:

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,
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Segns, mein Herrn, dass ist die Regl, I schreib natirli not a so, . Schenker [1906] 1980:177.
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17
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(1608), Lippius (1612), Campion (1613), Werkmeister (1702)
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),7
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: .8
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, :
ambitus,
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, 13 ,
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.10
5) Jesus Cristes milde moder ( ).

1992:50-51,81 Lester 1994:97-99.

(. cantus gemellus, . gymel, )
, 15 ,
(cantilenae) 13 . . Sanders
Gymel, 1980:864 (8 ), Dobson 1979:65, 92, 331 Bukopfzer 1935:78.
9
Grout-Palisca 1988:115, 118.
10
Dobson 1979:256. , Salve virgo virginum,
Bukopfzer 1935:80-81.
8

 ars nova,
,

.

, Pietro Aaron
(1480-1545). Libri tres de institutione harmonica (I516),
,
,
(ordo distribuendi)
, .11 ,
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bassus), (altus) .14

Deo confitemini conductus,
13 .15 (duplus)
(triplus), ,
. , ,
.
6) Deo confitemini Domino.16

11

Blackburn 1987:217, 219.

Bush 1946:232.
13
.
14
Dahlhaus 1990:95-6.
15
pel-Davison (1982:218),
- .
16
pel-Davison 1982:33.
12

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: (energetisch)
(klangsinnlich).19
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), ,
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(choral) Bach, ,
17

Arnold 1965:392.
Liszt (Aprs une lecture de
Dante), (. , . 1-4)
(. 4-7 et seq.), ,
.
18

19

Rothfarb 1988:113.

 [-T], [-],
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cappella, (Lovelock 1970:41).
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21
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11) J. S. Bach: Das Wohltemperierte Klavier (Fuga VI)

,
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Haydn, ,
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22

De la Motte [1993] 1998:31. ,

(Ausdruck von Bewegungsvorgngen)

.
23
Lovelock 1972:56.
24
Piston 1979:170-71.

,
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12) Joseph Haydn:

, ,
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.25 , ,
Haydn .
) : ,
, ,
tempi . ,
.
, Kirnberger ((1721-83),
,26
7
(. transferred resolution).27
13) Kirnberger, Grundstze des Generalbasses

25

Benjamin 1986:116.
, . ,
.
27
. Forte 1982:61-2. ,
C.P.E Bach , . divided accompaniment, 1980:209, 246, 310-11.
26

10

 Kirnberger , ,
1 ,
.
. ,
-
trio sonata-
(voci pari) .28 ,
Archangelo Corelli ,
Kirnberger .29
14) Archangelo Corelli: Sonata da chiesa, Op.3 (1689)

[ , ,
: ,
.
].

, ,
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,

.30
15) Schumann: Bunte Bltter, Op. 99 []

28

Piston (1979:81,135-6), ,
(. , , ..), ,

.
29

,
op.6/8 Corelli (. Vivace-Grave)
Stabat Mater Pergolesi.
30
Brings-Burkhart-Kamien-Kraft-Pershing 1979:18.

11

) :
,
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).31
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16) Bach Kellner: Regola di octava 33

,

: ( ,
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, voiceleading (. Stimmfhrung).34 Jeppesen,
Palestrina,
5 , .
17) Palestrina: In te Domine speravi ()

31

Ledbetter 1990:10-11.
C.P.E Bach Mitchell 1980:211.
33
Mann 1987:11.
34
Salzer/Schachter (1989:266),
,
. ,
,
,
.
32

12


,

,
.35 ,
(. 18), (. 17), !
18) Palestrina: In te Domine speravi ( )

Jeppesen Arnold.36 K
Dialogo Musicale
Adriano Banchieri,
,

(progression) []
(succession) .
,
.37
,

, ,
,
.
19) Adriano Banchieri: Dialogo Musicale (1611)

35

Jepessen 1939:99.
Arnold 1965:85
37
Mann, 1987:3.
36

13

 Banchieri, ,
,
, . 38
20) Johann Philipp Kirnberger: Grundstze des Generalbasses (c. 1781)

, Kirnberger,39 (.
.20, ). Kirnberger ,
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, Kirnberger
- ,
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.40

,41
. J.S. Bach ,
,
basse
fondamentale ,
38

Arnold, 1965:85.
Arnold 1965:395.
40
Schoenberg (1963:11),
,
,
.
41
. Schoenberg 1963:66.
39

14


!42
21) J. S. Bach: Ein feste Burg ist unser Gott

, Tappert
, , [. ]
(Klavieren)
, - -
. ,
,44
.
Bach
, 5 8 (5 [-]
8 [-S]), Victoria,
. ,
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43

22) Victoria: Ave Maria ( Brahms)45

42

Dahlhaus Kurth
(1990:68-70)-
,
. , ,
Gestalt Bach ,
,
, .
43
Tappert, Das Verbot der Quinten-Parallelen: Eine monographische Studie (Leipzig: Heinrich
Matthes, 1869), . Notley 2007:115-6.
44
. Burns 1995:12-16.
45
Notley 2007:141-42. Brahms ,

(. Octaven u. Quinten, Music Forum V, Paul Mast, 1980:1196, .120), !

15

 Heinichen (1683-1729),
,46 8 ,47
:
23) Johann David Heinichen: Der General-Bass in der Composition

Heinichen,
, (
,
).48
24) [-].
!

Heinechen
,
.49 Marpurg (1718-1795) -
C.P.E. Bach-

. :
1.
2.
3.
4.

( ).
.
.

.

