t
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'
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t
a
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tt
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h
i
t
a
n
?
?

Whatd
i
dyoudo?

tanomu (
Se
e3
8
)p
l
e
a
s
e
I
'mc
o
u
n
t
i
n
gonyou(
o
n
e
g
a
i
s
h
i
m
a
s
u
)

166

DI
CT
I
ONAR
Y

t
a
r
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re (
Se
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4
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s
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t
r
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c
t
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no
fs
h
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t
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a
r
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)
t
a
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:
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Se
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tf
o
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m
l
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/
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h
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h
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k
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t
t
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t
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e
.

P
l
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a
s
emakehims
o
m
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t
h
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n
gt
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a
t
.

t
e
na

t
e
n
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t
e
y
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a
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ua
lr
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t
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t
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t
s
u
d
a
t
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n
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Wouldyoug
i
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tt
h
es
h
o
p
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e
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Se
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5
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a
s
tt
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n
s
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e
r
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h
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r
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igat
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on
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a
t
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tt
h
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d
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r
.
t
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o
n
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a
c
t
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t
o
k
i doi
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t
6
s
a
nn
ia
y
a
m
a
t
t
o
k
i
!
!

A
p
o
l
o
g
i
z
et
oy
o
u
rf
a
t
h
e
r
!
t
o
k
o (
Se
e5
3
)p
l
a
c
e(
t
o
k
o
r
o )

DICTIONARY

167

t
oko c
ont
r
a
c
t
i
ono
ft
eok
6 (
t
eo
k
u- )

Ky

nomin
ii
k
unoy
a
m
e
t
o
k
o
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Le
t
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o
r
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ta
b
o
u
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h
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n
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b
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t
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n
?

Whata
r
eyoue
a
t
i
n
g
?

T
o
r
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k
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c
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h
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r
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?

t
o
t
t
e c
ont
r
a
c
t
i
o
no
ft
o
i
t
e(
t
eo
i
t
e- )
B
i
d
e
ot
o
t
t
o
t
t
e
.

P
l
e
a
s
es
e
tt
h
eVCRf
o
rm
e
.

t
s
u
b
u
r
e
r
u br
e
ak(
k
o
w
a
r
e
r
u )
Konos
h
a
p
e
nt
s
u
b
u
r
e
t
e
r
uw
a
.

T
h
i
sp
e
n
c
i
l
'sb
u
s
t
e
d
.

t
s
u
k
o
t
e

t
s
u
k
o
t
e t
ou
s
e
;t
eformo
ft
s
u
k
a
u
(
t
s
u
k
a
t
t
e
)
Moshiy
o
k
a
t
t
a
r
a
k
o
r
et
s
u
k
6
t
e
.

F
e
e
lf
r
e
et
ou
s
et
h
i
si
fyoul
i
k
e
.

168

DI
CT
I
ONAR
Y

u
c
h
i I(
w
a
t
a
s
h
i )
U
c
h
inok
u
r
u
m
a
.

Myc
a
r
.

U
c
h
it
o
k
o
.

Myh
o
m
e
/
o
f
f
i
c
e
/
s
p
o
u
s
e
.

u
c
h
i
r
a we
o
u
r(
w
a
t
a
s
h
i
t
a
c
h
i )
U
c
h
i
r
anop
u
r
o
j
e
k
u
t
o
.

Ourp
r
o
j
e
c
t
.
l
i
c
i
ous(
o
i
s
h
i
i )
umai de
Konor
e
s
u
t
o
r
a
n
umaid
e
.

T
h
i
sr
e
s
t
a
u
r
a
n
ti
sr
e
a
l
l
yg
o
o
d
.

u
t
t
6
s
h
i
i (
Se
e2
3
)gloomy
d
r
e
a
r
y
wa (
Se
e3
0
)n
e
u
t
r
a
ls
e
n
t
e
n
c
ee
n
d
i
n
g(
y
o)
waya s
c
r
e
wu
p
r
u
i
n
e
d(
m
e
c
h
a
k
u
c
h
a )
Konnaamenon
a
k
a
k
imonok
i
t
a
r
awayan
in
a
r
uw
a
.

