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  • Praanaaya Swaahaa Apaanaaya Swaahaa Vyaanaaya Swaahaa Udaanaaya Swaahaa Samaanaaya Swaahaa Brahmane Swaahaa ! Amruthostharanamasi"

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    ramaneesh
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    This Tamil language poem is a prayer to the Hindu deity Shrinivasa, who is associated with the Venkateswara Temple in Tirumala, Tirupati, India. The 3-sentence summary is: The poem begins with invoking blessings to the different life energies (prana, apana, etc.) and to Brahman. It describes Shrinivasa as the supreme goddess who is eternal bliss and nectar, residing in the heart. The poem praises Shrinivasa's beautiful lotus face, graceful gait, and role as the remover of difficulties and bestower of boons, residing in the holy mountain abode and protecting devotees.

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    swras

    Original Title

    Ragas

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    This Tamil language poem is a prayer to the Hindu deity Shrinivasa, who is associated with the Venkateswara Temple in Tirumala, Tirupati, India. The 3-sentence summary is: The poem begins with invoking blessings to the different life energies (prana, apana, etc.) and to Brahman. It describes Shrinivasa as the supreme goddess who is eternal bliss and nectar, residing in the heart. The poem praises Shrinivasa's beautiful lotus face, graceful gait, and role as the remover of difficulties and bestower of boons, residing in the holy mountain abode and protecting devotees.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
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    6 views2 pages

    Praanaaya Swaahaa Apaanaaya Swaahaa Vyaanaaya Swaahaa Udaanaaya Swaahaa Samaanaaya Swaahaa Brahmane Swaahaa ! Amruthostharanamasi"

    Uploaded by

    ramaneesh
    This Tamil language poem is a prayer to the Hindu deity Shrinivasa, who is associated with the Venkateswara Temple in Tirumala, Tirupati, India. The 3-sentence summary is: The poem begins with invoking blessings to the different life energies (prana, apana, etc.) and to Brahman. It describes Shrinivasa as the supreme goddess who is eternal bliss and nectar, residing in the heart. The poem praises Shrinivasa's beautiful lotus face, graceful gait, and role as the remover of difficulties and bestower of boons, residing in the holy mountain abode and protecting devotees.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Praanaaya swaahaa

    Apaanaaya swaahaa
    Vyaanaaya swaahaa
    Udaanaaya swaahaa
    Samaanaaya swaahaa
    Brahmane swaahaa !
    Amruthostharanamasi
    pallavi
    kanjadaLAyatAkSi kAmAkSi kamalAmanOhari tripurasundari
    anupallavi
    kunjaragamanE maNimaNDita manjuLacaranE mAmavashiva panjarashuki
    paNkajamukhi guruguha ranjani duritabhanjani niranjani
    caraNam
    rAkA shashivadanE suradanE rakSitamadanE ratnasadanE shrikanchana
    vasanE surasanE
    shRNgArAshraya mandahasanE EkAnEkAkSari bhuvanEshvari
    EkAnandAmRtahari bhAsvari EkAgramanOlayakari shrIkari EkAmrEsha
    gRhEshvari shaNkari

    srInivAsa tiruvenkaTa
    raagam: hamsaanandi
    53 gamanashrama janya
    Aa: S R1 G3 M2 D2 N3 S
    Av: S N3 D2 M2 G3 R1 S
    taaLam: aadi
    Composer: Paapanaasam Shivan
    Language: Tamil
    virutam
    ceDiyaaya valvinaigaL teerkum tirumaaLE
    ceDiyaaya valvinaigaL teerkum tirumaaLE

    neDiyaanE
    vEnkaTavaa nin kOvilin vaasal aDiyaarum
    aDiyaarum vaanavarum arambaiyarum
    kiDandiyengum paDiyaay kiDandu
    un pavazha vaay kaaNbEnE
    pallavi
    shrInivAsa tiru vEnkaTamuDaiyAi jaya gOvinda mukunda anantA
    anupallavi
    dIna sharaNyan enum pugazh koNDaAi dInan enaippOl vErevar kaNDAi
    caraNam
    jagam pugazhum Ezhumalai mAyavanE tirumagaL alarmEl mangai
    maNALanE
    jagannAthA shankha cakra dharanE tiruvadik-kabhayam abhayamayyA
    (un) jaya

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