46

, [-]. . .
Arnold 1965:392.
47
(.. [-]),
,
. . Dubois 1901:14.
48
Arnold 1965:393.
49
, Heinechen,
, .

16

 ,
Heinechen, 2 4 Marpurg,
.50 ,
Marpurg ,
, 8
[S-] , 1
,
(Vollgriffigkeit).51
25) Friedrich Wilhelm Marpurg: Handbuch bey dem Generalbasse (1755-62).

Mozart,
5
+6 V ,
.
5 ,
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,
.52
26) 5 .

, , 5
7 +6 ,
(.113-4),
50

Arnold (1965:392), Mattheson Heinechen

, Marpurg ,
C.P.E Bach- .
51
Arnold 1965:393. Brahms (. Laudon
1992:61) Vielstimmigkeit () Vollgriffigkeit (:
),
, ,
.
52
. 2004:228.

17

 (.115-6)
7
.53
27) Wolfgang Amadeus Mozart: K, 173 ( ).

) :
,
,
, , .
, ,
,
,
1960.54
28) Protin: Viderunt Omnes (ca. 1199).

[ (formulae)
,
].

Viderunt Omnes (. 28),
53
54

Kostka 2004:378.
Mertens 1988:114.

18

 13 , Protin (ca.
1170-ca. 1236).55 (Stimmtausch)
,
, ,
.56
,

, ,

(unison canons).57 ,
,

, .58
29) Serge Rachmaninoff: .2 , Op. 27 ().

,
,
,

,

55

Dufourcq 1947:34.
H Protin, ,
. , Judith Weir,
Sederunt Principes (ca. 1199), ,
(. . J & W Chester, 1988).
57
.
(
, . 3 - 3 , 3 , ..),
Desert Music (1984) Four Sections (1987), Steve Reich. ,
,
, Michael Torke (Ecstatic Orange, Four Proverbs, Music on the floor, .).
58
Piston 1979:200-201.
56

19

 : Protin
gamelan.59
30) Steve Reich: Violin Phase (1967).

, ,
,
Gyrgy Ligeti. Lux Aeterna, a cappella,
,
talea : (talea)
(color),
,
.
31) .

59

gamelan (.
Sorrell 1990:10), 20 21 ,
(Debussy, Britten, Messiaen, Cowell, Cage, Harrisson, Adams, Crumb, .).

20

32) Gyrgy Ligeti: Lux Aeterna (1968).

Ligeti,
,
.60 ,
, ,
.
)
,
,
, . ,
,
,
.
,
.
, (. . 33),

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(saturation)
,

60

Jarvlepp 1982:18, 27.

21

33) J. S. Bach: , ( )

[ [] []
(. ).
, ].

Boulez.61 ,

,
, .62

Anton Webern (1883-1945) (Ricercata)
Bach, ,
,
.
Bach,


.63 O Webern

.
,
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. ,
-
61

Palmer 1964:169, Boulez 1989:96. ,

[S] [B] , ,
. - ,
.

, .
Piston 1980:390, 395.
62
. 2006:14,17.
63
Schnittke 2002 [1970]:211-12.

22

 - -,
,
, , .64

,
,
.
,
,
, ,

.65

Tchaikovsky,
:

, ,
.66
34) Tchaikovsky: ().

64

Schnittke [1970] 2002:214.

Del Mar 1983:50-55.
66
Volkov 1985:170-5. (. G, .
90-93), Tchaikovsky, ,
, .
65

23


( ), ,
, ,

.
35) Richard Strauss: p. 40.

(Tchaikovsky) (Strauss),
,
.
, ,
, .
, , 2:1 (
).

24

36) .

,
(. 36 37, ).67
37) .

,
, Johann Strauss .
: )
(. 10-11, 15), )

(. 1-8, 12-14, 16) , )
(. 18-21). (. 22-24),
, ,
- .

67

Palmer, 1973:60.

25

38) Johann Strauss:

26

 ,
(Stimmtausch) ,
. ,
(
),
Elgar
.
39) Edward Elgar: , p. 36 (.10: Dorabella).

,
Adagietto, 5 Gustav Mahler. H
40) Gustav Mahler: 5 , Adagietto (III).

27

 ,
(. ,
2-3 4-5),

. ,
, ,
.68
, Richard Strauss
,
: 1 3 (. 2) 2 4 (
). .
41) Richard Strauss: Op. 20 ( ).

, Strauss, 1 2 (
4 )
, .69
:
,
.70 ,
,
,
.
42) .

68

O , , Gunther Schuller,
(Horn Technique, 1992:80-81),
tutti ff,

,
.
69
. 1 - 3 2 - 4
.
70
Jacob 1962:63.

28

43) Nikolay Rimsky-Korsakov: (. 8-12).

[ ,
(.8)
2 .11-12.]

,
,

. ,

, .
Korsakov (. 43),
( 2 .
8-11 12
2 71).
.8,
1 .10, 2
1 , .12.

tutti Richard Strauss
Berlioz. Strauss :

,
. ,
,
,
,
.72
Strauss
Tannhuser Wagner,
.
,
.
71
72

Matthews 2006:105.
Berlioz Strauss 1991:213.

29

44) Richard Wagner: Tannhuser ( ).

,
1
Dimitri Shostakovich: -
(
, ) ,
.
,
, .

30

45) Dimitri Shostakovich: 1 , op. 107. ( ).

31

:
-
-
,
. ars nova ,

,

. ,

,
.
,
20 ,


. , Boulez
Webern, ,
.73
,

. ,
:

.
N , 08-x-07

73

Boulez [1963] 1989:96.

32


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35