I
fIwearmykimonoo
u
ti
nt
h
i
sr
a
i
n
i
tw
i
l
lber
u
i
n
e
d
.

ya (
Se
e1
5
)(
d
a )
yakedo (dakedo)
yan (
j
a
n
j
a
n
a
ino )
Anoh
i
t
o
k
a
k
k
oe
y
a
n
.

DICTIONARY

169

T
h
a
tg
u
y
'
sh
a
n
d
s
o
m
e
.
uf
f
i
xa
t
t
a
c
h
e
dt
onamesb
e
t
w
e
e
nf
r
i
e
n
d
s(
k
u
n )
y
a
n s
y
a
n
a
i (
j
a
n
a
i )
AnDm
i
s
es
h
i
m
a
t
t
e
r
u
ny
a
n
a
i
?
?

T
h
a
ts
h
o
p
'sc
l
o
s
e
d
i
s
n
'ti
t
?
yanka (
j
a
n
a
i
k
a )
Antau
n
t
e
nd
e
k
e
h
e
nyank

Youc
a
n
'
td
r
i
v
e
c
a
nyou?
yanke (
j
a
n
a
i
k
a )
Kantany
a
n
k
e
!
!

I
t
'se
a
s
y
I
'mt
e
l
l
i
n
gy
o
u
!
ga
r

d
i
s
g
u
s
t
i
n
g(
i
y
a
r
a
s
h
i
i )
y
a
r
a
s
h
i
i vul
yaro (daro )
A
s
h
i
t
a
y
a
k
y
us
u
r
uy
a
r
D
?
?

We'rep
l
a
y
i
n
gb
a
s
e
b
a
l
ltomorrow
r
i
g
h
t
?
Se
e5
4
)g
i
v
e(
a
g
e
r
u )
yam (
y
a
t
e (
Se
e6
0
)Ih
e
a
r
dt
h
a
t
...
(
d
a
t
t
e );I
'm s
u
r
et
h
a
t
...
(dayo )
y
a
t
c
h
a pe
r
s
on
t
h
i
n
g(
y
at
s
uda
)
y
a
l
t
a (datta
)
Kinonos
h
i
a
i
doy
a
t
t
a
?

170

DI
CT
I
ONAR
Y

Howwasy
e
s
t
e
r
d
a
y
'
sgame?
y
a
t
t
a
r
a (dattara
)
A
r
n
ey
a
t
t
a
r
a

l
a
n
p
uchushiyana.

I
fi
tr
a
i
n
s
campingi
sc
a
n
c
e
l
l
e
d
r
i
g
h
t
?
yossha (
Se
e5
5
)y
e
s
okay
g
r
e
a
t
yo (
Se
e2
4
)v
e
r
ymucho
f
t
e
nw
e
l
l(
y
ok
u )
yoke (
Se
e3
9
)al
o
t
many (
t
a
k
u
s
a
n)
yosan (
Se
e3
9
)al
o
tmany(
t
a
k
u
s
a
n)
y
i
i (
Se
e2
5
)t
os
p
e
a
k(
i
u )
y
u
t
a s
a
i
d(
i
t
)
K
a
k
a
r
i
c
h
ogas
oy
u
t
a
n
?
?

Didt
h
emanagers
a
ys
o
?
y
u
t
e (
Se
e2
5
)t
os
a
y
;t
eform(
i
t
t
e )
z
u
k
k
o
i
(
Se
e4
0
)c
u
n
n
i
n
g
s
n
e
a
k
y(
z
u
r
u
i
w
a
r
u
g
a
s
h
i
k
o
i
)

Index

Thef
i
r
s
ta
p
p
e
a
r
a
n
c
eo
fmainworde
n
t
r
i
e
sa
n
dt
h
e
i
rd
i
c
t
i
o
n
a
r
ya
p
p
e
a
r
a
n
c
ea
r
e
i
n
d
i
c
a
t
e
di
nb
o
l
d
f
a
c
et
y
p
e
.
a
h
o
a
h
61
8
1
9147
a
h
o
k
u
s
a1
4
7
a
k
a
n 20
2
1
2
3
401
4
7
A
k
a
s
h
i1
11
1
81
2
0
A
k
a
s
h
i
y
a
k
i1
2
0
a
k
k
o1
4
7
a
k
o
g
a
r
e8
9
a
r
n
e 1
5
a
n
s
a
n 1
4
8
a
n
t
a
a
n
t
a
h
a
n 20
6
51
4
8
4
8
a
r
a
h
e
n 421
a
r
i
g
a
t
6san 6
7
a
t
a
s
h
i 1
1
2
a
t
a
s
h
i
r
a1
0
41
1
2
A
w
a
j
i 1
1
b
a
i
t
o 1
0
9
b
a
r
a
z
u
s
h
i 1
2
2
4
8
b
e
n
k
y
6s
u
r
u 931

b
o
c
h
i
b
o
c
h
i 56-57
781
4
8
b
o
k
e7
1
b
u
t
a
r
n
a
n1
2
2
b
u
t
a
t
a
m
a1
1
9
c
h
a
n
c
h
a
n 72
c
h
a
u 1
3242
5148
c
h
o
c
h
6
c
h
o
i1
4
2
1
48
C
o
l
o
n
e
lS
a
n
d
e
r
s 86
d
a
b
o1
4
9
d
a
r
n
e
t
o
r
a8
1
d
e 36
4
3
6
5
7
5148
d
e
k
e
h
e
n
d
e
k
i
h
i
n3
550
d
e
k
k
a1
4
8
4
8
d
e
n
n
a 561
d
e
n
t
6noi
s
s
e
n 81-82
d
o
-1
3
3-34
1
4
8
do a h o 1 3 3

1
7
1

172

I
NDE
X

do
inaka 1
3
31
4
5
d
o
n
a
i7
01
4
8
d
o
n
a
is
h
i
t
e
n1
4
9
d
o
n
a
is
h
o1
4
9
d
o
n
a
is
u
r
u1
1
51
1
7149
d
o
n
a
iy
a
t
t
a2
11
4
9
d
o
n
k
u
s
a
i 88
1
4
9
d
o
s
h
i
t
a
n1
4
9
dos
h
omon
a
i1
5
0
d
o
s
u5
2
d
o
s
u
k
e
b
e1
3
3
d
o
y
a1
5
0
e 52

e252640150
e
g
u
i1
5
0
2
6
e
k
a
k
k
o
s
h
i
i2
51
5
0
e
r
a
i6
212
4-26150
e
r
a
ik
o
t
c
h
a4
71
2
5
e
r
a
imen
io
t
a1
4
1
e
t
c
h
i4
5

k
a
g
e
n

f
a
m
i
k
o
n 44
g
a
m
e
t
s
u
i1
5
0
g
a
n
a1
5
0
g
e
i
k
o1
5
1
g
e
i
n
i
n1
5
1
g
e
r
a1
5
1
Gion 1
5
1
g
o
b
i3
5
g
o
k
u
r
o
s
a
n6
7
g
o
n
e
r
u1
5
1
g
o
s
s
a
ng
o
s
s
o
s
a
ng
o
t
t
s
u
o
s
a
n1
1
4
1
5
1
g
o
t
t
s
u
i1
45859
1
5
1
g
y
o
s
a
n9
81
5
1

h
a
g
a
i
i8
91
5
1
h
a
n1
36
51
5
1
H
a
n
s
h
i
n 798
2
991
5
1
h
a
r
u 32
3
3491
1
51
5
1
h
a
y
o1
3
01
5
2
h
e
n 33
3
4
3
51
0
31
5
2
h
e
n
k
a
t
t
a3
4
H
i
r
a
k
a
t
a1
1
9
H
i
r
o
s
h
i
m
a1
22
h
o
k
a
s
u1
3909
11
1
2152
h
o
n
a
h
o
n
a
r
a 4042591
3
9152
h
o
n
d
e1
5
2
hondemo 1
5
2
h
o
n
j
a
.1
3
9

1
5
2
honma 2
728
7
51
0
1152
h
o
n
n
a
r
a5
91
3
9
1
5
2
Honshu 1
1
5
2
h
o
r
u9
11
h
o
t
t
o1
2
2
h
o
t
t
o
i
t
e9
1
Hyogo 1
1
I
b
a
r
a
g
i1
1
i
c
h
a
m
o
n1
5
2
i
c
h
i
b
i
r
i1
2
6

1
5
3
i
c
h
i
b
i
r
u1
2
61
5
3
i
k
a
n
a
g
o1
2
1
i
k
a
t
a
m
a1
1
9
i
k
e
z
u1
2
6
2
7
1
5
3
i
k
i
n
a
h
a
r
e 49
ikkomo 1
5
3
i
k
o1
3409
61
5
3
i
r
a
c
h
i1
5
3
i
r
a
u1
2
7

1
5
3
i
r
o
t
a1
2
7
I
s
e1
1
i
t
c
h
a
n1
5
3
i
t
c
h
o
m
a
e1
5
3

INDEX
j
e
t
t
of
l
i
s
e
n8
3
j
i
b
u
n 1
3
71
4
51
5
3
kaimon 9
9
k
a
i
n
a
k
a
i
n
a7
5100-21
1
2154
kakko 2
51
4
51
5
4
kamahenkamehen 1
5
4
kanan 9
2
kanawan 9
1-931
1
5154
K
a
n
k
l
i9
8
k
a
n
n
i
ns
u
r
u9
21
1
71
5
4
K
a
n
s
a
i 1
1
46
5
41
1
81
5
4
K
a
n
s
a
iKokusaiK
l
i
k
o9
8
K
a
n
t
o
d
a
k
i6
21
2
2
kashiwa 1
2
2
k
a
t
e1
34

3
5143145154
k
a
t
s
u
k
a
t
s
u 1
5
4
Kawachi 4
7
Kawachi-ben 4
7
Kawaramachi 1
5
5
ke 4
7
khen 3
51
5
5
k
e
i
g
o3
2
4
9
KentuckyF
r
i
e
dChicken 8
6
k
e
t
t
a
i5
8-591
5
5
k
i
i
h
e
nk
i
i
h
i
n3
51
5
5
K
i
n
k
iChiho I
I
K
i
t
a7
21
5
5
k
i
t
s
u
n
e 1
2
2
Kobe 5
2-531
2
2
Kobeb
e
e
f1
2I
k
o
e
r
u
k
o
e
t
e
r
u 1
5
5
k
o
k
e
r
u 1
31
5
6
k
o
r
a 1
31
5
6
Koreatown 1
2
2
k
o
r
y
a 1
5
6
k
o
s
o
b
a
i 1
31
5
6
Koshien 8
08
31
5
6

173

k
o
t
e 1
5
6
k
o
t
a1
4
981
5
6
kuu 22
Kyoto 1
132
48-52
l
u
c
k
ys
e
v
e
n8
3-84
-mahen 1
31
5
6
ma
hyo 1
3
maido 28

1
5
7
maiko 1
5
7
makashi 1
5
7
m
a
k
a
s
h
i
t
o
k
i 1
5
7
makeru 9
3
9
5

1
5
7
ma
k
ka 1
5
7
makudo 1
2
2
mamushi 1
2
2
manzai 70
1
5
7
m
a
n
z
a
i
s
h
i 1
5
7
m
a
s
s
a
r
a 1
2
91
5
7
m
a
s
s
e 1
5
7
mecha 1
5
8
megeru 1
5
8
metcha 2
8-29
30
42158
mi

m
i
i8
91
3
5
3
61421
4
51
5
8
Mie 1
1
miiko 1
2
2
Minami 72
1
5
8
modan-yaki 1
1
9
mokarimakka 4
7
60

158
mokattemakka 60
1
5
8
mokkai 1
5
8
moko 8
3
morota 1
41
5
8
m
o
t
a 36

3
71
5
8
mota 1
41
5
8
.Rokko 80
8
3
Mt
mucha 1
5
9

174

I
NDE
X

mutcha 2
8-29

1
5
9
n(
n
e
g
a
t
i
v
ev
e
r
bc
o
n
j
u
g
a
t
i
o
n
)
1
0
3-4159
n(
s
e
n
t
e
n
c
ee
n
d
i
n
gf
o
rq
u
e
s
t
i
o
n
s
)
1
5
9
na
n
a 4042
5
3
6
6
1
5
9
Nada 1
1
8
Nagoya I
I
n
a
h
a
r
e 49
Nanba 70

71
.72
nanbo 29
30
4
2
1
5
9
n
a
n
g
i1
2
8-29

1
5
9
Naniwa 1
5
9
n
a
n
k
i
n 1
2
2
NankinMachi 1
2
2
nanmo 1
5
9
NanpaB
a
s
h
i8
6
n
a
o
s
u 1
6
0
Nara 1
1
3
254
nen 3
536160
neya 1
6
0
N
i
s
h
i
n
o
m
i
y
a1
1
non 401
36
3
81
4
31
6
0
n
u
k
a
s
u 1
6
0
n
u
k
u
i 1
3
.1
6
0
obahan 1
6
0
o
b
a
h
a
n6
5
o
c
h
o
k
u
r
u 1
6
0
o
c
h
a
z
u
k
e5
1
o
h
a
y
o
s
a
n6
778
o
j
i
i
h
a
n 70
Okayama 1
1
2
9
ki
ni 2
83042
1
6
1
omae 2073-76
omaera 1
8
o
m
e
d
e
t
o
s
a
n6
7

o
r
n
o
r
o
i 1
31460
6
1
7
5
1
6
1
o
r
a
r
e
r
u3
1-32
o
r
u 30

32
431
6
1
Osaka 1
14748
Osaka-ben 1
1
4
7
-48
o
s
s
a
n 421
6
1
t
a1
4
11
6
1
o
t
c
h
a
n 1
6
1
o
r
e
r
a4
31
0
4

p
a
c
h
i
r
u1
6
1
p
a
k
u
r
u1
6
1
r
a1
0
4

1
6
1
r
a
k
i
is
e
b
u
n 83-84
r
e
i
k
6 1
2
2
r
e
t
i
i 1
2
2
r
o
k
e
t
t
of
i
i
s
e
n8
3
Rokko 8
08
31
6
1
RokkoO
r
o
s
h
i7
9
8
1
8
31
6
1
s
a
i
n
a
r
a1
3
91
6
1
s
a
k
a
i
n
i 1
6
1
s
a
n 5067

1
6
2
Sannomiya 1
6
2
s
a
r
a1
2
9

1
6
2
s
a
r
a
p
i
n
s
a
r
a
p
p
i
n 1
2
91
6
2
s
e7
51
1
4
s
e
h
e
n3
51
6
2
s
e
n 1
6
2
s
e
n
aa
k
a
n2
3
s
e
n
t
e
n
c
ee
n
d
i
n
g
s 24
3
3
3
5
40
47
51-52
6
6
6
7159
s
e
s
s
h
6
n
a1
6
2
s
e
y
a1
3
941
4
61
6
3
s
e
y
a
k
a
r
a1
6
3
s
e
y
a
k
e
d
o8
91
6
3
s
e
y
a
t
t
a
r
a1
1
3
1
41
6
3

INDEX

s
h
a
n
a
i 95-96117163
s
h
i
b
a
k
u 1
6
3
S
h
i
g
a 1
154
3
61
6
3
s
h
i
i 1
s
h
i
i
h
i
n3
51
6
3
s
h
i
m
o
t
a 36
3
7
42
163
s
h
i
n
d
o
i 1
4
6
1
781
2
61
6
3
s
h
inor
o
d
o8
4
s
h
i
r
a
n 1
0
31
1
3
s
h
i
t
a
t
t
e 1
1
71
6
4
s
h
i
t
e
n
t
e 1
6
3
s
h
i
t
o
k
u 42
s
h
i
t
o
t
t
e
n 1
1
4
s
h
i
y
o 1
6
4
s
h
o 1
31
6
4
shomonai
shomonai 1
29-30

164
s
o
n
a
i 1
6
4
s
o
n
n
a
r
a 591
3
9164
s
o
n
n
a
n 1
34
3
51
6
4
s
o
r
a 1
31
2
51
6
4
s
o
r
y
a1
6
4
s
o
y
as
o
y
a 1
31
6
5
s
o
y
a
t
t
a
r
a
s
o
y
a
t
t
a
r
a3
81
6
5
s
u
i
m
a
s
e
n3
1
s
u
k
e
b
e4
5
s
u
k
iyana 62

1
6
5
s
u
k
iyanen 3
61
6
5
sukkyana 1
6
5
sukkyanen 1
6
5
sumahen 1
6
5
suman 3
1165
2
6
s
u
n
n
a 1
sunmahen 3
11
6
5
sunmasen 3
11
6
5

t
a
m
a
r
a
n 92
t
a
n 1
6
5
tanomu 6
8
971
1
21
1
71
6
5
tanonmassa 9
7
t
a
n
u
k
i 1
2
2
t
a
r
i 1
0
71
6
6
t
a
r
e 1
6
6
t
a
r
o 1
0
5
-61
6
6
t
a
r
u1
0
5
-6
1
6
6
t
a
r
u
i 1
3
7
t
a
t
t
e 1
6
6
t
e
n1
0
7
81
1
41
6
6
t
e
n
a 1
91
6
6
t
e
nnen 1
9
7
5
1
0
81
6
6
t
e
r
e
k
o 1
6
6
t
e
r
e
y
a 74
t
e
t
c
h
i
r
i 1
2
1
t
ya 1
91
6
6
t
o
k
i"
1
6
6
t
o
k
o 1
9130
3
1166
t
o
k
o 1
3
71
6
7
t
o
n 521
6
7
t
o
n
k
a
t
s
u 1
2
2
t
o
r
a8
4
T
o
r
a
k
i
c
h
i 79
841
6
7
T
o
r
a
k
k
i8
5
t
o
r
u 321
6
7
t
o
t
t
e 1
2
81
6
7
t
o 52
t
s
u
b
u
r
e
r
u 1
6
7
tsukemon 99
t
s
u
k
k
o
m
i7
1
t
s
u
k
o
t
e
t
s
u
k
o
t
e1
4
371
6
7
T
s
u
r
u
h
a
s
h
i 1
2
2

T
a
i
g
a
s
u 79841
6
5
t
a
k
o
t
e 1
4
51
6
5
t
a
k
o
y
a
k
i 1
2
0

u
c
h
i 1
0
41
3
11
6
8
u
c
h
i
t
o
k
o 1
3
11
4
11
4
3
u
c
h
i
r
a 1
0
41
6
8

175

176

I
NDE
X

udon 1
2
0
umai 9
91
6
8
Umeda 7
2
u
t
t
6
s
h
i
i6
31
6
8
wa 4
2
4
367-681
6
8
wakarahen 1
0
3
wakaran 1
0
3
w
a
k
a
t
o
r
a8
5
Wakayama 1
154
ware 4
7
waya 1
6
8
ya 1
337
3
81
6
8
ya 1
1
5
yakedo 1
6
8
y
a
k
i
n
i
k
u 1
2
2
yan 3
71
6
8
y
a
n 441
6
9
y
a
n
a
i 1
4
51
6
9
yanka 3
71
6
9

yanke 1
6
9
y
a
r
a
s
h
i
i 1
6
9
y
a
r
o 1
3
3
7
4
51
6
9
y
a
r
u1
3
1
3
21
3
31
6
9
y
a
t
c
h
a6
31
6
9
y
a
t
e9
91
3
8
3
91
4
21
6
9
y
a
t
t
a2
41
3
31
6
9
y
a
t
t
a1
3
3
y
a
t
t
a
r
a3
71
1
41
7
0
yo 1
264
761
7
0
yoke 9
8
9
9170
yome
yome-han 6
5
y
o
s
a
n9
8

1
7
0
Yoshimoto 7
0
7
1
y
o
s
s
h
a1
32-331
7
0
y
i
i
t
a6
4170
y
i
i
t
e 1
41
7
0
y
i
i4
36
4

1
7
0
z
u
k
k
o
i9
9

1
7
0

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